Igra sudbine, Epizoda 1135,Igra sudbine 1136 ,Igra sudbine 1135,Igra sudbine Epizoda 1136, Igra sudbine Epizoda 1135,Epizoda 1136 Igra sudbine ,Epizoda 1135 Igra sudbine
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TVTranscript
00:00♪♪♪
00:30I don't want to know what you know.
00:32I don't know anything.
00:33Nothing? If you start working for me, I'll destroy you.
00:36Is that clear?
00:37What's wrong with you? Stop thinking.
00:40Come on, admit what I promised you.
00:42I know, I know.
00:45I told you I'd take you to Belgrade, didn't I?
00:49Why don't you all come with me?
00:53You'll see how you'll solve your problems.
00:55I'm in love, you know?
00:57You know?
01:00I'm in love.
01:04Ido, thank you for the offer.
01:08Top.
01:10But I have to go, you know.
01:12Belgrade isn't far, I'm here.
01:14So, it's all okay.
01:16Sit here.
01:17You're not going anywhere.
01:19I told you so many times to let you drive,
01:21but you don't come, since you're staying in Đajđe.
01:24Okay.
01:25Okay, come on.
01:26That's right, what can I tell you.
01:28You won.
01:29I'm staying, I'm staying.
01:30That's right, bro.
01:32Now, if I may,
01:34tell me how many rooms there are.
01:36You can't come with me to explain anything,
01:38just tell me the number and I'll go to the room.
01:40That's it.
01:41There are no numbers, Trivanović.
01:43There are no free rooms.
01:45It's the season, I'm sorry.
01:48What do you mean there are no rooms?
01:50Where am I going to sleep?
01:51You think I'm going to sleep outside?
01:53Come on, please.
01:54You're going to sleep outside.
01:55What kind of a man would I be
01:56to let my wife sleep outside?
01:58Come on, man.
01:59No, Mido, every time I hear what you think of me.
02:03Okay, what do you think, where am I going to sleep?
02:06Look, since I still have to keep an eye on you,
02:10you're going to sleep with me.
02:12With you?
02:13With me.
02:14Where with you, in the room?
02:16Come on, we'll sleep together, what's wrong with you?
02:19Wait, Mido, you don't know,
02:22I have a disease.
02:24What?
02:25I snore very, very, very loudly.
02:28Come on, look, Trivanović,
02:31I also sleep very, very, very loudly.
02:49We don't know what you're talking about.
02:51We're talking about Luka Kanačko.
02:54I didn't know you were together.
02:56And what bothers you,
02:58the fact that we had something,
03:00or the fact that I didn't tell you
03:02when we met in Milan,
03:03and you were whining to me how you fell in love?
03:06It bothers me only because
03:08what will your relationship with him cost me.
03:12Well, dear, I'm sorry you're married.
03:16You don't have to be sorry for me.
03:18But I want you to withdraw
03:20the decision to raise the purchase price.
03:23What are you talking about?
03:24I don't get it.
03:26Well, nothing, then you'll have to deal with me.
03:30You see, some things have changed.
03:33I'm not the kid you met anymore.
03:36Is it? Interesting.
03:39What did you grow up into?
03:41Into a very influential business woman
03:44who can ruin your life with one call.
03:47If I withdraw the ties,
03:49you won't be able to go out,
03:50not to this one,
03:51but to any space here in Milan.
03:53Are you threatening me?
03:55Well, do whatever you want.
03:58Very brave of you, Laura.
04:00Take care.
04:01And one more thing.
04:03Further decisions.
04:21Why did you come back from Belgrade?
04:24What am I going to do here?
04:26I feel like a burden to you.
04:29You know it's not like that.
04:31I don't know.
04:32I don't know it's not like that,
04:33because you spend more time talking about Laura,
04:36about Paolo, about Luka,
04:37than about the two of us.
04:39Oh, well, I'm sorry.
04:40I mean, you know for yourself
04:42that I'm afraid that the project won't succeed
04:44and all this with Luka,
04:45what's happening with his affairs.
04:47You see, the important thing is that we are you and me.
04:49You and me, okay.
04:50Yes.
04:52Aleksa, I'm trying.
04:54You're going crazy on that topic,
04:56as if the difficulties will evaporate if I don't mention it.
04:58No, no.
04:59That's not quite true.
05:00We can both agree that this is a little
05:03unexpected and unplanned,
05:05but far from not happening to me.
05:08I hope you understand that.
05:09Well, I don't know.
05:10I don't know if I understand it,
05:11because you don't behave like that.
05:16I mean, you
05:18can't even imagine how I felt.
05:22Admit that I was a little soulless,
05:27but I just want to see
05:29what we're going to do.
05:32Can we?
05:35But together,
05:37let's think about what we're going to do.
05:38Okay?
05:40Aleksa, come on.
05:41Come on.
05:42Can we?
05:45Let's talk.
05:48Let's talk.
06:02What do you think about the experts?
06:04I don't understand.
06:05About that building in Cannes Capital.
06:07Aha, so I understood well,
06:09I'm just checking.
06:10And what do you say?
06:11I say it doesn't matter.
06:13But why?
06:14It would be great.
06:15I'm not an AIG.
06:17You can't find someone
06:18who practices in companies,
06:20a life coach,
06:21anyone but me.
06:23I'm begging you, Milena.
06:26What do I have to do with it?
06:28You have the opportunity
06:29to help your friend.
06:31Which I do, by the way.
06:32Of course.
06:33But,
06:35I mean,
06:36this time you could
06:37get to know the kingdom of Andrija Bošnjak.
06:40Yes, that's exactly what I was thinking about.
06:42God.
06:43Okay, jokes aside,
06:44you could evaluate all those women around him
06:46and give me some advice.
06:47What kind of advice do you need?
06:49Except to protect yourself.
06:51How can I stand up to them?
06:54Look, Bobo,
06:55you're old enough to judge.
06:56Come on, seriously,
06:57I don't think that's the best idea.
07:00Please.
07:01Try it.
07:02If it doesn't work, it doesn't.
07:06Okay.
07:07But I can devote
07:08just two hours of my life
07:10to women at Cannes Capital
07:11and not a minute more.
07:13You won't regret it.
07:14Believe me.
07:17I believe you.
07:18Thank you.
07:19Cheers.
07:39Mir,
07:40if you've already accepted me as your son-in-law...
07:42Easy, Trivanović, easy.
07:46Accepting is a process.
07:49Okay.
07:50A process.
07:52If that process has begun,
07:54if we look at it realistically,
07:55it's somewhere in the beginning, right?
07:57Why wouldn't I sleep with Ljubinka in her room?
08:01Where would you sleep?
08:02I mean, she has a big bed,
08:03wide, nice,
08:04she can...
08:05Easy, easy, Trivanović.
08:08We're not in that phase yet.
08:10Oh, we're not?
08:11No, no.
08:12When are we going to be...
08:14We're not even close.
08:16Not even close.
08:17Are you mad?
08:18No, no.
08:19I'm a little tired.
08:20Tired?
08:21Okay, I'll take you to rest now.
08:23Okay, but...
08:24Before we go,
08:26is there a way
08:28to speed up the process?
08:31Look, if you're not mad,
08:33then you're stupid.
08:35What's wrong with you?
08:36You can only sleep with Ljubinka in her room
08:38when you register.
08:41When?
08:42When you register, Trivanović.
08:44When you register, you know?
08:45Your fingers, when...
08:46Come on, get out.
08:47No, no, wait, wait.
08:48What is it?
08:49It's stupid.
08:50I mean, you and me,
08:51look at us,
08:52we're such losers.
08:53What?
08:54To sleep in the same bed,
08:55come on, it's a battle.
08:57What's wrong with me?
08:59We sleep next to each other.
09:01Or, head up,
09:03legs down.
09:04Whatever suits you.
09:05Provided your legs stink.
09:07They don't stink to me.
09:08No!
09:10They stink to me,
09:11they smell,
09:12they see.
09:13Well, my neighbor can't move.
09:15There you go.
09:16We won't, Srdina.
09:17Well, no.
09:18Did you serve in the army?
09:19Didn't you?
09:20Of course I didn't,
09:21what do you care?
09:22I'm a panda, man.
09:23Well, then you'll have
09:24a fast corner in Trivanović.
09:26It's faster in my place
09:28than in the army as a whole.
09:30Fast?
09:31Fast, fast.
09:32Now, come here.
09:33Come on, Dixie.
09:34Come on, Dixie, come on.
09:35Stand behind me.
09:36Come on, stand still.
09:37Come on, like a soldier.
09:38Come on, left with me.
09:39Left!
09:40Left!
09:41Right!
09:42Come on, Trivanović,
09:43like a soldier.
09:44Left!
10:01Whenever you're ready
10:03to talk,
10:04I'm listening.
10:09I had a tough session.
10:16Does Milena look like
10:18she's pushing you over the line?
10:22I guess she has to.
10:26I hope you know what you're doing.
10:32And...
10:33And...
10:36If you want to,
10:38if you can,
10:40you can tell me
10:42what was so scary in the session.
10:49We talked about...
10:51about you and me.
10:56I hope it's nothing scary
10:58against us.
10:59No, no.
11:01On the contrary.
11:03She was pretty supportive of us.
11:07She even said that we're like a family.
11:11That's wonderful.
11:13Why are you crying then?
11:19We talked about how I betrayed Luka.
11:23And he pushed you over the line.
11:25Easy, easy, easy.
11:28Wait,
11:29how did one of those
11:30wonderful statements
11:32lead us to the hell
11:34we went through?
11:38I feel guilty
11:40for sitting here
11:41when Luka was in the worst situation.
11:43But that's how we decided.
11:45We said that's the best way.
11:46We were only thinking about us.
11:48That's selfish.
11:50Poor Luka.
11:53Poor Luka?
11:56Poor Luka.
11:59Come on, please remember
12:00what he did to you.
12:03I should have thought
12:04a little bit more.
12:05Well, you thought a lot.
12:08You were very determined.
12:10You didn't betray him.
12:12And you're aware of that, right?
12:15And you?
12:16What about me?
12:20Are you aware
12:21that you betrayed Jovan because of me?
12:25I'd push you away again.
12:30I don't have a problem
12:32with me or the way I treated you.
12:37It all sounds terrible.
12:41Come on, please,
12:42just try to remember
12:45what Jovan and Luka
12:48did to us.
12:52Try.
12:54If it wasn't like that,
12:55you wouldn't be here.
12:57And I wouldn't,
12:58as you say,
12:59push Jovan away.
13:04That's true.
13:08Is it easier for you now?
13:23Yes.
13:32Yes?
13:36What time is it?
13:39I can't sleep.
13:41Nonsense.
13:42You came to me
13:43from this big house.
13:45Why don't you go out
13:46to the pool to sleep?
13:48You saw how nice the beds are,
13:49under the open sky,
13:50how nice it is.
13:51To the pool?
13:52Where?
13:53To turn me into a tomb
13:56like a cat
13:57when I sleep
13:58by the pool.
13:59Where is that?
14:00Come on,
14:01let it be on the side
14:02to freshen me up
14:03or a stethoscope
14:05to warm me up
14:06on the moon.
14:07No, no,
14:08it's not that.
14:09No, I'm here,
14:10in Kosmaj.
14:11Where is the romance?
14:13And you,
14:14pretty, alone,
14:15huh?
14:19Okay, come on.
14:21Huh?
14:22You can sleep.
14:23I can?
14:24No,
14:26I can't.
14:38Here you go.
14:45Thank you.
14:50I love you.
15:12Mido.
15:14Mido.
15:15What is it?
15:16I can't breathe,
15:17do you understand?
15:18Why?
15:19I can't,
15:20it's full of blisters.
15:21Open the window for me,
15:23and this Kosmaj air comes in.
15:26Do you feel this, you fool?
15:28I feel
15:29the blisters
15:30as if they were
15:31beating down on me,
15:32you know, in my stomach.
15:33Come on,
15:34cry a little,
15:35come on.
15:36How sensitive you are.
15:38You have to sleep in the morning,
15:40you have to get up early
15:41to see
15:42how you will look at work.
15:44Come on,
15:45let's sleep slowly,
15:46come on.
15:47Come on,
15:48come on.
15:49Just a little hand,
15:50a little hand.
15:51Slowly, slowly,
15:52come on,
15:53don't rush.
15:56What was that?
15:58What are you doing?
16:00Something is tickling me.
16:03What are you doing
16:04with that gross move, Mido?
16:05It's hard.
16:06What is hard?
16:07It's so hard,
16:08something is tickling me.
16:10How hard?
16:11Like a bubble,
16:12like a stone,
16:13like when you lie
16:14on a stone bed.
16:15Like a bubble,
16:16like a stone bed.
16:17Yes,
16:19that's my gun.
16:21What are you talking about?
16:22A gun?
16:24A gun in a bed?
16:25Are you crazy?
16:26What's wrong with you?
16:28What can I do, Mido?
16:29I'm carrying it,
16:30we will never separate from it.
16:31I will separate you.
16:32No, no, no,
16:33no one will separate me.
16:34Let me go.
16:35I'm sorry.
16:36Let me go.
16:37Are you crazy?
16:38Let me go.
16:39Leave me the gun.
16:40Mido,
16:41I won't be able to sleep.
16:42Let me go.
16:43Let me go.
16:44You will hit yourself.
16:45You won't be able to sleep.
16:46You have to sleep.
16:48You have to get up in the morning.
16:49I told you a hundred times,
16:50get up.
16:52You will give me a gun in a bed.
16:55Come on, we have to sleep.
16:56Come on.
16:57But how,
16:58when I don't have a gun?
17:06You will give me a gun in a bed.
17:08It was given to me.
17:09It should be
17:11resolved.
17:15Let me go.
17:17Let me go.
17:23Don't let go of the pigeon,
17:24just in case.
17:26I will shoot it.
17:29But how,
17:30when I don't have a gun?
17:44Let me go.
17:48You will give me a gun in a bed.
17:49I told you a hundred times,
17:50get up.
17:51Let me go.
18:00Don't let go of the pigeon,
18:01just in case.
18:05Let me go.
18:09You will give me a gun in a bed.
18:14I told you a hundred times,
18:15get up.
18:28What's wrong with you?
18:29Turn around.
18:31Look at him.
18:37Where are you?
18:44Where are you?
18:52What the hell is this?
19:03Wait,
19:04I'm sorry.
19:07Mile!
19:10Bitch.
19:11Wait, wait, wait.
19:12Wait, wait, wait.
19:19I will wake up.
19:26Jesus Christ.
19:30Mile.
19:33Mile.
19:34Mile.
19:36Wake up.
19:38Did you want to wake me up?
19:40Yes.
19:42I wanted to ask you,
19:44but I didn't dare to ask you.
19:47Mile.
19:49Do you love me?
19:50Mile.
19:52Maldive Mile loves a girl.
19:56Who?
19:57A car.
19:59A SUV.
20:00Mile.
20:03And a beautiful wife.
20:06And a boy's life.
20:09I can't take it anymore.
20:13You know what?
20:14Maybe it's better this way.
20:24You're cold.
20:25Shut up.
20:26I'm not even sure if I love you.
20:39Move aside.
20:43I love you.
20:56Mido.
21:00Mido.
21:03What is it now?
21:05Are you sleeping?
21:06You see I'm not sleeping.
21:07How can I sleep when I'm talking?
21:09Are you mentally retarded?
21:12I'm not mentally retarded.
21:13For example,
21:14my colleague,
21:15you know Seljanovic?
21:16No.
21:17He talks in his sleep,
21:19so he sleeps and wakes up at the same time.
21:21Don't tell me about Seljanovic.
21:24I won't be able to sleep right now.
21:27How did you sleep before that?
21:28What before that?
21:29How did you sleep before that?
21:30I didn't sleep.
21:31Let me go.
21:33What am I?
21:35What am I?
21:36What am I to you?
21:38What am I to you?
21:39I'm here to satisfy you.
21:41That's what I am.
21:42And what?
21:43Ok, Mido.
21:44You see,
21:45if I'm bothering you,
21:46I can sleep in the pool.
21:48Really?
21:49You won't.
21:50You go to sleep.
21:51Don't you move.
21:52Don't go.
21:53So you can pull something out of the cradle.
21:55I know where it is.
21:56No, no.
21:57I'm just thinking what I would do.
21:58You know?
21:59What would you do?
22:00I mean,
22:01if you want,
22:02I know everything.
22:03But I love her.
22:04You love her, right?
22:05Ok, ok.
22:07I know you love her.
22:08And you will love her after the registration.
22:11Ok.
22:12Can I say something?
22:14Go ahead.
22:15About her.
22:16That I like her.
22:17You can't do anything.
22:19You can't do anything.
22:20One horse.
22:21Do you know what a rider is?
22:25Have you ever heard of it?
22:26I don't know what it is.
22:27You don't know what it is?
22:28A rider.
22:29You'll find out if you don't bother me.
22:30Let me sleep.
22:31Go ahead.
22:32Ok.
22:33Wait.
22:34Wait.
22:35Before you fall asleep,
22:36can you tell me
22:37what a rider is?
22:38A rider?
22:39I don't understand.
22:40Listen.
22:41A rider is a person
22:42Yes.
22:43who rides horses,
22:44people,
22:45like you.
22:46Without a personality,
22:47without a character,
22:48without anything.
22:49There you go.
22:54For horses
22:55or for people?
22:56For people,
22:57for people.
22:58People like you.
23:03Go to sleep.
23:04I can't sleep.
23:05Go to sleep.
23:06Why can't you sleep now?
23:07I told you, Mido.
23:08If I don't have a gun,
23:09I can't sleep.
23:10I'm used to something
23:11bothering me.
23:13Oh my God.
23:14When you give birth to me,
23:15why don't you let me suffer?
23:20Here's your gun.
23:22Don't talk to me.
23:24Go to sleep.
23:25Thank you, Mido.
23:26You're welcome.
23:27Be grateful when you come home.
23:29It's easy to get out of here.
23:32Thank you.
23:37Thank you.
24:03Thank you.
24:06Ice cold as a snake.
24:10Look,
24:11again.
24:13Trivanović.
24:15Trivanović.
24:16Wake up.
24:18Wake up, Trivanović.
24:19Do you hear me?
24:20Come on, Zoran.
24:21Come on.
24:22I'm calling you.
24:23Come on.
24:24Wake up.
24:25Wake up.
24:26Wake up.
24:28What time is it?
24:29Six o'clock.
24:30We slept.
24:31You see?
24:32Six o'clock?
24:33I can't.
24:34I can't.
24:35I have to.
24:36I haven't slept yet.
24:37You can't.
24:38You have to.
24:39You can't.
24:40Come on.
24:41Come on, horse.
24:42Mido, please.
24:43Half an hour.
24:44Please.
24:45Who are you?
24:46Are you going to sleep until half past seven?
24:48Do you hear me?
24:49Come on.
24:50Wake up.
24:51Wake up.
24:52Fifteen more minutes.
24:53Do you want me to beat you?
24:54No, no, no.
24:55Just fifteen more minutes.
24:56Please.
24:57Do you want to feel
24:58that whip
24:59on your back?
25:00Whip?
25:01No, no, no.
25:02I won't.
25:03I won't.
25:04Come on, wake up.
25:05We're going to gymnastics in the morning.
25:07What do you think about that?
25:09Do you think like at school?
25:11No.
25:12Like in the army.
25:13Let's see how many push-ups you can do.
25:16Well, I don't know.
25:17I've never counted.
25:18Five, maybe.
25:19You haven't, have you?
25:20Let's see it now.
25:21What is it now?
25:22Let's see
25:23how many push-ups you can do.
25:24Mido.
25:25Let's see
25:26how many push-ups you can do.
25:27Come on.
25:28Come on.
25:29That's it.
25:30Come on.
25:31Come on, come on.
25:32Don't bend me, you have to do a hundred.
25:36Come on, slowly.
25:37Like this?
25:38That's it, that's it. You're getting better and better.
25:40Let's go, let's go.
25:42Three.
25:43Come on, legs down, chest, come on.
25:46Six.
25:47Bravo, master, bravo.
25:49Five, five.
25:50Who would have thought you were so strong?
25:52Five.
25:53Bravo.
25:54Let's do one more.
25:56Yes.
25:57Yes.
25:58All right, all right.
26:00So you still think it's a good decision of mine to continue working with MIDE and Maldives, right?
26:09Well, yes, I told you already.
26:13All right, all right.
26:14But, I mean, you didn't overthink what I think you think.
26:21You think it's all right, right?
26:25When was I ever like that?
26:27Well, you were never, really.
26:30Aleksa, it's not up to you at all.
26:33It's up to me.
26:35That's how I listen and think about whether it would be a good decision.
26:39But I'm begging you, if you think I made a mistake, that something is wrong with what I'm planning,
26:47I'm begging you to tell me.
26:49Don't hold back.
26:50Tell me everything.
26:51Well, cut, cut.
26:54The expansion of the offer, the assortment, the financial injection into our business, all of these are good things.
27:00All right.
27:01And is there a but?
27:03And what's after the but?
27:05Nothing, nothing.
27:07I mean, if we're doing great, if we don't like it, we'll get out of the deal, we'll stop working, and that's it.
27:13Uh-huh.
27:14And that's it.
27:15Aleksa, what's going on?
27:18Is everything all right with you?
27:20I'm sorry, I just have too much work here, my head is upside down and I can't focus completely.
27:26Wait, don't cut me off.
27:29I feel something's wrong.
27:32Can I ask you to tell me what?
27:35Lenka is difficult.
27:38What did you say?
27:40Are you normal?
27:42Why are you letting me talk about pigs, lambs and giving birth?
27:48You're skipping the main thing.
27:52You don't know what I'm saying?
27:54What do you mean, you don't know what to tell me?
27:56What's there to know or not to know, Aleksa?
28:01What are you planning next?
28:03I don't know, Pančić.
28:04I'm sorry, I have to go, someone's calling me.
28:07Aleksa.
28:10What's there to know or not to know?
28:14At least that's one way to get to know everyone.
28:18Come on, kids.
28:20Lenka is difficult.
28:23Stop, you can't start, I have to pour the coffee, slowly, relax.
28:30Okay, now.
28:31Can I?
28:32Okay, okay, come on.
28:33Let's see.
28:35Stop.
28:36Leave it.
28:37I don't believe it, Pančić, take another one.
28:39I can cut that too, come on.
28:41Which one?
28:42That brown one, come on.
28:44That's it.
28:46That's good.
28:48Come on, relax, let's see.
28:50Can I?
28:51You can.
29:06We won't be able to push that team building alone.
29:09Too many negative emotions.
29:11I agree.
29:12That's why I listened to your advice.
29:15What advice?
29:17You said it would be good to hire an expert.
29:21Yes, yes.
29:23Well, I found a great psychotherapist.
29:27Grandma, I'm not sure I need a man.
29:30No, it's about women.
29:41Why are you so quiet this morning?
29:44Milo, I have to ask you something, but you have to answer me honestly.
29:49I always say everything honestly.
29:52Do you remember anything that happened last night?
30:11I have good news.
30:13Tell me, Senko, I'm busy.
30:15The idea to bring a mediator to the company for the team building has been adopted.
30:20I don't remember adopting anything.
30:23We were left alone, so I came to inform you.
30:27Actually, to ask you if you agree.
30:30I think you should have asked me first.
30:33I don't agree.
30:35No actually I came to ask you if you agree.
30:38I think you should have asked me first.
30:52My boy, it's good for you, this wood, you're fast, aren't you?
30:56You need to correct your cock a bit, it will help you.
31:00Me as? What? I'm angry.
31:02You lose.
31:03and all the important work we have to do.
31:05I want you to meet your future father-in-law.
31:08Neposava!
31:11Oh, Neposava!
31:13NEPOSAVA
31:31Oh!
31:33Good day.
31:35Good day.
31:37How do you know my company?
31:39You don't know?
31:41You want to look at me?
31:44I'm not used to such a building.
31:59Good morning.
32:01Good morning.
32:03Good morning.
32:05Good morning.
32:08What?
32:09What time is it?
32:26But not the whole, but a third.
32:28I share it with a neighbor.
32:30And I have another neighbor.
32:32So I have a whole gun,
32:34half a zephyr and a third of the strength.
32:36Can you take something away from a criminal
32:38when you're that good?
32:55Okay.
32:57But anyway,
32:59I hope that woman will save me from you.
33:02You mean us from you?
33:04I don't think so.
33:06You won't save me from me.
33:08But you are worth watching.