アナザーストーリーズ 025年3月17日
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00:00For Idols and Artists, the biggest stage is the Stadium Concert.
00:10Only a limited number of people can stand on the stage of their dreams.
00:1550 years ago, there was an Idol who became the first one.
00:26Saijo Hideki
00:31Wild looks and powerful husky voice
00:39Go Hiromi
00:49In the 70s, Go Hiromi and Noguchi Goro were called the new Gosan family.
00:58They are still the top Idols.
01:03As a Gosan family, Urekko was an Idol.
01:08But I never thought she was a big deal.
01:14Hideki has been making a legend in just two years since his debut.
01:21That is the Stadium Concert at Osaka Stadium.
01:28The audience was amazed by the flashy performance using the whole stadium.
01:43The penlight, which is now a standard venue, was also born from this legendary concert.
01:52The penlight, which is now a standard venue, was also born from this legendary concert.
02:00Bring me a flashlight so I can see everyone's faces.
02:04Don't you have a flashlight?
02:05It's already sold out.
02:07Furthermore,
02:16Call and Response
02:22Mic Stand Action
02:28The origin of the current entertainment industry is the innovation of Saijo Hideki.
02:38From these three perspectives, we can see Hideki's passion for the revolution of idol culture.
02:52Saijo Hideki
03:06Saijo Hideki
03:12Saijo Hideki, who became famous as an idol singer,
03:16later challenged a revolutionary attempt to become a legend.
03:21Saijo Hideki
03:24The turning point of fate was August 3, 1974.
03:31The stage is Osaka Stadium in midsummer.
03:42Saijo Hideki
03:45On this day, Saijo Hideki held his first stadium concert as a solo artist.
03:54What unfolded here was a scene where the stadium became one.
04:00Yes, it's a flashlight.
04:05The stars twinkled in the audience as if to compete with the full stars.
04:13At that time, such a large flashlight was used.
04:17This led to the support of the penlight, which has become commonplace now.
04:26The first point of view is the people who were on the scene that day.
04:31Masuda Takeshi, concert staff.
04:35And Yoko Nakata, who has been active in the fan club for more than 50 years since then.
04:41I witnessed a miracle that happened at Osaka Stadium that night.
04:48Saijo Hideki, the revolutionary man of the song world.
04:52Another story approaching his innovation.
05:01About 50 years ago,
05:03Osaka Stadium, where Saijo Hideki's concert was held,
05:08is now a commercial facility.
05:13This is just around the entrance.
05:17There is no shadow at all.
05:20Masuda Takeshi, who was involved in the stadium concert as a management staff.
05:28I came in from the front, and the 20-ton crane also came in from here.
05:34That was 48 years ago.
05:38It's unbelievable, isn't it?
05:41It's amazing that I tried to do it, and it's amazing that I did it.
05:49Yoko Nakata, a fan club staff.
05:54She was only 13 years old at the time.
05:58It was our first time, too.
06:00I couldn't imagine what would happen.
06:04I didn't even know that Hideki would sing here.
06:12What is the innovation of light that Hideki brought?
06:24Hello, everyone.
06:26I'm Saijo Hideki, and I made my debut on RCA Records.
06:30I'm 17 years old, and I'm doing my best.
06:33Nice to meet you.
06:38When he made his debut in 1972,
06:42he captured the hearts of fans with his passionate singing,
06:48and he became a popular idol.
06:54Miyoko Asada, who made her debut a little later,
06:58was in the same agency at the time.
07:03I'm not good at it, so I'm famous.
07:07I don't know what I'm good at.
07:10I can't choose because it's my own work.
07:14As a member of the Go-san family,
07:17he was a popular idol.
07:21But he didn't look arrogant.
07:25I thought it was wonderful.
07:30Masuda, who happened to be at Hideki's concert at the time,
07:36was fascinated by the way he sang with all his might.
07:42I'm a security guard.
07:45I'm in charge of controlling the situation.
07:49I saw him singing until he collapsed
07:54and being carried by an ambulance.
07:59As the same age, I thought it was amazing.
08:05Hideki collapsed during the concert and was hospitalized.
08:10That's where Nakata had a fateful encounter with him.
08:17The hospital was in the neighborhood of my house.
08:21I was told that Hideki Saijo was in the hospital,
08:25so I took him there.
08:27I wrote a fan letter and took it with strawberries.
08:30I wrote in the letter,
08:32I'm a udon restaurant, how about udon?
08:36The next day, I got a phone call for a delivery.
08:40The restaurant didn't deliver,
08:43but I said, I'll go, I'll go.
08:47So I brought the delivery.
08:50There was a big star, Hideki Saijo.
08:53I was so surprised.
08:55I became a big fan.
08:58At the time, he was in charge of Hideki Saijo
09:02who was in charge of the album, Shouji Takayuki.
09:08At that time, he released three or four singles a year.
09:13He had a campaign for the next three months
09:17to release a new song.
09:24In the meantime, Hideki had to go to the factory
09:28where he made his first album.
09:35He told me that he was going to the factory,
09:39so I let him listen to my songs.
09:43That's why the people at the factory thought
09:48that I was doing it for him.
09:51I didn't think it was for him.
09:54It was natural.
09:56Hideki was not only a fan, but also a fascinating staff member.
10:01His popularity was determined
10:04by the concert at Osaka Stadium,
10:08which is still a legend today.
10:13The documents are still in the warehouse
10:17of the event production company run by Masuda.
10:26The letters on the flyers are special news.
10:31At that time, they were written by foreign artists
10:35and group sounds.
10:38At that time, they were written by foreign artists
10:43and group sounds.
10:46It was the first time for an idol to perform alone.
10:53The venue is Osaka Stadium,
10:56where the Nankai Hawks are based.
11:00The season is midsummer.
11:03The professional baseball season is just around the corner.
11:10After the baseball nighter on Thursday,
11:14the filming begins immediately.
11:17The rehearsal begins on Friday.
11:20The rehearsal begins on Friday.
11:23The rehearsal begins on Friday.
11:26The rehearsal begins on Friday.
11:29The rehearsal begins on Friday.
11:32I had to carry heavy stuff
11:35such as iron bars and carts.
11:39I had to carry heavy stuff such as iron bars and cars.
11:44I had to carry heavy stuff such as iron bars and carts.
11:49I was told not to drop anything.
11:53Why did Hideki challenge to the stadium concert?
11:58We must be in heaven, man!
12:29In addition, this scene made Hideki cry.
12:34Each audience member lit a lighter.
12:41He was moved by the scene where the audience and the artist become one,
12:46and made a call through the radio.
12:52After the meeting of fate,
12:55Nakata joined the fan club and became a staff member.
13:01I remember that day.
13:03I brought a flashlight so that I could see everyone's faces.
13:07I remember that day.
13:09I brought a flashlight so that I could see everyone's faces.
13:15At that time, penlights were not popular.
13:20In response to Hideki's call,
13:23Nakata hurriedly searched for a flashlight.
13:27It was sold out.
13:29It was sold out.
13:32It was sold out.
13:35It was sold out.
13:37It was sold out.
13:4217,000 people gathered at the stadium.
13:4830% of them had a flashlight.
13:55This is how the legendary stadium concert began.
14:02Unfortunately, the video was not recorded,
14:06but the memory of the fan is still engraved in the experience at that time.
14:13At that time, he didn't know how to use a flashlight.
14:19It was his first flashlight.
14:23I didn't know how to use a flashlight at that time.
14:28Hideki told me to bring a flashlight, so I brought it.
14:31I just did it like this.
14:34Maybe Hideki did it.
14:37At that time, I didn't know how to use a flashlight.
14:44The light of the fan was poured into Hideki on the stage.
14:52On the other hand, Masuda couldn't afford it.
14:59The inside seat of Osaka Stadium was known for its sudden slope of 37 degrees.
15:07The fans cheered in such a steep slope,
15:11and they became more and more enthusiastic.
15:17The police told me not to stand up.
15:22But I stood up in front of the box seats.
15:26If I stood up in front of the box seats, the fans would stand up behind me.
15:29So I stood up in front of the box seats.
15:33I shouldn't have done that.
15:37From the rehearsal to the actual performance,
15:40there are still photos of Hideki.
15:46I felt like I was about to collapse.
15:49The fans poured water on me and woke me up.
15:52It was amazing.
15:55I was cheering with all my might.
16:00I was screaming all the time.
16:03I didn't even listen to the song.
16:08In the live video at Osaka Stadium the following year,
16:12instead of a flashlight,
16:15the fans were holding a penlight.
16:20Each song has a choreography.
16:23The fans also have a choreography.
16:26The boomerang was spinning.
16:29The fans were spinning the penlight,
16:32but the fans were holding the penlight.
16:35Before Osaka Stadium,
16:37I did a number of cheering practices.
16:40At the roof of the fan club's office,
16:43or at Osaka Castle Park,
16:45there were about 400 people.
16:50Now, the penlight is essential for an idol concert.
16:56But Hideki's revolution will not stop here.
17:10Hideki Saijo's debut in the 1970s
17:14was the golden age of idols.
17:20It brings back memories.
17:23While everyone was competing for glory,
17:26there was a glimmer of hope.
17:31Hiromi Go, Goro Noguchi,
17:34and Hideki Saijo's family, the Shingo family,
17:38were rivals with different personalities.
17:44The second point of view is...
17:49A critic of the idol culture,
17:52Akio Nakamori.
17:56He said that Hideki Saijo was the reason
17:59he became popular.
18:01It was a strong memory for him.
18:04Among the Shingo family,
18:06Hideki Saijo was the one
18:08who made it to the top six.
18:11He was a pioneer.
18:14Another story of a pioneer
18:16who opened up a new world.
18:24I went to a high school
18:26where Hideki Saijo and Midori Kunioichi were.
18:32Akio Nakamori, an idol critic.
18:37He was from Mie Prefecture.
18:39He wanted to meet an idol like Hideki Saijo.
18:43So he went to the same high school as Hideki.
18:48I went to school in 1975.
18:52In June of 1975,
18:54a TV drama starring an idol
18:57called Yakogare Kyodo Taikyuu began.
18:59Hideki Saijo, Hiromi Go,
19:02and Junko Sakurada starred in it.
19:04Hideki Saijo was running around Jingu Gaien.
19:07Hiromi Go and Junko Sakurada were fighting.
19:10Hideki Saijo and Hiromi Go were fighting.
19:13The next day, I went to the scene.
19:15I was 15 years old.
19:17If it wasn't for Hideki Saijo,
19:19I probably wouldn't be in this position.
19:22I probably wouldn't be doing this kind of work.
19:26Hideki Saijo's innovation
19:29transcended the boundaries of being an idol.
19:35In the 70s when Hideki Saijo made his debut,
19:40the start of his career was hidden.
19:44It was a time when idols were shining.
19:49People often say that idols are Japanese martial arts.
19:54In other words, they are the top martial arts.
19:56The top martial arts are on the fans' side.
19:58Idols are something that fans and idols can create together.
20:03They are not gods, heroes, or big stars.
20:07They are people who are watching TV in front of a teacup.
20:10I think it was a time when we were the ones
20:13who decided what would shine.
20:15In the 70s,
20:17I think times have changed dramatically.
20:20Hideki Saijo exploded.
20:23The Shingo family became one.
20:27Noguchi Gorou was handsome.
20:30He was a good singer.
20:32Go Hiromi was cute.
20:34He was a boy and a girl.
20:36Hideki was wild.
20:40He had a wild side and was a bit of a choreographer.
20:43Hideki was the most popular among boys.
20:54What?
20:56Hideki, I'm impressed!
21:02He was like an older brother in the neighborhood.
21:06On the other hand, he was a bit of a flirt.
21:10The children all over the country
21:13imitated Hideki's singing and performance.
21:17In my school, there was a boy's head.
21:21When I was cleaning,
21:24I used a broom to kick the mic stand
21:28that Hideki was using.
21:31I used a broom to kick the mic stand
21:33that Hideki was using.
21:35I think all the middle school students did that.
21:38That was the 8th single,
21:41a mic action performed with a rose chain.
21:52Even if the two people I love are far apart
21:59I won't be lonely, night or day
22:05The rose chain ties us together
22:11Ah, ah, ah, ah, ah, ah
22:15Ah, ah, ah, ah, ah, ah
22:24It's normal now,
22:26but I don't think there was any wild male action.
22:32It was really cool.
22:36I was surprised at the rose chain.
22:39My father was very angry
22:42when I kicked the mic stand.
22:48The action of swinging the mic stand
22:51raised criticism.
23:01That's understandable.
23:03At the time, the mic stand was made heavy
23:06so that it wouldn't fall.
23:08It wasn't something that could be lifted.
23:16Then, how was this shocking mic action born?
23:26The trigger was the rock singer Rod Stewart,
23:30who made his debut in 1974.
23:35He sang while controlling the mic stand,
23:39which was supposed to be heavy.
23:42It was strange to think
23:45how he could do such a thing.
23:50He thought about how he could do it.
23:55So he consulted Mr. Akira Fuse.
23:58Mr. Fuse said,
24:00I don't think you can do it.
24:03Ask Mr. Hiroshi Kamiyama.
24:05When I met Mr. Kamiyama,
24:07I told him I was going to see Rod Stewart.
24:10I went to see Rod,
24:12and Mr. Fuse told me
24:14that the mic stand was made of aluminum.
24:17It wasn't made of iron.
24:19It was a light aluminum mic stand.
24:26Hideki immediately took it in.
24:29His birthplace, Hiroshima,
24:32caused an unexpected chain reaction.
24:39For some reason,
24:41the artists from Hiroshima
24:44performed on the mic.
24:46Hiroshima was a mic performance kingdom.
24:49There were four mic performance emperors,
24:52Hideki, Yazawa,
24:54Masanori Sera,
24:56and Koji Kikkawa.
24:58But everyone thought
25:00that Mr. Yazawa was the best,
25:02but Mr. Saejo was faster.
25:06Even though he was an idol,
25:08Hideki was the first to
25:10incorporate foreign rock singers
25:12into his performance.
25:14Actually,
25:16he had a deep bond with Western music
25:18before his debut.
25:22Hideki grew up in Hiroshima,
25:25and when he was in the fourth grade,
25:28he went to a music school
25:30with his older brother,
25:32who was two years older than him,
25:34and learned how to play the drums.
25:36He started a band with his brother,
25:39and in high school,
25:41he sang and played
25:43for Ventures and Santana.
25:46At that time,
25:48he was noticed by scouts.
25:51He interacted with many foreign musicians,
25:54including a music critic
25:56who talked with Hideki Saejo.
25:59His name is Seisoku Ito.
26:02I think Hideki is
26:04an experienced rock musician.
26:07Maybe it's because of his brother,
26:09but he has a strong musical background.
26:12He actually went to see
26:14various concerts of foreign artists.
26:16Hideki is experiencing
26:18the original rock music,
26:21so he put it into his body
26:24and expressed it in a way
26:26that was easy to understand
26:28for his fans as a musician.
26:30I think it was a very easy-to-understand
26:32way of expressing music.
26:37He has a strong attitude
26:39that incorporates the essence of Western music.
26:43From there,
26:45a familiar arrangement was born
26:47with an idol song.
26:51If you want,
26:54I can give you my life.
26:57If it's for love,
26:59I don't care.
27:01I don't regret anything.
27:06A call-and-response
27:08where the fan's love
27:10enters between the singing voice.
27:14The interaction between the songs
27:16was originally seen
27:18in the songs of foreign musicians.
27:29Kunihiko Suzuki,
27:31who composed the song
27:33Jounetsu no Arashi.
27:35At one time,
27:37Hideki's staff
27:39asked him for advice.
27:42Hideki was worried
27:44that even if he went out
27:46and sang,
27:48he wouldn't listen
27:50to the song at all
27:52just because he was noisy.
27:54He was asked
27:56if he could do something,
27:58so he decided to use
28:00the call-and-response.
28:04After that, Hideki
28:06boldly incorporated
28:08the call-and-response.
28:11Even if I'm told
28:13to stop,
28:15it's too late now.
28:21It's not just a show.
28:23It's a call-and-response
28:25with the audience,
28:27the fans.
28:29The biggest difference
28:31between Hideki
28:33and other idols
28:35is the live performance.
28:37The concert in Osaka
28:39has been held
28:41for 10 years
28:43since 1974.
28:45Here, too,
28:47surprising live performances
28:49were performed one after another.
28:53In the first year,
28:55Hideki entered
28:57with a motorcycle in his 30s.
29:00The following year,
29:02he drove a Formula car
29:04and appeared immediately.
29:10In addition,
29:12he rode a gondola
29:14with a crane
29:16and approached the fans
29:18while singing.
29:21In fact,
29:23Hideki had a phobia of heights.
29:26In front of the fans,
29:28he didn't even feel
29:30such a thing.
29:33Hideki said
29:35he wanted to get closer
29:37to the fans.
29:39I think it was a radical thing.
29:41He put a seat belt
29:43directly on the crane's hook.
29:46He said he would never fall.
29:50Everything was done
29:52to make the fans happy.
29:55When I rode the gondola
29:57and climbed the fence,
29:59I don't know if it was in the video.
30:02Hideki tried to
30:04get closer to the fans.
30:07The police came to me
30:09and told me to get off the gondola.
30:11No matter who told me,
30:13I couldn't get off the gondola.
30:17Hideki challenged
30:19the fans
30:21with many performances.
30:24The history of his challenge
30:26is still unknown.
30:28The history of his challenge
30:30is the cornerstone
30:32of the current idol culture.
30:37In my life,
30:39as an idol,
30:41I've been through a lot.
30:45As a man,
30:47I don't think
30:49there's a man like that anymore.
30:51I know
30:53women fall in love.
30:55He was very smart,
30:57clever,
30:59and innovative.
31:01But he didn't show
31:03that side of him.
31:05When he went on stage,
31:07he was like...
31:11a wild wolf.
31:14I don't think
31:16there's anyone
31:18like him anymore.
31:26In 2018,
31:28Hideki Saijo
31:30ended his 63-year career.
31:34However,
31:36he stood on stage
31:38despite his illness
31:40and gave a big impression
31:42to the fans.
31:45The third point of view is
31:50the people who have been
31:52with him as a manager
31:54for 30 years,
31:56Hideki Katagata.
31:58Even now,
32:00the number of his fans
32:02is increasing.
32:04Hideki has
32:06a lot of support
32:08from his fans.
32:10Another story
32:12of the innovation
32:14Hideki Saijo.
32:16Hideki Katagata
32:22Hideki has been a manager
32:24for more than 30 years.
32:26Hideki Katagata
32:32When I see him
32:34working hard,
32:36I want to give him
32:38energy.
32:40That's all.
32:42That's why
32:44I support him
32:46when he walks.
32:52Hideki's revolution
32:54is still going on.
32:58Hideki Katagata
33:03Hideki continued
33:05his promotion as a top idol.
33:07In 1979,
33:09he sold more than
33:11100,000 CDs.
33:13He is still
33:15the best salesman
33:17in Shingo's family.
33:21In 1983,
33:23Hideki left
33:25his previous agency.
33:27The next year,
33:29people happened to see
33:31information about him
33:33and visited his agency.
33:35There were dozens of people
33:37who came to the interview.
33:39I thought the interview was over,
33:41but Hideki was doing
33:43a radio broadcast
33:45at an open studio nearby.
33:47I told him to come
33:49and he came right away.
33:51He said,
33:53he will come tomorrow.
33:55He has been doing this
33:57for more than 30 years.
34:05Hideki's fans
34:07including
34:09Hideki Katagata
34:11still remember
34:13his schedule.
34:15I was so busy.
34:17I didn't have much time off.
34:19No matter how busy he was,
34:21he never missed a day
34:23to work.
34:25On the contrary,
34:27I recorded
34:29new songs
34:31several times a month.
34:33I always check
34:35my fans' reactions.
34:37For example,
34:39when I look at the camera,
34:41they say,
34:43I should have done this.
34:45Every time,
34:47they ask me
34:49what I thought about the song.
34:51Of course I'm good at it.
34:53But I always check
34:55my fans' reactions.
34:57Nakata became
34:59the president of a fan club.
35:01He has been
35:03checking his fans' reactions
35:05for a long time.
35:07I was looking forward
35:09to hearing
35:11Hideki's fans' reactions.
35:13When I got off the stage,
35:15I asked him
35:17what he thought.
35:19I often went to the lobby
35:21and listened to
35:23his fans' stories.
35:25I told him
35:27that I heard his voice.
35:29He said,
35:31I heard his voice many times.
35:33I wanted to hear
35:35his real voice.
35:37I think that's why
35:39he works hard
35:41to make people smile.
35:43He always cares about
35:45his fans.
35:47In 1983,
35:49he gave a concert
35:51in Osaka,
35:53which became
35:55a big event for him.
35:58During that time,
36:00he supported the concert
36:02as a management staff.
36:04Then a big change
36:06came to Masuda.
36:08The management company
36:10he worked for
36:12went bankrupt.
36:16When the project was going to be
36:18closed,
36:20we were supposed to
36:22get rid of the agency.
36:24We decided to
36:26get rid of the agency.
36:33After that,
36:35he started a new company
36:37to keep in touch with Hideki.
36:39He held events
36:41and concerts
36:43in Kansai.
36:47I didn't think
36:49I could let anyone do it.
36:51When I came to Kansai,
36:53I said anything.
36:56I didn't let anyone
36:58else do it.
37:02Hideki's success
37:04didn't stop in Japan.
37:06In the 80s,
37:08he spread to Asia.
37:13In 1998,
37:15he was the first
37:17foreign artist
37:19to sing at the top of Banri.
37:21He was very popular
37:23in Japan.
37:25There was a Beijing stadium
37:27with 25,000 people.
37:29There were four stages.
37:31When I arrived in Beijing,
37:33I asked the staff
37:35about the tickets.
37:37They said they hadn't sold them yet.
37:39I was surprised.
37:41I asked if it was okay.
37:43They said it was okay.
37:45They said they would sell them
37:47right away.
37:49I said,
37:51I'll do it.
37:53It was sold right away.
37:55It was the same in China.
37:57When I passed by the stadium,
37:59the people there
38:01imitated
38:05my singing.
38:09But as he spent
38:11his busy days,
38:13little by little,
38:15something was wrong with his body.
38:17In 2003,
38:19he was in Korea
38:21for a dinner show.
38:23He complained of a bad condition.
38:27I went to rehab
38:29once every two days.
38:31I was shocked.
38:33I was so careful
38:35about calories
38:37and stopped smoking.
38:39I did everything
38:41for my health.
38:43Why?
38:45That's what I thought.
38:47Even when he fell ill,
38:49he worked hard
38:51to recover
38:53and continued to perform on stage.
38:57Miyoko Asada
38:59continued her career
39:01after starring in a drama.
39:03She was always
39:05impressed
39:07by her positive attitude.
39:09I saw that
39:11she was in
39:13Akano Sunplaza
39:15and bought a ticket
39:17with Kirin.
39:19We went there together.
39:21After the show,
39:23we went to the dressing room.
39:25We were surprised
39:27and happy.
39:29Even when he fell ill,
39:31he worked really hard
39:33and didn't give up.
39:35I thought it was amazing.
39:37I didn't hide it.
39:41As an idol,
39:43it was hard
39:45but it was amazing.
39:55She continued to sing
39:57on stage
39:59without hiding her illness.
40:01This was also
40:03a revolution
40:05as an idol.
40:09However,
40:11her fans and staff
40:13couldn't reach her.
40:15In 2018,
40:17Saijo Hideki
40:19couldn't go home.
40:23A special ceremony
40:25was held in Aoyama, Tokyo.
40:31A white mic stand
40:33was placed in the center.
40:35And
40:37the legendary concert
40:39was held
40:41in Osaka.
40:47I wanted to see it again.
40:49I wanted to see
40:51what it was like.
40:57I made a proposal
40:59but
41:01I couldn't take
41:03another step.
41:05As I was saying that,
41:07the stadium was gone.
41:09I couldn't do it anymore.
41:11It's a pity.
41:13I'm glad
41:15that the Osaka Stadium
41:17has been renovated
41:19like this time.
41:34It's a pity.
41:44Hideki
41:46went to heaven.
41:50However,
41:55the concert
41:57reflected Hideki's image
41:59was held
42:01in Aoyama, Tokyo.
42:03The fans
42:05held the penlights
42:07and sent them
42:09the same support.
42:13Now,
42:15I can see
42:17the audience
42:19from the screen.
42:21It hasn't changed
42:23at all.
42:25Even after 40 years.
42:31Moreover,
42:33the number of fans
42:35is still increasing.
42:39It has increased
42:41more than twice.
42:43The reason
42:45may be illegal,
42:47but in the 80s,
42:49for example,
42:51marriage, employment,
42:53raising children,
42:55people who left
42:57came back in 2018.
42:59Nakata met Hideki
43:01for the first time
43:03more than half a century ago.
43:07I don't feel lonely anymore.
43:09I don't feel lonely anymore.
43:11Now,
43:13I can watch
43:15Hideki's old videos.
43:17It's wonderful.
43:19I'm really happy.
43:21He left me
43:23such a wonderful thing.
43:25Hideki
43:27has a word
43:29that he cherished.
43:33Hideki's favorite word
43:35is youth forever.
43:37I want to walk
43:39with Hideki
43:41forever.
43:43I want to walk
43:45with Hideki
43:47forever.
43:51Hideki's revolution
43:53has gone beyond
43:55the world.
44:01Another Stories
44:03is a big hit.
44:05But
44:07Is it really completed?
44:09It's hell.
44:11It's hell.
44:13It's hell.
44:17A special work
44:19based in Tohbu, Myanmar.
44:21From the coverage of new testimony
44:23to the black film of the criminal organization.
44:25It will be broadcasted
44:27at 10 p.m. on the international news.
44:31Let's go!
44:33Let's go!
44:35This is amazing.
44:37It's a rare experience
44:39at Seibu Railway.
44:41It will be broadcasted
44:43at 6 p.m. on the 18th.
44:47Germany,
44:49Erfurt.
44:51It will be broadcasted
44:53at 7 p.m. on NHK.
44:57It will be broadcasted
44:59at 7 p.m. on NHK.