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  • 3 days ago
Beyond Paradise Season 1 Episode 5

#BeyondParadise
#PrimeUSTV

Transcript
00:00It was twice for a long time, but I don't know what it was for you.
00:30It was twice for a long time.
01:00It was twice for a long time, but I don't know what it was for you.
01:30It was twice for a long time, but I don't know what it was for you.
01:32It was twice for a long time.
01:34It was twice for a long time.
01:36It was twice for a long time.
01:38It was twice for a long time.
01:40It was twice for a long time.
01:42It was twice for a long time.
01:44It was twice for a long time.
01:46It was twice for a long time.
01:48It was twice for a long time.
01:50It was twice for a long time.
01:52It was twice for a long time.
01:54It was twice for a long time.
01:55You did a yoga class.
01:56You were feeling guilty about having cheated on your theory test.
01:59I'm not feeling guilty.
02:01Oh, for goodness sake.
02:04I saw you and Archie together the other night, kissing.
02:08That's not what...
02:10It isn't what you think.
02:13Archie tried to kiss me, but I slapped him before he got the chance.
02:17You slapped him?
02:18Yes.
02:20Quite hard as well.
02:21A very dynasty of you.
02:24Dreading seeing him again, to be honest.
02:27No, I was believing there was nothing going on between you.
02:31There is nothing going on.
02:32Clearly.
02:33There is nothing going on.
02:37So you've told Humphrey all about it, then?
02:39No.
02:41But I just don't want him to worry, or to hate Archie, or do anything stupid.
02:48Your secrets have a funny way of coming back and biting you in the behind, you know.
02:51This isn't a secret.
02:53I just feel like I've given Humphrey enough to digest recently.
02:57Telling him that I'm in business with my ex-fiance.
03:01That I don't want a baby.
03:02How's Humphrey been about the baby thing?
03:06Perfect.
03:08Wonderful.
03:10Saying all the right things.
03:13That's the problem.
03:14I'm just not sure he's being completely honest.
03:17Good morning.
03:37Good morning, Esther.
03:39How's it going?
03:40Oh, it's almost done.
03:42Just overhauling now.
03:43Making sure there's no risk of rekindle.
03:46You suspect arson?
03:47Well, there's definitely a smell of petrol.
03:50And the graffiti strongly suggests that might be the case.
03:55Oh.
03:55I'm guessing this isn't a pig farm.
03:58Arable and sheaf, I think.
04:01Right.
04:02I'd better talk to the owner.
04:03Ah.
04:03That'll be Lucas Fairley.
04:05The farmer.
04:06He called it in.
04:07Okay.
04:08Cheers.
04:13Lucas Fairley?
04:14Not enough that they burned down my barn.
04:16They have to ruin my bloody tractor as well.
04:19Any reason someone might want to step by at your barn and write pig?
04:22Not that I can think of.
04:24It's a nasty looking scratch.
04:26Oh, yeah.
04:28Wrestling with a fence post.
04:31You called in the fire, is that correct?
04:33Yeah, I woke up about 3.30, I think.
04:35Saw the fire from the window, called 999.
04:36Did you see anyone or anything else unusual?
04:41No.
04:42No one.
04:43Are you married, partner?
04:45Anyone else living here?
04:46Who's asking?
04:49No.
04:52Does anyone else work here?
04:54No, it's just me.
04:55I have seasonal workers that come in during the busy periods for the harvest and the like,
04:59but no one are present.
05:01Right.
05:02Well, I'll have a look around.
05:03If you think of anything that could be relevant, give us a call.
05:06Should I take your number?
05:08Just in case.
05:10Station number is online.
05:11Well, I think I know who the pig is.
05:19Is it all right if I have a look?
05:20Yeah.
05:21I'll just follow you in.
05:27Blimey.
05:28Big.
05:29Big.
05:33What have you got?
05:37I don't know.
05:43Button, by the looks of it.
05:49Oh, duck, yes.
05:54Oh, yeah, I got it.
05:56A bit earlier with the warning next time, sir.
05:57I got one.
05:58It's apology accepted.
06:00Oh, hello.
06:00Nice overalls.
06:01Well, all the gear and no idea is my new mantra.
06:04What's this an aid of?
06:09Can I not treat my beautiful and perfect fiancé to a healthy and balanced breakfast?
06:14Well, when you put it like that.
06:16Oh, how was yoga?
06:22Yes, good.
06:24Well, apart from the fact that everyone was twice my age and three times as flexible.
06:28Oh, yes.
06:29Well, now we're no longer going to be drowning in nappies and carrot puree.
06:33Perhaps we could spend more time on our hobbies.
06:37You could go to yoga more than once a decade, and I could finally take up a...
06:44Squash?
06:45Crochet?
06:47Yes.
06:48Good idea.
06:51I could crochet you a nest, perhaps, Selwyn.
06:55It's just a thought.
07:03What?
07:06You just put the whole thing in a jar?
07:09Mm-hmm.
07:09You give it a shake, and then all the skin comes off.
07:13Why, never.
07:15Well, you two aren't discussing horror films again, are you?
07:18Garlic, sir.
07:20Right.
07:21Just when you think you've got life, sus.
07:23Morning, sir.
07:26What have you got?
07:28Suspected arson at Vicarage Farm, the hay barn.
07:32Petrol, the likely accelerant.
07:33Graffiti found nearby.
07:35Possible message?
07:36Pig.
07:37The farmer Lucas Fairley called it in around 3.30am.
07:40Silver button found at the scene.
07:43Could be related.
07:44Well, graffiti suggests it's personal, not random.
07:47Did Lucas Fairley have any idea who it might be?
07:49He says not.
07:51But?
07:52I don't know.
07:53There was something a bit off about him.
07:56We're just doing background checks on him, though.
07:59Excellent.
08:01Anyone fancy a cuppa?
08:20Oh, yes, please.
08:24No luck.
08:24I was hoping to work out what type of clothing the button has come from, but the markings
08:30are so faded, it's almost impossible to narrow down.
08:34All right?
08:36Hiya.
08:37Hi.
08:38Cleo.
08:39Stop it.
08:40Oh.
08:41I don't think you've met.
08:42This is our new DI, Humphrey Goodman.
08:44This is Cleo Davenport, Shipton's finest on-call firefighter.
08:48Pleased to meet you, Cleo.
08:49Well, coming from the town's finest darts player, I'll take that.
08:53Yes.
08:54Gotta say, it did feel good finally crushing the dartaholics.
08:58Right.
08:59Lovely to meet you, Cleo.
09:01Right.
09:01I was just on my way to pick up Danny from work, so I thought I'd deliver the initial
09:06fire report in person.
09:08Danny's working?
09:09Mm.
09:10Winslow's stables.
09:11Oh, I remember our first day at St. Vincent's.
09:13Oh, stop.
09:14You're making me feel old.
09:18We've got another fire.
09:20Griffin's timber yard.
09:21I'll keep you posted.
09:22Okay.
09:22Come on, let's go, let's go, let's go!
09:35Oh, my God!
10:05Exactly the same memo as the farm.
10:19Really links between here and Vicarish Farm.
10:21Not that I can think of.
10:23Looks like we might have a serial arsonist on our hands.
10:26Look at that.
10:27Mind the ants.
10:30Looks like they're having a party.
10:35Oh, are you the owner?
10:38Ow!
10:39Yeah.
10:42Susie Griffin, yeah.
10:44Luckily they didn't burn the whole place down.
10:46Can you think of any reason at all why someone might want to do this?
10:49No disgruntled employees or clients?
10:52Er, no. Not that I know of.
10:54There was another fire in the early hours.
10:56Yeah, Vicarish Farm, I heard.
10:57Do you know Lucas Valley?
11:00Yeah, I do.
11:01Not a fan?
11:02It's got a reputation, is all.
11:05What kind of reputation?
11:07Oh, you're better off asking his ex-employees about that.
11:11I'm sure Lucas will worm his way out of it.
11:13Yeah, he always does.
11:15There's no smoke without fire, if you ask me.
11:20Just...
11:22Hi, Margot.
11:27No smoke without fire.
11:29There certainly isn't.
11:30Yeah, we're on our way back.
11:33OK, we've looked into all ex-employees at Vicarage Farm.
11:37It seems Lucas Fairley is a bit touchy-feely with his female employees.
11:42The only one to report anything, though, is a seasonal worker by the name of Jess Owens,
11:46who left abruptly one month in.
11:49Didn't press charges in the end.
11:50And do we know where Jess Owens is now?
11:53Er, the Down Mountains in Fioreland National Park.
11:57Isn't that, um, New Zealand?
11:59Ooh, smart detective.
12:02She went about a year ago, not been back since.
12:04And obviously, not very contactable right now.
12:06Right, any family or friends still in town?
12:09No, she was just passing through, apparently.
12:11OK, thanks, Margot.
12:13Well, if that's everything, I'll be off.
12:19I've got an appointment with a chick in Kiev.
12:22Night.
12:23Night.
12:23Night.
12:24Gosh.
12:25Home time.
12:26I'm going to stay a bit longer.
12:29I'm still trying to find a match for this button.
12:33Well, I could stay and give you a hand.
12:36Thanks.
12:46I didn't know you played dance.
12:49No.
12:50Captain of the Kitty Cats.
12:51That's how I know Cleo.
12:52She's on my team.
12:53All right.
12:53I used to play a bit of darts myself.
12:58Really?
12:59Oh, yes.
13:00In fact, they used to call me the, um, the Eric Brister of St. Marie.
13:07OK.
13:12Prove it.
13:14What?
13:19Prove it.
13:23OK.
13:24OK.
13:41Oh.
13:42Oh, close.
13:43As well, I'm a bit rusty.
13:49Whatever you say, Eric.
13:59Excuse me.
14:02Round two.
14:05Round two.
14:13You're going to need more hose!
14:40Statement all done, sir.
14:42Thank you, Sergeant.
14:43Come for it.
14:47Archie?
14:49Sorry about your...
14:53wine cellar.
14:56Some of our best vintage in there.
15:00Such a waste.
15:01Yes.
15:02Any reason why someone might want to burn down your wine cellar?
15:05Upset anyone recently?
15:08You think it could be arson?
15:10Yes, I do.
15:11That would still be covered by the insurance, though, right?
15:16Well, that's a matter for your insurers.
15:19Excuse me.
15:20Excuse me.
15:21Is that a pyjama top, sir?
15:36What?
15:37Oh, yes, sir, it is.
15:38It was dark when I got dressed.
15:40Margot, can we have a look at Archie Hughes' insurance records, please?
15:49Yeah.
15:52There you go.
15:54Oh, um, thanks, Kelby.
15:56Lifesaver.
15:57Are you suspect, Dorothy?
15:59Is that a pyjama?
16:00Top?
16:01Yes.
16:02Just due diligence, really.
16:04Something he said.
16:05It's probably nothing.
16:08So...
16:09So far, we have three fires.
16:12All approximately 12 hours apart at three different locations.
16:15But what is the connection?
16:17And why the word pig?
16:19Why three pigs?
16:21I'll off and I'll puff and I'll blow your house down.
16:25What was that?
16:29Oh, just when you were saying three pigs.
16:32Reminded me of the story.
16:36Margot, you're a genius.
16:39Well, it has been said before.
16:42Of course.
16:44Esther, the three little pigs.
16:46This is what the arsonist is trying to tell us.
16:48But I think you might be clutching it.
16:51Straw?
16:52Exactly.
16:53Look.
16:53The hay barn is straw.
16:57The timber yard is sticks.
17:01And the wine cellar is bricks.
17:06Okay.
17:08Let's just say you're right for a minute.
17:10Why a children's story?
17:15That's what we need to find out.
17:17Back in a minute.
17:19Where is he off to?
17:20Oh, I've given up trying to understand the inner workings of the man.
17:26Huh.
17:27Right.
17:29Whilst we willy-winkies running through the town.
17:32Who?
17:34Oh, never mind.
17:35Can you look for any connection between our three...
17:38victims?
17:39We already know that Susie Griffin and Lucas Fairley have crossed paths.
17:44Any clubs they might all belong to.
17:46Any events they've all attended.
17:48Any employees or friends they have in common.
17:50That sort of thing.
17:51On it.
17:51Margot.
17:52Can you contact Archie Hughes' bank?
17:55I'll collate the financial records for our three victims.
17:58We might find something there if we cross-reference them.
18:00Shipped in police station.
18:04Oh, hi, Fluella.
18:11Let me just see who's available.
18:15Fluella Jones has just had a break-in at her boat shed.
18:19Fluella Jones has just had a break-in at her boat shed.
18:49Fluella Jones has just had a break-in at her boat shed.
18:51Okay, well, I doubt it, but...
18:53Fluella Jones has just had a break-in at her boat shed.
18:53We did the right thing and waited.
19:05What?
19:05What?
19:06What?
19:06What?
19:06Nothing.
19:09Place is clear.
19:13So, notice anything missing?
19:16i'll have to do an inventory an inventory how long is that going to take got somewhere to be
19:34let me get on with it then one okay tell you what i'll have a look around
19:41oh super i thought i'd swing by and see how you're getting on with these fires
20:04nap time is it
20:14so sorry noise cancelling i didn't hear sorry what was that i asked if it was nap time oh
20:22no i can see why you might think that uh i think better with my eyes closed sometimes it's uh it's
20:28all about sensory deprivation and the children's story and the pajamas they help you think better
20:35too do they oh right yes uh no well yes um the the children's story is actually relevant to the case
20:43ma'am you see our victims are pigs and um sorry our victims are pigs
20:49well not actual pigs metaphorical pigs right
20:59lester perhaps you can brief me in private uh yes sure
21:03oh those uh insurance docs came through oh yes uh great thanks margot good
21:15could you call archie ask him to come in please with pleasure
21:32so how are you finding things here yeah good and our new di he's growing on me i can see why you might
21:41be attached to this place it's it's got a certain old charm to it but it's stuck in the past
21:47you're a good detective esther imagine what you could achieve with all the modern technology and
21:53support hq could offer you what do you mean i want to bring you over to the hub i think you'd
22:00make a great addition to the team not just swinging by then well swinging by in a purposeful way
22:06there'd be a promotion in it for you too oh right um pc harvard oh are you choking he's definitely choking
22:36back again are you all right yeah yes thanks okay i better go
22:47lester think about what i said yeah
22:54ah can the earth just open up and swallow me whole
22:59it wasn't that bad the woman i love just performed the heimlich on me love or lust sometimes it's
23:12hard to tell the difference
23:16right don't don't you go tell the others all right what that you've got the hearts for the chief
23:20superintendent oh don't worry your secret's safe with me now go and get yourself cleaned up thanks
23:39all right we're in uh we're in we're in here hope i'm not under arrest uh no no no i just wanted to
23:56check a few things with you yeah fire away speaking of which how is the wine cellar
24:05oh uh fire away huh yeah uh mostly a great big pile of ash now sorry about that well luckily my stock
24:15is spread over the other sellers mostly oh how many do you have five well four now five impressive
24:25still a big insurance claim i suppose i guess so
24:31archie is there anything i should know
24:37anything you want to uh get off your chest perhaps uh no i don't think so you know it's best to be uh
24:44honest up front yeah right better for everyone involved
24:48okay archie
24:55i know
24:58you know
25:03oh okay look i'm i'm sorry i was wrong shouldn't have done it
25:10right
25:17well we're all capable of making bad decisions while we're under pressure thank you
25:23that's very understanding of you
25:26so you're ready to make a full statement then statement for for a kiss for what
25:30oh look i know it was wrong of me i'm sorry i'm confused what kiss sorry didn't martha tell you
25:36martha look uh you said you knew about the insurance the the insurer doubled your insurance two days ago
25:43kiss kiss mark no no no she slapped me nothing nothing happened i can't be i'm sorry what's going on
25:50i'm not entirely sure but i think it's best you take over sergeant before i do something i may regret
25:53i'll break listen
26:12my granddad used to collect these
26:16it's a mystery they are you think of all the conversations out over a pint of beer
26:23life shared stories told yeah it must be worse i mean you can't put a value on stories past down
26:32oh i know you all like to do it on facepad these days but when i were a lass that we're all done
26:37dribble like folks are folk well we still like to chat over a point every now and then too
26:44well um anything missing i'd just say but i thought didn't you do an inventory i'm not a bloody
26:59oh mac oh mac oh i'm mac as i said um okay let me know if you do notice anything missing
27:09ah yeah all right yeah okay see you flow oh yeah
27:15cheerio cheerio
27:21oh
27:39you all right sir yes yes good fine great um uh so where are we up to archie hughes has increased the
28:03insurance on his business due to winning several awards for his wine recently and his whereabouts
28:07for the fires he was in london on business at the time of the first two fires but no solid alibi for
28:12the third just to sleep in bed but i'm struggling to find a motive and no leads on the button still
28:18nope
28:21well this day couldn't get any better
28:27isn't this the bit where you tell us we're missing something sorry
28:35we've missed something what is the arsonist trying to tell us if our victims are the three little pigs
28:44then who would want to blow their houses down and why who is the big bad wolf
28:55that was very good yes it was thanks i've been practicing
29:03i'm gonna go see cleo see if the latest fire reports ready maybe that can shed some light on things
29:07yes yes okay bye
29:19okay um margot there has to be a connection between the three victims nothing makes sense without that
29:23there must be a connection so let's draw through the backgrounds again i'm on a cake break
29:28what is that is that a thing since i gave up cigarettes yeah right yeah yes of course yes
29:40well i'll make a start and you jump in when you're ready right you are
29:44well i'll be damned they were after my pink and a can of petrol by the looks of it
29:59uh cctv caught them walking away do you recognize them what that dark blurry figure
30:06uh
30:08worth an ask
30:09Uh, excuse me a sec, Flo.
30:21Hmm?
30:22Hey, get, get, not...
30:24Oh.
30:28Uh, yes, hello?
30:30Sir?
30:31Kelby, everything all right?
30:34What colour did they use to paint the pigraphy?
30:38Blue.
30:39Would you say it was a royal blue?
30:42Uh, yes, yes, I would, yes.
30:45The breaking that flows.
30:47A pot of royal blue paint was stolen, as well as a can of petrol.
30:52I thought maybe it could be related to the fires.
30:56It'd be odd if it wasn't.
30:58Which means we're looking for the person who broke into the boat shed.
31:01I've got an image of the suspect.
31:03Bit blurry, but send it to IT to see if we can enhance it.
31:07Great.
31:08Good work, Kelby.
31:09Sure.
31:21Oh, hello.
31:21I just wondered if you have the fire report ready.
31:23Oh, great minds.
31:24I was just about to drop it off.
31:25Do you want to come in?
31:26Yeah.
31:26Thanks.
31:32You're a star.
31:34Well, I don't know how much help it's going to be, though, I'm afraid.
31:38Large traces of petrol found at each location, so definitely arson, but I'm still none the wiser as to who or why.
31:45No, us neither.
31:47Mum!
31:48Can't find my bag!
31:51Oh!
31:53Hi.
31:54Hi, Danny.
31:54It's on the hook.
31:55Honestly, she'd lose her head if it wasn't screwed on.
31:59You all right?
32:02Oh, yeah.
32:04Zoe's the same.
32:05Anyway, thanks for this.
32:06I'll best get back.
32:07See you.
32:08Yeah, I'm really sorry to burst in on you like this.
32:13I heard about your wine cellar.
32:15Yeah, yeah, yeah, yeah.
32:17Oh, it shouldn't disrupt your deliveries, though.
32:21I'm really busy, Archie.
32:22I know.
32:23I'm sorry.
32:24Can you stop apologising?
32:25Yeah, I'm sorry.
32:25Yeah, I just want to apologise, and I can see how that might sound like a bit of a hollow gesture, but...
32:33You betrayed our friendship and jeopardised our partnership.
32:36I know.
32:37And I'll go if you want.
32:40But please, let me explain.
32:43Okay, fine.
32:44Five minutes.
32:45Five minutes.
32:48Hi, guys.
32:49Bye.
32:49Right, um...
32:59This isn't an excuse, but when you broke off our engagement, I was devastated.
33:05And then you came back into my life, and I realised I'd never stop loving you.
33:10And you were always the one for me, Mots, and I wish I felt differently.
33:13I do.
33:14And it was selfish of me to put you in such a difficult situation.
33:17I was wrong.
33:19It's not enough to love someone.
33:24You have to want the same things, be in the same place.
33:27Metaphorically, I mean.
33:29You both have to feel the same way, and to be honest with each other about that.
33:36And I accept that you might not feel the same way about me as I do you, unless you're hiding it really well.
33:42Just checking.
33:43But seriously, this partnership, your friendship, it'd mean the world to me, and it would be my biggest regret if I've ruined that.
33:58Can I ask your forgiveness now?
34:04Yes, you may.
34:07Mots, please forgive me.
34:08Yes, you'll forgive him.
34:09Oh, um, I might have put my foot in it with Humphrey.
34:19What?
34:20Cross wires.
34:21I didn't realise he didn't know about the whole kiss attempt slap thing.
34:26Archie!
34:27Why didn't you tell him?
34:30Because I hadn't got round to it.
34:32I need to go and talk to him.
34:33Do you want me to come?
34:36No!
34:38Well, I...
34:38This is my mess.
34:40You're back to bite me on the behind.
34:43God, I hate it when Mum's right.
34:49Look, it's still pretty blurry.
34:51It's definitely a woman.
34:53Always slim, man.
34:57I think I know who it is.
34:59From all the way over there?
35:00What?
35:01The arsonist.
35:02I'm not sure, but...
35:04Well, maybe this will help.
35:05Uh, yeah.
35:06I managed to, uh, track down some CCTV footage of the suspect that broke into Flo's boat shed.
35:12To steal paint and petrol.
35:16It's Danny Davenport.
35:20Cleo's door.
35:24The silver button I found?
35:26I've just seen her.
35:28Hi.
35:29She had a silver button missing from her dungarees.
35:33They're identical.
35:37Hang on.
35:43Yes.
35:45Look at this on Lucas Fairley's bank statements.
35:47Here.
35:48Winslow Stables.
35:49That's where Danny works.
35:50They must buy their hay from Lucas.
35:54And Danny goes kayaking at the point.
35:56So she must pass by Flo's boat shed all the time.
36:00But why would she set these fires?
36:01I don't know about the other two, but we all know Fairley's reputation.
36:05And on the morning after the fire, I noticed fresh scratches on his arm.
36:10Wrestling with a fence post.
36:14Maybe he tried to assault Danny?
36:16It could be how she lost the button, too.
36:18If she did set the fire at Vicarage Farm, then she must have done the other two.
36:24Wait.
36:24Didn't Cleo say she was picking up Danny from work when the second fire broke out?
36:27Giving her an alibi.
36:28Check with the stables.
36:29Check.
36:29She was actually there.
36:33Oh, and see the last time she visited Vicarage Farm.
36:36I really hope I'm wrong.
36:38Oh, hi.
36:39This is Shipton Police Station.
36:41What about our other two victims?
36:42Our other two victims.
36:43The Timmy Yard and the Wine Cellar.
36:45Are they linked in any way?
36:47Nothing on the searches.
36:48Because all three fires must have been set by the same person.
36:52Cheers, mate.
36:53Yeah, brilliant.
36:58Danny Davenport was at the stables all afternoon.
37:01We sign in and sign out.
37:04She was definitely there when the second fire was started.
37:08Airtight alibi.
37:09So I was wrong.
37:10Although she was at Vicarage Farm the day before the fire, picking up a bales for the stables.
37:14There's nothing new in the fire report, either.
37:18Traces of petrol, clearly the same perpetrator, the same MO.
37:21But other than that...
37:22Yes.
37:23Unless.
37:25What?
37:26Excuse me.
37:26The lab report might have picked up something the fire investigators did not.
37:37I don't know.
37:39I don't know.
37:41But right now, I'll take anything.
37:43Come on.
37:43Come on.
37:49Huh.
37:51What?
37:53Triglycerides.
37:55That's, um...
37:56Vegetable oil.
37:57Yes, I thought so.
37:59What?
38:00I'm a genius.
38:01Though you wouldn't exactly describe its presence at the scene as being obscure,
38:06yet it's noted in the lab test, but not in the fire report.
38:09Why?
38:17Why would Cleo leave triglycerides out?
38:19Well, I guess vegetable oil is a common household item.
38:22She might not have thought it was relevant.
38:25Ants' party.
38:27What?
38:27Ants!
38:29Do you remember the ants at the Timberyard fire?
38:31Lots of them!
38:32Yeah.
38:33But they would have been attracted to the oil.
38:34They would have been attracted to the oil.
38:42Back in a minute.
38:44Not this time.
38:45I'm coming with you.
38:56What is he doing?
38:57There's a fine line between genius and Sally.
39:05Come on.
39:16Someone showed me how to do this once.
39:20I think I've remembered it right.
39:21So what do we do?
39:27Now, we wait.
39:42Would you like to talk about what happened between you and Archie?
39:48How much did you hear?
39:51Enough.
39:51Nothing actually happened.
40:06Well, it was certainly nothing for me to get upset about.
40:12Martha stopped him trying to kiss her.
40:19So...
40:20Nothing.
40:21Nothing.
40:22I just...
40:24I...
40:25I don't know why she didn't tell me.
40:29Maybe she will.
40:32In her own time.
40:36She feels like we're a bit distant at the moment.
40:38I thought the IVF would bring us closer together, but, you know, facing adversity, what doesn't kill you and all that.
40:49I didn't know about the IVF.
40:50I didn't know about the IVF.
40:54I'm sorry.
40:58I'm sorry.
40:58Thanks.
41:00For what it's worth, but it puts a strain on anyone's relationship, but at least you're facing it together.
41:15Except we're not.
41:16Except we're not.
41:16Except we're not.
41:16Except we're not.
41:16Not anymore.
41:18Not anymore.
41:22It's like we just can't find each other.
41:25And now Martha's decided she doesn't even want children.
41:30How do you feel about that?
41:36Fine.
41:38Really?
41:39Yeah, I just want to support Martha to be there for her.
41:43You can't just disregard your own feelings.
41:47That's no help to anyone.
41:48You'll figure it out.
41:55I'm sure.
41:58Yeah.
41:58Yeah.
42:18Humphrey?
42:24Humphrey?
42:30I suppose you've seen Humphrey, have you?
42:35Never mind.
42:39You're right.
42:41I should have told him.
42:48What a mess.
43:03Sir, this is ridiculous.
43:05I'd keep a safe distance if I were you.
43:07What?
43:07From the scary cardboard?
43:18Two hours, ten minutes.
43:23Just enough time to set the delayed ignition device, graffiti pig on the wall and get back
43:26in time to give yourself an airtight alibi.
43:28So you do think Danny is our arsonist then?
43:30Well, yes.
43:34And no.
43:36I think you were right about Danny and Lucas.
43:38On the day before the fire, we know that Danny was collecting hay bales from Vicarage Farm.
43:42I think it was here, sadly, that Lucas likely attacked Danny.
44:09The button coming off from the struggle.
44:13Get off me!
44:21Pig.
44:23Exactly.
44:23On the night of the fire, I think Danny broke into Floella's boat shed and stole the paint and petrol.
44:39She then headed back to the hay barn at Vicarage Farm to teach Lucas Fairley a lesson.
44:46She wanted to leave him.
44:53A very clear message.
44:56But why did she start the other two fires?
45:02I don't think she did.
45:05I thought she had when I first thought of this experiment.
45:09You know, I was trying to find a way to break her alibi, but then two things struck me.
45:14Which are?
45:14Firstly, if we're right about what happened at Vicarage Farm, and that Danny started the fires there, which I think we are,
45:22then she had no reason whatsoever to start the other fires.
45:26And the second?
45:27The person who showed me this trick was a firefighter.
45:33It's a training exercise.
45:34I think Cleo arrived home to find Danny distraught.
45:42Perhaps trying to dispose of any evidence.
45:45And either Cleo worked out what had happened, or Danny had told her.
45:50Danny must have begged her mum.
45:51Begged her mum not to do anything, not to go to the police, because if she did, she would also have to confess to starting the fire.
45:57Cleo must have been desperate.
45:59Desperate.
45:59Desperate, because if she'd know full well that there was every chance that her daughter would be caught and charged with arson.
46:06So you're saying that Cleo set the other two fires?
46:10But Cleo would never.
46:11She's a firefighter.
46:17And a mum that would do anything to protect her daughter.
46:20Cleo knew, though, that she could make it look like a serial arsonist.
46:24Then she would draw the focus away from the first fire.
46:26And most importantly, draw the focus away from Danny.
46:29I mean, the pattern was already set.
46:32Burnt straw, and the word pig scrawled on the tractor.
46:35All Cleo needed to add, sticks and bricks, and we'd be looking for the big bad wolf.
46:39And by using vegetable oil, Cleo was even smart enough to make sure she was at the police station when the report of the second fire came in.
46:49I'll stop it out, okay?
46:52Don't tell anyone.
46:53Okay.
46:54During her training, Cleo would learn that if you soak a rag in vegetable oil and place it inside a container,
47:03then the oil undergoes a chemical process known as oxidation that releases energy in the form of heat when exposed to air.
47:11Meaning it will self-combust after a certain amount of time.
47:15She chose Susie Griffin's wood yard for sticks, and Archie's wine cellar for bricks.
47:25I think she selected two targets that she knew would be empty, so there was no danger of anyone getting hurt.
47:31Now, the oil allowed her to be far away when the fire started.
47:39And just as importantly, it would send us off on a wild goose chase and away from her daughter.
47:46I'm sorry.
47:57I know she's your friend.
48:00If you'd rather not come, I can do the next bit on my own.
48:03No.
48:07No, I'll come.
48:08I'm sorry, Cleo.
48:22You know, don't you?
48:24You're going to need to talk to Danny, too.
48:26No.
48:27No.
48:28I did it.
48:29It was me.
48:30I set all three fires.
48:31I take full responsibility.
48:33Look, I'm sorry, Mum.
48:34Do you have someone in your life that you love more than anything?
48:36I do, yes.
48:37And you're willing to throw yourself in front of a bus to save their life?
48:40Yes.
48:41Well, we all have versions of the truth.
48:43Stories that we tell to protect the ones that we love.
48:49I'm telling the truth.
48:51My truth.
48:56And I'm not going to change a word of it.
49:00I set all three fires.
49:05I'm sorry.
49:08I don't think handcuffs are necessary.
49:10Come on.
49:13Mum!
49:15No.
49:16Please don't.
49:16Shh.
49:18There's a lasagna in the fridge and there's money in the pot if you need it, okay?
49:21I'll call you when I've got a chance.
49:24Love you.
49:25I love you too, sweetheart.
49:29More than anything we can know.
49:30Maybe I'll stay with Danny for a bit.
49:43Yeah.
49:44Good idea.
49:45Okay.
49:46I'll make this a cup of tea.
50:00Come on down.
50:00Come on.
50:01Come on.
50:01Come on.
50:01Come on.
50:07Thanks.
50:08You know, my daughter Zoe, she's 15 now, and I'd do anything to keep her safe.
50:25And it makes me sick to my stomach, the sort of anyone hurting her.
50:30I know it's not easy, worrying if you'll be believed, so I would never judge you, Danny,
50:44whatever you decide to do.
50:48But if Lucas Fairley did do something to you, then he should be held accountable before he
50:55hurts anyone else.
50:56And if you did want to tell the truth, I'm sure what happened to you will be taken into
51:03account.
51:08Now, it's up to you.
51:10But I'll be at the station till late this evening.
51:14Just in case.
51:15I'll be at the station till late this evening.
51:16I'll be at the station till late this evening.
51:17I'll be at the station till late this evening.
51:18I'll be at the station till late this evening.
51:19I'll be at the station till late this evening.
51:20And I'll be at the station till late this evening.
51:21And I'll be at the station till late this evening.
51:22And I'll be at the station till late this evening.
51:23And I'll be at the station till late this evening.
51:24And I'll be at the station till late this evening.
51:25And I'll be at the station till late this evening.
51:26And I'll be at the station till late this evening.
51:27And I'll be at the station till late this evening.
51:28And I'll be at the station till late this evening.
51:29And I'll be at the station till late this evening.
51:30And I'll be at the station till late this evening.
53:31Archie thing that I know.
53:36It's okay.
53:38I know that you know, but it shouldn't be okay.
53:42You know?
53:44How?
53:45Archie told me.
53:46Oh, right.
53:51You've seen him today, then?
53:53I came to apologize.
53:55Oh.
53:58Oh, good.
53:59I came home to talk to you about it, but you weren't here.
54:03And I didn't want to bother you at work.
54:04I'm sorry.
54:07I'm sorry.
54:21I've just arrested Cleo Duffenport for those fires.
54:25Firefighter?
54:27Yeah.
54:30All for her daughter.
54:35I'm ready, really.
54:37What a parent will do to protect their child.
54:39It's what you want, isn't it?
54:45To be a parent.
54:48No.
54:51For once, I need you to stop being nice.
54:55Stop telling me what you think I want to hear.
54:59Once.
55:00Just once.
55:01Tell me the truth.
55:11There's no switch I can turn on.
55:14I've tried.
55:15I know.
55:15I've tried.
55:15I can't.
55:16I'm sorry.
55:17You know, I want to tell you that I've got to terms with it.
55:19I'm happy that it doesn't matter.
55:21But you're right.
55:22It's not how I really feel.
55:28I might be able to one day.
55:30I don't know.
55:31But right now, it's...
55:34I can't.
55:37I don't know that hurts you, and that hurts me too.
55:44What for?
55:46Being honest.
55:50I can't marry you like this.
55:52What?
55:53How can I ever believe you're happy?
55:55That you won't come to resent me?
55:58I'm scared I'm not enough.
56:00What?
56:00What happens if in two, five, ten years' time you still want kids?
56:05What then?
56:05Then we figure it out together.
56:08What?
56:08You mean you make do and settle for less just to make me happy?
56:12No.
56:12I can't do this.
56:13I can't do this.
56:14This will always eat away at us.
56:17No.
56:18I can't do it to you.
56:22And I can't do it to myself.
56:25And please, don't.
56:26I'm sorry.
56:32I'm so sorry.
56:33I'm so sorry.