Poker Face Season 1 Episode 6
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00:00I'll see you next time.
00:30Jesus, Michael.
00:37You want a grandmas to shrine?
00:40No, I'm, uh, I'm good.
00:47Well, Kathleen, welcome to the life.
00:53Hi, sweetheart.
00:55Kathleen, I'd love for you to meet my wife, Ava.
00:58Ava, Ava, I'd like for you to meet my mortal enemy, Kathleen Townsend.
01:02Kathleen, it is a pleasure to finally meet you.
01:06Well, likewise, likewise.
01:09Congratulations, newlyweds.
01:12A May-December romance really warms my heart.
01:17Oh, that's so sweet.
01:18And you look wonderful, by the way.
01:21I think I've recognized that outfit from season six.
01:24Okay, well, I will leave the two of you to catch up.
01:28Behave.
01:32Congratulations.
01:34Not bad.
01:35I mean, a year ago, you were doing insurance commercials with Talking Beavers, and now, now you have all this.
01:42She have family money?
01:44Oh, no.
01:44Well, Ava is 100% self-made.
01:47She founded a discount online brokerage for women.
01:51She trade.
01:53So, this is a treat.
01:55After three years' radio silence, what is this, some kind of 12-step thing?
02:00You're a rageaholic?
02:02You're here to make amends?
02:03She says, no.
02:04This isn't easy for me, Michael.
02:07I know that we have hurt each other in the past.
02:10I know that I have hurt you terribly.
02:13But I have to ask you for a favor.
02:16Uh-huh.
02:17I want you to do a play with me.
02:24What?
02:24It's one night only, regional theater.
02:27Oh, but they have very deep pockets.
02:28I think some of the donors are big spooky fans, actually.
02:31They offered big money.
02:34What's the play?
02:35The Ghosts of Pensacola.
02:37Ah, listen.
02:38Even 30 years ago, that moat fest sucked.
02:41Those were the best reviews of our career.
02:44It's a low bar.
02:45Michael, do you know that if you died tomorrow, you would be remembered for Spooky and the Cop?
02:52Well, it's great.
02:53That means I provided joy to a lot of people.
02:56You are an artist.
02:58It rages in your blood.
03:00I know your soul.
03:03I remember what...
03:04...the fire was like on that stage.
03:07Yeah, I think you're overselling it, darling.
03:09The primal connection we had.
03:11Before the success, before the feuds and the tabloids.
03:15Yeah, and the People magazine interview where you implied that I couldn't read.
03:19I said I was sorry.
03:21It's still on my Wikipedia page.
03:23There's a whole subheading.
03:25Illiteracy.
03:26Michael, I'm desperate.
03:28Please.
03:30I'm begging you.
03:31I will do anything you want.
03:32I will prostrate myself publicly.
03:35But I need this.
03:38Do you know what it's like for an actress of a certain age?
03:41You go from mom to senator to dementia patient.
03:45And I need the money.
03:47Well, I'm sorry, Kathleen.
03:53The answer is no.
03:54Okay?
03:56But if you need some cash, I could ask Ava.
03:58Oh, fuck you!
04:02And fuck you!
04:04Bitch!
04:04Fuckin' motherfuckers!
04:07Fuck!
04:08Jesus Christ.
04:11Motherfucker!
04:11Oh, God.
04:13Michael, I keep asking you to keep your pills on you.
04:17What if I'm not here?
04:18Your heart.
04:19It's just seeing Kathleen makes my blood pressure spike.
04:23I'll get a massage from John Mark.
04:27Darling?
04:28Hmm?
04:28Perhaps you should reconsider.
04:33I worry.
04:35You know, my money, my career, all of this.
04:41You miss the limelight.
04:46But with Kathleen...
04:47Oh, come on.
04:49That was 30 years ago.
04:51I'm sure you've both grown since then.
04:53Hmm?
04:53You manipulating, lying shroom!
05:00Oh, grow up.
05:02You're a kept man.
05:03You should be used to taking direction from a woman.
05:06There's no way I'm letting you direct this damn play!
05:09Whoops, I am.
05:10And you would have known that had you read your contract or had someone read it to you.
05:15Oh, okay.
05:16Great.
05:17I'm in hell!
05:18Get this dog off the stage before I kick it for three points.
05:21Come here closer.
05:23Um, could we possibly discuss my character's club foot for just a moment?
05:26Because I would feel personally a lot more comfortable as somebody from the club foot community we're advising.
05:31Oh, God, really?
05:33Yeah.
05:33Just get out there and hobble, honey.
05:36That's the lunch menu, sir.
05:39I'll have a club sandwich with a side order of a gun.
05:42Um, uh, and also, Harry, if it's not too much trouble, thanks.
05:46Could you get me a hibiscus tea, please, with milk?
05:49Um, but not almond milk. I know people like it, but I am allergic to all tree nuts and legumes, actually.
05:54Of course you are.
05:56Well, no, I am. So if those dog treats are peanut-based because they smell peanut-based and they say peanut butter on them,
06:01I could go into anaphylactic shock, actually.
06:04Hold on. What the fuck is that?
06:07What?
06:07That thing on your lap, what is it?
06:13My script?
06:15Would you like a representative of the off-book community present?
06:20You know, this is not a TikTok, baby.
06:24This is my stage, and you show up knowing your goddamn lines.
06:31These fucking millennials.
06:33Don't worry. You're doing great.
06:35You've already lasted longer than John Stamos.
06:37Where is my stage manager, Bill?
06:40Phil.
06:40Okay, Bill, we are going to run this play the exact same way we did in 1991.
06:47The timing on my trapdoor exit at the finale must be exactly the same.
06:55Well, we don't do trapdoor drops anymore.
06:58It isn't safe.
07:00There's a 15-foot drop down to a concrete floor underneath, and union regulations state that...
07:04Okay, I did that drop every night for one year.
07:09Frank Rich called it effective.
07:12Okay. Well, that was a long time, uh, uh...
07:15Say the word, a-go.
07:26Go ahead.
07:29I want you to.
07:32Um...
07:33I'll make it as safe as I can.
07:36Don't knock yourself out, Phil.
07:38Okay, everyone. Come on.
07:40We have four days to make magic happen here.
07:43Places, everybody.
07:48Places.
07:48Okay, people, to review.
08:07Every time a military jet flies over, I want everything on this stage to shake.
08:16Shake!
08:17You got it?
08:18Everything!
08:19Yes, ma'am.
08:19Now, on the third flyover, that is the cue for Michael's monologue, if he can manage to hit his mark.
08:27Is that big enough?
08:28Can you see it?
08:28Okay, now, Bill!
08:31Bill!
08:32Bill! I would like to run through my monologue, all the way till the end, till the trapdoor falls.
08:38It's Phil.
08:40Yeah, we're ready.
08:41Everything's good.
08:42It was cold in Pensacola that winter.
08:46Unnatural cold.
08:48Frost that comes too soon and stays too long.
08:52Maybe forever.
08:55The mist rises up and...
08:58Don't move!
09:00The mist rises up and covers your toes, then your waist.
09:10The waves, they want to meet the clouds.
09:16The mother and child reaching out for each other.
09:21Oh, God damn you!
09:25What the hell?
09:27Hey, Kathleen, why don't you grab me some extra Thousand Island dressing while you're back there?
09:32Oh!
09:33Son of a bitch!
09:35Match work!
09:39Hey!
09:39What?
09:41I almost broke my goddamn neck!
09:43I'm done.
09:44I'm out.
09:45I quit.
09:45Good.
09:46You walk out now, you're on the hook for a $200,000 kill fee.
09:51So maybe you want to talk to your wife about it first, the one who pays your allowance.
09:56It's worth every penny!
09:58You know, I'm not so sure.
10:00Because I think if she knew about all your dalliances, maybe not so much.
10:05All right.
10:05You want some mutually assured destruction?
10:07Yeah.
10:08I got you, baby.
10:09Bring it.
10:09Because I'm working on my memoirs, and I got a whole chapter about Akaboko.
10:16You signed an NDA.
10:18Yeah?
10:18Well, now I got NFs to G.
10:21All right?
10:22I'll do your damn play.
10:23But I tell you this.
10:24The doomsday clock is ticking.
10:26And when the curtains drop on this play tonight, you can kiss your career goodbye.
10:30You might want to check your prenup.
10:34Because tomorrow, Ava is getting a little info in the mail about China with a Y.
10:42I'm not bluffing.
10:45I know.
10:46You're not a good enough actor.
11:00I know.
11:22Okay.
11:23Five minutes to call, people.
11:24Five minutes.
11:25Found it.
11:26I got you a seat right up front so I can see you.
11:29Lucky me.
11:31Break a leg.
11:34Ava.
11:35Ava, darling.
11:36I just wanted to thank you.
11:38Sorry?
11:39Well, I know that you convinced Michael to do the play with me, and I just thank you.
11:47Oh, Kathleen.
11:48No.
11:49No, see, I knew that working with you would be such a fucking nightmare, that it would kill
11:55off Michael's silly little acting bug once and for all, and voila.
12:00So, thank you.
12:02Mm-hmm.
12:02This is like her.
12:09That bitch's teeth don't even match.
12:12What the fuck is going on here?
12:15Break a leg, Michael.
12:16Ooh, better not let Kathleen catch you with those.
12:18What is she going to do, fire me?
12:20Mm-hmm.
12:20A man can dream.
12:21I'm a man.
12:22No, that's a phantom.
12:46I don't know why they bother.
12:49They say our boys will be home by Christmas.
12:52What are you afraid of?
12:54What will become of her?
12:57I'm afraid that she has too much of both of us inside her.
13:03I'm afraid that she has a gunmetal heart.
13:07Like you.
13:12Summer felt like winter, felt like spring.
13:17Fucking heck.
13:19Pathetic excuse for a man.
13:22You ball-busting harpy.
13:26Goddamn son of a fucking piece of shit.
13:30You washed up has-been.
13:33You pathetic, preening prick.
13:36You are such a failure.
13:39You think you're an actress?
13:40You're a joke.
13:41A lying, philandering failure.
13:45A little crew used to laugh at you.
13:48Actress?
13:49More like Hactress.
13:50You impotent baby.
13:52How the fuck did I put up with you all these years?
13:56You shriveled fool.
13:57I'm not as shriveled as your tamed little dick asshole.
14:03You vain backstabbing head.
14:09I will dance on your grave.
14:10I'll piss on your grave.
14:11That's all.
14:12That's all.
14:13Feels like a storm is brewing.
14:14Did you close the window?
14:15No.
14:16No.
14:17No.
14:18No.
14:19No.
14:20No.
14:21No.
14:22No.
14:23No.
14:24No.
14:25No.
14:26No.
14:27No.
14:28No.
14:29No.
14:30No.
14:31No.
14:32No.
14:33No.
14:34No.
14:35No.
14:36No.
14:37Doing like, oh, it's Donna.
14:38No.
14:39Feels like a storm is brewing.
14:42Did you close the window, sweetheart?
14:44No.
14:47Oh, baby?
14:48I saw the Crawford boy down in the supermarket today.
14:53He works at the base now.
14:58Don't give me your name.
15:02Stop it, Mama!
15:04Stop why?
15:05Stop it!
15:06Just stop thinking that any man would ever want me.
15:10Oh, no, I didn't say that about you, fool.
15:13I didn't... Oh, no.
15:15They say that there are two types of men in Pensacola.
15:19Pilots and the men who keep them up in the air.
15:24And if you forget, they'll remind you.
15:27Some folks say that that's why they fly their jets so low.
15:30Make us fill our morning coffee.
15:34Always looking up in the sky.
15:36In fear.
15:39Just to keep us in our place.
15:47Look out!
15:52Michael!
15:53Ava!
16:01Ava! Ava!
16:03Oh, no!
16:15Hey, I think we've got everything we need.
16:18And, again, I'm so sorry for your loss.
16:21Well, I mean, you guys have privacy.
16:24I just want you to know that Spooky and the cop made me choose a career in law enforcement.
16:29I can't tell you how many times I've heard that.
16:31That was the performance of a lifetime.
16:49You did it, darling.
16:51You did it.
16:53We did it.
16:54Come on.
17:03You threw a tip at a customer?
17:05Okay, you know what?
17:05It was a dime.
17:06And you ate someone's bacon.
17:07They were ignoring me.
17:08You are the worst waitress I've ever had, and I ran a cracker barrel in the green zone.
17:13That last part was unnecessary, but thank you for your service.
17:17Okay.
17:18God.
17:19Well, as firings go, hardly my best work.
17:30Not bad for a matinee.
17:32You happen to know anyplace else that's looking for a subpar waitress that doesn't require paperwork or references?
17:38Well, actually, half hours, good tips.
17:43No benefits.
17:44Seasonal work, so it pays cash.
17:46I can put in a good word for you if you're interested.
17:49Well, that actually sounds pretty perfect.
17:51What's the catch?
17:54Philadelphia!
17:55Yeah?
17:56Am I helping you?
17:57Yeah!
17:57Who's your daddy?
17:58And by that I mean founding father?
18:00Franklin!
18:01Who?
18:01Ben Franklin?
18:02You!
18:02It's no surprise.
18:03I'm healthy and wealthy and wise.
18:05I've been struck by lightning.
18:08Anyone can see.
18:10A great big storm and a little old kite helped me find the key.
18:15This is hell.
18:16I'm all about the Benjamin.
18:20Benjamin Franklin.
18:21Okay, people.
18:34To review.
18:36Every time a military jet flies over, I want everything on this stage.
18:43Jake!
18:44Jake!
18:44Wine and jam.
18:46Miss me?
18:46Shh.
18:47I'm listening to the tech rehearsal.
18:50Take that as a yes.
18:52What is this?
18:52Bill!
18:53Bill!
18:54Big Megillah they've been working on all week?
18:56That's Kathleen Townsend and Michael Graves doing Ghosts of Pensacola here.
19:01Losing my shit.
19:03Hey, hey!
19:03No, that's not food.
19:04It's a prop.
19:06Prop food.
19:07No, this is food.
19:08This is food.
19:09You're nuts.
19:10Listen up.
19:11No peanuts in anything.
19:12The third banana on stage has an allergy.
19:15It's our one night only gala event.
19:17It's a sellout.
19:18And I don't get halibut every day.
19:21I need everyone on their coats.
19:23Okay?
19:24Sure.
19:24Please, partner, no!
19:40Oh, God damn you!
19:41What the hell?
19:42Hey Kathleen, why don't you grab me some extra Thousand Island dressing while you're
20:04back there?
20:05What?
20:06Oh, bitch!
20:07Hey!
20:08Bring me the Philistine!
20:10Oh, please God, don't break another leg.
20:14Hey!
20:19Now you listen to me.
20:22When an actor is performing, you don't sneeze, you don't breathe, you don't dump fucking
20:31ice in a fucking frosé dispenser.
20:34Okay, listen lady, I really, I just, I'm just doing my job here.
20:39What, do you think people come here for the food?
20:41Yeah, I mean kinda.
20:43You know, I'm just a waitress.
20:45It's not really my fault that this place came with a talking wall.
20:49That stage is an altar where we bare our souls in search of the truth.
20:57Now you will respect that young lady or you can hit the fucking bricks.
21:02The truth.
21:03The truth.
21:04Wow.
21:05Uh, sorry, I just, I happen to know a thing or two about the truth.
21:10So I'll tell you.
21:11Uh, you got Patrick Swayze Roadhouse, Jennifer Jason Leasing a white female, Christian Slater,
21:17true romance, truth, truth, truth.
21:19Now you, uh, well I did happen to catch a few words, uh, through the rainstorm and I'll tell you the truth.
21:25I didn't believe a single word.
21:27In fact, I would say that that's maybe the biggest batch of bullshit I've heard in my whole, yeah, whole entire life.
21:34Ah, jeez.
21:36Ah, I get it, I'll see myself out.
21:39I haven't been spoken to that way in 30 years.
21:45Ah.
21:46Does this mean I'm not fired?
21:48Fired?
21:49Oh my God, what you're giving me is gold.
21:52It's fuel.
21:55I live off it.
21:56I use it.
21:58And you're lucky you took those earbuds out because you're about to hear the performance of a lifetime.
22:08I love your work.
22:10Hey.
22:12Hey.
22:13You survived a phase full of Kathleen Townsend, kid.
22:17Uh, I mean, you seem like a normal guy, Phil.
22:21How are you putting up with these theater people?
22:23Well, you gotta love them and you gotta understand them.
22:26I mean, what Kathleen said, she's right.
22:30What happens on that stage is a kind of magic.
22:33And I get to see someone hit with it, truly transformed by it for the first time every show.
22:38That's probably why I keep doing it.
22:41Well, you're a better man than me, Phil.
22:43Well, everything I said, and, but also, Jack Daniels is my dramaturg.
22:50You see, this is the kind of pep talk I can get behind.
22:56One night only, kid.
22:58After opening, this is all over.
23:02To opening night.
23:03Excuse me, darling. Can you get me absolutely shit-faced?
23:15Oh, you'll never see the bottom of that glass.
23:17You mean like you?
23:18No.
23:19Summer felt like winter.
23:25Felt like spring.
23:26Makes you miss the hip-hop and Franklin.
23:28I didn't know what the seasons felt like since Bobby died.
23:31Your washed-up has-been.
23:33You pathetic preening prick.
23:35Glad someone's riveted.
23:38Kathleen and Michael are fighting backstage and never got to turn off their mics.
23:41Failure.
23:42The whole crew used to laugh at you.
23:44Wow.
23:45You weren't kidding.
23:46Actress.
23:47We're like Hatchers.
23:48Hold on.
23:49If we can hear this, you realize who else can hear it, right?
23:52How long have I been up with you all these years?
23:54And I always ask myself, why, God?
23:57Why?
23:58But Bobby always made me feel nice.
24:00It's true.
24:01Not as shriveled as your tiny little dick asshole.
24:06You vain backstabbing head.
24:08Who's talking?
24:09Is that the ghost?
24:10That's all I've ever wanted.
24:12Shh.
24:18Oh.
24:19Feels like a storm is brewing.
24:22I saw the Crawford boy down in the supermarket today.
24:26He asked about it.
24:27Thanks.
24:28No, stop it, Mama.
24:29Stop thinking that any man would ever walk.
24:31Kill me.
24:34There are two kinds of men in Pensacola.
24:37Pilots.
24:38The men who keep them up in the air.
24:41If you forget, they'll remind you.
24:43Watch Kathleen.
24:44Some folks hate her.
24:45That's why they try to get so low.
24:47Look at her.
24:49Fear.
24:50Anticipation in her eyes.
24:52Yeah, you're right.
24:54Fear.
24:55This is the first time I've really believed her.
24:58Look out!
24:59Ava!
25:00Ava!
25:01Ava!
25:02Ava!
25:03Ava!
25:04Ava!
25:05Ava!
25:06Ava!
25:07Ava!
25:08Ava!
25:09I don't know why.
25:12A, I don't know why.
25:13Ava! Ava!
25:17Oh, my God!
25:25Look, it's not your fault.
25:27A woman fell to her death on my stage.
25:30How is it not my fault?
25:31Because it was a crazy accident, okay?
25:34Just think about all the things that had to go wrong.
25:37The light fell, Michael had a heart attack,
25:40and his wife ran up with his pills
25:42after I poured her a bottle of the good stuff, by the way.
25:46If any one of those things hadn't happened,
25:49you and me would be outside by the dumpsters ranking.
25:51Christopher Nolan is right now.
25:53No, as soon as the curtain goes up,
25:55it's all my responsibility.
25:58I guess I'm lucky.
26:00All the cops had to do was check my thermos,
26:02and I'd be sitting in a cell.
26:04Look, just come on.
26:07I know you.
26:07It was just a little Irish coffee
26:10to take the edge off, right?
26:12Yeah, that's what I thought.
26:14Maybe I'm a lightweight now.
26:16I know.
26:17I checked that bolt and those pats.
26:20That's the last thing I remembered before.
26:24Oh, God.
26:26Oh, God.
26:28Oh, God.
26:30Oh, my God.
26:32Oh, my God.
26:34Jesus.
26:39Could you be leaving those out?
26:40Maybe I'm an actress.
26:42If I didn't have a bottle of Ambien in my dressing room,
26:45people would ask questions.
26:47Yeah.
26:47It's too bad about Phil.
26:48It's not like he's in jail or anything.
26:51He just went a little overboard.
26:54Wow.
26:54He really missed your window for playing the femme fatale.
26:57Now I can remind the whole world
26:59what Kathleen Townsend can do.
27:02And the world is watching.
27:05What are you talking about?
27:07We are trending, baby.
27:10Right now, people are watching us.
27:14They are really watching.
27:16And I never got to deliver my monologue.
27:23No.
27:24Yes.
27:25One last performance.
27:28Tonight.
27:28No.
27:29For Ava.
27:30No.
27:30For Ava.
27:31Fuck that.
27:32What happened to we hide out overseas for a year
27:35and then reemerge confessing our love?
27:38You wrote the script, baby.
27:39I know.
27:40I wrote it, and now I'm flipping it.
27:42I'm flipping the script entirely.
27:44Yes, your tragedy is what drew us together.
27:49It's risky.
27:51Oh, baby.
27:53Don't you want to be together right now?
27:57Yes.
27:58Hmm?
27:59Don't you think we should start spending
28:02some of that she-trade money?
28:04Oh, yes.
28:06Hmm?
28:08The spotlight's ours, baby.
28:12Let's get it while it's hot.
28:14So let me get this straight.
28:27A woman dies right in our faces,
28:30and instead of giving us grief counseling,
28:33we have to work.
28:34Ditter, people are so strong.
28:36Oh, no, no.
28:37It just doesn't make any sense.
28:39I mean, the dude had a coronary,
28:42and then his wife died.
28:44Like, what doctor signed off on this?
28:47Find a seat for Sheriff Ed.
28:49He's some crazy, spooky-in-the-cop fan.
28:52It's a sellout.
28:53If he doesn't have a ticket...
28:54Give the lawman what he wants.
28:56He just dealt with the richest woman in Connecticut
28:58getting killed by a drunk stagehand.
29:00Oh, come on. Bullshit.
29:02Thin ice.
29:03Get out there and keep your job.
29:05What do you want?
29:16Don't worry about Fosse.
29:18He's very well-behaved today.
29:20So, I thought it was weird
29:26that Michael was going over his dialogue for the show
29:29since he didn't miss a single line in rehearsal.
29:31So I checked in his coat pocket,
29:33and lo and behold,
29:36this is not dialogue from Ghosts of Pensacola.
29:40This is the fight that the two of you had
29:42during my monologue.
29:44The fight that you used to cover up Ava's murder.
29:47Sweetheart, Michael and I are workshopping a new play
29:53by a brilliant new writer,
29:55and we're running lines backstage.
29:57That might fly if I had seen the two of you backstage together,
30:02but I didn't.
30:03You were gone,
30:04and my monologue gave you just enough time
30:07to sabotage the light and the trapdoor,
30:08so you did it.
30:10You watched too much Dateline.
30:12No, but I have been watching
30:14a heck of a lot of spooky in the cop,
30:16and this exact thing happens
30:18in Season 6, Episode 11, Exit Stage Death.
30:22You lazy assholes didn't even bother
30:24to change the dialogue.
30:27So, um,
30:29here's my price,
30:30and here
30:31is my bank info.
30:33So, if that money
30:38is not in my account
30:40by the end of the play tonight,
30:42I'm going to the police.
30:47Oh, and one last thing.
30:50I killed that fucking monologue, okay?
30:52So don't you ever
30:53upstage me again,
30:55fucking boomers.
31:00Okay.
31:01What are we going to do?
31:03We have to pay.
31:05We have no choice.
31:20You're delivering the prop food.
31:22Ah, I belong here.
31:23Yeah.
31:23Yeah, okay, sir.
31:24Prop food.
31:26Jesus.
31:2610 minutes to curtain.
31:2810 minutes to curtain.
31:31Wow, Phil's pre-show checklist.
31:34Oh, shit, I gotta do the checklist.
31:36Wow.
31:37He ticked off
31:37the flappy door checkbox
31:39before the show.
31:39It's here.
31:40So?
31:41If he secured
31:42the flappy door,
31:43that means that someone
31:44unsecured it.
31:45That means it wasn't Phil's fault,
31:47and it wasn't an accident.
31:48Oh, my God,
31:48this is gonna be a disaster.
31:49Is anyone else, besides Kathleen,
31:50supposed to go through
31:51that flappy door?
31:52Our big trap door moment?
31:54Are you kidding me?
31:56That means that Kathleen
31:57was the target.
31:58I gotta text Phil.
31:59Oh, my God.
32:01Okay.
32:02It's Charlie.
32:03It wasn't your fault.
32:04It was sabotage.
32:05S-A-B-O.
32:07Oh, that's...
32:08Joe is about to start.
32:09Oh, my God.
32:09Dude, dude,
32:10we just figured out
32:11that someone
32:11is trying to kill Kathleen.
32:12Now you're gonna give them
32:13another whack at the pinata?
32:14But the show
32:15is about to start.
32:17What?
32:19Oh, if it isn't
32:20my fiercest critic.
32:22Are you here
32:22to give me some notes
32:23before my swan song?
32:25It wasn't Phil's fault.
32:27He was framed.
32:28So I think someone
32:31drugged him
32:31and futzed
32:32with the floor door.
32:33I mean,
32:33I don't know why,
32:35but I think
32:35you were the target.
32:37Me?
32:38You're the only one
32:39who was supposed
32:39to stand on it, so...
32:41I walk across it
32:43many times
32:44and did not fall through.
32:46My blocking
32:46is very vigorous.
32:49Okay, uh...
32:50Look, things happen
32:51in the theater
32:52all the time.
32:53Entire sets collapse.
32:55Live wires get exposed.
32:57They electrocute actors.
32:59But we persevere.
33:01Hey, I'm so sorry.
33:02I don't think
33:03you're hearing me.
33:04Someone's trying to kill you.
33:05I'm not gonna let you
33:07go back out there.
33:12I'm already on.
33:16Now get out of my room.
33:18Wardrobe!
33:19Tomcat?
33:37No.
33:38That's a phantom.
33:41I don't know
33:41why they bother.
33:43They say our boys
33:44will be home by Christmas.
33:45Q38.
33:46Hey, is that Phil?
33:48Phil, give me that.
33:49Hey, Phil, Phil.
33:50Yeah.
33:51Listen, I-I-I don't get it.
33:53I mean, the bolt
33:54must have been in place
33:55until Ava walked across it.
33:57Did you see
33:58anybody else down there?
33:59Nobody.
34:00Look, Charlie,
34:00I appreciate what
34:01you're trying to do,
34:02but just let it go.
34:03No can do, Phil.
34:04I'm like De Niro
34:05at the end of Heat, man,
34:06so stay tuned.
34:09I need to see
34:10the video of last night's show.
34:12Well, be my guest.
34:13Take the curse off me.
34:14There you go.
34:15It's like the video
34:15from The Ring,
34:16but with Phil gone,
34:17I'm the stage manager
34:18and I have nothing
34:18to go on
34:19except this video
34:20and Phil's notes
34:20from last night.
34:23He asked all about...
34:24Hey, hey, hey.
34:25Stop it, Mama!
34:26What is that?
34:27Stop it!
34:27Stop pretending!
34:28Is that smoke?
34:29Man, whatever works!
34:29Looks like dry ice.
34:30No, no.
34:32Where do you keep
34:33this, uh, dry ice?
34:35At night, Bobby.
34:38Game 40.
34:40Stop, Dave.
34:41Stop.
34:41Stop.
34:42Ow!
34:43Ow!
34:44Okay.
34:44I gotta talk to Kathleen.
34:48Hey, wait.
34:49Stop.
34:50Your brother Bobby
34:51wasn't...
34:51See that?
34:52It's a sideline.
34:54You can't cross it.
34:55You're in the play.
34:57Bobby was my
34:58unexpected gift.
35:01Shameful as it was.
35:03I loved him so.
35:06He liked the stars
35:08that move fast,
35:09like his aircraft.
35:11Hey, I figured it out.
35:13The bolt was dry ice.
35:15Excuse me.
35:15That means that someone
35:16definitely tried to get...
35:16The crickets are certainly
35:18very active.
35:19Off.
35:20Off the stage.
35:21Oh, these crickets are wild.
35:23Off the stage.
35:23They need to stop.
35:24You need to get off the stage.
35:26You need to stop now.
35:27You need to get off the stage.
35:29Um, Garrett,
35:30what are you doing
35:31smoking that filthy thing
35:32in the house?
35:33You give Daisy
35:34pleurisy
35:35if you don't watch out.
35:36Mother, I smoke.
35:38Does that shock you?
35:39That's why I smoke cigarettes.
35:43Your daughter,
35:44your little girl.
35:45Oh, thank God.
35:45It calms my spirit
35:47and misses my mind.
35:49Uh, yeah,
35:50well, it looks like
35:50we got us a real smoker,
35:53Savannah.
35:53Good one for you, Daisy.
35:55Hey, what are you doing?
35:56I myself enjoy
35:57smoking by the window
35:59over here.
36:00Let me go.
36:01Let me go.
36:03Uh, smoking's gonna be
36:04the death of all of us.
36:05I know what let's do.
36:08Let's bake something together.
36:10A key lime pie,
36:12like when you were
36:13a little girl.
36:13I'm not a little girl
36:14anymore, Mama.
36:16It was Michael.
36:17His fingers are burned
36:19from the dry ice
36:19he used to rig the floor.
36:21There's supposed to be
36:22milk in here somewhere.
36:24Oh, there.
36:25Michael was on stage
36:27the entire time.
36:28No, the Chubby Foot monologue,
36:30that was three minutes.
36:31He could have, uh...
36:32Our argument.
36:33Everyone heard it.
36:35You heard it.
36:36Now, what the fuck
36:37are you even talking
36:37about?
36:38You almost caught
36:39the bus, lady.
36:40That falling light
36:41saved your life.
36:42If I were a refrigerator,
36:44would you pay attention
36:45to me?
36:45Exactly.
36:46And do you think
36:47he rigged the light
36:48to kill himself?
36:49I'm watching life
36:51like his old man.
36:52But why did I push Bobby?
36:54Why?
36:55You only told him
36:56to aim high.
36:59Isn't that what
37:00we all want
37:01for our children?
37:02Oh, but when I saw
37:04him in those dress blues...
37:06Oh, that boy
37:07was born to fly.
37:10Was he happy?
37:11Our son?
37:13Was he happy?
37:14Oh, baby, you and I
37:16both know that Bobby
37:18was never happier
37:19than when he was
37:20up there flying
37:21with the birds.
37:23If that matters,
37:25if anything matters...
37:27I love you.
37:28That matters.
37:33Truth.
37:35I love you, too.
37:36Hey, hey,
37:51Chubby Foot,
37:52uh,
37:52we've got a situation here.
37:54Who are you?
37:54Did you just come down
37:55from the lights?
37:56It doesn't matter.
37:56So I thought that Michael
37:58was trying to kill Kathleen,
37:59but I was wrong.
38:00It was his wife,
38:02and they were in it together,
38:03Michael and Kathleen.
38:05You see,
38:06they don't hate each other.
38:07They love each other.
38:08Why are you telling me this?
38:09I'm about to go on.
38:10Oh, because...
38:11Excuse me.
38:12You can prove it.
38:13You see,
38:13it was during your
38:15foot club speech thing.
38:16So he was futzing
38:18with the flappy door,
38:19and she,
38:20she was messing
38:21with the light.
38:22Uh, what was it?
38:23Three minutes, right?
38:24Jesse, but I saw
38:25the two of them
38:26backstage together,
38:27so they couldn't
38:28possibly have done it,
38:29okay?
38:29So will you leave me alone?
38:31I have to go on.
38:32Wait, why are you lying?
38:33Wait, are you in love
38:34with them, too?
38:34Will you please
38:35leave me alone?
38:36Are you in trouble?
38:38Oh, shit.
38:39Mama,
38:40do you think
38:40Billy Crawford
38:41will come call him?
38:43Oh, I could call
38:44his mother
38:45and ask her,
38:46couldn't I?
38:52No, never mind,
38:53Mama, forget
38:54I mentioned it.
38:55I will.
38:57Do you think
38:58that could be
38:59a sign or something?
39:10Fucking actors, man.
39:15Chubby foot.
39:18Very hardcore.
39:22Shh.
39:23Shh.
39:24Wait, wait.
39:25Hey.
39:25Who wants a yummy,
39:26yummy little peanut butter,
39:28uh, treat?
39:31Oh, shit.
39:32Oh, honey,
39:43I made you a little snack.
39:45Oh, jeez.
39:46Thank you, Mama.
39:47Oh, shit.
39:49Hey,
39:49who eats the prop?
39:51They just,
39:52which actor eats
39:52the Chex Mix?
39:53Oh, Rebecca.
39:54No, they put peanut butter
39:54and they're gonna kill again.
39:56I had nothing wrong for me.
39:58I was so young.
39:59Florida State was looking
40:00for a fullback.
40:01Coach was scouting me.
40:03You think I want
40:03to get married at 18?
40:05Do you think I did?
40:07Joshua?
40:12Oh, blah!
40:12Joshua!
40:17Joshua!
40:24Joshua!
40:25Mama!
40:25Uh, I am a ghost of Pensacola, uh, and you are not here to eat.
40:47You are here to talk about your chubby foot and, uh, feelings.
40:53Do not let your mother poison your spirit and drive you nuts.
41:06And now, I will return to the spirit realm of Pensacola.
41:13Okay, boogie-bye!
41:18Wood, why are you looking at me?
41:21What did I do?
41:22What did I say?
41:23Listen, Rebecca.
41:24I mean, Daisy.
41:25Listen, Daisy.
41:26I had nothing to do with your mom's-
41:27Mama?
41:28What?
41:29Daddy?
41:30You already lost one child and you almost lost another one.
41:35So now, the price of my love has doubled and I demand to see it immediately.
41:42Are you fucking kidding?
41:43Immediately!
41:44You're fucking kidding?
41:45Immediately!
41:46Summer felt like winter.
41:57How could you do that without talking to me first?
41:59What?
42:00What?
42:01Oh, yes.
42:02What were you thinking?
42:03Someone had to do it.
42:04You're insane!
42:05We could have paid her off.
42:06This would all be over.
42:07Oh, don't be so naive.
42:08She would have just come back for more.
42:09Hey, Sheriff.
42:10Never meet your heroes.
42:11Right?
42:12Never meet your heroes.
42:13Right?
42:14Yeah.
42:15You spend years planning your wife's murder to get shafted by a fucking day player.
42:19I will shove that peanut butter down that Juilliard bitch's throat if I have to.
42:37No.
42:38Okay, look, that's it.
42:40We're gonna pay her off, all right?
42:42I'm gonna call my business manager.
42:44He's gonna have a fit.
42:46Michael, what the fuck is that?
42:49What?
42:51What in the hell?
42:55Oh.
42:56Oh.
42:58Shit.
43:05We're fucked.
43:07They hurt everything.
43:11What do I do now?
43:16We use it.
43:19Showtime, baby.
43:24I used to wait for that parade every year.
43:28Independence Day.
43:31For who?
43:33From what?
43:34Bobby's real daddy went down over the Sea of Japan.
43:39July 12, 1952.
43:42An aviator.
43:44Why did you take Bobby?
43:48He was better than me in every way.
43:52Oh.
43:54It was cold in Pensacola that winter.
43:58Unnatural cold.
44:00Frost that comes too early.
44:02Means to stay too long.
44:05Maybe forever.
44:07The mists rise up.
44:09They cover your ankles.
44:10Then you waste.
44:13The sea longs to reach the clouds.
44:19Mother and child reaching out for each other.
44:23When my sweet Bobby went up,
44:26he always took me with him.
44:29And so it follows that that day,
44:33I too went down.
44:36That cold winter.
44:40This winter,
44:42the mists up to the lash line.
44:46Ice on the wing is mist on the ground is tears.
44:50The mists rises up and I kneel down to meet it.
44:59And so now I too become just another ghost.
45:05The mists.
45:23The mists...