Murphy Brown Season 6 Episode 14 A Piece Of The Auction
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00:00I'm coming up a bit this afternoon with who really burns my butt?
00:04That ice queen, Murphy Brown.
00:07Anybody catch her on FYI last night?
00:09There she was. She's dealing some poor slob in Congress for cheating on his taxes.
00:13His wife leaves him. He's under indictment.
00:15Doesn't this guy have enough problems without Attila the Hen picking away at him?
00:20You ask me, she looks like the type who enjoys inflicting pain.
00:24I'm seeing a whip collection. Am I alone here on this?
00:27Hey, maybe somebody ought to give her a good spank.
00:29I'd do it, but I'm afraid I'd hurt my hand.
00:31Ouch! Oh, ooh, ooh, okay.
00:34Well, it's 9.30 and change, and you're listening to Marty Crane.
00:37And if you didn't know that by now, would you get off our highways
00:39and go back to whatever third-world country you came from?
00:42Now, speaking of spanking, my next guest likes to be spanked
00:45while listening to the marches of John Philip Sousa.
00:50I can't believe Marty Crane gave out our fax number.
00:55These are disgusting.
00:56Here comes another one.
01:06All right, all right, all right.
01:08I want these destroyed before Murphy has a chance to see them.
01:13Murphy!
01:14Hi there!
01:15How you doing? How are things?
01:16Oh, just swell, Miles.
01:18I love getting stuck in rush-hour traffic
01:20listening to that jerk Marty Crane
01:22referring to me as Brown Hilda, Mistress of Pain.
01:26You kidding, Marty Crane?
01:28The shock, John?
01:29When after you, you say?
01:30Like Clinton after loose French fry.
01:32I'm telling you...
01:33What are all those?
01:36These, um, just faxes.
01:37Plain, boring faxes.
01:39Well, uh, off to the paper shredder.
01:41There you go.
01:43Oh, no.
01:45How the guy's idiot fans are getting into the act?
01:48Marty Crane rules.
01:50We love Marty.
01:53Spank this.
01:57Amazing.
01:57They can't be bothered to vote,
01:59but they've got time to drop their pants
02:00and sit on a Xerox machine.
02:02What do you got?
02:04Oh, isn't that nice?
02:05Somebody sent you a great big smiley face.
02:08Oh, oh.
02:12Why would somebody send you that?
02:13Oh, it's just a bunch of Marty Crane fans
02:16who want to show me their best size.
02:17Well, you might have known.
02:18Men's an abomination.
02:20I heard his program one morning at my barber's.
02:22He was holding a contest
02:23against the First Lady's cup size.
02:26So he referred to them as the first hooters.
02:29Yes, well, no matter what we think of him,
02:31his show is syndicated all over the country,
02:33which is why I don't want you getting into
02:35some kind of public feud with him, Murphy.
02:37Oh, come on, Miles.
02:38Like I'm going to give this clown
02:39the free publicity he's begging for.
02:42The only way to handle guys like Crane
02:44is just to ignore them.
02:45Besides, it doesn't even matter what he says.
02:47The only people who listen to his show
02:49are mindless lemmings and pubescent little boys.
02:57What?
02:58What do I do?
02:59Look at this, Marty Crane.
03:00I don't believe it.
03:01Gee, Marty Crane.
03:02I don't know what you're talking about.
03:05Oh, yeah, right.
03:06I forgot your lead majorette
03:08at this year's halftime Super Bowl show.
03:11All right, maybe I do listen to him occasionally.
03:14I'm sorry, but the guy is interesting.
03:17He says things other people are afraid to say.
03:19He doesn't put up with anybody's garbage,
03:20and he's funny.
03:22Not that stuff he said about you, though.
03:23That wasn't funny at all.
03:25What did he say about Murphy?
03:27Well, it was stupid, really.
03:30Well, what was it?
03:35It was just a...
03:37Well, the only difference between Murphy Brown
03:40and Frozen Tundra is that
03:42the tundra actually gets drilled once in a while.
03:46What's everyone laughing at?
03:56Did Frank just tell one of my knock-knock jokes?
03:59Yes, he did.
04:01See, Frank, I told you a joke
04:02doesn't have to be dirty to be funny.
04:05Now, while I have you all here,
04:07a reminder,
04:07Phil's charity auction is this Saturday,
04:09and as chairperson of the donation committee,
04:11I need to know what each of you are planning to contribute.
04:13Put me down for an autographed photo
04:16of Edward R. Murrow
04:17in a handsome rosewood frame.
04:18And I'm gonna give the leather jacket
04:20I wore during the scut attacks on Riyadh.
04:22Okay.
04:23And I'm already down for the ice skates
04:24I wore during my interview with Dorothy Hamill,
04:26so, uh...
04:27Let's see.
04:29Who are we forgetting?
04:34Oh, Murphy, you forgot.
04:36It's just that I've been really busy,
04:38and it's not easy to come up with the right thing.
04:40You think anybody would want an old cocktail napkin
04:44with Ted Kennedy's phone number?
04:47Nope.
04:48According to this,
04:49Phil's already got about a dozen.
04:52Look, Murphy,
04:53if you can't think of anything to donate,
04:55you can always donate yourself.
04:57At some auctions,
04:58they wrap off whole days with celebrities.
05:00Oh, yeah, that's just what I want to do.
05:02Sell myself off to the highest bidder in this town.
05:05I'll wind up spending the day on a ladder
05:06cleaning out Orrin Hatch's rain gutters.
05:08Oh, that's not how it works, silly.
05:12The winner would spend a whole day with you here at FYI,
05:15watching you work,
05:16seeing what your life is like.
05:18Someone who doesn't know any better
05:19might find that very interesting.
05:22Might?
05:23I'll have you know I am fascinating,
05:25provocative, and eminently watchable.
05:27TV Guide, December 4th, page 21.
05:31A day with me at FYI,
05:33you know that is perfect,
05:34and I will even throw in dinner.
05:36People would pay a fortune for that.
05:38We're going to take a short break now,
05:43but don't put your wallets away.
05:45We've got a lot of great stuff coming up.
05:47Wonderful.
05:49My photograph of the most respected journalist of our time
05:52fetches a mere $60
05:53while hundreds are thrown away on a golf ball
05:56shanked by a man
05:57whose greatest achievement as president
05:59was falling down in every room in the White House.
06:02The world's gone mad.
06:04That's okay, Jim.
06:04We're still within striking distance of 60 minutes.
06:07I have a bet going with Don Hewitt
06:08that FYI's donations
06:09will bring in more money than theirs.
06:11Look at this.
06:11Look.
06:12A clown painting by Morley Safer.
06:15Ooh, get out my checkbook.
06:19Wait a minute, bartender.
06:20Can I get a little ice for my drink?
06:22Never mind.
06:23Forget it.
06:23Murphy Brown's here.
06:24I'll just scrape some off her.
06:27Unless I miss my guess,
06:29that's the voice of Marty Crane.
06:31I could tell
06:32because my hand instinctively reached out
06:34to turn the dial.
06:35Oh, come on.
06:36Come on, let's not ruin the moment.
06:37We finally get a chance to meet.
06:39We're both here to help out a good cause.
06:41You know, I donated an autographed copy of my cassette,
06:43The Worst of Crane.
06:44I decided against my first choice,
06:46which was a pair of edible panties.
06:48It was strawberry,
06:49which, as I'm sure you know,
06:50it's a very unpleasant chemical aftertaste.
06:52You're quite the humanitarian.
06:55Well, gotta go.
06:56Wait, wait, wait.
06:57Come on, come on.
06:58Let me ask you something.
06:59Seriously, come on.
06:59I'm a big media superstar.
07:01I got millions of rabid fans
07:02hanging on my every word.
07:03When are you gonna interview me on TV?
07:06I'll tell you what, Crane.
07:07I'll think about it.
07:08Right after I get back from my honeymoon
07:09with Tom and Roseanne Arnold.
07:17And now,
07:19a special item on our program.
07:20A day with Murphy Brown.
07:23That's right.
07:24You'll spend the day
07:25following around this fascinating,
07:28provocative,
07:29and eminently watchable newswoman.
07:32After which,
07:34you'll spend a scintillating evening
07:36dining with the lovely and charming woman herself
07:39at Serafina's.
07:42How can you put a price on something like that?
07:45We'll start at $200.
07:49I got $200.
07:51$250.
07:52No, you're $250.
07:53I got $250.
07:54Frank!
07:55Murphy, this is so much fun.
07:56Aren't you excited?
07:57Oh, Corky, this isn't about me.
07:59It's about helping a wonderful charity that...
08:01Well, I'm up to four big ones.
08:03I got $400.
08:05You're $50.
08:06You'll hear $500.
08:07$500 going once.
08:10$500 going twice.
08:12$600.
08:13What?
08:14No.
08:16Oh, no.
08:17I guess I got $600 bid.
08:19$700.
08:21Wait a minute.
08:22She cannot bid on herself.
08:24Frank bid $700.
08:25Bid $700.
08:25What?
08:26I can spend the day with you for nothing.
08:27No, I'll be back.
08:28Just do it.
08:31$700.
08:32I got $700 going once.
08:33Going.
08:34$800.
08:34$800.
08:35$800.
08:36$800 and 50 cents.
08:43$10,000.
08:46I'm out.
08:47Frank!
08:48He gets to owe me two bucks for lunch the other day.
08:52I got $10,000 bid.
08:54Going.
08:55Going.
08:56Not going.
08:56Not going.
08:58Okay, everybody.
09:00Dinner and a movie.
09:03It's tax deductible.
09:04I'm gone.
09:07Sold for $10,000.
09:10To the spawn of Satan over there.
09:14$10,000 in your face, Hewitt.
09:18This is so great.
09:22And yet, it has its tragic side.
09:25Give me, give me, give me, give me, give me.
09:27All right, Crane, you've had your joke.
09:31Do you actually expect me to believe you're going to pay $10,000?
09:34Oh, you're right.
09:35I'm not.
09:35My station is.
09:37And if you ask me, they're getting off cheap.
09:39Marty Crane purchases Murphy Brown.
09:42You cannot buy this kind of publicity.
09:44Wait a minute.
09:45I just did.
09:47Mr. Crane.
09:48Yeah.
09:49Take it from me.
09:50She isn't worth it.
09:51No.
09:51She can be really cranky in the morning.
09:54Actually, she can be cranky all day.
09:56In fact, most days, I'd spend $10,000 not to be anywhere near her.
10:03I tell you what, Crane, let me buy back my donation.
10:06I'll even throw in a few thousand extra.
10:08Think of all the edible underwear that would buy.
10:11No, Sal, I'm looking forward to this.
10:14Spending an entire day with television's most respected journalist
10:17as she goes after a story, writes her copy, edits the material.
10:20You know, the more I think about it,
10:22you better wear something skimpy so I'll stay awake.
10:24See, I've worked on the screen.
10:28I hate this.
10:29I really hate it.
10:30You think life is bad, and then it just gets worse.
10:32Have fun with Marty.
10:34Maria Shriver.
10:35Glad it's you and not me.
10:37Connie Chung.
10:38And this one from Diane Sawyer.
10:39Why not turn the other cheek?
10:41Ha, ha, ha.
10:42Very clever.
10:43I'll bet Mike Nichols wrote it for her.
10:45Well, it is after, Crane.
10:47Perhaps this demented fellow has had enough of his little publicity stunt
10:50and is planning off the show.
10:51Oh, I wouldn't bet on it.
10:53All day long, he's been having a countdown to Murphy time.
10:56Every hour on the hour, he's playing a tape of her saying,
10:59Hi, I'm Murphy Brown, followed by a cat in heat.
11:03And it wasn't funny.
11:05Murphy, I'm sorry about all this, but, well,
11:10I thought maybe a nice senator or an ambassador would buy you.
11:15It's not my fault you attract the men you do.
11:18Maybe we should change your hair.
11:19Okay, that does it.
11:21I'm going home.
11:22This is so typical.
11:25Any little problem in your life has to become a huge one.
11:29You want my advice?
11:30Learn to roll with the punches.
11:33So you're stuck with Marty Crane.
11:35Laugh it off.
11:36It's only one day.
11:37How bad can it be?
11:41The long way is over.
11:43Marty Crane is in the building.
11:46Salami.
11:47Salami.
11:48Baloney.
11:50Baloney is right.
11:51Shut off those cameras.
11:54Cover yourself.
11:57Good Lord, man, have you no shape.
11:59As a member of the media, you have the chance to uplift society,
12:02but instead you drag it down to its lowest.
12:04All right.
12:06To be fair, please, explain your humor to me.
12:10Pee-pee.
12:12This is only to you.
12:14As in gas.
12:15Of course.
12:15Hilarious.
12:16A beauty contest to buttocks.
12:19My sides are splitting.
12:19I believe I've made my point.
12:28Oh, I like him.
12:29I'm going to put him on my show.
12:31All right.
12:32Girls, no.
12:32Give it a rest.
12:32Give it a rest.
12:33I want a picture with my new slave girl here.
12:36How about a picture of you fanning me?
12:38No?
12:38All right.
12:39Okay.
12:39How about...
12:40Listen, you get down on all fours like this,
12:42and I'll put my foot in your back,
12:44and you look up at me adoringly.
12:45Can you do adoring?
12:47Okay, that's it.
12:48Miles, I want you to tell Karnak here to get back on his camel.
12:51I can't spend another minute with this guy,
12:53let alone the whole day.
12:54Oh, okay.
12:55Hey, fine.
12:55Suit yourself.
12:56But I'm sure my station will want its money back.
12:58And who's going to tell those poor kids at the hospital,
13:00I'm sorry, Timmy.
13:01We're all out of modern medical equipment.
13:03We're going to have to use those leeches,
13:05because Murphy Brown is a spoilsport.
13:09What are you, about a 34B?
13:13Let's not fuel anything.
13:15Think happy thoughts, flowers, butterflies,
13:19those little jars of honey that look like a bear.
13:22It's naturally syndicated.
13:26Crane.
13:27Yeah?
13:29Okay, I'll do it.
13:30But I just want to get one thing straight.
13:32The deal was for a day with me and dinner.
13:34That's it.
13:35No fanning, no slave girls, no cameras.
13:38Got it?
13:39Okay.
13:39So you won't wear this?
13:41Look, tassels.
13:43Marty.
13:44Marty.
13:45My man.
13:47Can I call you my man?
13:49I don't know.
13:49Who are you?
13:52I love when you hear that.
13:54But seriously, look.
13:55I want you to go easy on Murphy today.
13:58Okay?
13:59Trust me.
13:59The woman is cool, and some of that stuff you've been saying about her
14:02is a little rough.
14:04Not that I'm trying to be critical, because I'm not.
14:06I love you, man.
14:06I really do.
14:09You're not going to slam me on your show now, are you?
14:12Why would I slam you?
14:13I still don't know who you are.
14:16You're killing me.
14:17Yeah.
14:19Murph, he's taking care of me.
14:21Uh, okay.
14:25Marty.
14:26Uh, fun is fun, and Miles Silverberg can be as wacky as the next guy, but, uh, this is
14:31a place of business, and these people have work to do.
14:34I hear you, Mr. Peabody.
14:36Leo.
14:38Leo Nefertiti, that's a wrap.
14:39I will see you back at the pyramid, all right?
14:42Mwah, mwah, mwah, mwah, mwah.
14:47Honey, I'm home.
14:49What's up?
14:52Where do we start?
14:53I've got to go to research.
14:55Research?
14:56I'm right behind you.
14:59So, what are you doing?
15:00Checking out some deep background or something?
15:02Yep.
15:03Yeah, you're probably going to blow some story wide open, right?
15:05Uh-huh.
15:06I really repulse you, don't I?
15:08You've got it.
15:08I'm sorry.
15:10You've got your mind all made up about me, and I bet you've never really listened to
15:13my show.
15:14No.
15:15But then, I never really set my hair on fire, but I'm betting I wouldn't like that either.
15:21Shows what I know.
15:22I thought you journalists were supposed to be the objective types.
15:24But I guess it's easier to buy into the hype.
15:26Well, okay, so the show's a little outrageous.
15:28But that doesn't mean we don't cover serious issues.
15:30Now, listen.
15:31Uh, uh, deadbeat dads, gun control.
15:33Last week, I debated the head of the Ku Klux Klan.
15:36Of course, I didn't tell him the Nation of Islam kickboxing team would be there, too.
15:40He was so scared, he wet his sheet.
15:43You laughed.
15:44I did not.
15:45Yes, you did.
15:45You laughed.
15:46You laughed at something the repulsive Marty Crane said.
15:48It was not a laugh.
15:49It was a smirk that got out of control.
15:51I was thinking about something like you.
15:53Oh, yeah, I picked up some hope for you after all.
15:56A whole day together, and then dinner.
15:58This could be the start of a beautiful friendship.
16:01I've got to go to editing.
16:02Oh, okay.
16:03Okay.
16:03Okay.
16:06The editing room, huh?
16:07You ever get naked in there?
16:08Yeah.
16:09Too bad for you it was yesterday.
16:17Well, I wasn't going to say anything, but I'm getting the feeling you don't want people
16:19to see us together.
16:21Oh, why is that?
16:23Well, I don't know the fact that we finished eating, and you still won't let the waiter take
16:26away your menu.
16:27It's 30 degrees outside, and you ask for patio seating.
16:32Every time somebody walks by, you dive under the table pretending to look for your napkin.
16:36Oh, well, that is the most ridiculous thing I have ever.
16:39Excuse me.
16:39Oh, brought my fork.
16:41Aren't you Marty Crane?
16:42Yes, I am.
16:43Yes.
16:43You're a disgusting low-life scum.
16:45They ought to lock you up instead of letting you spread your filth on the radio.
16:49I hope you die.
16:52Thanks for listening.
16:55Oh, Miss Cousteau, you can come up now.
16:59So, what did I miss?
17:00Another one of your adoring fans?
17:02Well, at least this one didn't spit.
17:05Oh, you love it.
17:06The personal attacks, the crude remarks.
17:08You practically beg for that kind of attention.
17:11Wait a minute.
17:11I never beg for attention.
17:13Sex, yes, but attention never.
17:14What can I say?
17:16Listen, I know that I'm a jerk.
17:18Even I can't believe some of the stuff that I get away with.
17:20But it's fun never having to censor yourself.
17:24You've got to know what I'm talking about.
17:25I mean, I saw that interview you did with Brando.
17:28Now, can you honestly tell me that one part of you wasn't just dying to say to him,
17:32come on, Marlon, buddy, what happened?
17:35How'd you get so fat?
17:38What made you this handsome stud in a torn T-shirt,
17:40and the next couple has to darken the set so you don't scare the crew?
17:43When it's Stella, it turned into Stella Doro.
17:48Get off that streetcar named Dessert.
17:52Fourteen.
17:53Excuse me?
17:54That is the fourteenth time you laughed at something I said today,
17:57and that's not counting the time at lunch when I made Diet Coke come out of Silverbird's nose.
18:02Okay, so you're funny sometimes,
18:05but don't you think it's a little easy, a little cheap?
18:08Cheap?
18:09You sure you want to make that accusation a woman who has in her office
18:12squirt guns, enjoy buzzers, a whole drawer full of rubber vomit.
18:17Going into someone's rubber vomit drawer now, that is low.
18:21Besides, I think you're missing a very important distinction here.
18:24I am?
18:25Yeah.
18:25The difference between us is that when I joke around, it's in private.
18:29You, however, go on the air and appeal to the very worst of people.
18:33Mm-hmm.
18:34You could say that.
18:35Or you could say that I'm giving voice to society's need to explore and push the boundaries
18:41of what it considers taboo.
18:43And in some small way, helping society in its ongoing struggle to define itself.
18:49That is the biggest load of crap I've ever had.
18:51And that's exactly what I told the dork at Time Magazine who wrote it about.
18:56Look, yes, I know, I push the limits, but you do the same thing with that in-your-face reporter
19:02stuff that you do.
19:03Hey, well, I push people too far.
19:05It's because I'm trying to inform and educate them about what's going on in the world.
19:09Oh, and I am trying to make them laugh.
19:11And after you're through it, then they need it.
19:14Fifteen.
19:18Well, I guess it's time for this low-life scum to climb into his jammies.
19:22I got a big show to do tomorrow.
19:23Oh, right.
19:25You're gonna slam me, aren't you?
19:28No.
19:29Actually, I'm gonna say that you were very fun to be with, that you're an incredibly good
19:34sport, and I was totally wrong about you.
19:37All right, your radio station's gonna pay $10,000 so you can tell the world I'm a good
19:42sport.
19:42Hey, you know, you could have kicked me out the minute I stepped off the elevator today.
19:46To tell you the truth, I wish you had.
19:47That would have given me some good material, but you didn't.
19:50And anyway, how could I slam you when I'm thinking, ah, forget it.
19:56What?
19:57Well, you know, this might be crazy, but it might be fun for us to get together again sometime.
20:02But, no, no, come on.
20:03I heard that Starlight Express is in town next week.
20:05Hey, I don't like Andrew Lloyd Webber when they just stand there and sing.
20:09Why do you think I'd want to watch some roller skates?
20:11Wait, wait, wait, wait, wait, wait, wait, wait, wait.
20:14Come on, you didn't let me finish.
20:15I thought we'd toss marbles on the stage and wait for the pileup.
20:20You know, that is the most twisted thing I've ever...
20:23I'm beginning to see your appeal.
20:27I'm sorry, but I have to tell you, I've heard your show, and I find it really offensive.
20:32And I'm not surprised you're with him.
20:34You're more obnoxious than he is.
20:37Thanks for listening.
20:38All right, now, coming up in a minute, we've got Thumbelina, the transvestite midget mud wrestler.
20:46She's going to be here to debate the Clinton health plan with me.
20:53But, before I do that, let's, uh...
20:57Let's get serious for a minute.
20:59I know you all want to know about my big day with Murphy Brown.
21:04So, let me say this.
21:05I, uh, I know I've slammed her before, and I know I've said some pretty rough things before,
21:11but Martin Crane is not too big to admit that I was totally wrong about her.
21:18She is not a nice queen, no.
21:20No.
21:21In fact, the only way to describe her is hot and nasty.
21:31So, listen, listen.
21:32I know she looks kind of bony on TV, but up close and personal,
21:36she's got a nice little booty, and she knows how to use it.
21:40And I'm not just saying this because she digs me.
21:43You should see her at dinner, man.
21:44She ordered this...
21:45She ordered this dessert with whipped cream, right?
21:48And she's looking at the whipped cream.
21:50And she's looking at me.
21:53And I just know she's putting the two together.
21:55You know what I mean?
21:56I mean, I wouldn't be surprised if right now she's out buying all the cakes of Cool Whip
22:00for a little Murty Alamud.
22:03Well, I'm sorry, ma'am.
22:04You know, maybe if you fixed yourself up a little bit
22:07instead of walking around the house in slippers and curlers all day,
22:10your husband wouldn't be attracted to the farm animals.
22:12I don't know, Marty.
22:15I don't know what to do anymore.
22:16He won't touch me.
22:17He won't even look at me.
22:19You really think that'll help?
22:21I don't know.
22:22Look, if that doesn't work, try mooing and chewing a lot.
22:25Look, we're gonna take a short break,
22:27and we'll be back with more Barnyard Loveline.
22:32Hey, this is a nice surprise.
22:34Are you insane?
22:36What the hell do you think you're doing?
22:37I should have known you would try to pull something like this.
22:40You lying, rotten distiller.
22:42Oh, I'm saying you're upset.
22:43Was I supposed to call you?
22:44It's what you weren't supposed to do.
22:46Slam me, remember?
22:47I didn't slam you.
22:49Oh, no?
22:49What was that stuff about whipped cream
22:51and me being, what was it, hot and nasty?
22:54Oh, I didn't realize you were the roses and chocolate type.
22:57Oh, no.
22:57You thought I was the type of one of 20 million people
23:00to hear you talk about my booty.
23:02Well, it's not like I lied.
23:03We did talk about getting together again.
23:05Getting together, whipped cream.
23:07You don't see a leap there?
23:11All right.
23:12So maybe I exaggerated a little.
23:14You know, I was just beginning to think
23:16there was some kind of wit and intelligence
23:18behind what you do,
23:19but I was wrong.
23:20The truth is, there is nothing there.
23:23That's interesting.
23:23Most women usually don't tell me that
23:25until we've been naked together.
23:26Every time I insult you, you'll agree with me.
23:30It's very annoying.
23:31Okay, yes, you're right.
23:32I am annoying, but at least I'm not dull.
23:34And I'll tell you something else.
23:36I can take a joke,
23:37which is much more than I can say for you.
23:38Hey, I can take a joke if it's funny,
23:40but that stuff you said about me wasn't funny.
23:43It was just stupid.
23:45Maybe.
23:46But can you honestly tell me
23:48that if you were driving along
23:49and you heard me say the same things
23:51about somebody else,
23:52say, Diane Sawyer,
23:54that you wouldn't laugh so hard
23:56you'd skip a guardrail?
24:01I really know how to fight dirty,
24:03you know that?
24:06Hey, Diane, babe, it's Marty Crane.
24:08Listen, I just got your number
24:10from a mutual friend
24:10and I had to call you.
24:12I've been watching you on Prime Rib Live
24:13and something tells me
24:14you're a whipped cream kind of gal.
24:17You ever wrestle in Jell-O?
24:18You ever wrestle in Jell-O?
24:19You ever wrestle in Jell-O?
24:19You ever wrestle in Jell-O?
24:20You ever wrestle in Jell-O?
24:21You ever wrestle in Jell-O?
24:22You ever wrestle in Jell-O?
24:23You ever wrestle in Jell-O?
24:23You ever wrestle in Jell-O?
24:24You ever wrestle in Jell-O?
24:24You ever wrestle in Jell-O?
24:25You ever wrestle in Jell-O?
24:25You ever wrestle in Jell-O?
24:26You ever wrestle in Jell-O?
24:27You ever wrestle in Jell-O?
24:28You ever wrestle in Jell-O?
24:28You ever wrestle in Jell-O?
24:29You ever wrestle in Jell-O?
24:30You ever wrestle in Jell-O?
24:30You ever wrestle in Jell-O?
24:31You ever wrestle in Jell-O?