Monk Season 1 Episode 5 Mr Monk Goes To The Carnival
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00:00You ought to be wearing a wire.
00:02Oh, listen, Leland, we don't even know what he's got.
00:06Look, maybe I should hang him once you're back.
00:09Oh, come on.
00:11You're wearing too much, you always did.
00:13Leland, go home, get some sleep past your bedtime.
00:17Look, Adam, could you do me a favor?
00:20Yeah.
00:20When we're in public, you call me Captain, okay?
00:24Oh, I'm sorry, Captain.
00:26I mean, I still can't say without laughing.
00:30Oh, my God.
01:00How about a photo?
01:03Here's a ticket.
01:05You can pick it up when you leave.
01:06No, thanks.
01:22John Gitterman?
01:23You Kirk?
01:27I said you want to tell me?
01:28No, no, no.
01:29I said I had something to sell you.
01:32Oh, okay, what?
01:35Shipment of Purple Haze, 10,000 tabs.
01:38I don't know where, I know when, I know who.
01:41You interested?
01:42If it's righteous, I'm interested.
01:44Okay, but not him.
01:45No, this is fine.
01:47Hey, hey.
01:48Hey, get your hands off me, man.
01:50Listen, you don't get a problem.
01:52I can't talk here.
01:58Why not, I'll tell you.
02:00Up there?
02:03No, I don't think so.
02:05Who told you you'd call me?
02:07I'll tell you.
02:08Up there.
02:09No, who gave you my name?
02:10See, I'm there.
02:11I'll tell you.
02:32Hey!
02:33Somebody come out of here!
02:34What?
02:34I don't know.
02:35I don't know.
02:36I don't know.
02:36I don't know.
02:37I don't know.
02:37I don't know.
02:37I don't know.
02:37I don't know.
02:38Hey! Somebody kill the car!
02:41Hey! This guy's trying to kill me!
02:44What are you yelling about? What's going on?
02:46Hey! The guy's saying stop the ride!
02:48Hey! No! Hey!
02:50He's killing me!
02:51Calm down!
02:52He's trying to kill me!
02:53What are you yelling about?
02:54Hey!
02:55Hey!
02:56Calm down!
02:57Hey! Calm down!
02:58Somebody kill the car!
03:00What? I'm not... I'm not...
03:01Hey! He's trying to kill me!
03:03Hey! Stop it!
03:04Stop the ride!
03:05Stop the wheel!
03:06Let me off!
03:11You're sick, buddy!
03:12Police officers! Step back!
03:14Everything's alright!
03:17What did you do?
03:19Somebody call 911!
03:22I didn't do nothing!
03:24I was...
03:36...
03:49I left...
03:51When are you dead?
03:52I left...
03:53I left...
03:54...
03:55...
04:57Look, give me 30 seconds, all right?
05:05Internal Affairs is going to try to rip you apart.
05:08Well, they've been trying for years.
05:10Look, Adam, is there something you want to tell me?
05:13He pulled a knife.
05:14There was a fight.
05:15It was either you or him.
05:16Oh, I never touched him.
05:20It were bruises on his chest.
05:22Oh, he must have stuck himself.
05:25He's stuck himself.
05:28All right, look.
05:30From this point forward, you don't say anything.
05:32You don't speak English.
05:35I'm going to call Sam Dwyer from PBA.
05:37They'll send somebody.
05:38I never touched him.
05:40I'm not a woman.
05:42I'll talk to you later.
05:43Yeah.
05:44All right.
05:44That's good.
05:48Paul?
05:51Well, he was stabbed in the aorta.
05:54He was gone before he hit the ground.
05:57Self-defense?
05:59Maybe.
06:00What about the bruises?
06:01Well, there was a fight.
06:02That's all I know.
06:03When I get him down to my beauty parlor, I'll know a little more.
06:07Thanks, Paul.
06:09All right.
06:09I need the lab to run the knife as soon as possible.
06:13Yes, sir.
06:14And I need Adam charged and booked.
06:16I have Parco do that.
06:21What am I supposed to do?
06:23Two guys go up alone.
06:24One of them comes out dead.
06:26What do you want me to do?
06:30Captain, what about Monk?
06:31He might see something that we're not seeing.
06:34Monk is no good to anybody right now.
06:36He's going before the review board tomorrow.
06:39You know how he gets when he's under pressure.
06:41Who's going to be a basket case tomorrow?
06:44Former Detective Monk, we've been reviewing your file,
06:48which includes a statement from your psychiatrist, Dr. Kroger.
06:53Now, he says you're still obsessed with the murder of your wife
06:56to the point where you are emotionally paralyzed.
07:00Do you agree?
07:01Well, she was my wife.
07:04You can understand.
07:05It's not just another case.
07:10How's that investigation going?
07:12We're stalled.
07:13Frankly, it's a dead end.
07:15However, there is some good news.
07:17Kroger says that you've been showing some significant progress
07:20in some of your other problems.
07:23Yes, I've been working hard.
07:25Since your suspension, you've been working as a private investigator.
07:28Is that right?
07:29Well, it hasn't made me rich.
07:39But, you know, it's what I do.
07:42It's what you do.
07:43I like that.
07:47Do you feel that you're ready to do what you do for us again?
07:50I mean, officially.
07:53I think I'm ready.
07:56As you know, I've been doing some consulting work for the department.
08:01Yes, on eight occasions.
08:03It's very impressive.
08:04Although, isn't it true, Mr. Monk, that on more than one occasion,
08:07your phobias have hindered the investigation.
08:09For example, last February,
08:13your fear of heights allowed a suspect in San Selmo to escape?
08:17Well, no officer is without fear of some kind.
08:21That's true.
08:22We all accept that.
08:23As long as those fears don't interfere with the performance of his duties.
08:28We'll be making a formal recommendation by the end of the week.
08:32We're going to have to speak with two or three more people,
08:35including Captain Leland Stottlemyre.
08:38Captain Stottlemyre?
08:39As your commanding officer for years,
08:42his testimony is crucial.
08:45Thank you for coming in.
08:52Mr. Monk?
08:57Thank you very much.
08:58We'll reconvene tomorrow at five o'clock.
09:05How'd it go?
09:08Pretty great.
09:10I was amazing.
09:13Yes.
09:13I was Fred Astaire.
09:16Did you remember to bite the tip of your tongue?
09:18Did I help you focus?
09:20I bit the tip of my tongue.
09:22I was great.
09:23Get in the car.
09:24What are you doing?
09:25I'm driving.
09:26Get in the car.
09:28No, you're not.
09:29Sharona, they could be watching me right now from the...
09:35Don't look from the window right now.
09:38Don't look.
09:39So what?
09:40So I can't let them see you driving me.
09:43I'd look like an invalid.
09:44So get in the car.
09:47No.
09:49Get in the car.
09:53Will you get in the car?
09:54Do you even know how to drive?
10:00Yes, I know how to drive.
10:04I've never seen you.
10:06Well, there's about 15 things that I can do that you've never seen me do.
10:10Like what?
10:12Drive.
10:12I can drive.
10:13Get in the car.
10:15Don't.
10:16They're not watching you.
10:17Look, what are you doing looking?
10:19What are you doing?
10:21Do you even have a license?
10:23Of course I have a license.
10:25Is it valid?
10:26You know what?
10:27I'm going to show it to you.
10:29In the car.
10:30I just put in a new $1,200 transmission.
10:34I'm not going to wreck your precious transmission.
10:37Get in the car.
10:40I have an idea.
10:41Start yawning.
10:43Yawning?
10:44Yeah.
10:44To make it look like that you're too tired to drive.
10:47Why would I be too tired to drive?
10:49It's 10 o'clock in the morning.
10:50I'm not in kindergarten.
10:51I'm trying to get my badge back here.
10:54Everybody gets tired.
10:55You don't think cops get tired?
10:58Anyway, it's too late to start yawning now.
11:00I would have had to start yawning when I was upstairs to set it up.
11:04It is not too late to start yawning right now because you have to start yawning at some point in the day.
11:09Everybody yawns all day.
11:11There's no rules.
11:12Yawn.
11:12Mr. Monk.
11:18You're still here.
11:20Yeah.
11:21Yeah, we're leaving though.
11:23We're going.
11:24Here we go.
11:25Sharona?
11:27You coming?
11:27He's.
11:35He's.
11:36Good parking spot though, don't you think?
11:41I mean, lucky, lucky.
11:44Can't beat it with a stick.
11:48Okay, I got it.
11:49See you next time.
11:54What were you thinking?
12:23You said turn, so I turned.
12:26I meant into the parking lot.
12:29Look at my headlight, Adrian.
12:31It's nothing.
12:33Nothing?
12:34It is totally smashed.
12:36Look at that.
12:46Hello?
12:49Yes, he's right here.
12:51Now?
12:56Okay, we'll be right there.
13:00Stoudelmeyer, he says it's very important.
13:03No!
13:04No!
13:05Adrian!
13:07I'm driving.
13:09When hell freezes over, you can drive again.
13:11Now, you know what?
13:12Even if hell freezes over, I'm still driving because I don't want you driving on the ice.
13:17Get in the car!
13:21Your Honor, this is not Lieutenant Kirk's first offense.
13:25We have a case, Doc 455, Adam Kirk versus Leonard Stokes, in which Lieutenant Kirk is accused of police brutality.
13:34This is obscene.
13:37Don't touch Stokes.
13:38You can string me up right here.
13:40Lieutenant, can you or can you not control your temper?
13:43I can, Your Honor.
13:44Then do it.
13:45On the street and in my courtroom.
13:48Mr. Dwyer?
13:49We request that Lieutenant Kirk be released on his own recognizance.
13:53Adam Kirk is a decorated officer.
13:56And the claims against my client in this case and the case involving Mr. Stokes have not been substantiated.
14:03I don't know how much more substantiated a case can get.
14:06Bill is set at $50,000.
14:12So, what do you think?
14:16They're on a Ferris wheel alone.
14:18The Ferris wheel stops.
14:19The guy's dead.
14:20I know it looks bad.
14:22Bad is not the word.
14:23Guilty is the word.
14:25Kirk has got a temper.
14:26We're not denying that.
14:27You couldn't deny it.
14:29I've seen it firsthand.
14:31There's something not right here.
14:32He swears up and down he did not touch the kid.
14:35Maybe he blacked out or something.
14:37You know, like you do.
14:38What do you want me to do?
14:40I want you to do your thing.
14:42I want you to do that thing you do.
14:44I've known Kirk for 20 years.
14:45He's a great cop.
14:47You used to say that about Adrian.
14:49Could we not make this a personal thing?
14:51This is not about who Daddy loves more.
14:55Monk, I need this.
14:56You do right by me and I'll owe you one.
14:58All right?
15:02I'd like to talk it over with, sure.
15:06Sure.
15:11What do you think?
15:12I think you should do it.
15:14The captain's going to testify in front of the review board tomorrow.
15:17This may be good help.
15:19I agree.
15:23But let's stay here a minute.
15:25Make it look like it's a tough decision.
15:27Okay.
15:29What should we talk about?
15:31I don't know.
15:32How's Benji?
15:33It's good.
15:34What grade is he in now?
15:36Fifth.
15:37Fifth grade.
15:38I'm feeling nice.
15:38It's driving me crazy again.
15:41Hey, Mom.
15:42Yeah.
15:44We can hear you.
15:55All right, here's the deal.
15:57This has got to be done under the table, all right?
16:00Off the book.
16:00Internal affairs is all over it.
16:02They don't want any outsiders poking around.
16:05Okay.
16:08Good.
16:13It's okay.
16:22Saw that, Adrian.
16:27Look at him out there.
16:29Trying to get a picture of a killer cop.
16:33Too bad I can't charge him rent.
16:36Did you talk to them?
16:37I just told them I was a friend.
16:41Thanks for lying.
16:43You know, I don't hold what you did against you.
16:48Why would you?
16:49I told the truth.
16:51From your point of view.
16:52I was there, Lieutenant.
16:54I saw what you did.
16:56It was resisting arrest.
17:00I was there.
17:01I don't want to make sure being here now mean even more.
17:10You know what really kills me about this is, uh, I'm supposed to testify against Stokes next week.
17:19Best thing I ever did was getting that butcher off the street.
17:22Now he's going to walk.
17:23Why would he walk?
17:24He claims that I beat a confession out of him.
17:27This makes his case.
17:31What are you doing?
17:33If you don't mind, it helps him think.
17:37Oh, knock yourself out.
17:39Want to tell me what happened on the Ferris wheel?
17:41Oh, that was stupid.
17:45I get a call from this punk Ginnomer.
17:47You knew him?
17:48No, I never met.
17:50I check him out.
17:51He's got some punk stuff.
17:53Possession.
17:54Stolen vehicle.
17:56So he wants to meet at the carnival.
17:59Busy place.
18:00A lot of people.
18:02Meet about what?
18:04He's got something on a shipment of purple haze.
18:08So we meet.
18:12He starts hemming and hawing.
18:14And then he'll say a little talk, but only up on the Ferris wheel.
18:19Ferris wheel's his idea.
18:20Oh, yeah, his idea.
18:22So I get on.
18:23I don't get out word one.
18:25He goes postal.
18:26You didn't do anything.
18:28Hand to God.
18:30He starts throwing himself around.
18:32He's screaming, help, help.
18:34He's going to kill me.
18:35So the operator shuts down the rig.
18:37I get off.
18:38I walk ten feet.
18:39I hear screaming.
18:40I turn around.
18:41And there's Giddember on the deck with a knife in his chest.
18:45Whose knife was it?
18:46Not a clue.
18:49And Adam, you didn't touch this guy.
18:53No, I didn't touch him.
18:55Maybe he shoved you.
18:56You shoved him back.
18:57No, I didn't touch the guy.
18:59Things got out of hand.
19:00It happened.
19:01No, it doesn't happen!
19:05Not to me.
19:06Not anymore.
19:24How's Anita?
19:24Oh, she's good.
19:26Thanks for asking.
19:28Where is she?
19:30You just missed her.
19:31She's just out shopping.
19:33She should be back.
19:35Go.
19:36Any minute now.
19:37Listen, friend.
19:37If I'm going to help you out, you...
19:39You can't lie to me.
19:45What?
19:46You two had a fight, and she moved out.
19:53Now, who told you that?
19:56The woman is obviously into gardening.
19:59But every plant in the place is dying.
20:03Well, she always comes back.
20:19I'm done here.
20:22You're going to make somebody a wonderful wife.
20:25I can't make any promises.
20:33I'm still.
20:43Okay, remember, we're not officially on the case, so be cool.
20:47Yeah, I'll be as cool as you.
20:49Mom, how many tickets can we get?
20:51I don't know.
20:53Okay, let's get a whole sheet.
20:54She's $40.
20:56I don't know, Benji.
20:57I work for a very cheap man.
20:59I'm a pen.
21:00That's true.
21:01She does.
21:02She's also a very naive man.
21:05Who doesn't know when he's being used?
21:09Well, who's being used?
21:11You are.
21:13Hurts no good, and you know it.
21:16It's not him on his ex-partner.
21:18The captain will do anything to save his ass.
21:20He just wants you to come up with one of your convoluted theories
21:23so he can parade you in front of a jury.
21:27Are you listening to me?
21:30What's wrong?
21:32The ferret's wheel.
21:34It's kind of big.
21:35I can't go on it.
21:36Well, you have to.
21:38It's a crime scene.
21:40Nah.
21:41Benji, the bumper car's over there.
21:43Nah, uh-uh.
21:44Come on, please.
21:46We've got to find Stottlemile.
22:00Hey.
22:02Hey, you remember Benji.
22:05Yes.
22:07How you doing, Benji?
22:08You're in Little League, right?
22:09Yeah, I think my kid beaned you last year.
22:13Hey, folks.
22:14Have a photo.
22:16No.
22:17No, thank you.
22:17Come on.
22:18It's a souvenir.
22:20It's a carnival.
22:25One big happy family.
22:29Thank you very much.
22:30Here's your ticket.
22:31You can pick it up on your way.
22:33Let's go.
22:34Come on.
22:34Come on.
22:35Come on.
22:36Come on.
22:36Come on.
22:38Adrian.
22:39Oh, my God.
22:42Here you go.
22:43Unclaimed from the day you were asking about.
22:45This is everything.
22:48Adrian, I promised Benji I'd take him on the plane of the course, and we'll meet you later,
22:52okay?
22:52Just stay close to the captain, and if you get lost, find a policeman.
22:57Promise?
22:58Bingo.
23:00Look at the sweatshirt.
23:02I was thinking the same thing.
23:03Zipped all the way up.
23:05But it must have been 95 degrees that night.
23:07Yeah.
23:14The need over there.
23:16Walk through here.
23:17Get on the ride.
23:18Go round and round.
23:19It stops, and the kid's dead.
23:23Could you question the other riders?
23:25Oh, yeah.
23:25I grilled everybody in the park.
23:27I gotta listen.
23:33Internal affairs.
23:36Look, you just happen to be here, okay?
23:39It's your day off.
23:40Understood?
23:42Hey, Walt.
23:43Captain.
23:43Where are you?
23:44Mr. Monk.
23:45Walter Koppel.
23:47How's it going?
23:48It's a bitch, bitch and a half.
23:50What are you doing here?
23:51I'm here with my assistant and her kid.
23:55I never figured you the amusement park type.
23:57Oh, sure.
23:58I love it.
23:59It's so, you know, edgy.
24:04Heard you're up for reinstatement.
24:06Good luck.
24:08I really should be going.
24:09Have you seen Sharona?
24:12Yeah.
24:13Sharona's right over here.
24:15See ya.
24:16Give me a couple minutes, I'll get rid of them, all right?
24:23What should I do?
24:24Just have fun.
24:26Fun?
24:27Yeah.
24:28Look, you've seen other people have fun.
24:30Imitate them.
24:31Yeah.
24:31I'm scared.
24:32Come on.
24:32Yeah.
24:32Imitate them.
24:33Imitate them.
24:33Imitate them.
24:37Listen, what's happened?
24:39Come on.
24:42Come on.
24:42Come on.
24:43Come on.
24:46Come on.
24:46Come on.
24:47Come on.
24:52Woo-hoo.
24:54Oh, I am so hungry.
25:12Get a hot dog.
25:14No, no, thanks.
25:16Mom, can I have two dollars?
25:19Wait, what for?
25:20It's a contest.
25:22There's a big jar of jelly beans.
25:23And if I guess how many are in the jar, I will have room box.
25:278,385.
25:29What?
25:31That's how many jelly beans are in the jar.
25:338,385.
25:368,385.
25:39Have you seen the jar?
25:42How can you guess if you haven't seen the jar?
25:47Benji, 8,385.
25:51Thanks, Mom.
25:53Okay, now you owe me two dollars.
25:57Here's Aie.
25:58Don't look.
26:00Come on.
26:01We gotta look like we're blending in.
26:03Let's go.
26:06Yeah, we'll blend.
26:16No problem.
26:17Just take it.
26:20Come on.
26:22It's good.
26:23It's good.
26:31Ow!
26:36You having fun?
26:37I think so.
26:39My head stopped throbbing.
26:41Too many clowns.
26:42Just way too many.
26:44Oh.
26:46Come on, relax.
26:47Oh, my God.
26:50Where did you get that?
26:51I won it.
26:52It was a giant bean contest.
26:54Mr. Moon, be right.
26:56You were only off by eight.
26:59Adrian, how'd you do that?
27:01Lucky guess.
27:02No, I'm serious.
27:04How'd you do it?
27:07Adrian.
27:10Adrian, I'm talking to you.
27:13Come on, come on.
27:15We got about an hour.
27:16I sent him to that stripper bar on Baker Avenue.
27:19I told him Kirk hangs out there.
27:21Hello, Kitty.
27:22Hell, I thought you guys were gone.
27:24I'm trying to make a living here.
27:26Sorry, I'm sorry.
27:27This will only take a minute.
27:28Adrian Monk, Kitty Malone.
27:29She's been working the Ferris wheel for seven years here.
27:32Never had a problem.
27:34Never had an accident until last night.
27:36I suppose he wants to hear the story, too.
27:38Yes, please, if you don't mind.
27:40It's the freakiest thing I've ever seen.
27:42Two guys got on.
27:43A few seconds later, one of them starts screaming.
27:45You mean Mr. Gittimer?
27:48I don't know names.
27:49The soon-to-be-dead ones.
27:51He's screaming, help, he's trying to kill me.
27:53I looked up, asked the fours rocking back and forth.
27:56I figure they're either fighting or falling in love.
28:00You couldn't see what was happening.
28:04Nah, you can't really see what's going on up there.
28:07So I stopped the ride.
28:08You know, I always stop for crying babies and guys knifing each other.
28:13Anyway, I pop the bar.
28:14The cop gets out.
28:15He's pissed.
28:16He's screaming, I didn't do nothing.
28:19Where was he?
28:20Over there.
28:22And the other guy...
28:24Doubled over in his knee.
28:26He's got a knife in his chest.
28:27Then he falls over, right there.
28:37Get it moving!
28:38Two more minutes and then I gotta start charging you guys.
28:42Okay, but could you just...
28:43Could you take your hand off...
28:44It's not gonna move.
28:45She's got her by the button.
28:47It's not gonna move.
28:48She's right by the...
28:49It's okay.
28:49...control.
28:50Hurry up!
28:52Thanks, kid.
28:54Thanks.
28:56Come on!
28:57Let's go!
28:59Hello.
29:00Where?
29:00What is that?
29:13A tarot card.
29:15Or a half a one.
29:17Anybody could have left that.
29:19I think I need to see get a nurse place.
29:22What's it mean, half a tarot card?
29:23I don't know.
29:31It's a tarot card.
29:33But, Mr. Crenshaw, does it mean anything to you?
29:36Yeah, it means you're wasting my time.
29:38Mr. Gittimer used tarot cards?
29:41I don't see what anybody does.
29:43I'm only the landlord.
29:45The peepholes on the door face the wrong way.
29:47That's what I always say.
29:49How long did he live here?
29:51Oh, nine weeks.
29:53But he paid for ten, so I guess someone has a refund coming.
30:00What's this?
30:01Mr., you wouldn't believe what I've seen hanging from those fans.
30:05Adrian.
30:06Adrian.
30:06Adrian.
30:11This is weird.
30:14He keeps his batteries in his socks?
30:16Oh, my God.
30:17What is it?
30:18It's a weapon.
30:20He used them in prison.
30:24It's torn here.
30:41Could you?
30:45Okay.
30:52Stand back.
31:03What the hell is that?
31:05I think he hit himself with it.
31:08All he had to do was ask.
31:10I would have been happy to beat the crap out of the kid.
31:13I knew he was trouble.
31:14Never paid the phone bill, but always had money to go dancing.
31:18He went dancing?
31:20Yeah, every night.
31:21That club over in the park there, the Luna Lounge.
31:25We're not open yet.
31:41Is this your plane check?
31:45Actually, I got something I need to show you in the back.
31:48Captain Stottlemyre, you've used former Detective Monk,
32:17several times over the last two and a half years.
32:21Yeah, that's right.
32:22On a consulting basis.
32:24Have you been satisfied with his work?
32:26Yes.
32:27Absolutely.
32:28He, um, he has helped me solve five, you know, six very difficult cases.
32:35He has a unique way of looking at evidence, even after a scene is cold.
32:39In your professional opinion, do you think Adrian Monk is ready to be reinstated?
32:44He is an excellent investigator.
32:47I believe we've established that.
32:49The question is, do you believe that he should be reinstated to the San Francisco Police Department?
32:55He is reliable.
32:57He, uh, has an encyclopedic knowledge of the strangest, most arcane things.
33:03It's like bookbinding.
33:07There was a case before he got...
33:08Captain, this is a yes or no question.
33:11In your opinion, is he or is he not ready to be reinstated?
33:18Yes or no?
33:20The people are asking for a continuance, Your Honor.
33:30Of course they want to postpone.
33:33Lieutenant Kirk wasn't one of their witnesses.
33:35He was their only witness.
33:37Now he's accused of murder.
33:39Your Honor, my client, Leonard Stokes, has been in jail for 14 months based solely on his testimony.
33:46Mr. Zweibel, are you presenting Adam Kirk or not?
33:49Your Honor, we can no longer vouch for Lieutenant Kirk.
33:51Well, then you leave me no choice.
33:53Without your witness, the statements that Mr. Stokes made in the back of that squad car are inadmissible.
33:59Mr. Stokes?
34:03I'm dismissing this indictment.
34:06So I'm free to go?
34:07I'm sorry to say that's true.
34:09Bailiff?
34:12I need to yell a copy.
34:14Are you going to tell me how you did the jelly beans?
34:22You know you're going to tell me, Adrian.
34:24Stokes, Lenny.
34:24I need the yellow copy.
34:26Wait here.
34:28Excuse me, Leonard Stokes.
34:30Can I talk to you?
34:31It's a free country.
34:33At least we'll be in about ten minutes.
34:35My name is Adrian Monk.
34:37I'm investigating the death of John Gittermer.
34:40Did you know him?
34:40No.
34:44This is his cell phone.
34:47They found it in his knapsack.
34:49Mr. Gittermer received two calls from this facility, from the phone bank in your wing, on the day he was killed.
34:56So what?
34:58You were calling him.
35:00I checked the records.
35:02They log in every outgoing call.
35:04Sign here.
35:04It's a nice watch.
35:10Yeah, Gittermer.
35:11I remember.
35:11He was here.
35:13I knew his name, that's all.
35:15Why were you calling him?
35:17I don't recall.
35:19What difference does it make?
35:20It's just interesting.
35:22You two knew each other, and his murder is the basis for your appeal.
35:28What's that?
35:29It's from my straight and sober group.
35:31Three-year pin.
35:33Very nice.
35:34Congratulations.
35:35Look, I know where this is going.
35:38You're working to clear your pal, Lieutenant Kirk.
35:41No, no, no, no.
35:42I'm not on the force.
35:43Oh, come on.
35:44I'm sure you are.
35:44I can smell it.
35:45I'm just looking for the truth.
35:47Lieutenant Kirk is a killer cop.
35:49That's the truth.
35:50Just not the truth you want.
35:53You could be right.
35:54Is there some place that I can reach you?
35:58No.
36:00See you around.
36:06Gee, he's a charmer.
36:09Oh, my God.
36:10Is that the right time?
36:12It's not a Meyer's testifier.
36:14Oh, my God.
36:14You look great.
36:39I haven't worn it since Trudy's funeral.
36:41Are you sure you're not getting your hopes up?
36:45Of course I am.
36:46That's what hopes are for.
36:48I was going to smooth it out, but it's...
36:52I know.
36:52I know.
36:53Oh, no.
37:04Oh, no.
37:05You didn't recommend me.
37:19Look, Monk.
37:20You son of a bitch.
37:22Thought you were going to do the right thing.
37:25I think I did do the right thing.
37:26He saves your ass all the time,
37:29and he never asks for anything in return.
37:32He closes case after case,
37:36and then he goes home and watches you on the news
37:39taking all the credit.
37:41I wanted to recommend you.
37:43I tried to recommend you, but I just couldn't do it.
37:45Adrian, you are not ready to carry a gun.
37:49You're not ready to have other cops depend on you under fire.
37:53In your heart, you know you're not ready.
38:04At least your friend Adam Kirk is a decent suit to stab people in the front.
38:08You're not ready to carry a gun, but you're not ready to carry a gun.
38:22You're okay?
38:27I just want to be alone.
38:33Okay, I'll come with you.
38:35Okay.
38:38How did it go this afternoon, sir?
38:53That was rough.
38:55Well, I'm sure you did everything you could.
38:58You, uh, want to go grab a drink?
39:01No, I'm good.
39:02Hey, Randy.
39:06Did I ever tell you about Monk's first day as a detective?
39:12No, sir.
39:14Have a seat.
39:23He didn't have a partner, so I got stuck with him.
39:26Was he, you know?
39:30No.
39:30He was a little wound.
39:34He used to wipe off the windshield and rearrange the glove box before we'd roll.
39:40Anyway, we're the primaries on a body in a hotel in the cast room.
39:46A hooker had swallowed a bunch of, uh, promazine.
39:49You know, the big sleeping pills.
39:51A horse tranquilizer, sir.
39:52I said suicide.
39:54Every cop on the scene said suicide.
39:57Medical examiner said suicide.
39:59Monk walks in, says murder.
40:02Where's the water?
40:04The room had no water.
40:07Simple.
40:09Eight people in the room, but nobody saw that.
40:12Well, I'm sure you would have seen it eventually, sir.
40:15Don't kid yourself.
40:16There is only one Adrian Monk.
40:38You're gonna wear out the carpet.
40:42Have you seen the downstairs?
40:43In the whole basement.
40:50Damn!
40:53Damn!
40:54Damn!
40:54Damn it!
40:56Damn!
40:57What happened?
40:59I knew it.
41:00Damn it, I knew it.
41:02I knew this was gonna happen.
41:05Ah, why me?
41:06Every single damn time.
41:09Adrian, what happened?
41:11I solved the case.
41:27Captain?
41:28Yeah.
41:29Here's your sandwich.
41:33Ham and cheese on rye.
41:34And your soda.
41:37Goodie, goodie.
41:39Want your pickle?
41:43Not anymore.
41:47Oh, Sharona Fleming is online, too.
41:53Tell her I'll call her back.
41:54Well, she says it's important.
42:04Hi, Sharona.
42:05Captain, Adrian knows what happened on the Ferris wheel.
42:08Do you want me to sit at the carnival?
42:10Let me talk to you.
42:12He wants to talk to you.
42:15He's shaking his head no.
42:17Was it Kirk?
42:19Was it Lieutenant Kirk?
42:20No.
42:21No.
42:21This is crazy, Sharona.
42:25Put him on the phone.
42:28Adrian, he really wants to talk to you.
42:30I'm not talking to him.
42:34If you want to hold the phone up, fine.
42:40Hold on.
42:42It was Leonard Stokes.
42:43He planned the whole thing from prison.
42:45His trial was coming up.
42:47And somehow, he had to get his confession thrown out.
42:50The only chance he had was to discredit the cop that arrested him.
42:54And that was Adam Kirk.
42:57Stokes called his pal John Gittimer.
43:00He convinced Gittimer to lure Kirk onto the Ferris wheel.
43:05And then make it look like Kirk beat him up.
43:07The bruises on Gittimer's chest were self-inflicted.
43:12That's why his sweatshirt was zipped up all the way.
43:17Okay, what about the stabbing?
43:19Captain says, what about the stabbing?
43:21I'm getting to that, aren't I?
43:23I heard that.
43:23It turns out Gittimer only knew half the plan.
43:29He was the real patsy.
43:31Stokes had another partner.
43:33Someone who worked at the carnival.
43:35Someone who loved him.
43:36It is me.
43:37Someone who would kill for him.
43:39Ferris wheel operator?
43:41Wait, how does he know it was the Ferris wheel operator?
43:44They were both wearing straight and sober buttons.
43:48Orange ones.
43:50Every chapter has their own color.
43:53It took me a while to put it together.
43:55Stokes didn't want to make Lieutenant Kirk look corrupt or hot-tempered.
44:00He wanted to make Kirk look like a killer.
44:04Kitty was there to finish the job.
44:14They've been here all week.
44:22I've been questioned like seven times.
44:24Shh, kitty, baby.
44:26I got a plan.
44:29Yeah, yeah, we're here.
44:31We're by the spider.
44:33Don't do anything.
44:34Don't go anywhere.
44:35We're on our way.
44:37Okay, okay.
44:38They're on their way.
44:39They're on their way.
44:44Something's wrong.
44:51I'm an ambulance!
45:00Excuse me.
45:06Oh, my God.
45:11He's still somewhere in the park.
45:13There's no way he can get out of here now.
45:14We should go up on the Ferris wheel so he can see everything.
45:20I've got a better idea.
45:22You go on the Ferris wheel.
45:23You can see everything.
45:27Do you know how to work it?
45:29How hard can him be?
45:31Okay.
45:31Adrian, stop.
45:49It's profit.
45:50Lookin' for me?
46:01Well, here I am.
46:02You better hang on.
46:03This ride's gonna get pretty wild.
46:05Oh, God.
46:05Adrian!
46:06Adrian, he's up here.
46:08Get me down now.
46:09What?
46:11Scopes is up here.
46:13Get me down.
46:14Now.
46:15Now.
46:15Now.
46:15Now.
46:15Now.
46:15Now.
46:15Now.
46:15Now.
46:15Now.
46:16Now.
46:16Now.
46:17Now.
46:17Now.
46:17Now.
46:18Now.
46:18Now.
46:19Now.
46:19Now.
46:20Adrian, get me down.
46:24Please hurry.
46:26Just hurry up.
46:27Trying.
46:28Please.
46:29Look out of the Ferris.
46:30What a stupid place to hide.
46:33No wonder this guy's been half his life in prison.
46:35You just told me down there that you knew how to do this.
46:39I am not familiar with this particular model.
46:44Do something.
46:45He's doing this.
46:47Yes.
46:47damage.
46:53Damn it, he's going to get me!
46:54Hurry up!
46:54Not working!
46:55Will you stop thinking instead of something?!
46:56It could Dio?
46:56It's not working!
46:57Will you stop sinking?!
46:58And do something!!
47:06NO better have to die!
47:07Oh, my God.
47:20What am I doing?
47:35What am I doing?
47:36You're saving me!
47:38Police!
47:39Turn off the damn Ferris wheel.
47:50Guys, give it up, Stokes!
48:06I've been looking forward to this.
48:13I'm sure you have, too.
48:16Badge and your gun.
48:18They don't belong in my desk.
48:20They belong with you on the street where you can do your job.
48:35Thanks.
48:36Welcome back.
48:39Your reinstatement is effective immediately.
48:43All right.
48:44Vacation's over.
48:45Back to work.
48:46Just a second.
48:58Oh, God.
49:01Thanks.
49:02Don't give up.
49:17Wait a minute.
49:18Is that an order?
49:19Yes, it is.
49:20Wait a minute.
49:21Is that an order?
49:23Yes, it is.
49:25How did you guess the jelly beans?
49:38Sharona, Sharona, just give me the shoe.
49:41No.
49:42Not until you tell me.
49:44Come on.
49:45This is not funny.
49:46I can't walk.
49:47How did you do it?
49:51All right, I'll tell you.
49:53As we walked into the carnival, there was a pile of garbage.
49:56A pile of garbage?
49:58Yes, and I noticed that they were throwing away some empty jelly bean boxes.
50:03They were labeled.
50:05Each one contained 1,400 jelly beans.
50:08There were six boxes.
50:09So that's 8,400 beans.
50:12You figure the kid who ran the game ate a couple of handfuls.
50:15So that's 8,385.
50:18Now, can I have my shoe, please?
50:23You remembered how many empty boxes you saw?
50:35Yes.
50:36It's a blessing and a curse.
50:40Please don't ever take my shoes again.
50:45Not funny.
50:48Never will be funny.
50:50It'll be funny the next time you do it.
50:55Uh-oh.
50:56Uh-oh.
50:57All right.
50:58Well, I'm gonna come back to my house.
51:00I'll go back to my house.
51:01See you next time.
51:02Bye.
51:03Bye.
51:04Bye.
51:05Love you.
51:06Bye.
51:07Bye.
51:08Bye.
51:09Bye.
51:10Bye.
51:11Bye.
51:12Bye.
51:13Bye.
51:14Bye.
51:15Bye.
51:16Bye.
51:17Bye.
51:18Bye.
51:20Bye.
51:22Bye.
51:24Bye.