Today's contestants are Diana Owen & Dave Benny from South Humberside, John & Mandy Griffiths from the West Midlands, Jim Isaacs & Pauline Reed from Fife, and Jean Davies & Jonathan Barker from Cheshire. Bruce Forsyth hosts but isn't talking at first to assistant Rosemary Ford after she referred to him as a clapped out Chippendale in the last episode. But it doesn't stop them helping the victims (sorry, contestants) through such games involving practising with the Red Devils (sky diving, not Manchester United), making pasta (with typical results for some), making and guessing a tune on a huge keyboard, and guess the mime from TV adverts. The final two pairs then face off in a 1920's farce where one is considerably better than the other. There are a number of famous faces, including Patrick Moore, Paul Shane and June Whitfield, while one contestant is surprised with a Guess the Knobbly Knees competition. And if you are wondering what Brucie is referring to at the beginning, it is William Roache's court victory suing the newspapers over saying he was as boring as his Coronation Street character Ken Barlow. And to think he is STILL in the soap!
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FunTranscript
00:01Life is the name of the game
00:04And I wanna play the game with you
00:08Life can be terribly pain
00:11If you don't play the game with two
00:15And I wanna play the game with you
00:30Well, what a welcome!
00:32Hey!
00:34Thank you!
00:35Thank you very much indeed!
00:37Good evening ladies, gentlemen and children
00:39Welcome to the Generation Game
00:40Nice to see you, to see you
00:43Hi!
00:44And what a lovely ovation
00:46You know, I haven't heard applause like that since
00:48Ken Barlow walked into the Rover's return
00:51Walked into the Rover's return and said
00:53If you can cash this £50,000 cheque
00:56The drinks are on me
00:58Welcome Bill!
00:59Yay!
01:04Well, I suppose it's time
01:06Here she is, Rosemary Ford
01:18Oh, Bruce, what happened to my usual flattering introduction?
01:22Well, I haven't forgiven you for saying last week
01:24I looked like a clapped out old Chippendale
01:27I'm sorry
01:29Right, our first team's been South Humberside
01:32Their mother-in-law and son-in-law
01:34Diana Owen and Dave Bennett
01:36All right, five, five, five, that's right
01:47Well, you are Diana Owen
01:49Oh, from Grimsby
01:51Yes
01:52Oh, now, first of all, I'm a Spurs man
01:53And I'm sorry about last week
01:55Because we did give you a real see-in-two, didn't we?
01:58Three-nil in the cup thing
01:59Oh, just one of, no hard feelings, all right?
02:01Come on, you Spurs!
02:04When you lived in Guyana, you wanted to cook at a traditional British Christmas dinner
02:09But it wasn't ready until Easter
02:11That must have been on a low gas, what happened there?
02:14I mean, that's unbelievable
02:16What happened?
02:17Guyana is a very poor country, so whatever you want to buy
02:19Oh, things that...
02:20Has to come in through friends or on the black market
02:23Oh, I see
02:24And it took me, what, three, four months to get everything together
02:26To put the Christmas back to Easter
02:28Oh, yeah
02:29But it's a long time to sit there with your paper hat on
02:33You're all right, Nana?
02:35Yes
02:36And I bet the turkey looked a bit fed up as well
02:38So if anybody wanted seconds, why don't you come back on Baggology Mountain?
02:47That's a Dave Bennett, I know your brother, Gordon
02:50Yes
02:51You're an aircraft electrical technician in the Air Force
02:54And you served in the Gulf
02:55That's right
02:56Well done, mate
02:57Oh, there we go
02:58Thank you, thank you
02:59Thank you, thank you
03:00Thank you, thank you
03:01Thank you, thank you
03:02Thank you, thank you
03:03What, what, what aircraft did you serve?
03:05The Tornado
03:06Oh, the Tornado
03:07Oh, they were marvellous there
03:08They did a lot of them
03:09They were, yes
03:10Will you ask your squadron leader, when you get back, if he'd fly over my house?
03:13Certainly
03:14You know, over the weekend would be good
03:15Because I've got so many leads
03:17I'm under my feet
03:22Anyway, thank you for being here
03:23You're married to Paula
03:24She's a deputy head teacher
03:26You met in a biology class
03:28That's right
03:29Oh, biology, oh really, yes
03:30She passed her O level in biology, but you failed
03:33That's right
03:34Oh, I'll show you about that
03:35But you've been married for seven years, and have just had your first baby
03:38That's right
03:39Oh
03:44So you're better at biology now
03:49Anyway, it's lovely to have you here
03:50Diana and Dave, we'll meet your opponents any second now
03:54Off you go now
03:55Lovely, lovely
03:56Well
03:59And who have we got now?
04:00Our second teams from the West Midlands
04:02Their father and daughter, John and Mandy Griffiths
04:14How are you?
04:15Very good
04:16Welcome, welcome
04:17And it's Mandy
04:18It is, yeah
04:19Mandy Griffiths, and you're a clerical assistant for British Rail
04:21Yes
04:22Do you be in here?
04:23Yes
04:24Fancy you being here on time
04:26Married, single or cheap day return?
04:28After leaving an all-girls convent to go to a mixed sixth form college
04:34You suddenly discovered the wonders of the opposite sex
04:37Yes
04:38What is about that?
04:39Well, the convent was actually very strict
04:40Oh, very strict
04:41The convent, yes
04:42Very strict
04:43And I sort of got to a mixed school and I thought, yeah, discovered boys
04:46And sort of one afternoon, I had sort of one sitting in the lounge
04:48One was in the kitchen, and the telephone went
04:50And sort of mum comes in
04:51Telephone man went to the phone
04:53And it was actually another one
04:54I thought, I can't handle this
04:55So I just left
04:56You left?
04:57Left mum to face
04:58Left mum to face
04:59Yeah
05:00Oh, really?
05:01I'll make a note of that
05:02Little...
05:03Raver
05:04Now then, over to John Griffiths
05:08You're a production manager for photographic equipment
05:11Yes
05:12Good, and you're married to Elaine
05:13And how did you meet her?
05:14I met her when I was 14 years old
05:16At a local judo club
05:17Oh, you started young as well
05:18You did, didn't you?
05:19Oh, judo club
05:20Yes, you could say I fell for her
05:21I'm glad I didn't right now
05:22After that reaction, for goodness sake
05:23But your nickname at school was boat
05:24Yes
05:25Because you took size 11 shoes
05:26God damn it, they are
05:28They are
05:29They are
05:30You like going to the movies
05:31And you also like television
05:32And you also like putting your feet up in front of the television
05:33You can't with those shoes
05:34Why don't you buy a radio?
05:35Or get half your licence feedback
05:37Anyway, thank you John for being here
05:39Thank you Mandy
05:40Thank you Mandy
05:41We've got a game coming up very soon
05:42Thank you
05:43Thank you
05:44Thank you
05:45Good
05:46Now then
05:47Before our first game
05:48I'd just like to remind you that our contestants have no idea what we have planned for
05:54It's a game coming up very soon, sir.
06:02Before our first game, I'd just like to remind you
06:05that our contestants have no idea what we have planned for them.
06:09Our first game is called Be A Devil.
06:12But first of all, take a look at this.
06:15Now then, have you ever wondered how the Red Devils rehearse
06:27those wonderful routines?
06:29Well, tonight, we're going to show you.
06:31Would you please welcome from the parachute regiment,
06:34free-fall team, the Red Devils.
07:23Hello.
07:39How's that?
07:44Hi, Debbie. Hi, Debbie. Thank you, Joe, and thank you, Debbie. Thank you, team.
07:49Now, Debbie, I've been told to ask you, you know, what's it like being the only lady amongst the team?
07:55Well, you don't have to queue for the ladies.
08:00Anyway, thank you, Debbie. And, Joe, will you describe that?
08:03I know that that routine you just did starts at 12,000 feet.
08:06When you spread out there at the end, that is where you sort of pull the cord and you parachute down.
08:12What height would you be?
08:14We'd separate it 3,500 and open it about two and a half.
08:17So you've done about 8,000 feet doing that routine before you actually fall. That is incredible.
08:23OK, so the first two in, if you will, come over here. Lovely.
08:28You take Debbie's one. We're calling them skateboards for the hour.
08:32OK, here we have Red Devils take two.
08:36OK, form your circle. Yes, form your circle and get, come on there, Diane, and get your legs up.
08:44Get your legs up. Good. Lovely.
08:46That's fine. That's good.
08:48Now, Dave, to the centre.
08:49OK.
08:51OK, now, Diane, do a spin, dear. Spin round, love.
08:55That's it. Fine.
08:56Now, Dave, do your spin. Hold on to them, dear. Hold on to them.
08:59Otherwise, you're full. Do your spin, Dave.
09:01Dave, do your spin. Good.
09:03Good. Good. Lovely.
09:05Now, face the front.
09:07Face the front. All of you face the front. That's it.
09:10Arms up. Arms up, Diana.
09:12Where are you going, dear?
09:15OK, now, lock legs. Lock legs with your partner.
09:18Lock legs with your partner. No, Diana.
09:21Lock legs with... Get your legs together. That's it.
09:24OK. Now, do your spin. Do your spin together.
09:27No!
09:29No.
09:30Lock your legs together.
09:31And do this.
09:33No, not your own legs, isn't it?
09:35Now, spin. Spin.
09:37No, not that way, dear.
09:39That's the way around the game, dear.
09:42That's it, Ty.
09:45OK.
09:46Right, face the front. Face the front.
09:48OK, you're 3,500...
09:50Get back to here!
09:53That's it. Track away. Track away!
09:55Track away, Diana!
09:56Right!
09:58Put it cold, dear. Put it cold.
10:05Put it cold. Now, float away. Float away.
10:08Yes!
10:13There we are.
10:16What, dear?
10:17It was uncomfortable.
10:18It was uncomfortable.
10:19Yeah, you looked uncomfortable.
10:20I hope you can go over there and wait a while and enjoy the others. In you come.
10:24Here we are, John. This is your one here. That's absolutely lovely.
10:27Here we go, then. Red Devils, take three.
10:30Form your circle.
10:33Form your circle. That's good. Get your legs up. Good girl, Mandy. Good girl, John. I mean, good boy, John.
10:41Get the legs mixed up. That's it. Form your...
10:43OK, Mandy, do your spin, dear. Spin, dear. Spin.
10:47Very good. Come on. Round you go. Get hold of them. There's it, John.
10:50Do your spin, John.
10:52Do your spin. Good.
10:53Good boy.
10:54Mind those feet of his, for goodness sake.
10:57Mind his head. OK.
10:58Right, face the front. Face the front.
11:01Mind his feet, for God's sake.
11:03Right, arms up. Arms up. That's it.
11:05OK, now lock your legs together, the pair of you.
11:07OK. OK. That's it. Lock your legs together.
11:11Lock your legs together.
11:12That's it. Together.
11:13Now do your spin. Do your spin.
11:15Oh, very good.
11:16Now keep going.
11:19Round you go. Round you go.
11:21Keep your legs locked.
11:23Let's in. Back you go, there.
11:25OK. Face the front.
11:27Face the front now.
11:28Right, you're 3,500 feet up.
11:31Track away. Track away. Track away.
11:34Let's in. To the front. To the front.
11:36And have a float. Have a float.
11:37There you go.
11:38Well done.
11:42Those things are always good.
11:44Really killed them.
11:45Hold on. Just here. Come back, if you will.
11:48Lovely, lovely, lovely.
11:49Now then, now to do the marking for us,
11:52here is another member of the Red Devils.
11:54Let's welcome Sergeant Mark Sheridan.
12:03Well, Mark, you've got to live up to your day.
12:06We want you to do some marking now.
12:07So, first of all, our team number one over here.
12:10Good, Diane.
12:11A very nice body position there.
12:13A bit forgetful at times, however.
12:16Dave, on his turns, was good positioning.
12:19Yes.
12:19On his turns, I would give them 15 points.
12:2315 points for these two.
12:25Well done, Dave.
12:25You've seen it.
12:26Lovely, lovely.
12:28And what about over here?
12:30Again, good positioning, good transitions,
12:33and I would give you 17 points.
12:3517?
12:36That's brilliant.
12:37Well, that's fair.
12:38I think that's about that.
12:39And good luck with all you do.
12:41And once again, thank you to the Red Devils.
12:44Oh, yes.
12:46There we are.
12:46Now, then, what's on the record, Miss Ford?
12:51Well, Diana and Dave have scored 15.
12:54Mandy and John have scored 17.
12:57I see.
12:58Only two of you.
12:59Only two of you.
13:00If you just pop over there.
13:01Over there you go.
13:02Sit yourselves down just for a second.
13:04Please welcome, from Leif's School of Food and Wine,
13:08C.J. Jackson.
13:15C.J.
13:17Now, is that your nickname, or C.J. is just...
13:20Everybody calls you C.J.?
13:21Everybody calls me C.J.
13:22It's my real name.
13:22That's your real name, C.J.
13:24Oh, great.
13:24Now, is pasta good for you?
13:26Because people say, oh, it's so fattening.
13:27But is it good for you?
13:29It's very good for you.
13:30It's a carbohydrate.
13:30Good.
13:31So come over here.
13:32And will you all come over and have a look
13:33and see what C.J. gets up to?
13:36Get yourselves in a nice position
13:38to be able to see everything.
13:40And watch out very carefully,
13:41because this takes a bit of doing.
13:43So off you go, C.J., in your own words.
13:44Okay, what we want to do first of all
13:46is make a big well in the centre
13:47and into that we're going to drop the egg and the oil.
13:51With one hand, what I'm going to do
13:52is just start mixing that around
13:54and with the other hand,
13:55flick in a little bit of the flour.
13:57And what we want to do is make
13:58a fairly firm and not sticky dough.
14:01Now she's got the...
14:03Right.
14:03That's a spatula, is it?
14:04Or palette knife.
14:05Sorry.
14:05What I'm going to do now
14:06is take the palette knife
14:09and just cut...
14:10A bit of palette knife.
14:11Some of that flour
14:12into the egg.
14:14So chop it in there, there.
14:15That's it.
14:16That's it.
14:17And then what I'm going to do
14:18is start by kneading...
14:19She kneads it, see.
14:20...some of that flour.
14:24And I'm going to just work that
14:25to get it to a really good...
14:28See that?
14:29What she's...
14:29Very carefully.
14:30See, she's really pushing it about, Leah,
14:33and getting that nice texture,
14:34which is so important
14:35when she gets to the last couple of bits coming up.
14:38Oh, that's it.
14:38She's clearing the decks now.
14:39What we want to do is get rid of that excess flour
14:42and a little bit of fresh flour onto the table.
14:45That's it.
14:45And I'm going to just start to work...
14:48The dough in my hand gets a little bit flat.
14:49So you're going to make a kind of a...
14:51A bit of a fattish roll.
14:52Get it in that shape.
14:53That's it.
14:54Fatt it out,
14:54and then it's ready to go through the machine.
14:56Ah.
14:57Right.
14:57Now, for the machine,
14:58it's all set for you.
14:59What we want to do, first of all,
15:00make sure you've got enough flour on the dough
15:02and we're going to start
15:04by working it through.
15:06It's a little bit like a mangle.
15:08Yeah, like a little mangle.
15:09You're right.
15:09Oh, and a little bit more flour
15:10you're putting on there.
15:11A little bit more flour.
15:11Uh-huh.
15:12We then want to turn the machine
15:13to the next slot.
15:15Notice that it pulls out
15:16before you turn it
15:17to the next little yellow mark there.
15:19And we want to...
15:20Pull it through again.
15:21Pull it through once more.
15:23This should make it a bit longer,
15:25in fact, quite a bit longer.
15:26That's it.
15:28That's lovely.
15:29Lovely.
15:29Now, handle comes out.
15:32We're going to just slot that into there.
15:34Goes into the middle there.
15:35Can you see that one?
15:36It's now ready to cut our tagliatelle
15:39and we're going to start to push that through.
15:42Ah, and this is the bit.
15:47As it comes through,
15:49pull it out
15:52and then we're just going to lie that
15:54across the top.
15:57Like so.
15:58That's all.
15:59All there is to it.
16:01Look at that.
16:02That's a lovely,
16:03even stick.
16:05Even stick.
16:07I'll give you...
16:08I'm going to shake your head
16:09and look silly.
16:09OK.
16:10Will you come back
16:10and do some marking, CJ?
16:12Lovely.
16:12OK, get to your tables.
16:13You come over here.
16:14Get to your tables.
16:16Put your pennies on.
16:17Put your pennies on.
16:18That's it.
16:19I thought you'd let your mother go first,
16:21but over there, didn't you?
16:22You've got an Italian minute and a half
16:24to go up to the cutting.
16:27Remember, don't go any further
16:28than the cutting
16:28of the actual tagliatelle.
16:31OK?
16:31Starting from now.
16:34That's it.
16:35Pop the egg in
16:36and then start your mixing.
16:38Remember, she did mixing with one hand
16:40and then flicking the flour
16:42in gradually
16:43with the other hands.
16:45Don't forget,
16:46when it comes to the other bit,
16:47if you can't get it through here,
16:47you'd put one of your feet on it.
16:53And start
16:53to do the kneading now, I think.
16:56Really get into that kneading
16:57and knead as much as you can.
17:00Try and get that texture going.
17:02Remember, she's got it
17:03in the shape of a little roll more.
17:05It's a little flat roll.
17:12Let me know
17:15when they should be
17:16putting it through the machine.
17:17Yes?
17:18Start putting it through
17:19that first part of the machine
17:21thing that she did.
17:22Remember?
17:23OK.
17:24If you can get it into the roll.
17:26See if you can get into
17:26that first part of the machine.
17:28OK.
17:32That's it.
17:33In there.
17:33That's it.
17:33Give it a turn.
17:34See if you can get it
17:35to go a bit longer.
17:37Yeah.
17:37Yeah.
17:37Yeah.
17:39Very good.
17:40Very good.
17:41Very good.
17:42And don't get some more flour.
17:43More flour, first of all.
17:44What a mess.
17:51Try and get it through the other part now.
17:54Move it to the other position.
17:55OK.
17:57Move it to the...
17:58Oh, yes.
18:03Don't go any further.
18:05Put a bit more flour and don't go any further.
18:07Stay right where you are.
18:08That's wonderful.
18:09OK.
18:10Oh, what a mess.
18:11What a shame.
18:14It's such a shame.
18:16What?
18:17Is it not...
18:18Oh, no.
18:19Wherever you are up to...
18:20I'll be with you in a minute.
18:21Wherever you are up to, stop.
18:22Stop.
18:23OK.
18:24Now then, my darling.
18:25Will you...
18:25Now, we've got to put that into there,
18:27haven't you?
18:27Put that...
18:28You do it yourself
18:28so it doesn't help anyone.
18:29Good.
18:30That goes into there
18:31and it's into the tagliatelle part
18:33and see what kind of strips you get.
18:35I'll collect them as they come out.
18:37OK.
18:38Press them down.
18:39That's it.
18:41Very good.
18:43Keep it going like that.
18:45Keep it going.
18:46That is excellent.
18:48That is really quite wonderful.
18:52My goodness.
18:53That's it.
18:54Keep going.
18:54Keep going.
18:56No, I won't break them, do you?
18:57I'm trying to do the best I can.
19:00I mean, who would think I have to do this?
19:03There we are.
19:04But that is quite, quite fantastic.
19:07Absolutely.
19:10That is wonderful.
19:13You've got to count it.
19:14Let's see how you do.
19:15Put the thing in there.
19:17It's all jammed up before you start.
19:19What have you been...
19:20Get a hold of that.
19:21Which bit do you want to...
19:21You're going to go with that.
19:23That's it.
19:24That's it.
19:25OK, put it in there.
19:27Put it in there.
19:28That's it.
19:28And try and get the...
19:30Try and get it...
19:31Go on, yeah.
19:35There's something there.
19:37Keep going.
19:38Keep going.
19:39Keep going.
19:40Don't worry, there's a worse.
20:03Now then, darling.
20:04Oh, you're all ready.
20:06You've been cheating on the side.
20:07No, there you are.
20:08Put that one in there, darling.
20:09Well, you know, this won't be too bad.
20:11I think you'll get about two strips out of that.
20:13For the look of it.
20:14Put it in there.
20:15Wind the handle.
20:16Oh, yeah.
20:16And feel something.
20:19Can't see anything.
20:20But, oh, yeah, this is good.
20:21This is very good.
20:23Not much of it, but I mean...
20:25Not much of it, but not bad.
20:33There we are.
20:33Right, see what comes out of this.
20:36Right, keep turning.
20:36Keep the whole world...
20:40Keep the whole fires turning.
20:42But, that's it.
20:44Oh, yeah, they're not too bad.
20:45They're a bit thick, and...
20:47But they're there.
20:48Funnily enough, I wouldn't have believed anything could have come out of that.
20:52But it's not all that bad.
20:54Not all that bad.
20:55Not bad at all.
21:00A little strip there.
21:01A little strip here.
21:02Not bad at all.
21:03There we are.
21:04Okay, CJ.
21:05I wouldn't have your job for anything.
21:07Right.
21:08Come back and do some marking for us, please.
21:11Here we are.
21:15Okay.
21:16Now, first of all, this, I thought, was tremendous.
21:19She did, I mean, she had a lovely, long strip there.
21:22And what do you think?
21:22I think a nine out of ten.
21:24A nine out of ten.
21:25Oh, that made up for the rest of it.
21:28He did die.
21:29Well, I mean...
21:30I mean...
21:30He did have some more here, but I mean, I think he lost heart when he saw that.
21:36But, I mean, what do you think?
21:39Four.
21:40Four?
21:40Four out of ten for that.
21:42Oh, never mind.
21:43There we are.
21:44These are...
21:45There we are.
21:47A bit of shape there.
21:48A bit of shape there, yes.
21:49I think five.
21:51Five.
21:52Just five for that one.
21:53All right, I think.
21:54And what about this one?
21:57A bit thick, but at least he had a bit of shape there, didn't he?
22:00A little bit thick.
22:01A little bit more flour.
22:02Yeah.
22:02I think six for that.
22:04Six.
22:04Very good.
22:05Very good.
22:06Lovely.
22:07CJ, it's been fascinating to watch.
22:09Thank you very much for being here.
22:10Good luck with all you do.
22:12Come along now.
22:13Good game.
22:13One day, give me a clap.
22:14Oh, yeah.
22:15All right, well, we'll get all our fingers again.
22:21What's on the board, Mr. Ford?
22:23Well, Diana and Dave have scored 28.
22:27Mandy and John have also scored 28.
22:29Oh!
22:31All right, local situation.
22:34Here we are.
22:35Now, it's the first person...
22:36Thank you, Rosalie.
22:36The first one to answer the question.
22:39Who recently became Mrs. Fortensky?
22:42Elizabeth Taylor.
22:45Yes, you're right, my darling.
22:46You're right.
22:48Well done, Diana.
22:49It's very good at the time.
22:50Sorry for me, G.
22:52It was so close.
22:54Well, we do have a Generation Game telephone for both of you, and thank you very much for
22:57being here.
22:58OK?
22:58And you'll be in our grand final, which is coming up very soon.
23:02Off you go over there.
23:03Lovely, lovely, lovely.
23:04All right, you know, then, who have we got left?
23:09Right.
23:10Our third team's from Fife.
23:12They're uncle and niece, Jim Isart and Pauline Reid.
23:19Hello.
23:21Hello.
23:23Right, they're fair and you like this bit.
23:25Fine.
23:25Now, it's Pauline.
23:27Yes.
23:27Pauline Reid.
23:28Are you good?
23:28Yes, very good.
23:29Oh, oh, good.
23:30I'll have a good read.
23:30Um, you came third in a beauty contest in the south of France.
23:35That's right.
23:36In 1985.
23:37Yes.
23:37Wonderful.
23:38That must have been a thrill, was it?
23:39Well, it was at the time, but the next night, the winners of the beauty contest had to judge
23:43the Noblinese contest, the men's Noblinese contest, I feel.
23:47Oh, that's right.
23:48Now, then.
23:49Oh, no.
23:52We'll see how good you are.
23:53Right.
23:54OK, Rosie Blindfolder.
23:58Blindfolder.
23:58Now, you're going to tell which is my knee, after you're going to touch four knees, I want
24:03you to pick out my one.
24:04Right.
24:04OK, five.
24:12OK, right.
24:13Hands ready?
24:15OK, right, this is your first knee.
24:16Have a good feel.
24:21OK, have a good feel.
24:23Right, second knee.
24:25There you go.
24:25Go on, have a go.
24:27Right, onto your third one.
24:34OK.
24:35Right, fourth knee.
24:37OK.
24:39Just give me a slight.
24:42Which out of the four knees did you think was Bruce's knee?
24:44The third one.
24:45The third one.
24:46Can we have the third one?
24:47OK.
24:48There we go.
24:51And.
24:51You were right, actually.
24:57Actually, it was the first of the thing.
24:58And every time you squealed, that was my knee.
25:01Anyway, thank you, Richard Cowkin.
25:03By the way, the merengue champion of East Hampstead.
25:07Do you remember the other week, Richard?
25:09That was our record.
25:14Anyway, over now to your ankle.
25:16Yeah.
25:16Jim.
25:18Isaac.
25:19Isaac.
25:19Isaac, I see.
25:20And you're a maintenance engineer.
25:22And your girlfriend is Margaret Duffy.
25:24That's her.
25:24Duffy.
25:25God damn it.
25:25I bet she'll be glad to get rid of that.
25:27Mind you, what was your name again?
25:29Isaac.
25:29Isaac.
25:30Oh, she hasn't got much of a choice.
25:32I'd rather be a Duffy than an Isaac.
25:34Anyway, you met her in a nightclub as she was passing.
25:37Was that passing or passing out?
25:38Passing out, I think.
25:39Yeah.
25:40You asked her what kind of food she ate on a Wednesday.
25:43And she said Italian Cantonese.
25:46What's that, sweet and sour spaghetti?
25:48I think so.
25:51Anyway, thank you, Jim, for being here.
25:53And thank you for liking my knees.
25:54I love you.
25:55I love it.
25:55Woo!
25:57Thank you very much.
25:58Here are you guys over there.
26:00Yeah, there's a telephone team for.
26:04They're from Cheshire.
26:05They're mother and son, Gene Davis and Jonathan Barker.
26:09Woo!
26:14Right, just there.
26:18Now, it's Gene Davis.
26:20Yes.
26:20And you're a part-time guide round the old hall at Tatton Park.
26:24Yes, that's right.
26:25Oh, is that National Trust?
26:26It is.
26:26Oh, if you can't trust them, you can't trust anybody, can you?
26:29Well, now, can you tell us in a little bit more detail about that?
26:32Yes.
26:32You guide the people round?
26:34That's right.
26:34We actually move through a period of time from 1500 to 1900.
26:38And we give demonstrations.
26:39Is that the hours you work?
26:40No.
26:41Oh, sorry.
26:42Oh, sorry.
26:42That's the history part.
26:43Yeah, the history part.
26:441500 to 1900.
26:45Yeah, medieval to Victorian.
26:46Sorry, that's all right.
26:47Medieval, yes.
26:48Yes, that's right.
26:49And we give demonstrations as well, like thrashing with a flail.
26:52Oh, really?
26:52And winnowing with wheat.
26:55Sounds a bit kinky.
26:57Right, now over to your son, Jonathan.
26:59Jonathan Barker.
27:01You're a sales rep for a greeting card company.
27:03Yeah.
27:03And you're single and your girlfriend is Catherine.
27:06That's right.
27:06You met when you were both in Agricultural College.
27:09Yeah, I was in Agricultural College.
27:10Agricultural College.
27:11Oh, yes.
27:14Playtime in the haystack.
27:18Way down yonder in the cornfield.
27:21By the way, what's it like in the back of a combine harvester?
27:24I don't know, Bruce.
27:26What's it like in the back of a combine harvester?
27:37Mind your own business.
27:38I didn't think you were going to come back with that.
27:43I hate him, right.
27:45Your mother arranged a stripper gram for your 21st birthday.
27:49She did, yes.
27:50Really?
27:51Did you do that?
27:52Well, I thought she was 21.
27:54You should know about these things.
27:55Well, that's true.
27:56He certainly did after that.
27:58Well, on my last birthday, I didn't have a stripper gram.
28:01I had a stripper gram.
28:03She must have been 75 if she was a dad.
28:07Oh, my goodness.
28:08And she did the dance of the seven corsets.
28:10Oh, and we all kept shouting, keep them on, keep them on.
28:15It didn't make any difference.
28:16She was deaf as well.
28:17I think her name was Vera.
28:19Oh, she's going.
28:26Right, good news.
28:27Right, I'll see you pop over there.
28:29Thank you for being here.
28:30We've got a game for you coming up right ago.
28:32Yes.
28:33Yeah, then.
28:34We're ready for our next game, which is called Footnotes.
28:39Now, you are going to love this.
28:41You really will.
28:42And for this next game, we're very grateful to Kim Presswood from Torquay for his unique
28:47invention, the Bigfoot piano.
28:50Now, no, this is not Mick Jagger's mouth organ.
28:57It's the Bigfoot piano.
28:58Now, who better to demonstrate this lovely musical item than Ford and Forsyth?
29:05It's the Bigfoot piano.
29:55That's all these two.
29:56OK, the first two just come here, and the second two where you go round the back so
30:00you can't see or hear anything.
30:03OK.
30:04Now, you're not going to do the same tune that we did, because that is a little bit
30:07difficult, but who wants to go first?
30:09She does.
30:10You want to go?
30:11OK, first you go in here.
30:13Now, as you'll see, there are the numbers, OK, of the notes, and there's the numbers for
30:18your music.
30:19You do the first bit, you be the second bit.
30:21You've got to use both feet.
30:22So up you go, and afterwards I'm going to ask you what tune you actually played.
30:27OK, here we go, off you go.
30:30Right.
30:33Now, go on, both feet.
30:34Let's go on.
30:36Let's see.
30:42Yes, we went too far, but never mind.
30:44That's the first bit.
30:45Come down here.
30:47Now, there's your second bit there.
30:48Here we are.
30:49Go on.
30:49Good, good.
31:00Now, now.
31:03What do you think you played?
31:06Do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do.
31:10What is it?
31:11What is it?
31:12It's Little Brown Jack.
31:16OK, but you may lose a point just because you didn't know the name.
31:19But well done, indeed.
31:20Send the other two in, if you will.
31:22Rosemary?
31:23Who's going to go first?
31:24Who wants to go first?
31:26Do you want to go first?
31:27All right, you can go first.
31:28OK, fine.
31:29Now then, here are the numbers on the notes, OK?
31:32There are the numbers for your music.
31:34You do the first bit.
31:36When it gets to the end of the first bit, then you do the second bit.
31:39Off you go.
31:39Fine.
31:39Go on.
31:42Good, good.
31:51Very good.
31:52Very good.
31:53OK.
31:54Then you take the second part down there.
31:56Both feet.
32:04That's it.
32:05There's that note going again.
32:09Very good.
32:10Yes.
32:10Now then, what tune did you play?
32:16Ha, ha, ha, he, he, he, he.
32:17Little Brown Jack, don't I love that?
32:18Little Brown Jack, very good.
32:20Very good indeed.
32:21OK.
32:22If you talk all right, that's it.
32:24Come back here.
32:24Don't worry about the notes.
32:26That's it.
32:26Fine.
32:26Come in here.
32:27Now then, to mark this, we have author, astronomer, TV presenter, and part-time master of the
32:35xylophone, please welcome Patrick Moore.
32:38Oh, thank you.
32:39Oh, thank you.
32:40Oh, thank you.
32:41Oh, thank you.
32:43Oh, thank you.
32:44Oh, thank you.
32:45Oh, thank you.
32:45Come right in here.
32:47Come right in here.
32:48Is it really true that you've been doing Sky at Night for 34 years for the BBC?
32:5534 and a half, actually.
32:56Oh, sorry, sorry.
32:57No, I think you did very well indeed.
33:00It was a very close thing, really.
33:01It was close.
33:02But on the first heel, um...
33:03First heel over here, yes.
33:04Yes, but, um, Pauline, I would give, um, I think I've marked it rather severely.
33:08I would not give Pauline five, I think.
33:10Yes.
33:10And I could certainly give Jim six.
33:11They're both very good.
33:12Very good.
33:12Of course, you didn't, unfortunately, know the tune.
33:14No.
33:15Rather pity.
33:15I think you've knocked one off.
33:16They sang it.
33:17They sang it, but they didn't know.
33:18Yes, knocked one off.
33:19Well, you sang it too, Bruce.
33:20Yes, I did, yes.
33:21But how did you manage to change key three times in five notes?
33:25I have lessons from Des O'Connor.
33:32No, I think it was Jim and Jonathan.
33:33Yes.
33:34And I thought they were very good indeed.
33:35I think Gene started off beautifully.
33:37It was a slight stumble toward the end, but nevertheless, you did very well.
33:39And I would give you seven.
33:40And, um, I think Jonathan, I think really Jonathan was the absolute star of the show.
33:44He really did extremely well.
33:44He pranced up and down those keyboards.
33:46And it really was absolutely amazing.
33:47And I give him eight.
33:48Oh!
33:49Well, there are your marks, and thank you.
33:57And by the way, we've put that little, uh, that little instrument in the back of your
34:01car, and, uh, if we could have these.
34:04Very well.
34:04And you can practice when you get home, because I'm sure it'll be a lovely little toy for
34:08Christmas for you.
34:09Thank you so much.
34:09All right, fine.
34:10Thank you, Patrick Moore.
34:12Oh, yes.
34:13Thank you, sir.
34:13Thank you, sir.
34:14Thank you, sir.
34:14Thank you, sir.
34:15Thank you, sir.
34:16Thank you, sir.
34:16Thank you, sir.
34:17Thank you, sir.
34:17Thank you, sir.
34:17Thank you, sir.
34:18Thank you, sir.
34:20Well, what's on the keyboard, Ms. Ford?
34:23Well, Pauline and Jim have scored 11.
34:25Jean and Jonathan have scored 15.
34:27Oh, poor in it.
34:30Oh, poor in it.
34:31Always in love.
34:33Next game is called TV Ad.
34:36Now, you're going to hear the music from some well-known commercials.
34:39What we want you to do is mime to your partner the product being advertised.
34:44So which one of you over here, first of all, which one would know more about the TV ads and
34:50the music in the commercials?
34:51Yeah.
34:52Yeah.
34:53You would know more about that?
34:54Yeah, I'll mime.
34:54He'll do it.
34:55You'll do it.
34:55So you get on there.
34:56Fine.
34:57Now, which one out of you two would know more about the commercial?
34:59You'll get...
35:00Okay.
35:00So you get on the little thing there.
35:01You get to your lecterns over there.
35:04I'll come to this one and put on your headphones.
35:07Let's do it.
35:12Are we ready?
35:14Can't hear what I'm saying.
35:15No, you've got some music.
35:16Yeah, yeah, no.
35:17Put it on.
35:19You've got music going on there?
35:20Fine.
35:20Music?
35:21Same over there.
35:21I can't hear music, that's all.
35:23Hear, hear music.
35:23Good.
35:24She's talking.
35:26It does make you talk louder, doesn't it?
35:29Right.
35:29Okay.
35:30Could we have product number one, please?
35:34Do something else.
35:40Do something else as well.
35:42What's it all about?
35:52Okay.
35:54Write down something.
35:55Have you got an answer?
35:57The answer is bread.
35:58Hovis, of course.
36:00What have you got over there?
36:01Bread.
36:01Bread.
36:02Well done.
36:05Well done.
36:07And she was saying, you know, the old man on the bike, and then she was eating something.
36:11Well, she was eating bread.
36:13He's got gas.
36:13Yes.
36:16All right.
36:17Okay.
36:17The next one, please.
36:19Hello, Mary Lou.
36:23Goodbye, heart.
36:25Sweet Mary Lou.
36:26I'm showing you all new.
36:28What are you...
36:39What are you...
36:39No, Diane, you always get them?
36:54That's what I want to know.
36:56Okay.
36:56You've got an answer, though.
36:57Yes, we have.
36:57We've got an answer here.
37:00Yeah, I think that's it.
37:00Oh, yes.
37:01Well, you've got an answer.
37:02Yes.
37:03Okay.
37:03The answer, Ashley, was perfume.
37:05Impulse perfume.
37:06You did a very good mime, actually.
37:08But what have you got over there?
37:10Deodorant.
37:11Deodorant.
37:11Oh, that's what he was...
37:12Yeah.
37:13Yeah.
37:15We've got deodorant.
37:18Shall we give them two points each?
37:20Yeah.
37:22No.
37:23Okay, two points each.
37:26And the last one, please.
37:28It's got to be...
37:31We should go together.
37:34Okay.
37:34It's got to be...
37:38Have you got an answer?
37:59Right.
37:59The answer is, as the supermarket.
38:02And what's she got?
38:04Horse riding.
38:04I don't like that to me.
38:09Idiot he is.
38:10Idiot.
38:11We've got Asda.
38:12Supermatch.
38:14Well, what's on the board, Miss Ford?
38:27Pauline and Jim have scored 15.
38:3015.
38:30Jean and Jonathan have scored 19.
38:32Oh, so you should come to me.
38:35We're so as an easy to.
38:38But you do have a Generation Game telephone for both.
38:41And thank you for being part of the Generation Game.
38:43If you'll just pop over there.
38:45And let's remind ourselves of who you'll be playing in the grand final.
38:49Come on, Miss Ford.
38:51Sit yourself down.
38:53Sit yourself down there.
38:55That's right.
38:55And if we've got a grand final for you.
38:57Now, this week, we're going to do a play.
39:00Aren't you excited?
39:01Right, fine.
39:02It's going to be a farce.
39:03So we want you to speak in a very Hooray Henry accent.
39:07You know, very toffee nose.
39:09If you want a plum, we'll give you one to put in your mouth.
39:11Okay.
39:12So the vital, vital toss-up.
39:14So, Jean, heads or tails?
39:16Heads.
39:17Heads.
39:18It is heads.
39:20So you won the toss.
39:21Do you want to go first or second?
39:22First.
39:22First, get it over with.
39:23Pop it over there, if you will.
39:25Get yourselves ready and put these two in solitary confinement.
39:29Okay?
39:29And come back and see us later.
39:31So we're now ready for take one.
39:34Oh, I say, isn't it, isn't it, isn't it marvellous, Mabel, absolutely marvellous you've managed to sneak away without, stay still, dear, without your, without your husband knowing.
39:53Yes, go on.
39:53Yes, simply spiffing, sweetie.
39:55Ha, ha, ha, ha.
39:58I say, you won't need that tennis racket.
40:01The only love match you'll be playing will be indoors.
40:03Ha, ha, ha.
40:06Take your lines on the banana, dear.
40:09But, Bertie, I love to play tennis.
40:12I'm so good at it.
40:14A skinny body.
40:16What? A skinny body?
40:20No, look, look, but Bertie, I love to play tennis.
40:23I'm so good at it. Ask anybody.
40:28Now, look, why don't you pick up your vanity case?
40:31Poo-hoo!
40:32Why don't you pop it to the bathroom and titivate yourself?
40:35OK? And, er, miss me, darling.
40:38Miss me, darling, because then it'll know.
40:40Poo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo-hoo.
40:44Yeah, yeah.
40:46Oh, bloody, right.
40:49Lucky devil, isn't she?
40:50I'll just go to the restaurant and book us dindins.
40:53Another season, another reason for making whoopie.
41:03Oh, here we are, room six.
41:05Oh, Armstrong, darling, aren't we lucky to get away from our spouses
41:09for the whole weekend?
41:11Just think of it.
41:13Wait, your line's on bed.
41:14Oh, on bed, on bed.
41:17I don't want to think of it.
41:19I want to do it.
41:25Well, I'll tell you, sir.
41:26Turn your boat up.
41:29Well, plenty of time for that later.
41:31Now, book us a table for dinner.
41:34Whoop!
41:35Oh, closing me!
41:38Oh, oh!
41:39Let me just, oh, closing me!
41:43Now, come here, darling.
41:46Take your trousers off,
41:48and I'll wash the stains off in the bathroom.
41:51Take your trousers off, that's it.
41:52Woo!
41:53Woo!
41:53Woo!
41:54Woo!
41:55Woo!
41:55Woo!
41:56Woo!
41:56Woo!
41:56Woo!
41:57Woo!
41:57Woo!
41:58Woo!
41:58Woo!
41:59Woo!
42:00Woo!
42:01Woo!
42:02Woo!
42:03Woo!
42:04Woo!
42:05Woo!
42:06Woo!
42:07Woo!
42:07Woo!
42:08Woo!
42:09Woo!
42:10Woo!
42:11Woo!
42:12Woo!
42:13Woo!
42:14James, it seems to be locked.
42:16Another season for another reason for making whoopie.
42:20I'm back, darling.
42:21I'm back.
42:22Oh, please.
42:23Where's my husband getting?
42:24Oh, please.
42:25Get him.
42:26I'll come over now.
42:27Don't move!
42:28Oh, what have been a lot, darling?
42:31I got, um...
42:32I booked the table for eight o'clock.
42:34Betty!
42:35Goodness!
42:36Penelope!
42:37Well, Betty, what are you doing here?
42:38Well, I'm not up to my orchards again.
42:40Not yet.
42:41I've had a chance.
42:42Really?
42:43What are you doing here?
42:44Why don't we discuss this?
42:46Let's discuss this on the veranda.
42:47Would you like a...
42:48Would you like a sharing?
42:49I'll get you one.
42:50Right.
42:51Come on, Harry.
42:52You've got to leave.
42:53I'll phone you tonight.
42:54Oh, dear Bruce.
42:55Bruce.
42:56Bruce?
42:57What are you doing here?
42:58Oh, Bertie.
42:59Go on, read the line.
43:00Daddy, I can't wait till tonight.
43:01Here we are.
43:02Go on.
43:03Oh, Bertiekins.
43:04Oh, Bertiekins.
43:05Oh, Bertiekins.
43:06Oh, Bertiekins.
43:07Oh, Bertiekins.
43:08Oh, Bertiekins.
43:09Oh, Bertiekins.
43:10All right.
43:11Oh, Bertiekins.
43:12Just get out of here.
43:14Oh, Bertiekins.
43:15I got it.
43:16I got it.
43:17I got it.
43:18I got it.
43:19I got it.
43:20What is this, the MFI Hilton?
43:22Just a minute.
43:25I don't let the damn thing down.
43:31Just get on all fours.
43:33Get on all fours.
43:34And I'm not being kinky.
43:36Give me straight back.
43:37We'll make out that you're a table, Mabel.
43:39Get on all fours.
43:40Get on all fours.
43:41Get on all fours.
43:42Get your bum up.
43:45OK.
43:46Stay like that.
43:49What's going on here?
43:51Well, I mean, this.
43:52This.
43:53This.
43:54This is going on there.
43:55It sets off the Mabel.
43:56I mean, the table.
43:57I think I'm having one of my funny turns.
43:59I think I'm having one of my pills.
44:01That's it.
44:04Quick.
44:05Quick.
44:06Armstrong.
44:07Armstrong.
44:08No, no, quick.
44:09Read this.
44:10Read this.
44:11Pull Rosie on the Bert.
44:14Bertie's in the bathroom.
44:16So come here.
44:18Now squat down.
44:19Squat down.
44:20Squat down and put your arms out.
44:22Squat down and pretend you're an armchair.
44:25There we go.
44:26Put your arms out.
44:27There we go.
44:28Pretend you're an armchair.
44:29Oh dear.
44:30I'm absolutely exhausted.
44:31Oh, I think I'll rest here a while.
44:33See?
44:34Armstrong.
44:35Armchair.
44:36Wait a minute.
44:37Why does this armchair smell of brute?
44:40Why does this table smell of chenille?
44:42Armstrong!
44:43Oh, Mabel!
44:44What?
44:45Now, no, quick.
44:46In the bed.
44:47Get in the bed, dear.
44:48Get in the bed.
44:49Keep your ass off.
44:50No, Mabel, quick.
44:51In the bed.
44:52Get in the bed, dear.
44:53Get in the bed.
44:54Keep your ass off.
45:08Hello.
45:09I'm collecting for my new organ.
45:13Are you up for tennis?
45:15Oh, I draw the Charleston.
45:16Yes, little chenille!
45:20There we go.
45:21Come on.
45:22Let's go.
45:23Woo!
45:24Woo!
45:25Woo!
45:26Woo!
45:27Woo!
45:28Woo!
45:29Woo!
45:30Woo!
45:31Woo!
45:32Woo!
45:33Woo!
45:34Woo!
45:35Woo!
45:36Woo!
45:37Woo!
45:38Woo!
45:39Woo!
45:40Woo!
45:41Thank you, my man.
45:42That was dreadful.
45:43But we'd like to thank John Owens, a parson.
45:47Who knows?
45:48Thank you, John, very much for being with us.
45:51Lovely.
45:52And you are marvellous.
45:53Absolutely wonderful.
45:54And are the other two ready?
45:56Oh, good.
45:57Here we go.
45:58With take...
45:59Two.
46:00Two.
46:01Two.
46:08I say, Mabel, isn't it absolutely marvellous you've been able to sneak away without your
46:12husband knowing?
46:13Yes, simply spiffing, sweetie.
46:16Ho, ho, ho, ho.
46:17Very good.
46:18All right.
46:19And thank God you brought the golf clubs.
46:21Oh, we'll be the best twosome since Christopher Robin played around with Alice.
46:25Your hands on the banana.
46:26Okay?
46:27There we are.
46:28Oh, Bertie.
46:29On the golf course, you're another severe balls steer-off.
46:32Severe balls steer-off?
46:33Look, there's old Bertie.
46:34On the golf course, you're another semi-balanced steer-off.
46:35Oh, no.
46:36Now, look.
46:37Why don't you pick up your vanity case?
46:38Woo-hoo!
46:39And why don't you pop into the bathroom and titivate yourself?
46:40Okay?
46:41Give me a little kiss.
46:42Tittivate-off.
46:43Mmm!
46:44Mmm!
46:45Mmm!
46:46Mmm!
46:47Mmm!
46:48Oh, no.
46:49Now, look.
46:50Why don't you pick up your vanity case?
46:51Woo-hoo!
46:52And why don't you pop into the bathroom and titivate yourself?
46:53Okay?
46:54Give me a little kiss.
46:55Tittivate-
46:56Mmm!
46:57Mmm!
46:58Mmm!
46:59Why don't I always get the old ones?
47:01Right?
47:02Darling!
47:03I'll just pop down to the restaurant and book us some dindins.
47:07Another season!
47:08Another reason!
47:09Another reason!
47:10For making!
47:11Hoo-hoo!
47:12Hoo-hoo!
47:13Oh, here we are, room six.
47:18Oh, Armstrong, darling.
47:20Aren't we lucky to get away from our spouses for the weekend?
47:23A whole weekend alone.
47:25And I'm in the mood to be woo-ood.
47:28Your line's on the bed.
47:30Here we go.
47:32That's handy, cos I'm Randy.
47:35What are you taking the umbrella?
47:37It's mine!
47:38Well, there's plenty of time for that later.
47:43Now, book us a table for dinner.
47:45Oh!
47:46Oh!
47:47Oh!
47:48Oh, I see!
47:49Armstrong!
47:50Armstrong!
47:51Clumsy!
47:52Clumsy!
47:53Me!
47:54Now, come here, darling.
47:55Come here.
47:56Now, I think you'd better take your trousers off,
47:58and I'll wash the stains off in the bathroom.
48:00Okay?
48:01Take your trousers off.
48:02Go, pass, fair!
48:04Ah!
48:05Go!
48:06Ah!
48:07Green's centre!
48:09But still in the mood for you,
48:10didn't you go again!
48:12Tommy, vÃiz!
48:13Woo!
48:14Woo!
48:15rz!
48:16Woo!
48:17Strange, it seems to be locked.
48:29Yes, and another season, another reason for making whoopies.
48:34Smile, get in the bed for me.
48:36Hello, darling, and darling.
48:37Get in the bed for me, you're hiding time.
48:39Oh, would have been a luck.
48:40I booked the restaurant three o'clock.
48:42Oh, Bertie!
48:44My goodness, Benelity.
48:46Bertie, what are you doing here?
48:47You told me you were going birdwatching.
48:50Well, I am. I'm just here for a lock.
48:53I can't think of it. What are you doing here?
48:54Well, I just thought...
48:55Well, look, why don't we talk about this on the front end?
48:58Yes, would you like a large call?
49:00Oh, yes, I think I like that.
49:01Don't...
49:01Quick, darling, darling, quick.
49:05You'll have to leave.
49:06I'll phone you tonight.
49:09Go on, go on.
49:10Darling, I can't wait till tonight.
49:13Ooh!
49:15Oh, Betakins.
49:18Cheese sprouts, you're round the room.
49:20Yes, sir.
49:21Oh, yes, sir.
49:23Oh, yes, sir.
49:28Oh, yes, sir.
49:30God, bloody...
49:31How do I get the neighbours?
49:33You've got to get out.
49:34You've got to...
49:35What is this?
49:40Trust now, Scotty.
49:41Trust the idiot.
49:42Get down on all fours.
49:43I'm not being kinky.
49:44Get down on all fours.
49:45That way, that's it.
49:46Keep it straight back.
49:47Straight back there.
49:48Make out you're a table, Mabel.
49:50There we are.
49:50It's lovely.
49:51Keep it straight back there.
49:51Up a bit.
49:52Up a bit.
49:53That's fine.
49:53Bertie?
49:54Yes?
49:54I know that you're up to your tricks.
49:57Yes, tricks.
49:58Yes, uh...
49:58Fruit, table, table, fruit.
50:03I've just had one of my funny turns.
50:05I think I'll have another pill.
50:06Come on.
50:07Fine, aren't you?
50:08Can I have a...
50:08Quick, Strong.
50:10Quick, Hansel.
50:11Read this.
50:12Oh, Rosie.
50:13On the bed.
50:13Darling, don't say it.
50:15Do it.
50:15Whoa!
50:16No, no, no, no.
50:18Bertie's in the bathroom.
50:21So, come here, darling.
50:23Quickly.
50:24Quickly.
50:25Now then, crouch down on the floor with your arms out.
50:28Crouch down on the floor and pretend you're an armchair and I'll cover you with this.
50:32Oh.
50:34I'm absolutely exhausted.
50:36I think I'll rest here.
50:38Oh!
50:44What's this?
50:45Armchair.
50:46Just a bit.
50:48What is this?
50:51Why does this armchair smell a brute?
50:55Why does this table smell a...
50:57Oh, fruit.
50:57Smell.
50:58Oh, fruit.
51:00Mubstruck.
51:01Oh, devil.
51:02Get in the bed.
51:03Get in the bed.
51:03Get in the bed.
51:04Get in the bed.
51:05Get in the bed.
51:06Get in the bed.
51:07Get in the bed.
51:08Get in the bed.
51:08Get your hat off.
51:09Get in.
51:09Get in.
51:12Yeah, all right.
51:13Give us a chance.
51:14Give us a chance.
51:15Okay, right.
51:16We'll never be far for breakers, my lord.
51:27Tell you what, let's make it five.
51:28Oh!
51:30That's what it is!
51:31It's $7,000!
51:32$8,000!
51:33$8,000!
51:34$8,000!
51:35$8,000!
51:36$8,000!
51:37$8,000!
51:38$8,000!
51:39$8,000!
51:40$8,000!
51:41$8,000!
51:42$8,000!
51:43$8,000!
51:44$8,000!
51:45$8,000!
51:46$8,000!
51:47$8,000!
51:48We thank you so much.
52:03It's a great pleasure.
52:04Good luck for the new series which starts tomorrow night.
52:06What time?
52:07Quarter past seven.
52:08Quarter past seven.
52:09How many weeks?
52:10We'll drive to Christmas.
52:11Seven weeks.
52:12I'll be there.
52:13In fact, we'll all be there.
52:14We love the show.
52:15Give everybody our love and love.
52:16God bless you, Bruce.
52:17Thank you, Paul.
52:18There you go.
52:19There you are.
52:20Let's give me any other two back.
52:22Lovely, lovely, lovely.
52:23Alright, now then.
52:25To do the marking, we have one of your, one of my favourite ladies of comedy.
52:30Whether it be radio, stage or television.
52:32Yes, it's June Whitfield.
52:42Lovely to see you again.
52:44Lovely to be here.
52:46I'll start in alphabetical order.
52:48Yes.
52:49I'll start with the D's.
52:50I enjoyed Diana's struggle on the settee with you.
52:53Oh, she did?
52:54I thought it was very good, didn't you?
52:55Yes, excellent.
52:56That wasn't a struggle.
52:57And I thought Dave did a rather magnificent strip.
53:00Very good strip.
53:01I give them seventeen.
53:02Seventeen.
53:03Very high mark.
53:04Well done, you two.
53:05How about these two?
53:07Well, I, I think Jonathan particularly because he was so serious about it all.
53:11Which is a great thing in fast.
53:13The more serious you are, the more everybody laughs.
53:16So that was great.
53:17That's true, that's true.
53:18And I thought Jean was wonderful.
53:19I mean, she gave us not only fast, she practically gave us a musical comedy as well.
53:23So I'm going to give them nineteen.
53:26Oh!
53:27Nineteen!
53:28Oh!
53:29Well done.
53:30Oh, look at this.
53:31Bad luck, you two.
53:33It's for Jean.
53:34Thank you for being with us.
53:36Thank you for being with us.
53:37Thank you for being with us.
53:38Thank you for being with us.
53:39Thank you for being with us.
53:40Thank you for being with us.
53:41Thank you for being with us.
53:42See you again soon.
53:43OK?
53:44Well done.
53:45Well done.
53:46Sorry to lose you, but you will be getting our generation game telephone with the answering machine as well for both of you.
53:49And thank you once again.
53:50There we are.
53:51OK.
53:52And you two, come on, through the door!
53:54You've got to get...
53:55Yes!
53:56Come on!
53:57Harry Harry!
53:58It's the back of time!
53:59Get behind it!
54:00Get behind it!
54:01Oh!
54:02Take the doors away, please.
54:03Lots of articles are going to pass before your eyes.
54:05Have a real good look.
54:06Everything you remember, you will take home with you tonight.
54:08Good luck for this.
54:09You have 40 seconds, starting from now.
54:12On the conveyor belt tonight, we have a microwave oven,
54:15a silk dressing gown,
54:17a pair of modern vases,
54:19a washboard,
54:21a healthy hamper,
54:23a tea's made,
54:27and a compact camera,
54:29and a lovely, beautiful case of champagne,
54:33an electric frying pan,
54:35some silk boxer shorts,
54:37you know who they are for,
54:38a slide projector,
54:40a milk churn,
54:42a fan heater,
54:43a pearl necklace and earrings,
54:49a leather writing case,
54:51an electric car opener,
54:53and a tapestry bag and hat and gloves was just coming in there.
54:57Round you come.
54:59There we are.
55:01Round you come and sit yourselves down.
55:03Sit yourselves down here.
55:04Now you're going to have another 40 seconds to remember everything that you can.
55:08You'll get the first 20 seconds, my darling Jean.
55:10When you hear a funny noise, then you'll take over.
55:13OK, good luck again for this.
55:15You have 40 seconds, starting from now.
55:18A washboard, a milk can.
55:20Milk can.
55:21A microwave.
55:22A microwave, good.
55:23A case of champagne.
55:24A case of champagne.
55:25Pearl necklace.
55:26Pearl necklace, yes.
55:27Browses.
55:28Browses.
55:29Browses, sorry.
55:30Leather writing case.
55:31Leather writing case.
55:32Boxer shorts.
55:33Boxer shorts.
55:34Yes.
55:35A camera.
55:36Yes.
55:37A camera.
55:38Yes, a camera.
55:39Take over, take over.
55:40Browses, slide projector, camera.
55:42Slide projector, yes, good.
55:43We've got the boxer shorts.
55:44Yes.
55:45The dressing gown, gentlemen's dressing gown.
55:47Good.
55:48Lovely.
55:49Getting a bit cold, baby.
55:50Oh, no, no, no.
55:51Fan heater.
55:52Fan heater, fan heater, yes.
55:53Nothing good.
55:54And what do you drink in the morning when you get up in the morning?
55:55Oh, the coffee maker, the tea maker.
55:57The tea maker.
55:58The tea maker, yes.
55:59Oh, didn't they do well.
56:01Yeah.
56:02Oh, come on.
56:03Have you got it?
56:05Thank you very much.
56:06Thank you very much.
56:07Thank you very much.
56:08Thank you very much.
56:09Thank you very much.
56:10Thank you very much.
56:11Thank you very much.
56:12Well, I'm glad you've got the...
56:14The washboard is a fully automatic washing machine.
56:17So that's worth getting.
56:18And look what Rosie's got here.
56:20The milk churn is...
56:23A family holiday for four to Jersey.
56:26So...
56:27Are you happy?
56:29Good.
56:30Okay.
56:31Well, on behalf of Rosie's milk and myself and everybody, and I do mean everybody,
56:36thank you for being with us.
56:38Be there.
56:39Oh!
56:40Yes!
56:41Yes!
56:42Yes!
56:43Yes!
56:44Yes!
56:45Yes!
56:46Yes!
56:47Yes!
56:48Yes!
56:49Yes!
56:50Yes!
56:51Yes!
56:52Yes!
56:53Yes!
56:54Yes!
56:55Yes!
56:56Yes!
56:57Yes!
56:58Yes!
56:59Yes!
57:01Yes!
57:02Yes!
57:05Yes!
57:07Yes!
57:08Nein!
57:09Yes!
57:10No!
57:11Yes!
57:12No!
57:13No!
57:14Yes!
57:16Yes!
57:17Bye-bye!
57:18Bye-bye!
57:20Hey hi-bye!
57:21Bye-bye...