Category
📺
TVTranscript
00:008 Jam
00:028 Jam
00:048 Jam
00:06What's 8 Jam tonight?
00:08I sing a song over and over again.
00:12I sing a song over and over again.
00:15I sing a song over and over again.
00:20I don't get stupid when I sing a song over and over again.
00:23That's where it all starts.
00:26New technology and new ways of recording
00:31have become very important in our current activities.
00:35I think band activities and recording are slightly different.
00:45Last time, Keisuke Kuwata talked about the behind-the-scenes of making songs unknown to Southern All-Stars.
00:52Tonight...
00:53The image that people give us is surprisingly important.
00:59I think that's the essence of it.
01:03The original album, Thank You So Much, which was released 10 years ago, won first place.
01:10The SNS is full of praise.
01:14What is Keisuke Kuwata talking about?
01:20In the end, we felt that we couldn't be the mainstream or the mainstream.
01:32I'm a little prepared when I'm trying to make an original album.
01:36I want to say thank you to the fans somewhere.
01:43Why does Keisuke Kuwata continue Southern All-Stars?
01:50Speaking of one of the great charms of Southern All-Stars...
02:07This singing voice of Keisuke Kuwata.
02:13Do you take care of yourself in your daily training?
02:17I don't take care of myself.
02:21I try to sing without putting effort as much as possible.
02:27In the past, I crushed my voice in the first song.
02:31At the MC of the first song.
02:33MC?
02:39I thought it would be better not to do anything in the first song.
02:43I relax and open my throat.
02:47I think he just wanted to say this.
02:50I have a question for Mr. Ieiri.
02:54Is it true that you were singing in a walk to get rid of your singing voice?
02:59It's a complete nonsense.
03:01I'm glad to hear that.
03:03Have you ever done it?
03:04No, I haven't.
03:05It's a urban legend, isn't it?
03:07Yes, it is.
03:10No matter how many times I say it, people keep saying it.
03:15By the way, what is often said about Kuwata's singing voice in the public image?
03:21People often say that I sing in a walk to get rid of my singing voice.
03:24But I don't sing in a walk to get rid of my singing voice.
03:27The Beatles' song.
03:31I want to hold your hand.
03:36I sang it in a walk to get rid of my singing voice.
03:38People often say that I sound like a stupid sailor.
03:43I made a song called a stupid sailor.
03:46I sing in a walk to get rid of my singing voice.
03:48I don't sing in a walk to get rid of my singing voice.
03:52I think I can sing in a walk to get rid of my singing voice.
03:57What does Kuwata think about this?
04:04I wanted to sing in a walk to get rid of my singing voice.
04:09I wanted to sing in a walk to get rid of my singing voice.
04:15I have always thought that Japanese musicians can't sing in a walk to get rid of their singing voice.
04:26I thought that I could sing in a walk to get rid of my singing voice.
04:28I thought that I could sing in a walk to get rid of my singing voice.
04:31I thought that I could sing in a walk to get rid of my singing voice.
04:36We asked the artists who respect the Southern All-Stars.
04:41The vast range of songs from many professional musicians.
04:48There is a famous ballad representing J-pop.
04:56There is a song that is reminiscent of Bob Dylan.
05:17There is a song that is reminiscent of Drum'n Bass.
05:26There is a song that is reminiscent of J-pop.
05:37There is a song that is reminiscent of Drum'n Bass.
05:48There is a song that is reminiscent of J-pop.
05:55There is a song that is reminiscent of Drum'n Bass.
06:01There is a song that is reminiscent of Drum'n Bass.
06:08The Southern All-Stars are famous for their songs like Crazy Cats, The Peanuts, Misora Hibari, and Nagashima Shigeo.
06:15The Southern All-Stars are famous for their songs like Crazy Cats, The Peanuts, Misora Hibari, and Nagashima Shigeo.
06:24Since their debut, they have been making recordings with a challenging attitude.
06:30There is always a surprise in the sound source.
06:36There is a part that the listener does not understand.
06:40I think it is the strength of being a superstar to make the contradiction internalized.
06:48So, a question for Kuwata.
06:51Are you aiming for the breadth of the song?
06:56I think everyone knows and understands the great star and the character they have been loved for a long time.
07:04However, if you understand it completely, you will get tired of it.
07:08The great thing about the Southern All-Stars is that there are many moments when you wonder why.
07:12Even though they are so popular, they always make people nervous with their music.
07:21I think it is a condition as a star that the Southern All-Stars have a long way to go while saying that they are close to everyone.
07:36It's not something you can aim for.
07:39I don't think so.
07:42I want to do it.
07:45I want to do it.
07:47Of course, everyone can do it.
07:49It's easy to understand.
07:51It's not like that.
07:54About the breadth of the Southern All-Stars, there are many other professional voices.
08:01It is amazing that they continue to have universal charm while changing with each era.
08:07Even now, more than 45 years have passed since their debut, the songs of the Southern All-Stars resonate with the hearts of listeners regardless of their age.
08:17I think this is possible because of the perfect balance of musical experimental spirit and popularity.
08:25That's right.
08:26In addition, Indigora and Sato are...
08:30I have a lot of feelings for B-side songs, but there was a part that the bride, Thank you so much, seemed to be scared like me.
08:43Minimal production and the lyrics of Sorry Mom are one of them.
08:56Thank you so much.
09:02As a national band, they carry the expectations of a huge fandom, but they are not only the best, but also the best in the audience.
09:15Even though the 47th anniversary of their debut is just around the corner, they are doing their duty as musicians in the form of works.
09:29Are you conscious of the breadth of the song?
09:35No, no, I've been doing it for many years, and I think so.
09:40We don't have any weight, no matter how many years we've been doing it.
09:46It's not related to weight or charisma at all.
09:51After all, we felt that we couldn't be mainstream or mainstream.
10:02I see.
10:03In that sense, I wonder if there's anything we can do.
10:10In the end, I think it was decided that it was a new song by increasing the variations and the extra notes.
10:21And speaking of the image of Sazan, it is hard to break the mold.
10:26We were not good at playing musical instruments.
10:31We were told by the agency and Victor that we would be on TV.
10:39We thought it would sell well if we were on TV.
10:44But we were on TV and didn't know what was going on.
10:48We were young and didn't know what to do.
10:51So we did whatever we wanted.
10:54And we were forced to do it.
10:57We were forced to play the piano.
11:03In 1978, Sazan All-Stars debuted with Captain Sindbad.
11:09About a month later, they appeared in the music program Yoru no Hito Studio.
11:15The members appeared in jogging pants and took off their doggie hats.
11:21I have an image of jogging pants.
11:24And the next month, they appeared in The Best Ten.
11:28They became very popular.
11:32I think we were on TV because it was a new media.
11:38Maybe we were lucky.
11:42We were forced to do excessive things.
11:46I don't think we would have thought about doing the same thing as the mainstream.
11:53Maybe we were used to appearing in the world in a different way.
12:00Looking back, if we had appeared now,
12:04I don't think we would have been able to stand side by side with the green apple and the travel agency.
12:12The image that people give us is surprisingly important.
12:18I think that's the essence.
12:21The image that people give us.
12:25So I thought, let's do it in a different way.
12:30Let's enjoy music.
12:33I think we were lucky.
12:39Atsuo Katayama, who has supported Sazan for a long time,
12:45and Junichi Soga, who has been involved in Sazan's works.
12:50Who are the two people who know Kuwata closely?
12:53We are always involved in all genres.
12:57We are close to him, but we have fun with him.
13:01Mr. Soga has the image of a fun person and a person who makes a lot of jokes.
13:10But when we are together, we have a lot of knowledge.
13:14He has a lot of input on the literary content of the lyrics and the choice of words.
13:22He once told me that this chord progression is good for a song like this.
13:29I see.
13:31He has a lot of technical thinking.
13:35I think he has a lot of knowledge.
13:40I think that's why he can maintain this breadth.
13:45In addition, there are two singles that professionals can't miss.
13:50The first song is...
13:52I was confused by the wind.
13:55I'm a coward.
13:57The shadow of the day I passed by.
14:03Actually, I have more tears than I look.
14:15If there is a method to make catchy chorus,
14:19I want to write the first verse in the first song.
14:22The melody of the chorus has already stepped into the theory of theory.
14:27And it's the only song that exists.
14:32It's so original that no one else can do it.
14:37What's going on?
14:39That's what I feel.
14:41That's true.
14:49I'm a coward.
14:51I'm a coward.
14:53I'm a coward.
14:55I'm a coward.
14:57I'm a coward.
14:59I'm a coward.
15:01I'm a coward.
15:03I'm a coward.
15:05I'm a coward.
15:07I'm a coward.
15:09I'm a coward.
15:11I'm a coward.
15:13I'm a coward.
15:15I'm a coward.
15:17It's a magic that won't disappear from time.
15:25In a dream like a mirror,
15:30I remember the rain of hope.
15:38It's a hit song that everyone knows that has more than 2.9 million copies.
15:44Another song that the pros paid attention to is the single before the tsunami.
15:52It's no joke that these two songs are in a row.
15:55Moreover, both of them are amazing.
15:59The pros praised the width of the chorus.
16:02That is...
16:08It's a hit song that everyone knows that has more than 2.9 million copies.
16:24Is it a tsunami after this?
16:26It's completely different.
16:28It's a hit song.
16:31Let's ask Kuwata about these two songs that the pros praised.
16:38Speaking of the width of the song,
16:40many people said that it was amazing that Yellow Man came out before the tsunami.
16:47At that time, singles were very popular in the world.
16:52So I remember complaining to the staff.
16:57I said,
16:58Is it a hit song that has only 80,000 copies?
17:01It's a hit song that has more than 2.9 million copies.
17:07I love that song.
17:09So I didn't dislike the fact that it didn't sell well.
17:13Next, the tsunami was a tie-up.
17:17But I think the result of Yellow Man was also very important.
17:23It's a song that calms down emotionally.
17:27It's a song that regains a little calmness.
17:30It's a song that I've been playing around with.
17:33I made it after regaining my calmness.
17:37I'm grateful that it sold a lot.
17:40I don't know about life.
17:43The width of the chorus is...
17:46This is cool. This is interesting.
17:49I'm just making it simple.
17:52That's what shocks us.
18:00The width of the chorus that professionals praise.
18:03Southern All-Stars has released 1 billion original albums so far.
18:08Here's a question from Mino.
18:12What is the point that has changed the style of the album?
18:19I don't think there's a single discography in Southern All-Stars.
18:27I've been releasing high-quality works.
18:32I'm in the second zone of the Inamura series.
18:39There are a lot of home run baseball players in their 30s.
18:43Like Kanemoto, who used to be a half-hearted baseball player.
18:46He's back in his career.
18:50I feel like I'm in that zone.
18:55From Mr. Kuwata's point of view,
18:58I wonder when it was.
19:04What was the point of this 16-album career?
19:10There may be a few.
19:13There are two albums called Kamakura.
19:18The first point is that I've reached.
19:23What was Southern All-Stars like at the time?
19:34Kamakura
19:40A series of hit songs.
19:43In particular, the original album entered the 80s.
19:46He won first place in five consecutive works.
19:49He made it popular.
19:54Among them, Kamakura was released in 1985.
20:00In the first two-track album of Southern All-Stars,
20:03Kuwata decided to make this work.
20:06Let's stop the music that we're good at.
20:12I want to make a work of sparks that the members attack and scatter.
20:18He said he had changed his approach to production.
20:30It's cool.
20:50A wide range of musicality was incorporated.
20:53A variety of works of 20 songs were created.
20:58I think he was motivated to create and spit out what he absorbed according to his age and time.
21:07He was placed in such an environment.
21:10There was also a historical background.
21:13I think Kamakura was an important album.
21:21I don't know if it was Kamakura.
21:26When Southern All-Stars debuted, it was recorded on tape.
21:32Kamakura moved to digital.
21:37We recorded and used samplers.
21:41We were a band, but we put our weapons aside.
21:47I think it's a lot of courage to go there.
21:52Which song did the pros choose from such a history?
21:57Mino chose the first song of the 2000s, which was popular in Latin town.
22:03What?
22:21It's cool.
22:32It's cool.
22:46It's cool.
22:51In addition, Mino felt respect for pop songs from his latest album.
23:21It's cool.
23:39Katayama, who participates as a keyboardist in Southern All-Stars, chose the famous song, which is very fun to play.
23:52This is also a good song.
23:54I like this part.
24:03The excitement at the beginning of the intro is amazing no matter how many years you do it.
24:09I feel like I'm here.
24:14Of course, I love the melody and it's a lot of fun to play.
24:21It's cool.
24:23It's cool.
24:25It's cool.
24:51What?
24:55It's cool.
24:56It's cool.
24:57It's cool.
24:58It's cool.
24:59It's cool.
25:00It's cool.
25:01It's cool.
25:02It's cool.
25:03It's cool.
25:04It's cool.
25:05It's cool.
25:06It's cool.
25:07It's cool.
25:08It's cool.
25:09It's cool.
25:10It's cool.
25:11It's cool.
25:12It's cool.
25:13It's cool.
25:14It's cool.
25:15It's cool.
25:16It's cool.
25:17It's cool.
25:18It's cool.
25:19It's cool.
25:20It's cool.
25:21It's cool.
25:22It's cool.
25:23It's cool.
25:24It's cool.
25:25It's cool.
25:26It's cool.
25:27It's cool.
25:28It's cool.
25:29It's cool.
25:30It's cool.
25:31It's cool.
25:32It's cool.
25:33It's cool.
25:34It's cool.
25:35It's cool.
25:36It's cool.
25:37It's cool.
25:38It's cool.
25:39It's cool.
25:40It's cool.
25:41It's cool.
25:42It's cool.
25:43It's cool.
25:44It's cool.
25:45It's cool.
25:46It's cool.
25:47It's cool.
25:48It's cool.
25:49It's cool.
25:50It's cool.
25:51It's cool.
25:52It's cool.
25:53It's cool.
25:54It's cool.
25:55It's cool.
25:56It's cool.
25:57It's cool.
25:58It's cool.
25:59It's cool.
26:00It's cool.
26:01It's cool.
26:02It's cool.
26:03It's cool.
26:04It's cool.
26:05It's cool.
26:06It's cool.
26:07It's cool.
26:08It's cool.
26:09It's cool.
26:10It's cool.
26:11It's cool.
26:12It's cool.
26:13It's cool.
26:14It's cool.
26:15It's cool.
26:16It's cool.
26:17It's cool.
26:18It's cool.
26:19It's cool.
26:20It's cool.
26:21It's cool.
26:22It's cool.
26:23Yeah.
26:24It's cool.
26:25It's cool.
26:26Yes.
26:27It's cool.
26:28Everything changed.
26:29So cool.
26:30Yeah.
26:31So cool.
26:32Ah, it's super cool.
26:33For the first time, a three pronom duel is held on stage.
26:48I remember being moved by the fact that such a beautiful melody was still left in Japan.
26:55At that time and now, for some reason, tears overflow unconditionally.
27:00The life of tears that invite me
27:06Baby, my love, so sweet
27:12For example, if there were people who didn't know Sazan,
27:17I think it would be now even if the new and old were separated.
27:23When I listen to this generation, it comes out very clearly
27:28After all, I'm scared.
27:33In addition, two women, Amitchi and Yendi Leo, raised their hands.
27:52Sazan, who was sensational even among kids at the time,
27:56I don't know what it is, but I'm singing something amazing.
28:02This masterpiece tends to be caught in the lyrics of the chorus, which have a strong impact at first.
28:09Even in the midst of it, I still pursue freedom and dreams
28:14To erase such a serious self and emptiness
28:17The figure of Mr. Kuwata, who seemed to be dancing, was cool.
28:24Compliance is of course important, but at that time it was lively and energetic
28:30I think it was nice to be empty properly.
28:35I can't help it, I can't help it, I'm in an empty world
28:41There are many sad men, but that's enough
28:48I don't know what to do
28:51I don't know what to do
28:55Embrace me, I'm my own friend
29:00The bold expression of the lyrics and the way the Japanese rhythm fits perfectly
29:05There are things that go through a rap-like approach
29:09It is genius to mix sexual themes with eroticism and humor and digest them exquisitely.
29:17Ms. Leo Ieiri and Ms. A.Witch of Josei-ji were given the G-spot of Manpi.
29:23Ms. A.Witch was also given Erotica 7.
29:26It's all erotic.
29:29I'm glad.
29:32It's a song that incorporates these elements of eroticism, and it's a song that makes you want to play a little.
29:37Is this kind of song influenced by something like this?
29:41It's not like that, but I'm not doing it because I want to do eroticism.
29:47Our generation, when there was no karaoke,
29:52Do you know what I was doing?
29:56One, two, three, four, five, six, seven, eight
30:00When I was doing it with my only daughter,
30:04The cute girl next door said,
30:07I was doing everything erotically in response to the culture of that time.
30:12For example, when I was doing club activities,
30:15If there were 10 people, there would be about two of us.
30:19It was a group of people who were a little flirty.
30:24The most popular guy.
30:27In our time, there was a little bit of that kind of unethical singing.
30:34It's not that kind of story.
30:37But when the word Manpi came out,
30:42I said G-spot.
30:46That's good.
30:49It's a story about music.
30:52It's only possible for Mr. Kumatsu.
30:54When I was talking to Sakurai-kun of Mischief,
30:57What is the new song of Mischief?
31:00He said,
31:02Oh, Manpi's G-spot.
31:04At that time, Sakurai-kun didn't react.
31:07I couldn't stop laughing.
31:10The more I repeated it,
31:12I ended up doing something like that.
31:17It's a leisurely play.
31:21It's a play called Shunkade in karaoke.
31:26I was definitely singing.
31:29I've said it many times.
31:34In the world of entertainment,
31:36Everyone loves vulgar things.
31:39If you're really vulgar, it's boring.
31:42You can't laugh.
31:44I think it's a sense of how to keep the last minute.
31:47I think that's what you have.
31:49Plus, the fact that you're making Kamakura.
31:52I think it's a reason to fly anywhere.
31:55The people who are doing this are doing this.
31:58Everyone understands that.
32:00If it's just this, it's just a play.
32:03It's kind of cool.
32:05Even though I'm saying something erotic.
32:08By the way,
32:09If you listen to your favorite Sazan song,
32:13Here's the answer.
32:15One of Sazan's favorite songs is
32:17There's a song called Joker for the Goddesses.
32:25Joker
32:31It's a little bluesy.
32:33The chorus was at that time.
32:36Beach Boys who were addicted
32:38It's not Red Sound.
32:40I went over there.
32:43I wanna hold you close to me.
32:47I wanna feel you, baby.
32:51I'm not in love.
32:54One-eyed partner
32:58There's also a song called Ike Rikidozan.
33:01This is also a little funky.
33:05Ike Rikidozan
33:09It's cool.
33:10The best champion
33:12Can I ditch up to you, boy?
33:16In this way, he has sent various masterpieces to the world.
33:20A question from Mizuno.
33:23What motivates you to continue making new works?
33:28In my career,
33:30I've become a national figure.
33:33In that state, I live up to expectations.
33:36I don't think it's a half-hearted thing to betray.
33:40Only Mr. Kuwata makes songs in Mr. Kuwata's state.
33:45How can I make a new work with this?
33:49I don't want to be Keisuke Kuwata anymore.
33:52Why not?
33:55We're getting older.
33:58The world is getting newer and newer.
34:01There are more and more young people on TV.
34:04Things are being updated more and more.
34:07We're getting older.
34:10I don't know.
34:12I'm at this age with this look.
34:16Maybe it's a time machine called music.
34:21I think I'll be able to fly there when I'm young.
34:25I'm not sure.
34:27I feel like I'm in love with myself.
34:32The album Thank You So Much was released the other day.
34:37It's been 10 years since it was released.
34:43What do you think about the album Thank You So Much?
34:50When I make an original album, I'm a little prepared.
34:54It takes time.
34:56It may be the last one.
34:58I don't know if it's the last one.
35:00I want to say thank you to the fans somewhere.
35:09I had a narrow meaning at first.
35:16When I went to the rehearsal and the tour,
35:21I felt the warmth of the title Thank You So Much.
35:27It's changed a lot.
35:29I'm still in the middle of it.
35:31I'm looking at the audience.
35:33The staff makes it up in various ways.
35:38The support members do this much for me.
35:41I thought, Thank you so much.
35:44I was impressed by the reaction of the audience.
35:49We talked to each other on SNS.
35:55We talked about where we stayed.
35:57We talked about what we couldn't shoot.
35:59We talked about how hard it was to go home.
36:01We talked about why the plane didn't fly.
36:03We talked about what we were doing.
36:07It's not an easy story.
36:10I think the tour and the album were good with the title Thank You So Much.
36:17Southern All-Stars has been making new works for a long time.
36:21Many juniors respect them.
36:25So I have a question for Kuwata.
36:29What is the driving force for the band to continue for a long time?
36:35In my case, I can say one thing.
36:39I like the existence of Harayuko.
36:43As one of the factors.
36:45And the fact that there is a woman.
36:49The fact that there is a woman in that position.
36:52The communication becomes milder.
36:56As a man, I want to take care of the atmosphere.
37:02I think that was the case in my case.
37:04Of course, there are many times when I want to break up.
37:11It's annoying.
37:13I think it's a good idea to bring everyone's feelings to the table.
37:19I think it's a good idea to do live shows regularly.
37:24I think it's a good idea to make new songs.
37:27I think it's a good idea to renew the bond between Southern All-Stars members.
37:34And I think it's good to see each person's personality and effort.
37:40Even if it looks like this, everyone is having a hard time.
37:45Everyone has a hard time.
37:48I don't think it's obvious.
37:51In the case of Southern All-Stars, I think they have a lot of humanity.
38:01I was shocked to hear that he wanted to quit many times.
38:06We've only seen what's in front of us.
38:10It's amazing that he's having fun with everyone again.
38:20Mr. Kuwashita doesn't try to quit new things.
38:24He has a strong spirit to challenge anything.
38:29I'm looking forward to what's going to happen in the future.
38:32He's still trying to do it.
38:37If I were Mr. Kuwashita, I would have quit about 20 years ago.
38:42I think it's a long time ago.
38:45It's hard to say, but I'm glad that Mr. Kuwashita is not me.
38:49I'm glad that Keisuke Kuwata is Keisuke Kuwata.
38:52It was good for us.
38:56Thank you for being Mr. Sakiyama.
38:58It's okay.
39:00Next question.
39:03How do you define and evaluate the band Southern All-Stars as a musician?
39:13It's a difficult question.
39:14I'm still told that it's like a student band.
39:17I might have been sad if I had been wrong.
39:22It's a very heavy question.
39:24I think popular music has to go through the most difficult battles.
39:33Coming soon.
39:38Pianist Hiromi Uehara.
39:45And other great projects.
39:48A question from Mizuno to Mr. Kuwata.
39:51How do you define and evaluate the band Southern All-Stars as a musician?
39:59It's a difficult question.
40:02In fact, a book about Southern All-Stars was published last year.
40:10In this book, Mr. Kuwata said this.
40:16Once upon a time, there was a time when people were a little lenient with naughty people.
40:26We, who had just gotten on with it and missed it, are still not recognized as decent musicians.
40:39I wrote it a little bit personally.
40:42I think it's also difficult to maintain the weight and charisma.
40:47I think it would have been nice if we didn't have that kind of hindrance.
40:52We're still in our infancy.
40:57I'm still told that it's like a student band.
41:01It's still in the image of Southern All-Stars.
41:05I'm grateful for that.
41:08When I was in my 40s and 50s, I was told that it was like a student band.
41:14I didn't like it at first, but I got over it.
41:18I'm getting older now, and I'm here.
41:21It's a lot easier now.
41:25I think it's good that we've been doing Southern All-Stars for a long time.
41:30It would have been really sad if it had ended halfway through.
41:35I think it was all in many ways that we've been doing Southern All-Stars for a long time.
41:41It's very heavy to say that it was all that we've been doing for a long time.
41:47You said that you weren't recognized as a musician.
41:54Popular music is the most...
41:58I don't know how to say it.
42:00It's the most vulgar, or the most violent.
42:05I think we have to keep fighting hard to make the most fun music.
42:11That's why it's been popular all the time.
42:14It hasn't been seen as music all the time.
42:17I think the most musical part of Southern All-Stars is that only the reality of being able to enjoy it remains.
42:29I think it's boring to be evaluated as music.
42:33I think it should be evaluated only as music.
42:36I think the goal should be to create fun emotions and sad emotions through music.
42:45Southern All-Stars has always been there.
42:49I think he is the most musical and the most wonderful musician.
42:55You said it in a different way.
42:58Wait a minute.
43:00There's too much information.
43:02There's too much information.
43:04I'm sure Mr. Kuwata is watching this.
43:06I'm sure Mr. Kuwata is watching this.
43:09I'm sorry.
43:11What are you apologizing for?
43:16You've been doing a great show for a long time.
43:21Thank you so much for coming out today.
43:24I look forward to working with you again.
43:26One thing I'm curious about is that you didn't perform before.
43:30You were the last guest.
43:32Why did you quit recently?
43:34I've been watching a lot.
43:36I was wondering if there was a session this time, too.
43:39It's hard, isn't it?
43:42Please continue to perform for a long time.
43:44Thank you so much for today.
43:46Thank you so much.
43:48Thank you for your time.
43:50Are you okay?
43:52I'm sorry.
43:57Thank you so much for your message.
44:01We're a group.
44:03I learned a lot from the group.
44:06It's really important to continue.
44:09Of course, I feel a sense of old age.
44:11We'll do our best from now on.
44:14I was stimulated.
44:16Can't you just be cute?
44:20Is this cute?
44:21It's cute.
44:25Amante's G-spot.
44:27This week on Terasa TVer.
44:32Next time, we'll take a look at Reiwa idols.
44:36Fruits Zipper, Cutie Street.
44:38Two people will reveal the puzzle strategy for the first time.
44:41I put in a line in the first 1-2 seconds.
44:45From there?
44:47I think I was serious.
44:49I was really serious.
44:51It's cute.
44:53Is this cute?
44:55It's cute.
44:56Thanks to that, all the orders have lines in front of the chorus.