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00:00My name is Davor MogoviÄ
00:30My name is Davor MogoviÄ
00:55My name is Davor MogoviÄ
00:59Stari pravo stvari na pravo mjesto
01:01Äidi mi Äezno
01:03Stari pravo stvari na pravo mjesto
01:07SluÄaj cenzure na moje pjesmi bio je 1984.
01:13Kad sam izdao ploÄu koja se zvala Dukati pribadaÄe u tadaÅ”njem jugotonu
01:17Tada je postojala jedna komisija koja je zapravo pazila na ÄudoreÄaje tekstova
01:22Komisija pri Ministarstvu odnosno tada se to zvala Sekretarijat za Kulturu
01:27Oni su dobili moj album
01:29To je trebalo biti rutinsko pregledavanje kao Å”to su to radili na tekuÄoj vrpci
01:37MeÄutim iz nekih razloga
01:39Moja ploÄa je ostala Äime je kasnio izlazak iz tog albuma
01:43Ostala je mjesec dana kod njih
01:47Ja nisam znao razlog i onda sam saznao razlog
01:51Naime oni su dijelili na takve nepoÄudne ploÄe
01:55Dijelili su i oznaku Ŕunda kao zapravo
02:01To je bio poveÄani porez na promet
02:04Dakle ta ploÄa je u startu koÅ”tala jedno 30% skuplje nego sve ostale ploÄe
02:09I doŔao sam prvo u Jugoton
02:11Oni nisu imali pojma
02:13Ali sam sreo pokojnog DžorÄa NovkoviÄa
02:15I on me je zamolio da u jednoj pjesmi u strofi obavezno promijenim jednu rijeÄ u tekstu
02:23Naime tekst pjesme je iÅ”ao doslovno neÄu cijelu pjesmu nego spornu strofu
02:30PriÄa kaže jednog dana svi Äe biti jednaki svako imat Äe sve
02:36Samo treba biti strpljiv i vjerovat u drugove
02:39Laž stoljeÄima caruje svoje sluge daruje bogato i besramno
02:44Laž zmije u njedrima plovi punim jedrima vjeŔto kamuflirano
02:49Dakle pokojni DžorÄe je inzistirao
02:54On je tad radio u Jugotonu
02:56Inzistirao je da rijeÄ drugove promijenim u krugove ili neÅ”to sliÄno
03:01Na Ŕto ja ni u ludilu nisam mogo pristapiti
03:03PriÄa kaže jednog dana svi Äe biti jednaki
03:09Svako imat Äe sve samo treba biti strpljiv i vjerovat u drugove
03:18Da bi posle naÄuo od jednog znanca koji je isto bio u toj komisiji
03:25Da su Äak ono jer jedan tekst refren je iÅ”ao
03:32Ja viŔe ne bojim se živjeti bez pameti
03:35Ne treba mi Ŕkola odlazak u vojsku ni roditeljski savjet
03:39A u ono vrijeme je neŔto protiv INA
03:41Danas to izgleda smijeŔno i banalno
03:43Jer danas ono ko ne ide u vojsku
03:47To se može neŔto drugo raditi civilnu službu
03:49Osim toga ukinut Äe vojsku i onak ne
03:51Dakle onda je to bilo bogohulno za reÄ
03:54Ja viŔe ne bojim se
03:57Živjeti bez pameti
04:00Ne treba mi Ŕkola odlazak u vojsku
04:05Roditeljski savjeti
04:07Ja sam usao u Å und komisiju Äutnim sticajem okolnosti
04:19NekÄe u doba Novog Vala
04:21Dakle poÄetkom osamdeseti
04:23To nije bila komisija koja je ljepila etikete Å unda
04:28Nego to je bila komisija koja je barem nominalno proglaÅ”avala umjetniÄki vredna dijela
04:35I na taj naÄin oslobaÄala poreza na promet koji je bio automatski
04:41Dakle sve Ŕto se proizvodilo podljegalo je porezu na promet
04:46Ono Å”to se smatralo da ima umjetniÄku vrednost bilo bi osloboÄeno
04:52ObiÄno bi se presluÅ”alo 20-30 sekundi jednog broja
04:59Imali smo kompletan tekst priložen i onda je poÄela licitacija
05:11Rock dijeluje daleko agresivnije nego Å”to dijeluje klasiÄna muzika
05:16Ako je bilo neŔto vredno diskusije onda bi se razvila diskusija
05:24Rock je za mene jedan multimedijalni spektakl u kome jasno muzika ima glavnu rijeÄ
05:30Sve lako kad si mlad
05:34LaÅ”o kreÄeÅ” leÄa sreÄi
05:38BaÅ” ti briga s kim ÄeÅ” leÄi
05:42Krvi suze mogu teÄi
05:46Pamosna formula Ŕund kao da to ono kao ode prema dole dakle da ostane na margini negdje
05:55U moj opÄini problema nema
06:03Koliko se sjeÄam prvi album Prljavo kazaliÅ”ta je isto dobio tu nesetnu etiketu
06:11To je bilo prije nego Ŕto sam ja uŔao
06:14Pretpostavljam da ih irritiralo neke socijalno
06:18Ono u mojoj opÄini problema nema
06:21Mislim da je takav jedan dovoÄenje u pitanje sustava
06:31Da je to njih zaintrigiralo
06:39Ja sam odrastao
06:41Uz ratne filmove u boji
06:44Uz Äeste tuÄnjave u Å”koli
06:47Uz narodne pjesme pune boli
06:50Ja sam stvarno sretno djete
06:52Ja sam stvarno sretno djete
06:55Ja sam stvarno sretno djete
06:56Nemo je bilo svejedno
06:57Ali izdavaÄu nije bilo svejedno
06:59Oni su podali sa onim zakonom ispod ruke
07:02Ranko AntoniÄ i BlaÅ”ko Nova
07:06Koji su tad bili potpisali tu prvu nesetnu ploÄu
07:10Mi je to smijeŔno
07:12Bila sa onda bio klinac
07:13Oni su hodali
07:14Stvarno su hodali
07:15Stvarno unezvjereni
07:16U krug su hodali
07:17Po kuÄi onoj diskogradskoj gledajuÄi
07:19ZnaÅ” jeli bi stvarno mogli negdje
07:21Postoje li negdje
07:23Nekakva rupa
07:24Gdje bi oni mogli
07:25eventualno biti
07:26Malo na
07:27Ono
07:28Na tapetu
07:29Å iroke ulice
07:31Vode me u gran
07:33Cijelu noc
07:36Lundam i bijem san
07:39OsjeÄam se
07:42Kao stranak s ovom kradu
07:45Strasni brod
07:48Neke odjelolike
07:50Oni su spominjali
07:54Ne znam
07:56Prvomajsku paradu
07:58Stvari koji su se
08:00Dosta jasno
08:01Mogle detektirati
08:02Ko otklon od
08:04TadaŔnjeg sustava
08:06Bilo je sasvim jasno
08:08Da po svom svijetonazoru
08:10Älanovi prvo kazali Å”ta nisu Titovi pioniri
08:14I to je
08:15Dosta izravno
08:17Bilo reÄeno
08:18Ja sam odraslao
08:20Ja sam odraslao
08:21Z predivne vojne parade
08:25Uz kudenske demonstracije
08:27Zgubio sam sliku iz legitimacije
08:30Ja sam stvarno sretno djete
08:32Ja sam stvarno sretno djete
08:35We lived in a time when it was called
08:45the National Support and Social Security.
08:49That means that every neighbor would say
08:51before you came home.
08:53My father asked me,
08:55son, look at this community in which you live,
08:57do you know someone who works for a service?
09:01I was like, I don't know,
09:03you really are a TV.
09:05Everyone works for everyone.
09:09You buy things and send you to George Vichel.
09:13You get to a conversation that sometimes
09:15becomes a little friend,
09:17a little imaginary,
09:19a little blesad,
09:21but I was more than a show of a mouse
09:23than something
09:27that a man can really be afraid.
09:29I don't want to be afraid.
09:31It was like...
09:33Although there was a lot of anger,
09:35I have to admit that
09:37from management,
09:39from people who were around the band,
09:41there was nothing at all.
09:45if you want to be inspired.
09:47Some even took out.
09:48Some cool,
09:49some cool,
09:50some cool,
09:51some cool little,
09:53some cool little.
09:55Some of you are Toufiate,
09:56the crowd BLK
09:591001
10:00How long?
10:01New trou jacket
10:03Time for Not all...
10:04One song is,
10:06Why i't you forget it.
10:07That's why you are so frustrated and young, you buy a spray in a row and write the city in large words,
10:17and then the vocal is singing the melody.
10:22Among other things, it was said that I would call the writing of UstaŔki symbols.
10:27I mean, it was totally sad.
10:30That's why you are so frustrated and young, buy a spray in a row and write the city in large words.
10:47Rajko DujmiÄ told me a few years later that he and Mario MihajljeviÄ were in charge of the police chief of Zagreba.
11:01I mean, the police chief of Zagreba, I don't know who it was.
11:05That I would say that I'm not a subarbitant element, but that's how I wrote these texts.
11:16That they don't treat me as a sort of anti-governmental terrorist.
11:26I don't care for all the things.
11:31It's the best for me when I think about it.
11:37One white TV, a regular night travel.
11:42My white girl, a bus driver in the program.
11:47My mom, my dad, my dad, my dad, my dad, my dad.
11:51I don't remember that there was a band in Czech that started playing punk.
11:56And everyone got three years of work.
11:58I'm talking about the situation in the Soviet society.
12:05I didn't hear anything from rock and roll from the complete eastern bloc.
12:13God, until the break of the eastern bloc.
12:16When I came to Poland in the 1980s, I was just jazz playing.
12:21They didn't become a band.
12:24But the feeling is that they were here.
12:27They didn't have knowledge from thenosis of my dad's ŠæŠ¾Šæiah.
12:31That's what they wanted to do to make it walk for me anyway.
12:33If you increase youré¢, I'm walking into the sac.
12:37That's how they become a banditool.
12:39That's how they can connect.
12:41That's how Novaque.
12:42High school feels thef industry and thef industry.
12:44I'm putting everything out of your family and family cerca.
12:46All of themata all frombuhu.
12:48watching our peoples' feeling.
12:50It was a new album called Novi Primitizam, which was a sarajska version of punk, but without the iconography that punk was played.
13:11It was an LP, the Zemljen Safari, which was really good.
13:14We worked a lot with him.
13:18It was a song that everyone was waiting for a bus to go out.
13:24And then there was a compromise after a lot of discussion.
13:30There was a song that everyone was waiting for a bus to go out.
13:34And on Omot, as you can see, if you can see it, one of the lyrics is set up.
13:42It was already stamped, so it had to be changed directly to the preparation for the stamp.
13:48And I don't think it's more than the old song.
13:54They're waiting for a bus to go out.
13:59Today is the day of the Republic.
14:04Today is the day of the Republic.
14:08There were many people in the island, in the highest places.
14:14The director of the main director of the main director.
14:16They were people in the service of the non-bibedness.
14:18We were people directly from DBA.
14:20Our director of the person, XY, was a man from DBA.
14:25He was a man from DBA.
14:26He had no qualifications for any kind of art.
14:30He knew what the doctrine was, what the doctrine was, what the young man should consume, what the young man should consume, what the young man should not consume.
14:40We had a fall when the editors and the directors were listening to the material.
14:45The lyrics started in a pretty bizarre thing.
14:48The dance is the day of the Republic.
14:50The old man has passed a little bit.
14:51And there was a little red.
14:53We release it.
14:54The time we get something back.
14:55When everyone's waiting for the passage to go out.
14:58When we start talking, we start talking about the desire against Przana, how is it?
15:04Well, I don't know how to talk about it.
15:06We're again smiling.
15:19When we were talking about the song about Kosovo,
15:24it was never done.
15:28When we don't see the songs and texts,
15:32when we don't see the lyrics,
15:34we don't have any problems.
15:36That's how Nojevsky looked at it.
15:39But then, in fact, there were serious political protests
15:43where people were over 80 years ago.
15:45It was worked in 1984, 1985.
15:47We were in the clinic,
15:49and we didn't understand the importance of it.
15:51We thought that we didn't know that much.
15:55But at the beginning,
15:56we had the opportunity to do it.
15:59At the beginning,
16:01we were aware that many of our managers and technicians
16:05worked for various services and businesses.
16:09But we have now 21 years ago.
16:11We were aware that the system is working with us.
16:15The fact is that they were trying to provoke them,
16:22but always watching that they were seeing
16:26that they were still innocent children,
16:29who believe in the situation.
16:31And there were also those
16:33and the examples of Nele KarajliÄ's
16:37who stands for the concert,
16:38who says,
16:39the church is Marshall.
16:40The only thing is,
16:41that we don't know
16:43that it was not Marshall,
16:44but Vox.
16:49And without a doubt,
16:50that Nele is again
16:52the church is Marshall.
16:53full of Seoi,
16:54pien who drinks
16:55fancy themselves
16:58and vice versa,
16:59XDD
17:00and we miss
17:01without anape
17:04there in some ways
17:05there was a great
17:06general
17:07in the city
17:08of the penguins
17:11from Mijic
17:12and some
17:12Lajbak
17:14some
17:15vrai
17:16things
17:17I don't even remember a radical release from the existing system,
17:34what was there for the young Kovre and StuliÄ.
17:47My biggest achievement, and I am able to talk to the rest of the other members of the committee
18:07that Johnny StuliÄ won't get the Shunda etiquette.
18:12At least on the way we discussed, and I think it's about the sun's side of the street,
18:19and I think it's important to say thank you, thank you, thank you.
18:24There were also some serious political comments.
18:28I think it was even Poland in my heart.
18:32It was a topic that wasn't expected.
18:37I think that in his case, it's evidently about a strong author.
19:00When it was an author, it wouldn't be a kick or a shund.
19:05A kick or a shund is an imitation of the art.
19:08This was an authentic, creative approach.
19:11When we started to play, and then we started to join together,
19:27And then my mother said to me, listen to me, listen to me when you talk about Johnny.
19:33His father was his own face.
19:37I'm telling Johnny that I'm talking about it.
19:40We got kicked out of the laugh.
19:57At that time, he was sent a very prestigious award for the seven secretaries of Skoja for the young people.
20:16My colleague Dražen Vrdoljak and I managed to vote for Lebi Sol, Marko Brecel.
20:26Later, he got the Pankerti.
20:28In the same 1980s or 1981s,
20:31after the first album of Pljevo KazaliŔta,
20:35I was presented to Jasen Kakour.
20:38The other part of the commission,
20:40I think that she was in her today's dean of the Academy, Parac,
20:47to accept it.
20:49When it came to the committee to verify,
20:53it didn't go.
20:55They said that they couldn't get the award from the seven secretaries of Skoja,
20:59because one of the members of the group,
21:02the recent bassist, Ninoslav Hrastek,
21:05was singing at the same time,
21:08at the same time,
21:10the Vila Velebi.
21:11When I was waiting for the award from the seven secretaries of Skoja,
21:14I didn't know who was in the seven secretaries of Skoja,
21:16I didn't have any sense at all,
21:18I didn't care about it.
21:19I didn't care about it.
21:20I thought,
21:21what could I get to the state,
21:22at the same time,
21:23at the same time,
21:24in the New Zagreb,
21:25if I am good.
21:26If I am good.
21:27Then,
21:28the award was destroyed.
21:30Then, I tried to say,
21:31ok,
21:32if there is no group,
21:34give me the award to Jasen Kukhori,
21:36who is the author of all the songs,
21:40and didn't have done that incident.
21:43Unfortunately,
21:44it didn't have been passed.
21:45We were not so aware of the 17th century.
21:47We were really excited about it.
21:49We were really excited about it.
21:51What was expected from us?
21:53We didn't have done a show business.
21:55We made confidence,
21:57and that's what we did.
22:01I have to tell you,
22:02that there is always a light bulb,
22:04and that's the then-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and.
22:06When I came to the other places,
22:10and I came to the other places,
22:12we would buy these papers.
22:13And then,
22:14I got to.
22:15SiniÄa Å karca was a man,
22:16who was really a little,
22:17let me say,
22:18that's a simple word,
22:19but I didn't think of it.
22:20He was a little,
22:21and he was a little,
22:22and he was a little,
22:23to make it,
22:24to make it,
22:25to make it,
22:26to make it,
22:27to make it,
22:28to make it,
22:29to make it,
22:30to make it,
22:31to make it,
22:32to make it,
22:33to make it,
22:34to make it,
22:35I have to say,
22:36damn,
22:37that you have to,
22:38It felt sort of
22:39like a Ren new came to the world.
22:40He took several men's have access to the film,
22:42and everyone gave it freedom to change,
22:44Kunstbe can be lit of it,
22:45to grind again.
22:46There s anything else from Tu Am eficaaz
22:47or futąø.
22:48When it was time with us,
22:49after this task,
22:50and after this was the man's mission,
22:51and that wasƶren.
22:52And then they drafted the will said,
22:53and later,
22:54after Reality,
22:55because of the name is trippers,
22:56and that's not enough to marry.
22:57of the destruction of these pressures,
23:04of the pressure of these pressures,
23:06of the pressure of these pressures,
23:08of the pressure of these pressures,
23:10of the cultural lives,
23:11or whatever it is to call it,
23:12in fact, it has happened to be
23:16that things become much more rigid
23:20even more during their lives.
23:22And then the process of the most important
23:24Popu Zovku, from MeÄugorje, Alize BegoviÄ, and all those people who later have become our political leaders.
23:33I always wish me that it wasn't a stop.
23:35I've been going without a stop, and I'm probably more positioned in this political position.
23:43The most clear struggle of a new ideology was the appearance of Laibaha,
24:01where it was completely clear that it was about people who have a different ideology and that they don't hide it.
24:14Of course, such soldiers were able to appear just when Yugoslavia started to shoot by the Savos.
24:26That shooting by the Savos was the most present in Slovenia, where there was a young man.
24:44They came from one nation, one country.
24:58They were very explicitly combined with the communist.
25:10Laibaha was a kind of import.
25:16Even in Yugoslavia, they were released as a license plate of the English company Mute.
25:30For me personally, the most indicative example of the censure in the former society,
25:46was the story about the writing of the book about the Bielo Duque.
25:51Dear brothers and sisters, we were in the 1977-1978.
25:57We were talking about the Sarajevo liberation,
26:00that they will be readers of the books about the Bielo Duque.
26:08They gave us some advance.
26:11They financed our fight for tens of days.
26:18There was a hotel where the members of the Bielo Duque
26:24were placed on the preparation of the plot.
26:28We were prepared for the book.
26:30We were prepared for the book.
26:32We were sent to the book.
26:33We were sent to the book.
26:34We were sent to the book.
26:36But in the meantime,
26:38there was a piece of the establishment of the Bielo Duque,
26:42the Association of the Bielo Duque,
26:44the Association of the Bielo Duque,
26:47where it was severely criticized rock'n'roll,
26:51as, I don't know,
26:53a Western import.
26:55And in that moment,
26:58the people of the liberation
27:01were left out of the book.
27:03They said,
27:04you only hold your hand in order
27:06for all the advances,
27:08the expenses,
27:09there is no problem,
27:10but we won't reveal the book.
27:12What is the name of the Bielo Duque?
27:18Before it was enough,
27:19in the beginning,
27:20there was someone who was a nationalist
27:22and a nationalist.
27:23They added something like that,
27:25and they gave you a little bit.
27:26And today,
27:27it was a sort of
27:31a foreign acquaintance
27:33or a little bit sofisticistic.
27:38It was a criminalization
27:40and ghettoization.
27:41Every system is always
27:43used in a different way.
27:45Like today,
27:46this system,
27:47the people of the people
27:48go seriously
27:49to the people of the people,
27:51so that was also
27:52that system
27:53where the people of the people
27:55took place
27:56a very important place.
27:59And,
28:00it was just
28:01that
28:04that caused me
28:05a certain revolt.
28:06And that,
28:07that I can't say
28:08what I want to say
28:09and what I want to say.
28:10I still think
28:11that this country
28:12is going to be
28:13from one thing
28:14called
28:15KULT KOZARAÄKO KOLA,
28:16where they are
28:17like,
28:18these guys
28:19and they are
28:20and they are
28:21and they are
28:22and they are
28:23and they are
28:24and you are waiting for
28:25and they are
28:27who are
28:28to the ā
28:29and they are
28:31and they are
28:32and they are
28:33they
28:34and they are
28:35That's all the interesting areas.
28:37It's better to push these cameras and I guitar,
28:41so we can play a little bit of the town.
28:43It's the best to push the censure.
28:49It's all that easy to do.
28:51The land will be there.
28:55And that's how I am the best to do it.
29:01My name is Davor MogoviÄ,
29:03and my community is black and white.
29:07Black and white, black and white, black and white, black and white.