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05:01Please, Captain Hastings.
05:09Oh, sorry.
05:11I just wanted to know what time he wanted to leave in the morning
05:13for the Captain's plate at Abbott's Cross.
05:15Mr. Poirot didn't tell me about that.
05:18I did tell you, Miss Lemon.
05:19You simply forgot to enter it.
05:21Mr. Poirot,
05:23I am trying to be helpful.
05:26Miss Lemon, I am very grateful to you,
05:27but really I have no need of the hypnotics.
05:29I prefer to use my little gray self.
05:32Hastings,
05:33thank you for coming.
05:35I thought we might make an early start in the morning.
05:38What's this Captain's plate?
05:39Well, it's a golf trophy, of course.
05:41Two-day event.
05:42A friend of mine, Charles Leveson,
05:44has invited me to partner him.
05:45Surely you're far too busy to attend golf matches,
05:48Mr. Poirot?
05:49Yes, I am, Miss Lemon,
05:50but there is another invitation I could not resist.
05:54The uncle of Monsieur Leveson is Sir Ruben Astwell,
05:57and we have been invited to dine with him.
05:59He has the finest collection of Belgian miniature bronzes in Europe.
06:04And Belgian miniature bronzes,
06:05they are the finest in the world.
06:07Why is that?
06:08Because they are the largest.
06:11Truly, Sir Ruben Astwell must be a man of exquisite taste and sensitivity.
06:16I want that letter off to I.G. Farber today.
06:22I've been thinking, Ruben.
06:23I'm not sure we're doing the right thing.
06:24I'll do any thinking that's necessary.
06:26But as your partner,
06:27I'm entitled to my opinion.
06:29That's my junior partner.
06:30You're entitled to do what I say.
06:33Victor,
06:33Don't think you can take liberties just because you're my brother.
06:44Well,
06:45this is a right mess,
06:47isn't it?
06:48I'm afraid...
06:49Don't tell me it was an accident.
06:50More like damn carelessness.
06:52No, sir.
06:55It wasn't an accident.
06:56Are you sure it was him?
07:00There's no question, Sir Ruben.
07:01I saw his face quite clearly.
07:02Did we know what he was after?
07:04Yes,
07:04I put it in your brother's office.
07:20I think this will be safer with me.
07:26Mr. Poirier,
07:39you're in room 12.
07:41Mr. Hastings,
07:43room 13.
07:44Thank you.
07:44Thank you, sir.
07:56We've got some pretty stiff competition, Charles.
08:09Don't worry,
08:10old boy.
08:10I've been putting in hours of practice,
08:12and I know these greens like the back of my hand.
08:14Such dedication.
08:15Do you play,
08:16Mr. Poirier?
08:17Rarely,
08:18Monsieur Levison.
08:19I must confess,
08:20I owe my presence here more to art than to sport.
08:23Charles,
08:23here I am.
08:25Good luck.
08:26Thanks, Lily.
08:27Miss Lily Margrave,
08:29my aunt's companion.
08:31Let me introduce my partner,
08:32Captain Hastings.
08:33How do you do,
08:34Miss Margrave?
08:34How do you do?
08:36This is Mr. Hercule Poirot.
08:38Enchanté,
08:39mademoiselle.
08:40How do you do,
08:40Mr. Poirot?
08:41When Charles told me you were coming to dinner,
08:44I was so excited.
08:45Ah.
08:46How do you do?
09:14¿Has hecho el fuego mucho daño, entonces?
09:18Nada que no puede ser reparado.
09:24Tengo Trefusis que llegue este día para discutir lo que tiene que ser hecho.
09:29Él está quedando para la cena.
09:32Ya tenemos invitados de la cena.
09:35Bueno, eso es tan inconveniente.
09:39Me dijo que son amigos de Charles.
09:43Charles takes too much for granted.
10:02Excuse me, sir.
10:03Sir Reuben would like a word with you.
10:05He's in the billiard room.
10:07Thank you, Parsons.
10:14You wanted to see me, Uncle?
10:16Yes.
10:17And you know what about.
10:20You were all weak to think it over.
10:23Well, I did think it over.
10:25But, well, I mean, working for the firm,
10:29it's not really my cup of tea, is it?
10:31Oh, oh.
10:33And what exactly is it?
10:35Your cup of tea.
10:36Well, actually, I had some idea of becoming a golf professional.
10:39Crane golf?
10:41That's your idea, John?
10:43Well, I am really going to do that.
10:45I mean, earlier on today, I...
10:46Last year!
10:47You wanted to become a photographer.
10:49Oh, yes.
10:50Thanks, sir.
10:51Well, if you'd loan me the money in the first place,
11:07you have had all the money you're going to pay.
11:10Lady Astwell thought she might have left her reading glasses on your desk.
11:27Did she?
11:30Well, she must have made a mistake.
11:34She's not the only one who's mistaken, Miss Margrave.
11:37And this isn't the first time I've caught you in here messing around with my papers.
11:42I don't know what you're talking about.
11:44No.
11:44Please let go of my arm.
11:48I want you out of this house first thing on Monday morning.
11:52Your services are no longer required.
11:54No.
12:07Lily, over here.
12:31I found it.
12:39Where?
12:40It's in his study.
12:52War, Porro.
12:54That's what I said.
12:56And war is what I mean.
12:57And it's coming soon.
12:59You mark my words.
13:01With anyone in particular, Sir Ruben?
13:05Germany, of course.
13:07They're re-arming.
13:08They've re-militarized the Rhineland.
13:10They'll be all over Europe before you know it.
13:12Probably start with your phrase.
13:14Belgium.
13:15Shouldn't take them long.
13:16You will forgive me, Sir Ruben, if I do not view the prospect with such sang-froid.
13:26I myself have experienced at first hand the horror and destruction of war with Germany.
13:31I'm not saying that war is a nice business.
13:34But business it is.
13:36War and chemicals go hand in glove.
13:39There are more important things than business.
13:43Business will not be the only beneficiary.
13:46Think of the great strides that science will make.
13:49New fuels.
13:51New alloy.
13:52And it'll do wonders for the economy.
13:55Do you know how many unemployed we have today?
13:58More than a million.
14:00More than a million scrounging on the dole.
14:03War seems a pretty drastic solution.
14:11I think I agree with Victor.
14:14As well you would, Nancy.
14:16Never could face facts.
14:18Always the great actress.
14:31Could we talk about something a little more pleasant?
14:33Exquisite.
14:41Parfait.
14:46Oh, mon dieu.
14:48Hastings, this is undoubtedly the work of Auguste Clouet.
14:52And Auguste Clouet, he is one of the finest craftsmen in Liège.
14:55Fascinating.
14:56Oh, magnifique.
14:57Isn't it incredible?
15:04A tinder man?
15:05A genuine Jules tinder man?
15:08With a whole collection, it is magnificent.
15:11Is it?
15:12Oh, I got it at a knockdown price.
15:14I'm having to sell it for a profit.
15:20How can you bear the sacrifice?
15:22Sacrifice?
15:24Well, as far as I'm concerned, whoever buys them can melt them down for scrap.
15:27Never, Hastings.
15:34Never have I met a man so obnoxious.
15:38And I swear, that wine he gave to us, he manufactured in his chemical factory.
15:42Not the most pleasant evening, I agree.
15:47Sorry about the bronzes.
15:48That such a philistine should have them in his custody.
15:51It is an offence against art and justice.
15:53I say.
15:58I thought I'd walk you back to your hotel.
16:01I'll be doing with a spot of fresh air.
16:02Oh, right.
16:03Yes, I think I should retire now.
16:07Thank you for a most enjoyable evening, Lady Espel.
16:10Good night, Mr. Trefuses.
16:16That'll be all, Parsons.
16:17Very good, Your Ladyship.
16:21Tell me, Monsieur Leveson,
16:22in order to deserve a knighthood,
16:25your uncle must have rendered some service most special, n'est-ce pas?
16:29Bored and paid for, like everything else.
16:32The man's a monster.
16:35A bully.
16:37And a liar.
16:39A liar, Mr. Poirot.
16:47I'm surprised that Lady Espel are putting up with it.
16:50Well, I'm not going to work in his blasted factory.
16:55I'll show him.
16:56I don't want to hear any more of this sentimental, patriotic clap-cap.
17:03We're in business to make money,
17:04and the Germans are willing to pay it.
17:07No.
17:08What we are selling them will be used for military purposes.
17:13Big turn!
17:15That's incredible!
17:17About living.
17:30I've told you, Nancy, she's going, and that's all there is to it.
17:33Don't I have any say in the matter?
17:34I have a ten-a-penny.
17:36You can get another one.
17:37Oh!
17:38Oh!
17:38Oh!
17:38Oh!
17:38Oh!
17:38Oh!
17:38Oh!
17:38Oh!
17:38Oh!
17:38Oh!
17:39Oh!
17:39Oh!
17:39Oh!
17:39Oh!
17:40Oh!
17:40Oh!
17:40Oh!
17:41Oh!
17:41Oh!
17:42Oh!
17:42Oh!
17:43Oh!
17:43Oh!
17:44Oh!
17:44Oh!
17:45Oh!
17:45Oh!
17:46Oh!
17:46Oh!
17:47Oh!
17:47Oh!
17:48Oh!
17:48Oh!
17:49Oh!
17:49Oh!
17:50Oh!
17:50Oh!
17:51Oh!
17:51Oh!
17:52Oh!
17:52Oh!
17:53Oh!
17:53Oh!
17:54Oh!
17:54Oh!
17:55Oh!
17:55Oh!
17:56Oh!
17:56Oh!
17:57Oh!
17:58Oh!
17:59Oh!
18:00Oh!
18:01Oh!
18:02Oh!
18:03i've just about had as much as i'm going to take
18:20my god
18:23no harm done
18:29good night
18:33good night
19:03nothing at all
19:21clear the ground
19:22quick blow to the head saw him off i'd say
19:44there's the murder weapon
19:51if i might ask sir
20:00what condition was mr leveson when he left you last night in a state of the most regrettable
20:06inebriations why do you ask well it sounds as though he was the last one to see his uncle alive
20:11barsons the butler heard mr leveson having an argument with his uncle
20:18couldn't hear exactly what they were saying you have of course question mr leveson himself
20:22he admitted that they had a quarrel
20:29well i suppose i can say goodbye to the golf tournament it would be indecent to do otherwise
20:51it would be indecent to do otherwise
20:58and then
21:05and then
21:06and then
21:07and then
21:08and then
21:09and then
21:20and then
21:21and then
21:22and then
21:24excuse me sir i'll do your room
21:31if you please mr raswell
21:32at what time did you leave the study of sir reuben last night
21:36about eleven fifteen
21:38we've been discussing some business matters
21:40excuse me your ladyship
21:43but mr leveson's bedroom door appears to be locked
22:01he's run for it
22:04he can't have gone far
22:06light
22:14in the car
22:16right
22:31¡Suscríbete al canal!
23:01¡Suscríbete al canal!
23:31¡Suscríbete al canal!
23:33¡Suscríbete al canal!
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24:21¡Suscríbete al canal!
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24:25¡Suscríbete al canal!
24:27¡Suscríbete al canal!
24:29¡Suscríbete al canal!
24:31¡Suscríbete al canal!
24:33¡Suscríbete al canal!
24:35¡Suscríbete al canal!
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24:45he was making the most absurd allegations against lily accusing her of interfering with his private
24:58papers spying lily's a dear girl i regard her as i would a favorite niece charles is very fond of
25:08her you know she came with excellent references might i see these references is that really necessary
25:15just to satisfy my curiosity
25:17i've come to see mr nailer mr nailer appears to be out at the moment miss i don't know when he'll be
25:30back can i take a message oh well please give him this when he returns he's expecting it certainly miss
25:39i don't know what things are coming to gladys policemen and detectives all over the place
25:56expect it will be the press next oh would you think i'll get my picture in the paper mr parsons
26:01mr parsons a word with you if i may certainly sir
26:06excuse me
26:11mr parsons i understand that last night you heard mr leveson having the arguments with sir reuben
26:20yes sir i heard him cry out then there was a heavy thud mr leveson shouted my god did you try to
26:30ascertain the reason for this disturbance i did sir i went out of my room and
26:36listened at the foot of the back stairs i heard mr leveson call out no harm done and then he went off
26:46whistling as cheery as you like sir ow what have you done now girl cut myself there's a bit of metal
26:54sticking out of the table and i mean ma moiseu
26:56monsieur parsons have you noticed if any of your cutlery it is damaged
27:11as it happens one of the knives is missing its point sir
27:16i think you'll find it here embedded in the table
27:19well thank you sir i'll see to it can you get a bandage around that gladys
27:24yes mr parsons i'll wash your handkerchief for you sir
27:27no no no no ma'am was a gladys thank you there is no need you are most kind
27:31oh
27:32oh
27:42oh
27:44oh
27:46oh
27:47oh
27:50oh
27:52oh
27:54oh
27:56oh
27:58oh
28:00¿Cuál fue tu conversación con Sir Rubén, tu hermano?
28:05¿Era parecido?
28:06¿Por qué hubiera sido así?
28:09Porque detecté a la mesa de la mesa una cierta tensión.
28:13Sí, bueno, nos hicimos un desagreemento.
28:16¿A cuarón?
28:16No le llamaría eso.
28:18Un argumento.
28:20Es sobre esto.
28:25Nos hemos desarrollado un recorrido sintético.
28:28Astaprene.
28:28Remarkable stuff, made from oil
28:31Amazing properties
28:33Strong as mild steel
28:36High abrasion factor
28:38Ideal for motor tires
28:40Ruben intended to license its manufacturer to IG Farben
28:47You've heard of them?
28:50Yes, of course
28:51They are the largest chemical manufacturers in Germany
28:54Do you have the objections?
28:57It's all academic now
28:58And cancelling the transaction
29:01I will be with you in just a moment, Monsieur Pondreau
29:11Please, Monsieur Trefusis, do not hurry yourself
29:15We both know how important it is to weigh things most carefully, huh?
29:19I am at your disposal
29:30Merci
29:31I am trying to establish where everyone was at the time of the murder of Sir Ruben
29:36I was sound asleep in bed
29:39And I retired shortly after you left
29:42And you departed early in the morning?
29:44Yes, before breakfast
29:45Last night you talked at dinner about the scientific developments in Germany
29:51Did I?
29:53You are fluent in the language?
29:56Well, I should be
29:57I worked and studied in Germany for a number of years
30:00You have there a number of friends?
30:03Oh
30:03I keep in touch with colleagues
30:06Well, if you have no further questions, Monsieur Poirot
30:11Thank you, Monsieur Trefusis
30:15I am very sorry to have disturbed you
30:17A vintage year, you would say?
30:33This is the parcel you have been waiting for, Sir
30:35Thank you, I have enjoyed my stay
30:37My car is just outside
30:40I have enjoyed my stay
31:10Exhibition Road, London
31:20So, you say this Monsieur Naylor took the parcel with him when he left the hotel?
31:29Yes
31:29Thank you, Hastings
31:31Is that blood, Poirot?
31:33Yes, Hastings, but it is not mine
31:35Gladys, the maid, she cut her finger when she found the tip of a knife
31:39Embedded in the table where Victor Aswell, he was seated
31:42You don't suspect him, do you?
31:45It is by no means certain that your friend Charles is the murderer, Hastings
31:48Indeed, Lady Aswell is deeply convinced that he is not
31:51I have never known you place much faith in intuition
31:55Intuition, Hastings, often describes some fact that is so deeply buried in the subconscious
32:02That the subject is not aware of its existence
32:06What fact?
32:10Eh bien, Hastings
32:11If I knew that, the case it would be solved
32:14Lily Margrave's references
32:17Lady Aswell sent my special delivery
32:20Thank you, Miss Lemont
32:22It is indeed most fulsome in its praises
32:35It is certain that is the crest of the noble Duchess of Perthshire
32:40How interesting
32:51Tell the truth, Charles
33:04What have you got to lose?
33:12Oh
33:13When I arrived back from the golf club
33:20I went up to his study
33:22I was in a bit of a temper
33:27And I wanted to have it out with the old devil
33:30I went into his study
33:32And he was sitting at his desk
33:35Well, at least that's how it looked
33:37I've just not had as much as I'm going to take of you
33:41You swine
33:43Are you here?
33:46Oh
33:49You don't like it
33:51When someone stands up to you, do you?
33:54You don't like it when someone stands up to you, do you?
33:58Nothing to say
34:00Oh my God
34:05So when you found him, Monsieur Aswell was in fact already dead
34:10But why on earth did you make a run for it?
34:15Well
34:15When the maid
34:18Saw the blood
34:19I
34:19I just panicked
34:21You see, I knew you wouldn't believe me
34:25I mean, who would?
34:29Poirot might
34:30You do realize I can't guarantee any results, Mr. Poirot
34:52I have the most complete faith in you, Miss Lemon
34:54You are sleepy
35:00Very sleepy
35:03Your eyelids are heavy
35:11They are closing
35:16Closing
35:18This really is quite absurd
35:20Relax
35:22You are going to sleep
35:27Lydia Aswell, you are now asleep
35:48You can hear me
35:51And you can answer my questions
35:54I can hear you
35:56I can answer your questions
35:58It is the night of the murder
36:03You are seated at the dining table
36:07Describe to me what you saw and what you felt
36:12I
36:13I'm in great distress
36:16Worried about Lily
36:19Victor's looking at Ruben in an angry way
36:24Tell me
36:26Tell me about Victor
36:27Such a dear man
36:30We love each other very much
36:33It is later in the evening
36:44We're in business to make money
36:46You go to the study
36:47The Germans are willing to pay it
36:48What we are sending them
36:49Is Victor there?
36:50For military purposes
36:51No
36:52He's just coming out
36:55He looks pale and angry
36:57Victor
36:58You enter the study
37:02You have a terrible scene with your husband, do you not?
37:05He's going and that's all there is to it
37:06Don't I have any say in the matter?
37:08Eight companions of ten a penny
37:09You can get another one
37:11Very soon he will be murdered
37:13Do you know who murdered your husband, Lady Aspen?
37:18It wasn't Charles
37:20How do you know?
37:21Because of the curtain
37:23Don't I have any say in the matter?
37:25Eight companions of ten a penny
37:26One companions of ten a penny
37:27A curtain?
37:28What about a curtain?
37:29What about a curtain?
37:30It was a...
37:31A...
37:32A...
37:33A shape
37:34A shape?
37:35No
37:36The...
37:37Is there someone behind the curtain?
37:39Who is behind the curtain, Lady Aswell?
37:41Really, Mr Poirot, this has gone on long enough
37:43Si vous voulez, mademoiselle
37:44She's in distress
37:45Can't you see that?
37:46Lady Aswell
37:47The curtain
37:48Is there someone behind the curtain?
37:50Oh
37:52Oh, it's too late
37:53She's coming out of it
37:56I've been having a nap
37:57That's it
37:58Just a little nap
38:00Did...
38:01Did I...
38:02Did I say anything?
38:06Not as much as I could have wished
38:20No
38:23On the evening of the tragedy
38:24I understand that you had retired to bed
38:26Before Lady Aswell went to the study
38:27Is that not so?
38:28Yes
38:37Did you by any chance leave your room again?
38:40No
38:44Did you go into the study at any time during the evening?
38:47No
38:48Not at any time
38:53How curious
38:55In what way, Mr Poirot?
38:59As I recall that evening
39:02You wore a dress of green chiffon
39:08Such a pity it has been torn
39:13Where did you find that?
39:15Did you go into the study again after dinner?
39:17No
39:18Yes
39:20I may have
39:22Yes, I remember now
39:24I was in the study the previous evening
39:26And...
39:27I was wearing the same dress
39:30Ah, the same dress
39:36How sad that you appear to have spilt onto it some of Sir Rubens' most excellent wine
39:40Poisoned blood
39:41Poisoned blood
39:42Poisoned blood
39:43She's making a run for it, Poirot
39:44It must have something to do with that parcel
39:45I think I know where she's going
39:46Exhibition road, she'll catch the 115
39:50She's making a run for it, Poirot
39:51She's making a run for it, Poirot
39:52It must have something to do with that parcel
39:53I think I know where she's going
39:55Exhibition road, she'll catch the 115
39:56You are sure of the timetable, Hastings?
39:57Absolutely positive, Poirot
39:58Then we have just the time
39:59But you must drive like the winds
40:00I'm depending on you to navigate
40:01I'm depending on you to navigate
40:31¿Cuándo es el siguiente tránsito a Londres?
41:01¿Cuándo es el siguiente tránsito?
41:31¿Cuándo es el siguiente tránsito a Londres?
42:01¿Cuándo es el siguiente tránsito a Londres?
42:03¿Cuándo es el siguiente tránsito a Londres?
42:05¿Cuándo es el siguiente tránsito?
42:07¡¿Cuándo es el siguiente tránsito a Londres?
42:11¡¿Cuándo es el siguiente tránsito a Londres?
42:15Un saludo, Mademoiselle Magravese, si ese es tu nombre.
42:45Mi nombre es Lily Naylor.
42:55Hombre es mi hermano.
42:58¿Y tú, señor Naylor, eres un profesor de investigación aquí en el Collegio Imperial?
43:01Sí, en la chímena de polémica.
43:05La forma de las moleculares de unidades repetidas...
43:08Estamos hablando de máquinas de薄.
43:11En este caso, sí.
43:15Me hicieron un compromiso con un compound.
43:19No era perfecto, pero estaba cerca de ahí.
43:22El problema era que necesitaba inversión comercial para desarrollar su potencial.
43:32Así, me acercé a Astwell Chemicals.
43:35En primer lugar, ellos parecieron un interés en mi trabajo.
43:40Luego, después de un tiempo, Sir Rubén me dijo que había perdido un interés entero.
43:44No, no, no.
43:45No, no, no.
43:45No, no, no.
43:45No, no, no, no.
43:45No, no, no, no.
43:46No, no, no, no.
43:48I believed them at first.
43:51Then, my suspicions became aroused by odd little reports in scientific journals.
43:57They wouldn't have meant much to anyone who wasn't expert in the subject.
44:01Hello, George.
44:02Yes, have you seen the kind of...
44:03I made certain inquiries and became convinced that Astwell's were using my basic research.
44:09He was swindling me.
44:11But I had no proof.
44:16And you, Mademoiselle Naylor, and your references, they are genuine?
44:23Oh, yes.
44:25Completely so.
44:26I was employed by the Duchess of Perthshire.
44:31But the Astwells would have recognized the name Naylor, and so I changed my name on the references.
44:37And by this subterfuge, you are able to obtain the erstoprint file.
44:49Mr. Aswell, would you be so kind as to tell us...
44:55Mr. Aswell, would you be so kind as to tell us about Mr. Naylor?
45:09I understand you and your brother stole his research.
45:24I tried to argue with Ruben, but he said that Naylor's work was unproven.
45:29Our labs took over the whole thing.
45:31Well, I agree there were some problems still to be solved.
45:35Let us, if you please, go back to the night of the murder of Sir Ruben.
45:39Lady Aswell, when you were in the trance of the hypnotics, you said that you saw something behind the curtain.
45:45Not the window curtains.
45:49It was that curtain.
45:50Oh, my God.
45:52Calm yourself, madame.
45:54Captain Hastings.
45:56Thank you.
45:58Perhaps you can tell us who was hiding behind the curtain, Mr. Naylor.
46:03It wasn't me.
46:06I told you.
46:07After I'd met Lily in the garden, I went back to my hotel.
46:13But there was indeed an intruder.
46:15And on first entering the study, this intruder had no thought of murder.
46:23It was solely for the purpose of making the search.
46:28But suddenly, there was the sound of approaching voices and footsteps.
46:35And there was to be found only one place to hide.
46:39The small bedroom attached to the study that Mr. Aswell uses when he works late at night.
46:45I don't want to hear any more of this sentiment.
46:47Monsieur Victor Aswell and Sir Ruben enter the study.
46:49We're in business to make money.
46:50They do not see anybody hiding behind the curtain.
46:53And the two men quarrel violently.
46:55What we are selling them will be used for military purposes.
46:59Victor!
47:02Monsieur Victor Aswell lives in anger.
47:06But for our intruder, there is no way to escape.
47:09What a dilemma.
47:13If Sir Ruben decides to spend the night in a little bedroom, discovery must surely follow.
47:19Lady Aswell enters the study to protest at the dismissal of Mademoiselle Naylor.
47:23That's all that is to it.
47:24Why don't I have any sense about her?
47:25Eight of millions or ten of pennies.
47:27You can get another one.
47:29When Lady Aswell leaves, Sir Ruben hears alone.
47:35Now is the only moment for our intruder to escape without detection.
47:40But Sir Ruben hears a noise.
47:44What the...
47:45And voila.
47:49An act of impulse followed by blind panic.
47:53Now our intruder must escape.
47:57But it is not to be.
47:58Is there no way out of this accursed room?
48:02Monsieur Charles Levison enters the study.
48:04Someone stands up to you, do you?
48:08Nothing to say.
48:11And on seeing that Sir Ruben is dead, he leaves.
48:14Then, Mademoiselle Naylor enters the study.
48:19And finding the body of Sir Ruben,
48:22seizes her opportunity to take her file that is so important to her brother.
48:31Lily's told you what happened.
48:33He was trying to cheat me, but she didn't murder him.
48:40Mesdames et Messieurs.
48:41I am a student of the psychology.
48:45And throughout this case,
48:47I have been looking not for a man or woman who has the bad temper,
48:51because the bad temper is in itself a safety valve.
48:54No.
48:56I have been looking for a person
48:58who has the patience.
49:02Who has for too long
49:03played the part of the underdog.
49:05who crept into the study of Sir Ruben.
49:08Who hid behind the curtain.
49:11Who became trapped.
49:14And finally committed the act of violence
49:16that had been harbored for so long.
49:21It was you who was hiding behind the curtain.
49:23It was you who murdered Sir Ruben Aswar.
49:28Monsieur Trafusis.
49:32You waited until the house was silent and empty.
49:35You then crept back to your bedroom,
49:37leaving a dead man on the floor.
49:39This is absolute nonsense.
49:47Why should I want to kill him?
49:49In the Astoprene file,
49:52I noticed a contract that bears your signature.
49:56It would appear that you were instrumental
50:04in the development of the invention by Monsieur Naylor.
50:09You would have become a very rich man.
50:12If it was produced by the Astwell company,
50:15but if the process was to be licensed elsewhere,
50:18as it was told to you by your German colleagues,
50:22of what value then would be your contract?
50:25Scientists come in.
50:31Of no value at all.
50:39He was a bully.
50:42A liar.
50:45And a swindler.
50:47I think there will be few people who would disagree
50:50with your analysis of the character of Sir Ruben.
50:55So tell me, Mademoiselle Naylor,
51:03your brother, he is happy with the terms offered
51:05by Monsieur Victor Aswar?
51:07Well, they really are quite generous.
51:09Captain Hastings, a hole in one, Captain Hastings,
51:23a hole in one.
51:25Miss Lemon, Captain Hastings possesses far too much
51:28of the intellectual strength.
51:29Quite right, Poirot.
51:30I say.
51:31I say.
51:32I say.
51:33I say.
51:33I say.
51:35I say.