Poker Face Season 2 Episode 2
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00:00The weak, bloodless, shriveled little worm!
00:20Are we inside Minimum?
00:22Yeah, I think he overshot Lamont.
00:23We're out.
00:24He's inside Minimum, right?
00:26Okay, alright, we'll do it again.
00:27Let's cut.
00:28Reset.
00:30Yeah, it's just a good one.
00:35Coming in.
00:39Copy that.
00:40Yeah, coming in.
00:41Thank you for the wrap.
00:43I wasn't sure.
00:45Oh, there she goes.
00:51What's your story?
00:52You with makeup?
00:54Hair, wardrobe?
00:55Oh, me?
00:57No.
00:57No.
00:58I wish.
01:00This is my husband's funeral home.
01:03Do you need some help?
01:04No, no, no.
01:04Don't touch that.
01:05Okay.
01:05We'll meet again.
01:19I don't know where.
01:23I don't know where.
01:25I always want to.
01:26Why did he even set this in 1973 anyway?
01:35It was like, iPhones and DNA and stuff make it way too easy to solve ownership.
01:40Like, one drop of blood.
01:41Like, one drop of blood.
01:43Boom.
01:44There's your guy.
01:45Excuse me.
01:46This is a work area.
01:47It's off limits.
01:49Go.
01:49Sorry, dude.
01:50Doodle, what the hell?
02:04What the fuck is going on?
02:07And we're back up.
02:09Going right into a take.
02:10Roll sound, please.
02:11What happened to the lights?
02:12It's a live set.
02:13Sparks blew a breaker.
02:14Shh.
02:15We're rolling.
02:16Action.
02:17The families will never know because all they're getting are ashes.
02:21Ashes.
02:22Shh.
02:23Everyone thinks they're ashes.
02:24They're actually bone fragments ground at the consistency of ashes.
02:27Any respectable funeral director would say remains.
02:32Let's be quiet.
02:32Greta?
02:35Good job.
02:36Grant.
02:38Oh, my God.
02:38They destroyed the place.
02:39Honey, they're professionals.
02:43They're going to leave it exactly the way it came.
02:44Dan Locos told me.
02:46Fuck is Dan Locos.
02:47Dan.
02:48The locations manager.
02:50Hat and mullet.
02:52Yeah.
02:53That's what they all call him.
02:54Like a nickname.
02:55Nicknames for everything.
02:58A whole secret language.
03:00The bathroom is the honey wagon and snacks are crafty.
03:03I don't care.
03:04Just keep them out of my workshop.
03:05And speaking of which, what are you doing anyway?
03:09You're supposed to be finishing the makeup job.
03:11Honey, I will.
03:12Tomorrow morning, the Hoppenstammers will walk through that door to grieve their beloved grandmother.
03:18Real people.
03:19Dealing with real death.
03:21That's what our lives are about now, Greta.
03:24Not this fantasy land.
03:27Yeah.
03:27We've already rescheduled the Hoppenstammers once because you talked me into this ridiculous filming.
03:32And the money from it is going to get us through the month.
03:36And I needed...
03:37What?
03:39What do you need, Greta?
03:41I don't know.
03:43I don't know.
03:46Something.
03:48Alive.
03:57Hey!
03:59What happened to the lights?
04:00It was just a breaker.
04:02It was just a breaker.
04:02I'm sorry.
04:03And I'll be sure to keep the PAs out of the basement.
04:04Oh, yes.
04:05And the peons in the basement.
04:07And look behind you.
04:09You're destroying my father's peonies.
04:10And trampling my grandmother's lavender.
04:12And desecrating my great aunt's azaleas.
04:15Fred, it'll all be better than new when we leave.
04:18I told you.
04:18You won't even know we were here.
04:20Oh, my God.
04:21The Hoppenstammers.
04:24We'll replant those, too.
04:25The hell is this?
04:27We didn't talk about a party.
04:30Mrs. Hoppenstammer.
04:31Mr. Hoppenstammer.
04:33Mr. Hoppenstammer?
04:34Ms. Hoppenstammer?
04:36Ms. Hoppenstammer?
04:37Fred, what the hell is going on here?
04:39Well, we had to reschedule for tomorrow.
04:42Uh, Greta was supposed to call you.
04:45Nobody called us.
04:47Oh, shit.
04:49Oh.
04:51Shit.
04:53For three generations,
04:55my family has kept this place a sanctuary
04:59to the sanctity of life's final passage.
05:04This is not a job.
05:06Not a business.
05:09This is a temple
05:11to the dignity of death.
05:14And you and I are its caretakers.
05:18So, oh, shit.
05:22Indeed.
05:22Indeed.
05:25I want...
05:27a divorce.
05:35What?
05:37One of the makeup girls from the shoot
05:39said she can set me up with work in Miami.
05:41Local stuff.
05:43Small ads.
05:44My cosmetology license can transfer over.
05:48Miami?
05:49I don't want to hurt you.
05:53I just want to take my half and go.
05:56Your half.
05:57I know.
05:57You probably can't afford to buy me out.
05:59I've spoken to the realtor whose aunt we did last month,
06:02and he's already found us a really good offer.
06:05Let's have a baby.
06:08A baby would bring life into this place.
06:12That's what you want.
06:13And he would grow up to be our child.
06:16And he would take over this place when I die.
06:19A fourth generation keeping the fire...
06:21No!
06:22I am not going to trap a baby, too,
06:25in this depressing, haunted shithole.
06:28You think I trapped you?
06:31I don't know.
06:37I mean, when we got married, I was so young.
06:40So, yeah, I feel...
06:43trapped.
06:45But I think you're trapped here, too.
06:48Mostly, maybe, with all these ghosts.
06:55You should get out.
06:56Out?
06:58Yeah.
07:00I don't understand out.
07:04There is no out.
07:10Well, there is for me.
07:13What about sleepwalk?
07:15Fred, I hate sleepwalk.
07:19You home-wrecking harpy!
07:27No!
07:29If it weren't for me, this place would have rotted a long time ago.
07:32No thanks to you, you weak, bloodless, shriveled little worm.
07:39Cut!
07:40All right, let's reset and go again.
07:42You home-wrecking harpy!
07:51Cut!
07:51Reset!
07:52You home-wrecking harpy!
07:55Cut!
07:55You home-wrecking harpy!
07:58No!
07:58You home-wrecking harpy!
08:00Cut!
08:01And cut.
08:15That should do it.
08:17We'll clean up the rest of the blood splatter in the morning.
08:19Greta, where have you been?
08:29Hi.
08:31Out.
08:32With friends.
08:35Baby, I'm sorry.
08:38I overreacted.
08:40Can we just talk about this?
08:42No.
08:43No.
08:44No.
08:44No.
08:45No.
08:46No, no, no, no, no, no.
08:47No.
08:53No!
09:12How long will this take?
09:16When will you be out of my home?
09:17Tomorrow morning, 7 a.m.
09:20They'll strike the set dressing and scrub the place, so don't worry.
09:25You'll be able to eat off the floors if that's your thing.
09:28If you can't.
09:30No!
09:35Coming!
09:44Bye.
09:51Here we go.
09:56Bye.
09:57Bye.
09:58Ring my bell, my bell, ring my bell
10:06Ring my bell, my bell, ring my bell
10:23Take yourself free
10:28I do
10:34So long I'm trying
10:38To get better
10:41For all we can do
10:45You're doing my best
10:50There you are
11:20You're doing my best
11:24I can't do the best
11:28Take yourself
11:36Take yourself
11:38That's a good one
11:41That's what
11:43I know
11:46I don't know.
12:16All right. Here, I'll help you.
12:46All right.
13:16All right.
13:46All right.
14:15All right.
14:16All right.
14:17All right.
14:18All right.
14:19All right.
14:20All right.
14:21All right.
14:22All right.
14:23All right.
14:24All right.
14:25All right.
14:26All right.
14:27All right.
14:28All right.
14:29All right.
14:30All right.
14:31All right.
14:32All right.
14:33All right.
14:34All right.
14:35All right.
14:36All right.
14:37All right.
14:38All right.
14:39All right.
14:40All right.
14:41All right.
14:42All right.
14:43All right.
14:44All right.
14:45All right.
14:46All right.
14:47All right.
14:48All right.
14:49All right.
14:50All right.
14:51All right.
14:52All right.
14:53All right.
14:54All right.
14:55All right.
14:56All right.
14:57All right.
14:58All right.
14:59All right.
15:00All right.
15:01All right.
15:02All right.
15:03All right.
15:04I guess I же ay to the system live and it's important as a suspect.
15:07That's why we need to keep books in Florida libraries.
15:08It's very important.
15:10My tie on the beach.
15:11Huh?
15:12Gosh kids.
15:13How is a great guy?
15:14Ty?
15:15Hey.
15:16And that, it's dead.
15:17And you see that's the one downside with these things is, they run on batteries.
15:26Some, go.
15:27Hey with cigarettes, you're always looking for a lighter.
15:29Right?
15:30business and great work on the moat
16:00okay hi uh so uh what's the why hey uh sorry for the chase what year is this
16:29this car this is she's a beauty oh thanks yeah it's uh this right here is a uh 1969
16:36plymouth barracuda limited edition original engine uh windshield wipers it just won't start
16:41but hey that's why i got this rag i'm so sorry if i spooked you let me just get to business here
16:49see i rent these classics for like movies they call them picture cars i see and you're
16:55not affiliated with the mob nah union 385 florida teamster branch i have seen halfa yes very cool
17:03okay got it all right we're making a new movie yes it's set in 73 does it pay cash
17:09and i will pay you the other half that wrap wow uh which is uh when ish uh six ish i'm gonna put
17:31this cv radio in with transpose so they can communicate with the driver on set cool
17:35it's actually uh check it out super cool uh i'm gonna be like linda manns right uh hey this
17:41is gorgeous uh kill all hippie subvert normality over
17:46wow nothing it's uh it's a dennis hopper classic you really should check it out love that guy you
17:54do oh it seems like you're not that familiar with his work actually call sheets yeah call sheet
17:59oh sure looks like a murder happened around here good
18:05corp size covid no great copy that corp size covid hey do you have covid uh me i no i'll be honest
18:12with you i haven't tested much recently great want to be a corpse pays cash sure i can't shy
18:17let's go thanks it's just business i swear to you you think i'm a fool the wrist we should have
18:25got an 800 for those wrists you've been holding out on me oh to hell with it i am taking the money
18:31and i'm sleeping with him too you hoe wrecking harpy no for worrying for me this place would have
18:37rotted a long time ago you weak bloodless shriveled little worm
18:41cut cut cut let's go again wait again quiet from the corpse please
18:53all right everyone sit tight while sparks works this out
18:59no business like show business huh tell me about it back from lunch in 30 people back in 30
19:05there's so much food they're gonna throw it away really oh hey corpse you should come sit with us
19:11this guy wow i'm a cord you know what i miss so anyway it's not just eye makeup like we're used to
19:21you use actual paint not makeup i don't know these people these dead shells but when i start to work
19:28i imagine them alive and happy with me sometimes i even talk to them
19:35this is sounding creepy
19:40and i get it i get it caring about someone even if they're gone
19:47and uh wanting to give them a little bit of dignity even if they'll never know it i uh i get it
19:53yeah but then
19:59life among the dead what kind of life is that
20:05i get that too
20:09i actually went to cosmetology school thinking i'd move to miami and work for a magazine or
20:19something like fashion shoots or what you guys do but then my parents got in a car accident and
20:25that's how i met fred and then switched focus to mortuary stuff wait you mean your parents are buried
20:32here no they were cremated but yeah fred directed the funeral i was devastated 25 going on 18 i'd never
20:42been on my own just completely lost and fred was gentle he really cared he was just what i needed in
20:50that moment i didn't think i was picking a path but then you wake up and it's too late for anything else
20:59too late too late
21:02girl i know plenty of people in miami doing commercial stuff if you ever need a hookup
21:10really okay irregardless you two want to get blackout wasted tonight
21:16all right we do a hell of a banger
21:22greta can i speak to you inside please
21:29so a banger huh back in five people points points points
21:39hey hi
21:41ah uh bathroom
21:47bathroom thanks and what is all this by the way well thank you for asking this day has been hell on me
21:55here at finch's we are proud to offer a guaranteed unbeatable variety of keepsakes for your family's
22:04remains ah fred finch oh uh charlie charlie corpse
22:14pretty cool pretty cool yeah yeah so wait what does that mean i uh does that mean so what
22:22you can put ashes and any of this stuff remains not ashes remains we can infuse remains into
22:30practically anything bookends fountain pen ink stained glass christmas ornaments shot glasses cuff links
22:41even fireworks crazy there are constant breakthroughs in crematory science so many ways to keep your
22:48dearly departed within arm's reach you like music spice of life same be dead without it same i installed
22:58a state-of-the-art vinyl record press from a supplier in germany
23:04really learned rudimentary german as well well the buttons are in german i see you pick the song and we
23:11can press your loved ones into vinyl records on site no other funeral home in the southeast can do
23:17that huh so these are yeah yeah yeah oh remains right not ashes no no crushed bone fragments called
23:29remains greta yeah she had mentioned that you were into all this kind of stuff and i can see why i think
23:36it's a it's cool it's cool genuinely very special place here yes well a certain amount of urgency on
23:46the peepee front oh yes all yours ah thanks i don't want to be pressed into an ornament you don't want to be
23:57an ornament no i don't i don't want to become a a record retta it is it's it's weird it's niche
24:07it's also kind of cool romantic he's already had the molds made for our special songs it's like i'm
24:15already dead red flags i didn't even get to pick mine you think i'd pick santo and johnny's sleepwalk
24:24and he can't dance to that song ring my bell i told him 15 years of marriage he's never taken me
24:31dancing and never rung my bell sleepwalk i hate the slide guitar what am i hawaiian oh no no i
24:46i mean that that's appropriation you don't need to go here trust me google it google it
24:51gretta before we all google maybe it's time for a little uh hydration huh easy on the moonshine
25:04no why this give me give me put your um number into my phone oh the password's um it's 1212
25:15after my old chihuahua's birthday i'm wearing one out for the big chihuahua i think i'm in here
25:21call me anytime she's good yeah i'm learning i'm learning tricks
25:29turn it off turn it off oh he's inside
25:43you sure you don't want to come in me no i live in this car hey give me a miami miami all right miami miami
25:51miami miami we're gonna go right what don't bullshit me because i'm gonna go back no i don't
25:59bullshit seriously okay it's gretta and charlie yeah we'll go wherever anyway yeah and but but
26:05but here tomorrow okay listen you still want to go tomorrow morning i'll be here i'll pick you up kiddo
26:10okay yeah all right buddy all right all right all right good nighty night
26:27okay i am
26:31locations is ready to lock up now
26:40oh hey gorgeous this is cb any copy kill all hippies subvert normality over good morning
27:10oh
27:18greta
27:19yo greta oh hi uh have you seen greta who uh yeah the wife she lives here um we had this plan we're
27:25gonna go to miami today uh we were pretty wasted so busy babe
27:29uh
27:32greta we ride at dawn
27:38good
27:41ah
27:46what do you say
27:48greta
27:50she's gone
27:52she told me she was gonna leave me
27:53this is the last thing she texted me last night i woke up this morning and she was gone
28:01without a trace
28:03how i
28:05just like that
28:07after 20 years
28:08oh
28:11she must have left with the film crew
28:14yeah
28:16i i'm so sorry
28:17okay
28:40okay
28:41yeah
28:41i guess that's it
28:43Hawaiian appropriation. Google it.
29:13I remember the night we met. Brandy Savage had just died, and we were just pounding shots from a macho man.
29:37Oh, gosh. Excuse me. It's a beautiful story.
29:43Did she have a pacemaker or an implant with a battery? It's a fire safety issue.
29:49Anything with a battery will explode in the crematoric furnace.
29:52I... No? Not that we know of.
29:56Can you sign here to attest to that? My wife, Greta, was supposed to go over all this with you.
30:01Hi, Mrs. H. And Mr. H, hi. I did want to say that your mother-in-law seemed like an incredible woman, and my condolences.
30:10And, Fred, hi. I just wanted to double-check on Greta.
30:15I'm kind of in the middle of shepherding a grieving family through their final moments with a loved one right now.
30:19Your sweet wife, Greta, is she okay?
30:21It's a crazy thing. She's disappeared, and so I just wanted to...
30:25Oh, my God. No, no, no. She didn't disappear.
30:28Well, I... She's gone, and you don't know where she is, and I don't know where she is.
30:34The poor girl, Fred. Can we help? I can hog up a posse.
30:38Oh, no... No, no, no, no, no, no. No need to hog up.
30:43Excuse me, Mrs. Hoppenstammer. This is Banshee's moment.
30:48I'm so very, very, very sorry for the intrusion.
30:51Yes, it is, and thanks for the hog up, and, uh, sorry.
30:55She was incredible. Hi, Fred. I-I did. I just was wondering, is there anything that may have indicated that Greta was, uh, gonna take off like this?
31:03No, no, Greta decided to leave with the film crew, all right?
31:06She said she wanted to leave with the film crew, and she did.
31:09True. Huh. Oh, hi.
31:14Oh, also, and, um, I... This is incidental. I'm just curious.
31:18You had mentioned that you pressed your own vinyl in-house. Uh, about how long does that take?
31:24Come back when you have a body, and I'd be happy to discuss all of our services.
31:30Now, kindly leave.
31:33Heh.
31:35Hm.
31:36Hm.
31:40It's something.
31:44It's, uh, a call sheet.
31:49Uh-huh.
31:51She texted me late last night, like, 50 times.
31:57Hey, hey, we'll get us filled with an A. Hey, what's up? Uh, hey, it was like a ton of A's. You get the picture, but, yeah. This morning, I didn't get any text back.
32:08Uh, uh. Weird. Hey, uh.
32:12It's a flow. One after the other. A pause. Mm-hmm. You got it.
32:17Do you know what this movie is about?
32:19No idea.
32:20Right.
32:21Ty said it was set in 1973.
32:23I think it's a multiverse thing.
32:25How?
32:26Anyway, I'll ask around and see if anyone's seen Greta, you know? Set deck was here at 7 a.m. It's worth asking them if they saw her leave.
32:34Oh, okay. Um, set deck page. Wild night. Hey, um, so you, uh, were you at the funeral home this morning?
32:44Yeah, uh, 7 a.m. call. Set deck had to go clean up the murder scene.
32:47Right, right. And did you see Greta?
32:50No, but that creepy funeral guy was kind of hovering the whole time, making sure we got everything. To be fair, we did leave it kind of grisly after last night's shoot. You know, fake blood splattered everywhere.
33:02The years.
33:03How do you know that that blood was fake?
33:05Baby girl, it's a movie.
33:07Oh, right, right. Yeah, that makes sense. Oh, uh, pardon. Uh, hi. Uh, do you happen to know what this movie is about?
33:15Uh, it's not my department, but I think I heard someone say it's about vanity.
33:21Oh, cool. Uh, now I get it. Yes, yes, of course. Hi.
33:25Hey, no one's seen Greta all day. I tried calling her, but all I got was a voice message.
33:30You know, her husband told me that she left with the film crew, and I could tell he was telling the truth.
33:34How?
33:35Well, because things, you know, it's a long story anyway.
33:38Oh, you seem worried. Think something might have happened to Greta?
33:41The record thing, uh, well, it's tenuous. Maybe I should go back to that death house and do a little snooping.
33:47Our lunch break is in 20 minutes. We'll come with you.
33:51Wow. You're a good egg, Tommy.
33:56What are we snooping for, though?
33:58It's a good question. I guess anything amiss, out of place. Strange, weird. I-I don't know. I-I think I'm hoping I'll know it when I see it.
34:04Top of Sam is hope. The highway screams with high-octane dreams. Mama Banshee's gonna ride with us. Come on, Mama. Let's ride!
34:21Let's snoop.
34:32Shh! Okay, go, go, go.
34:37Need a plan.
34:43Shh! You go in there. I'll go down the stairs.
34:51Get up your but, please.
34:54There we go.
34:57Do anything we need to do?
35:09Wait.
35:13If she goes around the stairs, please give it a bit up, give it a bit.
35:18So imagine being held against the stairs.
35:20Tommy, Tommy.
35:50Hello?
36:20What are you doing in here?
36:28Uh, hi.
36:30I, uh, I'm just here looking for my friend, Greta.
36:33Are you kidding me?
36:34I told you, she left with the film crew.
36:36I don't know where they took her.
36:38Yeah, you did tell me that, and, uh, it's true.
36:41But it's also true that, uh, Mama Banshee, well, she rides with the, uh, Hoppenstammers.
36:48What?
36:48I'm just thinking, well, if it's true that Greta left with the film crew, uh, the question remains, Fred.
36:54What condition did she leave with the men remains?
36:57See, the question remains.
37:01Added to which, uh, she hasn't been picking up her phone for some reason, and, well, gosh, I mean, more things just keep adding up.
37:08You know, the, uh, the death song thing, the, uh, I saw you listening to that record this morning.
37:13The one with the song that she picked out for her, even though she hated it, uh, Sleepwalk.
37:18Ah, and now, well, the craziest thing, now there's this, uh, speck of, what's that look like to you?
37:28You're insane.
37:29What do you think happened in here yesterday?
37:30That's movie blood.
37:32They missed a spot.
37:32They missed a spot.
37:35Yeah.
37:37Yesterday.
37:38You see, yesterday, well, I was lying in this casket all day, uh, pretending to be dead.
37:45As far as vocations go, intolerable.
37:48I mean, nothing to do but, uh, stare up at that ceiling all day, watching over and over that cheesy and, frankly, misogynistic murder scene.
37:56And each time, well, you see, a bunch of that movie blood, it would splatter on that wall over there.
38:01And every time, a few specks would land on that white silk cloth situation covering the whole ceiling.
38:07But the people that do the, uh, the lights and so forth, well, they told me that they, they said that they ramped out after the filming.
38:15So that means that I guess they would have taken the white silk with them.
38:20Hmm.
38:21I guess that means that, uh, whatever this little spot is here, it must have gotten here after the shoot.
38:27You see, uh, overnight, I think that, uh, Greta finally decided she'd, uh, had enough of being trapped inside of this embalmed death house.
38:36And you didn't like that, Fred.
38:38And she, well, hey, this movie shoot gave you the perfect cover.
38:45To stop her.
38:46To keep her here.
38:48Forever, uh, trapped inside of a song that you got to choose.
38:52Am I getting warmer?
38:54But what you didn't count on, I guess, is, uh, is somebody giving a damn about her.
38:59Now, look me in the eye, you manipulative creep, and, uh, tell me that you didn't kill her.
39:08Greta just texted me.
39:12She's fine.
39:15Huh?
39:17Wait, wait, wait.
39:18What?
39:20Yeah, I guess she must have fallen asleep on the, on the Greyhound to Miami, but she made it.
39:25It's all good.
39:27You see?
39:28Oh, jeez.
39:30Uh, oh, man.
39:32I, uh.
39:32Oh, ah, oh, Fred, ah, shit, I'm sorry.
39:38Well, my lunch breaks up.
39:41Catch you later.
39:42All right, Tommy, thanks, man.
39:44Ah, jeez.
39:47Ah.
39:50Fred, Fred, I'm sorry, I'm sorry.
39:52No, really, please, man, I'm sorry.
39:54She's gone, and it's, it's all my fault.
40:00I am a creep.
40:02You're not a creep.
40:03No, no, no, no, no, no, no.
40:04No, look.
40:05People grow apart.
40:06They want different things.
40:09Greta, she wanted to move to Miami, okay?
40:12And you, you, you, you love it here.
40:15This embalmed death house.
40:17All right, I'm sorry I said that.
40:20Really.
40:21I, I, believe me, if you knew the wreck that was my life, I...
40:26My whole family, everyone I ever cared about has passed on.
40:31They're all right here with me.
40:34Yeah, and it's, uh, it's beautiful.
40:37Like, you can feel their presence.
40:38My Uncle Jeffrey, he's right there in that lap.
40:42What do you mean, uh, in the lamp?
40:45His remains, they're, they're in the lamp.
40:52Yeah.
40:53Isn't that beautiful?
40:54And my cousin Shirley's over there in the music box.
40:59Hey, Shirley.
41:00Great Uncle Rick is in the stained glass.
41:02And Grandma B, well, she's actually in the grandfather clock.
41:07And that's my dad.
41:09Right there in the mug.
41:12I, that's it.
41:16The rest of his remains with mixed oil paints.
41:19That's him.
41:20I'd like to sit here and have coffee with him in the morning.
41:24Greta never really understood.
41:27How could she?
41:28I, uh, should probably, uh, hit the head and then the road.
41:34Belly full of tea.
41:35Thanks.
41:36Dad.
41:37Mm-hmm.
41:37Right.
41:41Sorry, Aunt, and, uh...
41:43Holy shit.
41:52Dog birthday.
42:16Dog birthday.
42:17Huh.
42:31Huh.
42:372022?
42:38too.
43:08Fred?
43:34Hey, hello?
43:35What the fuck is happening?
43:41Please, let me out of here, please.
43:43Please.
43:44No, no, no, no, no.
43:46Fred, Fred, Fred.
43:47Fred, Fred, Fred.
43:48Let me out of here.
43:49Where are you from?
43:51Let me out of here.
43:55Listen, if you let me out of here, I swear that I won't say anything, okay?
43:59I swear, I swear, I'm really sorry, okay?
44:01I promise.
44:02Just please, please let me out of here, please.
44:05Please, Fred.
44:11With your clever guessing, you're getting warmer.
44:15Much, much warmer.
44:22Fred, Fred, please listen to me, okay?
44:24Listen to me.
44:25You were the one who talked her into leaving in the first place.
44:30So in a way, it's perfect justice.
44:33No, no, no, no, no.
44:35I can't see it, I can't see it.
44:35No, no, no, no, no, no, no, no, no.
44:37Go, go, go, go!
44:39Fred!
44:39Fred!
44:40Fred!
44:41Fred, are you?
44:41Fred!
44:42Fred!
44:43Fred!
44:44Fred!
44:44Fred!
44:45Oh, my God.
45:15No!
45:29No!
45:37Get out of here!
45:39Oh, no!
45:41Come on!
45:43Come on!
45:44Let's go!
45:45Come on!
45:47Come on!
45:50Come, Fred, we've got to go!
45:52Come on!
45:53Come on, Fred!
45:55Ah!
45:55Fred!
46:08Fred!
46:09Fred!
46:10Come on, come on!
46:12Ah!
46:13Ah!
46:14Ah!
46:16Ah!
46:17Ah!
46:18Shit!
46:20Ah!
46:33Ah!
46:34Ah!
46:34Ah!
46:35Oh, man.
47:01Fuck.
47:03Fuck
47:09I've ever deserved one
47:11You know better than that, Charlie Kale
47:17Those things will kill you
47:19Beatrix has fun
47:23We got some unfinished business, pal
47:27Drive