Miami Vice Season 3 Episode 3 Killshot
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TVTranscript
00:00Music
00:05Music
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00:21Music
00:27Music
00:29Music
00:44I don't like to be kept waiting, Burnett.
00:47Music
00:49Well, a two key deal isn't enough incentive to make me be on time.
00:55The cash.
00:57Music
01:09Did you ever hear of a trust man?
01:11Yeah, I heard of it.
01:15Music
01:25Music
01:27I think, when are we going in?
01:41And Silvio makes Crockett happy.
01:43This stuff's good. I guarantee it.
01:55That ought to keep the natives restless. I got a big buyer in from New York.
02:09We'd like to meet Morales.
02:19I thought about that. Can't you still know? You only deal through me.
02:25You're not making me happy, Silvio.
02:31Now.
02:33Metro police, stand by for party.
02:37Music
02:49Music
02:51Music
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03:11Music
03:13Music
03:15Music
03:17Music
03:19Music
03:21Music
03:39Music
03:41Music
03:43Music
03:45Music
03:47Music
03:55Music
03:57Music
03:59Music
04:01Music
04:03Music
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04:07Music
04:09Music
04:11Soon.
04:14You said it.
04:16You tell Morales.
04:18He'll get his money back just as soon as you set up the meat.
04:23He'll kill you.
04:25I'll take my chances.
04:27Take me back to town, baby.
04:31Take a taxi.
04:36I'll kill you, Kevin.
04:38I'll get you.
04:39I'll get you.
05:09I'll get you.
05:39I'll get you.
06:09I'll get you.
06:39Oh, Silvio's got away with words.
06:41I'm sure Sonny Burnett will take the blame for the whole Megillah.
06:44So I take I want you to camp on your Crockett's boat.
06:49What has Elvis been eating lately?
06:51Detectives.
06:52Why don't you crash in my crib tonight?
07:01Yeah, thank you very much for your assistance.
07:04Hey, U.S. Customs.
07:06Hey, U.S. Customs.
07:07Always glad to help.
07:09You know, I busted Morales three years ago.
07:13And he walked on a technicality, so if you guys get closer, I'd like to be in on the kill.
07:19We'll keep you informed.
07:21So, Frank, how's about Uncle Sam buying a couple of hard-working vice cops dinner?
07:27Oh, I can't.
07:28Oh, I can't.
07:29I got a date with my little brother, Tico.
07:31Wait a minute.
07:32Why don't you join us, huh?
07:33We can catch the last game.
07:36The last game?
07:37We can catch the last game.
08:07We can catch the last game.
08:37We can catch the last game.
08:59I'm going to tell my friends, I'm going to tell them all that I'm a wild one.
09:06Oh yeah, I'm a wild one.
09:11I'm going to break it loose, I'm going to keep on moving wild, I'm going to keep on swinging, baby, I'm going to be a wild child.
09:29I'm a wild one, I'm a wild one, I'm going to be a wild one.
09:47The world gone crazy, everything seems lazy, I'm a wild one.
09:53Oh yeah, I'm a wild one.
09:56Oh no.
10:20Oh, the kid is hot tonight.
10:22He's mad at me, I got him wheeled in the trifecta.
10:25I never bet on anything that can talk.
10:30Forget all the betting, the real beauty of high allies in the play.
10:34For Tico, this is not a sport, it's an art.
10:37When the ball moves at 150 miles an hour, the art is in staying alive.
10:42Yeah.
10:43One hit in the head, you're a memory.
10:45One hit in the head, you're a memory.
10:52Oh boy.
10:55Watch him.
10:56He's going to finish you off with a kill shot.
10:58No!
10:59No!
11:00No!
11:03All right!
11:07Thank you, gentlemen.
11:08Tonight's winner of the 13th game feature, and a nicely played point, host for Tico and Vinny.
11:17All right.
11:18All right.
11:19Yes, all right.
11:21Yo!
11:22You know, I didn't realize that there was so many female fans.
11:36Hey.
11:38Oye, plaza, where's Tico?
11:40He already left.
11:41Ah, come on.
11:42We're having dinner.
11:43He said he got out of date.
11:45Out of date?
11:46That's strange.
11:49Ah, forget about it, Frank.
11:51Just tell him I said hello.
11:54It's cool.
11:55It's cool.
12:16I've had it with you.
12:21I need a man.
12:23Don't say that.
12:27Do you think that I would be here if Mrs. Batista hadn't begged me?
12:33What's the matter, Tico?
12:35Don't you want to play with me?
12:38You know I do.
12:40Do you like that stuff more than girls?
12:46Or maybe you want a little boy.
12:49Shut up.
12:52Is that it?
12:54Mrs. Hyali?
12:56Shut up!
12:57Do you like the little boys?
12:59Shut up! Shut up!
13:00Shut up!
13:09Mrs. Batista.
13:11Help me.
13:13She's dead.
13:23Why did she have to say that to me?
13:27Oh, Tico.
13:29She always understood before.
13:31Listen.
13:32She's a trap.
13:33She means nothing.
13:34Her life is unimportant.
13:36Yours is.
13:39You know I didn't mean it.
13:41Of course you didn't mean it.
13:44Listen to me.
13:46Go home.
13:47Say nothing.
13:48I'll take care of everything.
13:50Trust me.
13:56Miguel, make sure he gets home.
13:57I deserve something extra for this.
14:04A bonus.
14:06Don't worry.
14:07I'll take care of you.
14:08Yes?
14:09It's done.
14:10Great.
14:11I'll take care of you.
14:16I deserve something extra for this.
14:19A bonus.
14:21Don't worry.
14:23I'll take care of you.
14:24I'll take care of you.
14:33Yes?
14:35It's done.
14:37Great.
14:54There you go.
15:11Where you been?
15:12You hung me up.
15:13Not now, Frank.
15:15What do you mean not now, Frank, huh?
15:19We were on for dinner, remember?
15:21You embarrassed me.
15:25I brought Sonny Crockett to see you.
15:29The cop.
15:31No, not the cop.
15:33My friend.
15:37So what do you got?
15:38You been drinking or something?
15:40Listen.
15:42I just need to sleep now.
15:43Would you please leave me alone?
15:45Is that all right with you?
15:46Please leave me alone.
15:48Sure.
15:49I'll leave you alone.
15:50You want your Foreman keys back to?
15:52Not here.
16:20No.
16:21No.
16:22You're out.
16:24No.
16:25Fisherman spotted her under the pier, beaten to death and dumb.
16:50She had a bail receipt in her bag, solicitation, you know her?
16:55She's a hooker. I've busted her. Jen's something.
16:59Larkin. She worked the streets a couple of years ago. I hadn't seen her since.
17:11Oh, for goodness sakes, Mr. Morales. It's all there. You don't have to count it.
17:17Taking my money was very clever.
17:20Well, thank you. I thought it might get your attention, considering this punk Silvio wouldn't listen to a polite request.
17:29Silvio. You do business with Silvio. The kind of money you spend, I throw away for pleasure.
17:39Yeah, I know what you mean. My partners in New York and I have $9 million at our disposal.
17:50You know, Burnett tells me that, uh, you're the man, so here I am.
17:56You know, we're looking to purchase 200 keys immediately.
18:04And if everything works out, 300 keys a month at 25 per key.
18:10No, no, no, no, no. 30.
18:12Oh, come on, man. I don't throw away my own money. Forget it.
18:16Uh, 27.
18:23With a 5% penalty? You don't deliver?
18:27See, Burnett told me that, uh, you been having a little problems with customs lately.
18:33That is about to be rectified.
18:38And it's a deal?
18:40No, no, no. It's a negotiation.
18:43Well, negotiations are about to break down, pal, unless we get some cooperation.
18:49Burnett, you I know about.
18:55Mr. Cooper, maybe you're a cop.
18:59Yep, that's it. Let's go.
19:01Patience, gentlemen, please.
19:04I'm sure we'll be able to do business in a few days.
19:08Look, if I don't hear from you by Friday, I'm taking my business elsewhere.
19:13Sylvia will let you know.
19:16Sylvia?
19:18No chance.
19:21When I deal with this much money, I deal directly with you.
19:24If we deal.
19:31I'll let you know.
19:34It's a good day.
19:38Ah, it ain't rumors.
19:42I can't keep it.
19:45If it's forever.
19:46I can't keep it.
19:48I can't keep it.
19:49I can't keep it.
19:50I can't keep it.
19:51You can't keep it, you know.
19:52You can't keep it.
19:53I can't keep it.
19:55I can't keep it, I can keep it.
19:57For a man who has such good taste in boats, you have lousy taste in restaurants.
20:20I figured a messenger boy wouldn't notice.
20:23I'm going to enjoy killing you, Burnett.
20:27Is this your way of saying we don't have a deal, Silvio?
20:31Unfortunately, Cooper checked out.
20:34So Mr. Morales has decided to do business with you.
20:39Yeah, it's nice to know somebody in your organization has brains.
20:44Un cafecito, por favor.
20:51Where and when?
20:53We'll let you know tomorrow afternoon.
20:56No, you mean he'll let us know.
21:07Gracias.
21:09Arreola?
21:10Who?
21:11Mrs. Batista.
21:12I know you.
21:16All right.
21:17What's your address?
21:23Who?
21:26Mrs. Batista.
21:30Do I know you?
21:37All right. What's your address?
21:53Mrs. Batista.
22:05Mrs. Batista.
22:11Mrs. Batista.
22:15Mrs. Batista.
22:20I don't know.
22:50He's on the other!
22:52Ah!
22:55Ah!
23:11Biolo, turn it off.
23:14Would you like to see it again?
23:20Morales.
23:27Under the circumstances, it's nice to see you again, Arriola.
23:33Gentlemen, if you'll excuse me, I've got some business to take care of.
23:38I should have killed you a long time ago, man.
23:48You can't blame me for your brother's problems.
23:55You didn't know the great Tico had a special interest in prostitutes, huh?
24:01It's all a surprise for me, too.
24:05Your little brother is muy macho en la cancha,
24:11but leaves a little to be desired between the sheets.
24:19And you set him up?
24:22Rather professional, don't you think?
24:24No.
24:25Come on.
24:26This is a fake.
24:27Tico couldn't have killed that girl.
24:30Come on.
24:31It's all there in living color.
24:33It's...
24:34And black and white.
24:36See.
24:37It's believing.
24:39Okay.
24:40What do you want?
24:42He's believing.
25:00Okay.
25:02What do you want?
25:05The keys to the kingdom.
25:08That's all.
25:09I want the U.S. Customs security codes.
25:15All of them.
25:18No, no, no.
25:20I'll see you in hell first.
25:23No, no, no, no, no.
25:25You'll see your brother in prison first.
25:30I'll pay attention.
25:32You work for me now.
25:35Job's got great security.
25:39Lifetime employment.
25:45Three years ago, you almost put me away.
25:49Now I own you.
25:53I spend a single day in jail.
25:56One.
25:59That tape goes to the police.
26:00Well, hello, ladies.
26:05How's it going?
26:07I hear you're getting to Morales.
26:08Congratulations.
26:10Save the applause until it really happens.
26:12Hey, this, uh, Areola, is he any relation to that hunk of a highlight player?
26:17Well, now, isn't he a little fast for you, dear?
26:20I beg your pardon.
26:23Lieutenant's in room C.
26:25What are we here for?
26:26A madam came in.
26:28Her name is, uh, Isabel Batista.
26:30Your victim was in the stable.
26:32Check it out.
26:33Hmm.
26:35She hasn't worked for me for a couple of weeks.
26:37When I read about it in the paper, I thought I should do something.
26:41Isabel Batista, these are detectives Calabresi and Joplin.
26:49How do you do?
26:51Ms. Batista read about the Larkin woman in the newspaper.
26:55When something happens to one of my employees, it's bad for business.
26:59So I thought I'd better come in.
27:02I'd like to have something done about it.
27:05Now, I've talked it over with my girls, and they don't seem to know anything.
27:09So you don't mind if we speak to them?
27:11Well, no, of course not.
27:12I've given the lieutenant here their names and addresses.
27:16Did Jan Larkin have any regulars?
27:18Well, not that I'm aware of.
27:22Well, if there's anything else I can do, I hope you'll let me know.
27:27Officer Clay will escort you through the building.
27:31Lieutenant?
27:32Madam.
27:32Ladies?
27:33Now, you know they're not going to tell us anything.
27:43Try anyway.
27:48I didn't mean it, Frank.
27:51It was an accident.
27:52She kept on laughing at me.
27:59I didn't mean it.
28:01I know that.
28:04You've always confided in me.
28:07You always told me everything.
28:08No, you have always told me everything.
28:13You have always treated me like a little boy.
28:16Go play High Ally.
28:18Become a champion.
28:21Devote yourself.
28:22Dedicate yourself.
28:25Yes, sir?
28:26You want me to apologize?
28:29I've got nothing.
28:32I have no life beside High Ally.
28:36I thought you loved the game.
28:38Yeah, I always wanted more.
28:41Now I gotta go to the police.
28:43No.
28:45I'm not going to let you go to prison.
28:48They only took advantage of you to get to me.
28:52Frank.
28:54I killed that girl.
28:55Yeah, well, they put her up to it.
28:59They made you do that to her.
29:02Frank.
29:03Listen to me, Tico.
29:05I've always made the decisions for both of us.
29:08Sometimes wrong, okay.
29:10But this time, it's right.
29:14These DEA files are our trip.
29:17This will blow your mind.
29:18Check this chain of command.
29:20Morales is the direct distributor for Arribeto Marita.
29:23Now, Morales moves the shipment, but Marita owns the road.
29:28Nothing moves unless he says so.
29:30Yeah.
29:31Why don't we just nail Morales, get him the road?
29:35No telling who's gonna turn up.
29:37Got that right.
29:39Hello, Frank.
29:40Hello.
29:41Isn't this High Lie hour?
29:43Yeah, but all play and no work, and you lose your job.
29:46So, you having any luck with Morales?
29:52He's gonna deal with us.
29:55Oh.
29:57And when did this happen?
29:59We met yesterday.
30:01We got the word this morning we're just waiting on the time and the place now.
30:04How come I wasn't told?
30:07We were gonna call.
30:09Oh, you were, huh?
30:11Yeah.
30:13What the hell is going on here, huh, Castillo?
30:16Without my assistance, you would have never pulled this off.
30:21And I'm the last one to know you were supposed to keep me informed.
30:26When the meeting is set, you'll be informed.
30:31Oh.
30:33And this is what you call interdepartmental cooperation?
30:39That's what I call standard operating procedure.
30:43Oh.
30:44Hey, Frank.
30:45It's no big deal.
30:47Oh, no.
30:48It stinks.
30:49The man, Mr. A, has a serious attitude problem.
31:03He should've been told.
31:19Yeah, let me speak to Morales.
31:43Frank Carriola.
31:47Yeah, listen, Morales.
31:50Uh, I gotta see you right now.
31:53No, it has to be right now.
31:56Well, you're about to make a deal with a couple of players.
32:01Burnett and Cooper.
32:04Yeah, well, drop the deal.
32:10They are Miami Vice.
32:19Okay, I'm not doing it.
32:20I'm not doing it.
32:21I'm not doing it.
32:23I'm not doing it.
32:24Yeah, that's the same thing.
32:25I'm not doing it.
32:26Hey, Frank.
32:28Hey, son.
32:29What's up?
32:30You're trying to get yourself killed.
32:32Hey, Frank.
32:33Tico, what's going on? You're trying to get yourself killed!
32:43Hey, Frank.
32:45Hey, son. Why don't you hit the showers?
32:49Hello, Tico. How you doing, kid?
32:54Nice, honey.
32:58So what are you doing? You still brown-bagging us to watch a kid practice?
33:03Yeah. Listen, Sonny. About last night, I'm really sorry.
33:10Forget it. Don't worry about it.
33:14So, any word on the Morales meet?
33:19Well, the call's long overdue. That's why I came by. I thought maybe you could help.
33:28Something wrong, Frank?
33:30Well, just, uh, how long we know each other?
33:38Well, since Tico started playing professionally, what's that? About six years?
33:43About seven.
33:44God, he was gifted, huh? Right from the start, too.
33:50Yeah, and this is only the beginning.
33:53Boy.
33:55To think I brought him up.
33:57I think I was about 11 when our parents got killed.
34:03So I guess I've been more like a father to him, you know.
34:08But I've enjoyed it.
34:10Nothing wrong with that, buddy.
34:12Okay.
34:13You know, Sonny, my old man, he wanted me to play high alive, right?
34:21Man, I tried. I really tried. But I was, like, average. But less than average.
34:28And for a Basque, forget it. That's like a sin.
34:32So I became a cop.
34:38Ah, you're the best Basque cop I know.
34:42Of course, I don't know any others.
34:44Ah, that's right.
34:46Well, I've tried.
34:48I've tried.
34:54Yeah, listen.
34:58Morales.
35:02You got close to him. What's the book on it?
35:05I mean, that case with the snitches, you know, it's really not much more to tell.
35:18Take a good look at her. Maybe you know somebody who's seen her around.
35:37I'm sorry, honey. But I never work without a fee.
35:43We're wasting our time. You got something better to do?
35:48Mm-hmm.
35:50Come on, maybe we'll get lucky.
36:05Juan, don't forget that phone call.
36:09Yeah, I checked with Castaneda in New York.
36:12He claims that his reference was his first claims.
36:16You still reading about Morales?
36:18Yeah, check this out.
36:24So Morales photographs well. So what?
36:27The fat guy right there in the middle?
36:30That's Gerberto Marida.
36:32The woman is Isabel Baptista.
36:33Well, now, ain't that cozy?
36:34Mm-hmm. Get this. According to the DEA files, she is Gerberto Marida's niece.
36:48He says, Bernat, telephone.
36:50Bernat.
36:51The meat's at five.
36:52Where the hell have you been, Morales?
36:53Yeah, my friend Cooper was on his way to the airport.
36:54You know the garage on perimeter?
36:55On the roof.
36:56You know the garage on perimeter?
36:57On the roof.
36:58This is a mistake, Isabel.
36:59You don't kill cops.
37:00You don't kill cops.
37:01This is a mistake, Isabel.
37:02You don't kill cops.
37:03The heat will be incredible.
37:04I run our business in Miami.
37:05If it wasn't for your service, I'd have to do it.
37:06You don't kill cops.
37:07You don't kill cops.
37:08You don't kill cops.
37:09The heat will be incredible.
37:10I run our business in Miami.
37:11If it wasn't for your stupidity, we wouldn't be in this situation, you know.
37:12And if I didn't have that customs cop in the palm of my hands, you'd be serving thirty
37:16years in Miami.
37:17If it wasn't for your stupidity, we wouldn't be in this situation, you know.
37:20If I didn't have that customs cop in the palm of my hands, you'd be serving thirty
37:25years in federal prison.
37:26Your uncle would not approve.
37:27Oh, please.
37:28Whose idea do you think it was, anyway?
37:29Now, go.
37:30Close the deal.
37:31Oh, no.
37:32No.
37:33No.
37:34No.
37:35No.
37:36No.
37:37No.
37:38No.
37:39No.
37:40No.
37:41No.
37:42No.
37:43No.
37:44No.
37:45No.
37:46No.
37:47No.
37:48No.
37:49No.
37:50No.
37:51No.
37:52No.
37:53No.
37:54No.
37:55No.
37:56No.
37:57No.
37:58No.
37:59No.
38:00Yeah, good news, pal.
38:01We're all with Morales.
38:04Frank?
38:08The briefings this afternoon at three-thirty.
38:11Be here, and don't say no-one told you.
38:15Morales gave me his word that he wouldn't go through with the deal.
38:24Oh, yeah? Well, it's my word that matters. I run this organization.
38:30I'm not gonna let you kill cops.
38:33Yes, you will.
38:36Here, refresh your memory.
38:38And if those custom codes aren't in my hands by 5 p.m., the original is going directly to the police.
38:46What about Areola?
38:49He wasn't born.
38:53Still no answer.
38:57I don't get it.
39:00He's not at home. He's not at the office.
39:03If something had come up, he would have called.
39:08You guys, uh, wired?
39:11Yeah.
39:12Yeah.
39:15I have a hooker who may have some information on the Jan Larkin murder.
39:19We should go see her.
39:22Do it.
39:38Do it.
40:42Is this guy going to show or what?
40:52We still have five minutes.
40:54It's almost five o'clock.
41:16Showtime.
41:20It's almost five o'clock.
41:51Castillo.
41:52Lieutenant, there's an emergency call from U.S. Customs Agent Frank Areola.
41:57Want us to patch him through?
41:59Go ahead.
42:04Castillo.
42:05It's a setup.
42:07Tell Sony it's a setup.
42:10Crocket, Tubbs.
42:12Out.
42:13It's a trap.
42:14Out.
42:14Out.
42:14Out.
42:15Out.
42:20Out.
42:28Out.
42:28Out.
42:34If Areola's the wrong guy, then why help us in the first place?
42:53Maybe he was dirty.
42:56He's one of the best cops I ever met.
43:00Yeah, there were two, uh, stiffs in the limo.
43:03One of them was your pal, Silvio, and the other was the Mr. Luis Morales.
43:11What the hell's going on?
43:14Whatever it is, Areola knows more about it than we do.
43:33You still using that stuff, Tico? Is that why you're acting weird?
43:38You're not going to be playing much longer.
43:41You better listen to Benny, Tico.
43:44This is a clean sport, and we want to keep it our way.
43:47Why do you mind your own business?
43:49Maybe you'll become a better player that way.
43:52Chill out.
43:53Hey, leave him alone.
43:55He's all right.
43:56Huh?
43:57Tico.
44:00Something has happened.
44:04You want to try it?
44:06Now listen to me, okay?
44:09What's going on?
44:14Listen, Tico.
44:17I'm going to get that tape back tonight.
44:22How are you going to do that?
44:23Don't worry about it.
44:24It's not your problem.
44:25Yes, it is my problem.
44:27Tico.
44:28I can't let you do that, man.
44:30Listen to me, okay?
44:32I want you to promise that no matter what happens to me,
44:37you're going to keep quiet, okay?
44:39If anybody ever asks you anything about this dead girl,
44:43you don't know anything.
44:45Entiendes?
44:46Nothing.
44:50They're going to kill you, Frank.
44:52Tico.
44:53Promise me.
44:59I'm afraid for you.
45:04No.
45:05I can't do it.
45:06Yes, you can.
45:08Yes, you can.
45:09You have to.
45:11Tico, you have to.
45:12I need your promise.
45:13I gotta go now.
45:14Tico.
45:16Tico, promise me.
45:22I promise.
45:23All right.
45:25Okay.
45:28Where can I run?
45:29To finally see.
45:32I've had a very busy day.
45:38I need some fun.
45:40Some private space.
45:43I hope to get away.
45:49Some place where there isn't a care or a wine.
45:54I'm afraid.
45:58There must be some place near.
46:01Cause I don't want to go in a hurry.
46:10Do you want to get away?
46:13Do you want to escape?
46:15I can't help you.
46:16I need a lover.
46:17I'm looking for Louise Carlson.
46:33I got plenty of lovely ladies in the house.
46:35Take your time.
46:36Look around.
46:37You find one you like.
46:38Come back and see.
46:40But I never heard of her.
46:41Wrong answer, babe.
46:42Man, you should have started that from the beginning.
46:44I don't want her in the trouble.
46:45Not in the club.
46:46She's in the back dressing room.
46:47Carte Blanche.
46:49Carte Blanche.
46:53What's this?
46:54Girls Night Out.
46:55Carte Blanche.
47:13What's this?
47:14Girls night out.
47:16Miami Vice.
47:19Funny.
47:20I thought that was me.
47:21A little bird told me she was a friend of yours.
47:28I knew her, but she was no friend.
47:33She liked to come around and brag about how great she was doing.
47:39Liked to rub it in.
47:42About what?
47:45After she got into alcohol, she had some important jobs, mostly pro athletes.
47:51She liked to brag.
47:56She also used to like to laugh about their idiosyncrasies, if you know what I mean.
48:04Like knocking her around?
48:07Peep's me.
48:08She used to laugh about this fine job.
48:14His eyes are bigger than...
48:18And he couldn't get it on.
48:20He got a little upset.
48:24Who is this guy?
48:28Football.
48:28A high-alive.
48:35Some high-alive player.
48:39Where the hell is he?
48:45Gina just called.
48:46Tico Aureola's been tied in with the hooker killing.
48:55Bring him in.
48:56He's got a little bit.
49:17The feature singles match is on.
49:20Otter and Tico now playing head to head.
49:22Aura throws a hard forehand shot, Tico has it, Tico comes down with his own forehand,
49:29nice catch by Aura, Aura goes to the inside, good save by Tico, air shot, Aura has it on
49:37the outside, throws to Tico, Rapote shot by Tico, it's good, Aura has it, Tico nearly
49:44interfering with Aura's throw, but he makes the throw, Tico comes down with a hard forehand
49:50shot, Aura on the inside, Tico again setting up the position, he comes up on the court
49:55now for Aura's throw, Tico comes down, Tico comes down, Tico comes down, Tico comes down,
50:16we gottaão, Tico peeking! Tico ISSA!
50:21Tico is on the corner,...
50:24oh...
50:26oh my god...
50:29Ah!!!
50:32Nice job.
50:43What tape?
50:57What taped you?
51:00Frank, Frank, what?
51:06Just...
51:07Yes.
51:13Ladies and gentlemen, again, we repeat, Tico Areola has been struck with the Pelota.
51:20We'll have a full report in just a moment.
51:22Please remain in your seats.
51:32I said something about Frank and a tape and...
51:36I said Pal Batista.
51:43She killed Maravis.
51:50Right, Isabelle Batista.
51:53We know it's in Copacabana. We just need the exact address.
51:58Got it.
52:01Call backup and tell Castillo that Frank Areola's on his way to kill her.
52:06Right.
52:07It's 1200 Floridian.
52:08He was trying to get me to understand without telling me why.
52:15They were trying to blackmail him.
52:18Frank was trying to come up with Tico.
52:23Well, I'm not going to let Frank commit murder for him.
52:26He just pulled up.
52:46All right.
52:47Come, I'll be right down.
52:49Oh, it's searching.
52:50Oh, it's searching for years.
52:52A fatality at the Miami fronton tonight.
52:55For that story, let's go on to correspondent Bob Mayer.
52:58A tragedy in sports.
53:01Top-ranked highlight player Tico Areola was killed in a freak accident on the court tonight.
53:07The ball, the pelota, the ball used in highlight, traveled at a speed in excess of 140 miles an hour and apparently hit Areola in the head.
53:19It is unclear at this hour exactly why the accident happened, but from initial viewing of the videotape, it appears as if Areola's attention was diverted, at least momentarily, from the ball.
53:32I'll take it, man.
53:39You wait here.
53:42This is Batista.
53:42I'll be right with you.
54:02You have something for me?
54:04Ah, see.
54:06The winner is...
54:18Very good.
54:21Luis, have you met, uh, Frank Carriola?
54:26It's, uh, Tico's brother.
54:29Take him outside and kill him.
54:32Aren't you crazy?
54:34You don't know, do you?
54:36What?
54:38What irony.
54:40Kill him!
54:41Kill him!
54:41Frank, don't do it, man.
54:52The spokesman for the FAA stated the number...
54:55Frank, don't do it, man.
55:06The spokesman for the FAA stated the number...
55:09We know about the tale.
55:11Listen, man.
55:12Because of her, my brother is going to prison, understand?
55:16So she's gone, understand?
55:18Gone!
55:19No, please!
55:20Your brother didn't kill my girl.
55:21She was alive when Tico left.
55:23I swear it.
55:24We planned it that way.
55:26You don't have to kill me.
55:28I'm telling you, he's innocent!
55:29He's innocent!
55:30He's innocent!
55:31Frank.
55:34Don't.
55:38And don't destroy your life.
55:41To recap tonight's top story, star Hi-Li player Tico Areola was killed tonight while playing
55:49at Miami Fronton.
55:51It appears that Areola's attention was diverted from the ball long enough to have it hit him
55:58in the head.
55:59The Miami Fronton is quiet now, silently pondering the tragic loss of one of Hi-Li's beloved sons.
56:06As one player ever said...
56:10Stop!
56:13Break up!
56:15Break up!
56:36Break up!
56:37Break up!
56:38Break up!
56:39Break up!
56:40Break up!
56:41Break up!
56:42Break up!
56:43Break up!
56:44Break up!
56:45Break up!
56:46Break up!
56:47Break up!
56:48Break up!
56:49Break up!
56:50Break up!
56:51Break up!
56:52Break up!
56:53Break up!
56:54Break up!
56:55Break up!
56:56Break up!
56:57Break up!
56:58Break up!
56:59Break up!
57:00Break up!
57:01Break up!
57:02Break up!
57:03Break up!
57:04Break up!
57:05Break up!