NYPD Blue Season 1 Episode 14 Jumpin' Jack Fleishman
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00:00Music
00:16Will run toxicology
00:18I think you may find some cocaine in it, Doc
00:21Yeah, but that's a broken cricoid
00:23I think you're looking at strangulation as the cause of death
00:27What do you figure for time?
00:29Riggers passed off, what with lividity, general state of decomposition
00:34Somewhere between 3-5 days
00:37Whoever crooked her didn't even bother unhooking the cable when we were stealing the TV
00:42No forced entry
00:44Nah, ain't no work
00:46I was probably fighting over the pipe
00:48Is that tooth still bothering you?
00:50Mm-hmm, nothing a bullet in the brain went straight to hell
00:53Detectives
00:55This is the super, Mr. Harmon
00:57This is Detective Sipworth St. Kelly
01:00Phew, he's burning coffee grounds here
01:03What, you wanna take a whiff in here without him?
01:05Hey, Metavoy, put out the coffee grounds
01:07No, wait, wait, I just gotta smell
01:09Hey, where you been the last couple of days?
01:11I took my first vacation in nine months
01:14I was up to Ellenville, 48 hours
01:16Did she live here alone?
01:18Yeah, pretty much
01:19What does that mean, where she had a boyfriend?
01:21No, regular guy, she saw different guys
01:24Did she have problems, bad habits, anything like that?
01:28No
01:29No, smoking crack doesn't count, huh?
01:31Okay
01:32Let's make room
01:33I never would've guessed it
01:38She made the rent, she worked, some publisher over in Midtown somewhere
01:43You got any disturbances here last week?
01:46Never complained about a ruckus early Saturday morning
01:49I come down, I knocked, some guy answered through the door, said everything was okay
01:54So, you got complaints of a disturbance, shouting sounds of a struggle
02:00Then some strange guy talks to you from behind the door
02:04And he tells you everything was beautiful in here
02:06Then you left to go upstate, and you never talked to the tenant
02:10What do you gotta use that tone of voice for?
02:13You got a lot of morons in your family, because that could be genetic
02:17Excuse me, um, are you familiar with the apartment?
02:21Could you help us make a list of missing items?
02:24Sure
02:25Come on
02:26I wanna check out that moron thing before you have any late in life children, you know?
02:31What's his problem?
02:33Uh, the detective's a little short tempered, he's in dental agony, you know?
02:37Okay, I'll notify the wagon dispatch that I'll be boarding
02:41Bye
02:45CYC
02:46CYC
02:47CYC
02:51CYC
04:22Hey, when is your battery running down?
04:24I'm going to take these booking reports down to the stars.
04:26Hey, did you get a chance to give my message to detective siblings?
04:30Yes, we'll be back.
04:31Is she getting special treatment?
04:33It look like she is.
04:34Oh, we make a pretty good team, huh?
04:37Yeah, we did all right.
04:39You're never going to make a living playing blackjack, though.
04:41Yeah, I lost all my flash money.
04:44You've got to learn not to split AIDS against a face card.
04:47Well, you know that never came up at the academy.
04:49I mean, I bet I could teach you a couple things, too, you know.
04:53Like, you know what delts are?
04:55I know, Roy.
04:56What are delts?
04:56Ha!
04:57Well, delts are these muscles.
04:59Here.
05:00You've got great potential delts, if the right person worked you out.
05:06Mm-hmm.
05:07Well, I only noticed because of this sexy, bare-shoulders thing you're wearing.
05:13Oh, Roy, we need to set some ground rules.
05:16Oh, let me guess.
05:17No complimenting each other while we're on the clock.
05:20Yeah, something like that.
05:21So if I'm going to tell you how great I can make you look, it would have to be after the shift.
05:26Let's get these people squared away, okay?
05:28Hey, sorry, here are the rest reports.
05:31We're going to be here in ten minutes.
05:32Who's taking them over to court?
05:34Me and Larson.
05:34Uh, could you get them started?
05:38I'll be up there in a minute.
05:40Sure.
05:42Morning.
05:43Can I speak to you for more?
05:44Morning.
05:45Thanks, Sarah.
05:47Uh, Anticrine put an undercover into an after-hours gambling club,
05:51and we popped the operators and some of the prostitutes they had for the big customers.
05:56One of the hookers is asking for you.
05:58She says she can't make bail.
06:01Who?
06:03Lois Snyder.
06:04What'd she want to do, set me up to give me a shot again?
06:10Hmm?
06:11Here.
06:13Let me give her this.
06:15And you tell her to stay away from me, all right?
06:21Detective.
06:21Detective.
06:24Detective.
06:25How's it going?
06:27Okay.
06:28Roy Larson.
06:29Just came over to Anticrime.
06:31Yeah, I've seen you around.
06:32Yeah, I just took down an after-hours joint.
06:36They paired me with Janice Lacauce.
06:38Yeah, well, she's a good cop.
06:41You got it?
06:41Excuse me.
06:43Excuse me.
06:43Sure.
06:46What'd you come up with on that DOA?
06:4927-year-old woman, strangulation.
06:52Cracked paraphernalia by the bedside.
06:55Ring missing from a finger.
06:57TV stereo gone.
06:59Car gone out of the garage.
07:00Turns out the car was towed off a side street yesterday.
07:04Medivoy and Martinez are down at the impound lot going over it right now.
07:08The girl's parents are dead and there's no other family.
07:12We found some divorce papers, traced her ex.
07:16He said she called him on a crying jag and asked to borrow $400.
07:21I'd say she's relatively new to the wonderful world of crack cocaine.
07:26Andy.
07:26Your jaw looks small.
07:30I think I got an effective tooth.
07:32You gonna get it looked at?
07:34That would make too much sense, Lieutenant.
07:38Give me some DD5s when you get a chance.
07:42Okay.
07:46Hey, come here.
07:48Come here.
07:49Come here.
07:49Yeah, what's this?
07:51Call this guy.
07:52He tends to run his mouth a little bit, but he's a great dentist.
07:55Oh, John, you know how long it's been since somebody's left in my teeth.
07:58That's my point.
07:58You know what they're gonna find?
07:59Whatever he's gonna find, they're gonna fix.
08:01Yeah, yeah, yeah.
08:02Who's the steroid cancer?
08:04Lawson anti-crime.
08:05Now, I am gonna go and call the DOA's job.
08:08You go to the dentist.
08:10Yeah, yeah.
08:11Hi, darling.
08:12How you feel?
08:13Hi, Andy.
08:15Oh, hi.
08:16Your mouth looks swine.
08:19Yeah, I got a bad tooth.
08:22Want me to come over to your place tonight and I'll make us some soup?
08:27Um, I don't think tonight is any good.
08:31Andy, we are running out of nights of the week that might be good.
08:37If you're not careful, I'm gonna start taking this personally.
08:40I just, uh, I want things to go right when you come over.
08:51I don't think this is a good night, what with, uh, the tooth and...
08:58I still got, you know, one or two things I gotta fix up before you come over.
09:03You have got to know, you're never gonna lose points with me for being who you are.
09:11Don't be shy of me.
09:12No, I, I, I know.
09:14I'm just, uh, I wanna make sure the place is right for visitors.
09:22Thanks, Andy.
09:24Come on.
09:25Yeah, I don't mess with you.
09:2820 bucks a bullet.
09:29I gotta call you.
09:31Yeah, thanks for calling.
09:33I'll talk to you later, okay?
09:35Yeah.
09:40Hey.
09:41Oh.
09:42Hey, Johnny.
09:44The lieutenant's got you back in the rotation.
09:46Yeah.
09:47You ready for that?
09:49I'm ready.
09:50Yeah?
09:50Yeah.
09:50You want another body in the interview?
09:52I'm okay, I got it, Johnny.
09:54Go get him.
09:55Okay.
10:01You Linda Miller?
10:02Yeah.
10:04Hi, I'm Sharon Sal.
10:05I'm the detective assigned to your case.
10:08Why don't we go talk in the, uh, interview room?
10:10I think we'll be more comfortable there.
10:11Okay?
10:15Yes, sir.
10:15Yes, I do remember the phone.
10:19Here you go.
10:20Have a seat.
10:21Hey.
10:22Your complaint says you were robbed.
10:26Yeah, I may install my unemployment check and, um, they won't replace the check.
10:31The unemployment won't replace the check until I, um, make a police report.
10:35Okay, we'll take care of that.
10:37Are you all right, Linda?
10:40Did you get hurt during the robbery?
10:42I just bruised up a little bit.
10:44Well, you look like you got bruised up more than a little.
10:46Can you, uh, can you tell me what the man did when he robbed you?
10:56Yeah, he, uh, he, uh, he, uh, he, uh, took my unemployment check and, uh, he, uh, beat me up some.
11:05Okay, you were on your way home from grocery shopping?
11:11Yeah, I was, um, at a couple of job interviews and then I stopped by the 36th Street Market and, uh, when I was on my way home, he came up and, uh, he, uh, pulled me into a basement stairwell and he robbed me.
11:28Can you describe the man?
11:30Yeah, he was white, about, um, 5'10". He was strong.
11:41Okay, and he came towards you.
11:46Did you look at his face?
11:48It was pretty dark.
11:50You resisted when he pulled you into the stairwell.
11:53I didn't want to lose my unemployment check.
11:55And then what happened?
11:56Then he beat me up, he took my purse and, uh...
11:59Okay.
11:59He ran away.
12:01Well, did anything else happen?
12:02No, that was it. That's it.
12:06Linda, do you think that you could, um, identify this man if you saw him again?
12:11I don't know.
12:12I wasn't really looking at him and then it, it happened so fast.
12:17Did he touch you?
12:20He hit me.
12:21Linda, you know, I've been doing this a while, I've been doing this a while, and you develop a really good sense of when somebody's holding something back, either because of embarrassment or fear.
12:37Look, I told you, detective, he robbed me.
12:43You call me Sharon.
12:45Linda, if he touched you, if he forced himself on you sexually, you can feel free to tell me about that, too.
12:54Unless you tell me differently, it will not leave this room.
12:58I'm worried about my husband.
13:04Why?
13:06He says that I dress provocative.
13:09If he was always saying something like this was going to happen.
13:15Linda.
13:18Linda, when this man robbed you, did he rape you, too?
13:25Yeah.
13:27Can you tell me what happened?
13:29He, um, he put a knife to my throat and he made me take off my pantyhose and then he used my pantyhose to tie my hands behind me and then he put tape on my mouth and over my nose.
13:56And then he raped me and I thought he was going to kill me and, but he got scared, he hurt someone over the landing and he ran away.
14:12Okay.
14:14Okay, Linda, it's okay.
14:17Good for you.
14:18Good for you for saying.
14:19Good for you.
14:20Good for you.
14:26Uh-huh.
14:33Right.
14:33Well, if you could have any of your co-workers call me.
14:36Detective Kelly at the 15th Squad.
14:38Right.
14:39That's the idea.
14:41Now we don't know how she died yet.
14:46What's her story?
14:48Uh, rob assault and rape.
14:49And, uh, Johnny, she just described the identical M.O. to a series of rape homicides that I worked in special victims about four and a half years ago.
15:00How the guy tied her up, very specific how he taped her face, street approach, basement stairwell.
15:07It's exactly the same M.O.
15:09She get a look in?
15:10She's not so sure how good she's going through the books now.
15:14Johnny, would you do me a favor?
15:16Sure.
15:16Okay, I'm gonna go uptown.
15:17I'm gonna pull the files on those cases.
15:19Would you, uh, keep an eye on her, see if she needs anything?
15:22No problem.
15:23Let's go.
15:29Got it.
15:31Linda, this is Detective Kelly.
15:35Hi, John Kelly.
15:36Nice to meet you.
15:37Nice to meet you.
15:38Uh, Detective Kelly's gonna be available to you, uh, while I put together some of that information I was telling you about.
15:44Okay.
15:46I'll be back in a while, okay?
15:48All right.
15:49Thanks, John.
15:49See you later.
15:52I don't doubt Detective Uncle Sal is giving you the photograph speech.
15:56That people's appearances change over time.
15:59Yeah.
15:59They grow facial hair, they shave, they get fatter, thinner.
16:03Uh, the idea is to ID all the possibilities.
16:07Don't worry about the number.
16:08If you're not really sure.
16:09And I will be right around the corner, right there, if you need me.
16:13Good.
16:14Want some coffee?
16:15No.
16:16I'm all right.
16:17Thanks.
16:17Okay.
16:17Six o'clock?
16:21Great.
16:22Thanks a lot.
16:23Martinez.
16:24Yeah, Lieutenant.
16:25Yeah, Lieutenant?
16:25How are you doing on that strangulation homicide?
16:28We searched the victim's car over at the impound yard, Lieutenant, and we found a receipt for
16:33some makeup items, uh, you know, those, uh, stick on, uh, nails, eyeliner, lashes and stuff, uh, and a wig.
16:43All from a place over in Astoria.
16:44All from a place over in Astoria.
16:45The receipt was dated after the victim died.
16:48And we were thinking maybe the guy that did the strangulation had a backup girlfriend.
16:52Yeah, so we thought we'd, uh, go over to the wig place in Astoria, uh, maybe they remember
16:57some, somebody buying the stuff.
16:59And I'm waiting for a call back from the victim's job.
17:02Sharon's running down a lead on a rape.
17:04I have her complaint inside.
17:06You don't need Kelly.
17:07No, we don't need Kelly.
17:08No, we don't need him.
17:09Ha, ha, ha.
17:10Nobody needs Kelly.
17:11Uh, Andy getting his tooth looked at?
17:12If he doesn't shake it out.
17:13Ah!
17:14Oh!
17:15Oh!
17:16Oh!
17:17Oh!
17:18Oh!
17:19Oh!
17:20Oh!
17:21Oh!
17:22Oh!
17:23Oh!
17:24Oh!
17:25Oh!
17:26Oh!
17:27Oh!
17:28Oh!
17:29Oh!
17:30Oh!
17:32Oh!
17:33Oh!
17:34Oh!
17:35Oh!
17:36Oh!
17:37Oh!
17:42How much more drilling?
17:43We're getting there.
17:44Open.
17:49You know, detective, the inside of your mouth reminds me of some Mayan ruins I visited with
17:54my wife last year.
17:56Oh.
17:57Just kidding.
17:59Ah.
18:00I'm guessing ten years minimum since you had your teeth worked on, am I right?
18:04Ah.
18:05Ah.
18:06Ah.
18:07Well, I know how that happens.
18:08Ah.
18:09Ah.
18:10Ah.
18:11Ah.
18:12Ah.
18:13Ah.
18:14Ah.
18:15Ah.
18:16Ah.
18:17Ah.
18:18Ah.
18:19Ah.
18:20Ah.
18:21Ah.
18:22Ah.
18:23Ah.
18:24Ah.
18:25Ah.
18:29This act is I'm not their father.
18:30Ah.
18:31Ah.
18:32Ah.
18:33Or the priest.
18:35Ah.
18:36Ah.
18:37Ah.
18:38Ah.
18:39I'm sorry to interrupt you, Doctor, but Dr. Heller, you've got to do something.
18:46Dr. Fleischman's threatening to kill himself.
18:48Fleischman's the pedodontist who shares the suite with us.
18:51Ah, maybe he's just kidding around.
18:54I don't know. He's climbed down on the window ledge, and it's 28 floors down.
19:01I call 911, tell him what's going on.
19:06This guy better not be kidding around.
19:09Oh, what are you doing out there, Doctor?
19:19Don't come near me. You come near this window, I'll jump.
19:25I'm going to...
19:26We'll go to the other window.
19:29Go to the other window here.
19:31Jack.
19:32What?
19:33Jack.
19:34Oh.
19:36Oh.
19:36Uh, listen, your buddy in here, Dr. Heller, says your name is Jack.
19:49He's not my buddy.
19:51What?
19:52Not my buddy.
19:54All right.
19:54Anyways, look, my name is Andy. I'm a cop.
20:02I was getting my tooth drilled over here in Dr. Heller's office, and, uh, listen, I don't know what's on your mind right now, but it's obvious you're pretty upset.
20:15And there's hostage negotiation people that are coming over to talk to you now.
20:23They, uh, they got a lot of information they can give you on a situation like this.
20:28Like what?
20:28That I'm a despicable asshole, that I don't deserve to live?
20:33Jack, it's me, Irv.
20:35Jack, you're being way too hard on yourself.
20:39You don't know what you're talking about.
20:42I'm an embezzler.
20:44I'm about to have felony fraud charges filed against me by the IRS.
20:48I have to mention the fact that I poisoned every personal relationship I've ever had.
20:54Jack, hey, don't worry, I'm not coming out over there by you, I can't.
21:00Oh, man.
21:04I'll tell you, Jack, I feel like I got a drill team jumping around my tooth there that the doc was working on,
21:13so, uh, it's hard coming up with a bunch of, uh, cheery thoughts to tell you, you know.
21:20But believe me, these, uh, these hostage squad people, they, they know their stuff,
21:27and they're gonna know exactly what to say.
21:30Hey, officer, I'm not looking for anyone to tell me anything.
21:36I know what I am.
21:3948-year-old one-man train wreck.
21:43Don't you think people could change?
21:47I've tried to change a thousand times.
21:52That crap lasts a couple of months, Max.
21:56Eventually, you go back to being the same disgusting asshole you always were.
22:01Get to a certain age, it's too late.
22:06You are who you are.
22:08Officer, can you look me in the eye and honestly tell me that I'm wrong?
22:20Of course not.
22:31Screw everybody.
22:32Hey, hey, hey, hey, hey, hey!
22:34Hey!
22:34Holy...
22:35Hostage squad you are now.
22:46The victim today described an M.O.
22:54Exactly similar to a series of rape on the sites I worked four years ago.
22:58She picked out four different possibilities.
23:01The computer puts this one in the Acacia Cemetery, Catskill Correctional.
23:05This one is not ambulatory. He's in the Brooklyn VA.
23:08This is number four.
23:10Okay, number four is Louis Foreman.
23:12Four years ago, he copped to an aggravated sexual assault in Philadelphia.
23:17Talked to Pennsylvania.
23:18The case was pleaded down because the victim wouldn't testify.
23:21Same M.O. as the four murders in Morningside.
23:24Same M.O. as our victim.
23:26So the sexual attacks with this M.O. stopped you the four years this guy was in prison in Pennsylvania?
23:32Yeah, he was released on parole a month ago.
23:35Transferred to New York. He owes 11 months.
23:38You talked to his parole officer?
23:40Yeah, he's a violator. He failed to report two weeks ago.
23:44Parole check his residence?
23:45He's cleared out as of last week.
23:48Lieutenant, this guy has a bad pattern.
23:49Going back four years, victim one was two days from victim two, victim three a day later, victim four later that same night.
23:58I think we should set up on the street where this woman was attacked and put a decoy out.
24:04You and Kelly put it together.
24:13So this guy just jumped out of the dentist next door?
24:16Yeah, twenty-eight floors.
24:20What was his problem?
24:22He was a tax thief.
24:24Cheated on his way.
24:26That's all it took.
24:27There wouldn't be an empty ledge in the city.
24:32He was going on, you know.
24:34People can't change, so what's the point of kidding yourself and so forth?
24:39Janice, why don't you move up to the pizzeria, look in your bag, act like he forgot something, and walk back down to the grocery.
24:50So he just went?
24:51Yeah.
24:53Yeah.
24:54Why kid yourself thinking people can change, you know, and that type of thing?
24:59He's going on there and there, telling the difference, you know.
25:03It's my opinion.
25:06Why think people can change?
25:12That guy's wrong.
25:17Janice, there's a guy walking behind you.
25:20He's bald, about 5'10", and he's got a brown hooded jacket.
25:26This is our man.
25:27He's going to make a move.
25:34Larson, you got him spotted?
25:36I got him.
25:41He's on him.
25:54Liz, what the hell is Larson doing?
25:57Put your head down in your magazine.
25:59What is he doing?
26:08Hold it!
26:09Larson's alone.
26:10The guy made it.
26:11Come on.
26:20Drop it or you're dead.
26:22Leave me alone!
26:24Police!
26:25Put it down.
26:26Drop it and put your hands up against the wall, you asshole.
26:30Come on!
26:31You didn't say he was a cop!
26:33I told you I was a cop!
26:34I didn't hear you!
26:35You're under arrest!
26:36I didn't know what you wanted!
26:38I told you I was a cop, asshole!
26:40You're breaking my wrist!
26:42Say he was a cop!
26:44Shut up!
26:45You heard me tell it, right?
26:46I told him I was a cop.
26:47Well, I was running into the alley.
26:48You must have said it before I got here.
26:50What are you arresting me for?
26:52What did I do?
26:55It's not a big question, Jeff.
26:57Why are you blocking me for?
26:59I'll tell you when you get down on the street.
27:01You know, I think I hurt my leg.
27:22I put 15 years in, Lieutenant.
27:37But this strangulation homicide we're working.
27:40Wait till you hear what we came up with on this one.
27:43You went to that wig outlet?
27:44Yes, sir.
27:46That's where the two girls come from?
27:48That's...
27:48Yeah, they work there.
27:49Yes, sir.
27:50But, uh...
27:52Listen to this, Lieutenant.
27:55Our theory is that this guy is at the wig outlet
27:59buying stuff for his backup girlfriend.
28:02Mm-hmm.
28:03There is no backup girlfriend.
28:05Then who is the wig for?
28:07For him.
28:08The wig and the fingernails are for him.
28:11He's in the store for six hours
28:14trying on wigs and fingernails.
28:17And these girls are helping him with his makeover.
28:21One of them he sends out.
28:24She's getting him dressed from the big and tall girl shop.
28:28She had to go three different places
28:30to try to find high heels in a 12 and a half double E.
28:35Apparently, uh...
28:37See, this, uh...
28:38This guy's plan is to go home
28:41and spend the rest of his life as a woman.
28:43He doesn't sound rational, this guy.
28:46Yeah, well, that part I can write off to him being a crackhead.
28:50But these two girls here...
28:52I don't know what their story is.
28:54They're rolling on the floor like Heckle and Jekyll.
28:57The super brought some mail address to the guy.
29:01Care of the dead girl's apartment.
29:03There's a picture of him inside.
29:05See if the girls can pick it out.
29:07I'll put an array together.
29:10Can I help you?
29:13Um, Detective Sipowitz, please.
29:16Yeah.
29:16Um, Andy.
29:19Miss!
29:20Okay, Donna.
29:22I got her.
29:23Uh...
29:24I...
29:25Come over here.
29:31I came to return the money.
29:34I wasn't alone.
29:36Well, whatever it was, it was really nice of you, Andy.
29:41When you made enough to pay me back the same night,
29:44you're a hard-working girl, Lois.
29:46Look, I'd like a chance to explain
29:50what happened with you or Della, Andy.
29:52I think I got a pretty clear picture of what happened.
29:55Would you just...
29:56Let me take you out to dinner.
30:02Please.
30:04For old time's sake.
30:08Sure, why not?
30:10All right.
30:13Thanks, Donna.
30:14Come on.
30:14All right.
30:16She's ridiculous.
30:17You know what?
30:28I've never been to a police station before, Detective.
30:32Have you, Con?
30:33I've been in firehouses.
30:35You have?
30:36Sure.
30:37I slid down the pole.
30:39You were upstairs, like where the beds are?
30:43Detective Martinez, can I ask you a technical police question?
30:48I don't know if I'll be able to answer, but, uh, sure, go ahead.
30:53Detective Martinez, if a criminal takes a sanding machine
30:58or acid or something, can he erase his fingerprints
31:01and commit crimes all over the place without getting caught?
31:04Uh, well, here comes Detective Meta Boy.
31:11Okay, ladies, uh, we gotta get you at separate desks.
31:15We wanna see if, uh, you can identify a photograph.
31:18What happened to this sketch artist?
31:20We're gonna do this instead.
31:22Oh.
31:22Okay?
31:22All right?
31:25Now I want you to take a look.
31:27And if you recognize the guy,
31:30you'll point him out to me with your finger, all right?
31:33You gotta make separate IDs.
31:36This is the guy.
31:37This is the guy who came into this store.
31:39Thank you, Monique.
31:45Connie, you know what?
31:46It's really, really fun.
31:48Could you, uh, wipe this?
31:49Yes, certainly.
31:50Take a look at these.
31:58Do you recognize anyone, Connie?
32:00Sure, that's him there.
32:01But believe me, honey, after all makeover,
32:04he don't bear a vague resemblance of that mug.
32:07Okay?
32:09Ladies, I'm gonna ask you this.
32:13Would you be willing to sit in a stakeout van
32:16and help us identify this guy the way he looks now?
32:19Will Detective Martinez be there?
32:22Absolutely.
32:23All night, if necessary.
32:25Yeah.
32:26I'll do it.
32:27I'm not missing this.
32:29Great.
32:30Yeah.
32:31But that sounds good.
32:33Okay, Louis, let me tell you where we stand.
32:36We got you on resisting arrest.
32:38No, I wasn't resisting arrest
32:40because the man never said who he was.
32:43And you're definitely going back to prison
32:45for violating your parole.
32:46Do you understand that?
32:47I missed the parole appointment.
32:49And you didn't notify your officer when you moved.
32:53Well, I hope I can straighten it out with him.
32:55We had a rape last night, Louis.
32:57I don't know anything about that.
32:59Got your mark on it.
33:00I don't know what you mean.
33:04What were you doing last night, Louis?
33:06I was reading the Bible.
33:08You read the Bible a lot, Louis?
33:11It's what I read, yes.
33:15It must be hard living in a city like this,
33:18trying to follow what the Bible says.
33:21Temptation everywhere you look.
33:22Blessed is the man that endureth.
33:24Blessed is the man that endureth temptation.
33:27For when he is tried, he shall receive the crown of life.
33:32Were you reading the Bible when they sent you to prison in Pennsylvania?
33:35I'm not the person I was back then.
33:39With God's help, I have strengthened and renewed myself.
33:42How'd you do that?
33:45I read God's word and I do my push-ups.
33:48250.
33:51Sometimes 500.
33:52Whatever it takes.
33:55All those push-ups and the urges won't go away, huh?
34:00Is that what happened last night?
34:06Could we talk without the lady in the room?
34:08Sure.
34:24The rape that happened last night was exactly like the one you went away for in Pennsylvania.
34:30The lady got a look at you, and in a little while, she's gonna pick you out of a lineup.
34:35So if you want to help yourself, do it now.
34:38Blessed are they who are persecuted for righteousness' sake, for theirs is the kingdom of heaven.
34:55I'm asking you if you want help, Lewis.
34:58You're a God-fearing man.
35:04Amen.
35:07You're a God-fearing man.
35:10A God-fearing man ought to ask for help.
35:13I think I want a lawyer now.
35:29Okay, Lewis.
35:34Any good?
35:35Well, they stopped quoting scripture and asked for his lawyer.
35:39Detective LaSalle.
35:40You got a minute?
35:41I want to talk to you.
35:42What does this jerk want?
35:43Attention.
35:44I'll tell you, Johnny, the way he screwed up that bus tonight.
35:48If my original complainant doesn't pick Foreman out of a lineup, we're screwed.
35:51I know.
35:52There's no way we make that separate a small charge.
35:54I know.
35:55I'll talk to you later.
35:56Mm-hmm.
35:56What is it?
36:00Uh, I was wondering what you were going to be writing in your report on what happened on that rapist takedown.
36:08Uh, I haven't had time to think about it, actually.
36:11I've been racking my brains over it.
36:13Like, whether that guy made me, I'm sure he didn't.
36:17Now, what I think happened is that this guy probably just saw me as some kind of a threat, you know?
36:23I mean, uh, in his whacked-out state of mind, he might have thought I was a mugger.
36:30Well, I mean, who knows, right?
36:34I don't think at this point it really matters one way or the other.
36:37The guy got hinky and we didn't get the bus.
36:40Well, um, you write it up the way you saw it, but I would really appreciate it if it didn't come off sounding like it.
36:50Look, officer, I'm not going to write it up that he made you.
36:52Is that what you're worried about?
36:53Plus, if you could be clear that I absolutely identified myself as a-
36:58Look, right now, we're just trying to find a way to put this guy away.
37:02What did or did not happen during his apprehension, I couldn't be less concerned with that right now.
37:06Yeah, yeah, yeah, yeah, but I did ID myself as a cop.
37:09Now, I want that clear.
37:12Detective, how you write this up could impact me big here.
37:15Linda, thank you for coming.
37:16You think your business is done up here, don't you?
37:19She-she is writing her report.
37:22Now, I-I just-I want her to hear my side.
37:24I know, and I think she has.
37:25So why don't you go back to work?
37:27No problem.
37:29No problem.
37:29Linda, we were hoping that we could get the guy who raped you to confess.
37:41But he wouldn't.
37:44No.
37:47So now what?
37:48Well, now he goes back to Pennsylvania, does the balance of his parole violation, 11 months, and then he's back on the street.
37:59Unless you could pick this guy out of a lineup, in which case we could charge him.
38:02No, I don't think I could do that.
38:04Not now.
38:04I'm-I'm feeling like maybe the flu.
38:07I don't know.
38:08It would open up a lot of possibilities.
38:11He may decide to confess.
38:13He may be open to a plea arrangement.
38:15There might be a trial.
38:17There may be.
38:17And I'd have to testify.
38:21That would be up to a DA, but probably yes.
38:25I can't.
38:27I'm sorry.
38:28I-I can't testify.
38:30I-I-I-I can hardly think.
38:33I-I haven't been able to tell my husband yet.
38:35You want us to talk to him?
38:37No.
38:38I mean, uh, I've got to do that at the right time when-when I feel right about it.
38:45The worst thing you can do right now is bottle this up.
38:47Especially if you're concerned about a marriage.
38:49You don't understand.
38:52Now, I may be able to put this behind me and forget about it, but my husband, you know, I don't know.
38:59Maybe you're not giving him enough credit.
39:01Bring him in.
39:02Let me talk to him.
39:04He might surprise you.
39:05Linda, are you aware that this guy killed some of his other victims?
39:11Did you know that?
39:13It's my guess that he didn't kill you because you got lucky.
39:18You're the police.
39:20You could follow him around.
39:21That's what you're supposed to do.
39:23Get more evidence.
39:24You could make him confess some other way.
39:26Linda, sitting here with you, I know you're a good woman.
39:31I can see that.
39:32And right now, I know you think you can get past this.
39:37But you can't.
39:38It's going to grind on you.
39:40And a year from now, when this animal is back on the street, you're going to want to change your mind.
39:45But by then, it may be too late.
39:47He may have raped and killed again.
39:51That's what he does.
39:52And that's what I want you to think about.
39:57I want you to think about those other women.
40:03Okay?
40:03You were always more than a trick to me, Annie.
40:24Sounds like a song title.
40:26I mean it.
40:28You've got to believe I never wanted to hurt you.
40:31I don't think you wanted to hurt me.
40:32Things just happened the way they happened.
40:35I mean, that prick Giardella said he was going to cut my throat unless I set you up.
40:42He said he was going to kill me and he meant it.
40:45Look, it's over.
40:46You did what you did.
40:51Please say you understand.
40:55Okay.
40:56I understand.
40:58Say you'll forgive me.
41:00I forgive you.
41:02Oh, you don't know how good that makes me feel.
41:09Come on.
41:10How should we celebrate?
41:12It's me.
41:13Um, a vodka martini for me and a scotch up for the gentleman.
41:19No, I'll, uh, I'll have a ginger ale.
41:24Bring me a vodka martini and a scotch.
41:26In case you change your mind.
41:29I don't drink anymore, Lois.
41:32Well, what, is that a rule or just sort of a guideline?
41:38I don't get it.
41:39It's a bitch is what it is.
41:41Well, then why torture yourself?
41:43Because, uh, it doesn't fix anything.
41:49Fix it right now.
41:50Well, I'm, uh, I'm trying to feel better about myself, Lois.
41:55I'm trying not to look for fixes inside a shot glass.
41:58Indeed.
41:59Have one drink.
42:05It'll loosen you up.
42:08Then we'll have a great meal.
42:11And we'll go back to my place.
42:13And I'll make you remember
42:20why you made me keep every Tuesday on my calendar open.
42:29Would you like a martini?
42:33Would you like a vodka?
42:36Come on, Andy.
42:41To us.
42:43To old times.
42:53You know, Lois,
42:55sitting here looking at my beverage alternatives,
42:58I gotta admit, I-I like that scotch.
43:03Which is why I gotta keep reminding myself
43:06that the old times
43:08got me set up, shot, and suspended.
43:13Now, maybe I'm kidding myself, but, uh...
43:18I think I'm done with the old times.
43:26Hey, don't leave.
43:38Come on, just keep me company.
43:41Take care of yourself, Lois.
43:44I can't be.
43:45I have to be.
43:46I can't be.
43:55Do you think so,opoly?
44:28I'd say the glass is half full, John.
44:31True, you may lose a guy who did five rape murders, but hey,
44:34we already do a relief stint, staking out some asshole so burnt out on crack,
44:39he thinks he's Dora's day.
44:41I'm gonna head in there first.
44:43Come on, I'll bid my guess, you know.
44:45I think they help Crown and Luke.
44:52Here's Kelly.
44:55Hey, listen, we really appreciate you sticking around.
44:58All night, but we're going off shift now, so let us get you some food, huh?
45:04Now that sounds like a plan.
45:08Oh my God, we gotta be back at the shop in two hours.
45:11I'm staying.
45:12What?
45:13Hey, Chad.
45:14Hey, kid.
45:15Say hello to Detective Kelly.
45:18This is Connie and Monique.
45:20Hi, Monique.
45:21Hi.
45:22As soon as Andy gets over, you guys can take off.
45:25I'm staying.
45:26Connie, I'm not losing a job over this, okay?
45:29Yeah, you don't want to do that.
45:30We'll be fine.
45:31Thanks for your help.
45:32We got a picture we can ID.
45:33See, the detective agrees.
45:35Detectives, is it or is it not correct that the man we have been staking out for eight
45:40hours is guilty of first-degree murder?
45:43I don't know about murder one, maybe murder two.
45:46And...
45:46And is it not also correct that this man may be wearing a dress and a wig?
45:52In which case, assuming Monique seems fit to leave, I am the only person in the five boroughs
45:59who has seen him so dressed and can positively identify him as the specified culprit.
46:06That would be correct.
46:08I'm doing my civic duty.
46:10Check this out.
46:13Is this who we're looking for?
46:15Oh my God, that's him!
46:18Him!
46:19It's him!
46:20Stay here, girls.
46:27They're coming.
46:33Police, Mr. Mitchell, you hold it right there.
46:36Don't you move it across.
46:37You look!
46:38We got cops at both ends of the block and across the street.
46:41You really want to run down the street like Mary Tyler Moore with her skirt and hitched up
46:46over your ass and me jumping on your back?
46:48Do you want to do this a little more sensible?
46:54Hey!
46:55Hey!
46:56Shut up!
46:56You better stop.
46:58Stop.
46:59Oh my God.
47:09You just had to run!
47:13You made me swallow my tooth, you asshole!
47:18Come on, Gord.
47:19We're just getting back to the precinct
47:20and get a fresh start on your 20-year vacation.
47:23Can I have my wig, please?
47:26Let's go.
47:27Go!
47:28Let's go for the crack.
47:38Can I help you?
47:42I'm Ray Miller.
47:44My wife said you wanted to talk to me about this robbery,
47:47about her getting robbed.
47:48I think Detective Marsalis
47:50and we're supposed to talk to you.
47:54Hey, Kelly!
47:56Hey.
47:57Don't walk away from me, man.
47:59I'm talking to you!
48:01Yeah, be right there. Thanks.
48:03If you've got a problem you want to discuss with me, Roy,
48:06that's fine.
48:07But lose the attitude, okay?
48:09Hey, I come by it honestly.
48:11You are putting it around
48:13that I blew that decoy operation.
48:15No, I'm not.
48:16I don't have time to think about it, Roy, or you.
48:19What's more,
48:20I think you've got a motive for making a mutt out of me.
48:24What would that be?
48:25I think that you are trying to demean me in the eyes of a woman.
48:31Meaning Janice Lacauci.
48:35Detective Kelly.
48:37That's not the case, Roy.
48:38I say it is the case.
48:39Okay, shut your mouth
48:41and listen to what I have to say.
48:44All cops make mistakes.
48:47The worst thing you can do
48:48is start blaming yourself
48:50or assume that anybody else around here
48:52is blaming you for anything
48:53unless you've got a reason.
48:55And in this case, you don't.
48:58Nobody is talking behind your back about anything.
49:02So be a man,
49:04accept what happened,
49:05and move on.
49:06You are telling me how to be a man.
49:09You look like you want to hit me, Roy.
49:11Do you really want to start a squad room
49:13for all year with another cop?
49:16Hmm?
49:18How bad do you want to hurt yourself around here?
49:20Please, come with me.
49:39Here you go.
49:44Sure.
49:46I'll be just a minute.
49:47Look, I tried all night to tell him
49:51that I couldn't make myself.
49:53I want you to do it.
49:56All right.
49:57I'll take care of it.
50:02Take a seat, Mr. Miller.
50:04You too, Linda.
50:05Mm-hmm.
50:09I don't know what help I can be on this.
50:12All I know about the robbery
50:14is what Linda told me.
50:17Your wife wasn't just robbed, Mr. Miller.
50:20She was raped.
50:28All right.
50:36Linda asked me to tell you about it
50:39because she was afraid of how you might react.
50:41How do you expect me to react, huh?
50:43I swear I never did anything to cause it, Ray.
50:48Did I not say this would happen?
50:49You kept dressing up in those short skirts and high heels?
50:53Did I not warn you?
50:54Mr. Miller, please listen to what you like.
50:55Now it's happened.
50:57Ray!
50:58I can't believe this.
50:59Mr. Miller, please sit down and listen to me.
51:03Mr. Miller,
51:08take a look at these pictures.
51:11These are all the victims
51:16of the man who raped your wife.
51:19Denise Dominic, 65.
51:22Colette Marchant, 49 years old.
51:25Weighed about 220.
51:28Mary Guy Barra.
51:30This woman was in a walk array.
51:32Ray!
51:33Take a look, Mr. Miller,
51:35and tell me how sexy and provocative
51:37these women are.
51:40They were just like your wife.
51:43Random victims.
51:45Except they weren't as lucky as your wife
51:47because they weren't just raped.
51:49They were killed.
51:51Oh.
51:52Your wife has been reluctant to identify
51:54this man who raped her,
51:56and I think it's because she's afraid
51:58of what it might do to your marriage.
52:00Is she right to be afraid about that, Mr. Miller?
52:03I think that she asked you
52:07to come down here today
52:08because she's asking you
52:10for the love and support
52:11that she deserves
52:13so that she can identify this man
52:16and we can put him away.
52:19I'm so sorry, Ray.
52:20I never wanted to hurt you.
52:26It's okay.
52:27It's not your fault.
52:40We want to do the right thing, detective.
52:42You boys like Chinese?
53:07Oh, yeah, they're just happy
53:08to get out these days.
53:10Yeah, we'll take them over
53:10the big wongs, everything
53:11and the soup looks like it belongs there.
53:15Good night, detective.
53:17Good night, Elvis.
53:19Hey, you want to get a beer?
53:22Uh, no, thanks.
53:24Janice.
53:25Yeah?
53:26Listen.
53:28Don't let anyone tell you
53:30that I didn't ID myself
53:32to that perp last night
53:33because I did.
53:35No one's saying you didn't, Roy.
53:37You can let that go.
53:38Because I know what went down out there
53:39and I am fine with it, okay?
53:41And if it was a question of your safety,
53:43I would do the same thing again.
53:46It's your ex-boyfriend, you know,
53:49trying to make it look like I screwed up.
53:51Why don't you just drop it now, okay?
53:53Yeah, well, he better stay off my case
53:55if he wants to stay intact.
53:57You know what I mean?
53:58Roy, you're embarrassed
53:59because you made a couple of mistakes today.
54:01Don't try to put it on Kelly.
54:03I put it where it belongs.
54:07Oh, well, in that case,
54:08put it up your ass.
54:17Hey, counselor.
54:18What do you know, detective?
54:20What do you think about
54:21this sudden cold front moving through?
54:24It's January.
54:25I don't explain inside the building
54:27how you're acting with me.
54:31I was dinner last night.
54:32Where did you even bother eating?
54:34What does that mean?
54:36That means I saw you leave
54:37with that prostitute last night, Andy.
54:40The one who set you up to get shot.
54:43Stupid me.
54:44I didn't realize that was the way to your heart.
54:46It's, um...
54:47Could we, uh...
54:49Could we walk over here a second?
54:52Just over here.
54:52Listen, you got it wrong
54:56about what happened.
54:57Really?
54:58Did you go to the Natural History Museum?
55:01No.
55:02But we didn't, uh...
55:03We didn't go anywhere
55:04after the restaurant either.
55:06You know, I don't get you.
55:07I thought you liked me.
55:10I do.
55:11It's pretty obvious that I liked you.
55:14And it seemed that we were hitting it off.
55:15And yet you will come up
55:16with every lame excuse
55:18except for being abducted by spacemen
55:20for us not getting together.
55:21But you go off and screw some whore.
55:24I told you I didn't screw her.
55:27Then why else would you go out
55:29with someone like that?
55:31Look, I don't know.
55:33I'm not Joyce Brothers, all right?
55:36I don't know exactly why I took her out.
55:39Whatever it was, it's over.
55:41Nothing happened.
55:42And, uh...
55:43I'm gonna feel lousy
55:45if it messes us up.
55:46Don't quit on me now.
56:02You want me to come over tonight?
56:04I can't.
56:08I gotta go back to the dentist.
56:11I swallowed my temper
56:12when we were taking down this scumbag.
56:16I got a piece of gum stuck in there now.
56:19I'll show you.
56:22Here.
56:23See?
56:23No, it's all right, Andy.
56:25I believe you.
56:26I believe you.
56:30Believe everything I said, all right?
56:35That liking part, too.
56:40You let me know when you're ready.
56:42Good night, Andy.
56:50Yeah.
56:52Good night, Sylvia.
56:53Good night, Sylvia.
57:12Good night, Sylvia.
57:13Good night, Sylvia.
57:14Good night, Sylvia.
57:15Good night, Sylvia.
57:16Good night, Sylvia.
57:17Good night, Sylvia.
57:18Good night, Sylvia.
57:19Good night, Sylvia.
57:20Good night, Sylvia.
57:21Good night, Sylvia.
57:22Good night, Sylvia.
57:23Good night, Sylvia.
57:24Good night, Sylvia.
57:25Good night, Sylvia.
57:26Good night, Sylvia.
57:27Good night, Sylvia.
57:28Good night, Sylvia.
57:29Good night, Sylvia.
57:30Good night, Sylvia.
57:31Good night, Sylvia.
57:32Good night, Sylvia.
57:33Good night, Sylvia.
57:34Good night, Sylvia.
57:35Good night, Sylvia.
57:36Good night, Sylvia.
57:37Good night, Sylvia.
57:38Good night, Sylvia.