NYPD Blue Season 1 Episode 10 Oscar, Meyer, Weiner
Category
📺
TVTranscript
00:00It makes you sick, what the world is.
00:21These are the nicest people I ever met.
00:25How long you worked for them?
00:27Five years.
00:28Were you kind of a problem, domestic situation in the house?
00:32They weren't that kind of people.
00:34Anybody angry at them?
00:37No.
00:39What time did you get to work this morning?
00:42Around eight.
00:44And I knew something was wrong because the back door was open.
00:51Did you see what those animals did to them?
00:55Did you see what they did to their poor daughter?
00:58Why didn't they just take what they wanted and leave?
01:04I don't know.
01:06I don't know.
01:08If you're up to it, what would help us is a list of people that had access to the house.
01:13You know, service people and like that.
01:15Did you do that?
01:16All right.
01:16Okay, James.
01:18Yeah.
01:19This is Officer Martinez.
01:20He's going to take you down the station.
01:23Thank you for your help, okay?
01:24Yeah.
01:25I tell you, I'm a big boy, John.
01:31But what happened up there, I don't know.
01:33These assholes like their work.
01:38This, uh, this woman who runs the house says the other daughter's up in Connecticut.
01:44What about those burglary homicides up in Riverdale?
01:48You think this could be the same group?
01:49I'm going to call the other daughter.
01:51You call them up there in Riverdale, all right?
01:53Hey, are you all right?
01:55Yeah.
01:56Ah, no sale.
01:58No, I'm good.
02:00I'm, uh, I'm going to make the call.
02:23You're welcome.
04:23And clear your books with the department on the Marino matter if you cooperate in documenting this current solicitation by Lenardi, as well as any other criminal activities of his which may come to light.
04:35You said they wanted you to run a play for them.
04:37Yes.
04:38Can you do that?
04:40Do you have access at your station house?
04:42Yeah.
04:42Do it.
04:45And tell them you want to meet.
04:46And wear this.
04:52It's a tape recorder.
04:54Unless you'd rather wear a wire instead.
04:57I'd like to set up some boundaries, a time frame.
05:02Once the investigation's begun and I know where we're going, I'll be better able to respond to your concerns.
05:08But this isn't open-ended.
05:11I do this Lenardi thing, and then I'm done.
05:15I think that's what I just said.
05:19Needless to say, officer, our arrangements and your activities are not to be discussed.
05:25I understand.
05:27Have you confided in anyone else up to this point?
05:30Not really.
05:31What does that mean?
05:33It's all right, Inspector.
05:35It's not going to come into play.
05:37I'll run this plate and I'll be in touch with them.
05:40And stay in touch with me, officer.
05:44I'm your new best friend.
05:50This one, they got the facial skin completely off.
05:53Look at this.
05:55Yeah, great.
05:57Let me get this shit.
05:59So, uh, your job and ours, stolen items are jewelry, cameras and pills.
06:04The murder weapon is a knife taken from the victim's kitchen.
06:09Same brand duct tape is used.
06:11Vaginal penetration with a foreign object after a rape.
06:14Sounds like the same bunch of fun lovers, man.
06:17Four male blacks.
06:18The only description you get off your jobs.
06:20Yeah.
06:20You know, they had to be tipped on.
06:22They said otherwise, why come down from the Bronx?
06:24I agree.
06:25Yeah, well, this is from the maid of delivery of people's service like that.
06:29We're running that out.
06:30See if anybody's got connections up where you are, all right?
06:33We'll keep it close.
06:34Great.
06:35Thanks, guys.
06:36Okay.
06:36Well, that'll be all for now.
06:39What was the date of your last service?
06:41Do you recall who was home when you were there?
06:43Could I possibly give you a date of birth?
06:45Yeah, right.
06:47Front.
06:47Front.
06:48Back.
06:49Anyone else have access?
06:50What do we got?
06:51So far, we got the mail carrier, the exterminator, and the TV cable guy.
06:57Anything on our BCI checks?
06:59All clean.
07:00They were all cooperative.
07:01But we still got the water delivery, the grocery, the dry cleaner, the carpet cleaner, and the masseuse.
07:09I spoke to the cleaners and the carpet people.
07:11What'd you get?
07:12Nothing there.
07:13All clean as a whistle.
07:15All right.
07:15I'll be right back, uh, to help with the calls.
07:18What did your daughter get in from Connecticut?
07:20She said about an hour.
07:21So, James, if you would, make sure she gets mad, all right?
07:24All right.
07:24Anything else?
07:29Uh, no, no, more to say.
07:31This is Detective Matamor.
07:33Hey.
07:43How's it going?
07:45Okay.
07:47Did you see LaStaza?
07:49Yeah.
07:50How'd that go?
07:52I'm not going to talk to you about this.
07:54Because he doesn't want you to.
07:56Johnny.
07:57Lie to him.
07:59Lie to him.
08:00He's lying to you.
08:02I'm not talking to you because I don't want to.
08:04I'm not talking to you because of who you are.
08:07What does that mean?
08:09You're my lover.
08:10And I don't want to get you involved.
08:12Okay.
08:13What if that's unacceptable to me?
08:15I'll try it.
08:16Maybe you'll get there.
08:20All right.
08:21Let's drop it off.
08:22Let's go.
08:22What do you got, Janice?
08:35Uh, this car's been parked on my block for about a week.
08:38I thought I'd check and see if it was stolen.
08:40When you delivered the water, did you carry it through the house?
09:00How long were the Sloans on your route?
09:02Could I get the names of the delivery board?
09:05And your date of birth.
09:10Hey, uh, did you know that New York City tap water tastes better than bottled water?
09:19That's not me saying it.
09:20That's independent testing.
09:22This morning, this bag contained a lunch prepared by my wife for me, not the rodent population
09:31of the 15th precinct.
09:33You know, you ought to get one of those, uh, metal lunch buckets.
09:37I wouldn't have to if you didn't treat and feed them like pets.
09:40It's your fault they're all over the place.
09:42No, stop!
09:43Metal boy, better them than me.
09:50You may have to wait a few minutes.
09:53Oh.
09:56There was a heinous murder, and our detectives are pretty busy at the moment.
10:01Oh.
10:02Well, that's all right.
10:03You understand perfectly.
10:04Can I help you?
10:07Detective, this gentleman is reporting at that.
10:11Yes, my name is Arlen Rickman.
10:13Yeah, I've seen you on some of those talk shows.
10:16Yes.
10:17But not so much lately.
10:21Now, you want to come over to my desk, here?
10:23Yeah, thank you.
10:27Have a seat.
10:28The man who robbed me was just under 60, tall, 160 pounds, peaches and cream complexion,
10:38and tousled, strawberry blonde hair.
10:42No scars or distinguishing marks on his face or arms, but he does have a pierced scrotum.
10:50He wears a little gold ball there.
10:54You got a good look.
10:56Oh, yes.
10:57From all angles.
11:01What did he steal from you?
11:03One item only.
11:04My Oscar.
11:06My Academy Award.
11:08Do you believe it?
11:09There was Baccarat crystal.
11:12Two Fabergé.
11:13What's the Oscar worth?
11:14Under these circumstances, I couldn't guess.
11:17Whoever bought it would have to keep the transaction secret, wouldn't they?
11:21Now, do you suppose that that would make the prize more or less valuable in their eyes?
11:28Mr. Rickman, I'd love to sit here with you trying to figure out what someone would pay to whip his Skippy while gazing at your Oscar,
11:35but right now we're working on a multiple homicide, so let's just put its worth at more than $500 and finish this report, okay?
11:44Fine.
11:46You got a name on the thief?
11:48He said his name was Bryce.
11:50B-R-I-C.
11:52My guess would be Y.
11:56B-R-Y-C.
12:00Last name?
12:02He didn't come up.
12:03Any idea of an address?
12:08He's a transient.
12:10Said he'd just arrived from Denver.
12:13Your best bet would be to track him through Raul, the bartender at Louise's.
12:20That's a come-as-you-are sort of place for persons like myself.
12:25It's where Bryce and I met.
12:27It's at 48th Street on the west side, huh?
12:31Oh, you know it.
12:33Um, Raul tends to get on terms with new blood rather quickly.
12:40He might just know where our Bryce has pitched his tent.
12:46All right, here.
12:47Write down your address and your phone number.
12:50I'll get in touch if I find out anything, all right?
12:56I'm grateful for your attention, detective.
12:59Well, I know in the scale of your life,
13:03of your labors.
13:04My loss is inconsequential,
13:07but as I seem to be retired from the writing of this,
13:12I don't expect to be winning more awards,
13:14and I would be pleased to get this one back.
13:18I, uh, I like that one book you wrote about those cops.
13:23Did you?
13:24Yeah, I can read and everything.
13:31Hey, yo, Officer Lacazzi.
13:46Get that thing we talked about?
13:48You want to run down on a license plate?
13:53That'll satisfy me.
13:55It's nothing heavy.
13:57You'd do better than that.
13:59We're not going to walk away right now.
14:01You look like you're mine.
14:03Yeah, I will.
14:04Be like this, Officer.
14:08A bookmaker in our sphere of influence
14:11might deal with an individual
14:13frequents a certain bar,
14:15establishes credit there with the bookmaker
14:18to bet on various porn events.
14:21The bookmaker has no home phone or address on this man,
14:25maybe not even his right name.
14:28Sadie's individual suffers some bad luck.
14:31Instead of paying off his debts
14:33or making arrangements like a citizen,
14:36he disappears.
14:38In a circumstance like that,
14:40we have to maintain the bookmaker's credibility.
14:44Put our finger on this man so he makes good.
14:47Doing what to him?
14:49I wouldn't let my imagination run away with me.
14:53Nobody collects money from a corpse.
14:57Are you satisfied, Jonas?
15:01You read the sports section, Janice?
15:10She's on the team now.
15:16Take care.
15:18I'll be in touch.
15:19I'll be in touch.
15:49Right over here.
15:53I'm looking for Detective Kelly.
15:55He's out now.
15:57Would you like to take a seat?
16:04Are you Rebecca Sloan?
16:07Yes.
16:09I'm Detective Sipowitz.
16:11I work with Detective Kelly.
16:12I'm sorry for your loss.
16:17Are you being treated okay?
16:21Yes.
16:22Everyone's been helpful.
16:24Why don't you come with me?
16:25We can talk in there.
16:26I realize this is a bad time for you.
16:35But the sooner we find out everything we can,
16:40the better our chances of finding these people.
16:42What do you want to know?
16:46We think whoever did this to your family
16:49had knowledge of the layout of the residence.
16:53Could you help us with people who you might have associated with,
16:58came to your house, but you didn't know real well?
17:00I don't know what you mean.
17:02People whose social or economic strata might be different than yours.
17:07My parents taught me not to make that kind of distinction.
17:14Rebecca,
17:15how we work a case is
17:18we go by what happens in the real world.
17:23Now, in the real world,
17:25well-to-do people tend not to break into houses,
17:28steal things,
17:29and murder the occupants.
17:32Can you help me with that type of acquaintance?
17:35From other social strata.
17:38Black acquaintances especially.
17:41Yes, I have black acquaintances
17:43who don't have much money.
17:45Any from the Bronx?
17:47What difference would that make?
17:52Several similar crimes have occurred in the Bronx,
17:56in Riverdale.
17:58Partial witness description said the perpetrators were black.
18:03I hate thinking like this.
18:08Rebecca,
18:09these people did terrible, terrible things,
18:15and we need to find them.
18:18I'm not here passing judgment on you or your family
18:21or anyone you might have known.
18:24I'm looking for something to go on.
18:26Is there anyone that comes to mind?
18:38I went out with a guy last year,
18:41Louis Vitrell.
18:44He's from the Bronx,
18:46and he's black.
18:51Is that
18:52F-U-T-R-E-L?
18:56Yes.
18:56F-U-T-R-E-L?
19:12You and me are definitely going to talk, Blake.
19:36Yeah, we are.
19:37I saw you meet your greaseball.
19:40I know you did.
19:41I saw you, John.
19:43And between now and when we talk, why didn't you think how bad you would have jammed me up if he saw you, too?
19:52Yeah, we'd be grateful if you could come in.
19:56No, it's completely routine, Mr. Futrell.
19:59We're just running down certain aspects of the case.
20:05Right.
20:06Right.
20:06Just ask for Detective Sipowitz.
20:08They'll send you right up.
20:10Yeah.
20:10We'll keep you posted on any developments, Ms. Sloan.
20:20Where are you going to be staying?
20:23My cousin's in Connecticut.
20:26I don't want to live in this city anymore.
20:30Officer Miller here will see that you get a ride.
20:33Listen, you take care now.
20:42Is that the daughter?
20:44Yeah.
20:45Andy, I'm sorry.
20:46I got held up.
20:48Did the daughter give us anything?
20:50Yeah, she dated a black guy who lives in the Bronx.
20:53He's coming in.
20:54You got anything working?
20:56Yeah, I'm running down the service people.
21:06What's going on, John?
21:08Nothing.
21:09Don't talk to me like a jerk.
21:12No.
21:14It's nothing, you know.
21:15I'll stop all my weight on this, all right?
21:18Yeah, that's why I asked you.
21:21I keep very close tabs, you know.
21:24I figure I carry you for another three or four years.
21:26You're going to start all on me.
21:28Detective Sipowitz?
21:29Yeah.
21:30Mr. Myers, good to see you.
21:32Sammy.
21:33I got your message, Detective.
21:36Yeah.
21:37Sure.
21:40You know I reached out to you, Sammy, huh?
21:43Because us going back the way we do,
21:45nobody knows better than me the sense of civic duty you're packing.
21:49I also got my sister's putz kid running the pawn shop while I'm over here.
21:53So in this case, the more haste, the less waste.
21:56All right, I got a stolen statue, Sammy.
21:59One of those movie Oscars.
22:00I also got a murderer that's making demands on me.
22:04I don't see my relevance.
22:07Sammy.
22:08Whoever that statue starts out getting pawned to,
22:11we know sooner or later it's going to come around to you, huh?
22:15In other words, you punish me for being an expert on collectibles.
22:18Son, I punish you for buying them hot.
22:21Now, Sammy, I know you don't want to swoop him down on your pawn joint there unannounced,
22:26doing an inventory check on your ledgers,
22:30putting holes in their out-of-pawn items, damming up your cash flow.
22:35I'm guessing, could this be an Oscar in the category of best screenplay?
22:41Circus somewhere around 1958?
22:44Ah, you see, you should have been a mentalist.
22:47I've heard rustlings.
22:49Very preliminary.
22:51Colleague didn't have the item yet, but he'd been approached.
22:55He wanted to know a ballpark worth.
22:58Yeah, what would that be?
22:59$2.5.
23:03$1,000?
23:04You think that's inflated?
23:06What a matchbook John Lennon wrote Screw You on brings in $15?
23:09All right, Sammy.
23:11You get me that statue.
23:13I'll owe you a back scratch.
23:15I'll keep your poster.
23:181991 playoffs.
23:21Correct.
23:22Autographed by Leach and Messier.
23:26I'll give you $40 for right now.
23:30Not interested.
23:32Hey, don't believe those collectible prices they caught you on the TV, miss.
23:36That market's pumped like Holland tulips.
23:46Hey.
23:47Hi, Johnny.
23:49What's going on? You all right?
23:52I got transferred to the Investigation Bureau of the DA's office.
23:56You're kidding me.
23:57You're a riding DA.
24:00Are you okay with that?
24:01Yeah.
24:02Yeah, that sounds great.
24:05I've got to take a statement.
24:07Okay, go ahead.
24:08I'll buy you a cup of coffee later or something.
24:11Okay.
24:11Right?
24:12I think maybe I got something here, Detective.
24:28Let me see it.
24:30That made it to Victim's house, Renee Pentecost?
24:34Yeah, no, she's clean.
24:35I did this name check myself.
24:37Yeah, she's got no record, but she's on two separate stop and frisk reports, and she was questioned twice during drug sweeps.
24:44Hey, James.
24:46Yeah, I thought that might be something.
24:48My name is Louis Futrell.
24:50I'm an architecture student at Hunter College.
24:54I live on 147th Street in the Bronx.
24:58I forgot your rank and serial number.
25:01Black man dating a white woman.
25:04I guess that does make me an automatic murder suspect.
25:06Right now, Mr. Futrell, I consider you a model citizen, which is why I was hoping that you might help us out.
25:15Two nights ago, I was up until 3 o'clock in the morning studying for a test.
25:21I have witnesses.
25:23I'll need those names.
25:24And, uh, assuming I get them, you're not a suspect in these murders.
25:32Now, what I'm most interested in finding out is, uh, did you discuss with any of your friends your relationship with Rebecca, her lifestyle, what her place looked like?
25:42Any of that come up when you talked with any of your friends?
25:45Oh, I get it.
25:49I may not be a criminal.
25:52But you get enough niggas together, and some of them must be.
25:56Mr. Futrell, Rebecca said one of the reasons she broke up with you was you hung with kind of a rough crowd.
26:02So I go to the criminal niggas.
26:04Say, guess what?
26:07I'm boning this rich white girl.
26:09Let me tell you where she lives, where her mama hides her jewelry.
26:12Is that the scenario you envision, Detective Sipowicz?
26:15Mr. Futrell, have I been disrespectful to you?
26:18This is disrespectful.
26:20Me being here is disrespectful.
26:22Hey, pal.
26:24You know, I'm trying to find some assholes before they murder another innocent family.
26:31It so happens these particular assholes happen to be black.
26:37Now, how do you want me to go about this?
26:39Huh?
26:40Maybe I should start each question with, uh, you know, I'm sorry for the injustices the white man has inflicted upon your race, but can you provide me with any information?
26:53Hmm?
26:54Or I'm sorry your people are downtrodden for 300 years, but did you discuss the layout of the Sloan house with any of your friends?
27:05Yeah.
27:06Do it like that.
27:07Yeah?
27:07Okay, all right.
27:08You know, I know that great, the African-American George Washington Carver discovered the peanut, but can you provide names and addresses of these friends?
27:21You know, you're a racist scumbag.
27:24I need names of black friends who might have shown special interest or visited Rebecca's home with you.
27:46I need a pin.
27:47I need a pin.
27:47Do you want a beer?
28:11Uh, no.
28:12No.
28:12Look, this following you around thing, okay, it's because I'm worried about you and you haven't been telling me what's going on.
28:26And I told you why I wouldn't.
28:30Johnny, I need you to love me, okay?
28:34It's up to me to take care of myself.
28:36Okay, let's stop with the word games, okay?
28:38Janice, you are kidding yourself.
28:41You lie down with a scumbag like Lenarty and a liar like Lestars.
28:44Johnny, you don't know what I'm doing.
28:46I'm working on an assignment.
28:47I know what you're doing.
28:48You're trying to get clean by doing something dirty, and that doesn't work.
28:54Meanwhile, they are leading you around town by your nose.
28:57Johnny, do not do this.
28:58I know how this works.
28:59I do, too.
29:00Okay, you're in too deep.
29:02I know exactly where I am.
29:04And you talking to me like I am an idiot does not help things.
29:07Who else is going to tell you the truth?
29:09The truth, the truth is that this is my life, mine.
29:16You can't have it both ways.
29:18Not with me.
29:20We can't make a life together, and then you go your own way.
29:23This is the only way we can have a life.
29:39I was in trouble once.
29:58I've stolen credit cards.
30:00That was three years ago.
30:02How long you known Louis Futrell, Lonnie?
30:05I grew up on the same block.
30:07You still tight with them now?
30:09Nah, not too tight.
30:13Look, you want to ask me about that family that was murdered downtown Louis with dating her daughter?
30:19Uh-huh.
30:20I ain't had nothing to do with that.
30:23I ain't never broken it, and I ain't never done no violence.
30:27Some trouble three years ago.
30:30Stolen credit cards.
30:32Point of information, can you verify your whereabouts two nights ago?
30:38Yeah, I was a ballman all night.
30:43Why don't you give me the lucky lady's name?
30:45Hey, Renee.
30:58What are you doing here?
31:01I just want to ask you a couple of follow-up questions.
31:03You remember Officer Martinez?
31:06Well, it'll take long.
31:06I have to get to a job interview.
31:08Come on over and join us.
31:10Well, can I just answer the questions?
31:11I have to get to the interview.
31:13Are you a junkie, Renee?
31:21Huh?
31:23If I were to check your arms, would I find tracks?
31:26No.
31:26No?
31:27I took you down to the station.
31:29There's a policewoman take a look at you.
31:31Under your tongue, beside your thighs, nothing, huh?
31:34See?
31:36What's this about?
31:38Well, you were questioned twice in the last six months during our drug sweeps.
31:43You were on fire with us.
31:45I didn't have anything to do with what happened to those people.
31:48You also never told me you used, so what else didn't you tell me?
31:52I would never do anything to hurt the Sloans.
31:55You ever have drugs delivered to the house?
31:57No.
31:58No?
32:01Renee, we're not talking about some walk-away possession bid here.
32:04We're talking about accessory to murder.
32:06I didn't have anything to do with it.
32:08Those people were good to me.
32:10Did you ever have drugs delivered to the house?
32:18Twice.
32:21Twice when I couldn't get out.
32:23Did you ever get in and take a look around?
32:25Just the kitchen.
32:26Mm-hmm.
32:27The back entrance in the kitchen, but he couldn't have done it.
32:31You gave him the floor plan?
32:31It's not a violent person.
32:33Is that what happened?
32:33You gave him the floor plan, right?
32:38Is that what happened?
32:45His name's Kenny Prince.
32:50Okay.
32:51You gonna help me with this?
32:54Yeah.
32:57Good.
32:57Come on.
33:08That's him.
33:10The guy in the dark coat and the khaki pants coming across the street.
33:14Get her down.
33:15Get her down.
33:16Get her down.
33:17Stay down.
33:17Hey, police.
33:23Are you Kenny Prince?
33:25Hey.
33:25Hey.
33:26Hey, hey, hey.
33:27What do you want?
33:28Hey.
33:29Relax.
33:30Relax.
33:31You got nothing on me.
33:33Please.
33:33You want anything to do with telling those people?
33:37Hey.
33:38I hope you'll burn in hell.
33:39We are not going to do three acts of opera.
33:41You understand me?
33:42Let's go.
33:43Come on.
33:43I want a lawyer.
33:44You're going to get it downtown.
33:45I can't give it to you here.
33:47Get in.
33:47You stupid bitch.
33:48Shut up.
33:49Get in the car.
33:51Get your lawyer downtown.
33:55You want your lawyer wrapped around you, Kenny?
33:57You don't want to talk to us?
33:58That's fine.
34:00But I want you to listen to me, because you're about to turn a walk into 25 years.
34:07Okay?
34:08We are about to pop these guys who did the break-in and murdered these people.
34:14Half a day tops.
34:16Now, we know you moved dope to the maid.
34:19We know you accessed the house.
34:20But if we find out from these guys that you sold the layout and described the alarm system
34:28when you could have helped us out, you just bought accessory to murder.
34:3425 years, Kenny.
34:38On the other hand, you do the right thing, and you tell us who you sold the layout to.
34:44I'll have a DA come in here, cut you a deal, you're back on the street, back in business.
34:51You want to think about it, you want to discuss it with your guy, that's fine.
34:56Take your time, but not too much, Kenny.
35:00Because God forbid these scumbags are out there doing another job.
35:06God forbid this happens again before we can snatch them up, Kenny.
35:14Because then it'll be on you.
35:20He has no priors for this type of crime.
35:24The arresting officer satisfied that he wasn't involved in the violence of the break-in itself.
35:30Claims he knows their current whereabouts.
35:32I'd go for it.
35:35Okay.
35:38Assuming your client provides productive information, he'd be considered a witness rather than a perpetrator.
35:44And this can't be an address out of a phone book, Counselor.
35:48He's got a finger, these guys.
35:50I understand.
35:51What about the other charges?
35:53We'd also decline on the misdemeanor possession charge and failure to appear.
35:57Sounds like a plan.
36:1115th Precinct, Officer LaCalcie.
36:13Okay, well, when do you want me to do this?
36:20Corner.
36:23A and 10th.
36:27Green four-door.
36:31Do you know the model?
36:35Ford.
36:38Any idea of the year?
36:40No, no, that's okay.
36:43Injuries?
36:48Uh, did you get a license plate by any chance?
36:55S.
36:57Z.
36:57U.
36:59766.
37:03Okay, hold on.
37:04I'm gonna get somebody over there, okay?
37:06All right, all right.
37:1215 base to Central, K.
37:15Go ahead, 15 base.
37:16Uh, we need a fire unit, ambulance, and additional sector cars to respond to Avenue A and 10th, car explosion K.
37:2310-415 base.
37:2510-415 base.
37:26Units are on their way.
37:27What do we got?
37:29Uh, a car explosion.
37:31One fatality.
37:32Um, that's the, uh, report I, uh, I made the notifications.
37:38Thanks.
37:39Uh, I'm gonna take a couple hours lost time.
37:42All right.
37:42What's going on?
37:45I don't feel so good.
37:50Sammy, I can't hardly hear you.
37:53Well, ask the guy to stop squawking the saxophone.
37:57Huh?
37:58Oh, that's great.
37:59That's great, Sammy.
38:00Where is he supposed to meet?
38:03Uh, I want to.
38:03All right, is the kid gonna have the statue with him?
38:06No.
38:07Tell your buddy not to hang up on having him bring the statue.
38:10Just tell him to set the meet.
38:11Yeah, we'll send someone over there to, uh, to grab the kid up.
38:17Right.
38:17Okay, you're a prince, Sammy.
38:19Yeah.
38:20Huh?
38:22You can go as high as 60 for the ranger's pennant.
38:25Okay, yeah, I'll pass that along for you.
38:27Right.
38:30Andy, we're in business.
38:41First floor, up front, right side.
38:46ESU cops are in position.
38:48Let's go.
38:49Let's go.
38:49Let's go.
39:11Police!
39:25Police!
39:26Police!
39:27Police!
39:28You come out with your hands on top of your head!
39:30Police!
39:31I'm completing my business!
39:35You Coleman?
39:36Brigitte!
39:38Oh, man.
39:39What have you been eating?
39:40Some kind of wild game?
39:43Hey!
39:44I thought that was the apartment.
39:46I must have been under the weather when I was here.
39:48Not good enough, Kenny.
39:49Well, what am I supposed to do?
39:50Knock on every door in the building?
39:52I want you to call them.
39:53Or and ask which apartment they live in?
39:55And then 20 seconds later, 14 cops bash down the door?
39:58Don't you think they might possibly connect the two?
40:01Hey, I want you to warn them that the cops are on the way
40:03and they need to get out of the apartment.
40:05Let's go.
40:06Look, I fingered these guys for you.
40:11I went out on a limb.
40:13Why can't you...
40:14Die on the phone, Kenny!
40:16Right.
40:19Right.
40:20Clarence, it's Kenny.
40:25You guys better book, man.
40:27The cops are on their way.
40:29I didn't say anything.
40:32I took a bus and they found your address in my crib.
40:35Clarence, you guys better get going.
40:40Happy?
40:41Yeah.
40:42That's OK.
40:43It's dope.
40:44Just chapter six.
40:45You better get going.
40:46Happy?
40:49Happy?
40:51I'm sorry.
41:22Nice going, guys.
41:33Book the Bronx squad. They're on the way down.
41:36How tight's the package on our case?
41:38Real strong. Found a murder weapon and a bunch of stolen property in their apartment.
41:43New DA thinks we're all right?
41:45He thinks we're all right.
41:46Hey, Andy, we picked up your Oscar suspect. He's an interview one.
41:54Thanks, better boy.
41:59You would be Bryce?
42:02Yes, sir.
42:02I'm Detective Sipowicz.
42:09You know, this is not where I plan to be today. This is not where I plan to be ever.
42:14Yeah, well, life's full of little surprises, huh, Bryce?
42:17Yeah, this is all new to me, and, well, actually, I'm a little scared, okay?
42:22Yeah, well, I understand.
42:23But I plan to deal with it. I mean, I intend to cooperate.
42:28That's a very positive answer, Bryce.
42:30So I'm going to ask you a straightforward question.
42:35Did you steal Arlen Rickman's Oscar?
42:39Could you take these handcuffs off, please?
42:41Well, let's see how this goes first, huh? How about that Oscar?
42:44Well, what happened was, I got off the bus to the Port Authority Terminal on 40th.
42:51I went straight to Louise's Grill, which is well-known. Famous, actually.
42:56I ordered a kamikaze. Who do you think paid for it?
43:00My first cocktail in New York City, Arlen Rickman.
43:05I mean, it was unbelievably vivid.
43:09Was it?
43:10Yeah, I was totally energized by the environment. This is an incredibly vivid city.
43:16I went home with Mr. Rickman. You know about the sex?
43:19I'm not interested.
43:20He was real generous, helping me out. He gave me some very good advice.
43:24Money?
43:25Yeah, money and advice.
43:27Then you robbed him.
43:29Well, actually, it didn't seem like that. It almost seemed like he wanted it to happen.
43:33I mean, he was so drunk, and he was showing me the Oscar, and then he passed out.
43:38You didn't beat him up?
43:39No! No! He was all bruised up like that when I met him.
43:43You know what I think?
43:45I think he's a very lonely person at heart, despite all the success and fame.
43:52Bryce, I think you got a shot at avoiding a trip to New York City's famous Rikers Island prison,
43:59which is a very vivid place indeed.
44:02But you've got to give me the right answer to the next question, Em.
44:06The Oscar's in a locker in Penn Station.
44:10The key is in my pocket. It's in a Dean and DeLuca tote bag, along with a pair of his socks.
44:15Whose socks?
44:18Arlen Rickman's socks.
44:28Yeah.
44:29Yeah.
44:29these birds are boycotting me i'm throwing away all this good seed i want to know what happened
44:43to joey o'brien do you remember him joey o'brien his car got blown up yeah with him in it i want
44:50to know what happens i think the question that you're asking officer kazi is did we do it
44:56the answer is we did not you gonna cross your heart or spit or something officer you got credit cards
45:08right two three four whatever you got would you imagine using up all your credit on just one card
45:15your visa say come on if you were financially irresponsible desperate whatever you'd burn
45:22them all out to the limit now that's what joey o'brien did and what's obvious is some less
45:30patient and reasonable people got to him before we did
45:33it wasn't you it wasn't us
45:38your conscience clear now
45:43tommy said to tell you thanks for the license plate he's looking forward to meeting
45:50take care i'll be in touch soon
45:56don't get cancer richie
46:02here you go
46:11hey detective sipowitz you know it's all on the radio how arrests were made on all those murders
46:20come in to congratulate us mr futrell i guess somebody was doing some real detective work
46:26while you stayed busy harassing me and my friend i'm sorry you took it that way
46:31hey i want to hear you say you harassed me i want to hear you say that me and my friends are not
46:38suspects which detective andrew sipowitz might find it hard to believe since he thinks we're all a
46:44bunch of low-life niggas all right lewis you made your little speech you're done now no i'm done
46:49when i say i'm done i'm telling you you're done i want to hear about george washington carver again
46:56you ignorant cracker bigot excuse me what's your business here this is mr lewis futrell lieutenant
47:03he was questioning that sloan matter he was cleared so your business here is finished
47:09you know i love to take it with you one-on-one sometimes you don't have your gun and your fire
47:16hose and your badge let me give you my card sipowitz thank you for your cooperation mr futrell you can
47:22leave now they letting you work in a big house now boy what door you coming you can leave now mr futrell
47:32you busy tonight
47:44i got no big plans
47:48detective sipowitz i got your message you found it you did didn't you
47:52uh yeah yeah come on
47:56oh thank you
47:58there you go
48:04wonderful
48:06but i am very grateful
48:09we got that kid in the holden pen how do you want to handle that
48:13oh
48:14well i'm not inclined to press charges
48:19no harm done as we say
48:24all right well suit yourself
48:25detective could you abide a gesture of gratitude from an old queen
48:33it depends on the gesture
48:37here is the book of mine you said you had enjoyed and
48:43well i signed it for you
48:46you know bet uh when you wrote this you weren't hanging out at bars mid-morning picking up douchebags like this bryce character who'd rob your models huh
49:03oh my work habits were more rigorous yes anything keeping you from getting rigorous again
49:10oh on the uh deteriorating physical condition plus the general route of my faculty
49:17and a pervasive sense of despair
49:22in other words uh you're getting old
49:27oh
49:28i suppose it doesn't make me unique
49:31hey take a shot huh
49:33i bet you can still do it
49:35well i get my oscar back
49:40and a lecture on free will
49:42that's why this is a great police department
49:46thanks for the book
49:50hey
50:08hey
50:14you still eligible for conversation
50:18sure
50:20i'm in uh i'm involved with that uniform with calce
50:25whoa there's a booth in the booth
50:30and uh anyway she's uh she's involved in this kind of complicated situation and i don't want to go into the details about it now but i'm worried about her and she won't let me help her with it so i don't know what to do about it
50:47what would you do if she'd let you
50:49i don't know i'm not sure i mean it
50:54i'd step in right
50:56and do what
50:58i don't know
51:00i don't know that either so you definitely got a well thought out plan she just won't let you put it in motion huh
51:05yeah
51:12look uh
51:17maybe she's right huh
51:19no letting you step in
51:20no letting you step in
51:21she is so far over her head of course that's my opinion
51:26but
51:28this is hard for me man
51:30do you want to take the weight for her
51:32yeah
51:33i don't know what to tell you john
51:37i was drinking and my old lady wouldn't cooperate uh my angle was i'd smack her around a little
51:51probably that was the wrong approach
51:55probably
51:58you ready
52:00yeah
52:01good job today john
52:03hey thanks lieutenant
52:04hey lieutenant
52:05uh
52:06that wasn't me who popped the maid from the stop and frisk files
52:09that was martinez
52:10he's gonna be a good cop huh
52:12yeah
52:14yeah
52:15and i
52:16thank you
52:21huh
52:26all right
52:27yeah go ahead
52:29you fine
52:30hey
52:33thanks man
52:34you got it
52:36i see you john
52:41yeah
52:42good night
52:57good night
52:58good night
52:59thanks for the uh help today
53:01yeah i'm glad it worked out
53:03good night
53:05hey lori
53:08was it the
53:16was it the job or not giving enough room to broke us up
53:21i don't know
53:23i do know that what made you good at your job also made it hard to be with you when you were home
53:29which wasn't that much rain
53:31which wasn't that much
53:33why do you ask
53:35why do you ask
53:36why do you ask
53:37no i was uh
53:39i was just wondering
53:41try giving a room
53:46good night
53:53good night
53:59good night
54:01good night
54:07How's your food?
54:37Good.
54:41You try to slaw?
54:43You getting your jollies out of this, Lieutenant, huh?
54:47What do you mean?
54:49You think I'm a racist?
54:51You rubbing my nose in it here a little bit?
54:54Let me tell you something, Lieutenant.
54:57I'm entitled to my feelings and my opinion so long as I do my job the right way.
55:04Now that investigation on that home invasion went by the numbers.
55:09I had a description for black men.
55:14I questioned the girl.
55:16Did she have any black acquaintances?
55:18Because that was my suspect profile.
55:21I gave that Futrell guy zero noise till he got in my face.
55:25Andy, I think you handled the investigation properly.
55:29So what am I doing here?
55:31I thought you might enjoy a meal.
55:35Yeah, sure.
55:37But you're not enjoying it?
55:41Yeah, it's alright.
55:43Food's okay?
55:44Yeah, it's alright.
55:45It's not exactly what I eat.
55:47Well, it's not what I usually eat either, but sometimes it tastes good.
55:53Yeah, it's okay, huh?
55:55So why aren't you enjoying yourself?
55:58Hey, Lieutenant.
55:59Let me know when you get done busting my balls.
56:02Is it the atmosphere, Andy?
56:05Well, that's possible.
56:07Something about me being the only white guy here.
56:10Now, why is that a problem?
56:14Is it because you feel this isn't your place?
56:18And maybe some of these people think so, too.
56:22Maybe a few of them just don't like you.
56:25Look, what's your point, Lieutenant?
56:27You're being served, aren't you, Andy?
56:29They cooked those ribs for you.
56:31Maybe they wanted to spit in your plate, but they didn't.
56:35They served your white ass just like they would anybody else who came in here.
56:39Even though some of them hate your guts.
56:44So why would you feel uncomfortable?
56:47You got your meal.
56:49What difference does it make what they're thinking?
56:52That they don't like you?
56:53Hey, that's just an opinion.
56:56Why should that bother you?
56:59They're still doing their jobs.
57:06Now, what if they had guns and badges?
57:17They ate the help of their fine Safor.
57:19They ate a lot of food.
57:22They ate the same.
57:23They ate the same.
57:24They ate the."
57:26The house is safe.
57:27The house is safe.
57:28The house is safe.
57:29The house is safe.
57:30And we're all to talk about the table.
57:31The house is safe.
57:32Let's take the house.
57:33There is no other house.