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00:00You
00:30Oh, my God.
01:00What is this, dear? What is this?
01:07Okay, Agada is sure.
01:12But what is this?
01:18Don't be afraid of me!
01:21Who are you, brother?
01:23Agimon, I'm in trouble!
01:25What am I doing?
01:28It's a black hole in the hole!
01:31You have to go through the penjar!
01:33You have to go outside the world!
01:35I didn't have a solution!
01:37Germans were blocked!
01:39I couldn't go!
01:40I can't go to the house, not to demolish the word.
01:44Sorry, Radovane, but I didn't expect you to get the Serbian to kill Serbian.
01:52Is this possible?
01:54I'm happy that I didn't break my head.
01:56What's that in my hands?
01:58It's like a stone.
02:00Radovane, I'll tell you,
02:02that this book can be used for all the time in the Serbs.
02:10Let's go.
02:12Let's see how many hours it is.
02:16It's late, Radovane.
02:18It's 8 hours later.
02:20What did I say to you?
02:22You have to sleep before 7,
02:24so I can't sleep at the time.
02:26Yes, Radovane, why did you feel so early?
02:29I heard some sounds.
02:31Something that's going on,
02:33something that's going on,
02:34something that's going on,
02:35something that's going on,
02:36something that's going on.
02:37I don't want to sleep at the time.
02:39I don't want to sleep at the time.
02:40I don't want to sleep at the time.
02:41Let's go.
02:42You're going to kill people from the room.
02:44Where is the guest?
02:45Put two or three crampions.
02:46Let's go.
02:47Let's go.
02:48It's not going to be late.
02:49It's late in November.
02:50I'm going to tell you,
02:51let's go.
02:52What are you doing now?
02:53I don't want to sleep at the time.
02:55I don't want to sleep at the time.
02:59I heard about him.
03:01It's not going to be late,
03:02but it's late.
03:03I don't want to sleep at all.
03:05I don't know.
03:23with our mother, the Red River.
03:25I'm not familiar with you, right?
03:27I'm not familiar with you.
03:29And what is this new mix?
03:31A little Red River poetry and a little time prognosis?
03:33I don't like that!
03:35He gave me a task where I'm thinking about this month.
03:39I haven't even used it yet,
03:41but you'll hear it when you hear it.
03:43And you'll get it in the best days.
03:47What are you waiting for?
03:49I'll leave you here, Demir.
03:51I'll leave you here!
03:52Well, what will you do?
03:54The Red River is here with you.
03:56It's the newest thing of the other Tita.
03:58What kind of thing, man?
04:00It's the same thing!
04:02I don't know how many of you are.
04:04I don't know how many of you are.
04:06It's a charm, friend Helmija.
04:08It's a charm.
04:09It's easy to be with men.
04:11We have a little bit of a fight,
04:13and the German army will let us go.
04:15Do you have a photo-apparel, friend Helmija?
04:17What will I do?
04:19Do you have a photo-apparel?
04:21I can't do it.
04:22I can't do it.
04:23I can't do it.
04:24I can't do it.
04:25How much is the charm?
04:26If you want a good one,
04:27it's less than 300 rice maraq.
04:29How many of you know?
04:31But you'll have to do it tomorrow.
04:33Okay.
04:34What should I do?
04:35I'll take a photo-apparel.
04:36A lot of people.
04:37I'm not going to take a photo-apparel.
04:38I'll take a photo-apparel to my friend.
04:39I'll take a photo-apparel, friend Helmija.
04:40And you?
04:41No.
04:42If you understand what I'm talking about.
04:45If you understand what I'm saying...
04:47My mother has never killed him!
04:48As always, I get the most difficult task!
04:51And why are you the best?
04:53You know what Schilling will be worth with these pictures?
04:56No!
04:57The other black vase will allow us to hold Schilling for eggs!
05:02And then, if we don't do what we want,
05:05we send these pictures to Berlin in Gestapo!
05:08Give me a little bit of a friend, Hilmi,
05:10so I'm going to cry a little.
05:12I'm just going to see him.
05:15What?
05:16What?
05:17What?
05:18What?
05:19You're going to go in the house in the house,
05:21and you're going to get the house in the house.
05:23Why, what?
05:24There's no room for me.
05:25Come on, Mr. Vaso, with you in the house!
05:28He'll get the water to cry!
05:31Dear, Mr. Vaso,
05:33please cry, the hell,
05:35so you won't break the party.
05:36Let's go!
05:37I'm in the trash!
05:40And you, come on, Sikter.
05:42You didn't understand me, friend, Hilmi.
05:45I'm not going to go.
05:46Why don't you eat?
05:47Why don't you eat?
05:48Let's go to the house,
05:49and I'll explain it to you.
05:50What will you explain to me?
05:51I'll explain it to you in Iconac.
05:53I have a very important part.
05:55What?
05:56Let's go to the house, where do I explain it?
05:58Let's go!
05:59And what do you mean?
06:01Two million...
06:03...Rajzmarak.
06:05I'm telling you,
06:06it's the most expensive thing.
06:08Well, that book is yours.
06:10It's not important.
06:11It's important to me,
06:12and you as a Serbian,
06:13how can this book go to London?
06:15What? London?
06:16This book must take the king
06:18and sell it with the king
06:20and buy it with the king
06:21and buy it with the king.
06:23Do you think this is the best solution?
06:26100% when I tell you about it.
06:28Besides, I'll tell you something about it.
06:30When the king gets this book
06:33and he knows that he is from me,
06:35he will probably call me in London.
06:36I need to go to London.
06:38I don't have a place in my king.
06:39I deserve it.
06:41What do you think about it?
06:43What do you think about it?
06:45lush,
06:47...
06:48a lot of music.
06:49.
06:50.
06:52.
06:53.
06:54.
06:55Here,
06:56.
06:57Here,
06:58in this house.
06:59.
07:00.
07:01This house and that's the best.
07:02This house can come back to me
07:03with a brush of a half a liter.
07:05Let's fly.
07:07It's a green light, people.
07:08Time in November.
07:09November.
07:10November!
07:12November!
07:14And just one thing, is it November?
07:17No November, no November!
07:20Who is the month?
07:22December!
07:23How the fuck December has hit?
07:25Say it like a week, who is the month?
07:27Ah, ah, to, Zanugr!
07:33The month?
07:35Aaa, aaa, aaa, aaa, aaa, aaa, miau, miau!
07:37It's like a
07:42nookko, nookko!
07:43Nookko!
07:44Nookko, nookko!
07:46I saw you and the other time,
07:50and the other time!
07:52Could you support me a bit?
07:53Come on, come on. Let's fly.
07:57No, let's fly.
07:59No, come on, come on.
08:01I'm here.
08:06What a fool.
08:08Satnik Krašimir.
08:22Who wants to know?
08:23Mustafa. Mustafa Busuladžić.
08:26Poeta, filozof, business man.
08:30I've heard about you. You're a Muslim thinker.
08:34That's right.
08:36Do you have a moment for me?
08:40Let's say it.
08:41Can I?
08:47I heard that you can do everything.
08:51And that you know people from all sides of the Sarajevo.
08:55That's right. I know everyone in this city.
08:58Have you ever heard about the Jewish book, Hagad?
09:02What would you say? The whole city is in beautiful places.
09:05Everyone is looking for it.
09:06I thought that since you have a lot of knowledge about this city,
09:10I thought that you could even know where this book is located.
09:15What about you?
09:16You see?
09:17I'm a great lover of Jewish skills and Jewish community.
09:21And then we found out.
09:23I wanted to know that if you suddenly know where this book is located,
09:29if you suddenly come to the visit of this book,
09:33I'm ready to pay for it.
09:35I think that you know she's worth a million Reichsmarks.
09:40A million and 500,000 Reichsmarks in cash.
09:46I'm ready to pay for it only if you bring this book in cash.
09:53In cash?
09:54That's right.
09:55That's what I wanted to tell you to know.
09:58It's a good day.
09:59Oh!
10:00It's a good day.
10:01Oh!
10:02It's a good day.
10:03It's a good day.
10:08Listen to me.
10:09A lot of months from these students.
10:11There's no logic.
10:12Come on.
10:13Come on.
10:14Come on.
10:15I'll have an important conversation with my wife.
10:16Oh, is this really important?
10:18You just want to get out of here.
10:19Oh, my sister, when I tell you!
10:20Come on, come on.
10:21Come on.
10:22You just have to take your hands and take your hands.
10:23You're going to get out of here.
10:28Good, friend.
10:29Hermione.
10:30What is it not clear?
10:31Nothing is clear to me.
10:33War, occupation, people are dying.
10:36And that's your stupid kid.
10:38You're ready to do the culture.
10:39Sit down.
10:40Why don't you go up?
10:41I won't go down.
10:42I won't get out of here anymore.
10:43What is it not clear?
10:44Without cultural differences,
10:46our nation and nationalities.
10:47Without cultural differences,
10:48there are no revolutionaries.
10:50There are no revolutionaries.
10:51There are no revolutionaries.
10:52There are no revolutionaries.
10:53What are you thinking?
10:54Today, there is a commissioner for culture.
10:58He has to bring the
11:18to the people of the country.
11:19What is it not?
11:20What is it not?
11:21What is it not?
11:22What is it not?
11:23I don't know what I'm saying,
11:24Radovan,
11:25but it's not worth it.
11:26What is it worth it?
11:27The entire city is worth it.
11:29It's amazing.
11:30It's amazing.
11:31It's amazing.
11:32It's amazing,
11:33but it's amazing.
11:34And where are you from?
11:35Where are you from?
11:37We're on the road.
11:38We're on the road.
11:39Where are we?
11:40I'm in the road.
11:41I'm in the road.
11:42I'm in the road.
11:43Just let's go.
11:44Let's go for it.
11:49Don't put it away.
11:50Don't let it go.
11:51ant.
11:54That is armamentally.
11:55Ain't it meburns?
11:57Well, couples.
11:58No, no, no.
11:59Let the place.
12:00You discern on04.
12:01All right.
12:02Ah.
12:03I do not like that night.
12:04It isゴ Оник.
12:05There are no people.
12:06I do not.
12:07No matter thebestos.
12:08It says to me.
12:09Once on,
12:10he goes and Taiji will get along.
12:11He is a commissar for culture.
12:13How does he look?
12:15What do I know? I just told him that he won't have a problem.
12:21This is what he has to do.
12:23Let me give him the right.
12:25Let's see what he does.
12:27What did he call him?
12:29The freedom, the principle of the city.
12:31What is the freedom?
12:33The principle of the city.
12:35The city of the city.
12:37You, the partisans, are not normal.
12:41Listen to this.
12:43It's in the middle of the city.
12:45It's in the middle of the city.
12:47That's me.
12:49That's me.
12:51That's me.
12:53Let's sit, friend.
12:55No, don't sit in the cafe.
12:57If you sit in the corner.
12:59Let's drink the cafe.
13:01It's all right. I've never been sitting.
13:03I've never been sitting in the cafe.
13:05I've never been sitting in the cafe.
13:07I've never been sitting in the cafe.
13:09I've never been sitting in the cafe.
13:11I've never been sitting in the cafe.
13:13When you drink, you're going to get the kids out of the house.
13:15You're going to need something.
13:17Look, I need a small service.
13:19I need a photo-apparat to be the top.
13:21I'd be easier to find the one that's bad.
13:23I need a cheap one to be the top.
13:25You have a third.
13:27I'm in the campagnoli. I'm in for you.
13:29I'm in for you.
13:31I'm in for 50.
13:33I can't.
13:35Do you know what this is?
13:37No.
13:39It's Mustafa Busuladjić.
13:41Mustafa Busuladjić?
13:43I heard about it.
13:45It's your fault.
13:47You know what I told me?
13:49He gave me a million and a half.
13:51He gave me a hug.
13:53He gave me a million and a half.
13:55He gave me a hug.
13:57But no one knows where the Haggad is.
13:59No, no, no.
14:01No one knows.
14:02No.
14:05Stop!
14:07Stop!
14:09Did you see him?
14:10He was here.
14:11He came out.
14:12He had a hat.
14:13He had a hat.
14:14He had a hat.
14:15He had a hat.
14:17Mustafa!
14:18Mustafa!
14:19Mustafa!
14:20Mustafa!
14:21Mustafa!
14:22How luxurious is this toilet?
14:24Radovan!
14:26Radovan!
14:27Radovan!
14:28Radovan!
14:29Radovan!
14:30Radovan!
14:31Ubiću ti!
14:32I'll kill you!
14:34Radovane! I'll kill you!
14:37I'll kill you!
14:40So, the family of the village is clear.
14:46Your village is from the west to the west.
14:51And in the village,
14:54and in the village,
14:56and in the village,
14:58and in the village,
15:00I don't have to talk to you.
15:02It's not from the evening.
15:04All right, friends, Portuguese.
15:06Sit down, I pray.
15:08I'll take my head to the dance.
15:12I can't, friends, Portuguese.
15:14The music is constantly in my head.
15:16It looks like you are constantly in my head.
15:20It's a tough person.
15:24Good day, good people.
15:26Have you seen that?
15:28I don't have to go.
15:30You are very loving.
15:32Thank you, young lady.
15:34We can see you later.
15:38I'll fly.
15:40Great. Great, guys.
15:42Great work.
15:44Here we go.
15:46Good day, guys.
15:47Thank you, my mother.
15:48Where is that?
15:50I won't be able to get out of here.
15:52Here's my mother.
15:53The brown guy is here.
15:54This brown guy is here.
15:56There's a new little white man.
15:58Here is a yellow guy.
16:00The little blue girl's here.
16:02Another blue man.
16:04Take it away.
16:06Take it away.
16:07What's your guest?
16:09Well, two local rabbits.
16:10You know every place has all local rabbits.
16:13Take it away.
16:14Mr. Bosulađeć, please.
16:17I don't understand, Mr. Hilmija.
16:20Is he a Hilmija Frl?
16:22Hilmija, Hilmija Frl.
16:23Look at me. Hanđija, hotelier,
16:25a guest from Renomea.
16:27Why did you sit down for me, Mr. Hilmija?
16:30Mr. Bosulađeć, I saw that my heart was in my head.
16:33I sat down for you because I heard
16:35that you were interested in a book
16:37of a Jewish book called Hagada.
16:40Yes, that's true.
16:41As I heard, if others are lying,
16:43I'm not sure that you're ready for it.
16:46A million and five hundred thousand Reichsmaraka
16:49in cash.
16:50Just to believe that it's an original example.
16:52Interesting, interesting.
16:54Maybe you don't know where this book is found?
16:57Mr. Bosulađeć, let me stay here
16:59for a long time.
17:01I'll be right back.
17:03Just wait here.
17:05Ehe Hilmija's, tu si.
17:08He?
17:10Poglega, posljednji krik Deutche technik.
17:1235 mm, zoom 48 puta a...
17:15Poglega ovo.
17:17Objektivno stanje objektiva je subjektivno.
17:20Skrlo sam na ovaj aparato zaboravio.
17:22Evo ti pare.
17:23Malo filmu unutra.
17:24There's a film inside.
17:26Everything inside.
17:28Hey, wait a minute.
17:31What?
17:32What is this?
17:33The agreement was 50, not 45.
17:36Crash, you don't know the basic rules of buying a half-off.
17:39I know them well, but what?
17:40After 10 minutes, this car was 50.
17:43When it went to my hands and it was 5 minutes,
17:46it wasn't 50, but 45.
17:48I ask you, I have a real job.
17:51Yeah!
17:52What is this?
17:53It's not anywhere.
17:54Hello?
17:55You better go.
18:00Mr. Vasa, are you crying?
18:02No, Hilmi, I ask you.
18:04I don't have to be mad.
18:05I don't have to be mad at you, man.
18:07Do you see what I'm wearing?
18:09Do you see this photo?
18:10I gave this photo.
18:12The pictures must be the best in the world.
18:15We don't want to be in front of Berlin.
18:18There's a picture on the wall.
18:20There's a picture on the wall.
18:21There's a picture on the wall.
18:22We'll do it.
18:23We'll do it.
18:24What do you do?
18:26What do you do?
18:27Do you think you'll do it now?
18:29I'll do it now.
18:30Now?
18:31Never.
18:32If I don't do it, I'll do it now.
18:33I've prepared myself.
18:35I have to do it for the flaster.
18:37I know you're a picture of the wall.
18:39I'll try it right now.
18:41I'll do it now.
18:42I have a job to do it.
18:43I'll do it now.
18:44I'll do it now.
18:45I'll do it now.
18:46Do you see it?
18:47I'm sorry.
18:48I'll do it now.
18:49I got the camera off.
18:50It's fine.
18:51I'll do it now.
18:52Well, no, no, no.
19:00I'll do it now.
19:01What do you want to do?
19:04Good evening.
19:06It's okay.
19:21What is this?
19:23What is this? There's no problem.
19:26What are you talking about? You have something against Gusala.
19:30I don't have anything against Gusala.
19:32But Gusala is not popular in Bosnia.
19:34Is it?
19:35I mean, I don't want Gusala to be able to do this.
19:38I don't want.
19:39There's folklore.
19:40There's a little harmonica.
19:42There's a bit of metal.
19:43But Gusala is open.
19:44It's an instrument for one hand.
19:46Where do I have to go?
19:47Listen to what you're talking about.
19:49You're in your eyes.
19:51But Gusala is not in your eyes.
19:53You're in your eyes.
19:54You're in your eyes.
19:55You're in your eyes.
19:56You're in your eyes.
19:57You're in your eyes.
19:58You're in your eyes.
19:59You're in your eyes.
20:00Doesn't it seem to be, it if you do not want to go again?
20:05I ask farmers some people.
20:07More, of course, there's nothing to do before me.
20:10There's nothing to do before.
20:11There will never be.
20:12No, it's a Sheldon.
20:13Oh, man!
20:16See, I'm going to go to you.
20:18If you're happy, tell me that you should do it.
20:21It's necessary to do it.
20:23And then we can go up to the table.
20:27It's a nice and easy to drink.
20:31Look at that, guys!
20:33Look at what you play!
20:35Look at this!
20:37Look at this!
20:39Put the leg on the left leg.
20:41And then this.
20:43That's it!
20:45I'm going to go up.
20:47I'm going to go up.
20:49Stop it!
20:51How is this good?
20:53Did you see him?
20:55He's got this shumadisk in a small hand.
20:57I want him to do it!
20:59I'm sure he'll put a kukard in this shubara.
21:01This would be an original chatnik.
21:03Let's sit a little bit.
21:07When I'm going to drop my head,
21:09I'm gonna go up to my dancing.
21:23You are a savage!
21:33Where are you, pal?
21:35I don't know what to do.
21:37I don't know what to do.
21:39I don't know what to do.
21:41Don't let me go.
21:43It's important to me to save me.
21:45I ask you, what are you doing?
21:47Go to your house and wait for Romania.
21:51It's important to see.
21:53Just look at it.
21:55Do you think this is such a book?
21:59No.
22:01This is such a Jewish story.
22:05Look, they call Agada,
22:07and they say they have a few millions of money.
22:11Why Agada?
22:13Who is it?
22:17You're a normal new man,
22:19but you don't know what happened.
22:21Let's go, let's go.
22:23Paso, I'll go.
22:25Come on.
22:27I'm ready.
22:29I'm ready.
22:31I'll cut your head if you get hurt,
22:33and you don't shoot any pictures.
22:35Let's go.
22:37That's me, my pastor.
22:39Come on.
22:41Come on.
22:43Come on.
22:45Listen to me.
22:47I can't help you anymore.
22:49Before I kill you.
22:51Answer the question.
22:53Where is Agada from you?
22:55He killed another man.
22:57I don't know who he is.
22:59I don't know who he is.
23:01I don't know who he is.
23:03I know who he is.
23:05I'm going to sell him.
23:07And what is the case?
23:09You're a famous man.
23:11You're a real man.
23:13You're a good guy.
23:15You're a good guy.
23:17We're going to pay 50-50.
23:19I'm a loyal man.
23:21I'm a loyal man.
23:23I'm a king.
23:25I'm a king.
23:27I love the king and the king.
23:29God knows.
23:31I love you.
23:33I love you.
23:35I love you.
23:37I love you.
23:39I love you.
23:41I love you.
23:43I love you.
23:45I have a job with a photo.
23:47And I'll take a moment.
23:49I'll take a moment.
23:50I'll take a moment.
23:51I'll take a moment.
23:52I'll take a moment.
23:57What is it, Herr Faso?
23:59What is it, Herr Faso?
24:01What is it for me?
24:03What are the most sweet feelings?
24:05What is it for me?
24:07What is it?
24:08Safun.
24:09What, Faso?
24:10I have to say Safun.
24:12I'm afraid of some Hilmini Safun.
24:17I'll leave a little music.
24:19It's more romantic than the music.
24:21You can.
24:22You can.
24:23You can.
24:24You can.
24:25You can.
24:26You can.
24:27I can't wait.
24:28I can't wait.
24:29I can't wait.
24:30Here we go.
24:40If it's time.
24:41It's time.
24:42Herr Faso.
24:43I'll take a moment.
24:44Herr Faso.
24:45See the commander.
24:46Oh.
24:47Oh.
24:48Oh.
24:49Oh.
24:50Oh.
24:51Oh.
24:52Oh.
24:53Oh.
24:54Oh.
24:55Oh.
24:56Oh.
24:57Oh.
24:58Oh.
24:59Oh.
25:00Oh.
25:01Oh.
25:02Oh.
25:03Oh, oh.
25:04Oh, oh.
25:05Oh, oh.
25:06Oh.
25:07Oh, oh, oh, oh.
25:08Oh, oh, oh.
25:09Oh, shit!
25:11Oh, shit!
25:15Oh, shit!
25:17No, man!
25:19You're nervous!
25:21What's going on?
25:23It's a long story. I can't even write to you.
25:25Did you hear from that Jewish book about Hagat?
25:27For Hagat?
25:29Yes.
25:31See him there, where he sits.
25:33Who is that guy?
25:35Mustapha Busulađić.
25:37Polaris, Marki, Ukeš, onameke mu donese Hagatu.
25:39I'm waiting for him.
25:41I'm waiting for him.
25:43I'm waiting for him to bring Hagatu.
25:45Who is waiting for him?
25:47I don't know.
25:49Look.
25:51Do you know how you're feeling?
25:53What do you think?
25:55I have a feeling for a feeling, but...
25:57I'm curious about the situation.
25:59If someone appears, I fly away...
26:01I'm just going to throw up.
26:03I'm just going to throw up.
26:05I'm just going to throw up.
26:07I'm just going to throw up.
26:09I'm just going to throw up.
26:11I'm just going to throw up.
26:13Okay, Ilmi.
26:15I'll give you this book for 10 minutes,
26:17and you're already going to buy it.
26:19There's no time for Ilmi.
26:21I'm really happy.
26:23I'll do it while they're hungry.
26:25There's a million, and a half,
26:27a million, and a half,
26:29for Hagatu.
26:31I'll give you some money.
26:33I'll give you some money.
26:35I'll give you some money.
26:37You can pick me up.
26:39You've got a pair.
26:41I'll give you some money.
26:43Wait, while I'm waiting for you,
26:45I'm waiting for you.
26:47I've got 700, 800,000.
26:49You found an order for me.
26:51Yes, you've got a pair.
26:53So I'll be back to you.
26:54Yes.
26:55Don't stop me.
26:56I'm a baby.
26:57I'm not going to stop me.
26:58I'm a baby.
26:59I'll stop you.
27:00I'll stop you.
27:01Let's go.
27:02Let's go.
27:23Subscribe to my channel!
27:53Our Vaso has the right to be in a photogenic hole.
27:56And some...
27:57What do you give to me?
27:59To be able to develop.
28:00No, no, you won't be in my hands.
28:04You'll finish it.
28:05I'm going to be in a photographic work.
28:07Someone needs to see me how I'm sending an app,
28:10images for development,
28:11to see the shilling of the hole,
28:13to shoot at me.
28:14Don't worry, you're going to do this.
28:17You're going to be in a photographic work like Ziss.
28:19Ziss is our man, a patriot and a legalist.
28:22You're already like this.
28:24Can I make a photographic of my son of Merime?
28:28My son?
28:29Sinovice Merime.
28:30Let's not put the Muslims in the house.
28:32And he'll finish it.
28:34Stop being scared.
28:36He's scared and I'm scared.
28:38Oh my dear, my...
28:52I'm scared.
28:53I'm scared.
29:00Don't be afraid of me.
29:02Kill...
29:03Kill...
29:04Kill...
29:05Oh my god...
29:06Mr. Mustafa, prepare your head.
29:07Yes?
29:08Yes.
29:09Excuse me, the water is a little heavier.
29:12The heißt is going to be...
29:13What's this?
29:14That's it! And that's it, the original Haggad.
29:20Can I?
29:21Can I just be careful?
29:25Great! It looks like it's original.
29:28What does it look like? It's original, original.
29:31I only sell original robes, not bofles.
29:34I have coffee from Brazil, I have rice from China,
29:38I have soft meat from the top.
29:40Great! Great!
29:43Mr. Mustafa, how are we going to learn a transaction?
29:46Very simple.
29:47You will get you, as we were talking about,
29:50a store in which will be 1.500.000 Rajs Marka.
29:54Great!
29:55What is that?
29:56You can see the shator opened.
30:04You are so sweet.
30:05You hear the shator in China.
30:08You're so sweet and king.
30:11You ain't gonna go.
30:12You're so sweet.
30:14You're so sweet.
30:15Let's go again and do it.
30:16Let's go again and go again and join the woman.
30:19Oh
30:38Was is that?
30:40Oh
30:42Oh
30:44Oh my god
30:46Is that right?
30:48Where is Haggad?
30:51Dear Schilling, it's a little bit on me and then...
30:57You know what? It's not even important.
30:59Where is Haggad?
31:01It's important that you found me.
31:03Thank you. Thank you, her Albanian Rugova.
31:06This man will remember his head in his head.
31:09Gross! Gross!
31:11Auf Wiedersehen!
31:16Dear Schilling, nonan!
31:23Who am I? My land, Tito!
31:30Tito!
31:34Tito!
31:38Tito!
31:40Tito!
31:41Tito!
31:42Tito, Tito, Tito!
31:44Tito, Tito, Tito!
31:47Tito, Tito, Tito!
31:57Ma Tito!
31:59Tito, Tito, Tito!
32:02Oh, ho!