Eugene, a lonely photographer, becomes fixated on a young street prostitute, Josephine, in his rundown neighborhood. She becomes his muse and his photographs could be a way out for both of them - yet is Eugene saving Josephine or is he using her?
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00:40:47I understand, Julius, but I still don't understand why she had to be at the meeting.
00:41:08It was between the three of us.
00:41:10Look, I get that.
00:41:12I know.
00:41:14But, hang on.
00:41:17How'd it go?
00:41:21Great.
00:41:26Um, sorry, that was, that was Eugene.
00:41:43Daddy found us.
00:41:45I must leave.
00:41:47No.
00:41:48He'll just find us again.
00:41:52I had to do a deal with him.
00:41:57$20,000 in one week for you.
00:42:05You met Daddy.
00:42:12You're gonna get money.
00:42:13I wish I'd never met you.
00:42:14I'm going.
00:42:15No, no.
00:42:16He'll just catch you again.
00:42:17And...
00:42:18I wish I'd never met you.
00:42:19I'm going.
00:42:20No, no.
00:42:21He'll just catch you again.
00:42:23And...
00:42:24Get found them.
00:42:25They want to know why.
00:42:26And...
00:42:27If I tell them about Daddy, probably call the police and they definitely won't publish.
00:42:32Four dollars.
00:42:33Four dollars.
00:42:34Four dollars.
00:42:35Four dollars.
00:42:36Four dollars.
00:42:37If we could just pay this bastard off, then you'd go in the magazine and tell the story of the world.
00:42:45See how powerful he is when, when everyone knows who he is.
00:43:06Who are you?
00:43:08Daddy is Czar.
00:43:10You are bummed old man.
00:43:14They killed my dad.
00:43:18This prick even suggested that I...
00:43:22that I pimp you to get the money.
00:43:30Ronda, tell me about me today.
00:43:36She asked I agree for photos being a magazine.
00:43:42She worse than you.
00:43:50But still,
00:43:52I agree.
00:43:58But now we go get money for Daddy.
00:44:06You were men before.
00:44:10You want to win.
00:44:12Now you're still bum.
00:44:18You ask.
00:44:20Let's go.
00:44:26What are you doing?
00:44:30Or you.
00:44:36Okay.
00:44:38What are you doing?
00:44:40What are you doing?
00:44:44This is me.
00:44:46I don't know.
00:44:48I don't know.
00:44:50I don't know.
00:44:52Cash.
00:45:22Hurry up!
00:45:46You don't expect me to do this just by myself.
00:45:52You go first. Take a breadstick.
00:46:22What are you doing?
00:46:34What are you doing?
00:46:51What do you have?
00:46:53I got the cash man.
00:46:55How much have you got?
00:46:57I got the cash.
00:46:58How much have you got?
00:46:59I got the $1.50.
00:47:01That's not because you get the $1.50.
00:47:02She pissed me off.
00:47:09This will help.
00:47:11I can't do this.
00:47:18I do it.
00:47:20You do it.
00:47:25Couldn't I just wait outside the room?
00:47:28No.
00:47:29I need protection.
00:47:30You must be in here.
00:47:43Okay.
00:47:45Sometimes get sickle.
00:47:48Now I yell, Eugene, Eugene, help, help.
00:47:52Only that.
00:47:53Nothing else.
00:47:54You run in with butt.
00:47:55Maybe hit on legs.
00:47:57But not on head.
00:47:58Not on head.
00:47:59Okay?
00:48:06I can't watch you do this.
00:48:09You already watch.
00:48:10With camera.
00:48:12But that's different.
00:48:13So what's your camera then?
00:48:16Must have money.
00:48:19Okay?
00:48:41You're a man.
00:48:43Good man.
00:48:45But still.
00:48:46You're a man.
00:49:13Good man.
00:49:36You are a boy man.
00:49:38You are a boy.
00:49:40You are a boy man.
00:50:12Why didn't you let me stop it?
00:50:27I'm not in trouble.
00:50:30But to me, the normal people.
00:50:42Don't show these photos to the world, okay?
00:50:50Go on.
00:50:55I would have stopped him, you know?
00:50:57God is.
00:51:23I would have stopped him from the world of rain and protect young girls.
00:51:29From a mother.
00:51:31In town, most beautiful girl with flowers and leaves.
00:51:37All the other girls go with her.
00:51:40From house to house, singing to the dula.
00:51:44You were that girl?
00:51:47No.
00:51:48I'm too ugly. I'm in chorus.
00:51:57I mean...
00:51:59My photo of me.
00:52:01The most beautiful thing I've ever seen in my life.
00:52:31I love you.
00:52:40I don't care.
00:52:46I don't care.
00:52:49We don't care.
00:52:53Dad, can I please have chocolate ice cream?
00:53:16Please, please.
00:53:23They're not here.
00:53:43What?
00:53:44The photos, they're not in the next edition.
00:53:49We talk to blondes later, we take money to daddy now.
00:53:53No.
00:53:54No.
00:53:57You are here.
00:53:59I'll take you.
00:54:29How'd you get those?
00:54:31Same way I get everything.
00:54:37Those are interesting.
00:54:39It's all there.
00:54:41It certainly is.
00:54:45Of all the freak shows,
00:54:47I've ever done weird shit to my girls.
00:54:49You're the first one who's ever wanted to show it to the world.
00:54:53Money.
00:54:55When you sold some slut,
00:54:59for $20,000,
00:55:01all of a sudden you're the, what the,
00:55:03chronicler of the oppressed?
00:55:05Not like you.
00:55:11You know what the difference between prostitution and marriage is, don't you?
00:55:13Walker makes you pay before the sex.
00:55:15Some people think there's something vaguely wrong in all this.
00:55:17They can't quite put their finger on what it is,
00:55:19because they're all in denial about the fact
00:55:21that we're just friends.
00:55:23We're just friends.
00:55:25Animals.
00:55:27Think it's,
00:55:29selling teenage girls for sex.
00:55:39Do you know that one of the sponsors of Slipstream is owned by me?
00:55:45What did you do?
00:55:47You want to hone my cherry sunshine?
00:55:51Even for art,
00:55:53you're gonna have to pay for it.
00:55:55I don't have any more money.
00:55:57I'll take $50,000 every week in rent.
00:56:01I can't get that.
00:56:03I know.
00:56:05I know.
00:56:07I know.
00:56:09I know.
00:56:11I know.
00:56:23Oh.
00:56:31Mm.
00:56:33What happened?
00:56:47Now he wants $50,000 in a week.
00:56:52Masters.
00:56:53No.
00:56:54You need to get on TV.
00:56:57Polly has a friend who hosts a show.
00:57:03You need to go on and tell her about Daddy.
00:57:07How does this help?
00:57:10We stick to the plan.
00:57:12We expose Daddy by putting you out there in the public.
00:57:17You do this with me?
00:57:19No.
00:57:20You must do this with me.
00:57:23Do you think if people see me that it's going to help?
00:57:28You must come with me saying I'm not whole.
00:57:32She'll carve me up.
00:57:35You'll be fine.
00:57:37You're the victim.
00:57:39You want your photos on TV, but not you.
00:57:43You couple standing in the room with camera.
00:57:45I'm going to take you with me.
00:57:49I promise that this is the only way.
00:57:54Tell them about Daddy.
00:57:55The house.
00:57:56The police.
00:57:57The immigration.
00:57:58But nothing else.
00:58:02The police.
00:58:03Oh!
00:58:04Whoop!
00:58:06Hi kids.
00:58:13Wow.
00:58:14This dinner was meant to be a celebration.
00:58:16Woo!
00:58:19I'm sorry about the photos.
00:58:22There was a problem with the sponsor and that was all that bitch Ann needed to talk Julius out of it.
00:58:27out of it. Basically he said they weren't worth the hassle. I know it sounds sick but
00:58:35what we need is something that he can't afford to ignore. What about your friend
00:58:40in the media? If Caroline Doyle wanted to interview you those photographs would
00:58:47have had to have created a storm. Wouldn't she do it as a favor for a friend?
00:58:54She's a TV star first. Anyway there's no story. Christ there's not even a magazine
00:59:02I call. There is a story. Big one. Go on. You do it.
00:59:13And choice now. Holly will tell you the same thing. I can't be there. Will you go on TV and tell them about daddy?
00:59:28Now when you meet her she's gonna do this whole caring and sharing routine.
00:59:37Trust me she is the most ambitious person you will ever meet. Remember this is just
00:59:44an audition. I only told her that you and Eugene met through him photographing you.
00:59:49Nothing else. Just stay on message. This is all about daddy. If we get the network to get
00:59:57Caro to do a story on this we can get exposure for the photos, get in a gallery, make some money
01:00:03money. And you can get citizenship. Alright let's do this.
01:00:10So good to see you. Oh this is her. Josephine you are beautiful. Even more so in colour.
01:00:25You found yourself in a strange world haven't you? Not my idea. I'm sure it wasn't.
01:00:34Josephine, I'm sorry for the way the world has treated you. But here you can be as open as you like.
01:00:42Okay. And I'm sure that Polly has explained that before we can even consider doing a proper interview
01:00:49we need consent from a parent or guardian. Oh we can save that for the interview.
01:00:54Okay. What do we think? Couch? Okay Jo can I get you to sit down so the guys can set up please.
01:01:01Jo? Jo. Josephine. I'm sorry. Josephine.
01:01:19Where's Polly?
01:01:45Where's Polly?
01:01:48They go to TV studio.
01:01:51How did it go?
01:01:55Polly say maybe not, Hughes.
01:02:02What did you say?
01:02:08I tried. I told them about Daddy.
01:02:12The hotel?
01:02:15I say other things too about you.
01:02:20I didn't mean to.
01:02:25I'm so sorry.
01:02:30So mute.
01:02:31You had to make this work.
01:02:39What exactly did you say?
01:02:42What did you say?
01:02:45This is not my fault.
01:02:48Oh.
01:02:49It might have a good day.
01:02:52Oh.
01:02:59It might have a good day.
01:03:01It might have a good day.
01:03:09Oh, oh.
01:03:10I'm gonna do it.
01:03:11I'll be right back.
01:03:12I'll be right back.
01:03:13I'll be right back.
01:03:14I'll be right back.
01:03:15I'll be right back.
01:03:16I'll be right back.
01:03:17Come on.
01:03:30I suppose she told you that the interview didn't go as planned.
01:03:35Can you use it?
01:03:38I doubt Caroline will ever speak to me again.
01:03:41It's game over, man.
01:03:47What did Jo say?
01:03:49Everything.
01:03:50We're f***ing.
01:03:51Completely.
01:03:53We needed the money.
01:04:02I know.
01:04:03And there was only one way you could go through with it.
01:04:07I get it.
01:04:10It's not your fault, Jean.
01:04:15It's your muse.
01:04:24I'd like to see these photos.
01:04:26I promised her I wouldn't show anyone.
01:04:33She's revealed everything anyway.
01:04:36It doesn't really matter.
01:04:39It doesn't really matter.
01:04:57This is it.
01:04:58This is exactly what we need.
01:04:59No.
01:05:00Remember what I said about images that Julius can't ignore?
01:05:04Daddy, you block them.
01:05:06A slipstream, yes.
01:05:08If we take these to an exhibition, the publicity will come to us.
01:05:12You show him.
01:05:13He's a very good Josephine.
01:05:26You promise.
01:05:30You made some promises too.
01:05:31You cannot show.
01:05:32I'm not whole.
01:05:33You promise.
01:05:34These images are the last roll of the dice.
01:05:35You can't show others.
01:05:36Not this.
01:05:37Do you want to know what she said?
01:05:38No.
01:05:39No, please not.
01:05:40They put me in house.
01:05:41With other girls.
01:05:42Asian African, all illegal like me.
01:05:45They gave us drugs and men come for sale.
01:05:47I'm not whole thing.
01:05:48I'm not whole.
01:05:49I'm not whole.
01:05:50You promise.
01:05:51These images are the last roll of the dice.
01:05:53You can't show others.
01:05:54Not these.
01:05:55Do you want to know what she said?
01:05:56No.
01:05:57No.
01:05:58No, please not.
01:05:59They put me in house.
01:06:00With other girls.
01:06:01Asian, African, like me.
01:06:02They put me in house.
01:06:03With other girls.
01:06:04Asian, African, all illegal like me.
01:06:07They gave us drugs and men come for sale.
01:06:09I escape, go to police, immigration, daddy got me back.
01:06:16And daddy is still looking for you now.
01:06:19Yes.
01:06:20Then why hasn't he recaptured you?
01:06:22I'm saved by a man.
01:06:24This is the photographer?
01:06:26It's right.
01:06:27You said that you were imprisoned.
01:06:30What were the circumstances of him photographing you?
01:06:35Do you want to pay for photographs?
01:06:39Personally, I have a lot of trouble with a man paying a girl in such vulnerable circumstances
01:06:45as yours for photographs.
01:06:50He's sicko.
01:06:53A sicko?
01:06:55And how did the man that you just described get you away from this seemingly all-powerful criminal?
01:07:01To get away from daddy.
01:07:03Eugene buy you.
01:07:05Buy you?
01:07:07Did you know about this?
01:07:09Hell no.
01:07:10Daddy say every week now,
01:07:13Eugene pay money to photo be a magazine.
01:07:17How did he get the money to buy you?
01:07:20By whoring.
01:07:22I need protection, so Eugene in the next room was best bothered.
01:07:27He was watching you having sex.
01:07:30To watch him photograph.
01:07:32Holly.
01:07:33He loves me.
01:07:34He's a sicko.
01:07:35He loves me.
01:07:36That not happen.
01:07:37I don't say that.
01:07:38I mean I say it.
01:07:40What did you do?
01:07:54What did you do?
01:07:55Show the images.
01:08:01Eugene.
01:08:04You promised to take me away.
01:08:08We need to get those photos out.
01:08:11Not these.
01:08:12Have you walked with them?
01:08:14What, that I'm a sicko and you're a whore?
01:08:18I am not a say dad.
01:08:22Sure you did.
01:08:25We all know what this is.
01:08:29Eugene.
01:08:31You're a good man.
01:08:32Yes, I'm a good man.
01:08:35Gene.
01:08:36You don't know me.
01:08:38You don't know what I've been through.
01:08:42Blonde is not your friend.
01:08:45I am friend.
01:08:49I picked you.
01:08:52Because you looked into the lens.
01:08:55The whore who looked into the lens.
01:09:01My Josephine.
01:09:06Just the whore who looked into my lens.
01:09:11I hope for you.
01:09:17You played me.
01:09:19You are nothing.
01:09:28Those images are going out.
01:09:31And I am going to get mine.
01:09:36Okay.
01:09:38I go.
01:09:40Make me daddy get me.
01:09:42I am your friend.
01:10:02I hope you get what you want.
01:10:03I hope you get what you want.
01:10:03Tonight is the beginning of you getting the credit you deserve.
01:10:23Tonight is the beginning of you getting the credit you deserve.
01:10:34These photos take off.
01:10:37Julius has promised to make me editor.
01:10:39We can publish anything you want.
01:10:44I mean, there's no reason you can't photograph other things.
01:10:52You feel bad about it, don't you?
01:10:56You're not a bad man.
01:10:58I mean, you tried to help her.
01:10:59If anything, she manipulated you.
01:11:11Can't do it.
01:11:13What?
01:11:14No.
01:11:16Can't do it.
01:11:18Um, keep driving.
01:11:20Yeah, around the back.
01:11:21Jules?
01:11:22Yeah, we're making a detour.
01:11:23Um, yeah, meet us around the back.
01:11:26Yeah, left here.
01:11:29Uh.
01:11:36Holly.
01:11:37Hi.
01:11:37Hey.
01:11:38You guys are late.
01:11:40Come on, you dude.
01:11:42How are ya?
01:11:47Come on.
01:11:51Take a sec.
01:11:52Take a sec.
01:11:54Alright.
01:11:55If he stays here, I'm going to mingle a little bit first.
01:11:58Is he okay?
01:11:58I mean, he doesn't look that great.
01:11:59We're going to have a Q&A, but he's...
01:12:00No, he's fine.
01:12:01Just remember, no one speaks to him but me.
01:12:02That's okay.
01:12:03No one knows who he is, do they, Polly?
01:12:09Eugene.
01:12:11Eugene.
01:12:13I just want to let you know,
01:12:15I will defend your right to show these images, okay?
01:12:19See, the thing is,
01:12:20when these images are published,
01:12:21the people who are going to be most confronted
01:12:23are the ones that are facing their own darkness,
01:12:25okay?
01:12:25Just remember that.
01:12:26Yeah, alright.
01:12:27Just remember that you're used there, okay?
01:12:35Okay.
01:12:36Thanks.
01:12:36As I said,
01:12:55I want nothing to do with those images out there.
01:13:00You get one look at this tape,
01:13:02and I'm destroying the footage.
01:13:04If either of you ever say anything about this to anyone,
01:13:06I will sue you for defamation.
01:13:08And how did the man that you just described
01:13:10get you away from this seemingly all-powerful criminal?
01:13:17Joe.
01:13:17Josephine.
01:13:21You have nothing to be ashamed of.
01:13:26I'm not safe.
01:13:29What?
01:13:30How did he do it?
01:13:31I don't know.
01:13:33Just tell her we need to move on.
01:13:35I promise you, Eugene,
01:13:36I'm not safe.
01:13:38What did he do?
01:13:40Kid, just tell her.
01:13:41How bad could it be?
01:13:45You know what, Polly,
01:13:46I don't think we should continue.
01:13:49She's fine.
01:13:51Josephine.
01:13:53You need this.
01:13:54We need this.
01:13:55Just,
01:13:56just tell her.
01:14:03To get away from Daddy,
01:14:06Eugene by me.
01:14:08By you?
01:14:10Did you know about this?
01:14:12Hell no!
01:14:13Sweetheart,
01:14:15you've just put me in a big time.
01:14:17You better explain.
01:14:20Daddy say every week now,
01:14:23Gene pay money
01:14:24for Photobi and magazine.
01:14:28How did he get the money to buy you in the first place?
01:14:31Well, this has nothing to do with me.
01:14:32I had no idea
01:14:34what these two are up to.
01:14:36I would have stopped it immediately.
01:14:37Now,
01:14:38you started this.
01:14:39Explain.
01:14:41How did he get the money to buy you?
01:14:44Tell her
01:14:45what you and Freak Show cooked up.
01:14:51By a whoring.
01:14:52How did he get the money to buy you in the first place?
01:14:53Are you happy?
01:14:56I need protection,
01:14:58so Eugene in the next room
01:14:59with baseball bat.
01:15:01He was watching you having sex.
01:15:04To watch,
01:15:05he must photograph.
01:15:08Holly!
01:15:10Don't look at me.
01:15:12She said it herself.
01:15:13He's a sicko.
01:15:15Don't say sicko.
01:15:16Well, you warped a little freak.
01:15:17What would you call it?
01:15:18He loves me.
01:15:23He's a sicko.
01:15:24He loves me.
01:15:42Why are you showing me this?
01:15:45Why don't show Julius?
01:15:48Because he doesn't care.
01:15:51Because he doesn't care.
01:16:18He wants you to know that she's a person.
01:16:18You 사
01:17:12I've already had several people bid for pieces.
01:17:19Thousands of dollars.
01:17:21Let's do this.
01:17:23She'll sell for more than 50 grand now.
01:17:27Tonight is the first exhibition of the photographer Eugene Millard.
01:17:42What are you doing?
01:17:52Step forward.
01:17:53The tape.
01:17:55You fixed it.
01:17:58How could you do that to her?
01:18:04For God's sakes.
01:18:06Did I take these?
01:18:09I am not your fault.
01:18:15That I've been now.
01:18:26Where's Caroline Doyle?
01:18:28She was here a minute ago.
01:18:29I think she's left.
01:18:30I'd like to speak to you about as much as I do.
01:18:32I know how to find Daddy.
01:18:34You might have Josephine, but I need Doyle's help.
01:18:37Come with me.
01:18:39You also need 50 grand in a week for Josephine.
01:18:42Get back up there now.
01:18:44I have waited my whole life for this.
01:18:46You are nothing.
01:18:47Nothing without me!
01:18:50You're not human.
01:18:51You don't even exist.
01:18:52You're nothing!
01:18:53You hear me?
01:19:19You're right.
01:19:20You have to follow my phone.
01:19:21Hey.
01:19:22Go!
01:19:23We're not human.
01:19:24Go!
01:19:25Go!
01:19:26Go!
01:19:27Go!
01:19:28Go!
01:19:29Go!
01:19:30Go!
01:19:31Go!
01:19:32Go!
01:19:33Go!
01:19:34Go!
01:19:35Go!
01:19:36Go!
01:19:37Go!
01:19:38Go!
01:19:39Go!
01:19:40Go!
01:19:41Go!
01:19:42Go!
01:19:43Go!
01:19:44Go!
01:19:45Go!
01:19:46Go!
01:19:47Everyone?
01:19:48Yeah.
01:19:49Everything the network will do its own investigation, okay? You better get out of here
01:19:58You don't even know if he's gone
01:20:06Everyone will take that seriously
01:20:14Wait here five minutes, okay? Don't move
01:20:19And Ann, make sure Joe gets all of my money
01:20:37Well, he's certainly not a quitter
01:20:39No, we need to end this
01:20:41You found a new source of income
01:20:49Where is she?
01:20:51How do you know she's not dead?
01:20:53We had a deal
01:20:55Yeah, I reckon you've got all the photos worth getting
01:20:59Are we still playing the game?
01:21:01Searching
01:21:03He's clean
01:21:05Again
01:21:07You piece of s**t
01:21:11Like I said, he's clean
01:21:15When is this going to stop, huh?
01:21:17Eh, good point
01:21:20Game over
01:21:22No, wait, wait
01:21:23I want, I want sex
01:21:24I want sex
01:21:25With her
01:21:26Just one
01:21:27Stop
01:21:28Please Daddy
01:21:29Let me do her just once
01:21:30It's my thing
01:21:32I want to watch it
01:21:34I can't help it
01:21:36Well, let's get the s**t in 23 then
01:21:38What are you coming to?
01:21:39It's been ages since us through a live show Mick
01:21:49Hello
01:21:59I'll get a tape, right?
01:22:01Of course
01:22:03tape right of course but you gotta make it look real good what do you mean well
01:22:11I don't want statutory right I want real right you're gonna split that in half
01:22:16you're gonna make a tape you're never gonna want to show to anyone
01:22:21now get your clothes off why don't you do this all
01:22:33enjoy the ride
01:22:46you're not on there now
01:23:03the artist's source of inspiration may be more than we are ready for he is worse than the men who paid her for sex because he did nothing
01:23:14he has no artistic merit this is the complete erosion of childhood how a teenage girl is selling herself for sex can be considered art
01:23:20how could she live like this
01:23:22it's got me beat
01:23:23the work has intrinsic value whether the trainers themselves are a deviant or whatever you want to call it or not
01:23:29and for every role thing
01:23:30it's art
01:23:31but is it Lee?
01:23:32you should be arrested for pimping her
01:23:33it's not so much the sexual but more the power
01:23:36rubbing our nose at her
01:23:37I've seen the photos on the net and I'm nearly cute
01:23:41I don't need a church or a government or anyone else to tell me how I should think
01:23:47you should know what kind ofical and humor
01:23:49something is beating
01:23:50well I have seen the movements when moving on
01:23:51there's an a park
01:23:52that's been conseguir
01:23:54for me
01:23:56I will come back
01:23:57my friend
01:23:58he has stopped
01:24:00a living horny
01:24:01who could not be
01:24:02me
01:24:03who could not behind
01:24:05and he learned
01:24:07something
01:24:08to watch
01:24:09these
01:24:10may not be
01:24:11for you
01:24:12my friend
01:24:14I