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05:04It's a sort of game
05:36Good
05:38Thank you
08:09It is tonight I think that your famous necklace makes also its debut
08:12Yes the mage just taking it to the theatre now
08:15Celestine show Mr Poirot the pearls
08:17Get them out of the box
08:24I can't sir I can't sir I don't have the key
08:27Why not damn it?
08:28Why not damn it where do you put it?
08:29Mrs Opelton keeps it sir
08:33She insists
08:34Security
08:35You carry the necklace on your own?
08:40No sir
08:41No Saunders my driver always goes with her
08:45As a matter of fact he's late
08:46Then perhaps you will permit Captain Hastings and myself to accompany la mademoiselle
08:52Oh that's very kind
08:53Oh that's very kind
08:54Oh that's very kind
08:54Not at all it is our pleasure
08:55Is it not Hastings?
08:56Oh rather
08:57Margaret
09:03Margaret
09:04Now listen dear
09:05You'll never guess who I've just met
09:07You
09:08It's Poirot
09:11Hercule Poirot
09:12He's on his way over now
09:14I know
09:15That's right
09:16We're gonna have to do something
09:24Mademoiselle your name of Celestine
09:26It is French n'est-ce pas?
09:28My mother was French sir
09:30But I've always lived here
09:31I was hoping to be in the theatre myself one day
09:35Ah
09:36And you have been working with Monsieur Obrisson for how long?
09:39About two years
09:41He's not normally so edgy sir
09:43It's just when there's a first night
09:45Have you seen Poe's before Swine?
09:47Only in rehearsal
09:48But it's beautifully written
09:50I'm sure Mr Opelton has nothing to worry about
09:53Stop!
09:54Stop!
09:58You are Lucky Len of the Daily Echo
10:01And I claim my ten guineas
10:03No madame I am not Len
10:05And therefore for you I am not lucky
10:07Excuse me
10:08Here we are
10:21We can go in the back way
10:26All right, where is it?
10:28Let me go!
10:29Honey
10:30Honey
10:31Don't you love it?
10:32When?
10:34Tomorrow
10:35You said that yesterday
10:36No!
10:39Tomorrow
10:40I promise you
10:41No!
10:42Tomorrow then, or else
10:45Give me the bag, Mademoiselle
10:47You are all right?
10:48You are all right
10:49You are all right
10:50They are all right
10:51They haven't heard me
10:54My God!
10:55You are Hercule Poirier, aren't you?
10:56Oui
10:57It would appear that you are in need of assistance, Monsieur
10:59Me?
11:01No, no, those are just what you might call business associates
11:05It's nothing I can't handle
11:07This is Andrew Hall
11:08The writer I was telling you about
11:09Ah
11:10This is Andrew Hall
11:11The writer I was telling you about
11:12Ah
11:13This is your Hall
11:14So it's your play
11:16It's Ed Opalson's play
11:18He bought it, cut it, rewrote it
11:20And left me with about 2% of it
11:22Hence my current difficulties
11:23Are you sure you are all right?
11:24Yes
11:25I have to go in
11:26I'll come with you
11:27Thank you, Mr. Poirier
11:28Thank you, Mr. Poirier
11:29Thank you, Mr. Poirier
11:30Vamos, eh?
11:31You know, Hastings?
11:32I begin, I think, to look forward to this play
11:33Glad to hear it
11:34Thank you
11:35Thank you
11:36Thank you, Mr. Poirier
11:37You know, Hastings?
11:38I begin, I think, to look forward to this play
11:39Glad to hear it
11:40Thank you
11:41Thank you
11:42I'll go
11:44Thank you, Hastings
11:46Thank you, Hastings
11:48Mr. Poirier
11:49I am Poirier
12:03Mr. Poirier
12:04I am Poirier
12:06And Mr. Poirier
12:08I am Poirier
12:09I am Poirot
12:10My name is Saunders, sir
12:14Mr. Opalson's chauffeur
12:16Yes?
12:18Mr. Opalson has sent me to take you to the theatre, sir
12:21With his compliments
12:22Thank you
12:24Here he comes
12:30Mr. Poirot, sir
12:32Mr. Poirot, have you been challenged to solve the place, sir?
12:34I do not believe it
12:35Mr. Poirot, how many eggs have we got to take you?
12:39Excuse me
12:39It is an outrage, Hastings
12:42To use our cube Poirot for the publicity of this plane
12:44Absolutely
12:45It's beginning
12:46Inspector Drake should be here pretty soon
12:51Oh, I'm awful
12:52Is Inspector Drake here to come from here?
12:55I've raised so much about him in the newspapers
12:57Oh, yes
12:58Inspector Drake and I have worked together quite a lot recently
13:01Good luck, my dear
13:03And you're only a local sergeant
13:06Oh, here's Inspector Drake coming out
13:08Shh, shh, shh
13:09Good evening, sir
13:11My lady will be here presently
13:12Good, I must speak to her at once
13:14My dear Inspector
13:16Forgive me, Lady Jane
13:20But I don't think you should be wearing that
13:23The necklace
13:25Why ever not?
13:26Because the Phantom has sworn to have it
13:30And the Phantom has never once failed
13:36I think it's about time we made an appearance at the party
13:41Well, you're not going to wear the pearls?
13:44I'm tired of being upstaged by them
13:48Celestine
13:48Yes, Mrs. O'Portley
13:50Is it safe just leaving them now?
13:53Of course, Celestine won't leave the room
13:55More champagne?
13:57No, thank you
13:58I don't see why you don't wear the pearls
14:01It's good publicity
14:02That's all you ever think about
14:04Now you heard what I said, didn't you, Celestine?
14:07Yes, Mum
14:08I'll have your supper sent up to you
14:10There
14:11Come on, then
14:23Time to play host and hostess
14:38Thank you
14:39I, er, hope you enjoy the party, sir
14:47Thank you
14:48Oh, pardon
14:48You will forgive me?
14:50Oh
14:50Thank you very much, sir
14:53Not at all
14:54I'll be waiting for you here, sir
14:59Thank you
15:06Who is it?
15:08All right, Mum
15:08Got your supper for you
15:09One moment
15:11That's very kind of you
15:14All part of the service
15:15Do you want me to carry it in?
15:17Yes, put it over there
15:18All on your own, are you?
15:23Yes
15:23It's a shame
15:25All the rest of them at the party
15:26Tell you what
15:28I'll sit with you if you like
15:30Thank you
15:33My name's Grace
15:36Grace Wilson
15:37So, how do you like the Grand Metropolitan?
15:40Let us say it was an evening
15:41I shall not easily forget
15:42Ah, Mr. Poirot
15:44Excuse me
15:45I'm delighted you could meet it
15:47Monsieur
15:48Madame
15:49Monsieur Ockelson
15:50At the theatre this evening
15:52There were some journalists awaiting me
15:54This was not, I think, a coincidence
15:55No
15:57But a man in my position
15:59Needs all the publicity he can get
16:01I bet you guessed who'd stolen the pals by the second
16:04interval, Monsieur Poirot
16:06Not at all, madame
16:07It was a question that ceased to occupy my mind long before the first
16:11Excuse me
16:13They're not really that bad
16:18You should try this job
16:19I could tell you a thing or two
16:21Have you worked here long?
16:23Not here, no
16:24Mr. Poirot
16:48You were to divine
16:50I played the detective, Drake
16:52Ah, yes, of course
16:54I found your performance most engaging
16:57It's a jolly good play
16:59Yes, I think it's going to be a success
17:02And just as well
17:04Dear Ed needs a winner
17:06Oh, three disasters last season
17:10He only had one success
17:12And that was a revival
17:13Oh, yes
17:15The girls doesn't run
17:19I'd say he was finished
17:21I do like these telegrams
17:30They're really nice
17:31They always send them
17:33Need some scissors
17:35I can get you some if you like
17:38No, it's all right
17:40I've got some somewhere
17:41I hate sewing
17:43Good night
17:47Did you enjoy yourself, sir?
17:49Yes, thank you, Saunders
17:50But now you know the fatigue
17:52Well, it is after midnight
17:54Yes, indeed, Hastings
17:55Thank you
17:56We're back, Celestine
18:03Everything all right?
18:04Yes, ma'am
18:05Everything's fine
18:06What a dreary party
18:09You weren't exactly glittering yourself, my dear
18:11And you drank too much
18:14Why not?
18:15I paid for it
18:16Celestine, my jewelry box
18:19Yes, ma'am
18:20That damn writer Andrew Hall
18:25He didn't even bother to show up
18:27I saw him leave the theater
18:28He was avoiding you
18:30You inferring something?
18:31No
18:32Here's the key
18:34Are you still drinking?
18:37Yes
18:38Do you want one?
18:43Sir
18:44Mrs. Opalson
18:47What is it?
18:50The necklace
18:51I don't understand it
18:54It's not here
18:56What do you mean it's not there?
18:57It's got to be
18:58Out of the way
18:59Let me
18:59For heaven's sake
19:04Call this
19:06Someone has stolen my pulse
19:10I take it, Monsieur Opalson
19:19That you have summoned the police?
19:25Yes, of course
19:26They're sending someone down from London
19:29But that's not good enough
19:30I want you, Mr. Poirot
19:32I beg of you
19:35I've got to get them back
19:36And these pearls
19:43They were without doubt
19:45In short
19:47Yes, but that's not the point
19:51The play, Mr. Poirot
19:54All the publicity about the pearls
19:56If they aren't returned
19:58I'll be a laughing stock
19:59We have an American tour
20:00How can we do?
20:01Pearls before swine with no pearls
20:03Poirot
20:04Excuse me
20:06The doctor
20:09Comment?
20:10I just think you ought to remember
20:11Why you're here
20:12Yes, that is true
20:15But his
20:16Monsieur Opalson
20:26I regret that Poirot
20:29Cannot help you in this matter
20:30What?
20:34I am here
20:35On vacances
20:38Ah, morning, Poirot
20:47Bonjour, Chief Inspector, Jeff
20:49I like this one
20:53I like this one
20:54Very old sweet, please
20:57I took the necklace off
21:05Before the party
21:06And put it in my jewellery box
21:08And then I put the box in the drawer
21:11Was the drawer locked?
21:13No, it wasn't
21:15Celestine was here
21:17So I felt there was no need
21:18How many keys are there to this box, Mrs. Opalson?
21:24Only one
21:24And I keep it with me all the time
21:26You're sure of that?
21:28It doesn't seem to have been forced
21:30Of course, I'm sure
21:32There's only ever been one key
21:35I'm going to offer a reward, Chief Inspector
21:45A big one
21:46You think that'll help?
21:48It may, sir
21:49So what were you doing
21:54When all this was going on?
21:56I was doing the sewing, sir
21:58I only went into the side room
22:01The first time for scissors
22:04And lace of a thread
22:05Oh, cheer up, Morrow
22:21It is for the best
22:22I have no doubt, Hastings
22:25Well, you're here for a rest
22:27If you're going to get involved in another case
22:29You might just as well have stayed in London
22:31That is true
22:33I don't know why you can't just sit back
22:35And enjoy the sea air
22:36I know you
22:42No, no, no, Hastings
22:44It is no use
22:45Not to take these cases
22:46For Poirot
22:47More hard work than to take it
22:48Saunders
22:56Get the car started
22:57I'm in a hurry
22:58Mr. Hall
22:59What?
23:01Oh, um
23:01Mr. Poirot
23:02I'm afraid I can't stop
23:03You've heard then about the pearls?
23:05Yes
23:06What was it about life imitating art?
23:08It serves Ed right
23:09Anyway, it's not my problem
23:10Mr. Hall
23:13I noticed that you were not at the party last night
23:15Well, I wasn't in a party mood
23:18May I ask where you were?
23:19I went for a walk
23:20Now, if you'll excuse me
23:22I really will be late
23:23Thank you, sir
23:25I only stayed with her
23:35I only stayed with her
23:35Because I felt sorry for her
23:36So you were alone in the room
23:38With the necklace
23:39Yeah, for about two seconds
23:40Didn't even know it was there
23:42You cheek
23:43Chief Inspector
23:45Ah, hello Poirot
23:48Excuse us, ma'am, was there?
23:50Thought you were sitting this one out
23:52Well
23:52No, no, no, no
23:53No, no
23:53So, how goes the investigation?
23:57Pretty routine
23:58Have you got any more questions?
23:59I've got a ton of work
24:00Oh, no, that's all right, Miss Wilson
24:02That's all for now
24:02Grace Wilson
24:08Been with the hotel a couple of months
24:09A barmaid before that
24:12Dog and duck in Hoburn
24:13She took that girl, Celestine, her supper
24:16First law, please
24:17So, tell me, Chief Inspector
24:20What is it that you have so far found out?
24:23Grace Wilson or Celestine
24:31The hotel maid or the ladies maid
24:33Seems to me it's got to be one of them
24:36A necklace in a box within a chest
24:38Chief Inspector and only one key
24:39It is as a magical trick
24:41The necklace?
24:54It was in this drawer
24:55That's right
24:56And this door?
25:01Well, that leads to the maid's room
25:02That's where Celestine went to get the scissors and thread
25:04Leaving Grace alone in the room
25:07Tell me, Hastings
25:09How long do you think it would have taken
25:12Mademoiselle Celestine
25:12To retrieve the scissors from that room?
25:14I don't know
25:15Twenty seconds?
25:17Twenty seconds?
25:19And for how much of that time
25:20Would she have been out of this room?
25:23Four or five seconds at the most
25:24Exactement
25:26And for Mademoiselle Grace Wilson
25:31To open this drawer
25:33Remove the box
25:33Somehow to unlock it
25:35Open the box
25:35Take out the necklace
25:36Close the box
25:37And return it?
25:39Well, she couldn't possibly have had time
25:41I do not think so
25:42Right
25:44Excuse me
25:46Where are you going, Chief Inspector?
25:49I think it's about time I had Miss Celestine searched
25:52I can't imagine why they didn't lock it
25:57This drawer runs easily, Hastings
26:06But not this one
26:11C'est intéressant
26:22I wonder
26:24Well, that must interconnect with the room next door
26:32It is bolted
26:34Bolted on both sides
26:42But Hastings
26:44We know who it is who occupies this room
26:46Room 113?
26:49Wait
26:49His name, I think
26:51Was Mr. Worthing
26:53That's right, sir
26:55He was an American gent
26:56He only stayed the night
26:58Left this morning
26:59You saw him depart?
27:02Oh, no, sir
27:03Carried his own luggage
27:05Must have left at the crack of dawn
27:07You didn't have a chance to see him yesterday evening?
27:12No, sir
27:13I can tell you I did see, though, sir
27:17Well, it was just as I was leaving
27:19Well, I don't want to talk out of turn, sir
27:22But, well, if there's a reward and all that, well
27:25Pleased to continue
27:27Yeah
27:28Well, that rioter, Mr. Hall
27:31He was hanging around outside the hotel
27:33Must have been about 11 o'clock
27:36Outside?
27:39Yes, sir
27:43Would he have been near to the window of Monsieur and Madame of Resson?
27:51Oh, yes, sir
27:53Right under it
27:54Thank you
27:57Oh, now here's something that shouldn't be here
28:13There's a duplicate key to the jewel box
28:27We found it hidden in the hem of Celestine's pitty cat
28:31Sounds pretty conclusive
28:33But what about the necklace?
28:35No sign of that yet
28:36We're going up, ladies and gentlemen
28:37But, uh, if you say her boyfriend was seen outside the hotel last night
28:43Monsieur Hall? He was here, yes?
28:50Yes, well, that explains it, doesn't it?
28:52Explains what?
28:53How she got the necklace out of the hotel
28:55She couldn't leave the room
28:56So she simply dropped it out of the window
28:58And he was there to catch it
28:59You have arrested, Mlle Celestine?
29:02Yes, and the sooner we find Andrew Hall, the better
29:04Ah, Mr Saunders
29:12We want a word with you
29:13I hear you've already solved the case, sir
29:20Never mind about that
29:21Have you seen Mr Hall?
29:23Mr Hall, sir
29:24I drove him to the race course
29:27Is he in some sort of trouble, sir?
29:29He could be in a lot of trouble
29:30Why do you ask?
29:31Well, he did seem a little anxious
29:35I'm not surprised
29:38Have you any idea where we might find him?
29:41Well, he always places his bets with the same man
29:45Harry Wax
29:46Harry Wax?
29:50He's a bookie, sir
29:51Just the sort of place I'd expect him to go
30:15What do you mean, Chief Inspector?
30:17A race course
30:18This is where you'll find every criminal element, Poirot
30:20And what better place to do this kind of business
30:23Than in the middle of a crowd
30:24Hurry up, we're not too late
30:26Have you got all the entrances covered?
30:28Yes, sir
30:28Right, you lot come with me
30:29And keep your eyes out for a bookie called Harry Wax
30:32Come on, lads
30:33He seems this is wrong
30:34To Poirot, it makes no sense
30:3625
30:4050
30:4255
30:4460
30:46Next race is
30:473.30
30:48Take 6 to 4 this favourite
30:50And 4 to 1 bar one
30:53Take 6 to 4
30:55Take 6 to 4
31:00This line coming out of the sort of orders now
31:03To the street in the day
31:04On the 5th redstone
31:05As for it went quick
31:07And Nelson Miller
31:07And Salimann
31:08And Penny Black
31:09And it's what a couple at the back
31:10Face quickening now
31:12As they come down the long street
31:14New Harry Wax
31:15Yep
31:16See a tall blonde air chap
31:17We're making about this morning
31:18And it's magic sun out ahead
31:22And on the inside
31:23Redstone
31:23And down on deck and deck
31:25And as they're coming into the magic sun
31:27Redstone
31:27This was still unworthy
31:28I could have sworn it
31:29You can't come in here
31:47Stop it
31:49Get him
31:56All right, gotcha.
31:59Come on.
32:05All right, get him in the car.
32:07All right, in the car. Come on.
32:08I'm afraid we got to him just too late, but we found this and this.
32:13The pearls?
32:14No, just the pouch that we kept in. Empty.
32:17So what's happened to the pearls?
32:26You've got it all wrong, Chief Inspector.
32:56Ah, so I suppose you won this lot on a horse, did you?
32:59Yes. Laughing Boy came in at seven to one.
33:03Then why did you try and run for it when you saw me?
33:06I owe money.
33:08I've had a bad run and fell in with some pretty bad company.
33:12Well, you saw what they were like. Outside the theatre.
33:15Yes.
33:18I didn't know who you were, so...
33:20How do you explain this?
33:26I can't. I've never seen it before.
33:35It was in your pocket.
33:36Then somebody must have put it there.
33:39Chief Inspector.
33:40Mr. Horville, why did you not go to the party of Monsieur Opperson?
33:51I've told you, I went for a walk.
33:54And your walk took you back to the Grand Metropolitan Hotel?
33:57Yes.
34:06I wanted to see Celestine.
34:10I just needed to be with her, but...
34:13Then, when I saw she wasn't alone...
34:16I went to bed.
34:19Mr. Poirot, you've got to believe me.
34:30I'd never seen that key before.
34:33Someone must have hidden it there.
34:34No, no, no, no, no, not indeed.
34:36Tell me, about Monsieur Hall.
34:40You know of his gambling?
34:41Yes.
34:44I've tried to stop him, but it's no good.
34:48It's like a disease.
34:50You are aware, Mademoiselle, that for the return of these pearls, Monsieur Opperson, he's offering a reward most substantial?
34:56Yes.
34:58But I didn't take them, Mr. Poirot, I swear to you.
35:02But nobody else came into the room while you were there?
35:04No.
35:08Only the hotel maid.
35:11Tell me, Madame Celestine, Monsieur Hall, how did you first meet?
35:19It was at the theatre.
35:22One of Mr. Opperson's productions.
35:25On Oscar Wilde.
35:27Lady Wendermere's fan?
35:29No.
35:30It was the importance of being earnest.
35:37Of course.
35:45Hastings, I must contact a good Miss Lemon in London.
35:48What for?
35:49In this case, Hastings, I begin to see the light.
35:51I don't understand.
35:52You heard what the young lady said?
35:54Oscar Wilde.
35:56Exactam.
35:57Hastings, there is work to be done.
36:00Stay, Dad.
36:02Stay, Dad.
36:03Stay, Dad.
36:07We'll be right back.
36:07Bye.
36:08Bye.
36:08Bye.
36:13Bye.
36:17Bye.
36:18Bye.
36:20Bye.
36:22Bye.
36:22Bye.
36:22Bye.
36:23Bye.
36:27Bye.
36:28cine 밖에
36:29¡Five goes to town! ¡Come on, give the wives a trick!
36:33¡Viva a good choice!
36:42¡Good shooting, Chief Inspector!
36:44¡I used to go out on Isleworth Marshals when I was a boy!
36:47¡Some things you never forget!
36:49¡Well, I must say, it's nice to have an evening off!
36:51¿What's Poirot up to then?
36:53¡Thinking!
36:54¡Oh!
36:55¡This was meant to be a rest, you know!
36:57¡Heaven knows what Miss Lemon's going to say over to your eyes!
37:01¡Hello, sir!
37:02¡Evening, Chief Inspector!
37:04¡Hola, Miss Lawson!
37:05¡Nice to see the police is human, too!
37:07¡Is that for your little boy?
37:10¡Yes!
37:11¡I'm glad I ran into you!
37:12¡There's something I was wanting to tell you!
37:14¡Oh, yes! What's that?
37:16¡Well, it may not mean nothing, but it's that writer!
37:19¡What about him?
37:20¡Well, I saw him in Mr. Opheltson's room!
37:23¡The day before that necklace got swiped!
37:25¡He was there when I did the cleaning!
37:26¡Said he was looking for something, but I don't know!
37:29¡Anyway!
37:30¡The day before!
37:44¡Mr. Opheltson!
37:46¡Ah!
37:47¡Miss Lemon!
37:48¡Allow me to take your case!
37:50¡Thank you!
37:50¡Good morning, Miss Lemon!
38:02¡I thought this was meant to be a holiday, Captain Hastings!
38:06¡I'll talk to you later!
38:08¡Puora!
38:09¡Puora!
38:16¡What are you up to, Puora?
38:18¡Chief Inspector!
38:19¡You must make an immediate arrest!
38:21¡I've already made an arrest!
38:22¡Thank you very much!
38:23¡Chief Inspector!
38:24¡What if this case was not just a question of theft, but of fraud!
38:28¡And what also if the pearls of the sun did not exist!
38:32¡Can we have a statement, Chief Inspector!
38:38¡Can we have a statement, Chief Inspector!
38:40¡Mr. Opheltson!
38:41¡Mr. Opheltson!
38:42¡I've never had anything to say, Mr. Opheltson!
38:44¡How dare you!
38:45¡But, Mr. Opheltson!
38:47¡A man in your position!
38:49¡Needs all the publicity he can get!
38:53¡Mr. Opheltson!
38:54¡Can you tell us what's going on, sir!
38:55Following our investigations, we discovered that the necklace that was stolen was a fake.
38:59There never were any real pearls.
39:01You mean he did it for the insurance, Chief Inspector?
39:03We are now investigating the possibility of an insurance fraud.
39:07That's all I can tell you for the present.
39:08Thank you.
39:09One more question.
39:10¡Puora, what made you think the past...
39:12¡No!
39:12¡No!
39:12¡No!
39:12¡No!
39:12¡No!
39:13¡No!
39:13¡No!
39:13¡No!
39:14¡No!
39:14¡No!
39:14¡No!
39:15¡No!
39:15¡No!
39:16¡No!
39:16¡No!
39:17¡No!
39:17¡No!
39:18¡No!
39:18¡No!
39:19¡No!
39:19¡No!
39:20¡No!
39:20¡No!
39:21¡No!
39:21¡No!
39:22¡No!
39:25Drake and I have worked together quite a lot recently.
39:27Oh, here's Inspector Drake coming now.
39:29Shh, shh, shh, shh.
39:30Good evening, sir.
39:31My lady will be here presently.
39:33My dear inspector.
39:35Forgive me, Lady Jane, but I don't think you should be wearing that.
39:40Oh, necklace.
39:44Why ever not?
39:46Because the Phantom has sworn he'll have it.
39:50And the Phantom has never once failed.
39:57The Phantom?
39:58Why do you want to see the play again?
40:01Tomorrow the play travels to New York, mon ami.
40:04Yes.
40:05Miss Lemon has yet to see a performance.
40:07At this time, I mean to have him.
40:11No, I'm not.
40:12I've got a hair.
40:13No, I've got a hair.
40:14No, I'm not.
40:15I'm not.
40:16I'm not.
40:17I'm not.
40:18I'm not.
40:19I'm not.
40:20I'm not.
40:21Good night, sir.
40:22Good night.
40:23Good night.
40:24Good night.
40:38What are we doing here, partner?
40:40No, no, no, Hastings, and that is what Miss Lemon discovered for me in London.
41:06They're just too well known over here.
41:08No one had touched them.
41:10In America, then?
41:12Exactement.
41:13And with everyone searching for them, what would be the best way to smuggle them abroad?
41:26Well, of course, in among the scenery and props for the play.
41:29Oui.
41:30You mean they're here somewhere?
41:33Oui.
41:33Well, where?
41:35And who put them here?
41:37In this case, it is to be most curious in this part, Chief Inspector.
41:40From the start, there were only two people who could possibly have stolen those pearls of Monsieur Operson.
41:48Mademoiselle Celestine or Mademoiselle Grace Wilson, the hotel maid.
41:53Well, it must have been Celestine.
41:56She had the key.
41:57It was sewn into her petticoat.
41:59It has always puzzled me that, Hastings.
42:01Why keep the key?
42:03It was so needless, so clumsy.
42:05Are you saying it was planted?
42:07Yes, of course.
42:08Well, if it wasn't Celestine, it must have been Grace.
42:11But we know that she didn't have time to take the pearls.
42:14You said so yourself.
42:15It is a riddle, is it not Hastings?
42:17So which of them was it?
42:18Let us imagine.
42:29Mademoiselle Grace Wilson is in the room of Monsieur Operson.
42:32She is there only to be friendly.
42:36Excuse me.
42:37I can get you some if you like.
42:38No, it's all right.
42:39The moment the Mademoiselle Celestine leaves the room to retrieve the scissors, as quick
42:42as a flash, she acts.
42:43She was able to execute the theft of the pearls in an instant, because she did not need to
42:59unlock the box herself.
43:01She had in the adjoining room an accomplice with a duplicate key, and it was he who removed
43:07the pouch and the pearls.
43:13Mr. Worthing.
43:16Exactement, Hastings.
43:19And when Mademoiselle Celestine leaves the room for the second time, this time for some
43:23thread, the box it is returned in exactly the same manner.
43:31Only now, the necklace, it has gone.
43:36And I suppose it was this mysterious Mr. Worthing who hid the key in Celestine's petticoat.
43:42He or his accomplice, Chief Inspector, yes.
43:46But it was definitely Mr. Worthing who placed it in the pocket of Monsieur Hall, the pouch
43:51which was empty.
43:55That's right.
43:56I saw him at the race course.
43:58It was Mr. Worthing.
43:59I could have sworn it.
44:00But who is he?
44:02Who is this Mr. Worthing?
44:03Mr. Worthing.
44:13Mr. Borough.
44:15Shh.
44:20Shh.
44:20Wait there.
44:21Shh.
44:22Shh.
44:23Shh.
44:24Shh.
44:25Shh.
44:26Shh.
44:27Shh.
44:28Shh.
44:29Shh.
44:30Shh.
44:31Shh.
44:32Shh.
44:33It is a pleasure to meet you at last, Mr. Worthing.
44:53Sonders.
45:06Let go!
45:08Get off me!
45:08I've got nothing wrong!
45:09Let go of me!
45:12Oh, God.
45:23¡Gracias!
45:53¡Gracias!
46:23No, Hastings, it was not the talcum powder.
46:25It was the French chalk,
46:27which cabinet makers used to let the drawers made of wood run more smoothly,
46:31and with which Monsieur Worthing prepared beforehand the drawer containing the pearls.
46:39But I was suspicious of Mr. Worthing long before this.
46:43Your key, Mr. Worthing.
46:45When Hastings and myself, we first came to the Grand Metropolitan Hotel,
46:48there was a man at the desk.
46:50He was elderly, he must walk with a stick.
46:54Thank you.
46:56But when he goes to his room, which is on the first floor,
46:59he proceeds not to the lift that he's waiting, no,
47:02but to the staircase.
47:11It was a performance, Monsieur,
47:13but a performance that to Poirot did not ring true.
47:20Damn you.
47:22That's enough of that.
47:23Take them away.
47:34One thing, Poirot.
47:35I know you were waiting for them,
47:37but why didn't you think they'd come here?
47:38They came here, Hastings, to retrieve their necklace.
47:41I see.
47:46Where is the necklace?
47:48The necklace, Hastings?
47:50It is, I think...
47:51It is, I think...
47:52what do you think,
47:53what if you are there?
47:54You are hiding them.
48:14Hola.
48:19¡Suscríbete al canal!
48:49So you made up the story about the fake pearls to smoke out the thieves.
48:55So, now you learn the plot of your next play, Monsieur Warren.
48:59Yes, I told to them that the necklace it was false because I knew that they would then have to examine it.
49:05We're all packed, Mr Poirot.
49:06Thank you, Miss Lemon.
49:07The reward, Mr Poirot. It should be yours. Why have you given it to me?
49:12Because, Mademoiselle, it was you who told to me the title of the play,
49:16the importance of being honest.
49:19And there is in that play a character that is very well known who is called...
49:24Jack Worthing.
49:25Cesar. And it was then that I saw the light.
49:29So the reward, I think, must be for you.
49:37Miss Lemon? Hastings?
49:38So much for your holiday, Mr Poirot.
49:53But, Miss Lemon, I feel completely refreshed.
49:55Even so, this wasn't what the doctor ordered.
49:57Daily Echo!
50:00Daily Echo!
50:00You are Lucky Len of the Daily Echo, and I claim my ten guineas.
50:10You're right. I was Lucky Len.
50:13And I'm sorry, I got fired this morning.
50:15Fired? Why?
50:17Too many people were recognizing me.
50:19The people decided it must be my face.
50:22It's too common.
50:25Common?
50:25That's what they say.
50:27Bit of a cheek, if you ask me.
50:29But, there you are.
50:30They are wrong, Mon ami.
50:31You have a face that is most distinguished.
50:34You have no need to work for this newspaper.
50:38You have a face of a great man.
50:40You think so?
50:42Oh, yes.
50:43I know it.
50:44I know it.
50:44I know it.
51:05I know it.
51:05I know it.
51:07Gracias por ver el video.
51:37Gracias por ver el video.