私のバカせまい史 2024年12月5日 古畑第3弾！女に弱すぎる警部補がまさかの行動
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00:00To Be Continued
00:01My Baka Semaishi!
00:03Today's theme is...
00:08I'm researcher Seiya.
00:11Nice to meet you.
00:12Don't do that again.
00:13That pattern again?
00:16Well, everyone...
00:20We're running out of time.
00:22Yeah, we're running out of time.
00:25I'm glad you liked it.
00:28This is the third episode of Furuhata Ninja Bros.
00:32Now, everyone...
00:34Do you know this scene?
00:37Yes.
00:38The famous Kimura Takuya from the 2nd series.
00:42Do you know this scene?
00:44He hits the ball with his back hand.
00:47It's his first time.
00:48Furuhata is the only one who gets emotional.
00:53And Binta is like this.
00:55Furuhata is like this.
00:57It's a rare Binta.
00:59It's like this.
01:00So, this is Furuhata Ninja Bros.
01:04He's strict with the criminals.
01:08He overcomes the criminals with his genius brain.
01:12Sometimes he gets emotional.
01:14But Furuhata has an exception.
01:18It's this.
01:20A woman.
01:24In the last episode, we talked about Furuhata's appetite.
01:28This time, we'll talk about Furuhata's desire.
01:32The theme is...
01:36Furuhata Ninja Bros.
01:41There are a lot of criminals like this.
01:44So, we're back with another episode of Furuhata.
01:48In the first episode, we talked about Imaizumi's power.
01:52In the second episode, we talked about his weird appetite.
01:54And in the third episode, we talked about women.
01:57There are three women.
02:00They're so greedy.
02:03They're naked.
02:06Do you think women are kind?
02:09Yes, I do.
02:11I think they'll show up later.
02:13They'll be like, I remember that woman.
02:15They're the suspects of women.
02:17Let's see how many women there are.
02:21There are 12 women on the 43rd day.
02:24There are less than 30% of women.
02:28Morita, what do you think?
02:30The first episode is about women.
02:34It starts with Akina Nakamori.
02:37Then, Onami Suzuki.
02:39There are a lot of memorable scenes.
02:42The most memorable scene is this.
02:44The kindness shown after solving the case.
02:49In Furuhata's famous scene,
02:51after solving the case,
02:53he has a deep relationship with the suspect.
02:57The most memorable scene is the 7th episode of the 3rd series.
03:00It's about Misako Tanaka.
03:02She's a womanizer.
03:04She killed her husband.
03:06Her husband told her,
03:08you're not good at fashion.
03:10You shouldn't show up.
03:12She was so angry.
03:14She killed him with that reaction.
03:18After killing him, she was so fashionable.
03:21It's a dangerous behavior.
03:25Furuhata told her to stop it.
03:28Furuhata took the suspect's hand
03:32and escorted him.
03:34It was right before the end roll.
03:36He escorted him.
03:38He was waiting for him to change his clothes.
03:40He was waiting.
03:42He was waiting like this.
03:44He was escorted and arrested.
03:46He was like this.
03:48With the same hand.
03:50He was Misako Tanaka.
03:52It's strange.
03:54There's more.
03:56Tomoko Yamaguchi's special.
03:58When he was escorted,
04:00she put a stole on him.
04:02She's kind.
04:04When he was the weakest,
04:06she put a stole on him.
04:08He liked it.
04:10He was the most unfair man.
04:12She caught him.
04:15He was so cold.
04:17He was taken to a colder place.
04:19Right.
04:21Tomoko Yamaguchi was strong.
04:23She said,
04:25I'll be back.
04:27She said,
04:29I'll be waiting for you.
04:31She gave him a drink.
04:33She gave him a drink.
04:35She gave him a drink.
04:37She gave him a drink.
04:39She gave him a drink.
04:41She gave him a drink.
04:43She gave him the energy of a fugitive.
04:45She gave him the energy of a fugitive.
04:47It's strange.
04:49It's strange.
04:51These are the last things she did
04:53against the woman.
04:55There are many things.
04:57I see.
04:59She said to Akina Nakamori,
05:01You'll be a good wife.
05:03She said that.
05:05She cared for him.
05:07Men don't care.
05:09She said to Nana Kinomi,
05:12I'll perform their customized dance.
05:19She requested for the Requiem song.
05:21She could ask it.
05:23She could ask it.
05:27Enjoy this.
05:29Matsushima Nanoko's customized dance of
05:31people dancing together
05:33when they are born again.
05:35It's a tribute to Japan.
05:37It's a tribute to Japan.
05:39Dancing after being got.
05:41As a detective, how do you feel about this?
05:44The criminal might be like,
05:45Oh, is she going to be a model?
05:47It's kind of sweet, isn't it?
05:50However, there are times when it's tough even among women.
05:53Now, the second series, the fifth one.
05:55In the case where the screenwriter who plays Haruko Kato kills her sister,
05:59there is a cry from the criminal after he has cornered the criminal.
06:04I'm already a grandma.
06:07If you have the feeling of pity for the elderly,
06:11I would like to ask you to let go of your sins.
06:14I'm already a grandma.
06:15Sir!
06:17That's not the right way to say it.
06:19The characters in your drama have always been dignified.
06:24Please be like that, sir.
06:27I can't do anything for her.
06:30That's what it means.
06:33You're a woman.
06:35That's what it means.
06:37You're a woman.
06:39You're a woman.
06:41You can't do anything for her.
06:42You can't do anything for her.
06:44You can't do anything for her.
06:47That's terrible.
06:48That's terrible, isn't it?
06:50He didn't say that.
06:51He just said it.
06:54Now, let's see what the criminal thought about Furuata Ninzaburou.
06:58All the criminals in the prison talked about Furuata Ninzaburou.
07:04It's like a spin-off of an interview.
07:07It's a compilation.
07:08Let's start with the man.
07:11What did the criminal who was arrested by Furuata think about Furuata?
07:18Mr. Kaga Takeshi.
07:19Furuata, what are you doing?
07:21Are you having fun?
07:23It's similar.
07:25Mr. Masaaki Sakai.
07:26You're so mean.
07:28It's okay.
07:30You're going to get it.
07:31What do you think about it?
07:34Mr. Katamamorio didn't do it.
07:36I don't think so.
07:37Mr. Katamamorio hasn't been on TV much.
07:40Anyway, it's a terrible rumor.
07:46Now, let's look at the woman.
07:49Look at this.
07:51Mr. Sakaguchi is a kind man.
07:53Mr. Momoi Kaori.
07:54You're a nice man.
07:57Don't try to imitate me.
07:59Don't try to imitate me.
08:01Look at this.
08:02She came to see me.
08:04But no one was there.
08:06No one was there.
08:07She came to see me when I was a woman.
08:09Mr. Akena Nakamori.
08:10I owe Furuata a lot.
08:12Thanks to Furuata, I'm happy.
08:16I'm still being taken care of.
08:19But the treatment is completely different.
08:22Mr. Haruko Kato also said something good.
08:25Yes, there's humor.
08:27She didn't find out.
08:29She was strict.
08:30She didn't know about the other scenes.
08:32She didn't see it as a woman.
08:34She didn't see it as a woman.
08:35It's completely different.
08:38Furuata is extremely popular with the women he caught.
08:43When he researched why, he came to a conclusion.
08:49Furuata said,
08:51I'm sure you'll find out.
08:52He said that 15 times in all the episodes.
08:56Here's the reason.
08:58Yes.
08:59In the beginning, he said,
09:01I'm sure you'll find out.
09:07But after Mizunomaki's special episode,
09:10he's become a woman.
09:13He's almost a woman in the second half.
09:16He's not a criminal.
09:17He's a manager of SMAP.
09:20He cares about the women around him.
09:22He's very considerate.
09:23Yes, he is.
09:24He's a woman.
09:26Furuata is considerate to all the women except the criminal.
09:31In the 9th episode, he said,
09:32I won't get mad if a woman in a TV show puts a drink on my clothes.
09:36He's very considerate.
09:39This is disgusting.
09:41It's not disgusting.
09:42That's the only thing you want to do.
09:45That's the only thing you want to do.
09:46Furuata waved at a high school girl who was excited about the detective.
09:51The high school girl knew he was smoking, but she ignored him.
09:54That's not good.
09:55That's not good.
09:57This is how you do it.
09:59This is how you smoke.
10:01He's doing this.
10:04He's very kind to the women.
10:06This is also very disturbing.
10:08He said to a Kameyama from Kaseifu,
10:12You can call me Kame-chan.
10:15You can call me Kame-chan.
10:17He said no.
10:19But Furuata speaks in honorifics to the criminal and other people.
10:24But Furuata speaks in honorifics to the criminal and other people.
10:28Yes, to his subordinates and his wife.
10:30Really?
10:31That's not true.
10:32It is.
10:34He doesn't speak in honorifics to his subordinates.
10:38But he speaks in honorifics to his wife, Yoneko Matsukane from Kaseifu.
10:44Here's a guess.
10:48Furuata Ninzaburou is not a mature woman.
10:51I'll let the high school girls go.
10:53He speaks in honorifics to his subordinates.
10:57We looked into what kind of women he likes.
11:02There are some scenes where Furuata goes all out with the women.
11:05First, take a look at this.
11:07This is the first episode of the series, Laugh Out Loud.
11:11Jinnai Takanori is the criminal.
11:14Mizuno Maki's wife is in trouble at a hotel overseas.
11:18She can't speak English.
11:20Furuata looks happy and says,
11:22Let's switch.
11:24This is the first time they've met.
11:27Suddenly, he says,
11:28Is this your first time?
11:30This is in Australia.
11:32Is this your first time?
11:34I make sure to come at the end of the month.
11:37This is a lie.
11:39This was in one of Imaizumi-kun's interviews.
11:42He just happened to come.
11:44He says he comes to Australia at the end of the month.
11:48He's in the US.
11:49Is that a one-time thing?
11:51I don't know. It's a lie.
11:53He's acting cool.
11:54This was overseas.
11:56The second episode of the series, Laugh Out Loud.
11:57Suzuki Onami's wife is a novelist.
12:00In a long-distance bus,
12:02she talks about her past crimes.
12:05A full-on conversation drama.
12:07This is amazing.
12:08However, as a Japanese woman,
12:11she suddenly goes all out.
12:13Is this your first time?
12:14If you don't mind, can we talk?
12:17This is a night bus.
12:18It's not scary at all.
12:20It's normal.
12:21It's scary.
12:22It's scary, right?
12:22It's pitch black.
12:24It's scary.
12:24It's scary, night buses.
12:26It's very alert.
12:28This is scary.
12:30So, when I'm overseas,
12:32I like young women.
12:34I get a little excited.
12:35This is what I'm talking about.
12:38I get excited only when I go to a driver's license training camp.
12:42This is...
12:44There's something about it.
12:46When I'm overseas, I like to pick up girls.
12:49There's more.
12:51This is amazing.
12:52Kotegawa Yuuko plays a psychiatrist.
12:55She's waiting at home for work after work.
12:58She's waiting?
12:59It's an investigation.
13:00No, no.
13:01She's waiting.
13:03I was surprised.
13:04When you're old, you tend to follow the criminal.
13:07It's terrible.
13:09This teacher comes back to her apartment after work.
13:12Suddenly, she says,
13:12She's like,
13:13She's on her bike.
13:15Do you remember?
13:16She was on her bike.
13:18She bought something at the supermarket.
13:20She said,
13:23She said,
13:25I don't know what she meant.
13:28She said,
13:29She brought it to her house.
13:31She found out.
13:32She said,
13:35She's a stalker.
13:38It's scary.
13:39And there are times when you go beyond the line.
13:43Here it is.
13:45Yes, Mr. Nanako Matsushima.
13:47This is the final, the last dance.
13:50I think this is a little different from the approach we've had so far.
13:54Obviously, Mr. Furuhata fell in love.
13:56Here it is.
13:57He even wore a yellow coat that he said he wanted me to wear.
14:03I've never seen anything like this.
14:05Nipi's Furuhata.
14:07He's wearing a yellow coat.
14:10I've never seen Nipi's Furuhata.
14:14Just by wearing a yellow coat,
14:16He's just a crazy old man.
14:19He's gone beyond the line.
14:23At this point, Mr. Furuhata, the screenwriter who plays Mr. Nanako Matsushima,
14:26I'd like you to supervise the police drama.
14:29I'll approach you in the shade of a tree.
14:30The police officer is not an official police officer.
14:32It's a personal supervision.
14:34He's just letting the police off the hook.
14:38It's an information robbery.
14:40It's a bit like a crime.
14:42Here's another one.
14:44Mizunomaki, the victim's wife,
14:46I can tell at the end that she tried to kill her husband once.
14:51But Takanori Jinnai killed him again after that.
14:55In the end, Takanori Jinnai
14:57I'm going to push him.
14:59At the end,
15:00Well, I don't know.
15:01Maybe it's a coincidence.
15:04I'm going to miss it.
15:06That's right.
15:07I'm going to miss it.
15:09I know who the real culprit is.
15:12It's a murder mystery.
15:14It's too weak for a woman.
15:17I've got all the evidence.
15:20Huh?
15:21What's that?
15:22Why am I, Furuhata, weak for a woman?
15:28I've come to that hypothesis.
15:31The cause may have been a long time ago.
15:32Maybe it was when I was in junior high school.
15:36I couldn't get out of it even when I became an adult.
15:40The solution was Furuhata after this.
15:44Don't put it in your mouth.
15:46I'm going to the commercial anyway.
15:49No privacy at all.
15:51Why is Furuhata so weak for a woman?
15:55The truth has been revealed.
15:58It's the same as Tomoko Yamaguchi.
16:00It's the same as Tomoko Yamaguchi.
16:02It's the same as Tomoko Yamaguchi.
16:04It's too forced.
16:06You're the same.
16:11Why is Furuhata so weak for a woman?
16:15What is the hypothesis that led to the end of the research?
16:19I'll sum it up.
16:24Actually, I don't know much about Furuhata Ninzaburo's private life.
16:27I don't know what kind of family he has.
16:30But I've talked to him in the play.
16:33So I'll sum it up.
16:34Furuhata Ninzaburo is not married.
16:37When asked if he's ever been married,
16:40he said, I don't know. I forgot.
16:43He also said, are you not good with women?
16:47That's not true.
16:49It seems that women are more likely to say that I'm not good with women.
16:53Furthermore,
16:54I can talk a lot when I'm dealing with criminals.
16:57But I can't talk to people who haven't committed a crime.
17:01Furuhata can talk about the case,
17:04but he can't talk to a woman.
17:07In short,
17:09he can talk a lot only when he's in the play.
17:12But he's not good with women in private.
17:17So a hypothesis was born.
17:19Furuhata Ninzaburo is actually
17:21the same as this person.
17:24Furuhata Ninzaburo is the same as
17:26Bakido Gunpi.
17:29That's right.
17:31Gunpi is Furuhata.
17:34Furuhata in the comedy world.
17:36Bakido is amazing.
17:39So why did he become Bakido?
17:42Why did he become Bakido?
17:44Why did Furuhata become Bakido?
17:47There's a scene in a special drama called Furuhata Junior High School.
17:51A classmate girl who was probably in love
17:54was chased by someone.
17:55She came to Furuhata Junior High School and hugged him.
17:58But Furuhata took it off.
18:00She told him to go home.
18:02She pushed him away.
18:03He was in puberty, so it couldn't be helped.
18:06After that,
18:08she found out that her grandfather was one of the culprits.
18:11So she moved to another school.
18:13In short,
18:15he can talk to a woman more if there's no case.
18:18This is...
18:21he can talk to a woman more if there's no case.
18:24This kind of puberty
18:27gave birth to Furuhata Junior High School.
18:32That's right.
18:33He can talk to a woman more if there's no case.
18:36He was in puberty.
18:40Besides Gunpi,
18:41he was looking for someone else.
18:45And he was nearby.
18:49Mr. Morita.
18:50What?
18:51You...
18:53You can only talk to a woman through a filter called laughter.
18:56No, no, no.
18:57I got caught.
18:59Who said I was a pervert?
19:00You are actually a pervert.
19:02No, no, no.
19:03You sometimes give a drink to your co-workers.
19:06After this,
19:07the Seiya Research Institute started a revenge war.
19:10They cornered the culprit.
19:11What?
19:15Only Mr. Morita knows this kind of place.
19:18He gave a drink to an idol.
19:21It was quite a shock.
19:22Can't you see it like that?
19:24I have to do this.
19:26Mr. Morita.
19:27What?
19:29You...
19:31You can only talk to a woman through a filter called laughter.
19:34No, no, no.
19:35I got caught.
19:36Who said I was a pervert?
19:38You are actually a pervert.
19:40You and Furuhata
19:42are wearing yellow clothes because you want to be popular.
19:44What?
19:45I heard it from my manager.
19:47You are wearing a yellow jacket from Patagonia.
19:49That's it.
19:50You are a woman.
19:51No, no, no.
19:52You got caught.
19:54I didn't get caught by a woman.
19:56You got caught by someone and got caught.
19:58There are people who like yellow jackets.
20:00And you sometimes give a drink to your co-workers.
20:03What?
20:04You know,
20:05on the radio,
20:06you give a drink to an idol
20:08or to Kyoko Saito
20:11and you buy her a drink.
20:13You know, there is a way to do it.
20:15Yes.
20:16It's the same as Tomoko Yamaguchi.
20:18You are the same.
20:20You talk the same way.
20:23You are too forced.
20:25Furuhata Ninzoro, who is popular overseas,
20:28was laughing.
20:30You are the same.
20:31What?
20:32I heard that
20:33you are seducing a 50-year-old Korean woman in Guam.
20:37No, no, no.
20:39There is no reason for me to seduce a 50-year-old Korean woman in Guam.
20:42I don't understand.
20:43Your mouth got bigger.
20:44Yes.
20:45And I heard that you like old ladies.
20:47You have a bigger mouth.
20:48You are the Furuhata who likes mature women.
20:51So,
20:52Morita,
20:53you are confirmed to be Bakido.
20:55No, no.
20:56I'm not Furuhata.
20:57I'm Bakido.
20:58What kind of ending was that?
20:59You are the Furuhata who seduces a 50-year-old Korean woman in Guam.
21:04Thank you very much.
21:07What kind of ending was that?
21:08Thank you very much.
21:10The ending was weird.
21:12Suddenly,
21:13you cut the steering wheel.
21:14What are you doing?
21:16Only Morita knows this kind of place.
21:18Yes.
21:19I was surprised.
21:20You gave juice to an idol.
21:21No.
21:22I was shocked.
21:23It doesn't look like that.
21:24This is bad.
21:25I have to do this.
21:26No, no, no.
21:27If the research institute finds out, it will be bad.
21:29It's a research material.
21:30You gave juice to an idol.
21:33This is bad.
21:40This is the history of Wakasemai, which will be announced next week.
21:45Please look forward to it.
21:48Today's announcement can be seen repeatedly on TVer.
21:52Please subscribe to it.
21:55In addition, we have a viewing seat where you can enjoy the research announcement live.
22:01Please take a seat.