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00:00:30We are all here to steal the money.
00:00:34And while we were all digging hard,
00:00:38I was just a little bit off guard.
00:00:42My friends, my friends, where are you now?
00:00:47When will we meet again, in some other place?
00:00:51I'm not sure, but I'm sure.
00:00:55I'm not sure, but I'm sure.
00:00:58When will we meet again, in some other place?
00:01:05Where are you now?
00:01:08When will we meet again, in some other place?
00:01:12My friends, my friends,
00:01:18in some other place?
00:01:21Play, I want to hear it.
00:01:28When will we meet again, in some other place?
00:01:32I love the way you play.
00:01:35Why is it written in Czech?
00:01:36What is written in Czech?
00:01:37In Czech it says,
00:01:38there in America, at their work activities,
00:01:41there they play the guitar backwards,
00:01:43and then they call the devil.
00:01:47Listen, Borko, we can't talk about religion, they'll hear us.
00:01:50But it's written in Czech.
00:01:51Okay, but we can't talk about it.
00:01:52But it's written in Czech.
00:01:53Okay, shut up!
00:01:54And you know what else is written in Czech?
00:01:55I don't want to listen to you.
00:01:57It's written in Czech,
00:01:58that the devil comes and asks,
00:01:59who played that?
00:02:00He doesn't say, I played it.
00:02:01He says, you'll be rich and famous.
00:02:03I'll be rich and famous,
00:02:05but I'll wait for communism.
00:02:07You'll wait for communism?
00:02:08I'll go straight to America.
00:02:10You won't, Pavic.
00:02:11Pavic.
00:02:12Now you'll see.
00:02:13Hold the trusses.
00:02:16Hold the trusses.
00:02:17Pavic wants to play backwards.
00:02:27Hold the trusses.
00:02:45Hold the trusses.
00:02:51This is the first time they call me to communism.
00:02:55He failed at what he looks like.
00:02:58Why?
00:02:59He has a nice haircut.
00:03:01And communism insists on moral values.
00:03:04Naive.
00:03:06So, communist,
00:03:08for which trousseau would you sell your soul?
00:03:11And forever burn in hell.
00:03:13We don't have hell.
00:03:15We don't even have heaven.
00:03:16We're done with that.
00:03:17The other trusser told us...
00:03:19Communist!
00:03:22Good friends, if that's what you mean.
00:03:25I want to become a free artist,
00:03:29a rock'n'roll musician.
00:03:32I want to be very rich,
00:03:35to be popular with my friend Tito,
00:03:38and to hang out only with friends
00:03:40who have big breasts,
00:03:42and a sissy heart.
00:03:45What's that?
00:03:47It's a demon.
00:03:55See you soon at the place you forbade me to go.
00:03:59You'll be surprised how warm it is,
00:04:01since it's abandoned.
00:04:14Borko is dead.
00:04:16Torijan is alive.
00:04:44I want to become a free artist,
00:04:46a rock'n'roll musician.
00:04:48I want to be very rich,
00:04:50to be popular with my friend Tito,
00:04:52and to hang out only with friends
00:04:54who have big breasts,
00:04:56and a sissy heart.
00:05:14© BF-WATCH TV 2021
00:05:44© BF-WATCH TV 2021
00:06:14© BF-WATCH TV 2021
00:06:44© BF-WATCH TV 2021
00:07:14© BF-WATCH TV 2021
00:07:37Good morning, Zvezda!
00:07:41You're so beautiful!
00:07:44In this picture.
00:07:52I dreamed about my famous concert.
00:07:54Which one?
00:07:55On the machine.
00:07:57Come on, we have a lot of work to do.
00:07:58Breakfast!
00:08:00You won't, you don't have to,
00:08:02there's someone who will.
00:08:04Listen to this.
00:08:05First,
00:08:06a painting for a boat,
00:08:08an interview for a satellite,
00:08:10and that's it.
00:08:11Listen,
00:08:12we have a great idea for a new album.
00:08:14No!
00:08:15Dorian!
00:08:17You know the doctor forbade you to compose.
00:08:21I want to hear that new thing.
00:08:28Hey,
00:08:29Raya Gaya and Vlaya Mazul
00:08:31have something from the Egyptians.
00:08:33You know what it is?
00:08:34It's for weddings and weddings.
00:08:37To get drunk.
00:08:39Not to come back, to get drunk.
00:08:42Oh my God.
00:08:44Oh my God, Dorian,
00:08:45I'm going to kill you.
00:08:49You're the most beautiful.
00:08:51You're the best.
00:08:53You're God.
00:08:56Honey,
00:08:57what are you doing here?
00:09:01Come to my place when you're ready.
00:09:04Oh, smile.
00:09:08Oh, honey, honey.
00:09:12Honey, honey.
00:09:15Come on.
00:09:16Go back.
00:09:24Move that bee.
00:09:28You're burning.
00:09:30Where did you come from?
00:09:32We love our songs.
00:09:33I'm 16.
00:09:34She's older.
00:09:38What?
00:09:39Versace?
00:09:40When did rockers wear Versace?
00:09:41That's why I called you.
00:09:42I used to play rock and roll,
00:09:43and now this shit.
00:09:44Wait a minute, buddy.
00:09:45What did you ask for in the contract?
00:09:47Explicitly.
00:09:49Hunting,
00:09:50women,
00:09:51and fame.
00:09:52And today in Serbia
00:09:53there is no such thing as rock and roll.
00:09:56No, but here it says rock and roll.
00:09:58I was supposed to play rock and roll,
00:10:00not this shit.
00:10:01And if you don't protect me,
00:10:02I'm going upstairs to complain.
00:10:04Shut up.
00:10:06And you,
00:10:08it's not nice to be a prosecutor.
00:10:09I can't listen to that anymore.
00:10:11Give me back my original rock and roll,
00:10:13and that's it.
00:10:17Did I tell you nicely
00:10:18that the whole planet fell apart
00:10:20when the Serbs defeated communism?
00:10:23Satanism?
00:10:24Yes.
00:10:25What are we going to do now?
00:10:26We'll solve it.
00:10:27We just need to get rid of that young soul.
00:10:30God,
00:10:31please help me.
00:10:32I'm doing everything you tell me to do.
00:10:34I don't care if it's Friday, Christmas,
00:10:36or Christmas Day.
00:10:37You're such an idiot.
00:10:39Why can't we film a demo?
00:10:41Why doesn't Sara love me?
00:10:42Son, this salesman is hungry.
00:10:44There's no chance.
00:10:45God.
00:10:46We'll see.
00:10:47God, just give me one sign.
00:11:01Get that heart rate up.
00:11:03Turn off that hat.
00:11:05Be good.
00:11:08Look at him dress up.
00:11:10Who's that?
00:11:11I'm in a hurry to school.
00:11:12Bye.
00:11:13Marko Sokic!
00:11:14I don't have three,
00:11:15but I have one.
00:11:16He's crazy.
00:11:38Fuck him, kid.
00:11:39He's late for school.
00:11:40That's not nice.
00:11:41Teacher!
00:11:42You're two minutes late.
00:11:48One, two, three!
00:11:51Look.
00:11:52You're a bit out of it today, boys.
00:11:55You're late!
00:11:57Who should we threaten today?
00:11:59Let go, let go.
00:12:01You're ruined for us,
00:12:02you faggot.
00:12:05What the hell is this?
00:12:07Come on, boys,
00:12:08a few more punches.
00:12:10I have to soften the kid
00:12:12for the salesman's soul.
00:12:13And I'll make sure he doesn't sell.
00:12:16You'll see.
00:12:26Just eat five punches for a smile,
00:12:28so you can see.
00:12:34One, two, three!
00:12:52What a faggot.
00:12:53I've never seen such an alcoholic before.
00:12:55Yeah, I wanted to kill him right away.
00:12:57He's right.
00:12:58Listen,
00:12:59maybe you know our film,
00:13:00but I don't like rockers.
00:13:02What the fuck is that?
00:13:03What am I supposed to do?
00:13:04Just what he asked for.
00:13:06Get him on time.
00:13:07And fix that shit.
00:13:09Do you have it?
00:13:12You don't.
00:13:34He's a faggot, I'm a faggot.
00:13:38He's a faggot, I'm a faggot.
00:13:42He's a faggot, I'm a faggot.
00:13:46He's a faggot, I'm a faggot.
00:13:52What kind of stupid song is this?
00:13:54Social criticism against drugs.
00:13:56You know what drugs are.
00:13:59The old question is
00:14:00whether an artist has the experience to be something.
00:14:04Because an artist needs to be imaginative.
00:14:07Bro, how come only you were respected?
00:14:11Besides tears and sweat,
00:14:13I have some good news.
00:14:14I found our first dance floor!
00:14:16Where?
00:14:17A place where a few older guys gather.
00:14:30A place where a few older guys gather.
00:14:33Everybody's dancing,
00:14:35because the song is late.
00:14:37Everybody's dancing,
00:14:39because the song is late.
00:14:44Everybody's dancing,
00:14:46because the song is late.
00:14:49Because it's the same as me.
00:14:53Because it's the same as me.
00:14:56Because it's the same as me.
00:15:11Because it's the same as me.
00:15:15Because it's the same as me.
00:15:17Because it's the same as me.
00:15:24I really liked this song.
00:15:26It's so young and young.
00:15:28They even changed their faces.
00:15:30Poor guy.
00:15:31It's a shame he didn't perform the chorus.
00:15:38Dorian was a living proof
00:15:40that the people will remain and rule.
00:15:43And now, Bailey!
00:15:45Let's give him a round of applause!
00:15:51It's the same old shit.
00:15:53Rocky folk, they think we're crazy.
00:15:55What's wrong, Luka?
00:15:56What are you so sad about?
00:15:57Something in the sugar,
00:15:58something in the beer.
00:16:00Microphone, microphone.
00:16:04Look at that!
00:16:05This is rock'n'roll, man!
00:16:08Good evening, bar!
00:16:09Eskobar!
00:16:10With clubs!
00:16:15In the name of the Father, and of the Son, and of the Holy Spirit. Amen.
00:16:45In the name of the Father, and of the Son, and of the Holy Spirit.
00:17:15In the name of the Father, and of the Son, and of the Holy Spirit.
00:17:24God, maybe I don't deserve to film this CD,
00:17:27to become rich and famous.
00:17:29If that's the case, give me just one sign.
00:17:32Give me just one single sign.
00:17:39I understand.
00:17:41Alright, I get it.
00:17:46I'd give anything for it.
00:17:50This is a battle for the soul. Who will go first?
00:17:54After you, Mr. Angel.
00:18:15The whole cast serves to improve everything
00:18:20Slava, Kovalova, Pichichi, Droga
00:18:28Sisters, where have we pushed God
00:18:40If you want to look in the mirror for the pearl of your whole life
00:18:47You will pull out the salt
00:19:01You are too much, Ramca.
00:19:03We are in a hurry.
00:19:06Hello.
00:19:08Karol Markic.
00:19:10Marko, my soul.
00:19:12I have a constructive suggestion.
00:19:14To wash yourself.
00:19:16Professor, can we do it with him?
00:19:18Yes, yes. It's a great suggestion.
00:19:23It's hard to break the school discipline.
00:19:26Take it, take it.
00:19:31Let go, let go.
00:19:33Let's go for a sandwich.
00:19:56I had a weird dream.
00:19:58Was I in it?
00:20:01Hey, I made you a compilation with a song.
00:20:05Which reminds you of me?
00:20:10See you tomorrow at school.
00:20:12Bye.
00:20:18The sale of the soul is not very advanced, huh?
00:20:21You play badly.
00:20:23What will Telecaster get?
00:20:25Let's put him in Sato.
00:20:27Yes.
00:20:28And no cheating like last time.
00:20:29Mali is not in a hurry.
00:20:31Thursday, 8 p.m.
00:20:33Which means you have exactly until Sunday at 2 p.m.
00:20:37To show that Mali did not deserve to belong to me.
00:20:40Regular 66 hours and 6 minutes.
00:20:44I will prove that he is not for the flames of hell.
00:20:48And I will prove that Mali is ideal for kebab.
00:20:51TAMBURA
00:20:55Tambura for the birthday does not come to the party.
00:20:58It's torturing.
00:20:59It's torturing.
00:21:00My colleague, colonel Pajkec,
00:21:03He had an expression,
00:21:05From the electric guitar to the electric chair.
00:21:09Our old men,
00:21:12They had a strict measure of masculinity.
00:21:15The man does not play, except if he is not in the military orchestra.
00:21:18The man does not play, except if he is not in the military orchestra.
00:21:21So we torture him.
00:21:22Two.
00:21:26My hands are shaking.
00:21:28Calm down, son, calm down.
00:21:31Colonel Pajkec and I buried him this morning.
00:21:33I swear to God.
00:21:36What do you say that dad buys a rifle for his birthday?
00:21:41No, thank you.
00:21:42Why?
00:21:43Wait.
00:21:44Rifle with a scope.
00:21:47Mother of God, we are women.
00:21:50I should not have gone to Hague.
00:21:52Just so I do not have a homosexual father in my ass.
00:21:57We have a problem. Stop the time.
00:22:01It gives us the basic parameters for the game.
00:22:03Yes.
00:22:04And how today in Serbia a kid can record a neo-punk album, I think ...
00:22:08Wait, let him record it.
00:22:09Where is Slava?
00:22:10How can I show him that popularity,
00:22:13Women,
00:22:14Wealth,
00:22:15It's just an illusion.
00:22:16How can I show him that books, love and joy are just illusions?
00:22:24Where is this moron?
00:22:25That was my idea.
00:22:26That's not a lie, man.
00:22:29Okay.
00:22:30And now everyone to their tasks.
00:22:42What?
00:22:43Who?
00:22:44What morons?
00:22:45What morons?
00:22:46You morons.
00:22:47I've never heard of them, man.
00:22:48Okay, call them.
00:22:49The rest of the morons who play tonight will be just fine.
00:23:15I'm not even ashamed, I wouldn't hide it.
00:23:22I would plow my chest and back,
00:23:25Just so there is no more sword between us.
00:23:37Where do I live?
00:23:39I will never record anything.
00:23:41At least sell your soul to Django.
00:23:44It's much easier when the client is stupid.
00:24:07That's fashion now.
00:24:09Fashion?
00:24:10As the judge would say, fashion.
00:24:12Do you know when I would give my jambolio?
00:24:19Look at this!
00:24:20Look at this!
00:24:21It's not bad, is it?
00:24:24I mean, it's badly edited, but the material is phenomenal.
00:24:28You can't help it when you don't have a skin.
00:24:30Do you know what it was like tonight?
00:24:32You were there tonight.
00:24:34Man, do you know what it was like?
00:24:36Man, I have to take a break.
00:24:39Tomorrow we have a CD promotion.
00:24:41And you have a guest appearance in the Grand.
00:24:43I mean, just show up.
00:24:45It's a pass, no big deal.
00:24:48When I wanted to get married.
00:24:50What about Beli?
00:24:52What about Beli?
00:24:53What's wrong with Beli?
00:24:54Beli never played rock and roll.
00:24:56Who?
00:25:00He didn't.
00:25:01But Beli graduated from the music academy.
00:25:05He plays the cello.
00:25:07And he wants to play weddings.
00:25:09He's crazy about it.
00:25:12Young man, you know how business is.
00:25:14Okay, as you wish.
00:25:15I think you're wrong.
00:25:17I'll never go back to the roots.
00:25:21Never.
00:25:37Never.
00:26:08Who is it?
00:26:11Hello?
00:26:12Hey, maniac.
00:26:14Take that drum that you're spying on me while I'm changing.
00:26:37What are you doing?
00:26:39The promotion is in two days.
00:26:41And there's nothing to celebrate.
00:26:43Let's celebrate something else.
00:26:45Come here.
00:26:46Turn that off.
00:26:47I need to take a walk.
00:26:51Wash that thing.
00:26:52I'll be right back.
00:27:07I'll be right back.
00:27:33Just a little bit.
00:27:37Turn around.
00:27:47Hey, where's the VIP?
00:27:50Can you hear me?
00:27:51I'm asking you, where's the VIP?
00:27:53Bye.
00:27:55Get to work.
00:27:56I'm in a hurry.
00:27:57I won't even come.
00:27:58Bye.
00:28:07Bye.
00:28:24Good evening.
00:28:27Who are you?
00:28:28Get out of here, Dorian.
00:28:29Is that the double Dorian?
00:28:31Yes, yes, Dorian.
00:28:33This place is like in Skroljec.
00:28:37Get out of here.
00:28:56Bartosz, you're the best.
00:28:58Let's go.
00:29:06Look at these kids.
00:29:07They're all up in arms.
00:29:08Dorian?
00:29:09Dorian, yes.
00:29:10You'll see Dorian.
00:29:29Did you see that?
00:29:30Dorian.
00:29:32I wrote this 20 years ago.
00:29:38Let's go.
00:29:54Hey, Jašer, get down.
00:29:55I don't want to hit you.
00:29:57There was no rock'n'roll in this country.
00:29:59Half of you started with my Sentiša.
00:30:06Can you give me a lift?
00:30:27No.
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00:32:29No.
00:32:30This is a bad guy, he looks like Dorian.
00:32:32Where is Dorian to go to a junkyard?
00:32:56I had a weird dream.
00:33:01I will tell you the truth.
00:33:04The truth will last forever.
00:33:07The day I saw that other person in the house...
00:33:09Doctor, are you serious?
00:33:10You have no idea where the patient is lying.
00:33:15Sorry, sorry.
00:33:16Here is the doctor.
00:33:19Bor?
00:33:20Borko?
00:33:22Borko.
00:33:23Who are you?
00:33:25I was so worried about you.
00:33:28What is this?
00:33:29I will take you home.
00:33:30Take this off.
00:33:32What?
00:33:33What are you looking at?
00:33:38Look what you are looking at.
00:33:40What is this?
00:33:41Who is this?
00:33:42This is not me.
00:33:45What did you do to me?
00:33:47What is this?
00:33:48This is not me.
00:33:49This is not me.
00:33:50This is not me.
00:33:51This is not me.
00:33:52This is not me.
00:33:53Breathe, breathe.
00:33:55Doctor, you have an allergy.
00:33:57This is not me.
00:33:58Call the nurse.
00:33:59What did you do to me?
00:34:00This is not me.
00:34:01Nurse.
00:34:02Nurse, nurse.
00:34:05Doctor, is there a break?
00:34:08Yes, there is.
00:34:10Everything will be fine.
00:34:12This is not me.
00:34:13You can't see what you are looking at.
00:34:15This is not me.
00:34:17Everything will be fine.
00:34:18Welcome to room 12.
00:34:21I called Emily.
00:34:22I'm afraid.
00:34:24She will come in five minutes.
00:34:25I will give her my photo.
00:34:28Are you okay?
00:34:35Where are you?
00:34:37Do you want to help me?
00:34:38Marko.
00:34:39Not Marko.
00:34:40Me, me.
00:34:45Here, I signed.
00:34:46Can I go now?
00:34:48Okay, I'll give it back to you.
00:34:49You won't.
00:34:50I already had enough problems with minors.
00:34:52You know what?
00:34:53We're going to call the majors now.
00:34:54Let's not fuck up the mother's room again.
00:34:56Okay, let's go, Dorian.
00:35:00Elio, excuse me.
00:35:01Are you 100% sure that you are a minor?
00:35:03I mean, 100%.
00:35:06Wow, man.
00:35:07Brother, you did it, Dorian.
00:35:10Like a young man.
00:35:13I started when I was your age.
00:35:15And I practiced hard.
00:35:16What did I practice?
00:35:17Guys, let me introduce you.
00:35:18This is Dorian.
00:35:24What a bad ass.
00:35:27Marko!
00:35:32Where did I park?
00:35:33Marko, you don't even have a driver's license.
00:35:35Who doesn't have a driver's license?
00:35:36Okay, Dorian, what do you drive?
00:35:38I drive this...
00:35:40I drive...
00:35:41I mean, what did you drive?
00:35:43I drove...
00:35:46Let's go home.
00:35:47It'll be easier for you when you see your parents.
00:35:56Well, I won't be able to do that, Majković.
00:35:59My mother and I have already prepared you for UBOPOC.
00:36:02And he, with a cigarette,
00:36:04like someone who calls himself Šaravciger,
00:36:06I'm going to send you, Majković,
00:36:09to the military academy,
00:36:10so you can smoke.
00:36:13And you, besides cigarettes,
00:36:14treat yourself to drugs.
00:36:15Motherfucker.
00:36:17He's just a whore.
00:36:19That's how it starts.
00:36:21First he's a whore,
00:36:22then he smokes with his friends,
00:36:23and then he smokes with each other,
00:36:24because you don't have any friends.
00:36:26I have one.
00:36:27One?
00:36:28Get in the room!
00:36:30In an hour,
00:36:31I'll find a detailed report
00:36:33about your behavior
00:36:34during the evening and night hours.
00:36:36Motherfucker.
00:36:44Is this a deer?
00:36:47It's not a deer, son.
00:36:52It's a drug.
00:36:56He went to the police station,
00:36:58because you locked him up there
00:37:00when he was little.
00:37:02Boy, you shouldn't have hit him in the head.
00:37:05The late Gvozden is waiting for me,
00:37:07and he's pushing me to the colonel again.
00:37:09You're a friend.
00:37:14Really?
00:37:16What kind of family is that?
00:37:18A happy family, son.
00:37:39You're such a fool.
00:37:43You're much more beautiful in nature.
00:37:46But we can't go to nature now.
00:37:48You have to rest.
00:37:50Here's some vitamin C.
00:37:52Five points for farting?
00:37:54I've already taken coitus.
00:37:56Do you have a problem with that?
00:37:58The doctor forbade me
00:37:59to expose you to excitement.
00:38:01Be a good boy.
00:38:03I'm going now.
00:38:07Let's see the bright side of this situation.
00:38:10Women and dreams of every average teenager.
00:38:13A car!
00:38:15No school!
00:38:16Fatherless parents!
00:38:19And to finally record my album!
00:38:22Let's see the bad side of this situation.
00:38:35I don't have them.
00:38:36This Dorian, you know him.
00:38:38He's a great guy.
00:38:40He gave me everything.
00:38:43By the way, our famous star,
00:38:44Borko Pavic Dorian,
00:38:45was transferred to a private clinic
00:38:47of Dr. Dragiš Ilić in Belgrade
00:38:48after an electric shock.
00:39:03Burja!
00:39:04Burja!
00:39:05You shit your pants!
00:39:07Where are you going?
00:39:09I'm not going anywhere.
00:39:10What did you do to me?
00:39:12I beg your pardon?
00:39:13No, my friend.
00:39:14No, you came for me.
00:39:17Look.
00:39:18When people look at you,
00:39:20they see me.
00:39:21And when they look at me,
00:39:22they see you.
00:39:23Do you understand?
00:39:24I thought you were better than me,
00:39:26but you're not.
00:39:27You're in the body of a star,
00:39:29but you're not a face anymore.
00:39:31Dorian has a heart attack.
00:39:32I know.
00:39:33You don't know anything.
00:39:35Dorian has hemorrhoids,
00:39:3630 years of alcohol,
00:39:3830 years of dope,
00:39:39he's as strong as a bull,
00:39:40he's bald,
00:39:41he doesn't want to shave anymore.
00:39:42When we're at the bar,
00:39:43this little bitch is waiting for me to kill her.
00:39:46Some Selma Senka,
00:39:48fuck her,
00:39:49Sara,
00:39:50do you know any Sara?
00:39:52Don't touch her.
00:39:53That's what my lawyer would say.
00:39:55Do you know what I'd say to him?
00:39:56I'm 17 years old
00:39:58and I was born from a whore.
00:40:00Let me go, you idiot!
00:40:02Let me go, you idiot!
00:40:04Mr. Dorian, is there a problem?
00:40:06Mr. Dorian,
00:40:07thank you for giving me the strength
00:40:09to defeat leukemia.
00:40:10Thank you, my parents,
00:40:11from a poor city, Rudo.
00:40:13Good day.
00:40:14I'm sorry.
00:40:16Mr. Dorian,
00:40:17you're a really nice man.
00:40:18Can I have an autograph for my sister?
00:40:29Hey,
00:40:30do you want to do it again?
00:40:34What does it say on the intercom?
00:40:36Please.
00:40:39Here?
00:40:40Of course.
00:40:41Only those assholes sleep here.
00:40:47How now?
00:40:57Don't touch me!
00:41:00I'm going to kill you.
00:41:05Go, go, go.
00:41:07Where have you been?
00:41:09Here I am.
00:41:10Marko, what's going on?
00:41:11Terrible things are happening.
00:41:13Terrible things are happening out there.
00:41:15Listen,
00:41:16scientists have discovered
00:41:18that boys have a penis,
00:41:20and that girls have a uterus for a penis.
00:41:23So I came to check it out.
00:41:26What's wrong with you?
00:41:27We're not going to learn marxism, are we?
00:41:29Marko, it's been 20 years
00:41:30and you still don't have a penis.
00:41:32Marko, it's been 20 years
00:41:33and there's no such thing as marxism.
00:41:35Why are you acting like a spoiled brat?
00:41:37Wait a minute.
00:41:39Don't run away.
00:41:40You have nowhere to run.
00:41:42When you see my Nihalostrava,
00:41:44you'll cry tears of joy.
00:41:47Is that a new band?
00:41:48Yes, it is.
00:41:49It's a new hard rock band.
00:41:52Come here.
00:41:55Now go, or you'll ruin everything.
00:41:57You're wrong.
00:42:02What's up?
00:42:04It's good that you're here.
00:42:05In 20 years,
00:42:06I'm going to be a football coach.
00:42:08Otherwise,
00:42:09everything else
00:42:10isn't that bad.
00:42:12Hi, Dad!
00:42:14This is what a Deja Vu judge would say.
00:42:16I told you not to leave the room
00:42:18without a detailed report.
00:42:20Get out of the room!
00:42:22Don't fall asleep, you idiot!
00:42:33I'm sorry, Dad.
00:42:46Okay.
00:42:48There are some terrible things
00:42:49I didn't count on.
00:42:51Parents, school, grannies,
00:42:53sexual problems.
00:42:56I just need to make a hit.
00:42:59Stop!
00:43:01Come in, Mr. Dorian.
00:43:24Mr. Dorian,
00:43:25do you need anything else?
00:43:28No.
00:43:30Okay.
00:44:00Mr. Dorian,
00:44:01he walks every day.
00:44:05He's so cute,
00:44:06ching, ching, ching.
00:44:10Oh, boy!
00:44:12You're a soldier now,
00:44:13so you remembered me.
00:44:17Aren't you in the camp?
00:44:25Mom!
00:44:26Mom!
00:44:27Dad!
00:44:30Dad!
00:44:41Welcome home,
00:44:42baby boy!
00:44:43Mrs. Smokica,
00:44:44what are you doing?
00:44:45Shh!
00:44:46Relax, honey.
00:44:47I didn't know you liked to watch.
00:44:50Do you want to watch a movie?
00:44:52Come on, baby.
00:45:01I had such a weird dream.
00:45:04Son,
00:45:06I have a suggestion.
00:45:07Dad,
00:45:08if it's about the report
00:45:09about the movement,
00:45:10I really didn't mean to...
00:45:11But first,
00:45:12a cigarette.
00:45:13A cigarette.
00:45:14Now we're talking
00:45:15about the ceasefire.
00:45:17Uncle, sorry,
00:45:18we agreed
00:45:19not to use military terminology
00:45:20at home,
00:45:21but only in the barracks.
00:45:22In the Hague,
00:45:23they don't smoke
00:45:24because of the women.
00:45:25That's why I'm struggling.
00:45:26It's about
00:45:27the electric drum
00:45:29that you wished for your...
00:45:3018th birthday.
00:45:32Very good.
00:45:33Now, son,
00:45:34let me buy you
00:45:35a drum.
00:45:37A dead dove.
00:45:38Where?
00:45:41On vacation.
00:45:43But let me buy you
00:45:44a rifle,
00:45:45so we can
00:45:46hunt animals
00:45:47together
00:45:48at least once
00:45:49in 15 days.
00:45:50I don't know.
00:45:51I don't know.
00:45:52Son,
00:45:53do that for me.
00:45:55The old commander
00:45:56Fekdžić
00:45:57has three daughters,
00:45:58Kukavac,
00:45:59and Lovetri
00:46:00is hunting with us.
00:46:01The younger one
00:46:02kills a viper
00:46:03at the age of 8
00:46:04with her bare hands.
00:46:05I'm the only one
00:46:06they ask
00:46:07where your son is,
00:46:08so he can come
00:46:09and kill anyone.
00:46:10Look,
00:46:11it's a man.
00:46:13I mean,
00:46:14it's a woman.
00:46:15What do you think?
00:46:16Mother's heart
00:46:17wants it.
00:46:18Kubice,
00:46:19do you like
00:46:20my new dress?
00:46:21I like it.
00:46:22If you like it,
00:46:23what are you going to do?
00:46:24Tell me.
00:46:25I didn't know
00:46:26what you were talking about.
00:46:27I mean,
00:46:28I was just looking
00:46:29and I thought
00:46:30that...
00:46:31I have a feeling
00:46:32that something strange
00:46:33happened to you.
00:46:34Yes,
00:46:35it happened.
00:46:36I told everyone.
00:46:37I'm not crazy.
00:46:38Do you believe me?
00:46:40I do, Kubice.
00:46:41You're so sweet to me.
00:46:45Let's see
00:46:46the scene to the end.
00:46:52What happened?
00:46:53What happened?
00:46:54What the fuck?
00:46:57Cheers!
00:46:59Just a little bit more
00:47:00and you'd be a man.
00:47:03I was looking at you.
00:47:06Why is this so hard for me?
00:47:08She turned 18
00:47:12in July.
00:47:15She doesn't know
00:47:17what to do
00:47:18when she's
00:47:19about to
00:47:20pass her high school exam.
00:47:22But she's...
00:47:28Who is it?
00:47:31I'll call you later.
00:47:34The cars are downstairs.
00:47:35Everyone is waiting for you in the studio.
00:47:37In the studio?
00:47:39A real music studio?
00:47:41How many channels do I have?
00:47:42A lot.
00:47:44That's it, that's it, that's it.
00:47:45That's it.
00:47:50Are you crazy?
00:47:51That's more than a thousand euros.
00:47:52I can't pay.
00:47:57Son!
00:47:58The academics are waiting for you in the studio.
00:48:00Look what they did.
00:48:12The plane is...
00:48:13The plane is...
00:48:14like a human being.
00:48:16Or let's say
00:48:17a carburetor.
00:48:18Carburetor, carburetor.
00:48:21Carburetor.
00:48:22Or let's say this.
00:48:23Excuse me, can I...
00:48:24Of course.
00:48:25Look at that line.
00:48:27Like a woman.
00:48:28But not with him.
00:48:29You can, you can, you can.
00:48:31I broke my first glass again.
00:48:33Look, you have 10% in Zulkar,
00:48:3515% in Egypt.
00:48:36If you gave
00:48:37that powerful voice of yours,
00:48:38that would be a hit.
00:48:39Do you know what I'm talking about?
00:48:40100%.
00:48:41You're crazy.
00:48:43Crazy?
00:48:44Get out.
00:48:47Some call it
00:48:48evolved music.
00:48:50Some ethno.
00:48:51Some anti-globalistic music.
00:48:53Basically, yes.
00:48:54It's a folk song.
00:48:55But it's paying off.
00:48:57Like Hibu.
00:48:58And Arman.
00:48:59And Versace.
00:49:00And the lyrics makers.
00:49:02And Kenzo.
00:49:05But they're going to crash in the studio.
00:49:07That's me for you, Vaki.
00:49:09Watch out, air John,
00:49:10no GPS.
00:49:11Oh, Raio.
00:49:12Look, Arman is for you.
00:49:13I got on the bus this morning.
00:49:14Look, I took off
00:49:15your car seatbelts.
00:49:16Where are they?
00:49:17Last time I had them
00:49:18with a hole in the back.
00:49:20I'm sorry, but I think
00:49:21we should play this
00:49:22at every level.
00:49:23Oh, and for our star,
00:49:24Dokie is one of the best
00:49:25Eurovision documents.
00:49:27Synchro.
00:49:28Again that story
00:49:29about artistic integrity.
00:49:30Dokie, man.
00:49:32These authors are
00:49:33in the same market.
00:49:34What?
00:49:3543.
00:49:36Saki didn't have 48.
00:49:37I don't work in Gucci,
00:49:38but in Gucci.
00:49:40I'd love to.
00:49:41I'd love to,
00:49:42but I don't have my number.
00:49:44This is what I wanted
00:49:45for my 18th birthday.
00:49:47I'm sorry,
00:49:48but can I use
00:49:49the other room?
00:49:50Go, go.
00:49:51Go practice.
00:49:52Guys,
00:49:53we have work to do.
00:49:54I don't like
00:49:55this beginning.
00:49:56This triller,
00:49:57this turkey,
00:49:58all of it.
00:49:59Out.
00:50:09What is this,
00:50:10man?
00:50:11Man,
00:50:12enjoy
00:50:13the new surroundings.
00:50:19No,
00:50:20pay me,
00:50:21pussy.
00:50:22Where's the interphone?
00:50:24Pay me,
00:50:25pussy!
00:50:27Oh, Jovana.
00:50:28Oh, Jovana.
00:50:39We missed it.
00:50:43Where are you,
00:50:44guys?
00:50:45Is there a problem?
00:50:46It's not a problem at all.
00:51:06I'll marry you!
00:51:09I'm sorry to interrupt you.
00:51:11I'm not popular at this school.
00:51:13Me neither.
00:51:16We'll have to fix it.
00:51:20My mom called me.
00:51:24What's that?
00:51:26What? You've never eaten shit, have you?
00:51:29Let's eat!
00:51:31Let me go!
00:51:35It's not that bad.
00:51:38You wiped out cocks and asses.
00:51:45It's not that bad.
00:52:11Sara!
00:52:13You're chasing chicks in front of the school, aren't you?
00:52:16I've never had the courage to tell you this.
00:52:18I just wanted to kiss you.
00:52:20Listen, you're not my type,
00:52:22you're not my age, you're not my profile,
00:52:24you're not my target audience.
00:52:26I understand.
00:52:28But I think your Marko is a very talented boy.
00:52:30I'd like to help him.
00:52:32Are you following me?
00:52:36Just to let you know, Mr. Dorian,
00:52:38I have a boyfriend.
00:52:40When?
00:52:42I told you.
00:52:44He doesn't know I have this funny idea.
00:52:46Ever since we first kissed on the nose...
00:52:48In Besko?
00:52:50Yes. He's such a stylish boy.
00:52:52And he behaved really strangely.
00:52:54How strange?
00:52:56You know, for our 10th anniversary,
00:52:58I wanted us to...
00:53:00To what?
00:53:02Yes.
00:53:04But Mr. Dorian tried to seduce me.
00:53:08He's not that bad,
00:53:10but the fact that you played together the night before
00:53:12makes him behave really strangely.
00:53:14He thinks he's become like you.
00:53:16Sara, that's him.
00:53:18That's him, and this is me.
00:53:20Sara, do you recognize me?
00:53:22Of course I recognize you, Mr. Dorian.
00:53:24Here.
00:53:26On this CD are the songs he dedicated to me.
00:53:28Please listen to them if you really want to help him.
00:53:30It would mean a lot to him to record a CD.
00:53:32That's all I have in life.
00:53:34And let him really adore you
00:53:36when he was little.
00:53:38My boy isn't as attractive as you.
00:53:40He's not as rich.
00:53:42He doesn't even have a car like this.
00:53:44Actually, he doesn't have a car.
00:53:46If I had one, I wouldn't know where he drives it.
00:53:48He's so sad.
00:53:50I guess it's called love.
00:53:52Have you heard a little gossip?
00:53:54Why did this world open up to you?
00:53:56Where did the old good Geran go?
00:53:58Home of love.
00:54:02Where is Mr. Dorian?
00:54:04He's at home.
00:54:08Your skin
00:54:10is soft
00:54:12like a swing
00:54:16like the wings
00:54:18of Angela
00:54:20Jasmina
00:54:22What you don't live
00:54:24is no longer here
00:54:26It kills me
00:54:28both in the air
00:54:30and in my dreams
00:54:34I'm in pain
00:54:36from a disease
00:54:38called love
00:54:44And I can't
00:54:46run away from it
00:54:50I don't need anyone
00:54:52I don't need anyone else
00:54:56I want you
00:54:58I want you
00:55:00Jasmina
00:55:06Jasmina
00:55:10I love you Jasmina
00:55:14Jasmina
00:55:16I love you
00:55:20Jasmina
00:55:22In my corner
00:55:24around me
00:55:26I'm blind without you
00:55:28Jasmina
00:55:36I love you
00:55:38Jasmina
00:55:40I love you
00:55:42Jasmina
00:55:44I love you
00:55:46Jasmina
00:55:48I love you
00:55:50Jasmina
00:55:52I love you
00:55:54Jasmina
00:55:56I love you
00:55:58Jasmina
00:56:06She's wearing a dress
00:56:08when I beg her
00:56:12I'm still ashamed
00:56:14to hug her
00:56:18She's putting
00:56:20carmine when I beg her
00:56:24I'm still ashamed
00:56:26to kiss her
00:56:30I'm still ashamed
00:56:32to kiss her
00:56:34I'm still ashamed
00:56:36to kiss her
00:56:40I don't know
00:56:42how to
00:56:44tell her
00:56:46except
00:56:48to hug her
00:56:52Now
00:56:56Now
00:57:00Now
00:57:04Now
00:57:34Now
00:57:36Now
00:57:40Now
00:57:42Now
00:57:44Now
00:57:46Now
00:57:48Now
00:57:50Now
00:57:52Now
00:57:54Now
00:57:56Now
00:57:58Now
00:58:00Now
00:58:02Now
00:58:04Now
00:58:06Now
00:58:08Now
00:58:10Now
00:58:12Now
00:58:14Now
00:58:16Now
00:58:18Now
00:58:20Now
00:58:22Now
00:58:24Now
00:58:26Now
00:58:28Now
00:58:30Now
00:58:32Now
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00:58:38Now
00:58:40Now
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00:58:48Now
00:58:50Now
00:58:52Now
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00:58:56Now
00:58:58Now
00:59:00Now
00:59:02Now
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00:59:08Now
00:59:10Now
00:59:12Now
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00:59:16Now
00:59:18Now
00:59:20Now
00:59:22Now
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00:59:26Now
00:59:28Now
00:59:30Now
00:59:32Now
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00:59:38Now
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00:59:52Now
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00:59:56Now
00:59:58Now
01:00:00Now
01:00:02Now
01:00:04Now
01:00:06Now
01:00:08Now
01:00:10Now
01:00:12Now
01:00:14Now
01:00:16Now
01:00:18Now
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01:01:00Now
01:01:02Now
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01:02:58Do it! Do it!
01:03:03Maestro of songs and jokes, Dorian!
01:03:05Good evening, Dorian!
01:03:07Are you bringing a lot of hands?
01:03:11What do you mean?
01:03:12You're simply shining, Dorian!
01:03:14Is that maybe the pride of your new CD?
01:03:1610 new songs, 10 new hits!
01:03:29I can't stand this anymore.
01:03:31Dorian, are those tears of joy?
01:03:34I want to go home!
01:03:36I want to go home!
01:03:38I want to go home!
01:03:40I want to go home!
01:03:42Everyone says that this CD is your best project.
01:03:44Do you agree?
01:03:45He's a maniac! He's trying to scare my child!
01:03:48Dorian!
01:03:49He's a real woman!
01:03:50Now he's trying to pretend to be a homosexual
01:03:52to make this temple of joy fall apart!
01:03:54Let it go, Groma!
01:03:55This was Mozart, Merak and Stimon,
01:03:57whose songs are...
01:04:03Stop it!
01:04:09You're singing to me after the wedding
01:04:11to get this shit together!
01:04:13Tomorrow, you'll be the son of the successor!
01:04:15You'll be singing in the court!
01:04:17You, white!
01:04:18No!
01:04:19No!
01:04:20No!
01:04:21No!
01:04:22No!
01:04:23You, white!
01:04:24No!
01:04:25No!
01:04:26Why?
01:04:27Why?
01:04:28I'll give you...
01:04:29I'll give you a Wunderbrat!
01:04:30You'll have all the money in the world!
01:04:34I can't...
01:04:35Do you hear me?
01:04:36One at a time!
01:04:37I'll give you a pig!
01:04:38And a pig!
01:04:39That's it!
01:04:40And I'll tell the manager to put you in jail!
01:04:41You won't!
01:04:44Borko!
01:04:47I'll give it to you!
01:04:48I'm done with you and your career!
01:04:54What is it?
01:04:55An autograph.
01:05:00Daddy!
01:05:01I should've done this a long time ago.
01:05:04I should've fucked it all up.
01:05:06I'll give it to him.
01:05:09Good boy, good boy.
01:05:11Major, keep your word.
01:05:14All this is his, my friend.
01:05:16Give it to him, give it to him.
01:05:18It's not yours.
01:05:19It's Major's.
01:05:20Doria didn't deserve a better life.
01:05:24I told you she's gay.
01:05:26She's a rocker.
01:05:28What are you going to do now?
01:05:30I don't know.
01:05:33You'll find a job.
01:05:357 to 3.
01:05:38You'll be with your Charlie.
01:05:40I mean, Cathy is OK, but the old man is a bit heavy.
01:05:44Really?
01:05:45Today is rock and roll.
01:05:47What kind of country is rock and roll?
01:05:51I'm glad this thing with Doria and Turbo Folk is over.
01:05:56But I'd like to go back and fix it.
01:05:59I don't want them to remember me for that shit.
01:06:01I'd like to go back to my old life.
01:06:04Old life reminds me a lot.
01:06:06Look at the guys.
01:06:08Give me the bottle, I'm already drinking.
01:06:10Eat, eat, eat.
01:06:12That's all I'm eating.
01:06:13Do you have to sing on the table?
01:06:15I have to.
01:06:16We sang, she's waking up.
01:06:19She's waking up?
01:06:20I'll come to the rehearsal tomorrow.
01:06:22We have my band, I mean your band.
01:06:25I won't.
01:06:26What will I have for breakfast at the rehearsal?
01:06:28Give me the bottle.
01:06:29No, I'm already drinking.
01:06:34Bye.
01:06:40Marko.
01:06:42Marko!
01:06:43Marko.
01:06:46What?
01:06:47Are you coming or not?
01:06:48Do I have to dance here?
01:06:50No, you have to go to the ranch.
01:07:07Marko.
01:07:09How do you like it?
01:07:13It's so beautiful.
01:07:16It looks like an angelic innocence.
01:07:18That's why we'll call this scene...
01:07:23Now you can unpack the gift I prepared for our anniversary.
01:07:28But I'm the gift.
01:07:32What's wrong Marko?
01:07:33There's no reason to be afraid.
01:07:35I can't do this.
01:07:37I can't do this.
01:07:39You found a friend.
01:07:41I didn't find a friend.
01:07:44There's a boy who loves you a lot.
01:07:47I can't do this because of him.
01:08:03Smokvise, there's no more Dorje.
01:08:06That's why there's Beli, Noni, Žele.
01:08:12A future father shouldn't behave like that.
01:08:16We'll have Veva.
01:08:17We'll have...
01:08:23Bubi.
01:08:25I remembered.
01:08:27We're turning 18 tomorrow.
01:08:30Here he is.
01:08:32He's nothing.
01:08:33No, he changed his mind.
01:08:36Ask him now.
01:08:39You'll find out later.
01:08:41This young man doesn't know anything about it.
01:08:44Ask him.
01:08:45You ask him.
01:08:53Son.
01:08:55I'm sorry.
01:08:56I won't play anymore.
01:08:57Your mother came to ask you something.
01:09:00You know, every couple has their own song.
01:09:06Come on, Žena.
01:09:07He's not a kid anymore.
01:09:09As your mother told you,
01:09:11every couple,
01:09:12man and woman,
01:09:14has their own melody
01:09:16that reminds them of that first day when they...
01:09:19I know, dad.
01:09:20When they kissed.
01:09:21Okay, let's not get into that unnecessary detail.
01:09:25And for us today,
01:09:27wedding anniversaries and...
01:09:29What song, dad?
01:09:32You don't have many chances to know what song.
01:09:35I'll give you 1.45.
01:09:37But I'm 17.
01:09:38Let's say 1.45.
01:09:40It's about the song
01:09:42Oj crni leptiru.
01:09:44From our famous...
01:09:46How was it called?
01:09:48What was it?
01:09:58OJ CRNI LEPTIRU
01:10:03No, dad.
01:10:07Come on.
01:10:08Streetlight
01:10:12throws light into the night
01:10:17While black butterflies
01:10:21fly right at her
01:10:26But they don't know
01:10:30that this is the end
01:10:34That they are killed
01:10:38by her light and shine
01:10:43I remember, little one,
01:10:45how it was yesterday
01:10:47when you came to my birthplace
01:10:50in a new yellow golf jacket
01:10:54with a new radio.
01:10:56And?
01:10:57Our industry.
01:10:59And the word has just come to power.
01:11:02Pretty as the late Marshal.
01:11:08Moment!
01:11:10Let me fly
01:11:14I was prettier
01:11:19Moment!
01:11:20Little one.
01:11:21Wake up, I have a solution.
01:11:23Come on.
01:11:24Wake up.
01:11:27Help!
01:11:28Help!
01:11:29I love you!
01:11:31She never told me this.
01:11:40Where is Jacky?
01:11:42What's up?
01:11:44Did we agree on that?
01:11:46No, we didn't!
01:11:48Excuse me, do you speak Serbian?
01:11:50Shut up.
01:11:51Serbian.
01:11:52Pojacalo.
01:11:53Pojacalo.
01:11:54We are looking for Pojacalo.
01:11:56In his language, it means something else.
01:11:58Marshal.
01:11:59Here, look what I found.
01:12:05Shut up.
01:12:07Where did you end up, my dear?
01:12:09Listen, we need...
01:12:10Instruments.
01:12:12You know, that's the right word.
01:12:14Instruments.
01:12:16You know, music.
01:12:22Wait a minute.
01:12:25There's no way we can find it.
01:12:27No way.
01:12:30What is it?
01:12:31You're eating, aren't you?
01:12:37A magical box carrying the secret of your soul
01:12:39travels to the south like the wind.
01:12:42It's a nice song.
01:12:43Really?
01:12:44What's the name of the band that follows you and Beluk?
01:12:48Sad Wind.
01:12:52Sad Wind.
01:13:05Come on, come on.
01:13:07Get out of the way.
01:13:08A gift from the herd of sheep.
01:13:09Five lambs.
01:13:10A gift for the young ones.
01:13:12DDO from the police for additional health care.
01:13:15For the first batch of sheep.
01:13:17On the 4th of March,
01:13:18Delivery for Beluk's sheep.
01:13:20400 kilos.
01:13:24My apple.
01:13:29Why did the apple break?
01:13:30Fuck the apple.
01:13:31What's so funny?
01:13:48The desert is a love machine
01:13:51Marital waters flow in every couple
01:13:54The desert is a love machine
01:13:57Marital waters flow in every couple
01:14:00The action is over
01:14:02The separation is over
01:14:05The war is over
01:14:08The registration is over
01:14:11The war is over
01:14:14The separation is over
01:14:28What's going on?
01:14:29Come here, boy.
01:14:30Get out of there.
01:14:31Get out of there.
01:14:32What's wrong with you?
01:14:34Come here.
01:14:35The war is over
01:14:40The separation is over
01:14:45The war is over
01:14:50The war is over
01:14:55The separation is over
01:15:00The war is over
01:15:05The war is over
01:15:10Comrades!
01:15:11Young people, friends!
01:15:13Even though you thought it was over,
01:15:15it won't be today!
01:15:16He came after all!
01:15:18Dorian!
01:15:25Dear young people,
01:15:26friends,
01:15:27we enjoyed ourselves,
01:15:28we still have a lot to enjoy.
01:15:29Thank you and good luck.
01:15:35Rojak
01:15:37We only make jokes
01:15:39when Rojak comes from the province
01:15:42There's no need to finish a visit to the police
01:15:46We only make jokes
01:15:48when Rojak is getting married
01:15:50and stronger
01:15:51Then he'll get married
01:15:52and the money will go to us
01:15:55He's from Pop, Pop
01:15:57And we're from Dop
01:16:00He's from Pop, Pop
01:16:01And we're from Dop
01:16:02It looks like he's going to realize his contract before I even thought about it.
01:16:08Come on, screw it.
01:16:11Where's the fucking magnet?
01:16:18This is not a Serbian custom!
01:16:20What, a little spaghetti western, what's missing?
01:16:23What's missing?
01:16:30What are you doing? You'll kill us!
01:16:45What, what, what, what, what?
01:16:53No!
01:17:14You are now my favorite singer.
01:17:18What's your name?
01:17:20Marko.
01:17:23Come on, little one, get up, get up!
01:17:25I can't stand that kind of compromise.
01:17:27Come on, get out of the way.
01:17:31Get out of my way!
01:17:33Mako!
01:17:35We're back to our old skin, eh?
01:17:37Bravo, Jack!
01:17:41I was afraid that your child would be orphaned.
01:17:43Whose child?
01:17:45Mine, it's not alive.
01:17:47Where have you been?
01:17:49I've been looking for you.
01:17:51Where have you been?
01:17:53Is it my child?
01:17:55Where have you been?
01:18:01Come on, come on.
01:18:03This is just a game.
01:18:05Here, I'll let you have a great wedding.
01:18:07Fill yourself up.
01:18:09I'll fill you up, buddy.
01:18:11Thank you, brother.
01:18:21Love.
01:18:25Love?
01:18:27Urko!
01:18:29You're a totally different man.
01:18:31I'm actually the third one.
01:18:33I hope I'm not explaining it to you.
01:18:45You're lucky I'm a wonderful girl.
01:18:47Otherwise, it would be hard for me to forgive you the night before.
01:18:49What night?
01:18:51I mean, I guess...
01:18:53First you tried to rape me,
01:18:55then I tried to rape you,
01:18:57and now you're acting like nothing happened.
01:18:59Can I not talk?
01:19:01What?
01:19:03It doesn't matter.
01:19:15Happy birthday, son!
01:19:17I'm sorry, she fell on the drum.
01:19:23He's a good fencer, just like Krabin.
01:19:25Goddamn it!
01:19:33Pretty girls,
01:19:35try to look pretty.
01:19:37But we, but we,
01:19:39we wanted something else.
01:19:41We sit and watch
01:19:43crazy people.
01:19:45But we, but we,
01:19:47we wanted something else.
01:19:51The sun is calling us,
01:19:53we're coming closer.
01:19:55The angels are calling us,
01:19:57we're taking off our wings.
01:19:59We don't need a reason for that.
01:20:01We don't need philosophy for that.
01:20:03They want the same as we do.
01:20:05They want the same as we do.
01:20:07The same as we do.
01:20:09All I know is...
01:20:11it's a bad, bad king...
01:20:29Hey!
01:20:31How are you?
01:20:32Super.
01:20:34How are you driver?
01:20:38Look how much the world has come to this day of youth!
01:20:42And I'm standing here like a fool!
01:21:08We don't need a good reason for that!
01:21:11We don't need philosophy for that!
01:21:13Those who want the same as we do!
01:21:16Those who want the same as we do!
01:21:20The same as we do!
01:21:34The same as we do!
01:21:38The same as we do!
01:21:40The same as we do!
01:21:42The same as we do!
01:21:44The same as we do!
01:21:46The same as we do!
01:21:48The same as we do!
01:22:00Fuck, this is not a series!
01:22:02No way!
01:22:03I can't believe I'm watching a movie!
01:22:08Signing a contract with an angel!
01:22:12That looks like a great deal to me!
01:22:15And with a 666-year warranty!
01:22:19Wow!
01:22:21That's what I'm thinking about!
01:22:23But literally!
01:22:25Angels! Wow!
01:22:29Wow!
01:22:38Ouch! Ouch! Ouch!
01:23:08La, la, la, la, la!
01:23:10La, la, la, la, la!
01:23:12La, la, la, la, la!
01:23:16We sit and drink, and the night falls
01:23:19Tell me who can ask for something else?
01:23:22Chiquita!
01:23:24We think we're not good enough
01:23:26But who, but who can tell us who?
01:23:29Chiquita!
01:23:31Because I'm calling to come closer
01:23:33And I want us to have fun again!
01:23:36We don't need a reason
01:23:38We don't need a reason to drink
01:23:40Those who want the same as we do!
01:23:43Those who want the same as we do!
01:23:45La, la, la, la, la!
01:23:48La, la, la, la, la!
01:23:51La, la, la, la, la!
01:23:53Antelope!
01:23:54Like a cat in a film!
01:23:56Antelope!
01:24:00We're just filming like cats!
01:24:03We're just filming like cats!
01:24:09Antelope!
01:24:10Like a frog in a film!
01:24:12Frog!
01:24:14Those who want the same as we do!
01:24:16Those who want the same as we do!
01:24:18Because those who want the same as we do!
01:24:21Those who want the same as we do!
01:24:26La, la, la, la, la, la!
01:24:29La, la, la, la, la, la!
01:24:32La, la, la, la
01:24:36La, la, la, la
01:24:39La, la, la, la
01:24:42La, la, la, la
01:24:49La, la, la, la
01:24:52La, la, la, la
01:24:55La, la, la, la
01:24:58La, la, la, la
01:25:00La, la, la, la
01:25:05Sjedimo i pijemo a noc
01:25:07Pa da ko kazi ko poze kreci nesto drugo
01:25:12Mislimo da nismo dosadobri
01:25:14Ali ko, ali ko, moze reci na to
01:25:19Nisam na tove da pridzemo blize
01:25:21A zelim na to da iskiremo fila
01:25:24Sva to ne treba, ti maja mi razo
01:25:26Sva to ne trebaju, filo zapijete
01:25:29One koce isno sto i mi
01:25:31One koce isno sto i mi
01:25:34La, la, la, la
01:25:37La, la, la, la
01:25:40La, la, la, la
01:25:43La, la, la, la
01:25:46La, la, la, la
01:25:49La, la, la, la
01:25:53Nisam na tove da pridzemo blize
01:25:55A zelim na to da iskiremo fila
01:25:58Sva to ne treba, ti maja mi razo
01:26:00Sva to ne trebaju, filo zapijete
01:26:03One koce isno sto i mi
01:26:05One koce isno sto i mi
01:26:08One koce isno sto i mi
01:26:10One koce isno sto i mi
01:26:15La, la, la, la
01:26:18La, la, la, la
01:26:21La, la, la, la
01:26:24La, la, la, la
01:26:26La, la, la, la
01:26:29La, la, la, la
01:26:32La, la, la, la
01:26:35La, la, la, la
01:26:38La, la, la, la
01:26:41La, la, la, la
01:26:44La, la, la, la
01:26:47La, la, la, la
01:26:56La, la, la, la