Miami Vice Season 2 Episode 7 Junk Love
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TVTranscript
00:01Mm.
00:02It's a fantastic place.
00:05Are you sure you got girls like this?
00:07Yeah, we got girls like that.
00:10And like this?
00:11Like that.
00:14Mm, mm, mm.
00:16Who is she?
00:17She is hot.
00:19She's so hot.
00:20She's already born, waiting on you.
00:28How about her?
00:29Yeah?
00:30Fetch of the flame.
00:59Is this gonna go down or what?
01:04Anytime.
01:05Rico's on the inside.
01:11Hey, you know what?
01:12I sure would like to have one of these for myself.
01:16Most people would.
01:18Nigerian.
01:19No kidding.
01:20So am I.
01:23That's how I got my name.
01:24I used to bring this stuff in.
01:26You know.
01:27Pure.
01:28Ivory.
01:29Snowflakes.
01:30Snowflakes.
01:31Pure.
01:32Like your girls.
01:33Right.
01:34Every single one.
01:38Ready?
01:39I'm ready.
01:40Reggie.
01:41To the desk.
01:42Sure.
01:43Yeah.
01:44Really sure.
01:45I'm positive, man.
01:46He's got real good hands.
01:47You know what I mean?
01:48Right.
01:49So.
01:50So.
01:51I like that.
01:52Where's he wearing his mic, isn't he?
01:53You don't wanna know.
01:54Yeah, well, what happens when he takes all his clothes off?
01:55I'm turning in my headset.
01:56Hello, Rico.
01:57Oh, she sounds very nice.
01:58What's a four-lettered word for dirt?
01:59Blood.
02:00Sand.
02:01Sand.
02:02Sand.
02:03Sand.
02:04Sand.
02:05Sand.
02:06Sand.
02:07Sand.
02:08Sand.
02:09Sand.
02:10Sand.
02:11Sand.
02:12What's a four-lettered word for dirt?
02:14Sand.
02:15Sand.
02:16Sand.
02:17Sand.
02:18Sand.
02:19Sand.
02:20Sand.
02:21Sand.
02:22Sand.
02:34What about Little Troop?
02:40Crockett.
02:41We need some backup right away.
02:43Get in.
02:44Spook me.
02:45She beat me.
02:46What'd you do to her, huh?
02:47I threw her in the mirror.
02:48Gave her a good look at herself.
02:49Well, that's very bad luck.
02:50Seven years worth of it.
02:51I threw one of your girls into a mirror.
02:52She beat me.
02:53She beat me.
02:54What'd you do to her, huh?
02:55I threw her in the mirror.
02:56Gave her a good look at herself.
02:57Well, that's very bad luck.
02:58Seven years worth of it.
02:59I agree.
03:00I need some help in here.
03:01I need some help in here.
03:02What's happening?
03:03How'd you do to happen?
03:04Hey, you threw one of your girls into a mirror.
03:08She beat me.
03:09What do you want me to do, call a cup?
03:11Get out here.
03:13I'm a check.
03:14What's up?
03:15You threw one of your girls into a mirror.
03:17She beat me.
03:18What do you want me to do, call a cup?
03:19your girls into a mirror. She bit me! What do you want me to do, call the cops? Get out of here.
03:32Hey, hey, hey, where are you going? Get out of here. Get out. If he moves, bite him again.
03:38You got it. She bit me.
03:49You said you got carried away and bit him.
04:01What's your name?
04:12No name. Hey, come on, everybody's got a name.
04:17Not that one.
04:19Rico, you need any help?
04:24No.
04:27Who are you guys?
04:30Miami Vice, pal.
04:35Dirt.
04:37That's your name.
04:39That's it.
04:40What?
04:41A four-lettered word for dirt.
04:44Vice.
04:44We're here.
05:11Let's go.
05:11We're here.
06:11I can't get her to stop crying.
06:24She just keeps saying, don't tell him.
06:28Yeah.
06:30I don't know.
06:31Does she make any phone calls?
06:36No, she doesn't want to.
06:39She's really strung out.
06:40What do we got in the other room?
06:47Some guy named Ivory.
06:50Ivory.
06:54Excuse me, Lieutenant.
06:56We got a problem?
06:59Heavy leakage from Radio Mark T.
07:02Tubbs didn't make it through the anti-kestrel wrap.
07:06That's what happened.
07:08How it happened is another question.
07:11Bottom line.
07:13Zip.
07:16Doesn't matter.
07:18We got something better.
07:20We got Ivory Jones.
07:22Retired smuggler.
07:24I used to work for Juan Carlos Silva.
07:30I'll get Silva's fire.
07:34So she offered you a trip.
07:38Do I look like a travel agent?
07:43You used to do a lot of traveling.
07:45You two know each other?
07:49It's Ivory Jones.
07:54Ivory arranged passports for Vietnamese women during the war.
07:59Married him to military men.
08:02Five thousand dollars apiece.
08:05Then he brought him in to work the brothels.
08:09Checked the passports of all the girls at his club.
08:13Yeah, but I'm pure love.
08:15Hmm, yeah.
08:18Just like cocaine.
08:21Before it's been stepped on.
08:26How's your friend Silva?
08:29Former friend.
08:33We came to a party no ways.
08:35It looks like you still have something in common.
08:53Like what?
08:56We'll say maestras.
08:59The girl who would be Jaws.
09:00What's her connection with Silva?
09:14Ask her.
09:19Count on.
09:20What is your relationship to this man?
09:33We know who he is and what he does.
09:36The hospital notified him that you're here.
09:39Juan Carlos Silva is dead to me.
09:50That's fine.
09:54Who is he?
09:58I hate him.
09:59I grew up in his house.
10:08Does he know that you're tricking for Ivory Jones?
10:11I ran away from Silva and Berto and their games.
10:27The horses, the cars, the boats.
10:31Berto?
10:32What do you do?
10:35Roberto Pinato.
10:39Silva's protege.
10:40The other man in the picture.
10:42Frankenstein's monster.
10:46Silva's been grooming him to take over the business.
10:51So.
10:54You went over to Ivory Jones to punish Silva.
10:59Is that it?
11:01No.
11:03To escape.
11:04To hide.
11:05To hide.
11:07In a massage parlor.
11:10Right.
11:12No, you did it.
11:13And you made a point of doing it.
11:16It's for Silva.
11:18You wanted him to push it into his face.
11:20You wanted to punish him, didn't you?
11:22No.
11:23Chill out, buddy.
11:26Sounds to me like a rough deal.
11:29When did you buy the monkey?
11:32About six months ago.
11:35When, uh...
11:38Well, I was still with Silva.
11:45My first attempt to escape.
11:50I do.
11:50I want to quit.
11:55I do.
11:58I just...
11:59I just need it.
12:06I could use the shot now.
12:08I want to help you.
12:15Take it easy.
12:16Relax.
12:18It'll pass.
12:19Trust me.
12:21Just one, please.
12:24Just relax.
12:26If you want to help,
12:28you gotta start by dealing with the monkey.
12:31I need just one more.
12:42You need to make some decisions.
12:45It's not that simple.
12:47You don't understand.
12:48I need to make some decisions.
13:00Hang in there.
13:03You're gonna be okay.
13:06You gotta have a little faith.
13:10Visiting hours are over, gentlemen.
13:12I thought, uh, visiting hours ended in about a half an hour.
13:16They end when I say so.
13:20Besides, she needs to sleep.
13:22I think she meant it.
13:41I think she does want to work with us.
13:43Well, if you ask me, Rosella's a spoiled brat
13:46and could be a real nightmare to work with.
13:48You don't like flowers?
14:04Where have you been?
14:14You're looking more and more like Senor Silva every day, Bert.
14:18What else did you bring?
14:24Poppies.
14:25Want some?
14:27Get out of here.
14:30You can't quit cold turkey.
14:34You gotta taper it off.
14:36Hey.
14:48Get out of here.
14:48Just one hit.
14:54These are surveillance photographs of the funeral of Enrico Acalde.
15:00Last month, courtesy of the Untouchables.
15:03Feds have been trying to get to Silva for about a year and a half now.
15:07But he covers his tracks too well.
15:11Who was I calling it?
15:14Silva's business partner.
15:17I don't see as intended.
15:19No wonder she's trying to kill the pain.
15:23Natural causes?
15:24Hmm.
15:25Yeah.
15:26Congenital car bomb.
15:29Over the past six months, there's been a number of deaths.
15:33Accidental and otherwise.
15:34In Silva's organization.
15:38FBI thinks it could be internal purge.
15:42Well, that's one way to cover your tracks.
15:44Right.
15:45Kill the lawn to get to the weeds.
15:46This is what Rosella meant by Silva's games.
15:51The man is a competition junkie.
15:55And Roberto Panaro was taught to be his main competitor.
15:59Cars, boats, planes, soldiers of fortune.
16:04Always trying to top each other.
16:07Apparently it gets dangerous.
16:10Oh, like me and Lair?
16:13Oh, please.
16:14Yeah, Panaro's one we think to slip Rosella out of the hospital last night.
16:21To go back home, sweet home.
16:23Against your will?
16:25She said she wanted to help us.
16:29She would have said anything, man.
16:32Feed that monkey.
16:34Anything.
16:38Doesn't matter.
16:40We have a line on Silva, and I don't want to let it slip away.
16:44Can we trust we'll see you enough to, uh, interfere?
16:50Worth a try.
16:52No.
16:58Monkey or no monkey, I think we can work with this girl.
17:04I mean, we don't have a choice, man.
17:07We gotta take the chance.
17:10Even if she blows our cover to Silva, so what?
17:13Maybe we'll get some movement on this guy.
17:24My trade, is that it?
17:29You were always a good trader, Ivery.
17:31Three of the girls that are working for you are in this country legally.
17:44I've talked to immigration.
17:45They say any service you can render...
17:49...may alter their view of you.
17:51So what do you want from me?
17:53Juan Carlos Silva.
17:54Juan Carlos Silva.
17:58You're crazy.
18:03I was lucky to get out of here alive.
18:05You don't have to get out of here alive.
18:10Well, they say that the service you can render...
18:13...may alter their view of you.
18:15You're crazy.
18:20I was lucky to get out of there alive.
18:27So crazy you could afford to turn out Rocio?
18:31You'd be interested in that.
18:34So what do you want?
18:45I want you to go back to work for him.
18:50I want to know when, where, now he moves his drugs.
18:54Then I want you to bring in one of our men with you.
18:58And you'll cover me with the girl?
19:11What's bringing you down, man?
19:13The girl.
19:16Being back with this guy.
19:19I feel sorry for her.
19:22Come on, this ain't exactly no ghetto.
19:27I don't think this is just another screwed up,
19:29junky, rich girl, Rico.
19:30She wanted out.
19:31She must have had a reason.
19:35Something really heavy is going on with her.
19:37I don't know what it is, but I got a bad feeling about it.
19:41Hey, don't sweat it, man.
19:43I don't know what it is.
19:44Living is easy.
19:46You dig the house.
19:47I'm glad you're back.
19:54I'm glad you're back.
20:15I'm not.
20:19I was just passing by and I saw you.
20:24You're beautiful, Rosa.
20:28You disgust me.
20:40Let me go.
20:42You're so hard.
20:43Let me go.
20:45I've told Roberto everything.
20:49He said that if you touch me again, you'd have to answer to him.
20:54Roberto.
20:54Roberto is a little boy.
20:59He can't control me any more than you can.
21:02What if I tell him to kill you?
21:05He'd do it for me.
21:09You're hurting me.
21:12Come on, give me one.
21:12No.
21:14You promised no more.
21:16I promised no more if you didn't wish.
21:19You're hurting me.
21:21Come on, give me one.
21:23One.
21:24One.
21:28It's the answer to everything.
21:31True love is the answer.
21:33True love is the thing.
21:35True love is the answer to everything.
21:39Ivory says it's never the same way twice.
21:53Open sea buoy with a bale of felony powder and a radio homing device.
21:59Boat to boat, boat to land.
22:03One hundred and one ways to move contraband.
22:07And this is a beach.
22:09Very funny.
22:12I'm tired, man.
22:15When I get tired, I get weird.
22:17Why don't we just bust these chumps on the first run?
22:22Come on, Rico.
22:25You don't think Silva's dumb enough to be hanging out with this relay.
22:29Here they come, chief.
22:40Good.
22:41I don't get it.
22:44Is he cheating us?
22:46No.
22:47I don't get it.
22:48You don't have to.
22:50I don't get it.
22:51I don't get it.
22:52I don't get it.
22:53I don't get it.
22:54I don't get it.
22:56Here.
22:57I don't get it.
22:59Okay.
22:59I'll be back.
23:01Here I go.
23:03It's not a bad example.
23:04It's good trip.
23:06It's very good trip.
23:07Don't you wear a neon sign and advertise that we're here?
23:12Maybe next time I will, man.
23:20You've been intimidated.
23:22I don't know.
23:23I don't know if no seller doesn't think so.
23:34One more trip.
23:36One more trip, and I bet you about a dawn
23:40I can go out and come back in seven minutes, huh?
23:44Expensive place did you want?
23:47Who gave them to me?
23:53$50,000. Don't drop them in the ocean.
24:01It's not a change.
24:14Let's go.
24:24Catch of the day.
24:27Let's go.
24:53You know, it seems an awful waste of talent.
25:03I thought you liked him.
25:05I did. Is this thing rigged up?
25:08I rigged the briefcase myself.
25:38Let's go.
25:39Ladies and gentlemen, if you will turn your attention to Lot 27 in your program, we have the distinct good fortune to be able to offer a one-of-a-kind, 92-foot motor yacht, specifically designed for the discriminating offshore hunter.
25:55Launched in the spring of 1984 at St. Petersburg, the pirouette features four double staterooms, the master stateroom and a flybridge bar.
26:01All elegantly presented in a surrounding of careful...
26:02Are you sure Silver's gonna show?
26:03Sure.
26:04I'm telling you, Silver and Sheryl.
26:05Are you sure?
26:06I'm telling you, Silver and Sheryl, this guy was this competition.
26:091984 at St. Petersburg, the pirouette features four double staterooms, the master stateroom and a flybridge bar, all elegantly presented in a surrounding of a carapace.
26:20Are you sure Silver's going to show?
26:22Sure. I'm telling you, Silver and Sheryl, this guy was his competition, and the Knarks busted him.
26:32I used to sell some of his fleet, pay off some of his legal fees.
26:39Uh-huh. So Silver's sticking it to him by buying some of his moving parts.
26:47Hardball in the big leagues.
26:50Is there any problem with you reconnecting back with this dude?
26:54Easy. He always said I had good timing.
26:58And it seems that some of his buddies met with a few accidents.
27:06Mm-hmm. Yeah, no kidding.
27:09Who caught that?
27:11You heard it.
27:12Yeah, I figure you guys knew all about that.
27:15First hand.
27:17You find out who got cremated?
27:20Not enough parts to put back together.
27:23It's Roberto.
27:25Hey, what did he tell you then?
27:25You know, his boat's missing, he's missing, some of his crew is missing.
27:31They're done.
27:40The Iceman cometh.
27:44Lot 28, the Lauderdale Lady.
27:47Launched in Fort Lauderdale on the 4th of July.
27:50This freedom-minded, custom-designed and outfitted 61-foot motor yacht
27:55is currently berthed right here in the Miami Marina
27:59for instant and convenient delivery to this afternoon's top bidder.
28:05Built with an eye-drained...
28:06Well, apparently he hasn't spread the news yet.
28:08I wonder what he's going to tell Rosella when he does.
28:13Gone fishing or something silly like that?
28:16Yeah, I'm still concerned about what she's going to tell him.
28:23Watch that big cabin cruiser.
28:26Here's the thing about it.
28:29What's the deal?
28:30Not fast or even pretty.
28:32The cockpit has undergone a king-size bed
28:37in the master cabin.
28:46We're going to start the bidding at $200,000.
28:50Mr. Frederick?
28:52We'll open the bidding at $200,000.
28:54And I have $200,000.
28:57$225, please.
29:00$225, I have.
29:01Going for $250, please.
29:03$250,000 to the lovely Lauderdale Lady.
29:07$250,000.
29:07$275, please.
29:09$275,000.
29:12$275, I have going.
29:14$300,000.
29:15$300,000, I have.
29:16$300,000.
29:17Going $325,000.
29:18It's all mine.
29:19$25, please, for the lovely Lauderdale Lady.
29:22$325, $350,000, please.
29:27Hey, look, you better not push too far.
29:29Do I see $350, I do.
29:31It might leave you holding.
29:33Get him to buy it for lots and lots of money.
29:37Secret to success, Rico,
29:40whether it's women or money,
29:43there's no one when to quit.
29:46I ought to know.
29:48I'm divorced and broke.
29:49$475,000.
29:51For the lovely Lauderdale Lady.
29:54And I have $475, $475,000 once, $475,000 twice.
30:00Sold!
30:02And the Lauderdale Lady goes right over there.
30:14Thank you, Mr. Frederick.
30:15Now, ladies and gentlemen,
30:18if you'll turn your attention to lot 31,
30:21located on page 12.
30:23You sure he's not into guys?
30:26He's flashing his big browns.
30:29He loves competition.
30:32He likes to challenge young guys and then destroy them.
30:36Well, he's come to the right neighborhood.
30:40Well, he's come to the right neighborhood.
30:40All right.
30:49Let's go!
30:50Okay, come again.
31:20For Mr. Silva, if you regret, you had to lose out at the auction.
31:28Give that to the fish.
31:30Send Mr. Silva a magnum with my compliments, his name's Burnett.
31:38Mr. Burnett wishes you to have this with his compliments.
31:42Which gentleman is he?
31:49You like competition, sonny.
31:53Is there anything else?
32:00Bet you like the horses.
32:02Considerably more than they like me.
32:05What I really like is offshore boat racing.
32:08I've got a scarab.
32:11That's a nice toy.
32:15You made some interesting new friends, Ivory.
32:19It's a man of time.
32:22I've got a toy of my own, perhaps you and I could race.
32:25Sure, why not?
32:26We could lay out a 10-mile course and I'll give you a half-mile head start.
32:38Hey, you know, you remind me of a protege of mine, Roberto Penaro.
32:44I'd like to meet him sometime.
32:52Tonight, I'm having some people over to the house, perhaps you and your friends would like
32:56to join us.
32:59Roberto should be back from fishing by then.
33:03I've made other plans.
33:05We'd love to.
33:09A man should always have plans, Ivory.
33:13At least you could join us.
33:32We wanted to be here.
33:34That's the secret, to want, and anything in life is possible.
33:42It's easy for you to say.
33:47Come with me.
34:02You know what that is?
34:05Looks like an original.
34:06That's my history.
34:09That's the house where I was born.
34:12Where I slept with my brothers and sisters, and the chickens, and the dogs, and the goats.
34:21Now they're all on canvas.
34:22Must be worth about 200 grand.
34:25Maybe a little bit more.
34:29So you see, nothing, nothing that you truly want is impossible.
34:36So tell me, where's this hot shot you call protege, this, uh, Roberto?
34:43He's still fishing.
34:49Rossella will show you around our home.
34:53And we'll talk later.
34:58So, the pool room, the screening room, the bowling alley, how about the rose garden?
35:13Lighten up.
35:15Lighten up.
35:16We're your friends, remember?
35:19I hate his world.
35:24We believe you.
35:25Or we'd like to believe you.
35:30If I didn't hate him, I would tell him who you are.
35:35And we'd tell him where we met.
35:37And then nobody would be very happy.
35:40Why don't you get lost?
35:43If you hate Syl, why are you here?
35:50Get lost.
35:52You didn't do much about killing the monkey.
36:08I guess I just need more to kill the pain.
36:23Does it?
36:29No.
36:30Please say you show me around.
36:42Please say you show me around.
36:51We sleep.
37:00No.
37:03No.
37:05No.
37:07No.
37:09O.
37:11No.
37:17Ivor's helping you, isn't he?
37:36He made some introductions.
37:42Doesn't matter who you hurt to get what you want, does it?
37:44Does it matter to you that Selva killed Roberto?
37:51No, that's not true.
37:55There's a war going on, another smuggler.
38:00Valenzuela killed Roberto.
38:03And the others.
38:05And Enrico.
38:07The man you were going to marry.
38:11God, I hate this.
38:14Oh, Selva, you've got to stay strong.
38:19You can't blow this thing.
38:21Lives are on the line here.
38:28Don't worry about me.
38:30You know how I feel about Selva.
38:32Which brings us back to my partner's question.
38:43Why do you stay with her?
38:45Why don't you leave?
38:47Why don't you get out?
38:50This money holds me.
38:51I don't believe that for a New York minute.
39:00There's something else that holds you here.
39:03I can feel it.
39:05What is it?
39:10I'm afraid you wouldn't like me very much if I told you.
39:13I already don't like myself.
39:19A little voyeurism?
39:37I'm sorry.
39:39I got a little carried away.
39:42Your home is magnificent.
39:45So is she, huh?
39:50Very photogenic.
39:58She knows the cameras are there.
40:00She knows I like to watch.
40:06Strange games.
40:10Something like that.
40:11I'm pleased that we have this opportunity to talk privately.
40:17I think I'd like to do some business with you and your friend.
40:20Perhaps you'd be interested.
40:23It all depends.
40:25Good.
40:27Let me tell you what I have in mind.
40:41It's a fun party, huh?
40:43Dog day night, Rico.
40:46If we weren't here on bigger business, I'd run all these sports fans into the titty pound.
40:52Stop barking.
40:57Compliments of Senor Silva.
41:00So, we're cool.
41:03I gave myself a nosebleed last night.
41:05Give mine to that dog on the right over there.
41:07He looks like he needs it.
41:09Not as much as I do.
41:11Mama's the word.
41:20I talked to Silva.
41:23We're in.
41:25He wants us to pick up a little package for him.
41:32How's this little princess?
41:36Living downtown again.
41:38She's in way over her head.
41:44And what about you?
41:46Don't worry about Rosella.
41:48I can handle her.
41:50She wants to help us.
41:52She wants to get away from Silva.
41:55So, why doesn't she?
41:56I think it's simple.
42:03Silva worships her.
42:04And she digs it.
42:05Got to be more than that.
42:18She'll hold.
42:23Come on, I'm saving enough of this.
42:25Let's get the hell out of here.
42:26This is the pits.
42:27We're back.
42:57Go sell him.
43:05Let go of me.
43:07What are you going to do?
43:09What are you going to do?
43:10Run to Berto?
43:11Where's Berto now that you need him?
43:15I'll leave you.
43:18How?
43:19In my car?
43:26I can make money.
43:27I earned lots of money while I was away.
43:38What kind of money can you earn in this condition?
43:44If I were you...
43:46If I were you...
44:00I'd ask Ivory Jones.
44:12I don't know how fish can stand this.
44:26I don't know how fish can stand this.
44:36That's what they call them, fish.
44:37I hope Castillo doesn't pick up Radio Martín with these things again.
44:47He won't.
44:48Not this time.
44:49He won't.
44:50I don't know how fish can get thedisabetics.
44:50I'm going to kill you but it's on far enough.
44:51No meat.
44:52I'm going to kill you.
44:52You're going to kill you.
44:53Sometimes it's gonna kill you.
44:53Sometimes you really come.
44:55I don't know how fish will kill you.
44:56But I do, if I'm going to kill you.
44:57True is like me.
44:57Because itsравств SARS-CoV-CoV- مس
45:07If I get them, I promise you.
45:09Assuming this, don't be down.
45:10But...
45:11This is a nревance.
45:12Where'd you run off to?
45:35Don't you know it's bad for us to leave his party early?
45:43It's time to come out of the cold.
45:47I'm not cold.
45:53You're stumbling, aren't you?
45:56Let go of me. What's wrong with you?
46:00Listen, I'm tired of you going off with your young friends
46:05and having your romantic chatter and your little adventures.
46:09You understand?
46:11You like to watch.
46:15Come on, get out of the booth.
46:19You're just jealous.
46:21You're just as of anybody who comes in my life.
46:24I'm jealous. Jealous of what?
46:28You love me.
46:30You always have and you always will.
46:33Do you understand that?
46:43Hmm?
46:44What have you done now?
46:47I want you to see how this looks on you.
46:51Come on, let's go.
46:56What are we doing back at Ivory's place, Rosella?
47:10I didn't want to tell Silva about it.
47:14I just wanted to hurt him.
47:17Like I said, why are we here?
47:21I told him last night about Ivory.
47:30About Ivory.
47:32And this place.
47:33How he took care of me.
47:47And how I...
47:51What did Silva do?
47:53This is Ivory's.
48:05He never took it off.
48:11Silva bought it to me.
48:23Ivory's dead because of me.
48:29Like Roberto.
48:32Enrico.
48:36And the others.
48:44Silva's soul.
48:46Jealous.
48:47You gave him a lot of calls to be right.
49:01Sometimes...
49:04This is not a game.
49:08What does this have to do with Crockett?
49:10Silva thinks I like Sonny.
49:22What do you want us to do?
49:29Warn him.
49:35Call off the bus.
49:37It's a little late for that.
49:40Just call it off.
49:48You think Silva put her up to it?
50:02Maybe.
50:04Or maybe she's telling the truth.
50:10Crockett and Tubbs should be notified.
50:14They may be also on Silva's hit list.
50:23There's something they ought to know.
50:24I don't blame her for lying.
50:35Not when the truth is the sick.
50:38There.
50:52That's the one.
50:54Right where Silva said it would be.
50:55That was where Silva said it would be.
51:25I don't understand why you brought me.
51:31You've been playing games again.
51:34You were talking to those two policewomen last night.
51:42You trying to set me up?
51:44No. No, never.
51:47No, never is right.
51:49Because I play the game too well.
51:52And now you're gonna watch me play this out.
52:05Hey, Crockett, be cool. This thing could be a booby trap.
52:22Why are we switching boats?
52:27When they play their games, Rossella, I play mine.
52:32Why are we switching boats?
52:34When they play their games, Rossella, I play mine.
52:44Lieutenant!
52:46I play mine.
52:57Lieutenant!
52:58Silver's boat's dead in the water.
53:01Let me look.
53:16When I want to breathe.
53:19To believe.
53:22Call your name.
53:24Lift by lift.
53:27My tears fall.
53:30Lift by lift.
53:33Everything changes.
53:35You must have switched boats.
53:38Call Crockett.
53:48Nothing here.
53:50Tops, do you read me, Tops?
53:52Yeah, I read you.
53:54We lost him.
53:56You're on your own.
53:58There's no smack out here.
53:59It's a hit.
54:01Get out.
54:03Crockett!
54:05Hey, come on, get back in the boat.
54:06We lost our backup.
54:07We lost our backup!
54:38I could have your lives in a second!
54:42Please!
54:43No!
54:44Don't do this!
54:45No!
54:49Don't do this!
54:50Don't do this!
54:51Please!
54:57I can wish again
55:07Don't do this!
55:08Don't do this!
55:26No dope, no arrest!
55:29No witnesses and no backup!
55:32Just two dead vice cops in the open sea!
55:37please
55:38why not
55:40wouldn't they kill me
55:43if they had the chance
55:44they would
55:45yes they would
55:49but I won't
55:53he's crazy
55:59yeah but he's got the machine guns
56:03it's a trick
56:05yeah maybe
56:10but to show you
56:14how much I love you
56:17and to show you
56:19how foolish it is
56:22to wanna leave
56:24I love you so I'm gonna spare you
56:30a friend
56:30don't you see now my love
56:35love for you
56:36love
56:38you call what you've done to me love
56:41call this love
56:51I know in your heart
56:54I know that you love me
56:58I can breathe again
57:03go on
57:07if you don't love
57:10you kill me
57:11no no
57:17she can't do it
57:22you can't do it
57:23you can't do it
57:23go on
57:29you kill your own flesh
57:32you kill your own flesh and blood
57:32you murder your father
57:33goodbye daddy
57:51I can breathe again
57:57I can breathe again
57:59I can breathe again
58:05Transcription by CastingWords