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00:00My mother, the same soft and soft
00:05against Dortmund, the 17th.
00:08Wait, wait, wait.
00:10No, you're going to finish me.
00:12I know you're going to play.
00:14I don't know how to play, but you're going to play.
00:18Now you can see what the Bosnian William is doing.
00:23Where is that game?
00:25In you, Bronwyn Chalbion.
00:26And a little bit of Melagera.
00:28I think it's enough for you today.
00:31We'll see your former colleague again in the news.
00:35What's wrong?
00:37It's just because you're missing out.
00:39You're going to play.
00:41You're going to play a book.
00:43You're going to play a book.
00:45I'm going to play a book.
00:47Who knows about you and your book?
00:51Who knows?
00:53My mother, I don't know about you.
00:57You're going to play a book.
00:58I don't know.
00:59I'll play a book.
01:00I'll play a book.
01:01You're going to play a club.
01:02But I'm thinking of that.
01:03It's so small, small.
01:04I'm thinking of it.
01:06Your son, Tarik, who?
01:08Yes, in Shanghai.
01:09I guess he's a company.
01:11His company is lost in Australia.
01:13In a few months ago.
01:14I'm nervous.
01:15It's really a nervous system.
01:17It's okay.
01:18I could not grow up.
01:19Tarik is a good person.
01:20It's such a good person.
01:21The atmosphere will be better.
01:24Envere!
01:26Do you know him?
01:28Of course, Envere Maric.
01:32You are still alive.
01:34You didn't go to that expedition in Himalayim.
01:37And your kum, Duško Bajević, has sent me your apology.
01:41Mother, I don't think it would be like a grave,
01:46but I don't want to talk to you.
01:48That's me, Enisa Pita.
01:53We were recognized in Orević,
01:55a few years ago,
01:57before the earthquake hit on Tibet.
02:00I have a letter.
02:03It's in the nylon, so it won't be a Suzanne.
02:07It says,
02:08my question is,
02:09I feel that something will happen
02:11and that my last thought will be sent to you,
02:15who will be mine.
02:16You, your Envere.
02:20Enisa, you are certainly wrong.
02:22This is a secret.
02:24He didn't see Orević,
02:25but who is in Himalayim?
02:27I don't know if he wrote.
02:29He wrote?
02:30God, my mother,
02:32the world I have never seen me.
02:36How could it be?
02:37It's a voice,
02:38it's a voice,
02:39it's a smile,
02:40it's a smile,
02:41it's a weird smile.
02:44You know how they say
02:45that we all have our team.
02:47Let's go,
02:48let's go.
02:49Let's go,
02:50let's go.
02:51Let's go,
02:52let's go.
02:53What's going on?
02:54Everyone took the hair off because of your stupidity, Envere Maric.
03:00I can't even do that anymore.
03:03My Enver is the same.
03:06No, he's married.
03:09He has two children and the third one.
03:12You mean he's family?
03:14I don't know how he's devoted to the family.
03:17He's just thinking about it.
03:20What's that?
03:22What do I want you to do?
03:24We do it because of our names you use.
03:27You're crazy.
03:28Why do you need a man to come here?
03:30I don't care about it.
03:32I care about it.
03:34I'm going to take care of you.
03:37You, Envere Maric.
03:39Let's go to the house.
03:41The Prince Neretve.
03:42I know you.
03:46Tariq has helped me in his company.
03:49I'm a little girl in the Ministry of Tourism.
03:52What do you think?
03:53I'm a good girl.
03:54I'm a good girl.
03:55You know how to do it.
03:57And your Marco is on the job?
03:59No.
04:00I think he is.
04:02I don't care about it.
04:04Don't be stupid.
04:06Use the situation when you're in the position.
04:09You're in the job.
04:10I'm a good girl.
04:11I'll just give you a damn.
04:12Thank you, Mark.
04:13We've got our job done.
04:15Really?
04:16Well, great.
04:17I hope that he's in the Social Security.
04:20Yes, in the Social Security.
04:22Here we go, Gabriella from Bahama.
04:24Hello.
04:25Dear my boy.
04:27Here we go with Roland.
04:29I want you to go there.
04:31I would have to go to the throne.
04:33I will go to the throne.
04:34I will go to the throne.
04:35I will get the throne.
04:36Do you want to call me?
04:38Yes, they call me on a guest.
04:41Look, the king is now writing a message.
04:45They call me email and mobile, but I don't know.
04:49What's the show?
04:50Somewhere around 9.
04:52What's the show?
04:54Ma, you need to see the show.
04:56I don't know, that's why I don't.
04:59Ma, please.
05:02Is it done?
05:03I don't know why you watch a movie when you're over.
05:06Ma, don't like horror.
05:08It's more romantic.
05:10And you don't care?
05:12Mother, the movie is.
05:14Don't expect you to fly with the engine engine.
05:18Let me go!
05:20Let me go!
05:22What am I saying?
05:24Let me go!
05:26My dear, I found you between two containers.
05:28Just the engine engine.
05:30Let me go!
05:31Let me go!
05:32Let me go!
05:33Let me go!
05:34I don't want to go!
05:35I don't want to go!
05:36I don't want to go!
05:37No, I don't want to go!
05:39No!
05:40He's a piano.
05:41I'm a man.
05:42I'm a man.
05:43I'm a man.
05:44Look at him.
05:45He's a man.
05:46What's that?
05:47What's that?
05:48I'm playing against the kids.
05:49I always finish.
05:50And yes, this is the TV show for a little bit.
05:51And yes, this is the TV show for a little bit.
05:55And then we go to the cinema.
05:57Let's go for the weekend.
05:59I'm going to do it tomorrow.
06:00I'm going to do it in three regions.
06:01Let's go!
06:02Where are the cameras you are?
06:03I'm going to do it.
06:04I'm going to do it in five regions.
06:05What's that?
06:07What's that?
06:08You can catch the picture.
06:09What's that?
06:10What's that?
06:11I have to call you,
06:11just out and leave your eyes.
06:12I know what.
06:13It's okay.
06:13I have to call you a man.
06:15You can catch your eyes.
06:16You know what?
06:17You can catch your eyes.
06:18And do everything.
06:19You can catch your eyes.
06:21You can catch your eyes.
06:23I got you.
06:24You can catch your eyes.
06:25I don't know if I'm going to add anything.
06:35Good evening.
06:37Good evening, my sister.
06:39It hurts me.
06:41My head is not my head.
06:43I have to go to the south.
06:46Stop drinking wine and it will be better.
06:49I'm going to eat a little bit of coffee.
06:55If you can see the glass in front of the table,
06:57it will be chaos.
06:58I want to drink and drink.
07:00I'm going to drink wine.
07:01I'm going to see you.
07:09Get out of here, manekin!
07:11Get out of here!
07:12It's not important where I work.
07:14It's important that I don't have a job like you.
07:17And when you've lost my mantle?
07:20No.
07:25I'll give you a chance to be a chance to be a good job.
07:26I've read the news about the house,
07:28there was a lot of money in front of me.
07:30I've seen the money in front of me.
07:32I've had to pay attention to my wife.
07:34I'm sorry about my job.
07:36I'm just paying attention to my job.
07:37I'm paying the money, paying attention to my job.
07:39I'm paying attention to my job.
07:41And I've seen the money on my job.
07:43I've seen a lot of strange people.
07:44Look, Ljubavi, in our community, there is a new place in the shelter-sale.
07:49Look, Mama, you didn't want to help until now, you don't have to do it anymore.
07:53And you don't have to pay attention, believe me.
07:58I'm going to go.
07:59Ciao.
08:04My son, Arbajt, could you take a job for him?
08:07Would you look like this?
08:09What would you do, dear Amir?
08:11He's doing his job, he's doing his job, he's doing his money, he's doing his money.
08:15He'll see how to do it.
08:17I don't know how to do it.
08:19What's your love?
08:20Here, your mother was also doing it.
08:23Two of them were a big challenge, but she didn't do it anymore.
08:27You know what, Anđeo finished the 8th anniversary?
08:33She was the president of the committee.
08:36You know what, Anđeo, you don't have to pay attention, I will make it.
08:42You don't have to pay attention.
08:44As soon as you start to speak, you're lying.
08:57I'm sorry.
09:03Hello, Antisha. I'm good to hear you.
09:07Old man, read this book.
09:09I'm and I'm interested.
09:12I'm interested.
09:14What's the book?
09:15I got a call to host the show, like a night at night.
09:19I'm clear, when is this?
09:23Tomorrow.
09:24Tomorrow, and I don't have a sense to me to say, I won't go.
09:29But, Tati, you have to go.
09:31I'm not going.
09:32I'll go.
09:33I'll go.
09:34I'll go.
09:35I'll go.
09:37I'll go.
09:38I'll go.
09:39I'll go.
09:40I'll go.
09:41I'll go.
09:42I'll go.
09:43I'll go.
09:44I'll go.
09:45I'll go.
09:46I'll go.
09:47I'll go.
09:48I'll go.
09:49That's all.
09:50I'll go.
09:51I'll go.
09:52I'll go.
09:53I'll go.
09:54No, I'll follow the following.
09:56That's all.
09:58You're a good morning, Angelica.
09:59Yes, yes, I got it, but I have to go.
10:07I have to go.
10:09I have to go.
10:11I am a calm person, I don't want to expose myself in the way.
10:17I'm fine, I'll be there.
10:21Hey, you know what, they keep me going.
10:27Where do I go to television?
10:30I'm fine, I'm fine.
10:32I'm fine.
10:33When you get to this Cicero, the king, and that's what I do.
10:36I'm fine.
10:38I'm not going to take a look at television.
10:40I know how much I have to do it.
10:44What do I do?
10:45What do you do?
10:46Thank you for your attention.
10:48I remember the Sports Agency, Offside, and I wrote it for some days,
10:55that I don't want to do anything.
11:01The Sports Agency Offside, whose founder, owner and founder
11:06is my born-born friend Fikrad, Pašić Pippa,
11:09is a job for every sportist who wants to make a international career.
11:13Listen to the source, when you go to the restaurant, go and get the call.
11:19I don't want to tell you.
11:25My Vuku, the last one, the little brother.
11:28We've come to talk about the restaurant.
11:31Listen to me, I'm going to get hit.
11:33Do you know what you're talking about?
11:35I know what I'm talking about.
11:37Good evening.
11:38Good evening.
11:39Ciao.
11:40Happy birthday.
11:43I can't believe, I can see the same fingers that our mother had.
11:52It's just that you are a lot better.
11:54Pippa, let's go.
11:56Let's go.
11:57Let's go.
11:58Let's go.
11:59Let's go.
12:00I'm ashamed.
12:01But what's the writer, kralj?
12:03When he was a little writer for a fun show,
12:05he was a little boy.
12:06He was a little boy.
12:07I know everything about my guests,
12:09so I'm familiar with the image and the work of your brother.
12:12A half of his brother.
12:14Dromaho, if we could,
12:15if we could,
12:16we could go through the concept itself,
12:18no?
12:19I don't know what you think,
12:20my mother.
12:21I'm thinking about everything.
12:22I don't know what you think.
12:23I'm looking at the first time.
12:24I'm looking at the first time.
12:25I've got a couple of words.
12:26I've got a couple of words, and so...
12:29Pippa!
12:30Pippa!
12:31Pippa!
12:32Pippa!
12:33Pippa!
12:34Pippa!
12:35Pippa!
12:36Pippa!
12:37Pippa!
12:38Pippa!
12:39Pippa!
12:40Pippa!
12:41Pippa!
12:42Pippa!
12:43Pippa!
12:44Pippa!
12:45Pippa!
12:46Pippa!
12:47Pippa!
12:48Pippa!
12:49Jasna.
12:50Ovo ni moja mladja čermina,
12:52Kristina!
12:53Kristina, drago!
12:54Pa!
12:55Jasna!
12:56Ja sam veliki fan Vaše emisije,
12:57pa sam vas mislila pitati
12:59ako bi ja mogla da budem pratnja starom.
13:00On se ne snalazi baš najbolje pred kamerama.
13:02Biće mi drago.
13:04Mako!
13:05Ma, opustite se pa
13:06to će biti samo jedno prijateljsko očaskanje.
13:17The next one is the next one.
13:23I'm here to love you.
13:26You can stay a little longer.
13:27I'm not there anymore.
13:28Just because I'm not listening to the seminar, I don't have a guest.
13:31You really need to.
13:32I need to be honest.
13:34I'm gonna give you an extra for the topic of how to sell the one in Bundesliga.
13:39I'll tell you to come to my evening,
13:41and I'll have to forget about it.
13:44Sports agency, Upside, Vila,
13:46Obunma, Mamiši, Naktika, Kralju, Nizam.
13:50I'm sure I'm in my hands.
13:52Thank you for your love.
13:54We're going to do this.
13:58What do you do here?
14:00What do you do here?
14:03The climate.
14:06I don't know God, my dear,
14:09I don't know what to do here.
14:11No, I've had to go for a long time.
14:14Hello, is this the first time of the Holandian?
14:21It's not my first time to be a guest on TV.
14:26Through my long-term career of sports news,
14:29I've often had the opportunity to be in front of the camera.
14:33At the end of the day, I've also met my first wife,
14:36but it's for some other story.
14:39No, there are people who,
14:41as a machine as a machine,
14:43feel like a fish in the water.
14:46And in front of the cameras,
14:47who are eating in Teheran.
14:55Hello.
14:56I'm sure you're listening to it.
14:58Is that possible to speak?
15:00My brother.
15:01I'm, I'm surprised to mention it.
15:02That's our verlies.
15:04That's my career that I'll run
15:06with its own speed.
15:08And now I'll talk, my brother,
15:11and you'll know it.
15:12I'll listen a little.
15:13Listen up to Crpelju,
15:15that comic book.
15:16I think this is a very fun show.
15:18You can't resist.
15:20I'm going to get some help from the place to the place.
15:22Just a little bit, is it something you're going to pay for?
15:25I'm going to get some money, my brother, my brother.
15:30My brother, I can't take care of you in the world.
15:36I don't want to get the money back to the house.
15:40What are you doing now?
15:42I'm going to get the money back to the street.
15:44This is not possible for you.
15:46Two months ago, I'll sue from the child, and Aziz buys money for her to get her sister.
15:51I'll ask you the end, don't hurt your personal problems.
15:56Amiča!
15:57You should have heard everything about me.
16:01You should.
16:03And watch live.
16:05But you've never been able to see Fikret Pašić Pipa
16:10It was a bit of a difficult situation like my treger
16:16But our golden koka nosilja, God gave him Velid Begović
16:23He killed the 10th season
16:26And that's what?
16:28Pup!
16:30So, Kralju, here are your two other plates
16:33Na, Vilma, Aziz
16:35And, that's why not, a little bonus, Kralju, for your own work
16:42And that's what you're doing
16:44What are you saying?
16:45What's the case?
16:46You're going to meet him in this cafe
16:48Yeah
16:49I'm the same
16:50I'm the same
16:53I'm the same
16:55I'm the same
16:56I'm the same
16:57I'm the same
16:58I'm the same
16:59And it looks like a woman
17:01It looks like a woman
17:02It looks like two children
17:04They are these
17:06Who are you, sure?
17:07Where is your hand?
17:08Here
17:09Of course
17:10I'm going to go
17:11Don't feel free, Kralju
17:26That's what you're doing
17:29I don't know, Kristina
17:30Christine, let me get nervous.
17:32I'm going to go.
17:34You're happy, but you have a daughter who is on everything.
17:36Let's go.
17:38Here?
17:40What are you doing?
17:42Christine, this man is a bridge
17:45on the way everything has to go.
17:52Mr. Dilber, I don't know who you are on television before,
17:55but we only have a lot of people.
17:57Sorry, I was nervous, but I don't know what to do.
18:00I'm going to go for you, Mrs. Kuprešanin.
18:03I would appreciate it when you were killed.
18:05This is a TV house.
18:07And I personally don't care for anything.
18:11What is she doing?
18:13PMS.
18:15Do you know who she is from yesterday?
18:17Do you want her to go?
18:19No.
18:24I don't know.
18:25No.
18:26I'm going to try to give you a message.
18:28Who are you, mahnitore,
18:30you two of us, my husband?
18:32Come on.
18:33Maybe we can see ourselves
18:35that we have to play a little bit.
18:38Come on.
18:39Come on.
18:40Come on.
18:41Come on.
18:42Come on.
18:43Come on.
18:44Come on.
18:45I'm sorry.
18:46Yes, thank you.
18:47It's the best.
18:48No, we can see it to you.
18:49It's my milk.
18:50Thin.
18:51It's not mine.
18:52Big milk.
18:53It's not my own, Mark.
18:54It's not my own.
18:56We will go.
18:59And now.
19:00Baby, can't you go to Arpero somewhere somewhere?
19:05I don't know what to say.
19:11Kenyac, you haven't started to ask.
19:15And you haven't started yet.
19:17Good.
19:18Mother, what are you doing?
19:20What are you doing with Magniturum?
19:22The king of Enisa is from me.
19:24She's not coming from me.
19:25She's not coming from me.
19:26She's not coming from me.
19:27I don't know what to say.
19:31What do you want?
19:32He wants the king to give up.
19:34He wants to give up on Envera March.
19:37Maybe you can see Mark.
19:39I'm the king.
19:40He wants to give up on him.
19:42He wants to give up on him.
19:44He wants to give up on another magnet.
19:48He wants to give up for years.
19:51He wants to give up.
19:53What, baby?
19:55He wants to give up on him.
19:58He wants to give up on him.
19:59He wants to give up on him.
20:01All right, let's go next.
20:02Good afternoon, dear friends.
20:03The rest of your time for now is the end of the night.
20:04Good evening, dear friends, and welcome to your favorite talk show, Konekad Udevet.
20:20We have the opportunity to talk with the writers, so we will be able to do the wrong thing.
20:26Our first guest is a long-term guest, a sports reporter, and a writer,
20:32Mr. Maho Dilber.
20:35Mr. Maho, good evening.
20:37Good evening, I think, Mr. Kuprešanin.
20:41I'm going to take a look at me.
20:43Yes, but I'm going to go and see you.
20:45I'm going to go and see you.
20:46We are so many, gentlemen, and we are going to hear you.
20:49Good evening, Dilber.
20:50Recently your first book came out, Thank you for the time.
20:55Yes, and I would like to thank you to my editor's house, LIS.
21:01Andi, and you are saying that Mr. Angelica Vitasović.
21:04The shame that the продaged is very bad.
21:07You should be surprised.
21:09Please?
21:10Obviously, you understand that being a writer and a writer is not the same.
21:15Can you explain to our viewers why you accepted something which you never came to?
21:20What are you doing?
21:22I don't want to go.
21:24I'm going to go.
21:26Now I'm going to go.
21:28I'm going to go.
21:30You're also a member of sports management agency.
21:34I'm going to go.
21:36I'm going to go.
21:38I'm going to go.
21:40I'm going to go.
21:42But I thought that this is because of my books.
21:46We'll go.
21:48Your brother, Fikret Pašić Pipa.
21:52My brother.
21:54He's the owner of sports management agency.
21:56Is that right?
21:58That's right.
22:00I'm going to go.
22:02I'm going to go.
22:04What do you think?
22:06Me or me?
22:08Me.
22:10Since this is a writer,
22:12let me introduce you to my dear friend,
22:14our best sports writer and writer.
22:16and writer,
22:18this is a successful time,
22:20Mr. Josipa Štako.
22:24Good morning Josipe.
22:26Good morning Josipe.
22:28Good morning Josipe.
22:30Good morning Josipe.
22:32The german Alistair.
22:33She's been a great honor.
22:34For a long time.
22:36She's been having an amazing popular.
22:38Our nation would say,
22:39go to the house.
22:40Josipe,
22:42which is no wonder your success?
22:44Maybe you'll be supporting your colleague,
22:45help him so he's helping me with other mentors...
22:47with an old colleague.
22:49The fact is that you have said truth
22:52and that your readers believe in your readers.
22:55He's still a great journalist.
22:57I have no doubt information.
22:59We would call it Tračevo.
23:01Who is this, Mr. Lippo?
23:03Josip.
23:05What is this?
23:07This guy has no idea
23:09to be on one single suicide.
23:11He thinks that the song Oliver Dragojević
23:15is to be a tribute to Sušić.
23:17I pray, Mr. Dilber,
23:19we will hear our listeners' thoughts.
23:23Good evening.
23:25Good evening.
23:27Here is Marinko from Viteza.
23:29I just want to welcome our
23:33and awardee
23:35Josipa Štaku.
23:37He is a great
23:39man of Viteza
23:41and I just want to be like this.
23:45Do you want to ask for our second guest?
23:47I have no idea.
23:49I have no idea.
23:51I have no idea.
23:53What is the title of Viteza?
23:55But I have no idea.
23:57I think there is nothing to play with us.
23:59And I have no idea.
24:01Yes, and I have no idea.
24:03Yes.
24:04Yes, Gospjevi.
24:05You have no idea.
24:06Say it.
24:07Yes.
24:08You are right there.
24:09Yes, Marinko.
24:10Yes.
24:11Wow, good God.
24:12What is this?
24:14Who?
24:16What did you do?
24:18Two or three of them.
24:20Little Kenyac, everything was done.
24:22Baba Anđo, I'm going to tell you that you're lying.
24:25That's right.
24:27Mama!
24:28Mama!
24:30Mother!
24:31Marko, what happened?
24:33I don't know.
24:34They were three of them on their hands.
24:37They took me everything.
24:39Mama!
24:41Marko, Anđele, baby.
24:43I'm going to ask you,
24:45are you sure you're going to be three of them?
24:48I'm afraid of the eyes.
24:50Mother, you have to be in every place.
24:53I'm going to shoot you, and I'm going to kill you.
24:55You see what you're doing?
24:57I'm going to be right now.
24:58What?
24:59What?
25:00What?
25:01What?
25:02What?
25:03What?
25:04What?
25:05What?
25:06What?
25:07What?
25:08What?
25:09What?
25:10What?
25:11What?
25:12What?
25:13What?
25:14What?
25:16What?
25:17What did you say?
25:19You were angry!
25:21What did you say?
25:23We have another message.
25:27Good evening.
25:29Good evening, gentlemen.
25:31The driver is from Drogljak.
25:33It's nice to meet you in the Green River.
25:35Please.
25:37I just want to ask this man.
25:39The man is very strange.
25:41I'm not happy.
25:43Who is this?
25:45I'm not sure if you know that
25:47is the man of Drogljak.
25:49Boxers champion in half-fitted category.
25:51He is a Olympiad from Seoul.
25:531988.
25:55You know everything.
25:57What did you put in the book?
25:59It was a terrible thing.
26:01I know that you won't end on this.
26:03I have to know you.
26:05I have to find you.
26:07I wrote a book about championing.
26:09All-known sportsmen.
26:11He is also on top-fitted sportsman.
26:13He stayed up against his own thing-a-factor.
26:15Very great.
26:17Oh, that is the lady, sir.
26:19She's very great.
26:21At this Podcast.
26:23She didn't hear her from me.
26:24She didn't hear me.
26:25She was a lady.
26:26I'm turning up with the crass.
26:28And I won the house.
26:29I'm a family man. I don't understand why this is a hajka.
26:36Family man? I've heard that you've been divorced twice.
26:39That's not quite a family man.
26:42I ask you, look at this photograph.
26:47This is your daughter.
26:49Yes, Wilma. She's older.
26:52You've already known Christine.
26:54This is my baby.
26:56My baby.
26:58This is my baby.
27:00It's my baby.
27:01Wait, she's your brother.
27:03My sister.
27:08They're telling us that we have someone else on the line.
27:12Who is with us?
27:15Fikre Paši Špipa.
27:17Maha Dilber.
27:20I don't know.
27:21I don't know.
27:22I don't know.
27:23I don't know.
27:24I don't know.
27:25I don't know.
27:26I don't know.
27:27I don't know.
27:28I don't know.
27:29I don't know.
27:30I don't know.
27:31I don't know.
27:32I don't know.
27:33I don't know.
27:34I don't know.
27:35I don't know.
27:36I don't know.
27:37I don't know.
27:38I don't know.
27:39I don't know.
27:40I don't know.
27:41I don't know.
27:42And there no.
27:56I'm the most famous.
27:58You see, Maha Dilber had a lot of mistakes in life,
28:02but his biggest mistake was
28:06that he was to you and gave you a hand.
28:10I'm asking you something, brother.
28:12Did you know that you were a woman
28:14that you were on Sunday every Sunday
28:16and then you were on the apartment
28:18with a woman from Ibra,
28:20who was standing in the house
28:22and was standing in the house
28:24for the murder of the night.
28:26I heard that the queen came out this weekend.
28:28I didn't know you were on Sunday.
28:30What is this, the saddest?
28:32I heard that this is a baddest episode.
28:34I heard that this is a baddest episode.
28:36I don't forget it.
28:38I have to...
28:40It's nice when you go to the studio.
28:44Bring this rope to you.
28:46You're playing.
28:48Maha!
28:50Brato moj!
28:52Molim te odmah kod mene posle emisije u kafanu.
28:56Svi sve povedi kamermane s porodcama nekad uđem.
29:00Hajde.
29:02Ciao, brato moj!
29:04Maha.
29:06Da mi počnemo iz početka.
29:08Slažim se.
29:10Tako mi je žao što ideš, frčko moje.
29:18Sada baš moram ovako da završim.
29:20Šta bona završi, bolano, bo je naš početak.
29:24Pa majke mi bona je sta tri godine kralj to prođe kod lenom u dlen.
29:30Tri godine.
29:32Moga lutanja.
29:34Pobodstvani kongu.
29:36A sve u potrazovi i mnogim drogbom.
29:39Možda ga nađeš i ranije.
29:41Da bog da kralju.
29:43Lovo ti je krvav posao.
29:45Majke mi moje.
29:47Ta afrička bespuća.
29:49Ta divljina.
29:51Pa balano no.
29:52Bantu pleme kralju.
29:54Oni jedu ljude.
29:55Jedu ljude.
29:56Jedu ljude.
29:58Lubečaj mi da ćeš gostovati u mojoj emisiji kada se vratiš.
30:01Jeste, čubuna, nište izlazi te studiju.
30:03Ljubav moj.
30:05Nemoj majkit, nemojem to radu.
30:08Ja ne volim rastanke.
30:09Hajti i po lakcijima.
30:10Šta smo rekli?
30:11To začas prođe.
30:13Javljaj se redovno.
30:15Ja šta, čubuna?
30:17Obidženja.
30:20Maskirani.
30:21Svi u crnom.
30:22Jedan u ruci noš.
30:24Drugi pajser.
30:25A treći u voliki pištulj.
30:27A četvrti mi prišao s leđa, udario me i ototurbu.
30:31Sar nisi rekao da ih je troje bilo?
30:33Četvorica, a peti sedju u autu.
30:36Krvi mi, Isuseve.
30:38Antiša, platit ćeš mi za ovo.
30:41Šta šta?
30:42Još pita šta?
30:44Kazala sam ti da pošalješ Peru Čutuka.
30:48Da ga malo ispripada.
30:50A ti posla trojcu naoružani do zubi.
30:53Šta samo, Peru?
30:55Nemo meni lagat, Antiša.
30:58Zakuni se.
31:00Zakuni mi se klobučinom.
31:03Ja.
31:04Šta je rekao, Peru?
31:06Marko, moj se upiša ostra.
31:10Aj Bog, Antiša.
31:12Ali je posa nja rekla.
31:14Sve načaču povukat.
31:17Četvorica.