NYPD Blue Season 1 Episode 5 Emission Accomplished
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00:00music
00:29Hey, how's it going, Mr. Mack?
00:31Oh, pretty good.
00:32How's my brother?
00:34I'll be in a young person nowadays.
00:37Yeah, I know what you mean.
00:55Hey, I guess you're not at work.
00:59Oh, that guy, man, he didn't like me.
01:04Yeah, he liked me.
01:07That's why he gave you the job.
01:09That's why he called me when he had a fire.
01:14Where's your TV?
01:19Store.
01:20Store, huh?
01:21Yeah, it's the building, man.
01:24They're trying to get us out of here.
01:26People been getting robbed.
01:28They turned off the water.
01:30They even stole my couch, man.
01:32They took the TV and my clock radio on the couch.
01:45Pack your stuff.
01:46For what?
01:48Because you're going into the detox.
01:50I got you in a 60-day program at Manhattan State.
01:53I can't do that, Jamie.
01:54You're going in that program.
01:56Look, I'm trying to tell you there's something wrong inside of me.
01:59I don't think I can ever kick.
02:01I'm going to lose this place.
02:02Oh, you're not.
02:03I'll keep it for you.
02:05I'll stay here.
02:06What's going on here?
02:08It's family business.
02:12Who is that slob?
02:13Super.
02:14He beat the crap out of me a few times.
02:17They're trying to get people out of here.
02:19Pack your things.
02:21Put your things together.
02:24Hey, come on.
02:26I don't like doors being slammed in my face.
02:29Yeah?
02:30My brother told me what's been going on in this building.
02:32Listen to what I'm saying to you.
02:34He's going to be gone a while, and I'm moving in.
02:37And that stuff has just stopped happening.
02:39Listen, you little spick piece of garbage.
02:41Don't tell me what's going to happen.
02:44Hey!
02:45You put your hands on me again, and I'm going to kick your ass.
02:48And then I'm going to take you to jail.
02:50Why didn't you show me that in the first place?
02:52You see a badge before you act like a human being?
02:55Hey!
02:55Hey, kid, look, look.
02:57I'm on the job, too.
03:02And I think I just heard your brother going out the bathroom window.
03:12Roberto!
03:13Hey, Roberto!
03:14Let's go!
03:24Let's go!
04:55Hey.
04:59Hey.
05:00I was on my way to work.
05:02I wanted to thank you for the flowers.
05:04Well, I had a special.
05:07The John Kelly gets used to his ex-wife being a prosecutor special.
05:10It's important to me to still have you for a friend.
05:15You got that.
05:16I want to be able to tell you what's going on in my life.
05:19You got that, too.
05:20We're not that far away from each other.
05:24Maybe we can have lunch sometimes.
05:26Well, today's not good.
05:28Oh, today I can't.
05:29I'm having lunch with my boss.
05:30All right.
05:32We'll take a rain check?
05:34Yeah.
05:36Go get him, Laurie.
05:39See you, John.
05:40Go get him.
05:42Sure.
05:42Yeah, I'll just go.
05:46See you.
05:52Hey.
05:53Hey.
05:55Hey, Kelly.
05:57Yeah.
05:58You got a second?
06:00Sure.
06:00You got to help me out here, Detective.
06:05What's going on, Sash?
06:07Still well.
06:08He's taking lunch orders from my prisoners again.
06:11What?
06:12You think that's funny?
06:14You know what happens to these animals when they don't get their food?
06:16They start biting holes in each other's necks.
06:19Let me talk to them, all right?
06:21Thanks.
06:26You can order anything we want off here?
06:30Anything.
06:30And we got to give you exactly what you want within 15 minutes of normal mealtime
06:35in order to abide by the consent decree issued by Judge Baraka.
06:41So, uh, so what do you guys want?
06:44Crosse brisket.
06:45It's not all dried out, is it?
06:47Premium cut.
06:48Flash broiled with, uh, with a little butter to order.
06:52I'll take that.
06:53Medium rare, mashed potatoes, French beans, some gravy.
06:58Good choice.
06:59Detective Stillwell.
07:00Uh, in a minute, Kelly, I gotta finish up here.
07:04Do you want that gravy on the meat or on the potatoes?
07:07Or, uh, or both?
07:08I want it on the meat, but I don't want it rolling in the vegetables.
07:12You want it on the side.
07:14In a little carton, something like that.
07:17Yeah.
07:18Uh, Judge says, uh, if you don't want dessert, you gotta serve state in front of witnesses.
07:24No.
07:26I want dessert.
07:27Yeah.
07:28Yeah.
07:29Yeah, I'll, uh, I'll, uh, I'll, uh, I'll catch up with him later.
07:33All right.
07:34I'm saying it nice, Detective, but I'm saying it.
07:37Either you straighten this asshole out, or I'm hanging him with the lieutenant.
07:41Okay, gotcha, Sarge.
07:43Hey.
07:48Hey.
07:49What's going on?
07:50We got no talk to Stillwell.
07:51He's taking lunch orders again.
07:53Whoa.
07:54Excuse me, Kelly.
07:55No, no, no.
07:56We don't gotta do anything.
07:57I've had my quarter of buzzers, dribble glasses, and farted pills.
08:01Hey, Detective.
08:03Hey, Martini.
08:04What's going on, kid?
08:05Not much.
08:06Get a minute for me, Detective?
08:08Yeah, sure.
08:08I'll catch you later.
08:09All right.
08:10Over here.
08:15What's up?
08:16A couple of things, you know.
08:18Some family stuff to deal with.
08:20Plus, I, uh, got a situation in regards to another cop.
08:24What situation?
08:26He's a bad cop.
08:27He's cleaning tenants out of a rent control building.
08:31He's robbing people.
08:32He's harassing them.
08:33He's beating them up.
08:34How are you involved?
08:36He's the super at my brother's building.
08:38I'm staying there a little while.
08:41The guy was just in my face this morning.
08:43And he says he's on the job?
08:45Yeah.
08:45After I showed him my badge.
08:47Then he gets all friendly.
08:49He says, don't worry about the rent being on time.
08:52Starts talking about throwing a few bucks my way.
08:55Whoa.
08:57I'm not gonna tell you don't bring him up on charges.
08:59But, uh, you gotta know this is a big step, Martinez.
09:04Yeah.
09:05I mean, I didn't join the department to bust all the cops.
09:10That's how people end up on the rat squad.
09:16All right.
09:18You think you can talk to this guy, Amanda Mammy?
09:21What's his name?
09:22Hanlon.
09:23He's out of the 3-3.
09:24You think you can talk to him straight in the mountain?
09:26Well, maybe I could try that.
09:29Because that ought to be your first step.
09:32Yeah.
09:34That's probably what I ought to do.
09:37Okay.
09:39Thanks, Detective.
09:40Yeah, yeah.
09:41You moved into your brother's place.
09:43Yeah, I might do that, yeah.
09:45You never told me what he does.
09:47Roberto?
09:48Yeah.
09:48He's still feeling his way along.
09:50Yeah.
09:51Still looking for his niche, you know.
09:52Hey, keep me posted on this other situation.
09:58Oh, will do.
09:59Okay.
09:59Thanks for the advice.
10:00Yeah.
10:00All right.
10:04Yo, Kelly.
10:06What do you need?
10:08You got plans for lunch?
10:09I could be happy.
10:10Andy and I want to take you out.
10:12That's a thing.
10:13What are you trying to prove to her, John?
10:23You're not going to raise this guy over again.
10:25You don't think his stuff is starting to get weirder?
10:27I don't keep real close tabs.
10:30I mean, Stilwell wants to be a practical joker.
10:33Loses paycheck gambling every week.
10:35That's why they fought the Revolutionary War.
10:37Hey, guys.
10:38You think preseason pro basketball is a sucker's bet?
10:44I don't follow it that closely, Art.
10:46We ordered.
10:47I gave one in the back.
10:49Andy, what are you doing there?
10:52What?
10:52We can't take you anywhere.
10:55What?
10:58So what's the occasion?
10:59It's probably a good idea to stop taking lunch orders for the holding cell.
11:03Wait a second.
11:04You don't think that's funny?
11:06Yeah.
11:06I think you've had a good run with it.
11:08Now, if you think about it, you're really asking the Sarge to clean up the mess afterward.
11:14All right.
11:15That's a point.
11:16I'll make it right with the Sarge.
11:18I'll lighten up on it, huh?
11:20Wayne, bring your tip.
11:22Jets get seven at the bills.
11:23The bills?
11:24You're nuts.
11:25Jets win on the field.
11:26Oh, the bills cover.
11:27Go back to my job, you're up.
11:32He always unties my shoelaces.
11:34So, uh, how's your love life?
11:38Oh, wait.
11:39You done rebuking me?
11:41That's it.
11:42Love life's a little slow.
11:44Ditto.
11:44How's Lila?
11:46Good.
11:48We got a little Rocky patch coming up.
11:50Is that right?
11:52I took out a loan on a pension on some real estate thing in New Mexico.
11:57Turned out to be bogus.
11:59She doesn't know about it yet.
12:02I don't plan any big sex fest the night we had that little talk.
12:07How bad was the end?
12:09I'd say, uh, all of it.
12:11Pretty much all.
12:13That's rough, hard.
12:14Ah, balls.
12:16All's there needs a 12-team party and I'm square.
12:20End.
12:22What are they doing there?
12:23Happy birthday to you.
12:26Is this some special thing and you didn't tell us about it?
12:29Happy birthday to you.
12:33It's not really my birthday.
12:42He's just having some fun with me.
12:44Happy birthday to you.
12:48Oh, look.
12:49We've got to get out of here now.
12:50I'm sorry.
12:51Go on, Ernie.
12:52That's funnier than the last six months.
12:56Happy birthday, people.
13:03Maybe the old man could have had a heart attack or a stroke.
13:23Sure.
13:24Before or after he fell through the railing.
13:28Let's go.
13:29Watch your step.
13:35I told you, Detective.
13:37I told you that this handling was a bad guy.
13:39Hey, take it easy, Martinez.
13:41That old man kept an eye out on my brother.
13:43He looked out for him.
13:45It's an old building.
13:46I guess the railing could have loosened on its own.
13:49But there's some fresh screwdriver marks for the brackets where...
13:52The lady over here says that Mrs. Vacario in 207 suffocated three months ago from the gas on her stove.
13:59Says the windows in her apartment were shut in the middle of July.
14:03She thinks the super did that, too.
14:04Does she have any runners with him personally?
14:07No, I asked her that.
14:09Is your brother around?
14:11No, not right now.
14:13No point in dusting.
14:15Guy's a super.
14:16I mean, fingerprints and a banister wouldn't prove anything anyway.
14:19I called Halen's priest.
14:21He's doing a 4 to 12.
14:22I don't want to talk to him on that job.
14:24So we'll talk to him tomorrow, all right?
14:26He did this.
14:27I'm telling you, he did this.
14:29He's a bad guy.
14:31I hear you, Martinez.
14:32And we're going to do something about it.
14:34Come on.
14:46Laura!
14:55Laura!
14:56Hey!
14:57Hey!
15:00Sorry I had to cancel lunch yesterday, but...
15:03No problem.
15:04Hey, just like law school, huh?
15:06Junk food on the fly.
15:07Yeah.
15:09So you all settled in?
15:10You got your boxes unpacked?
15:11Pretty much.
15:13Consistent DA's area is a little like Kafka, no?
15:16Yeah, my office is in kind of a long room.
15:19So the group of cases I'm working started with a couple of street-level Dominican drug dealers.
15:24They keep going down like dominoes.
15:26I keep going up.
15:28I'm now two convictions away from being the top narcotics prosecutor in the five boroughs,
15:33which means I got 47 other prosecutors who would love to see me fall on my face.
15:38I want you to keep me from doing that.
15:41I'm second seat interviewing witnesses.
15:43You pick it right up.
15:44You're always smart, Martinez.
15:46You know, once you get used to the dirty water, you are going to love the work.
15:50You can get used to dirty water.
15:53See that?
15:54That is U.S. Attorney Goldfarb.
15:58Controls the witness we need.
15:59We're pitching them tomorrow.
16:01You know, when my larsen is hard, I'd like to buy him a box of those $10 torches he smokes.
16:07My advice would be, don't do that.
16:10See?
16:12You're going to be essential.
16:25You John Kelly?
16:27Yeah.
16:28Jack Handler.
16:29Hey, Jack.
16:30Thanks for coming in.
16:31Andy Sip, what's Jack Handler?
16:32How you doing?
16:33We're over here, Jack.
16:34You want coffee, Jack?
16:40No, no, thanks.
16:42I knew it, John Kelly, with the 2-5 when I was coming up.
16:47That would have been my father.
16:48You can be proud of that.
16:50He was a warrior, your old man, a real old-time bull.
16:54Stand up all the way.
16:57So you're working as a super in this building where the old man died.
17:01Yeah.
17:03God, you must have been just a kid when your dad passed.
17:07I was 11.
17:09We'll not see his like again soon.
17:14Well, what was it you wanted to know about the accident, John?
17:18Well, we looked for you at the building.
17:21Yeah, I was working the night tour.
17:23I felt horrible about the old guy falling through the railing.
17:29Any other problems at that building?
17:31The usual.
17:33A few break-ins.
17:35Junkies robbing pensioners on check day.
17:37I smack them around a little bit just to keep them in line.
17:41Aside from some vandalism, there hasn't been much else.
17:46Yeah, well, we heard the landlord wants the tenants out.
17:49Sure.
17:50And he doesn't waste money on improvements, but I keep things running at a basic level.
17:56People move out gradually.
17:58We don't have Dobermans in the hallways at night or anything.
18:03We heard complaints about conditions.
18:05Would you like to see my to-do list?
18:09It's hell keeping up, especially the boiler.
18:11That boiler is a bastard.
18:13How about your own boiler, Sipowicz?
18:19I heard you took a few shots not long ago.
18:22I get up and down the stairs.
18:23Yeah, these young guys today, they take a whack like that, it's instant disability retirement.
18:33Then they spend the rest of their lives telling everybody what a great hero they are.
18:38Like this kid from here I met the other day.
18:41Martinez.
18:43Yeah, yeah, some name like that.
18:45His brother lives in the building.
18:48He's one of the junkies I was telling you about.
18:51We had a little run in.
19:00Well, anything else I can tell you?
19:02Well, that's about it.
19:07Oh, get up then.
19:09Oh, if you got a free night, Kelly, let's have a beer.
19:13I'll tell you a few stories about your old man your mother doesn't know.
19:18Thanks for the offer.
19:20Sure, anytime.
19:22Keep the wind at your back.
19:31What do you think?
19:32What do you mean, what do I think?
19:33This lion, donkey, scumbag, son of a bitch.
19:36You don't figure your old man and him would have been running?
19:38My old man wouldn't stand at the same bar with this guy.
19:42You think he croaked this guy?
19:44You know he did, Andy.
19:46And he's going to walk on it, isn't he?
19:50Come on, we'll run it for the lieutenant.
19:58Rosalito, if you see him, would you call me out?
20:00Please, all right, it's real important.
20:02Papi, what are you doing here?
20:09Because I want my eyes on you when I ask you what's going on.
20:13Now, you know your cousin Rosa's kid being christened on Sunday.
20:17Yeah, I'm going to be there.
20:19What about your brother?
20:20I don't know if he can make it.
20:23Well, I called this place to work.
20:26I said he's not there anymore.
20:28The job in him, it wasn't a fit, Papi.
20:30I told you, I'm watching you.
20:32And I'm telling you the truth.
20:34You move out of the house, you're living at his place.
20:37Your mother's worried, which is getting to me.
20:39I want to know, what's going on?
20:41I don't know, I'm not sure.
20:43Look, he's your little brother, you're supposed to take care of him.
20:46I know, I'm trying.
20:50Yeah.
20:52Come here.
20:57Look, this wasn't your place of work and your boss over there and these other people here.
21:02You know, I stand you up against the wall and I knock the crap out of you.
21:05He's your little brother.
21:07I'm trying to take care of him.
21:10Now, you tell my mom he's going to be all right.
21:15Papi.
21:16This is Detective John Kelly.
21:18This is my father, Hector.
21:20Nice to meet you.
21:22Likewise.
21:25I'll talk to you later.
21:27Okay.
21:29Got a christening on Sunday.
21:31Gets all worked up.
21:35Lieutenant wants to see you.
21:36All right.
21:40Yeah, I'll call you right back.
21:42You asked to be kept apprised on this incident at your brother's building.
21:50Yes, sir.
21:51Well, Kelly and Sipwoods both think you're right.
21:54Capos is super.
21:55It's no good.
21:57They both think he's probably responsible for what happened to that old man.
22:01But he's covered.
22:03There's no witnesses, no conclusive physical evidence.
22:06Then I want to go forward on the other stuff.
22:09What do you mean?
22:11I want to notify Internal Affairs on what this guy's been doing.
22:15The bribe he offered me.
22:17How he beat my brother.
22:19You sure you want to do this?
22:20Yeah.
22:23I know this is a big step.
22:25Detective Kelly and I talked about it before.
22:28I want to do it.
22:33Uh, I...
22:35I know a guy in IAD.
22:37Let me reach out to him.
22:39I know a guy in IAD.
23:09Detective John Kelly.
23:22I, uh...
23:23I called your office.
23:24They said you'd still come out here.
23:26Give myself a recital here three, four times a week.
23:32How you doing, Kevin?
23:34How's Karen?
23:36She got a little gray.
23:37A few lines around her eyes.
23:39I like it.
23:41Kids?
23:42Yeah.
23:44Terry's, uh, going to St. Malachy's now.
23:46Doing good.
23:47Brian's 14.
23:49All he can think about is just what you'd expect him to, plus football.
23:57What happened with you?
23:59You remember Lori?
24:00Yeah.
24:00The girl I was seeing?
24:01Yeah, I married her.
24:04Is that so?
24:05I liked her.
24:07Yeah, we, uh, we, uh, we split up a couple of months ago.
24:10You know.
24:12Sorry to hear it.
24:15So, John.
24:18You here to renew our big friendship, or did you maybe want something?
24:23We got a bad cop, Kevin.
24:44A young guy I work with, James Martinez, wants to bust him.
24:47I was hoping you could handle the case.
24:49That's what I do.
24:51He's going to get a lot of exposure when you guys make the collar.
24:56So you want to know, can we keep him low profile?
25:00So he doesn't spend the rest of his career quarantined in IAD with a bunch of crap house rats and snitches such as myself.
25:07I never passed judgment on you, Kevin.
25:09Yeah.
25:10Look how close we stayed.
25:11That was you.
25:13You put in for IAD.
25:15And you weren't more comfortable with that, right?
25:18Not having to hang around with the cop who popped the fellow off the set.
25:20Didn't you do what you thought was right?
25:23Didn't you?
25:24You're damn right.
25:25And I do the same thing today.
25:28I know that.
25:32I didn't come out here to dig all this up again.
25:36You want to know, can I help your friend Martinez?
25:39Yes.
25:42I can keep his name out of the papers until the trial.
25:49Then if this bad cop pleads out, Martinez's name may not get published at all.
25:55I'd appreciate that.
25:56Then no one would know what he did.
26:02Except, of course, everyone in the department this bad cop talks to.
26:07And tells him how this lousy rat snitch Spick Martinez out of the 1-5 precinct set him up.
26:21Excuse me, Kelly.
26:22Tell me, tell me.
26:31You boy!
26:37Let me get my chin.
26:46I have two dead heroin dealers, the Cologne brothers, both taken out by Augusto Reyes.
26:59This Reyes put $100,000 worth of smack on the street every month.
27:04Your protected witness was his supplier.
27:07For security purposes, we're calling our witness the Roach.
27:11The Roach?
27:13Yes.
27:13Well, this guy I'm trying to put away, Reyes, probably had conversations with the Roach regarding these murders.
27:24Everybody's asking for the Roach.
27:26Hartford, Atlantic City, everybody.
27:29How essential is the Roach's testimony to your case?
27:33You'd make it bulletproof.
27:35We'd only need a couple of days' interrogation and prep, then maybe one day of testimony.
27:40We're prepared to be fully flexible regarding any of the demands on his time.
27:46That's a precondition of access to this witness.
27:50I'll also see that the U.S. Attorney's Office is lavishly credited for facilitating this prosecution.
27:56Well, thanks for the kiss.
27:58But what you just offered so generously, it's also a precondition of access to this witness.
28:04Would you mind waiting outside a minute, please?
28:05It looks like he's just been charged with me here.
28:18So how do you think I did in there?
28:21You were good.
28:23You don't think so?
28:24If we get the Roach, I think so.
28:29Can you tell me who gave him a stupid codename like the Roach?
28:33I did.
28:33If you'll step back in, we can start working out your access.
28:49Here's the 1-6-0-6. Take these back.
28:51I just missed the Brooklyn number. 4-27.
28:55I had 8-50.
28:56What do you want, Stilwell?
28:58Sarge, I owe you an apology.
29:00Uh, I went a little overboard on that food gag, and I just want to say, it's finito.
29:09End of story.
29:11Yeah?
29:11Well, I was this near to taking it to the lieutenant, and I appreciate that you didn't.
29:18Square?
29:20Yeah, sure.
29:22Thanks, Sarge.
29:23Do you have anyone who can corroborate the incidents you've alleged?
29:31One 80-year-old guy who could have done it is dead.
29:35You said your brother was also a victim of harassment.
29:38Would he be available to give a statement?
29:41Eventually, uh, yeah.
29:42What does that mean?
29:44Oh, he's not presently available.
29:46I mean, I'm not sure where he is.
29:48We have no case unless we can get Hanlon on record.
29:53How do you feel about wearing a wire?
29:55I don't want to.
29:57Then we can't proceed.
29:59I said I don't want to.
30:00I didn't say I wouldn't.
30:04This guy made an old man die.
30:07He probably killed an old woman, too.
30:09He abused my brother.
30:10I don't want to, but...
30:14If it takes wearing a wire to pop this guy, then that's what I'm gonna do.
30:18Oh, man, that's the gear.
30:39They're gonna put a wire on the kid.
30:40This is no good.
30:42He's a big boy, Jack.
30:45Mm-mm.
30:45No good.
30:46While we hold off on this, let me talk to the guy.
31:03This isn't your problem, detective.
31:05Martinez, Hanlon wants to drink with me.
31:07Piss in my ear a little bit.
31:08Maybe I can get him to talk about the old man.
31:10Will you wear a wire?
31:12No.
31:14But if I can get him the cop to the crime, maybe I can figure out a way to make it stand up in court.
31:21Do it.
31:21You don't have to go on this, you know.
31:39You're not planning to kill this guy, are you?
31:42No.
31:43Who's driving?
31:43Hey, uh, Sipwoods, Kelly, check this out.
31:49Yeah.
31:49It'll just take a second.
31:51You gotta hear this.
31:52Go on, pal.
31:53Tell these detectives what you just told me.
31:57Well, uh, I was waiting at a bus stop when these two women offered me a lift home.
32:03They were young, attractive, very friendly, so naturally I accepted.
32:11Go on, then what?
32:14They drove down under the West Side Highway, and they parked there and ordered me to remove
32:22my clothes at gunpoint.
32:24At gunpoint.
32:25You're not going to believe this.
32:27Tell them.
32:28I was humiliated.
32:30They forced me to, you know, pleasure one of them.
32:35And?
32:37And?
32:37And?
32:39I experienced an unwanted emission.
32:43This being the first of several unwanted emissions intimidated out of this, this rampant
32:49bull of a man.
32:51Hey, Stillwell, don't you think you ought to take this kind of complaint in the interview
32:54room?
32:55The interview room?
32:56Yeah.
32:57Nobody believe me if I ever came out with a story like this, skip to the next emission.
33:01Do I have to?
33:02Yeah, you have to.
33:04Okay, so now the other one orders me to do the same to her.
33:09You know, the sexual thing.
33:11And he's coerced out of yet another emission.
33:14Uh, we got a goal, um.
33:15You believe this guy?
33:17He's got so many emissions, he's going to need a smart certificate.
33:21You better.
33:22You're 60 years old.
33:24Your butt hangs down the back of your knees.
33:26You got to throw yourself on the floor and thank God you can make up stories like this.
33:31I'm not going to take this.
33:33Hey, I'm getting out of here.
33:35Wait a second.
33:35Oh, where are you going?
33:37Hey, hey, Stillwell.
33:38Hey, hey, I want you to show these cops the abused organ in question.
33:44Come back here and lay out that awesome wood right here on my desk.
33:48You should see your guys.
34:05This isn't the last supper.
34:09Hey, hey, it's a joke.
34:11I hired the guy.
34:12Oh, you should see your faces.
34:20For the last 180 bucks, I cleaned out the account, but it was worth it.
34:24Oh, I lost urine.
34:26It was so funny.
34:28I'm telling you, I got to go chase my shorts.
34:33All right, all right, all right.
34:36Hey, hey.
34:38How's it going, Lieutenant?
34:39It's okay.
34:40How are you doing?
34:41I'm fine.
34:42You want to step in my office?
34:44Hey, Lieutenant.
34:45No, come on, come on.
34:46Come on, come on, Lieutenant.
34:47Lieutenant, we're just having some fun here.
34:50That isn't what I saw, Art.
34:54What, you think it got a little too out of line?
34:58Art, I want you to give me a gun.
35:03What are you talking about?
35:05Why?
35:06Because I think it's a good idea.
35:07What, you're going to take me to the puzzle house?
35:14You're going to take me to psych services?
35:16That's right.
35:18Come on.
35:20Lieutenant.
35:21What's going on?
35:23Give me the gun.
35:24We're off to see the wizard.
35:38What, you're going to have to do?
36:01Hanlon, you in there?
36:11Who needs me?
36:14It's John Kelly, Jack.
36:15I called the precinct.
36:16I said you were off.
36:18So, figured maybe he'd find me here, huh?
36:21Excellent police work.
36:24Can I offer you a little liquor drink?
36:26Sure.
36:27Come on in.
36:31What are you looking for, John?
36:33You want to hear about your father?
36:36I'd like that.
36:39Well, he might have made chief of detectives.
36:41He hadn't got shot.
36:44You want to know why?
36:47Because he knew the job.
36:50Not the manual, the job.
36:53Sit down.
36:56Back then, we had an Irish department.
36:58No, we had some guineas, we had Jews, we had a few niggers.
37:02But it was an Irish department, and this city was livable.
37:06Harlem, before the 64 riots, you could walk down the street, you could do your shopping,
37:11you could talk to the spades like people.
37:13They even treated each other like human beings.
37:17You're a young guy, Kelly.
37:19You grew up in a different department, in a different city.
37:23You probably think I'm a racist.
37:28I think you're a lousy bartender.
37:32I'm trying to paint a picture for you of this city.
37:37The department your old man was part of.
37:41He, uh, he set a standard for himself and for the people on the street.
37:46Every scumbag criminal out there knew there was a line.
37:52And if he crossed it, he was in trouble.
37:55Not too many crossed it.
37:56And if they did, they never did it twice.
38:00How did it feel living in the perfect society, Jack?
38:04It's all right.
38:05Joke around.
38:06But if some skell raped an old lady, he might find himself thrown off a roof.
38:12That was called officer discretion back then.
38:15My old man ever throw anybody off a building?
38:19I wouldn't know.
38:21That's not the point that I'm trying to make.
38:24What was it like to work with him?
38:28I only saw him at the crime scenes.
38:30We never worked one-on-one.
38:32I was on patrol.
38:33He was a detective, but everybody knew what kind of a guy he was.
38:39I thought you were buddies.
38:41I said I knew him.
38:43We all knew him.
38:46We knew we could count on each other.
38:57I got a problem, Jack, and I don't know what to do about it.
39:02What do you mean?
39:03I think you did something to the old man upstairs.
39:06What are you talking about?
39:08That old guy fell.
39:09That was an accident.
39:10Nails were pulled.
39:11Fresh screwdriver marks.
39:13Your prints were all over that banister.
39:14That's a makeable case, Jack.
39:16Come on.
39:17You're a better detective than that.
39:18If they lifted one print off that banister, they lifted 50.
39:21Other tenants described a pattern of harassment.
39:26The old man is dead.
39:28What am I going to do about this?
39:32You want to know what you can do about it?
39:34Have another drink, go home, and put it out of your mind.
39:36I can't do that.
39:37I know what I know.
39:39What is this, Kelly?
39:40Is this a shakedown?
39:41You want money to make this go away?
39:43You offering me money?
39:45For what?
39:45I haven't done anything wrong.
39:47What kind of money are we talking about?
40:02How much is it worth to you?
40:05Well, I think I can see my way clear to $1,000, something like that.
40:11You did it, didn't you?
40:13I did nothing.
40:14The old man fell.
40:15Nobody feels worse about it than I do.
40:18You didn't do it, but you're offering me $1,000.
40:21Look, you can make this thing go away.
40:25I can't change what happened.
40:27I wish I could.
40:29It makes me sick.
40:31It keeps me awake.
40:32It should.
40:34No!
40:35You don't get to point your finger at me.
40:38You don't get to judge another man's life or what he had to do.
40:42We're talking about pushing an old man through a railing.
40:45He wasn't pushed.
40:47He fell.
40:47You loosened it.
40:49Ah, well, I do what I have to do to make a life.
40:52And an old man had to die over a jack?
40:54Come on.
40:55This is John Kelly's son.
40:57Make me understand.
40:58Look, I'm 56 years old.
41:01Nobody's looking out for me.
41:03These people here, they give me $600 under the table and a place to stay.
41:08That doesn't let you off the hook.
41:10What do you want, Kelly?
41:12You want $2,500?
41:13I want you to tell me you did it.
41:15All right!
41:17I pulled nails!
41:18I loosened a banister!
41:22And if it ever gets back to me, I'll deny I ever said it.
41:25And nobody wanted the old guy to die.
41:30Nobody feels worse about it than me.
41:35Are we all right now?
41:58Yeah.
41:58Give me a day to get the money.
42:06Forget the money.
42:08It's not about the money.
42:12I know this is a lot for you to bury.
42:16But in my heart, I know I would do the same thing for you.
42:20John Kelly's son.
42:25Your hand, John?
42:28That's it.
42:38You did the right thing.
42:39Your old man would be proud of you.
42:42He would have understood.
42:44I think he would.
42:46I know he would.
42:50I know he would!
42:58How'd you do?
43:15Got it.
43:16Now take me home before I pew.
43:18Hey, Kelly!
43:39When are you going over to these guys?
43:41When are you going to find your right home at IAD?
43:44See, at least they admit they're snitches.
43:48They don't sit with you and drink with you and then rat on you!
43:53You're a lousy stool bitch in Cali, a convent snitch.
43:56And you're pissed all over your father's gravestone.
43:58Don't mention my father's name again, you murdering son of a bitch.
44:02This would make him sick!
44:04Shut up, Hanlon.
44:06Get him off.
44:06And everybody in the department's going to know what a pissy little schoolgirl you are!
44:14Get up those stairs, Hanlon.
44:16You're making a fool of yourself.
44:18We'll see who's a fool, Kelly!
44:27I've got to see some paperwork.
44:30All right.
44:32All right.
44:32Alphonse Giardella, I'm James Craig.
44:36Mrs. Laura Michaels.
44:38Mr. Craig, Ms. Michaels, I arranged for some refreshments.
44:44Oysters, very sensual.
44:50You spilled some juice on your shirt.
44:54Oh!
44:55I'm not...
44:56I knew I should have had the fright galamata.
44:59Oh, I'm sorry.
45:00Sit down.
45:01Sit down.
45:03I'll be right with you.
45:05I just got to make a quick change.
45:10Punks, weaklings, ass bandits.
45:13They all worship success.
45:15But something else, Mr. Craig.
45:17They root for failure.
45:19Figure it out, huh?
45:20I guess you know.
45:23You got a lot of people on your own side rooting for you.
45:26Well, I'm gonna win my cases.
45:28It's got a screw-you attitude, your boss.
45:31Just like me.
45:32I want to start with your relationship with the Dominican, Augusto Reyes.
45:37I don't have relationships with knuckle bouncers.
45:40I dealt some smack to the Yamas Hall.
45:44Use maybe four keys a month.
45:46Maybe three, four percent of my pie.
45:49Have you ever mentioned his dealings with Jesus and Rigoberto Colon to you?
45:53At one month, he picks up his four keys.
45:56Comes back four days later.
45:58I say, me, nice work, Reyes.
46:00Quick turnaround.
46:02Reyes tells me it's not like that at all.
46:05He says he fronted these Colon brothers, the whole four keys,
46:09and they come back with a story about being ripped off.
46:13At this point, Augusto Reyes tells me he becomes very indignant on my behalf.
46:18He says, I whacked both those sons of bitches.
46:22Those were his exact words.
46:24I whacked both the sons of bitches.
46:27Yeah, yeah, his exact words.
46:31What was your response?
46:33Who do I care about his story?
46:36He gets taken off?
46:38That's his problem.
46:39He whacks the Colon brothers?
46:41That's his problem.
46:42Okay, Mr. Giardella.
46:45That's going to be very helpful.
46:49You know, Augusto Reyes was only one of my people.
46:54I got a lot of others.
46:56You got about half of them in your jail.
46:59Those cases belong to other prosecutors, other jurisdictions.
47:02Yeah, but I like working with you.
47:06I feel very comfortable and at my ease.
47:09Not to mention you're the most attractive DA I've seen in my life.
47:16You know, there's trust that comes with a continual relationship.
47:19Maybe I could tell a U.S. attorney it's my preference to deal with you people.
47:28But what I know, you could be in a position here, Mr. Craig.
47:32There's a big one.
47:47Hey.
47:49Hey.
47:50Yeah.
47:52I appreciate what you did, Detective.
47:55No problem, Martinez.
47:57No, I know what you did for me.
47:59What's going on with your brother?
48:02No, I can't talk to you about that.
48:08Come here.
48:09You can talk to me.
48:10Come here.
48:26He's got a substance abuse problem.
48:30What kind?
48:30I'm a narcotics, you know, heroin.
48:35He's my little brother, and I'm supposed to take care of him.
48:39And I don't know what to do.
48:46When we were kids, we were at Yankee Stadium.
48:48The day Reggie hit three home runs in the same game.
48:51Did you know Martinez is Reggie Jackson's middle name?
48:55No.
48:58We cut up a piece of grass.
49:01He's still got that.
49:03Takes care of it.
49:08I know he's not gone.
49:10The dope hasn't eaten him up yet.
49:11Don't be afraid to reach out to him.
49:15You read all that stuff about tough love, you know, letting him hit rock bottom.
49:22Don't be afraid to reach out to him.
49:26Okay?
49:28Okay.
49:28I wish it could be more helpful than that.
49:33Now, you helped me plenty, didn't he, though?
49:36Really, yeah.
49:40Thanks again.
49:40Hey, John, could I talk to you for a minute?
50:05Sure.
50:05Uh, this thing with the, uh, bad cop, uh, it's, uh, it's, it's, it's not exactly sitting right.
50:15Let's talk about it.
50:17I mean, not, not that he shouldn't have been brought in, but, uh, I mean, we're not IAD, you know?
50:26Anyway, um, if, uh, you'd like to say something that might help, I want to listen.
50:32You'll listen, Metavoy?
50:33Huh?
50:33You come up clear in your throat like a senator, saying you'll listen?
50:38He doesn't have to say dick to you.
50:41Andy.
50:41The cop Kelly put away killed an 80-year-old man.
50:45He let him fall through a balcony and break his neck.
50:48He croaked another lady, suffocated her with gas for money to clear out an apartment building.
50:54I said I wanted to listen.
50:56I, I, I wanted to listen.
50:57Kelly stood in for a kid with two years on the job who was going to have to wear a wire.
51:01And that would have put that kid on the rat squad.
51:04Kelly did the right thing.
51:06And if you or any other one of you guys got a problem with that, you can see me in a parking lot right now.
51:13You took me all wrong.
51:14Andy, that's enough.
51:15You never give me a chance to, to, to, to, to explain what I'm saying.
51:19Metavoy, hold it.
51:20Look, I understand what you were trying to say, okay?
51:25And I appreciate the offer.
51:26How about pizza and beer any night this week?
51:29How about tomorrow night?
51:30My kid's got a piano recital tonight.
51:32Fine.
51:33Pass the word.
51:34I'm buying.
51:35Anybody who wants to come can come.
51:37Okay?
51:39Fair enough.
51:40Hey, Martinez.
51:52Hey, Sarge.
51:56There's a kid downstairs got pinched in a drug bust.
51:59He says he's your brother.
52:03I guess you gotta do what you gotta do, huh, Sarge?
52:06He wasn't holding.
52:08It's a loitering beef.
52:10I could walk him out the back door.
52:15I'll hold him till the shift's over.
52:17I'll pick him up.
52:19Thanks, Sarge.
52:20Thanks.
52:20Thanks.
52:36What's this?
52:49What are you stopping here for?
52:51I want to talk to you about Roberto, man.
52:54Yeah, well, this is the hospital.
52:56I mean, did something happen to him?
52:58Is he hurt?
52:59I mean, what's happening?
53:01What's going on?
53:02He's sick, puppy.
53:03He's in the chemical dependency unit.
53:11What the hell is a chemical dependency unit?
53:15It's where they help people addicted to drugs.
53:19Where you go in?
53:21Papi.
53:22Look, I don't like junkies.
53:24I don't want to see a junkie.
53:26Roberto is sick, papi, and he needs us.
53:28No, no.
53:29He's a junkie.
53:31You understand that?
53:32And junkies don't get better.
53:34You got it?
53:39Okay, papi.
53:41I'll go in.
53:42Yeah, you go in.
53:43I'll see him.
53:44Yeah, you see him.
53:45You can wait here, okay?
53:46When I come back out, then we can drive away.
53:49Yeah, okay.
53:50Okay?
53:50Okay?
53:59Damn!
54:00I'll do it together, okay?
54:26It's better.
54:27Okay.
54:28Okay.
54:47How are they treating the kid?
54:49It's going to be okay.
54:52That's good.
54:55I'm thinking, Kelly, I'm thinking maybe there's been a little progress in the police department
55:00after all.
55:01I remember 15 years ago, a rookie cop walks into a D.O.A. scene, sees his partner taking
55:10money off a dead person and putting it into his pocket, and for giving him up, this rookie
55:16is hung out to dry by every cop on the job.
55:18You can see how nice it was for me, watching you bust your ass for that kid.
55:30I wish it could have been different for you.
55:31I wish it could have been different for you, Kevin.
55:38You still go to the Emerald Society?
55:40No.
55:41No.
55:42No.
55:43I can't drink like that anymore.
55:44I don't go.
55:45No one will talk to me.
55:47They're all afraid they'll get drunk, confess their sins, and I'll arrest them.
55:53You know what?
55:54I don't care about no one talking to me.
55:58I knew that would happen when I busted that cop.
56:01But I always wanted to play in the Emerald Society Piper's band, and not one of those bastards
56:08would recommend me.
56:09I'm the best piper in the department, and nobody knows it except a bunch of croakers.
56:15You know what pi brach is, Kelly?
56:27No.
56:28Well, listen.
56:33This is kopi brach.
56:38No.
56:49No.