NYPD Blue Season 1 Episode 1 Pilot
Category
📺
TVTranscript
00:00Detective Sipowicz, please tell the court how you came to arrest Mr. Giardella.
00:30This past August 27th, I was routinely surveilling the defendant because he's a known felon.
00:37During the course of the surveillance, I observed the defendant's vehicle have a flat tire, and he got out of the Cadillac and he opened the trunk.
00:47At that time, I approached the vehicle, identified myself as a police officer, and in the course of casual observation of the open trunk, I saw 27 cartons of filter cigarettes which did not have tag stamps.
01:02I ascertained that the vehicle was owned by the defendant, I gave him his rights and took him into custody.
01:10Nothing further, Your Honor?
01:12Detective Sipowicz, you've testified that the cartons of untaxed cigarettes, the possession of which you arrested Mr. Giardella, were in plain sight in Mr. Giardella's trunk when he opened it to get out a jack to fix the flat?
01:32Right.
01:33Now, there were seven nails in Mr. Giardella's right rear radial, Detective.
01:41That wouldn't exactly produce a slow leak.
01:44Yet you say that during several hours of antecedent surveillance, you saw no one damage Mr. Giardella's tire.
01:54I was surveilling Mr. Giardella, not his car, Counselor.
01:59He stopped at Niglio's Coffeehouse.
02:01Maybe some urban youths did mischief to his vehicle during that time frame.
02:07Your Honor, justified or not, the reputation of the neighborhood in which Niglio's Coffeehouse is located is such that urban youths do not tend to congregate and do mischief in its environs.
02:26Maybe he drove past the construction site after he left the place.
02:29On the other hand, Detective Sipowicz here is known to have a personal vendetta against Mr. Giardella.
02:34However, I submit that the true scenario is that while my client stopped at Niglio's, Detective Sipowicz hammered nails into his tire and caused a flat.
02:47So that when Mr. Giardella stopped to get out a spare, the detective could circumvent probable cause statutes and go fishing inside Mr. Giardella's trunk.
03:00Move to suppress the evidence as tainted and dismiss the complaint.
03:07Granted.
03:08What about the construction site, Derry?
03:11Pathetic.
03:13Adjourned.
03:15Say, hey, what is that? A dead rat you got in your head?
03:18Yeah, right. Now make some bad wig jokes. Meanwhile, I'm walking out the door, you nickel stiff.
03:23Hey, Shipwoods, what is it you clear? About 90 a day? Here, go buy yourself some clean socks.
03:29I'm gonna burn you down, you small-time operator. You pound on it.
03:33Let's lay off.
03:34No shale.
03:35That wig wearing hump rubs would be the wrong way, and I'm gonna make his life miserable.
03:39And bury your own career in a bargain.
03:41Who are you kidding, John, huh?
03:43They already held that service.
03:46Andy.
03:46Hey, Miss District Attorney, you really prosecuted the crap out of that one.
03:52I went with the crap I had, Detective.
03:55Whoa, you think that was a Hummer bust, huh? You saying I queered that guy's tire?
04:00I'd say race ipsa locutor if I thought you knew what it meant.
04:05Hey, ipsa this, you pissy little bitch.
04:10Hey, my gosh.
04:40Transcription by CastingWords
05:10CastingWords
05:40CastingWords
06:10CastingWords
06:40CastingWords
06:42CastingWords
07:08CastingWords
07:10CastingWords
07:12CastingWords
07:14CastingWords
07:16That asshole Jed, Della.
07:46He can wear all the thousand-dollar suits he wants. I'm not impressed.
07:51I popped him when he was rolling drunks in the park and he knows I did.
07:57You know where that wig-wearing scumbag Hump's gonna be tonight?
08:01Best table at G&E.
08:03G&E is your damn right.
08:05Telling some broad I was lawyer made me look like a jerk.
08:11Leanne, hurt me twice.
08:20This has gotta stop, Andy.
08:23What's gotta stop?
08:25This. You're getting stiff every afternoon now.
08:28Hey, look. I don't recall requesting any career counseling session from you.
08:34When was the last time you tried going on a wagon?
08:36When was the last time you tried growing dits?
08:45Maybe we'd better talk in the morning.
08:46No, no, no. Let's talk now.
08:49Okay.
08:50I think we should call it quits.
08:55Meaning what?
08:56Meaning us being partners.
09:01Yeah, sure.
09:02Get a little bored at home, you dump your wife.
09:05Got a few problems at work, you dump your partner.
09:08First of all, I didn't dump her, she dumped me.
09:11And second of all, I've been carrying you.
09:16I know it, you know it.
09:17Every cop in the station house knows it.
09:21And I'm sick of it.
09:27Alright, you wanna split up?
09:29That's no problem.
09:30That's no problem at all.
09:33Get your hands off me.
09:35Get your hands off of me!
09:37Let's go somewhere and get something to eat.
09:39I can't.
09:40I'm on rug patrol tonight.
09:42It might embarrass your career.
09:44Andy, come in.
09:45Get away, just get away from me, Kelly.
09:47Or so help me, I'll clean your clock.
10:02Let me, uh, take care of this.
10:05Sure.
10:33Hey, Ramon.
10:35Hey, hiya, detective.
10:36She just went in.
10:39Where'd you get that china?
10:41Aw, punk, say jump in the basement on Tuesday.
10:44Anybody report it?
10:46What am I gonna report?
10:48I just gave him the $46.
10:51Ramon, you don't report it, I can't do anything about it.
10:57I'll send a sector car over.
10:59You should move back into the building is what you should do.
11:24Hey.
11:25I brought dinner.
11:30Where's the separation forms, Jeremy?
11:34You know what?
11:35I lost them.
11:37You lost them?
11:39I looked all over the station.
11:41We'll both work off yours.
11:42We're each supposed to fill out assets and expenses, you jerk.
11:46I lost the form, Laura. You want me to hang myself?
11:48So am I dismissed?
11:51Do I get pizza?
11:52Ramon got mugged in the laundry room?
11:53Last Tuesday.
11:54When was I gonna hear you?
11:55Ramon got mugged in the laundry room?
11:57Last Tuesday.
11:58When was I gonna hear about it?
12:00I just found out about it yesterday, Johnny. He was embarrassed to let anyone know.
12:02You know what? Don't go down there at night time anymore, alright?
12:03I've been going to the laundromat.
12:04I've been going to the laundromat.
12:05I've been going to the laundromat.
12:06How's work?
12:07You're going to let him put up that building?
12:27I can't see.
12:33How's work? Are you going to let them put up that building?
12:36We're still negotiating the variance.
12:44How's your work, John?
12:46I'd ask if I wanted to know.
12:49You know, we are splitting up.
12:53You do not have to hate the job anymore, okay?
12:57Just because we're splitting, Johnny,
12:59doesn't mean I'm going to stop worrying about you
13:01or caring what happens to you.
13:04Good.
13:11Hey, come here.
13:16You sure we're doing the right thing?
13:19I'm sure.
13:20Because a lot of people stay together
13:22behind less than what we got going, Lori.
13:26That's not good enough.
13:29Look, I don't want to have this conversation
13:31every time you get horny.
13:32It's not going to work out for us.
13:35My mistake.
13:38I just think it would be easier on both of us
13:41if we made a clean break.
13:43Okay.
13:44I mean, I still have feelings for you,
13:46and I know you still have feelings for me.
13:48That's right.
13:48So, I think it would be easier
13:50if we just left each other alone.
14:09A lot of good this is going to do.
14:11Go on.
14:12Go for it.
14:21Go for it.
14:26Go for it.
14:30Go for it.
14:31You're such an easy guy to find, Alphonse.
14:59This Thursday's a G&E, and he's just such a creature of habit.
15:03What are you doing here, Sipowitz?
15:04Am I interrupting, huh?
15:06Was Al here impressing you on how strong he is with the Moreno family?
15:11Hey, I'm with a lady. You're crossing a line here. Move away from me.
15:15What, is that a threat, huh? Is it supposed to intimidate me?
15:18Look around, you Sipowitz. You can't afford anything in here. Go home.
15:23Stand up.
15:24Are you crazy?
15:25Shut up! Are you nothing? Just shut your mouth!
15:27All right, Mr. Wiggs says Alphonse has to go outside now.
15:33Come on, let's go.
15:40Get back! Get back or I'll blow your head off.
15:54All right, let's see, Alphonse. Let's see. Is this your money?
15:59Huh? Here's your money, Alphonse.
16:01Stop.
16:02Is this the hundred you offered me in court today?
16:04Eat it!
16:05Eat it!
16:06You're a damn psycho, Sipowitz. You need some time in the country.
16:21Here, you big ape. You want some dessert, huh?
16:24Here, Alphonse. Have a sock for dessert. Have one of the socks that I can't afford to change.
16:33What's that need, Alphonse, huh? Something to spice it up? Maybe a dash of wind?
16:39Here, go home.
16:41I'm dead, huh? You think you're better me? Is that what you think needs to be?
16:45Oh, I'm at it. Me now.
16:47You're at it now, you stickhead!
16:49Get off!
16:50You get out of here!
16:51Breathe deep! Breathe deep, but try yourself!
16:55You just made the worst mistake of your life!
16:58What is the matter with you?
16:58Stop following me around, will you? Get out of here!
17:01What is the matter with you?
17:03Oh, get out. Stop following me around.
17:05What's the matter with you?
17:05Stop following me around.
17:07What's going on, Detective?
17:08It's over.
17:09Are you all right?
17:15Yeah, I'm all right.
17:19Make sure he gets home. He's a cop.
17:25You all right?
17:26Yeah, yeah.
17:39Officer Lacalcy.
17:56Yeah?
17:57Where are you at the 116 out in Queens?
18:00Yeah, to a last month.
18:02You're welcome.
18:06Why don't I call over there? I get special attention.
18:09on an apartment building.
18:10Yeah.
18:10Give me the address. I'll take care of it.
18:11He's got another one.
18:12No, no, no, no.
18:13Got a piece of paper?
18:14No.
18:16Right.
18:17This is my ex-wife's address.
18:22There was a robbery in the basement on Tuesday.
18:26Super didn't report it.
18:27Make sure the sector car keeps an eye on it.
18:29I will, too.
18:29I live out there myself.
18:31Appreciate it.
18:32I didn't realize you were getting a divorce.
18:36Uh, yeah, I'm just, uh, getting it done.
18:42It's too bad.
18:43Yeah.
18:43Anyway, thanks a lot.
18:47Detective.
18:49We'll call the rat squad.
18:51Something to do with your partner
18:53feeding Giardella his wig last night.
18:56The restaurant owner filed a complaint.
18:58Where's Sipwood's?
18:59Try the men's room.
19:00They're going to want your statement, too, Detective.
19:06Yes, sir.
19:06Good job.
19:20Here, open this for me.
19:21You get home all right?
19:31Yeah.
19:36See internal affairs outside?
19:38Yeah.
19:40I'm screwed.
19:42Hey, not off the statement I'm going to give them.
19:44Nah.
19:46They got me.
19:47What you said yesterday,
19:55I can't disagree.
19:58I've been holding you down,
20:01making you look bad.
20:03That's not the point.
20:05You stop drinking,
20:07you get a little help for yourself.
20:08Hey,
20:09you get to a point
20:11the hands have been dealt and played.
20:12Hey.
20:12Hey.
20:17Still friends, though, right?
20:21Oh.
20:22Huh.
20:24Still friends.
20:29I.D. prefers you and Detective Sipwoods don't confer.
20:35You ready, Detective?
20:43Yeah.
20:44Yeah.
20:47So,
20:56what happened last night?
20:58Was it as bad as the club owner said?
21:00I didn't see very much, Lieutenant.
21:03I'm not pairing you with anybody
21:04till we see how this shakes out.
21:06You need a body?
21:08Use a kid in anti-crime.
21:09Martinez.
21:10Martinez.
21:10Martinez.
21:10Martinez.
21:10Martinez.
21:10Martinez.
21:17You got a visitor here, Detective.
21:25Detective Kelly.
21:26I'm Josh Goldstein.
21:28I know you from someplace.
21:29Yeah, I'm apartment 4B
21:31in your ex-wife's building.
21:32Oh.
21:32Come on.
21:34It was another robbery, was there?
21:36Oh, not since Tuesday.
21:37Although I did notice
21:38some suspicious characters
21:40in the lobby last night.
21:41No, I'm an attorney, Detective.
21:44Laura asked me to provide
21:46some additional documents
21:47which we'll need to file
21:49with the city clerk.
21:51We weren't going to use lawyers.
21:52Oh, I'm not being compensated.
21:54She just felt the process
21:55would go more smoothly
21:56if somebody functioned
21:58as a go-between.
22:00Sometimes we tend to get
22:02sidetracked.
22:04Oh, well, if you'll fill these out,
22:07we can meet this afternoon.
22:08Actually.
22:10How come you got a gun?
22:11Gun?
22:15Yeah, in your briefcase.
22:18You got a permit for that?
22:19Oh, my God, Detective.
22:20It's just because of everything
22:21that's been going on
22:22in the building.
22:23So that's a no on the permit.
22:26Well, no.
22:27No, please don't arrest me.
22:28Please don't arrest me.
22:29I could be dispaired.
22:30No, you didn't kill my parents.
22:32It's okay.
22:33Get the permit.
22:34Now, I take these
22:40to the city clerk.
22:42Yeah.
22:43We can meet you this afternoon.
22:45It's 3 o'clock, all right?
22:483 o'clock.
22:52I just want you to know, Detective,
22:54your wife wanted me to assure you
22:56that there's no deepening
22:57of animosities here.
22:58What's she cooking for you?
23:00Excuse me?
23:01Well, if she's not paying you.
23:04She's cooking for you.
23:08We agreed on three dinners
23:10in lieu of compensation.
23:12Drive a hard bargain.
23:13What's on the menu?
23:15Oh, believe me,
23:16I'll happily take potluck.
23:17Okay, um, 3 o'clock,
23:21city clerk's office.
23:30James Martinez, Detective.
23:34I heard a lot about you.
23:36Anyways, I can help.
23:37I don't know what you heard about me,
23:42but there's a temporary assignment
23:43to unpack your bags, okay?
23:45I can work with that.
23:45Yeah.
23:46Okay.
23:46Initial here to show
23:58that you declined legal
24:00and union representation
24:01while you were giving the statement.
24:04From this point, Detective,
24:12you should consider yourself
24:13on modified assignment.
24:16Your salary will continue.
24:18You'll be notified
24:19of further disciplinary action.
24:24I'll need your gun and shield.
24:25Oh, John, stay away.
24:53Detective Kelly?
24:55Light him up, man.
25:09Light him up.
25:11Come on, light him up.
25:12Light him up.
25:13Light him up.
25:14I meet him up.
25:14Let's go.
25:14Light him up, man.
25:15Light him up.
25:16Oh, God.
25:16Light him up.
25:16He found out.
25:16There's no money for me.
25:17And he's like,
25:18"'Aかししさかりに的にいる人の
25:19似てるもの'
25:19a day,
25:20he'll be like,
25:21and a day.
25:21And he'll be like,
25:22to get a night.
25:23He'll be like,
25:24you know,
25:25he'll be like,
25:26he's like,
25:26he's like,
25:27he's like,
25:28he.
25:29I'll be like,
25:29he'll be like,
25:30I just need to show
25:31that he's like,
25:32he'll be like,
25:32he'll be like,
25:34he'll be like,
25:34Come on, let's go.
26:04They're killing me, Lois.
26:08I know, baby.
26:11They sit there staring at you, make you explain everything.
26:18They've never been on the streets in their lives.
26:24Maybe I should take a shower.
26:26No.
26:28Later.
26:30After.
26:30They try to make you feel like two sons.
26:36Come on, baby.
26:38Come to mama.
27:00Hey, fat ass.
27:15Looks like you're a creature of habit, too, Sipowitz.
27:18Only yours is gonna make you dead.
27:20I'm sorry, Andy.
27:22I'm sorry.
27:23I hope you got paid a lot of money.
27:26Wait now, wait.
27:27You gotta let me get out of here.
27:28Go ahead.
27:29Good job.
27:31I'm sorry, Andy.
27:36She's got people in Orlando.
27:38She thinks she's moving down there.
27:40Yeah?
27:41Did you tell her she could work at Disney World?
27:44Say something smarter than that, Sipowitz.
27:47You're gonna be dead a long time.
27:49I'd rather be dead than walking around with that mop on my head.
27:58Let's go.
27:58Come on.
28:14Come on.
30:15He shot a cop?
30:20You didn't know, did you?
30:23He works for you, and he didn't get your permission, did he?
30:28Hey, who raised you to have such a big mouth?
30:33Let's go, pal.
30:34Yeah.
30:39Tell Giadella that John Kelly wants to see him.
30:44Okay?
30:45No hands, John Kelly.
30:51The hospitalist Sipowitz's condition is extremely critical.
31:03He was bleeding too badly for them to finish operating.
31:07The front desk will have word of any change.
31:10We're coordinating with Port Authority PD, monitoring all bus, rail, and air terminals for the prostitute whose apartment he was shot at.
31:22Metals and Wong are canvassing a building in her neighborhood for any possible witnesses.
31:30Say you're in French or on Patrick's bar.
31:32I'm handling forensics.
31:34You're all green-lighted for any necessary overtime.
31:38This is Inspector Lestarza of the Organized Crime Unit.
31:45Gentlemen, ladies, first be assured that as you investigate Detective Sipowitz's shooting, you will receive whatever intelligence and logistical assistance my task force can provide.
32:00By the same token, since task force operations are ongoing and involve individuals who will fall within the margins of your investigation,
32:11it's imperative that you provide us with notice of your activities.
32:15A costly and regrettable incident has just occurred as a result of an officer's failure to so notify.
32:24I urge you all to avoid a repetition.
32:28Good luck.
32:31Kelly, see me.
32:45You knocked out the surveillance mic.
32:52Where?
32:53At the social club, Detective, when you were doing your John Wain act for Marino.
32:59I was putting a guy off me.
33:01Yeah, you planted him in the thermostat, which is where we placed our surveillance mic, which is no longer transmitting.
33:08Hey, look, my partner got shot.
33:10I could care about your surveillance mic.
33:13I'm hooked into the biggest crime family in this city.
33:16I got two years and 20,000 man hours on the line.
33:20And I'm not going to jeopardize that for any one shooting victim.
33:25Cop or no cop, partner or no partner.
33:29Your officer's emotionally involved, Lieutenant.
33:32He's out of policy.
33:35He's got no business anywhere near this case.
33:40Is he right?
33:42That I'm emotionally involved?
33:46Yeah, aren't you?
33:47Is he right that you're out of control?
33:49Where's this going, Lieutenant?
33:53I want you to sit down.
33:55Make a list of all possible suspects.
33:57People he busted.
33:59People he pissed off.
33:59That's a waste of time.
34:00Are you going to do what I...
34:01That's a waste of time.
34:03So's forensics.
34:04So's looking for Lois.
34:06She's either out of town or out of air.
34:08Are you going to do what I asked?
34:12You want a suspect list, Lieutenant?
34:15You got one.
34:21Your wife's downstairs.
34:25Oh, God.
34:26I blew that three o'clock.
34:42This is pretty inconsiderate, even for you, John.
34:47The clerk's office is two subway rides for your former wife and me.
34:50For you, it's just a walk across the street.
34:52Yeah, I'm sorry.
34:52Well, you put us to considerable inconvenience here.
34:55Are you done impressing you yet?
34:56You ready to shut your mouth?
34:57He's the one doing us a favor, John.
34:59So why don't you just dial down the macho activities?
35:01Andy shot a couple hours ago.
35:05Oh, my God.
35:06So I'm sorry, but we're going to have to do the paperwork another time.
35:12Okay?
35:18Hi.
35:19Hey.
35:20Sorry, but it's...
35:21Yeah.
35:23It's not a matter of what you're doing after work.
35:24You're going over to the hospital.
35:25Well, he might not be alive that long.
35:28Well, if you want someone to ride over there with you, just get a beer.
35:33Thanks.
35:34I'll let you know.
35:56You're a list of suspects.
35:59It's a joke.
36:02One name.
36:02Alphonse Giardella set him up.
36:05Alphonse Giardella shot him.
36:06There are no other suspects.
36:10It will only take about 15 minutes.
36:13You want to get in some trouble?
36:15I'm up for that.
36:16I got to go.
36:17Come on.
36:18I got to go.
36:19I got to go.
36:26Police!
36:27Hey.
36:28Everyone, zip up.
36:29Right in the hands of him.
36:30You got to get to the back wall.
36:31Here you go.
36:32Whoa, whoa.
36:33That's it.
36:34Come on.
36:34Come on.
36:35Come on.
36:35Move it.
36:35Move it.
36:36Move it.
36:37Move to the side.
36:38Come on.
36:39Come on.
36:39Call him.
36:40Come on.
36:41Come on.
36:41Come on.
36:41Come on.
36:42Come on.
36:43Tell him when you want to be relevant.
36:45Thank him for the bus.
36:47Come around, you can come around.
36:57Post time, fellas.
36:59You're under arrest.
37:01Tell Marino,
37:03he's got five,
37:05because he can't control his people.
37:09This
37:11is for Giadella
37:13shooting a cop.
37:17Waste your time running like that, man.
37:21You're never gonna get away from me.
37:25Thanks for your help, Martinez.
37:27You got real moves out there.
37:29I escaped a lot of zoos.
37:31Come here, Kelly.
37:39You're right.
37:41What the hell do you think you're doing?
37:43I'm gonna bleed Marino
37:45until he gives up Giadella.
37:47And what if he gives him up dead?
37:49That's okay, too.
37:51I got four messages from the stars that I haven't answered.
37:53I'm not gonna be able to protect you
37:55if it hits a family.
37:57I understand.
37:59Officer LaCalcie.
38:01You want to get that beer?
38:03Sure.
38:05Hi.
38:07There you go.
38:09I thought he got a brand new bro.
38:11See you.
38:13You guys here.
38:15You're working on the show.
38:17You're working on the show.
38:19You're working on the show.
38:21You're working on the show.
38:23You're working on the show.
38:25You're working on the show.
38:27Well, Sitkiewicz your first partner?
38:33Yeah.
38:35Since I got my shields.
38:36He's tough, huh?
38:37Yeah.
38:38Still hanging on.
38:40I'm afraid to go over there.
38:43My dad died in that hospital
38:45when I was a kid, you know?
38:47How'd he die?
38:50He was a cop.
38:52Went through the wrong door.
38:54I'm sorry.
38:56I'm sorry. My dad's a cop, too.
39:00Oh, yeah? Whereabouts?
39:04Uptown, the 27. The folks live in Staten Island now.
39:08Hmm. They must be proud of you, huh?
39:12Hope so.
39:16You didn't have to be at the hospital. You were with Sipowitz when it mattered.
39:20Yeah, well, I don't know.
39:24You know, well, I don't know. You know, he got into a big beef
39:28right before he went after Giadella.
39:32I halfway think that's why he did it, you know? I mean, I know that's
39:36not why he got shot.
39:40You know, it just seems that no matter how much you feel
39:44about someone, you never really
39:48get it squared away, you know? You never really get
39:52to understand them the way you wanted.
39:56Is that how it was with your wife?
40:04No, no. She blamed the job.
40:08Said I was in the street too much.
40:12Well, maybe she didn't
40:16meet you halfway.
40:18Maybe she didn't know how to listen.
40:20Hmm.
40:24There's probably enough blame to go around here, right?
40:26You want to get some dinner?
40:38Yeah.
40:40It's nice halfway.
40:42May I take these?
40:46So what do you want to be doing
40:48in a couple of years?
40:50What you're doing now?
40:52I want my shield.
40:54I heard you got yours when you were 28.
40:56Yep.
40:58I was lucky.
41:04So what do we do now?
41:08That depends on you.
41:12You're right up front, aren't you?
41:14I don't count on second chances.
41:16You're going to think I'm weird if I tell you
41:18I'm not really sure what I want to do.
41:20I don't think you're weird.
41:22I was married six years.
41:24I never fooled around.
41:26Really?
41:28That's right.
41:30Well,
41:32why don't we just play it by ear?
41:40Why are we playing?
41:50Why don't we predict the problem?
41:52Why do we have no power?
41:54Why do you have no power?
41:56When your own room is locked outside?
41:58Why don't we count on second chances?
42:00Why don't we use thoseист 때�farads,
42:02thehyun'sform,
42:03where they wanted us to come to mind
42:05and туда elements.
42:06They're going to be your death.
42:07Or you're like,
42:13how did they really Exp months?
42:15What's what we do now?
42:16Why don't we take?
42:20Oh, it's alright, it's alright
42:33Come on, come on, come on
42:38Oh, yeah, yeah, yeah
42:55Oh, oh, oh
43:08Oh, it's alright, come on, come on, come on
43:15Oh, yeah, yeah, yeah
43:38Oh, you are here
43:40Hi
43:41You know, your phone's off the hook
43:44Is that right?
43:49Is there any news about Andy?
43:52Uh, no, he's the same
43:54Look, I'm sorry I messed up on the papers
43:59No
44:00That's the last thing you should have been thinking about
44:04Can I come in?
44:14Oh
44:14I got, uh, I got some company
44:17Wow
44:23You're all broken up about Andy, aren't you, John?
44:28Well, let's just do what we came here to do, all right?
44:57I'm James Sinclair of counsel to Alphonse Giadella
45:00We understand that my client is wanted for questioning
45:03And the shooting of Detective Sipowitz
45:05Some head case rousts me in the street
45:07And I get harassed when he's whacked
45:09He ain't dead yet, Alphonse
45:12Hey, I don't give a damn about your fat-ass buddy, Kelly
45:15Makes no difference to me
45:17I was playing cards
45:18Are you here for a statement?
45:19That's right
45:20Interview one
45:21Come on, come on
45:23You see, I know what you're trying to do here, Kelly
45:26With me and Angelo Marino
45:27And you can forget it
45:28It's not gonna work
45:29What I think would be useful here
45:32Is that, uh, maybe you, uh, traced your activities
45:35Starting, say, 8 o'clock yesterday morning
45:39I'm gonna trace myself
45:41I just wanna tell this douchebag
45:44That he's barking up the wrong tree
45:45And he's making trouble for the wrong people
45:47Sit down, fatso
45:49All right
45:58So I was on my way to Atlantic City
46:01I got a condo there
46:03I arrived at my condo
46:05And went over to several casinos
46:07Where I lost money playing blackjack
46:09It's all there on the ceiling cameras
46:11You can check it out
46:12I arrived back at my condo
46:15And I got a call from my wife
46:17That you guys was looking for me
46:18This was, uh, what, maybe 9 last night
46:21And I drove back up this morning
46:23Questions, gentlemen?
46:28Yeah
46:28What time did you get to the casino yesterday?
46:33About 4 in the afternoon
46:35That's 3 1⁄2 hours after Sipwitz was shot
46:38Well, that's, that's when I arrived
46:40What do you want me to say?
46:42Why, what, is he suddenly talking now?
46:44He's making accusations?
46:46Because I was accompanied the whole drive
46:48I got people that can testify to that
46:50Hey, look, I don't care what he says
46:55In his whacked-out, beluded mind
46:57Screw him
46:58And screw you guys
46:59None of this here is gonna work
47:01Angelo Moreno, trust me
47:03I should thank you, detective
47:10For what?
47:12This one-man crackdown of yours has made my fiscal year
47:16Please, take my card if you should need to be in touch
47:20Shove it, counselor
47:21Take the card, detective
47:23And look at the address on the back
47:25It's a restaurant I strongly recommend for dinner tonight
47:30Hey, Jimmy, come on
47:32Let's go
47:33All right
47:35Your party's here, Mr. Moreno
47:59Excuse me, gotta look for a wire
48:02Hey, you got me
48:06Paid your unit
48:08It's okay, Lou
48:09You don't mind if I hold it, huh?
48:12That way I won't have to take it apart
48:13Nah
48:14Enjoy your meal
48:15You want something to eat?
48:18Drink?
48:18No
48:19This has gotta stop, this crap in the street
48:29Give me Giardella
48:31Why are you talking about Alphonse Giardella?
48:36If I got a problem with that, I'll take care of myself
48:39We're talking about you and me
48:41And I'm sitting here politely, I'm offering you a meal
48:44And I'm telling you, either cut this out or we got a serious problem
48:50You understand, that isn't gonna continue
48:53He whacked my partner and I want him
48:56And I said, the problem's mine to take care of
49:00Now sometimes, people get justice without getting time
49:09Not good enough
49:10You punk
49:14You're gonna tell me what's good enough?
49:19You're gonna tell me how to run my business?
49:22You're gonna embarrass me in public?
49:26You think you can't get hurt, too?
49:28You know what you have to do
49:30You're gonna keep this up, huh?
49:34Till he's mine
49:35This thing's going off
49:42What happened?
49:58I was on my way home
49:59I saw the radio first
50:01Your ex-wife was fine
50:02She wasn't involved
50:03She knows the guy that got mugged
50:05He was in the basement doing his laundry
50:07Didn't want to give up his wallet
50:08Well, I can walk
50:09Watch it
50:10I'm on a job
50:11Are you going to skip to this guy?
50:18You okay, 4B?
50:20Yeah, I'm gonna live
50:21This is a fighter
50:23I make a great lawyer
50:24My nose broke
50:26I wouldn't be surprised
50:28Well, maybe this is an excuse to get it fixed
50:33Look, I'll go get my bag
50:35And I'll meet you in the emergency room
50:36No, that's really not necessary
50:38You alright?
50:42You see anything?
50:44No, no, not till I came in my door
50:45Maybe you go over to your mothers
50:49Till I get this guy
50:51I didn't have a right
50:55To do that last night
50:56I didn't have a right
50:58To talk to you like that
50:59When I came to your apartment
51:00It's alright
51:01No, it isn't
51:02You have a right
51:04To have company
51:05The same way I do
51:06Just because I had a hard time
51:09Living with you
51:10Doesn't mean I'm not
51:11I'm not a hard time
51:12I'm not here
51:13I'm gonna go to the hospital
51:18Where are you taking him?
51:22Who's general?
51:26Nothing you want, Andy?
51:36Take care of yourself, alright?
51:41See you, John
51:41She's okay?
51:56Yeah, yeah
51:57Hey, thanks for stopping, you know
52:00No problem
52:01What about us?
52:05We're fine
52:06We're fine
52:07I'll call you later
52:10Okay
52:11All right
52:12Take care, alright?
52:17I will
52:41Take care, alright?
52:49Take care, okay Oh- Blake
52:49Take care, alright?
52:50Please
52:51Let me get back
52:52Oh- much
52:52Yeah, goremo
52:53Go-
53:09Mr. Marino, you wanted to see me?
53:15This guy won't hear reason.
53:18Is that your impression?
53:20That Kelly won't back off?
53:24I'm not sure.
53:25He's pretty upset about his partner.
53:28I'm not sure.
53:30You're screwing the guy and you're not sure?
53:35All right.
53:36I want you to kill him.
53:42How am I going to do that?
53:45You're a cop.
53:47You'll figure something out.
54:06Yeah, I just can't do anything else.
54:15I'm not sure.
54:15I'm not sure.
54:47I'm sorry I didn't get hit until now, but I had a bad experience with my dad and, you know, but I don't know. I don't know if you can hear me or what. I don't know.
55:17I don't know what's going on in your head, but, uh, I'm sorry.
55:27You know, I wish I could have helped you more, you know? I just, uh, I'm, you know, I'm grateful for the way you treated me.
55:44I'm coming up and, uh, you're like a father to me, man.
55:55And, uh, if this is goodbye...
56:07I came here to tell you that you're the toughest bastard I ever met.
56:25And I'm not counting you out.
56:30I'm not counting you out.
56:34I'm not counting you out.
56:57I'm not counting you out.
57:02I'm not counting you out.
57:06I'm not counting you out.
57:09I'm not counting you out.
57:14I'm not counting you out.
57:18I'm not counting you out.