NYPD Blue Season 1 Episode 8 Tempest In A C-Cup
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00:00The Super says an end is upon and it's facing the rear.
00:25Okay, you guys cover the rear fire escape, all right?
00:28Let Tina's grab this for me.
00:29Okay.
00:30When you get up there, cuff him.
00:32You're under arrest for armed robbery.
00:33Nothing about the Simmons shooting, understand?
00:36Right.
00:36Nothing how a fireman working two jobs to make ends meet gets shot in the face for $12.85.
00:43You know who his son is, right?
00:44He's a cop with a 1-5.
00:45Yeah, Donnie, he's a good cop.
00:47Okay.
00:48Here we go.
00:58Police!
01:08Headed.
01:10Police!
01:11Don't move!
01:12Let me see your hands.
01:13Let me see your hands.
01:14Let's go.
01:14Hands!
01:15What are you doing here?
01:15Take the bed.
01:17Up!
01:17Get up!
01:18I got it!
01:19Yo, what's this, man?
01:20Nothing we can't talk about down the station.
01:22Up!
01:22Well, can I at least get my robe?
01:25Yo, man, what do I do?
01:26What's the charge?
01:27Go ahead, Martinez.
01:28You're under arrest for armed robbery, right?
01:30Yeah?
01:31Watch her!
01:32Hey!
01:32Hey!
01:33Wait!
01:33Hey!
01:34Hey!
01:34Come here!
01:37Come here!
01:39Freeze!
01:40Right there!
01:41Freeze!
01:41Let's go, man.
01:43Let's go.
01:44Let me drop kick this asshole right through the window.
01:47Buy the numbers, Andy.
01:48Buy the numbers, Andy.
01:50Yeah, okay.
01:50Buy the numbers, right?
01:52Lucky for you, you dickhead.
01:54Otherwise, you're nuts and be saying goodbye, Jackson.
01:57Hell of my balls.
02:00Let's go, nature boy.
02:22?
02:23Look, what?
02:24We're TV with chats.
02:24It's barul security.
02:36First, maybe.
02:37What?
02:38What?
02:38What?
02:39What?
02:39What?
02:40What?
02:41What?
02:41Come here, Pete?
02:42We're TV with faces, nudges?
02:43We're theinciumuz不 aren't.
03:44First time to avoid problems, don't give up the charge until you got the guy cuffed, okay?
03:48If you got a guy like this, he has four counts of armed robberies here in 15 years.
03:53You know, he's thinking maybe I should get out of here, you know?
03:55Right.
03:55I got you.
03:56That won't happen again.
03:57All right.
03:57Good work.
03:59John.
04:00Hey, Donnie.
04:03I heard you got the guy who shot my dad.
04:05Yeah, we got a suspect, a good one.
04:08That's him?
04:09Yeah.
04:10You want a confession, John?
04:15Give me five minutes alone with him.
04:17I know what you're thinking.
04:18I'd be feeling the same way.
04:20Now, you've had Donnie.
04:23You've had your look.
04:24Now, go back downstairs.
04:25Let me do my job, okay?
04:27I'm going to take care of this.
04:29Yeah.
04:32All right.
04:33Go ahead.
04:34Okay.
04:35I have to ask you a few questions.
04:38Police men.
04:40Kelly, you and Sip Woods.
04:42Is that the guy we like on the Simmons shooting?
05:00Yeah.
05:01Luis Hernandez, the illustrated man.
05:05All he thinks we want him on are the four robberies Conklin was working.
05:08And I don't want to spook him, because if I can get him to go for the Conklin robberies,
05:12then I can tie him to the Roberts case.
05:14And that'll give you the same memo as the Simmons on the side?
05:17Yeah.
05:19Uh, what about the, uh, the topless bar undercover, Lieutenant?
05:23I thought I'd reassign it.
05:25Oh, uh, I think that's necessary.
05:29Kelly's going to work interrogation with Conklin and Roberts.
05:32He's going to be school of Martinez.
05:34I'd just be like a fifth whale.
05:36Oh, so you'd prefer to stay on the topless assignment?
05:40Well, I think that's the most bang for our law enforcement buck, manpower-wise.
05:45Take Medivoy.
05:48Yes, sir.
05:48We go in, we patronize, we see if the girls are offering anything that isn't on the menu, huh?
06:05Kind of like a busman's holiday for me.
06:09Objective's to squeeze the owner who's laundering money for Tony Rago.
06:13Yeah, uh, listen, uh, uh, uh, uh, uh, Andy.
06:18Yes, Medivoy, you will be seeing naked broads.
06:21You're going to have a problem with that?
06:22Uh, no, no.
06:24Um, I just, uh, I wanted to tell you that, uh, I'm glad we have this, uh, this, uh, opportunity to, uh, to work together.
06:33Yeah, likewise.
06:34Let's go.
06:35Yeah.
06:36Listen, it's something we, uh, we have to discuss first.
06:38What's that?
06:39Um, well, I've been, uh, talking to a physician.
06:45Actually, he's a shrink about my, my, my, my, my...
06:50Today I met a boy, huh?
06:52Look, I want to work with you, Andy.
06:54It's just, you make me feel very anxious.
06:58Yeah?
06:59How?
06:59How do I make you feel, uh, anxious?
07:03That.
07:04Just like that.
07:05Uh, you invade my critical distance.
07:09Your critical distance?
07:11Yeah.
07:12Uh, my doctor says that, uh, every animal species that, uh, if you get too close, they, they, they, they feel threatened.
07:20Hmm.
07:21He says that for humans, our critical distance is, uh, 18 inches.
07:25So, uh, what are we supposed to do, Medivoy? Send faxes to each other?
07:29Uh-huh.
07:29Uh, no, no, I think that, uh, that now we, we realize the problem.
07:38Yeah, okay, sure.
07:40We'll work on it.
07:47How do you pronounce your name?
07:49Abandando.
07:52Abandando.
07:53Donna.
07:54Right.
07:55Well, Donna, we're delighted you're here.
08:00We've been waiting three months for your position to open up.
08:03Oh, me too.
08:05I've been temping the whole time so I could start as soon as the funding came through.
08:11Are you familiar with the origins of the Safe Streets program?
08:16It was designed to bring in people like yourself to relieve cops of a lot of their administrative and clerical load.
08:22Yes, I know.
08:24It sounds like such a smart idea.
08:27Hmm.
08:28Hmm.
08:29All right.
08:30Hey, man.
08:31It's a very important job.
08:33Someone like you can really be uplifting to morale.
08:38That'd make me feel great.
08:41Donna, um, working in this environment, you've got no problem with that?
08:48What do you mean?
08:49Well, it's predominantly male.
08:54And, um, I guess that's what I'm talking about, that it's predominantly male.
09:02I know that.
09:04That won't be a distraction?
09:08No, I don't think so.
09:09All right.
09:14All right, then.
09:15Let me show you to your desk.
09:19Yours situates you right across from the catching bench.
09:22Do you know what that is?
09:23Where civilians wait to speak with detectives about their cases.
09:29Very good.
09:31What happened to Kaminsky?
09:33Yeah, a little squadron traffic accident.
09:35What happened?
09:36Well, he seems to have fractured his nose.
09:41That's yours.
09:43See Connie Imperial downstairs for your materials?
09:47Lieutenant, is there a policy on displaying personal collectibles?
09:53Plants, memorabilia in the immediate area of your desk?
09:56That's all fine.
09:57Connie will show you where to put your things after your shift.
10:00Good.
10:00Because I'd hate to lose this.
10:04Do you like hockey?
10:05I'm not a huge fan.
10:07This is autographed by Brian Leach and Marc Messier.
10:14That's great.
10:16Anyway, Donna, welcome aboard.
10:19Thanks.
10:19If you cannot afford an attorney, one will be provided for you.
10:26Do you understand?
10:27I don't need to understand since I didn't do anything.
10:31Luis, listen to this.
10:32It's important.
10:33Anything you say can and will be used against you in the court of law.
10:37Do you understand?
10:38Yes.
10:39Do you agree to proceed with questioning without an attorney present?
10:45Sure.
10:46I got nothing to hide.
10:48You may request an attorney at any time.
10:51Do you understand?
10:52How many times are you going to ask me that?
10:53What, do you think I'm like stupid?
10:55Okay.
10:56I think if we can all get along, we can come out of this okay.
11:01Look, I don't have anything to come out of because I didn't do anything.
11:04Do you understand your rights?
11:07Yeah.
11:07Please, read over this statement and sign at the bottom.
11:11It lists all the rights that you spoke of and states that you were not coerced into waiving those rights.
11:18Take your time.
11:30Your photograph has been identified by a Nigerian robbed on October 14th land.
11:37I just identified you as a perpetrator.
11:42You guys ain't been listening, okay?
11:44I'm not a thief.
11:46I'm a baker's assistant.
11:47I work at Rego Park Bakery.
11:50I picked you out of a mug book that thick.
11:52Now, we can have that Nigerian back in here to pick you out of a lineup.
11:57But between this ID and the fact that the gloves you were seen wearing when your apartment, believe me, that one you're going away on.
12:07Now, you want to tell me about all those other cab robbers you committed?
12:12Luis, we know the truth.
12:15The only question is how difficult you're going to make it on us.
12:19Now, you make it easy, we can show you some consideration.
12:27Gratitude.
12:28We know you committed these four robberies.
12:31We've talked for a while, and obviously you're an intelligent guy.
12:36You got a job, you don't have anything major on your record, so let me tell you how it's going to go, okay?
12:42I think you're going to like what I have to offer.
12:44What you're offering?
12:45What's that?
12:46The all-expense-paid trip to Puerto Rico, man?
12:49You confessed all four robberies, they become one arrest.
12:53That saves us a lot of time.
12:54Time on the investigation, time on the paperwork, lineups.
12:59You save us a few days, I'll be in a position to save you a few years.
13:04Wait a minute.
13:06I'm supposed to trust you guys?
13:09Facts are facts, right?
13:11One arrest equals one conviction equals one bit in a joint.
13:16I can tell the DA and the judge you cooperated.
13:21You copped all four of these robberies, and I promise this will all happen.
13:28Yeah, but you still got to prove that I did all these.
13:31Have I insulted you yet?
13:34Don't insult me, okay?
13:37You know you did them, and we know you did them.
13:39Now, if you don't go for this, you could try it four times, and you serve four sentences.
13:47Luis, these are cab robberies.
13:49There's no violence.
13:50There's nothing heavy-duty here.
13:53Go for these four, and that's it.
13:56That's it?
13:57That's it.
13:58Over and out.
13:59Done deal.
14:06Okay, I'll go for the four robberies.
14:08Okay.
14:11Set up the videotape.
14:13Call the DA.
14:15Halfway to Puerto Rico.
14:16Step one.
14:29Detective.
14:31I know I'm new to this, but we got three witnesses who will put an end that's right at the shooting.
14:35Why not charge them with the murder right now?
14:37Why play games?
14:38Okay, our witnesses place them in the vicinity of the crime scene around the time of death.
14:43That's not going to cut it.
14:44By trial time, witnesses disappear.
14:46They get sick.
14:47They forget what they saw.
14:49We want the confession.
14:51We get the confession.
14:52They never go away.
14:53All right?
14:53Okay.
14:54I'll see you then.
14:55All right.
14:55I'll see you then.
14:56Time is 11.18 a.m.
15:06My name is Randall Williams, Assistant District Attorney, County of New York.
15:11Also present in the room are Detective John Kelly, Detective Mike Conklin, Officer James Martinez.
15:19Would you each state your name and shield number, please?
15:22Detective John Kelly, shield 3118.
15:25Detective Mike Conklin, shield 1708.
15:31Police Officer James Martinez, shield number 2205.
15:37Also present in the room are videotape technician Greg Wing.
15:40And finally, Mr. Luis Hernandez, is that correct?
15:45Yes, sir.
15:46Would you state your age, please, Mr. Hernandez?
15:4828.
15:49Where do you live?
15:51635 Linden Boulevard.
15:53Mr. Hernandez, you've agreed to tell us about several incidents, several cab robberies.
16:00This time, I'd like to direct your attention to events of October 14th of this year.
16:06Your dealings with a cab driver named Christian Mifumi.
16:10Just take your time.
16:12Tell me everything that happened from beginning to end.
16:14Well, I got off work.
16:16What time was that?
16:20I get off work at noon.
16:21I called the Liberty Cab Company from the employee locker room.
16:27I told them to send one to Green and Booker.
16:34That's the location the bakery you work at.
16:36Yeah, it's like a few blocks away.
16:40When the cab got there, I told him to go to Reed Street, Manhattan.
16:43But he didn't know how to get there, so I told him.
16:47You told Mr. Mifumi, the driver?
16:50Yes.
16:51He didn't know directions much, being that he was like African or something.
16:57Then what happened?
17:02We got to Elmore Street.
17:04I told him to pull into the alley.
17:06But he didn't want to, so I showed him my gun.
17:10I told him that if he didn't, something bad would happen.
17:13What kind of a gun was it?
17:1445.
17:17I showed him the gun.
17:22He drove into the alley.
17:24And I told him, you know, give me your money or I'll kill you or something like that.
17:28I don't remember exactly because, you know, the gun was just to scare him.
17:32And then he gave me the money.
17:34How much money did he give you?
17:37Uh, $72.
17:43And I told him to stay there for 10 minutes.
17:46Don't call anybody on your radio because I'll be watching.
17:48And then I just ran through the subway because I knew there was a stop near there.
17:54Okay.
17:55Now I'd like to direct your attention to events on or about October 18th of this year regarding a cab driver named Wendell McCoy.
18:06Hey, Laura.
18:16Welcome back.
18:17Thanks.
18:19Sure you're ready to be here?
18:21Yeah, yeah, yeah.
18:21I need to get back to work.
18:23It's your call, Laura.
18:25You mean that.
18:27I know.
18:29So, I can't believe they dropped the Ray's case.
18:33Ah, so ends my uninterrupted assent up the prosecutorial ladder.
18:38It was a great week.
18:40Gio Della gets wasted and her other chief witness develops memory lapse.
18:44Who do you think got to Perez?
18:46Probably kidnapped some relative in Lima.
18:48Well, the truth is, outside the DA's office, no one cares about these guys anyway, Laura.
18:56Where are the papers?
18:58Three Colombians, four dead coke mucs from Peru.
19:01They got no faces.
19:03Gio Della, he had us in the game.
19:06Stuff he was giving us.
19:08You get to prosecute a guy like Tommy Lenardi.
19:11That's profile.
19:14That's got some future.
19:16It's too bad Gio Della's dead.
19:18How long were you alone with him?
19:24Before he died.
19:26Uh, until the marshal came in.
19:29I don't know.
19:33Maybe 15 seconds.
19:35The marshal was down the hallway.
19:36He was checking the maid's cleaning cart.
19:40You were alone with Gio Della 15 seconds after you were shot?
19:45Yeah, why'd you mean?
19:46Because if he spoke to you as he was dying, if he accused his killer, that's an exclusion to the hearsay rule.
19:55I'd be admissible in court.
19:57Except Gio Della didn't say anything.
19:58He crawled to the door, he reached his hand out to me, and then he died.
20:04Laura, we know who was responsible for that murder.
20:08If anything happens to me, Lenardi gave the order.
20:11How many times did Gio Della tell us that?
20:14How many times do we have that on tape, but it's not admissible?
20:17Well, dying accusation is.
20:23Gio Della didn't accuse anyone, Jimmy.
20:25People would understand why you were reluctant to tell the police there'd been indictments, allegations, cops were on the mob payroll.
20:33You even hesitated to tell me it's perfectly understandable.
20:37Jimmy.
20:37Look, you were married to a cop six years.
20:42I have a tough time believing your ex-husband never told you about helping a case.
20:47When you didn't have a warrant saying the perp asked you into the apartment, saying you came into the hall voluntarily, saying you didn't beat him to make him confess.
20:58No, Johnny never talked to me about that.
21:03Well, maybe it's about time someone paid you the compliment of treating you like an adult.
21:12Obviously, it's your decision.
21:14You're the one who was alone with the guy.
21:17You're the only one who knows what happened.
21:24Why don't we talk later?
21:25Why don't we talk later?
21:39What are you?
21:40What do you want?
21:51Did I give your kid cerebral palsy?
21:55No.
21:56Then his medical bills have nothing to do with what you owe me.
22:00Share a soda.
22:01This guy, you drink it?
22:04I want at least 30 on his tab.
22:07It's fine.
22:07There you go.
22:09One more.
22:10Yeah.
22:10Let me get it.
22:12One more.
22:12You can't deny it, you can't see
22:16But it's so tall and I'm on the floor
22:20I'm going your nasty way
22:23I don't see you
22:25I know you can't jump with you
22:28And I'll put you in your place
22:31Well, the way you misbehave is criminal
22:34But it only makes me want you more and more
22:41And I'm on the floor
23:01Hi
23:01Hi
23:03I'm Monique
23:05What's your name?
23:06Andy
23:11Hi, I'm Ines.
23:15Hi.
23:17Can I do a private dance for you?
23:21Yeah, sure.
23:41A-plus in the tip department, Monique.
23:46Would you like to have a touching party, Andy?
23:50I could get up for any kind of a party.
23:53Really?
23:54Yeah.
23:55How about a liquid party?
24:00And everything goes?
24:04How much would that cost me?
24:07I'll tell you in the back.
24:11Do you like these?
24:18Oh, yes.
24:31Do you like these?
24:34Yes.
24:36Yes!
24:37Okay, I can touch you for 50.
24:48I can lick you for 100.
24:51Licking sounds good.
24:53Uh-huh.
24:55There you go.
24:57Yeah.
25:00Okay.
25:02All right, baby. Let's see it.
25:03You don't know how sorry I am to tell you this money, but you're busted.
25:14Hey, you asshole!
25:15Come here!
25:16Come here!
25:17Hey, what's going on here?
25:18We're under arrest.
25:19For what?
25:20Promoting prostitution.
25:21Screw you.
25:22You got nothing on me, and you're not doing anything until I talk to my lawyer.
25:25Is that right, huh?
25:26What do you got?
25:27Solicitation and double billing on my cherry soda.
25:31I can't believe you're a cop.
25:32Why don't you go do something useful?
25:34Anyone can tell you there are muggins going on out there.
25:38If you had anything to do with something.
25:39Now shut up.
25:40Hey, is that a threat, huh?
25:41Are you threatening her?
25:43Because that's called obstructing governmental administration.
25:46Now you want to be charged with that too, then shut up.
25:49Get her some clothes.
25:50Call in uniform and shut this place down.
25:53Come on, asshole.
25:54My lord is going to have a...
25:55Come on, let's go.
26:08Who's this?
26:09I thought we were done.
26:10I'm Detective Roberts.
26:13I'm investigating a cab robbery last October the 24th.
26:17The driver was robbed, then his cab was taken and abandoned on the 700 block of Fletcher.
26:24You know anything about that?
26:30I thought we were done.
26:31I thought so too.
26:33But then Detective Roberts here shows me this new cab robbery file.
26:38What's going on, Luis?
26:41This is you.
26:43I don't know what you're talking about.
26:45That ain't me.
26:46Same cab company, same pickup area.
26:50Nah, man, I ain't going for this.
26:52I thought we had a deal.
26:54This is not going to work, Luis, unless you are totally candid with me.
26:58I asked you about all the cab robbery files, and now I'm looking through new ones.
27:04Look through all the files you want. I didn't do this one. I'm done.
27:07This is definitely you. Take a look at it.
27:09This is absolutely you.
27:10Hey, Luis, I'm trying to give you another chance.
27:19You think I should have a lawyer in here now?
27:22That's your call.
27:25You want an attorney in here? I'll get you an attorney in here.
27:30He's going to tell you to shut up.
27:33And then things will become adversarial.
27:35The deal's gone. Forget the deal.
27:38Is that what you want?
27:40Us against you?
27:42Knowing what I know about you?
27:45You want me against you? I don't think so.
27:47I want a cigarette.
27:55You want an attorney present?
28:03No, I just want a cigarette.
28:08Okay. Get the man a cigarette.
28:13Get him a few.
28:17Hey.
28:39Hi, Jimmy.
28:47You're about to drive me back to smoking.
28:49Don't. I don't need that on my conscience.
28:52Yeah, I'm having a few problems in that area myself.
28:56Okay.
28:58I hope you didn't get the wrong impression from our conversation this morning.
29:03No, I didn't get the wrong impression.
29:06You can say that it's only to help a case we're sure about.
29:10We know Lenardi killed Giardella.
29:13Underneath all the party wrapping, you're still asking me to lie.
29:17You wouldn't be taping this by any chance, would you, Laura?
29:25No, I'm not taping this.
29:30Want to search me?
29:32Sorry.
29:33Sorry.
29:34I haven't said that I wouldn't be willing to help you, but I need to know the terms.
29:43Well, if you were to remember that before he died, Giardella accused Lenardi, or the shooter mentioned Lenardi's name, that'd get us to a grand jury.
29:52We'd explain you held back because you were frightened. You didn't know who to trust with the truth.
29:56When it's a grand jury indicts, we'd have subpoena power. We could also use our tape conversations with Giardella. We'd be back in business, Laura.
30:05Talk to me about what happens if I don't cooperate.
30:09We're friends. We'd find a way to work it out.
30:13Tell me how.
30:14Tell me how.
30:15Well, if you were more comfortable not working for me anymore, that'd be okay.
30:20I mean, I know it might look kind of awkward because you changed jobs so recently.
30:25Yes, it would.
30:27It looked like Laura's job in the month club or something.
30:31You don't want to give people the impression of instability.
30:35Let me see if I get the picture here.
30:44If I want to stay, I have to remember, Giardella accused Lenardi before he died, even though I know that's a lie.
30:54Otherwise, you'll have me transferred from my job and spread rumors that I'm unstable.
30:59You're putting things in a pretty harsh light.
31:02But accurate.
31:05You lost one case. Do you really need to succeed that much?
31:14What I don't need is psychoanalysis from you.
31:20Okay, food for thought.
31:23Which is no substitute for actual lunch, come on.
31:27No thanks.
31:29I need to figure this out.
31:32Let me know what you decide.
31:35I hate what I'm doing.
31:39I hate this.
31:41I want to stop.
31:43Yeah, well, my experience is a feeling will pass as soon as you make bail.
31:48You want to sit down up here?
31:49Do you know why I started working at the club?
31:55Uh, paying for college?
31:59Happens to be the truth.
32:01You know, at first I thought it was just gonna be for a while, but...
32:10Would it kill you to believe me?
32:13To give me a break?
32:14Look, Monique.
32:15Look, Monique, I got no beef with you.
32:18But if I let you walk, your boss walks too.
32:22Think of yourself as, uh, the friendly dolphin got caught in the shark net, huh?
32:28Current address?
32:30700 was 29th.
32:37How about if I help you nail Frankie?
32:42I'd say hooray, Monique.
32:45But, uh, wouldn't you be buying yourself some grief?
32:49Doesn't make sense, does it, just to beat a $200 fine?
32:54Maybe I really do want to get out on detective.
32:58Yeah, maybe you do.
32:59Yeah.
33:03All right.
33:04Ball's in your court.
33:08More cash business.
33:10Do you think he declares all that cash?
33:13Probably not.
33:15I know where safety deposit boxes are.
33:18I can tell you the banks.
33:23Surprise, surprise, huh, detective?
33:26Let's get it right.
33:29I told you, I only did the four.
33:31Uh-huh.
33:32Luis, did we or did we not have a conversation about how much good you were doing for yourself, huh?
33:38The four crimes combined, the positive recommendation.
33:42Remember your whole support system? Remember that?
33:45Bye-bye.
33:47All the details you gave us on the first four, Luis, they put you right in the middle of this thing.
33:53Hey.
33:55You are taking your chances on this one, buddy.
33:58And I'll tell you why.
33:59Because if I have to pop you on this, this is a whole separate deal.
34:03This is a whole new trial. More time.
34:06Put them together.
34:08I didn't do that one.
34:13Okay. I want you to listen to me. Okay?
34:17You got the one robbery, you put it with the other four, and then you have an umbrella under which to place all the five crimes.
34:25Do you understand? No additional time, no new charges.
34:30Cops are just like anybody else.
34:33You make things easier for us, we'll make things easier for you.
34:37That's it.
34:38You hear about prison overcrowding?
34:39Anything under five years, they're looking for an excuse to send you home.
34:43Anything over, they're gonna find a place for you.
34:47So put them together.
34:53Okay, let me tell you what's gonna happen if you don't cooperate, Luis.
34:56My lieutenant is gonna have me look into all the cab robberies in the last six months, and guess who do you think he's gonna want me to connect them to?
35:07Who do you think? Huh?
35:10It's gonna take me three or four days, but I'll do it.
35:15No, that don't make sense.
35:20Luis, you're probably feeling like you're being jerked around, and I'm partially responsible for that.
35:24I should have looked into more files before we talked.
35:28So I'm gonna make it up to you.
35:30I'm gonna sweeten the pot a little, okay?
35:33Right.
35:36Tell me how you feel about the crimes you committed.
35:43Bad. I feel bad.
35:45And sitting here, hearing you say that, I believe you are sincere.
35:49So what I'm gonna do is, when you make the second confession on tape,
35:52at the end of the tape, I'm gonna allow you to make a statement of remorse to the judge.
36:00That's important, Luis. They want remorse.
36:04You got money problems, you're desperate for money, you can't make your rent.
36:08Right? That makes sense?
36:10Think about it.
36:11So, after you bound the driver's wrist with duct tape and made him leave the cab, then what'd you do?
36:27I drove the cab to 24th Street, because I knew there was a subway stop near there.
36:37I counted the money.
36:38I counted the money.
36:41There was, um...
36:4455...
36:47No, 58 dollars.
36:51Then I just left the cab.
36:53You took the subway home?
36:55Yeah.
36:56Yeah.
37:02Yeah, good.
37:07I just wanna say I'm very sorry for doing these robberies.
37:12I know that they were wrong.
37:15I didn't use the money for drugs or any illegal things.
37:18Uh, these are the only crimes I've ever done.
37:28You're the man.
37:30Nice job.
37:38Detective Zipowitz.
37:40Yeah?
37:41I don't care if you embarrass yourself, but don't embarrass me.
37:44Excuse me, Counselor.
37:46I, uh...
37:47I'm not sure I'm taking your drift.
37:49I've just come from an interview with your arrestee, Frank Cantor,
37:53whose two favorite words in regard to you are asshole and entrapment.
37:58What exactly did he say?
38:00For openers, that you solicited a sex act from one of his employees,
38:04that you took her into her back room, offered to pay her a hundred dollars,
38:08and never identified yourself as a police officer until after you had, quote,
38:12taken her for a test drive around the block, unquote.
38:17First of all, ADA Costas, that was a straight-up by-the-numbers bust.
38:22Which, never mind second of all, whatever happened to this concept of you and I are supposed to be a team here?
38:28Why in the hell would you take the word of some scumbag pus pimple like this Frankie Cantor over mine?
38:33You haven't banked a lot of credibility with me, Detective Simmons.
38:38This would be with regard to you having to prosecute that thing with Giardella's cigarettes?
38:42And having you as my sole witness.
38:45I don't drink anymore.
38:46Watching you stumble through testimony, not to mention grabbing your crotch and calling me a pissy little bitch.
38:52I apologize for my bad behavior.
38:56All I'm asking before you kick this case, how about you interview that dancer, Monique?
39:02I am going to interview her detective.
39:05And if she tells me that you got your rocks off, I'm dropping the charges.
39:09How about if she tells you Frankie Cantor's not only pimping out his dancers, he's laundering mob money.
39:16Which Monique, whose rights you're so concerned I violated, is prepared to testify to.
39:22Don't you say anything you shouldn't, Monique.
39:25Pop yours, Frankie.
39:27Careful, bitch.
39:29Shut up, Frankie.
39:30Monique says that, counselor, you're going to cut me a little slack.
39:43We'll see what she says.
40:00We got another problem, Luis.
40:13No way, man.
40:16Yeah.
40:18There's something else I gotta talk to you about.
40:21You said we were through.
40:24That's right, I did.
40:26But we got another cab robbery.
40:29Only this time the driver got killed.
40:39They told me that I'd be having a meal now.
40:42Forget it.
40:44Forget the meals, Luis. Forget sleeping. Forget it.
40:47You're here because you did this.
40:51And you're gonna be in here with me until you admit it to me.
40:54We had a deal.
40:57Sit down.
41:01Sit down.
41:04Sit down.
41:13Everything that I've said to you, forget.
41:16Look at me.
41:17Look at me, Luis.
41:18Because now we're gonna get serious, Luis.
41:32Now we're gonna talk about what this is really about.
41:36You killed this guy.
41:37And we're gonna be in here for as long as it takes for you to tell me that.
41:44You know, you tell me it's over, and then it's not over.
41:51And then you tell me it's over again, and then it's not over.
41:56Well, you can forget it, man, because you ain't jerking me around anymore.
42:01And number five, you told me that you used electrical tape.
42:05We found the same tape in the dead driver's cab.
42:09Same M.O., same area.
42:11I didn't kill anybody, and you ain't sticking me with no murder!
42:14When you called the cab dispatcher, they got your voice on tape, so when we make a voice print, we can match it to your other calls.
42:25Also, uh, every cab crime now, I did it, huh?
42:30Yeah, well, uh, I ain't going for it.
42:33You know what I was wondering, Luis?
42:35Did the driver have his own gun?
42:38Was this self-defense?
42:40I didn't do it.
42:42I'd like my meal now.
42:44Luis, there's an easy way, and there's a hard way.
42:50What's it gonna be?
42:52I didn't kill anybody, and I don't know anything about any shooting.
42:59Okay.
43:02Okay, Luis.
43:11Sorry it took me so long.
43:16That's... that's okay.
43:18I wanted to make sure the recorder worked.
43:22I hope you didn't get the wrong impression from our conversation this morning.
43:27No, I didn't get the wrong impression.
43:30You said you didn't record us.
43:32I know.
43:33You're a liar.
43:35Jimmy, please, you'll make me cry.
43:38Now listen to me, you son of a bitch.
43:40I'm not going to bring you up on charges, or report you to the ethics board.
43:45What are you going to do?
43:47I'm going to transfer out.
43:49I don't want to work with anyone like you, and if I hear one word of the kind of rumors that you threaten to circulate...
43:55No, no, forget it. Forget it. That's not gonna happen.
43:58It better not.
44:00It better not, Jimmy.
44:02Laura, listen to me.
44:04It isn't gonna happen.
44:10Anything I could do to get you to give me that?
44:13Once you can't trust someone, the world gets kind of complicated, doesn't it?
44:17How do you know there aren't copies?
44:20Point.
44:21Yeah, point, asshole.
44:22I'll have my desk cleared out by five.
44:25Gotta hand it to you, Laura.
44:27You're a lot tougher than I thought.
44:29You can mention that in the glowing transfer recommendation you're going to write.
44:53Now or never, better boy.
44:55Andy, Andy, wait a minute.
45:01Hi, I'm Detective Sipowitz.
45:03Hi, I'm the new detective's administrative aide, Donna Abandando.
45:08I have to say that three times real fast?
45:11Yeah, I know. Those two together. They're quite a mouthful.
45:15Amen to that.
45:17Uh, you mind if I stick with Donna?
45:20Not at all.
45:22Uh, anyway, any typing or filing you want done?
45:26That's what I'm here for.
45:27Well, that's the best news I've heard all day.
45:30Welcome.
45:31Thanks.
45:32Is, uh, is he okay?
45:35Uh, I'm sorry. This is Detective Medavoy.
45:39Pleased to meet you.
45:43Detective Medavoy has taken a vow of silence till they, uh, they sort out this mess in Bosnia, huh?
45:50Well, it's been nice meeting you, Donna, and, uh, don't worry about it.
45:55If he wants anything, he'll leave a note.
45:57I'm gonna ask you to leave us alone for a minute, James, alright?
46:18Sure.
46:21I want you to take this with you.
46:23Okay?
46:25Okay.
46:27Lock the door on the way out, will ya?
46:31What's this?
46:33Luis, you gotta understand something. The man you killed...
46:37I knew him.
46:38Hey, man, I didn't kill nobody.
46:43You worked 32 years pulling scumbags like you out of burning buildings.
46:48Worked some side jobs.
46:50Make it easy on his family.
46:54Make it easy on his family.
46:58His son's a cop.
47:03He works right here in the 1-5, right in this building.
47:05And you took this man's life for $12.
47:06I can't let it go, Luis.
47:07I told you, man. I didn't kill nobody.
47:08No more talking. The talking is over. You're gonna tell me the truth right now.
47:22Or what?
47:23What's the hardest you've ever been hit, Luis?
47:30Come on, man. Get out of my face.
47:32Because I promise you, unless you tell me the truth, I am gonna give you the beating of your life in this room.
47:45You can't do that.
47:46I can do that.
47:47I can do that.
47:48I can do anything I want in here.
47:51Okay?
47:52Nobody's gonna hear it.
47:54It's my word against your word.
47:57I will beat you, Luis, until you wish you were dead.
48:03So you have ten seconds to start telling me the truth.
48:07Nine.
48:08Eight.
48:10What if he had a gun like you were asking me before?
48:12So he had a gun. So was self-defense. Is that right?
48:15Yeah. He had a gun.
48:16Six. Five.
48:17Wait a minute. I'm telling you, man.
48:19You're lying to me, Luis. You are still lying.
48:22I searched that cab every inch.
48:24There was no gun.
48:26Four. Three.
48:29He was trying. Okay. All right. He was trying to grab my gun.
48:31I thought he was gonna shoot me.
48:33Tell me exactly what happened.
48:37It was like the others, man. Okay?
48:39I showed him the gun. I told him to pull into the alley and to give me the money.
48:44But he wouldn't do it.
48:46So I pointed the gun at him. I tried taping his wrist so I'd be able to take the money.
48:51But all of a sudden, he tries to grab the gun.
48:55I mean, I was just trying to scare him.
48:57But when he was grabbing the gun, there was nothing else that I could do.
49:00That's how you shot him.
49:02Yeah, but he didn't give me no choice, man.
49:07Okay, Luis. Okay.
49:10Now, I'm gonna ask those people to come back in here.
49:13And I'm warning you. I better not have to send them out again.
49:18Do I get to do this on tape?
49:20Yeah.
49:21Yeah.
49:22Yeah.
49:23I'll have the camera brought in.
49:27What about at the end?
49:29When I say how I feel?
49:32We can do that, too.
49:36See, Luis?
49:37I told you we'd come out of this, okay? Didn't I?
49:53James.
49:54Yeah.
49:57We're ready.
49:58Okay.
50:00It was like you said, detective.
50:03And the stripper's testimony will make our case.
50:06Good.
50:11So, I guess I owe you an apology.
50:14I don't know.
50:16I think I may still owe you for that time outside the court.
50:22Maybe I could work some more off for dinner?
50:24Huh?
50:27Let me see if I can decipher that locution.
50:30Oh, don't start that Latin crap with me again, huh?
50:34Did you just invite me out to dinner?
50:38Yeah.
50:41Why in the world would I want to have dinner with you?
50:45I don't know. You do or you don't.
50:50Yeah.
50:52I do.
50:53Good.
50:54Good.
50:55Good.
51:04Good.
51:06I was trying to tape his wrists.
51:08He kept trying to grab my gun, so I shot him.
51:12Where'd you shoot him, Mr. Havis?
51:14Where on his body?
51:18In the face, I think.
51:23What did you do?
51:28I jumped out, I ran to the subway, and I went home.
51:34Where's the gun you used?
51:35It's at my girlfriend's house.
51:36Okay, Luis, that'll do it.
51:37Okay, let's get it warm, let it go.
51:38All right.
51:39What about the other thing, the remorse?
51:40Go ahead, tell him how sorry you are.
51:41I just want to say I'm really sorry.
51:43Good work.
51:44Good work.
51:45How's that?
51:47How's that get?
51:48Good.
51:49Good work.
51:50Good work.
51:51Go ahead, tell him how sorry you are.
51:54I just want to say I'm really sorry.
51:57Good work.
52:14How's that kid?
52:17It's good.
52:19How'd he do a nice job there?
52:20Sorry, I sweat when I eat.
52:36Remind me of my father.
52:39Is that a plus or a minus?
52:42Plus.
52:45He's an enthusiastic eater, too.
52:50He has four brothers.
52:55They come over every Sunday and they eat a ton and they drink even more and they end up in fistfights with each other and they think it's fun.
53:06Well, yeah, when I was drinking, it will change your idea about fun.
53:14Well, don't get the wrong idea.
53:16And that's not all my dad.
53:18In fact, he is the kindest, most decent man I've ever known.
53:22You know, he took a second job paying my tuition at St. John's, said he wanted me to be able to concentrate on my studies.
53:30And when I graduated, he was so proud.
53:35He sat right on the front row with all my uncles.
53:41They were all wearing these gigantic red carnations.
53:44And when I walked by, they were all shouting, there she is.
53:52There's our Sylvia.
53:53Sounds like a good man.
54:01And he sweats when he eats.
54:05Yeah.
54:06I, uh, I like fish.
54:18How come you ordered steak?
54:22Just telling you something about myself.
54:25I mean, you know, you told me something about you.
54:28I'm telling you about me.
54:29I like fish.
54:31I got an aquarium.
54:35Really?
54:36Saltwater tropical.
54:46You know, you give them half a chance, people can surprise you.
54:52So, uh, you want to maybe do this again?
55:01Yeah.
55:03I would.
55:06You doing the DD5s?
55:31I'm done.
55:37I appreciate you showing me the ropes with that interrogation.
55:41I feel like I'm learning from the best.
55:42What's on your mind, James?
55:56I wanted to ask you, when you sent me outside, you gave me your gun and so forth, uh, I wanted
56:03to ask you to ask you to ask you what happened in there, why the guy gave it up.
56:09You mean, did I beat it out of him?
56:13Yeah.
56:13Yeah.
56:13If that's why you confessed?
56:16I didn't beat him.
56:18Then why did he give it up?
56:19Because he's guilty.
56:21And he knew I was willing to beat it out of him to get the truth.
56:24So, if it came to it, you would have beaten him?
56:31Let me put it to you like this.
56:33I never raise my hand to a guy if I think he's guilty or I'm trying to find out if he's guilty.
56:40But if I'm sure he's guilty and the case is going to walk unless I raise my hand, I do
56:46what I got to do.
56:47Even though you're breaking the wall?
56:48Okay, you're asking me if I believe in the Constitution.
56:52Yes, I believe in the Constitution and I hang on to that as long as I can.
56:57But in the case of a murderer like this who's going to walk, I leave my gun and my jewelry
57:02outside along with the Constitution.
57:05And if you're wrong about this guy?
57:07Well, then God forgive me.
57:13If you, if you want, I can make something up prettier than that, James.
57:18But that's the way it is.
57:22Okay.
57:24Night.
57:25Night.
57:48Night.
57:49Night.
57:50Night.
57:50Night.
57:51Night.
57:52Night.
57:53Night.
57:54Night.
57:55Night.
57:55Night.
57:55Night.
57:55Night.
57:56Night.
57:56Night.
57:56Night.
57:57Night.
57:58Night.
57:59Night.
58:00Night.
58:01Night.
58:02Night.
58:03Night.
58:04Night.
58:05Night.
58:06Night.
58:07Night.
58:08Night.
58:09Night.
58:10Night.
58:11Night.
58:12Night.
58:13Night.
58:14Night.
58:15Night.
58:16Night.
58:17Night.