世界！ニッポン行きたい人応援団 2024年12月16日 浮世絵を愛するフランス人が来日！～歌川広重の浮世絵を再現する神業～
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TVTranscript
00:00Next, we invited her to Japan, where she admires so much.
00:08Oh, hello!
00:10So, is Benoît here?
00:12Yes, he's here.
00:20He has hair like this.
00:23He was sleeping?
00:24He was sleeping, and he went to eat with his friends.
00:28He has a little beard.
00:37Hello!
00:41Sorry!
00:43Wake up!
00:52Thank you very much.
00:54You are invited to Japan.
00:56No!
00:58Congratulations!
01:00Thank you very much!
01:02It's great!
01:04It's great!
01:06Thank you!
01:08First, with your wife, right?
01:14It's good, it's nice, it's cool.
01:16It's great!
01:18Are you happy?
01:20Super happy!
01:23Where are you going?
01:25Nippon-inagi, right?
01:27Nippon-inagi!
01:33Are you happy?
01:35It's a plane ticket to go to Japan!
01:37Are you happy?
01:39Yes, I'm happy!
01:41I'm happy!
01:45What a good son!
01:51That's great.
01:53So, who is this person?
01:57He was inspired by the work of Utagawa Hiroshige,
01:59who was found in France's Furumonoichi.
02:03Mr. Bunowa became a fan of Nippon-inagi.
02:09200 years ago,
02:11the people enjoyed full-color prints
02:13not only in Japan,
02:16but also all over the world.
02:20Nippon-inagi,
02:22the first full-color print in the world,
02:24was born.
02:26It was a work
02:28in which
02:30multiple prints were made.
02:34The prints were painted
02:36with vivid colors
02:38on a piece of paper.
02:40It's beautiful!
02:42It's beautiful!
02:46They add color
02:48little by little.
02:50They are very soft.
02:52Actually,
02:54many craftsmen
02:56worked on Nippon-inagi before it was completed.
02:58Katsushika Hokusai
03:00and Utagawa Hiroshige
03:02used a paper that draws
03:04the first drafts of utagawa outlining.
03:08The paper is dug
03:10against the plaster
03:12based on the design drawn.
03:14Wow, it's so detailed.
03:16With a single small sword,
03:18the hair is beautifully expressed, one by one.
03:24Amazing.
03:28This is what Surishi has in his hands.
03:31With just a few types of paint,
03:33he creates an infinite number of colors.
03:38A beautiful gradation unique to Mokuhan.
03:45The hair is made with washi.
03:53Ukiyo-e is made with the hair wet,
03:57so a strong washi is essential.
04:02Mr. Bunoa has never been to Japan.
04:07With such passion,
04:09he makes Ukiyo-e in his own way,
04:13from design to carving.
04:21Wow, it's done.
04:24It's done.
04:25It's done.
04:27It's done.
04:30He expresses the snow that falls
04:33in the shape of a central shrine.
04:35Wow, amazing.
04:38Interesting.
04:41The Ukiyo-e is made with the hair of Takumi Asano.
04:48And so...
04:50Welcome.
04:51...to Japan for the first time.
04:57Ever since I decided to go to Japan,
04:59my head has always been full of Japan.
05:03It's done.
05:06And then...
05:14Oh, no.
05:18No, it's not true.
05:21The Japanese craftsmen have made a bond,
05:24and they protect Mr. Bunoa in secret.
05:27Wow, amazing.
05:29This work was also used as the cover of an DVD box.
05:36Wow, amazing.
05:40I want to meet him again.
05:43The Secret Support Team
05:50After his first visit to Japan,
05:52he went to Joso City, Ibaraki Prefecture.
05:59Joso City, Ibaraki Prefecture
06:08Hello, I'm Bunoa.
06:11I'm Watanabe.
06:13Nice to meet you.
06:16Please come in.
06:19This is the workshop that Watanabe's father,
06:22who was a carpenter, opened.
06:29Mr. Watanabe, who became a carpenter after training in Tokyo,
06:33and Mr. Yoshida, a carpenter,
06:35have been working together for more than 50 years.
06:38Wow, amazing.
06:41What they mainly make is
06:43Ukiyo-e from the Edo period,
06:45which has a strong fan overseas.
06:50Wow, the colors are wonderful.
06:54Most of the pieces are from the Edo period.
06:59Wow, I didn't know that.
07:03Mr. Watanabe, a carpenter,
07:06restored the original painting.
07:09So you can make it in the same way.
07:12However, if you make about 5,000 pieces,
07:16they can be used up,
07:18so they have to be re-made.
07:22My long-cherished dream has come true.
07:26Is that so?
07:30I just noticed that
07:34there are a lot of wood in the back room.
07:38Really?
07:40That's amazing.
07:43It's wonderful.
07:46Do you see this?
07:48Hiroshige, Okusa...
07:54Hiroshige...
07:56Okusa, Hiroshige, Utamaro?
07:58Yes.
07:59Hiroshige gave me a chance to like Ukiyo-e.
08:06Then...
08:08Come here.
08:15You said you liked Hiroshige,
08:19so I gave you this.
08:22Thank you very much.
08:30One of Utagawa Hiroshige's masterpieces,
08:34Yudachi in the Wilderness.
08:42Goho was also impressed by the work
08:46and imitated it passionately.
08:52Yudachi suddenly sprang up
08:55from the rain clouds that stirred anxiety.
09:00The rain poured down
09:02on the vivid blue river.
09:09This fantastic blue
09:12is the world-famous Hiroshige Blue.
09:17Hiroshige Blue.
09:21Where did you apply the Nori?
09:26Here.
09:28Okay.
09:31You use Nori when you do this.
09:34Yes, I use the same thing.
09:37I use this yellow one.
09:40And you use water to...
09:43To make it easier to color the paper,
09:46he used a common craft glue.
09:51There are many other techniques
09:54to make the color vivid.
09:59First, he uses a black paint called Jizumi
10:03to draw the basic lines of the work.
10:14It's true.
10:18The key to the Japanese ink painting
10:21represented by Ukiyo-e is water.
10:25Water.
10:28On top of the wet cloth,
10:32he applies the water-soluble paint.
10:36It's pretty thick.
10:38It's starting to get sticky.
10:41He adds the Nori
10:43and smooths it with a brush.
10:48The paper is 100% made of
10:52Eji-sen Tesuki-washi.
10:56The fibers are long,
10:58so it's hard to tear even if you rub hard.
11:01I see.
11:03When he rubs the paper with the wet cloth,
11:10the paint penetrates smoothly
11:12into the fibers of the paper.
11:19This is a technique
11:21inherited from Japanese food.
11:26It's a gradation.
11:31How many times do you rub?
11:33It depends on the color.
11:35It takes about 25 minutes.
11:37Wow.
11:45The ultimate craftsman technique
11:48of Hori City.
11:52If it's a little off, it'll get on the line.
11:58Mr. Bunawa of France, who loves Ukiyo-e.
12:04The masterpiece of Utagawa Hiroshige,
12:07which he loves so much,
12:09is called O-hashi Atake.
12:12Hori City and Suri City
12:15will be able to see the unsurpassed techniques of craftsmen.
12:19Wow.
12:23How many times do you rub?
12:25It depends on the color.
12:27It takes about 25 minutes.
12:29Wow.
12:3625 times?
12:39He uses 17 colors,
12:42and even when blurring the background,
12:45he uses the same color twice.
12:48If you rub 25 times,
12:50there's a chance you'll fail 25 times.
12:53I think it's amazing
12:55that you work so carefully
12:57each time.
12:59I can't make mistakes.
13:04Mr. Bunawa is curious.
13:08Why do you shave the kento?
13:11Because it's heavy.
13:15Kento is a symbol of two places,
13:18the lower left corner of each hangi
13:21and the center.
13:24Wow.
13:28By placing a chopstick on top of it,
13:31it doesn't shift no matter how many pieces you rub.
13:35Wow.
13:41By the way,
13:43the kento that was born from this kento
13:45is called kentochigai,
13:47which means to add kento.
13:49Wow.
13:51It's a great origin.
13:53Did it come from the ocean?
13:55The wet washi and hangi
13:57slightly shrunk
13:59depending on the season, temperature, and humidity.
14:02Wow.
14:04Therefore,
14:06what was right in the morning
14:08may shift to the right
14:10in the afternoon.
14:12Oh, it's subtle.
14:15Mr. Suri
14:17shaves the kento,
14:19and on the contrary,
14:21he adds more kento,
14:23and adjusts it in millimeters.
14:26Wow.
14:28He adjusts it in millimeters.
14:30Wow.
14:38It fits perfectly.
14:40It fits perfectly.
14:44I didn't know that.
14:48Continue.
14:50It's really a craftsmanship.
14:52Wow.
14:55Next,
14:57Mr. Suri will show us
14:59his greatest technique,
15:01which is called
15:03atenashi-bokashi,
15:05which expresses
15:07low-falling rain clouds.
15:10Atenashi-bokashi.
15:12Atenai-no.
15:16Bokashi,
15:18which cannot be carved in hangi.
15:20Oh, I see.
15:22The shape of the clouds
15:24depends on the size of the atenashi.
15:26Oh, I see.
15:31Clouds of the shape of the clouds
15:33can be filled.
15:35The first-class atenashi
15:37can shave 100 sheets
15:39in the same way.
15:41In the same way?
15:43The masterpieces of
15:45Hiroshige Utagawa
15:47and Hokusai Katsushika
15:49could not be created
15:51in the same way.
15:53Wow.
15:55I didn't know
15:57this technique.
15:59I learned a lot.
16:05The masterpiece of
16:07Hiroshige Utagawa,
16:09Ohashi-atake-no-yudachi.
16:11The main character is the rain.
16:15The delicate technique
16:17of the carver
16:19to carve the rain.
16:23How does he carve
16:25the rain?
16:27Let's see.
16:31Based on the sketch,
16:33he makes a cut
16:35on both sides of the thin line
16:37that becomes the rain.
16:43He carves
16:45between the lines.
16:47Oh, I see.
16:49I have to leave that part.
16:51I see.
16:53If it's a little off,
16:55it will be on the line.
16:57It's difficult
16:59and requires
17:01concentration
17:03to carve a straight line.
17:05It becomes so thin.
17:11Wow.
17:13It's difficult.
17:17I can't believe
17:19his concentration
17:21and accuracy.
17:23I see.
17:25The delicate technique
17:27of the carver
17:29to carve the rain
17:31impressed me.
17:33I see.
17:35The technique
17:37of the carver
17:39to express
17:41the intense summer rain.
17:47He puts
17:49black paint
17:51that becomes the color
17:53of the rain.
17:59The thin line
18:01is done,
18:03but there is more.
18:09He uses
18:11another piece of cloth.
18:13This one is thin.
18:15The angle
18:17is different.
18:19The angle of the rain.
18:21It intersects.
18:23It intersects.
18:25Exactly.
18:27The angle of the rain
18:29is different.
18:31He uses two pieces of cloth.
18:33It's really different.
18:35He uses
18:37darker paint
18:39for the second piece.
18:45The second piece.
18:53The thin rain in the back
18:55and the dark rain in the front
18:57intersect.
18:59It's amazing.
19:01Compared to the first piece,
19:05the depth of the rain is different.
19:07It's different.
19:09It's raining.
19:11The intense rain
19:13in the back.
19:19It's like
19:21you can hear
19:23the sound of rain.
19:25The two pieces of cloth
19:27and the color
19:29are expressed well.
19:31It's like
19:33the rain is moving.
19:35It's the strength
19:37of the rain.
19:39The movement
19:41of the two pieces of cloth
19:43and the rain
19:45are expressed well.
19:47I'm glad that
19:49people from France
19:51came to see
19:53and were satisfied.
19:57Thank you very much.
19:59Good luck.
20:05I'm about to cry.
20:13Bye.
20:17Mr. Watanabe
20:19welcomed Mr. Unowa warmly.
20:25Even after his death,
20:27Mr. Watanabe kept his tradition.
20:31At the age of 78 last year,
20:33he passed away.
20:35May he rest in peace.
20:37On the other hand,
20:39Mr. Yoshida,
20:41at the age of 85,
20:43is still alive.
20:45May he live a long life.
20:47Oh!
21:05If possible,
21:07I'd like to meet
21:09a craftsman
21:11who makes a baleen.
21:13In order to improve
21:15my skills,
21:17I think it's important
21:19to learn about baleen.
21:21Baleen,
21:23a Japanese unique tool,
21:25is used to decide
21:27whether a piece of wood
21:29is good or bad.
21:31I didn't do this
21:33when I was in elementary school.
21:35The highest grade baleen
21:37costs
21:39about 150,000 yen.
21:41In fact,
21:43there is a craftsman
21:45who makes a traditional baleen
21:47in Oiso, Kanagawa.
21:49Hello.
21:51I'm Buna.
21:53Nice to meet you.
21:55Thank you for coming.
21:57He has been making baleen
21:59for 42 years.
22:01He is the owner of
22:03Kikuhide Baleen Workshop.
22:07Mr. Goto Hidehiko.
22:11He makes everything
22:13from scratch to completion.
22:15He is one of the few craftsmen
22:17in Japan who makes
22:19a real baleen
22:21in a traditional way.
22:25How long does it take
22:27to make a baleen?
22:31It takes about
22:337 or 8 months
22:35to make
22:37a baleen.
22:39Wow.
22:41What?
22:43What?
22:45What?
22:47It takes
22:49a lot of time
22:51to make a baleen.
22:53What's more,
22:55as a craftsman,
22:57it's really hard
22:59to make a baleen.
23:01Wow.
23:03What is it?
23:05I'm so happy.
23:07I'm so happy.
23:11To save his friend,
23:13he visits France urgently.
23:25I'm so happy.
23:27I'm so happy.
23:29I'm so happy.
23:33Yuka Suzuki,
23:35a model and an actress,
23:37is into
23:39cooking rice.
23:41That's good.
23:43But she always fails.
23:45Does cooking rice fail?
23:47It's difficult.
23:49It's hard to fail.
23:51Hiroshi Fujioka's father,
23:53actor Maito Fujioka,
23:55is into
23:57onsen.
23:59I love onsen.
24:01My father loves it, too.
24:03We often go there together.
24:05We go there together?
24:07We go there 5 times a week.
24:095 times a week?
24:11Wow.
24:13He lives there.
24:15Mr. Munoa,
24:17a French man
24:19who loves
24:21Japanese fashion.
24:23Mr. Hidehiko Goto,
24:25a Japanese craftsman
24:27with a small number of workers
24:29in Japan.
24:35This is
24:37the real thing.
24:43It's quite big.
24:49Can I touch it?
24:51Please.
24:59It's very light
25:01and beautiful.
25:03It's very beautiful.
25:05I think
25:07the shape of the tool
25:09is very beautiful.
25:11I still think
25:13it's a great tool
25:15for the people
25:17of the Edo period.
25:19What's inside
25:21the barrel?
25:23Let's take a look.
25:35Wow.
25:37It looks like this.
25:41The structure
25:43is the wrapping side
25:45that covers the outside.
25:47And the inside
25:49is the heart
25:51of the barrel
25:53that gives power
25:55to God.
25:57I see.
25:59It looks like this.
26:01It looks simple at first glance,
26:03but the barrel
26:05is the crystal of wisdom
26:07and ingenuity
26:09of the craftsmen
26:11who supported Ukiyo-e.
26:13There are many
26:15pictures of Ukiyo-e.
26:17Is it okay
26:19to take pictures?
26:21Of course.
26:23You can take as many pictures
26:25as you want.
26:27He's a nice guy.
26:31How long does it take
26:33to make
26:35one barrel?
26:37It takes
26:39about
26:417 or 8 months
26:43to make one barrel.
26:45Wow.
26:47What?
26:49What?
26:51Yes.
26:53I see.
26:55It takes a lot of time
26:57and effort
26:59to make
27:01a high-quality
27:03barrel.
27:05First of all,
27:07what is
27:09Ategawa's
27:11particularity?
27:13I can touch it.
27:15I can touch it.
27:17I use paper,
27:19glue,
27:21and a brush.
27:23Why are there
27:25letters on the paper?
27:27I use
27:29old paper.
27:31I see.
27:35It's
27:37an old paper
27:39and I like it.
27:41I like
27:43old paper
27:45because it's high-quality.
27:49The material is
27:51Daifuku-cho,
27:53which was made
27:55about 150 years ago.
27:57At that time,
27:59Japanese paper was
28:01high-quality
28:03due to high quality
28:05of the raw material.
28:07Cut the paper into a circle
28:09and glue it.
28:11The glue is
28:13Shibu glue,
28:15which is highly adhesive
28:17and is made by mixing
28:19persimmon fiber.
28:21It's amazing.
28:23Due to this adhesion,
28:25you can
28:27stick it firmly
28:29just by applying
28:31a thin layer of glue.
28:33It's interesting.
28:35Due to the effect of persimmon fiber,
28:37the water resistance is increased
28:39and the strength is increased.
28:47After sticking
28:49one sheet of Japanese paper,
28:51it takes more than one day
28:53to dry completely.
28:57To stick about 50 sheets,
28:59it takes at least
29:0150 days to finish.
29:03I see.
29:05One sheet per day.
29:07After sticking the cloth,
29:09paint it
29:11seven or eight times.
29:15A light and durable
29:17Ate-gawa is completed.
29:21There is a reason
29:23why it takes so much time.
29:27The reason is
29:29that it takes one or two days
29:31to dry completely.
29:33If it is not a light tool,
29:35it will be burdensome.
29:37And it requires
29:39appropriate elasticity.
29:43It is said that
29:45it takes about 300 sheets
29:47per day.
29:49It is necessary
29:51to have a balance
29:53between lightness
29:55and strength.
29:57In addition,
29:59the appropriate elasticity
30:01of Japanese paper
30:03conveys the feeling
30:05of fine irregularities
30:07to the artist.
30:11In other words,
30:13it is an important
30:15part of the artist's eyes.
30:19And the one
30:21that determines the finish
30:23of the work
30:25is Valenshin.
30:29What is the material?
30:33This is a bamboo skin
30:35called Kashiro-dake.
30:37The skin is white,
30:39so it is called Kashiro-dake.
30:45Kashiro-dake.
30:47Kashiro-dake.
30:49Kashiro-dake is said
30:51to be the highest quality
30:53of bamboo skin in Japan.
30:57It is said that
30:59it is harder than
31:01a real bamboo
31:03and can make
31:05a solid core.
31:07It is cultivated
31:09only in Yameshi,
31:11Fukuoka Prefecture,
31:13but about 10 years ago,
31:15the last producer
31:17went out of business
31:19and became a phantom bamboo.
31:21Then Mr. Goto
31:23borrowed the land
31:25from the locals
31:27to grow it.
31:29You are camping,
31:31right?
31:33He does not compromise
31:35at all to make
31:37the best Valenshin.
31:41First of all,
31:43I will select
31:45only the parts
31:47to be used
31:49I will cut
31:51about 20 cm.
31:57This part
31:59has a uniform thickness.
32:01I will use this.
32:05This middle part
32:07is a little thick
32:09and cannot be used.
32:15Most of the rest is garbage.
32:19One piece of bamboo skin
32:21can be used
32:23as a material of Valenshin.
32:25It is a very small part
32:27with a uniform thickness.
32:31Soak it in water
32:33and rub it with your fingers
32:35for about 5 minutes
32:37to soften it.
32:41I will not use
32:43all the skin,
32:45but only the strongest part
32:47of the bamboo skin.
32:49From here,
32:51he will select more.
33:03Do you peel off the skin?
33:07He peels off the inner skin
33:09and only leaves
33:11the strong fibers.
33:13It was like a straw.
33:15Great!
33:23Next,
33:25he uses a special needle
33:27for peeling off the skin.
33:29Great!
33:31The width and length
33:33are almost uniform.
33:37Then...
33:39At this stage,
33:41he will select more.
33:43Wow!
33:49In order to make Valenshin,
33:51he had to select
33:53the materials
33:55very carefully.
33:57I was very surprised.
33:59At this stage,
34:01you have to select
34:03good materials
34:05or the thickness
34:07of the bamboo skin
34:09to make Valenshin.
34:13With the thin bamboo skin,
34:15he will make
34:17the core of Valenshin.
34:19Do you make it by yourself?
34:27He twists the bamboo skin
34:29to make the core
34:31of Valenshin.
34:33Great!
34:35Wow!
34:37It's beautiful!
34:39It's very beautiful!
34:43The length of one Valenshin
34:45is about 15 meters.
34:4715 meters!
34:49He makes it with this length.
34:51Wow!
34:55He is very precise.
34:59He is very precise.
35:01I'm really surprised.
35:03I'm really surprised.
35:07With this,
35:09even if it is a little uneven,
35:11it will be fixed later.
35:13I see.
35:17In addition,
35:19he will make
35:21two by two
35:23and four by four
35:25and eight by eight.
35:27Great!
35:29Wow!
35:33I see.
35:39Thank you very much.
35:41After wrapping it in a circle,
35:43it is completed.
35:45This art
35:47is passed down from the Edo period.
35:49The pressure is concentrated
35:51on the protruding part
35:53to make it beautiful.
35:55Wow!
35:57Then,
35:59Mr. Goto
36:01has prepared
36:03five different types.
36:05Please try
36:07all of them.
36:11He has prepared
36:13five Valenshin
36:15which look the same
36:17but have different contents.
36:19Wow!
36:21The difference is
36:23that Valenshin
36:25depends on
36:27how the bamboo skin
36:29is cut,
36:31the thickness of the material,
36:33and so on.
36:35Wow!
36:37The thickness of the paper
36:39and the place
36:41where the Valenshin is used
36:43are different.
36:45Wow!
36:47I didn't know
36:49that.
36:51I want you to
36:53feel the difference
36:55of Valenshin
36:57by yourself.
36:59Is it good?
37:01Yes.
37:07It is for Mr. Bunoa
37:09to feel the difference
37:11of Valenshin
37:13by himself.
37:17First of all,
37:19Valenshin called
37:21Yakko Gokuboso.
37:27This is
37:29the thin type
37:31of Valenshin.
37:33This is
37:35a weak Valenshin.
37:37However,
37:39if there is
37:41a fine carving
37:43such as the hair,
37:45a weak Valenshin
37:47will be crushed.
37:49Oh!
37:51This is
37:53suitable for
37:55Mr. Bunoa.
37:57Wow!
37:59This is amazing.
38:01This is really
38:03educational.
38:09These 16 pieces
38:11are the most dangerous.
38:15Wow!
38:17They are totally different.
38:19Wow!
38:21This is it.
38:23This is it.
38:25Wow!
38:27They are totally
38:29different.
38:31Wow!
38:33For the first time,
38:35Mr. Bunoa experienced
38:37the difference
38:39of Valenshin.
38:41Only Valenshin
38:43makes such a difference.
38:45There is such a difference
38:47between weak Valenshin
38:49and strong Valenshin.
38:51If you compare them,
38:53you can see
38:55the strong Valenshin.
38:59Mr. Bunoa experienced
39:01the difference
39:03of Valenshin
39:05in one day.
39:07He is a researcher.
39:09I'm glad to hear that.
39:11Then...
39:13Thank you for your hard work.
39:17Oh!
39:23Wow!
39:27Wow!
39:29Wow!
39:33This is magnificent.
39:41I'll bring the glasses.
39:45Ajinada,
39:47Kinmedai in Namashirasu.
39:49He is going to eat
39:51the sashimi he caught
39:53in Sagami Bay.
39:57Please enjoy it.
40:03It's good.
40:05I'm jealous of my wife
40:07when she sees the picture.
40:09I want to eat it.
40:11This is a bit strong.
40:13It has a strong alcohol content.
40:15Sorry.
40:17I have a weak tolerance
40:19for strong alcohol.
40:25I've heard of it,
40:27but it's the first time
40:29I've heard of it.
40:31Cheers!
40:35It's a lot.
40:39Thank you for coming today.
40:41Cheers!
40:43It was a fun day.
40:47They are dranking Jinro, a sake
40:49that is famous all over Japan.
40:51It's very tasty.
40:53I want to drink a glass too.
40:55They are drinking Jinro, a sake
40:57that is famous all over Japan.
40:59It's nice to drink.
41:01It's the best drink for a guest.
41:03It's the best drink for a guest.
41:07It's nice.
41:13It's very tasty.
41:15Please try all of them.
41:22What a great texture!
41:25Cheers!
41:28The fish is delicious, and the sake makes it even better.
41:32I'm very happy that Mr. Buno said that he wanted to be a ballet master.
41:41Honestly.
41:42Actually, I'm already a ballet master.
41:46What Mr. Buno told me today means a lot to my future life.
41:53I'm really happy to have met Mr. Buno.
42:02Mr. Buno graduated from an art school and became a carpenter.
42:08He became a disciple of a carpenter.
42:13He was a ballet master before the war,
42:18but after the war, he stopped and became a carpenter himself.
42:28In such a situation, he decided to become a ballet master
42:35so that the carpenters could concentrate on their work.
42:42I'm still young, so I'm sure I'll be able to make a good work.
42:59I hope you'll make a good work.
43:01I hope you'll make a good work.
43:09This is how I really feel.
43:15Let's drink.
43:17Let's drink.
43:20Cheers.
43:32How long are you going to hold the camera?
43:37They understand each other like old friends.
43:44Meeting Mr. Buno is more than a pleasure.
43:49I'm a little sleepy,
43:52but I'm really happy that we understand each other.
44:02And...
44:07It's a little small.
44:10Thank you very much.
44:13It's all packed, so you don't have to worry about humidity.
44:19A precious bamboo leaf for the outside of the ballet.
44:27A precious bamboo leaf.
44:35It was really fun.
44:38Take care.
44:47Take care.
44:51See you later.
44:55Take care.