A world famous fashion model is held captive by Richard Tate, a crazed fan. Richard wants her for himself but Emanuelle is determined to escape.
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Short filmTranscript
00:00:00The End
00:00:30Are you ready to get started?
00:00:37I think you are.
00:00:38We've got to make some art here, people.
00:00:40Okay, that's it.
00:00:41All right, let's go.
00:00:42Bring that light right in here.
00:00:43Down here.
00:00:44All right.
00:00:45All right, that's not it.
00:00:46No, I need more light than that.
00:00:47You're ready.
00:00:48You're in the spot.
00:00:49It's about anything.
00:00:50Okay.
00:00:51Right there.
00:00:52All right, this is heating.
00:00:53Oh, yeah.
00:00:54Good boy.
00:00:55Yeah.
00:00:56All right.
00:00:57Let's go.
00:00:58I told you, it's too hot.
00:01:00Turn it over.
00:01:01Give it the other flat side, idiot.
00:01:02Come on, let's go.
00:01:03Come on.
00:01:04Oh, Jesus Christ.
00:01:05Oh, Jesus Christ.
00:01:06Come on.
00:01:07All right.
00:01:13Good.
00:01:14Back in there.
00:01:15Back in there.
00:01:16That's a good dog.
00:01:17That's such a good dog.
00:01:19Good.
00:01:20All right.
00:01:21That's fine.
00:01:22Hang on.
00:01:24Let's go.
00:01:25Hang on.
00:01:26That's good.
00:01:26Hang on.
00:01:31All right.
00:01:32That's fine.
00:01:34All right.
00:01:36Hang on.
00:01:36Hang on.
00:01:38Hang on.
00:01:39Hang on.
00:01:40All right.
00:01:41Good.
00:01:42All right.
00:01:44I think he looks good, don't you?
00:02:08And we're out of film.
00:02:09All right, take five.
00:02:10We're reloading now.
00:02:10This is the dumbest dog in the whole world.
00:02:13Where the hell did you get such a dumb dog?
00:02:15It's my dog.
00:02:16I trained that dog.
00:02:17I love this dog.
00:02:19And you are as dumb as the dog.
00:02:37All right.
00:02:38Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:41Are we all happy?
00:02:46Then give me the goddamn dog.
00:02:48This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:06I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:21At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world, the covers of Vision, Olay, and Valary, just to name a few.
00:03:34Emmanuel, as she is best known, has now become the world's standard of beauty and fashion, and is also a major symbol of the feminist movement.
00:03:43She denies any interest in the job of president of the women's press club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:56She's been described as the highest paid fashion model in the history of the business.
00:04:00Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:20When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:27No.
00:04:28Yes, I did.
00:04:29I didn't think that I could handle the job.
00:04:32It was too difficult, too hard, and at times it seemed impossible.
00:04:39Women were second-class citizens then, and they still are today.
00:04:45But let me tell you what.
00:04:47Things are changing.
00:04:53Emmanuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:11Jesus.
00:05:12Good morning, ladies, and welcome to a man's world.
00:05:22Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:30They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:36They will tell you that there is no sexual harassment in the workplace.
00:05:45And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:53This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:03I don't want to take this world away from the boys.
00:06:11All I want is for us to have a piece of the pie.
00:06:18And when I'm talking peace, ladies, I don't mean a little one.
00:06:24I want to thank you so much for having me here tonight.
00:06:46I will cherish this woman for the rest of my life.
00:06:54Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:12Let's go, man.
00:07:14Oh, my Lord.
00:07:14I will tell you, you should remain barefoot and pregnant.
00:07:18Well, ladies, all of this is going to change, ladies.
00:07:25Yes, 50-50, 50%, honey.
00:07:27Come on.
00:07:28Come on.
00:07:29Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No, 50-50.
00:07:36All I want is for us to have our piece of the pie.
00:07:41Yes, 50% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45Psycho-cold.
00:07:46I am talking piece, ladies.
00:07:49I'm not talking a small piece.
00:07:52I am talking 50% right down the middle.
00:07:58Yes, yes, yes.
00:08:00Just get the bathroom.
00:08:01Just get it, honey.
00:08:02Come on.
00:08:03I want to thank you so very much for having me here today.
00:08:07I will treasure this for the rest of my life.
00:08:16I have a sweet setup for you at a lovely Japanese hotel in Beverly Hills.
00:08:33Good.
00:08:33Then you have to be at the location by four this afternoon.
00:08:48Fine.
00:08:49What about the deal?
00:08:49Okay.
00:08:50For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:03Phil, what do you do when I'm not in town?
00:09:04No, come on.
00:09:07You can tell me.
00:09:08I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out.
00:09:14I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:23I know you're a very good boy, Phil.
00:09:53I know you're loving, but it won't be me.
00:10:00You're not done about.
00:10:06Oh, girl.
00:10:09I can't see you with somebody else.
00:10:13Gotta have you darling now.
00:10:18Hold me like nobody else.
00:10:23I'm going to make you love me
00:10:25And hold you through the night
00:10:30Look what you've just done to my heart
00:10:35Look what you've just done to my heart
00:10:40Look what you've just done to my heart
00:10:45Look what you've just done to my heart
00:10:49Look what you've just done to my heart
00:10:54Oh, baby
00:10:55Look what you've just done to my heart
00:10:59Oh, yeah.
00:11:12Good morning, ladies, and welcome to a man's world.
00:11:15Let me tell you a little about men, ladies
00:11:20They'll tell you anything they want you to hear
00:11:24They'll tell you that they'll pay you as much as they're earning for doing the same job
00:11:31God, I hope not
00:11:34Oh, Lord, woman
00:11:36We have a problem here, Emmanuel
00:11:39Well, it's the word they
00:11:44Now we all know that they pertains to men
00:11:48So why don't you just come out and say
00:11:52Men, you're blessed with great beauty
00:11:55You should be satisfied with that advantage
00:11:58But you're not
00:11:59I think all you girls should remember the terminology
00:12:03Manpower
00:12:04Manipulate
00:12:06The rights of man
00:12:08Manhole
00:12:09I mean, all you girls can climb down
00:12:11And it's still going to be a manhole in the eyes of God
00:12:13In the eyes of everyone
00:12:14You can't change that
00:12:15Not even God can change that
00:12:16Understand that, lady
00:12:17You have a lot to learn, Emmanuel
00:12:24And one Richard Tate
00:12:27Is going to teach you, darling
00:12:30Okora Hotel
00:12:51Oh, yes, Miss Emmanuel Griffith, please
00:12:53May I say who's calling?
00:12:55Oh, yes, tell her that our studio driver has arrived
00:12:58One moment, please
00:12:59Yes?
00:13:01Yes, Miss Griffith?
00:13:02Yes, your limo is here
00:13:03What time is it?
00:13:05No, I'm an hour from now
00:13:06Oh, no, but they moved the time up, ma'am
00:13:09Did they tell you that?
00:13:11No
00:13:11Alright, fine
00:13:13I'll be down in a minute
00:13:15Ok, thank you
00:13:23I'm sorry
00:13:24I'll be down in a minute
00:13:25I'm sorry
00:13:25I'm sorry
00:13:26I'm sorry
00:13:27I'm sorry
00:13:28No
00:13:36I've got a mistake
00:13:37I don't know.
00:14:07Hey, buddy.
00:14:31I smell some gas back here.
00:14:35Hey, guy.
00:14:38You got a leak or something?
00:14:45Can't you get the window down?
00:14:50Hey, mister.
00:14:52Hey, mister.
00:14:53What are you doing?
00:14:54What are you doing?
00:14:58Open my window.
00:14:59What are you doing?
00:15:20What are you doing?
00:15:22What are you doing?
00:15:31Okay.
00:16:02Don't worry, baby. I'm here to help you. Everything's going to be just fine.
00:17:02Hello?
00:17:08What's going on?
00:17:12Where am I?
00:17:18Why do you ask?
00:17:22Who the fuck are you and why am I here?
00:17:28I don't like women who use profanity.
00:17:32You don't?
00:17:34No.
00:17:36Well, then you just tell me a few things.
00:17:42What the fuck is going on? Where the fuck am I and who the fuck are you?
00:17:48You'll find out, Manny.
00:18:04Listen to me, you bastard.
00:18:32You let me out of here right now or I'm going to see that you go to jail for the rest of your life.
00:18:38Well, if you haven't already figured it out, you're the one that's in jail.
00:18:44And for how long depends entirely on you, my pretty.
00:18:50Well, let's not talk about depressing issues. Let's move ahead into a bright new future.
00:18:56Now it's lesson time, sweetheart. So pay attention. I think you're going to enjoy this. This is something very close to your heart.
00:19:04And it's all the time.
00:19:06When you're at work, they'll tell you that there's no sexual harassment in the workplace.
00:19:10And some of them, ladies, some of them will tell you, you should remain barefoot and pregnant.
00:19:18I must tell you, I love the barefoot and pregnant line.
00:19:22I'm going to play it for you again, and watch the smile that crosses your face just after you say the line.
00:19:28It was great.
00:19:29You were in charge then, and wasn't it wonderful?
00:19:37Good morning, ladies, and welcome to a man's world.
00:19:43You know what? I think we're going to have to rethink that dumb speech of yours, but don't worry.
00:19:48I mean, we're going to make it right.
00:19:50You know, I want you to memorize every stupid word you say.
00:19:54I want you to see the look on your face.
00:19:57But, you know, it's like anything else.
00:20:00I want you to see every arrogant, sarcastic expression that you presented to that audience.
00:20:06But don't worry, it's going to be okay.
00:20:08We're going to make it out just fine.
00:20:14Now, what would you like for lunch?
00:20:18Nothing.
00:20:20I want nothing from you.
00:20:22Oh, okay.
00:20:23Well, I tell you what.
00:20:24There's a buzzer right on that table in front of the TV.
00:20:29And if you just push it,
00:20:31I'll bring you anything you need.
00:20:35Leave it dirty, Emmanuel.
00:20:36Farewell.
00:20:36Let's go.
00:21:06Yeah, chill out of the stair, baby.
00:21:15Let me just follow you around.
00:21:20All right, give it a shot, baby.
00:21:31Help me!
00:21:35Can somebody help me?
00:21:40Save your breath, sweetheart.
00:21:42You'll need it later.
00:21:44You can't get out of it. No one can hear you.
00:21:46I'm in charge now.
00:21:47The sooner you get that through your head,
00:21:49the better off you'll be.
00:21:51Hey, just push the buzzer if you need anything.
00:22:03You missed her!
00:22:07Hey, asshole!
00:22:13You know your fucking TV set isn't working!
00:22:17Aren't there any other assholes that live in this area?
00:22:31Are you deaf?
00:22:33I can hear this fucking butler!
00:22:36Where the fuck are you?
00:22:39You're fucking deaf!
00:22:41Are you deaf?
00:22:44Hello?
00:22:48Hello?
00:22:49Hello?
00:22:50Hello?
00:22:51Hello?
00:22:52This is your friendly chef.
00:22:53How may I be of service?
00:22:57I'd like something to eat.
00:23:00Mmm.
00:23:01Mmm.
00:23:02Mmm.
00:23:03Hello?
00:23:04This is your friendly chef.
00:23:06How may I be of service?
00:23:08I'd like something to eat.
00:23:12Mmm.
00:23:13Mmm.
00:23:14Mmm.
00:23:15Mmm.
00:23:16Mmm.
00:23:17Mmm.
00:23:18Mmm.
00:23:19Mmm.
00:23:20Mmm.
00:23:21Mmm.
00:23:22Mmm.
00:23:23Mmm.
00:23:24Mmm.
00:23:25Mmm.
00:23:26Mmm.
00:23:27Mmm.
00:23:28Well, I tell you, that sounds reasonable.
00:23:30All you have to do is use the word please.
00:23:35Please.
00:23:36Well, how do you like that, sweet cakes?
00:23:40You're finally making some progress and it hasn't even been 24 hours.
00:23:46Breakfast is served in 30 minutes.
00:23:57Breakfast in bed.
00:23:58We're the only lady in the house.
00:24:11Not bad, huh?
00:24:12I make my bernet sauce with a little brandy.
00:24:13I'm impressed.
00:24:14Well, thank you.
00:24:15I studied with a great chef at the Waldorf Astoria in New York.
00:24:16Lovely.
00:24:17Well, thank you once again.
00:24:18My specialty is pastry.
00:24:19Wow.
00:24:20Now I want to know who you are and why I'm here.
00:24:21Well, my dear, you already know why you're here.
00:24:22That's to give you time and instruction until you get your pretty little head straightened
00:24:26out.
00:24:27As for me, I am your chef and host.
00:24:28And in due time, if you're really nice and kind, I may even be your lover.
00:24:32Wow. Now I want to know who you are and why I'm here.
00:24:39Well, my dear, you already know why you're here. That's to give you time and instruction
00:24:44until you get your pretty little head straightened out. As for me, I am your chef and host.
00:24:50And in due time, if you're really nice and kind, I may even be your lover.
00:24:57You should live so fucking long.
00:25:02I told you that I don't like that kind of language from a woman. I don't have to say it again.
00:25:12What's your name?
00:25:14My name is Richard.
00:25:16Hello, Richard.
00:25:19What did they call you in school? Did they call you Ricky?
00:25:25Or did they just call you Dick?
00:25:29Or did they just call you Dick?
00:25:33They don't call you Nick.
00:25:35They call you Nick.
00:25:36November de geskaith è qui
00:25:40Oh, my God.
00:26:10Oh, my God.
00:26:30Help!
00:26:32Richard!
00:26:34Help!
00:26:38You're about as dumb as a box of rocks.
00:26:54I mean, what the hell made you think you could get your ass through that small open, huh?
00:26:58Please help me.
00:27:00Honey, you just said a magic word, please.
00:27:03My neck kind of caught on something here at the waist. I can't pull back out.
00:27:07Oh. Well, that's no problem.
00:27:11Okay, try it again.
00:27:15Go on.
00:27:19I can't do it!
00:27:21Why not? You got in there.
00:27:23That's obvious, but now I can't get back out.
00:27:25Okay, well, I'll tell you what. Let me check out the situation. Let me check this out, okay? Okay?
00:27:31All right, I'm checking it out.
00:27:33You know, the only thing I can figure is that your tits got bigger.
00:27:38You are a disgusting pig.
00:27:41Hmm.
00:27:42Well, I'll tell you what. I can take this thing off its hinges and you'll be wearing a door for the rest of your life.
00:27:50Please.
00:27:52That's better.
00:27:53You know what? You're starting to get to me.
00:27:55The possibility exists is that you may even be getting better.
00:28:02But I doubt it.
00:28:07I don't believe this.
00:28:12Children.
00:28:16Dealing with children.
00:28:25Oh, this is that fake butter. I hate this shit, don't you?
00:28:33All right.
00:28:35All right, this is the gold we have been searching for.
00:28:41Oh, yes.
00:28:43Oh, yes!
00:28:47Yes, baby.
00:28:49Oh, yeah.
00:28:50Come on, come on, come on.
00:28:51Move over a little bit.
00:28:52I see a touch of you, babe.
00:28:54Come on.
00:28:55Come on, honey.
00:28:56Come to daddy.
00:28:57That's it.
00:28:58That's better.
00:28:59Oops.
00:29:00Not enough.
00:29:01Just get the magi-
00:29:02Oh, come on.
00:29:03Get in the view.
00:29:04Come on!
00:29:05Let me strike a close-up on the magic spot.
00:29:13What are you doing to me?
00:29:17Come on.
00:29:25I want to go someplace where I can totally be lost.
00:29:32But at the same time, if I wish to escape into some excitement, it's nearby.
00:29:36It's, uh, it's nearby.
00:29:39Oh, I understand, I think.
00:29:42But I want it to be magnificent.
00:29:44First class all the way.
00:29:46Of course.
00:29:47I like the ocean, but it has to be more than that.
00:29:52I want something that oozes love.
00:29:56Oo-oozes?
00:29:58I beg your pardon?
00:30:00Oh, excuse me, oozes.
00:30:02I was just flashing on something.
00:30:04Oh, right.
00:30:05What do you have in mind?
00:30:07Well, the, uh, people in the travel business
00:30:11might call me Mr. T because T stands for travel, of course,
00:30:15so you've come to the right place.
00:30:17What I'm about to show you, young man,
00:30:20is splendor in the sand.
00:30:24Oh!
00:30:25Hold your breath.
00:30:26You'll be screaming for oxygen.
00:30:28This, this is Antigua, the island of beaches.
00:30:34Five years ago, very dear.
00:30:38Well, close, intimate.
00:30:42A friend of mine and I spent five glorious days there.
00:30:46It was magnificent, I'll never forget it.
00:30:48You'd play on the beach and write love poems to each other.
00:30:52And put them in a seal.
00:30:54An empty orange juice, bondlin' island under this rock.
00:30:58Look, this is the very rock.
00:31:00And the nights, oh, don't ask, the nights were magical.
00:31:08The wind, the people, the island, the beaches, the love poems.
00:31:16And then when the mood struck us, which was quite often,
00:31:20we would adjourn to our magical suite.
00:31:24Yeah.
00:31:26This is the actual suite just between us.
00:31:32We did it everywhere.
00:31:34Upstairs, downstairs, in my lady's chamber, so to speak.
00:31:38It was magnificent.
00:31:42I bet.
00:31:44What a memory.
00:31:46Yes.
00:31:48Oh, excuse me.
00:31:50Now tell me, will you be traveling alone?
00:31:52Uh, no, I'll be traveling with my wife.
00:31:56Do I?
00:32:00Mm-hmm.
00:32:01Of course.
00:32:02Sorry.
00:32:03No harm done.
00:32:05Now, you want me to write that up?
00:32:08Yeah, sure thing, pal.
00:32:12Like I said, I want a first class all the way.
00:32:14I'll take the beach, I'll take the sand, I'll take the nightlife,
00:32:16but I definitely do not want that moment.
00:32:19Ooh.
00:32:26Hello.
00:32:36This is Dick.
00:32:38What can I do for you?
00:32:40Look, Richard.
00:32:42I have nothing against you.
00:32:46Please let me go.
00:32:48Not until your act is together, my darling.
00:32:51Okay.
00:32:53You're right, I'm sorry.
00:32:56Let me explain something to you, darling, okay?
00:32:59I kidnapped you.
00:33:01I kidnapped you.
00:33:02You know what that means?
00:33:03The FBI is involved with this as we speak even here.
00:33:07And I'm not going to let you out until you get your head straight.
00:33:10And that, my love, is quite up to you.
00:33:14Look, Richard.
00:33:16I have nothing against you.
00:33:19Please let me go.
00:33:21Not until you get your act together.
00:33:24I know.
00:33:26You're right.
00:33:27I'm sorry.
00:33:28Not only do I hate women who use foul words,
00:33:32but I hate women who lie.
00:33:34Good night, sweetheart.
00:33:36Oh, no!
00:33:38Richard!
00:33:39Richard, come back!
00:33:41Oh, please, don't go away.
00:33:44Oh, please, you gotta come back.
00:33:46You gotta talk to me, Richard.
00:33:48Please!
00:33:49Oh, God.
00:33:50Oh, God.
00:33:51Oh, God, no, go away.
00:33:52Please, Richard.
00:33:53Please.
00:33:54Oh, God.
00:33:55Oh, God, no, go away.
00:33:57Please, Richard.
00:33:59Please.
00:34:00Yes, my darling.
00:34:01I can hear you.
00:34:02Isn't it nice to see a friendly face?
00:34:03Look, Richard.
00:34:04I have money.
00:34:05I have a lot of money.
00:34:09I don't need new money.
00:34:11I don't need new money.
00:34:12What do you want, then?
00:34:13I want you to be a nice little girl.
00:34:15I want you to be nice to the men who support you.
00:34:18I want you to be barefoot and not pregnant.
00:34:20I hate kids.
00:34:22I have a lot of money.
00:34:26I don't need new money.
00:34:28What do you want, then?
00:34:31I want you to be a nice little girl.
00:34:33I want you to be nice to the men who support you.
00:34:37I want you to be barefoot and not pregnant.
00:34:39I hate kids.
00:34:42Look.
00:34:44I will do whatever you want.
00:34:49I have got to get out of here.
00:34:52I am going crazy in here.
00:34:54Okay.
00:34:56Take off the towel.
00:34:58I want to see you.
00:35:04You can see me?
00:35:07You've been watching me?
00:35:09Just relax, baby.
00:35:13How do I turn off this fucking thing?
00:35:16It's locked. I control it from here. Just relax, okay?
00:35:20What is it?
00:35:22Is it a peephole, dick, you prick?
00:35:25Oh, no, not a peephole.
00:35:27Not for Dickie Boy.
00:35:28Dickie Boy is much too clever for that, isn't he?
00:35:31Oh, it's got to be something else, huh?
00:35:33How about a TV camera?
00:35:35How does that sound?
00:35:36And when I find it?
00:35:37And when I find it, and I will find it, I am gonna smash the shit out of it!
00:35:45Don't even give it a thought, baby. You'll never find it. Never!
00:35:48You bastard. You sick son of a bitch. Who do you think you are, anyway?
00:35:53You listen to me, and you pay attention.
00:35:56I'm the guy with the key to your mind.
00:35:59God, I hate you. You are the lowest of the low.
00:36:03You listen to me, Dickie Boy. When I get out of here, you are dead meat!
00:36:11Don't do it! Don't do it!
00:36:15That was a bad idea, baby. You best plug that back in.
00:36:27Fuck you!
00:36:28Good night, sweetheart.
00:36:34Oh, this is just perfect.
00:36:36Oh, what's the matter, Dickie Boy?
00:36:39Reality gets to be too much for you, huh?
00:36:42Reality gets to be a little tough, and you can't take it.
00:36:45You gotta turn off the sound, huh, buddy?
00:36:48Well, let me tell you something.
00:36:50I'm still gonna find it.
00:36:52And when I find it, you can watch yourself for the rest of your fucking life!
00:36:59P Hot!
00:37:03P tell you what's next..
00:37:04Huh?
00:37:05P tell you!
00:37:14P tell you!
00:37:18Find yourself yes.
00:37:19Hold on.
00:37:28Let's go.
00:37:58Let's go.
00:38:28Let's go.
00:38:29Turner Detective Agency.
00:38:30Jerry Turner, please.
00:38:32Sam Weston calling.
00:38:33Please hold.
00:38:35Hello.
00:38:36Mr. Turner, this is Sam Weston.
00:38:39Hey, Sam.
00:38:40Just make it Jerry, okay?
00:38:42Okay, Jerry.
00:38:43How are we doing?
00:38:45Well, Sam, while you were flying in first class from New York, I found the last person
00:38:51to see Emanuelle Griffith alive.
00:38:54Good.
00:38:55Yep, Japanese girl.
00:38:57I worked at the hotel, helped her out to the phony limo.
00:39:00Okay.
00:39:01Sam, I gotta tell ya.
00:39:02I run one of the best detective agencies in this area.
00:39:06Why don't we get this thing wrapped up real quick and go out and do some more business
00:39:11together.
00:39:12I can have her here on Wednesday.
00:39:13How's one PM for you?
00:39:14Sounds good.
00:39:15She'll be here.
00:39:16Good.
00:39:17Good.
00:39:18She'll be here.
00:39:19Good.
00:39:45Hello?
00:39:46I have no water in here.
00:39:53What's going on?
00:39:55Richard, I have no water.
00:40:02How many ways do I love you?
00:40:09I'm gonna show you now.
00:40:13I'll buy you nice little things and a big diamond ring.
00:40:20Oh, wow.
00:40:23You said that you didn't love me.
00:40:28Honey, I got class and style.
00:40:32I'll make sure we're together.
00:40:33I'll make sure we're together.
00:40:35This stormy weather.
00:40:38Mile after mile after mile.
00:40:42Yeah.
00:40:43How many ways do I love you?
00:40:47Let me tell the world.
00:40:49Girl, let me tell them all.
00:40:52I'll buy you a rainbow.
00:40:55I'll buy you the wind.
00:40:57I'll buy you boats and planes.
00:41:00Horses and trains.
00:41:02I'll buy the size of the hall.
00:41:04Throw in the sleigh and all.
00:41:07You'll be the queen of the ball.
00:41:10You'll be the queen of the ball.
00:41:14The gown is $600 and $25.
00:41:24However, if you'd wish to purchase the undergarments we discussed,
00:41:28I'm sure we can come to some kind of agreement for a discount.
00:41:31Let's say, um, five percent.
00:41:35Well, that sounds okay.
00:41:36I'll tell you what.
00:41:37Why don't, uh, why don't you have her try the bra on?
00:41:40I'm sorry, sir.
00:41:42But we don't model underwear.
00:41:44Why not?
00:41:46Company policy.
00:41:47Who said what company?
00:41:49This company.
00:41:50You in charge of this company?
00:41:51I am.
00:41:52You set forth the rule?
00:41:53I did.
00:41:54Why'd you go and do that?
00:41:55I mean, why is everybody going to spoil my fun?
00:41:58Sir, this is a respectable establishment.
00:42:03Are you suggesting that I'm not respectable?
00:42:08Honey, could you go over and give me the gold dress?
00:42:11I mean, I don't like this at all.
00:42:12I gotta tell you, I don't want that at all.
00:42:14I deal with gold and I love gold.
00:42:16I mean, look at the shimmering of this.
00:42:17I mean, this is beautiful.
00:42:19Well, I'll tell you what.
00:42:22Why don't you throw all this shit in the box and, uh,
00:42:25oh, let's say a ten percent discount seems, uh,
00:42:30pretty respectable to me.
00:42:32Don't you think?
00:42:34Don't you think?
00:42:53Oh, hell, man.
00:42:55It's asperating.
00:42:56Well, look at that.
00:42:58Front page, above the fold, in living color.
00:43:02Whew.
00:43:03I really am fantastic.
00:43:04Da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da
00:43:34Good morning, Emmanuel. I have something very special for you.
00:43:41Something pink for pink lady.
00:43:44How are you?
00:43:46Hey, you. What's going on here?
00:43:47Plug it back in. There's a little bra for you in black.
00:43:49I've been calling you all day. I don't have any water. Where the hell's my food?
00:43:53Plug it back in and things will be quite beautiful for you.
00:43:55Here's something royal for a royal lady.
00:43:58Oh, yes.
00:43:59Prick.
00:44:00Here's some golden threads for you. Just plug it back in.
00:44:03Another thing for pink lady. Here's a little thing for purple.
00:44:05I want some goddamn water. I don't know what the hell you're talking about.
00:44:09Well, try running for the goddamn water with these tennis shoes.
00:44:13You bet your life. There they are. Run for it, baby.
00:44:16I'm going to stick these shoes right up your ass. Give me some water.
00:44:19Here's the little undies for the baby.
00:44:21You prick. You turned the water off, didn't you?
00:44:24You got it, sweetheart. And if you want it back on, plug it back in.
00:44:28What the hell are you talking about?
00:44:30Oh, my. Well, Jesus Christ.
00:44:35I got faith in you. I mean, I think you'll figure it out.
00:44:39I'm not taking any calls, sweetheart.
00:45:08And I'm going to get some water, all right?
00:45:12Jeez.
00:45:12I'm not taking the food.
00:45:14You're welcome, sir.
00:45:15I'm going to get some water, all right?
00:45:17I'm going to get some water, all right?
00:45:19I'm going to get some water.
00:45:20I'm going to get some water.
00:45:21So, let's get started.
00:45:51Oh, God, you are persistent.
00:46:08Jesus.
00:46:15Honey, these are difficult times for both of us, okay?
00:46:19But I tell you what.
00:46:20Well, I'm going to make it as easy on you as possible.
00:46:23Now, all you got to do to get started again is plug it back in.
00:46:29Fuck you!
00:46:31You better not mess your room up, honey.
00:46:33You're going to be living there for a long time.
00:46:36Also, I've turned the buzzer off so you can save your finger.
00:46:39All you got to do is come over here and plug it back in.
00:46:43You want something to drink, plug it back in.
00:46:45You want something to eat, plug it back in.
00:46:47It's that simple.
00:46:48Plug it back in.
00:46:49I wouldn't do that if I were you.
00:46:51That's your only contact with the outside world.
00:46:57What are you doing to me?
00:47:00Honey, I'm not doing anything to you.
00:47:04You're doing it all to yourself, baby.
00:47:06You make it all happen.
00:47:08All right, Richard.
00:47:14We'll do it your way.
00:47:16Now, you see there, sweetheart?
00:47:33You've already started to learn something.
00:47:37Don't bite the hand that feeds you.
00:47:39And don't unplug the TV set.
00:47:43Soon, you'll have running water.
00:47:46And tonight, tonight, I'm going to fix you a beautiful steak with bernet sauce.
00:47:51God, I love you, Matty.
00:47:53I love you with my heart and soul, and I would do anything for you.
00:47:56But please cooperate with me.
00:48:07Pour some for yourself, darling.
00:48:09It's wonderful.
00:48:14Here's looking at you, baby.
00:48:16It's wonderful.
00:48:24Why don't you try the steak?
00:48:25It's great.
00:48:26I mean, I'd like to see what you think.
00:48:36It's very good.
00:48:37Later, I'll share the method and the recipe with you, as soon as we get to know each other better.
00:48:43The secret is, though, that I use two egg yolks in the sauce at the end.
00:48:48It makes it smoother.
00:48:50It's very smooth.
00:48:52Look, Richard, can we talk?
00:48:54Of course we can.
00:48:56Of course we can.
00:48:57That's what I'm here for.
00:48:58That's good.
00:49:00I wanted to know when I could get out.
00:49:03I mean, when I could be released.
00:49:05That's quite up to you.
00:49:08You know that by now.
00:49:10Why don't you pour yourself some more wine, okay?
00:49:11You know, tonight, I'm going to be the designated driver.
00:49:19Are we going out?
00:49:20Oh, no, no.
00:49:23I can't trust you to go anyplace.
00:49:25No.
00:49:25Oh, yes, you can.
00:49:26I'd behave.
00:49:28I love the word behave.
00:49:30Yes, I do.
00:49:31I mean, when you learn to apply that, it'd be better for both of us.
00:49:34I have learned that.
00:49:35Really, I have.
00:49:37Oh.
00:49:38Well, here's this toast.
00:49:39Okay?
00:49:41Oh, it's just a little lower.
00:49:47Ah.
00:49:50Tell me this.
00:49:52What did they call you when you were a kid in school?
00:49:57By my name.
00:49:59They called me Dick.
00:50:03What'd they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:14Did they call you that?
00:50:15No.
00:50:23Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:29I represent the truth.
00:50:34You have a very nice voice.
00:50:37I love compliments.
00:50:46Here's looking at you, kid.
00:50:47Here's looking at you, kid.
00:50:47Here's looking at you, kid.
00:50:51Here's looking at you, kid.
00:50:59Oh, I got your back on now.
00:51:10So, after that, I invented this crazy thing that helps idiots program their VCRs, and I, uh, I made a fortune.
00:51:17You're very smart.
00:51:18You're very smart.
00:51:19Oh.
00:51:20Oh.
00:51:21No, just, just lucky.
00:51:23But what about you?
00:51:25I mean, how'd you get into your crazy business?
00:51:28That was funny.
00:51:32I went to New York to become an actress.
00:51:40I was 19.
00:51:42What a joke.
00:51:45So what happened?
00:51:47I found out I was no actress.
00:51:51Then what?
00:51:53My mom needed money.
00:51:58I didn't know how to do anything.
00:52:01Cheers.
00:52:04I'm not ashamed.
00:52:06It was in all the papers.
00:52:08What?
00:52:10I did nude dancing at a Times Square bar.
00:52:16Well, I mean, uh, how'd you handle that?
00:52:19How'd you handle that?
00:52:22It was easy.
00:52:26I actually enjoyed it.
00:52:30I got off on guys watching me.
00:52:34It was a turn on.
00:52:38That's what all models do.
00:52:41Turn guys on.
00:52:44Doesn't matter if you're naked or not.
00:52:47It's a turn on.
00:52:49It's a sexist thing, so you're a sexist.
00:52:53I didn't say that.
00:52:55Yes, you did.
00:52:59Well, men just take advantage.
00:53:01Oh.
00:53:04So, so when you're, uh, stark naked in front of those good old boys.
00:53:09I mean, uh, who has the advantage then?
00:53:20Why don't you play me some music?
00:53:23Why don't you play me some music?
00:53:26I wanna dance for you.
00:53:28You know.
00:53:32You're right, man.
00:53:34You're right, man.
00:53:38You're right.
00:53:40What does it look like?
00:53:42No.
00:53:44Are you still playing?
00:53:46You're right.
00:53:48Yeah.
00:53:49I'm yours forever
00:54:06Please take these words I say
00:54:13Hold them inside your heart
00:54:19Oh baby
00:54:24Oh girl
00:54:28I need you darling
00:54:33Inside my world
00:54:38I'm yours forever
00:54:44Please hear the song I sing
00:54:52Hold it inside your heart
00:54:56I'll be down in the living room
00:55:02Just come down the stairs
00:55:04And bear to your left
00:55:04I'll be down in the living room
00:55:10I'll be down in the living room
00:55:12I'll be down in the living room
00:55:14I'll be down in the living room
00:55:17Text 12-1-2-2-2-1
00:55:18The modern modernesque
00:55:19The modern stellar monster
00:55:22The modern THOMPSON
00:55:23The modern liberal affection
00:55:24I'll be down there
00:55:25So quickly
00:55:27I expand the entire life
00:55:29I don't know.
00:55:59I don't know.
00:56:05Hello.
00:56:07Hello.
00:56:09Come down and join me.
00:56:29Sit down.
00:56:35I got a present for you.
00:56:39It's by your side under that pillow.
00:56:47Open it.
00:56:55Try it.
00:57:04It's very nice.
00:57:07Yeah.
00:57:11Yeah.
00:57:13It blends with your body.
00:57:15It's you all the way.
00:57:19Yeah.
00:57:33Yeah.
00:57:37Yeah.
00:57:39Yeah.
00:57:41Yeah.
00:57:43Yeah.
00:57:45Yeah.
00:57:49Yeah.
00:57:51Yeah.
00:57:53Yeah.
00:57:55Yeah.
00:57:57Yeah.
00:57:59Yeah.
00:58:13Show yourself, baby.
00:58:15Come to daddy.
00:58:17If you think you can escape Richard Tate, you must be crazy.
00:58:22Not in a million years.
00:58:26There you are. Let's go.
00:58:47Come on, baby! Where are you?
00:58:53You can't hide! Come on!
00:58:56Come on!
00:59:06Come on, baby!
00:59:17It's over, baby. I'll find you.
00:59:26You know what? You lied to me, baby!
00:59:29You lied to me!
00:59:31After I gave everything to you,
00:59:33and you're trying to run from me and hide from me.
00:59:36When you deal with Richard,
00:59:38you're dealing with style, class, and elegance.
00:59:44You're used to punks!
00:59:46You're used to no-class guys!
00:59:48I give you the best of wine,
00:59:51the best of food,
00:59:53the best of clothes,
00:59:55and the best of perfume!
00:59:57Perfume that I can smell a million miles away!
01:00:02I got you!
01:00:14I got you!
01:00:15I got you!
01:00:16You're expel here!
01:00:17I got you!
01:00:18You out of it,
01:00:43Watchers!
01:01:04Needless to say, you've upset me.
01:01:06You're a liar, a thief, and a cheat!
01:01:09And somewhere down the road, baby!
01:01:11Somewhere down the road, you're gonna come along and say,
01:01:14Dicky boy, I'm sorry!
01:01:16You got that?
01:01:41You haven't had enough of me yet, baby.
01:01:46I really appreciate your help for this.
01:01:48No problem.
01:01:49There she is.
01:01:50Go for it.
01:01:51So, I understand you helped carry her bags downstairs.
01:01:55Yes.
01:01:56And what time day was this?
01:01:57Yes.
01:01:58It was about 8 a.m.
01:01:598 a.m.
01:02:008 a.m.
01:02:01Can you describe the limo?
01:02:02Yes.
01:02:03Go ahead.
01:02:04It was wrong.
01:02:05It was wrong.
01:02:06Wrong?
01:02:07Yes.
01:02:08It was wrong.
01:02:09Yes.
01:02:10Long?
01:02:11Long?
01:02:12Yes.
01:02:13Most of them are.
01:02:14Kim, do you remember the color of the car?
01:02:17It was a black.
01:02:18And the driver?
01:02:19Yes.
01:02:20And the driver?
01:02:21Yes.
01:02:22Yes.
01:02:23And what time day was this?
01:02:24And what time day was this?
01:02:25Yes.
01:02:26It was about 8 a.m.
01:02:27The car.
01:02:28It was a black.
01:02:29It was a black.
01:02:30Yes.
01:02:31It was a black.
01:02:32It was black.
01:02:33It was black.
01:02:35What time?
01:02:36Yes.
01:02:37It was black.
01:02:38It was black.
01:02:39It was black.
01:02:40Yes.
01:02:41Do you remember the color of the car?
01:02:42It was black.
01:02:44A.m.
01:02:45And the driver?
01:02:46A.m.
01:02:47Do you remember what he looked like?
01:02:49Yes.
01:02:50It is a black.
01:02:53You are black.
01:02:55Hey, Mark.
01:02:56Uh, he was tall. He had on a black jacket and a black hat.
01:03:03Was it a black man?
01:03:05No, white man.
01:03:06Let's go back to that long limo. Do you remember what kind it was?
01:03:12Oh, you mean a Cadillac or Lincoln?
01:03:16Yeah.
01:03:17Oh, I don't know.
01:03:19Miss, I've come a real long way to talk to you.
01:03:27Thank you very much.
01:03:30Thank you very much.
01:03:33Is there anything you can do to...
01:03:36Jerry, she's your witness, ma'am. Jump right on in here.
01:03:40I want to concentrate on what this man looked like.
01:03:46Yes.
01:03:48Can you handle that?
01:03:51Handle what?
01:03:54What the guy looked like.
01:03:55Oh, yes. Yes, I can.
01:03:57Well, great. What did he look like?
01:03:59He had a black hat.
01:04:02Oh, wait, wait, wait. Please, please. Let's forget about the hat, okay?
01:04:04Let's just try this real quick.
01:04:07Picture yourself standing in front of the hotel, okay?
01:04:10That morning, alright?
01:04:12You see the guy. He's standing right in front of you. You got it?
01:04:15Yes.
01:04:16Okay, picture it there now.
01:04:18Yes.
01:04:19Now, tell us. What do you see?
01:04:23I see a big round hat of a face. Yes. Thank you very much.
01:04:29Jesus Christ.
01:04:31Thank you very much.
01:04:34You're a very nice lady.
01:04:36Thank you very much.
01:04:38You're an asshole, Jerry.
01:04:41Thank you very much.
01:04:43It was a black hat.
01:04:46Good morning, Mr. Richard.
01:04:53Estella, I called you. I left you a message. I'm not going to need you for a while. I told you that.
01:04:56I got no message, Mr. Richard.
01:04:57Yes, but you don't understand. I'm not going to need you for a while.
01:05:00I already been paid for this, so I clean up when I can today.
01:05:03Yeah, but nothing is dirty, can't you? See around, everything is clean.
01:05:05I do dishes, and I change sheets.
01:05:07Yeah, you did. Well, listen, I'm going to wait for a month or so, so come on.
01:05:10I'll tell you what. I'll give you a buzz as soon as I get back.
01:05:12No, no, no.
01:05:13Okay? I'll give you a buzz.
01:05:14No, no, Mr. Richard. You, Mr. Richard, you do not take money for something you do not do.
01:05:18Estella, you've been good to me. I mean, you do good work, and I'll be in touch with you as soon as I get back from the vacation.
01:05:22No, no, Mr. Richard, here. I got a tent, and I got some ones.
01:05:27God, I don't want money. I don't want money from you. Okay? I don't want money from you. Here, here.
01:05:32You're going to die in there, Mr. Richard. If it weren't for me, you would die like a rat.
01:05:36Oh, God. Miss Estella, I'll be in touch with you, okay? I promise I'll be in touch with you. As soon as I get back from the vacation, all right, darling?
01:05:41All my best. God bless. God bless.
01:05:52You better not take much longer, baby, or we're going to die like rats in here. You're fucking up my life here. Do you understand that? Huh?
01:06:02I had to fire the goddamn maid. You know what that means? No clean laundry, no clean dishes, garbage up the yin yang, dust everywhere.
01:06:12Come on, honey. Get your ass together. We're living like pigs here. Come on, lady. You're going to have to make some son of a bitch contribution here. Do you know that?
01:06:21I mean, come on. Get in your head. I supply the food, the clothes, the shelter, the clean sheets, the clean towels, the toilet paper, and the best of mine.
01:06:30And complete attention to your selfish ass. Come on, get your act together, goddamnit. Or else I'll never lay on this goddamn earth. You got that?
01:06:39Now you get it together, lady, or you're on your way out. And I mean way out.
01:06:44Here's my gun permit from New York, North Carolina, Texas. I got a whole bunch of them things if you want to look at them.
01:07:00That won't be necessary. May I call you Sam?
01:07:04I've been called a lot worse.
01:07:07Sam, we're doing everything we can to find this girl.
01:07:09I'm sure you are.
01:07:11But I don't feel that there's anything that you could possibly do that would add anything to the situation.
01:07:17That might well be, but I've been hired by her mother who's paying me a lot of money to come on out here and help your boys locate her baby girl.
01:07:26Now I know you don't want me to lose out on good money. And I know you don't want me back in the unemployment line, do you?
01:07:33What I want is for you to keep us informed of everything you're doing and anything that you might come up with.
01:07:40No problem. Used to be a cop. I know what it's like. We don't want no double work, do we?
01:07:47No.
01:07:48All right. My goodness. All you've got to do is tell me what you boys have found out so far.
01:07:54Nothing.
01:07:56Well, there you go. Then there's absolutely nothing for me to interfere with since you boys got nothing to start with.
01:08:03But you'll let us know if you come up with something.
01:08:06May I call you Jim?
01:08:08Why not?
01:08:09Jim, you've got his first name on my list.
01:08:16It's a hot day today, isn't it?
01:08:21Richard, I feel weak.
01:08:23Oh, come on. Women give birth. It's got to be worse than this.
01:08:27Well, that makes me feel a lot fucking better.
01:08:30I'm sorry. I didn't mean to swear.
01:08:32Come on. I want to believe. But you make it hard. You make it hard on both of us.
01:08:37I know I'm sorry.
01:08:38Yeah, I know.
01:08:39Good.
01:08:42It's just that sometimes you can't seem to control it.
01:08:45You have to help me.
01:08:47All right. I will.
01:08:52Have to pan up, you know.
01:08:55You know, perhaps it's something in your childhood.
01:09:00Maybe it's your parents. I mean, did you have any brothers and sisters?
01:09:05Yes, my brother is a lawyer and my sister, she's a teacher.
01:09:10Mm-hmm. And what about your mother?
01:09:13My mother? She's fine.
01:09:18Did she swear a lot?
01:09:20No, never.
01:09:22Oh. All right. Well, what about your father?
01:09:25My father died in Vietnam.
01:09:29The service?
01:09:30Yes.
01:09:31What branch?
01:09:32The Navy serving with the Marines.
01:09:35The Marines? I knew it. I knew it. I know all about them.
01:09:40All they're trained to do is drink, swear, and kill, and not necessarily in that order.
01:09:45My father was a chaplain.
01:09:48A chaplain?
01:09:51Well, I tell you what, I'll get you some water, I'll get you some clothes, and even through too much.
01:10:02Yeah, my name is Sam Weston. Now, you people rent limousines, right?
01:10:10Say that again?
01:10:13I'm sorry, I don't understand you.
01:10:16Um, my question is, you people rent limousines, right?
01:10:22Um, well, let's try this one.
01:10:28Uh, do you have anybody who works for your company that speaks English?
01:10:36Comprende English?
01:10:41Well, can I talk to your boss?
01:10:44I want to talk to the guy that you work for. Comprende?
01:10:52Yes, sir. And how are you?
01:10:55Well, thank you very much.
01:10:57Sam Weston here.
01:10:59I understand you people rent limousines.
01:11:02Uh, big, long cars?
01:11:06Yes, I'm a private detective, and I'm trying to track down a black limo rented on April 5th of this year.
01:11:16I don't understand you, sir.
01:11:19Where are you from?
01:11:22Korea.
01:11:23Korea.
01:11:24Yes.
01:11:25That's a nice town, sir.
01:11:26I just love that place.
01:11:28Um, you got anybody else who speaks English at your place?
01:11:33What's wrong?
01:11:34What's wrong?
01:11:36What's wrong?
01:11:38I'm alone here.
01:11:39I don't like being alone.
01:11:40I hate being alone.
01:11:41Look, calm down, okay?
01:11:43Richard, I'm trying.
01:11:44I can't take any more of this.
01:11:46I'm trying, but I just can't take any more of this.
01:11:47I'm trying, but I just can't take any more of this.
01:11:51Everything's gonna be fine, okay?
01:11:52Richard, this is not fine.
01:11:54What's wrong?
01:11:55What's wrong?
01:11:56I'm alone here.
01:11:57I don't like being alone.
01:11:58What's wrong?
01:12:00What's wrong?
01:12:01What's wrong?
01:12:02What's wrong?
01:12:03I'm alone here.
01:12:04I don't like being alone.
01:12:05I hate being alone.
01:12:06Look, calm down, okay?
01:12:07Richard, I'm trying.
01:12:09I can't take any more of this.
01:12:12I'm trying, but I just can't take it anymore.
01:12:17Everything's gonna be fine, okay?
01:12:19Richard, this is not fine.
01:12:22This is weird.
01:12:24When it's fine, it's fine.
01:12:25When it's weird, it's weird.
01:12:26This is weird.
01:12:27Just don't cry anymore, okay?
01:12:29I can't stand it when you cry, all right?
01:12:30Just stop it.
01:12:32I need some space.
01:12:35I need something for me.
01:12:38I tried to make a statement.
01:12:40I was wrong.
01:12:42I tried to say some things.
01:12:43I was wrong.
01:12:45You know what?
01:12:47I think we're making some headway here.
01:12:49Headway?
01:12:52I am dying in here, and you are talking about headway!
01:12:57Cam.
01:13:01I'm gonna die in this stinking, rotten hole.
01:13:05Richard.
01:13:08The night we spent together was the most beautiful night of my life.
01:13:15I want that again.
01:13:18I swear to you I will do whatever you want.
01:13:24All I want is more of you.
01:13:29It's all I have.
01:13:31Is that too much?
01:13:34I have to get out of here.
01:13:39I have to see you.
01:13:44To see you.
01:13:47To touch you.
01:14:01I don't believe you.
01:14:14God.
01:14:17This is exasperating.
01:14:31Emmanuel.
01:14:33I'm sorry.
01:14:34I really am sorry.
01:14:36I feel your pain and yet, I desperately need your love.
01:14:43I feel your strength.
01:14:46The strength of your beauty even through this metal door.
01:14:51Nothing could separate us.
01:14:53And I mean nothing.
01:14:55The look of you.
01:15:05The thought of you.
01:15:07It permeates my mind.
01:15:10You know anger.
01:15:11Anger has made me say and do many, many ugly things.
01:15:16That I'm not proud of.
01:15:20When actually, my heart, mind and soul adores you.
01:15:29Jesus Christ.
01:15:32I am so thankful that you're here with me.
01:15:39So that I can tell you how much I love you.
01:15:44If you can find a way to forgive me.
01:15:47And I mean forgive me.
01:15:49And if you can find a way to reciprocate my love.
01:15:54I will be with you always.
01:15:58Jesus Christ.
01:16:19I will be with you always.
01:16:20Thank you for the character.
01:16:21Israel.
01:16:24Jesus Christ.
01:16:25gifted girl.
01:16:26mechanician.
01:16:29Jesus Christ.
01:16:30operating Ernest.
01:16:34It helps me to feel it's quiet.
01:16:35After my escape.
01:16:36Jesus Christ.
01:16:38Feeling in the heart.
01:16:40Also is this nothing?
01:16:41Jesus Christ.
01:16:42Himself is life.
01:16:43Jesus Christ.
01:16:44Love you also.
01:16:45Jesus Christ.
01:16:46you don't even believe this girl has been kidnapped do you know whether she's up in
01:17:08aspen colorado shacked up with some guy or in new york or france or huh no i don't know where she is and
01:17:19neither do i this is a shitty way to make a living let's go to lunch you need to get out of here man
01:17:37blow the snake off again let the lady come in and clean the place up start fresh a cop with a heart
01:17:46i love him thank you just brush my teeth all right i'll make a couple of calls off your list
01:18:07hello this is sergeant lightell of lapd yes do you rent limos out of your place
01:18:15i want to know if you rented out a black limo 18 days ago that would be the fifth yeah okay i'll wait
01:18:26yeah 545 you say a black one uh-huh and you haven't had the guy's name yeah sure i got it
01:18:43you don't have his address do you uh-huh yeah got it thank you thank you yes if i need anything else
01:18:52i'll give you a call okay thank you let's do lunch hey i got a lead
01:18:59you got a what a lead you know what a lead is don't you talk to me jim i called this guy up in
01:19:10he says that he rented a black limo to this guy at this address at 5 45 a.m on the morning of the
01:19:1810th great hey i just dialed the next number on the list what's the problem
01:19:28no problem yeah but you're acting like there's a problem me acting like there's a problem oh yeah
01:19:37i just spent 27 hours on that telephone calling everybody in the world you got nothing
01:19:44now you make one phone call and you got our man i know exactly what you're doing
01:19:50what am i doing you people how you work because i know damn well that since you know you can't go
01:20:00in and arrest him you want me to do the dirty work for you don't you isn't that how you people
01:20:04work and what the hell do you mean by you people i don't tell me the racial innuendos are starting
01:20:10there was no racial innuendo
01:20:15i just call them as i see i call a spade a spade
01:20:21i was talking about lapd the way you people do business
01:20:26i should have spoken more clearly i should have been referring to you people as assholes
01:20:33real nice real good i'm out of here sam what good luck
01:20:43you owe me 50 cents for that phone call
01:20:51i'm just saying okay great it's a little rough up in here come on babe
01:21:04great well come here i want you to see something look at that view i don't see much of anything
01:21:18Well, you will when I cut that tree down.
01:21:21Hey, look at this rope. Here, grab this, okay?
01:21:23Because we're going to have to pull ourselves up the rest of the hill.
01:21:25I'm going to lead the way, okay?
01:21:27Okay, you were behind me?
01:21:28Yeah.
01:21:29Okay, here we go. Pull up.
01:21:37Where are you taking me?
01:21:38You said you wanted to go out.
01:21:40Well, when I said out, I meant out. This is the back of your house.
01:21:44No, out, out. Look up there. You see the sky? That's out.
01:21:47I mean, you're about as far out as I can trust you.
01:21:52Here, come on. Grab my hand. Come on. Swing up in here.
01:21:55That's it. Way to go.
01:22:03Well, here it is. What do you think?
01:22:09It's fantastic.
01:22:11Come on.
01:22:17It really is nice up here, isn't it?
01:22:19Yeah.
01:22:23Oh.
01:22:24All it takes is a little cooperation.
01:22:27I know that now.
01:22:29Do you?
01:22:30Mm-hmm.
01:22:32You know, I'm not going to go to jail for this. I hope you know that.
01:22:36I don't want that.
01:22:37That's a relief. It's a relief for me.
01:22:43So it's, uh, it's you and me against the world from here on in, huh?
01:22:48You have to understand something.
01:22:51What's that?
01:22:52I'm different now from when you met me.
01:22:55You gotta forget that woman. She doesn't exist.
01:22:57I'll tell you something.
01:23:00Let's do it together.
01:23:02You and me.
01:23:04Let's make it happen.
01:23:06I mean, I've got the money.
01:23:08I've got the power.
01:23:11You've got the talent.
01:23:13Let's make it a team play.
01:23:15You really mean that?
01:23:16Yes, I do.
01:23:19Can we do it again? Right now?
01:23:21Let's go, baby.
01:23:23You're moving in with the team.
01:23:25You've got the talent.
01:23:27Let's make it a team play.
01:23:30You've got the talent.
01:23:32Let's make it a team play.
01:23:34You really mean that?
01:23:36Yes, I do.
01:23:38Can we do it again?
01:23:40Right now?
01:23:42Let's go, baby.
01:23:43You're moving in with me.
01:23:45Everything's gonna be just fine.
01:23:47I know it will.
01:23:48Listen, I'm gonna get your clothes, okay?
01:23:50So why don't you go down there and just get in bed.
01:23:52I'll be waiting for you, baby.
01:23:54All right, honey.
01:24:01Mwah!
01:24:14Emanuel!
01:24:16Emanuel!
01:24:18Come on, honey, we made a deal!
01:24:20Don't break a deal!
01:24:21Come on, open the door!
01:24:24Open the goddamn door!
01:24:26Mark!
01:24:56Hi, Dick. How's it going?
01:25:20Hi. Is that you? How you doing? It's me, Richard.
01:25:24Listen, it was all over, baby. I mean, it was all over. I was letting you go.
01:25:28You're free to go anywhere you want, anytime you want, anyplace you want.
01:25:32I love you, baby.
01:25:34Thanks, Dick.
01:25:36You're welcome. Listen to me.
01:25:38I got us first-class tickets to the Bahamas.
01:25:43Just you and me, baby. Just you and me. I mean, all the way.
01:25:47Do you understand that? I mean, are you staying with me?
01:25:49Royal Danish cruise lines, you don't believe me? Well, check it out, okay?
01:25:52Check it out. I got the tickets in my tan coat.
01:25:55I mean, go ahead. You see? Inside breast pocket.
01:25:57Go up there and look. Please for me, okay?
01:25:59Please for me right now. Would you check one for me?
01:26:02God, I miss you. I miss you, baby.
01:26:07Are you listening to me, honey?
01:26:09You're not thinking of leaving me here, are you?
01:26:12Of course I hear you, sweet cakes.
01:26:18Oh, thank God. Jesus, you made me feel alone.
01:26:24What would you like for dinner?
01:26:28For dinner?
01:26:32For dinner?
01:26:42Yes?
01:26:54Emanuel Griffith?
01:26:56Yes?
01:26:58I'm Sam Weston.
01:27:00I was hired by your mother to find you.
01:27:04Oh.
01:27:06Well, you found me.
01:27:08Hold it.
01:27:10Lady, a lot of people worried about you.
01:27:19The thing is, Sam, I just needed a break.
01:27:22I needed some time for myself, okay?
01:27:24So you tell my mom I love her.
01:27:28Everything's fine.
01:27:29And I'll send her the money for the rent.
01:27:32You tell the rest of the world I love them, too.
01:27:35You tell them I'll be back.
01:27:38Thanks a lot, Sam.
01:27:40Yeah.
01:27:42Good morning, ladies, and welcome to a man's world.