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00:00How to get along with the staff
00:04Shyness, Trauma, Lack of charm
00:07The latest work in the human relationship series
00:10From next week, A.R.O.N. to change your life
00:15Amethorp
00:19Tonight, the members who don't know how to get along with the staff will be gathered
00:26I think I'm good at getting along with the staff
00:32It's not that I'm bad at it, but I really don't understand the feelings of people who say they're not good at it
00:37Why is it so difficult to talk to people at work?
00:44Also, I don't believe in Fujimon-san
00:47Why?
00:48Even if you say you're not good at it, there are people like that
00:51There are people like Fujimon-san who are not good at it
00:54It's not because I'm shy, but I'm not good at it
00:58I understand that
01:00Is that the same for Iguchi?
01:02I've only eaten with the staff once or twice in my life
01:09I don't even have the image of getting along
01:12The entertainment industry is like a daily business
01:16I just go to the store and come back from work
01:20I've been a TV man for a long time
01:24I think I'm just a part of the life of a TV man
01:29That's the way of thinking
01:31Even if I don't have that, I feel betrayed
01:34When I wasn't popular, the staff at the TV station
01:38It's like a cable that pulls me to the studio
01:43I saw it with the same eyes as that
01:47You don't look like a cable
01:50I'm still a little scared of that past
01:54How about you, Inuyama?
01:55I've been on Ametalk a little
01:58I think I've been getting closer to the staff
02:02I got an offer from a show that I don't know how to get along with the staff
02:06Is there such a way of being rejected?
02:09When the offer came, I was like, is that so?
02:12I think Inuyama can do it
02:14I think Inuyama can do it
02:16I think Inuyama can do it
02:17But I got a reply saying, no
02:22I have a lot of feelings that I want to talk
02:25I'm a little nervous
02:28When I go to work, I practice talking
02:33It's a loop in my head
02:35Practice talking?
02:36Talk?
02:37When everyone is talking, I practice talking
02:40Hirabana is very bad
02:42I've been scolded many times
02:44Don't practice
02:45Don't practice, listen to other people
02:47I can't do that
02:51I think it's because of the times
02:53I don't know how to get along with the staff
02:57Why?
02:58In the past, there was a time when it was okay to look at each other
03:02That's how you communicate
03:04It's like closing the distance
03:06I can't do that
03:08I see
03:09If the compliment is too strong, you'll lose your charm
03:12You'll lose it
03:13That's what happened
03:15You're not bad at it, are you?
03:17I'm not that bad
03:19I think the staff are pretty good
03:21I'm pretty good at talking
03:22It's just that you're not delicate
03:24It's just that you're not delicate
03:26I want to be like you
03:28I don't have to think about anything
03:31What are you talking about?
03:32What am I thinking about?
03:34I'm jealous
03:35I'm jealous
03:36I admire you
03:37Well, Atsushi isn't bad at it
03:39He can talk normally
03:41I have a book on communication skills
03:43That's amazing
03:46You can do it in one shot
03:48That smile is a lie
03:50That smile
03:51That smile
03:52I can't do that
03:53He does that smile a lot
03:55Like Atsushi, let's take a look at what kind of steps the staff are taking
04:03Here it is
04:06First, the conversation starts
04:10You start talking to yourself
04:13That's amazing
04:14You start talking
04:15When you say something, you say more than two things
04:18What do you start talking about?
04:20Like, I watched baseball yesterday
04:22Or horse riding
04:23Or I went to the derby yesterday
04:25Is that before the actual performance?
04:27Before the actual performance, not at all
04:28Don't you practice talking?
04:30What's that?
04:32You don't have to practice talking
04:34Don't you have to practice talking?
04:36When you start talking, you exchange phone numbers
04:40Then you go for a drink
04:42When you go for a drink, you can have a deep conversation
04:45If you do that, it will be easier for you to work
04:49We are number one
04:52We can't be number one
04:54Even though he's not an entertainer, he doesn't talk much
04:57He's an entertainer
04:58If he was an entertainer, he would talk a lot
05:01If he's not an entertainer, he's a normal person
05:04I don't feel like talking
05:06He's not normal
05:07He's like a principal
05:11There's a distance
05:12There's a distance
05:14What I often do is
05:16I often hear, how much is it?
05:18How much is it?
05:19So I say, how much is this camera?
05:22And the cameraman says, it's about this much
05:25I say, it's expensive
05:27Isn't there a cheaper one?
05:29When you talk about the camera, you can talk a lot
05:33I was surprised
05:35I thought he was a woman
05:37Compliance is zero
05:42Why are you not good at self-analysis?
05:47Why are you not good at self-analysis?
05:51Let's start with Iguchi
05:54TV staff have a sense of superiority
05:58When I was young, I went to a lot of auditions
06:02The person who chose me
06:05The person who chose me and the person who was chosen
06:08I have a sense of superiority
06:11So I won't forget what I was told at the audition
06:16The feeling at that time
06:18I think I'll be accepted at the live
06:21Those guys
06:22It's still there
06:24To be honest, I don't know who will become a celebrity
06:28Why do they say that?
06:30It's difficult
06:32It's a difficult time
06:34It's a difficult time
06:36It's really like this
06:38I can't get out, I want to get out
06:41Atsushi, you don't have much experience like now
06:45I have, but I don't want to get close to people like that
06:50I want to get to know the staff better
06:55You think everyone is like that
06:58It's not like that
06:59There are a lot of staff who love Iguchi
07:02Really?
07:04Iguchi, Iguchi, do your best
07:06It's not like that
07:09I'm sorry
07:11I'm sorry
07:13It's dangerous
07:14Iguchi
07:15It's dangerous
07:16Are you happy?
07:18It's dangerous
07:20Iguchi, what do you think of the staff?
07:29What do you think of the staff?
07:33It's like a Yankee and Longhorns
07:36Stop it
07:38It's Atsushi's turn
07:42Iguchi's regular show, Mimina Ana Kappo Jitte
07:45The producer
07:46We've been doing this show together for a year
07:49But once
07:53I'm sorry
07:54What is this?
07:56I'm really sorry
07:58I'm really sorry
07:59I spilled tea
08:01You were practising
08:03I was practising
08:05You were practising
08:06I spilled tea
08:12Mimina Ana Kappo Jitte's producer
08:15We've been doing this show together for a year
08:18But we've never been called by our names
08:21We've asked the staff
08:23But no one has been called
08:26And we don't get along with the female staff
08:30The producer wants Iguchi to do Mimina Ana Kappo Jitte
08:34He's good at this
08:36He's good
08:42You don't remember his name?
08:44Or do you know him?
08:46Kunto
08:49He's clearly young
08:51Iguchi, please
08:53But he's a producer
08:57It's different to call him by his name
08:59If you call him by his name, he won't be able to call you
09:03I see
09:04You can just ask him, what should I call you?
09:09Is there such a thing?
09:11There's no such thing
09:13You can't just ask him, what should I call you?
09:16He'll say anything
09:18Can I call you Nandoka-chan?
09:20No, no
09:22If you call him Nandoka-chan, he won't be able to call you
09:25I see
09:29But you've been doing this show for a long time
09:32So AD is clearly younger
09:35I don't think people who call him Kunto will regret it later
09:38What do you mean?
09:40When I was AD, I called him Kunto
09:43I have the impression that Kunto is a politician
09:48He's like Yoshida-kun
09:54It's better to call him by his name
09:57There are times when you don't know for sure
10:00There's no Wikipedia
10:02If you make a mistake with the first letter
10:06Even if you think it's almost correct, you won't be able to say it
10:11When you see other people calling him, you'll think it's correct
10:17I really can't remember
10:19I've been doing radio for 5 or 6 years
10:22But I still can't remember anything
10:25Because you're an idiot
10:27Who's an idiot?
10:29I'm an idiot
10:31Let's move on to Hikoroi
10:33This is my self-analysis
10:35In the end, I'm the weird one
10:38Of course there are people who think we're weird
10:44But the staff at the TV station think that we're living an excellent life
10:50We passed the university entrance exam, we got a job, we're an elite
10:55At the time, I don't know, but I think I drank with Mizusawari-san
11:01Why did you drink with Mizusawari-san?
11:03I don't know
11:05After the recording was over, he said,
11:10Even if I say thank you today,
11:12I don't feel grateful
11:14I'm really sorry, thank you
11:17But while I was editing the sub, I felt like I was saying a lot of bad things
11:23After all, I couldn't get rid of the bad habits
11:28The staff didn't open up at all
11:31When it didn't sell, the people who said it was interesting,
11:35Even now, I still interact with them
11:38I'm grateful for that, so I won't forget it for the rest of my life
11:44I thought you two were confident
11:46No, no, no, don't compare me to Atsushi-san
11:52I can't walk with all the correct answers
11:56I can't say that everything is correct
11:58That's not true
11:59It's a great disqualification
12:01It's a good thing
12:02I can't walk with all the correct answers
12:05Now, Hashimoto, will you go?
12:07My self-analysis is this
12:09Even if you get along well, if it's not interesting, it's over
12:13After all, we're not playing
12:16We're here to work, so everything that's interesting on the spot is everything
12:21That's right
12:22That's all, so
12:23Even when we're practicing, if the recording goes well,
12:27We can contribute, so we're all concentrated
12:30He talks a lot, but when he's in the studio, he doesn't talk at all
12:35Isn't that a compliment?
12:37I totally understand
12:38Thank you
12:39I totally understand
12:40I'm watching, too
12:42Especially Osaka comedians
12:44Osaka comedians
12:45I wonder if there are
12:46I can't say Tokyo comedians are bad, but
12:49They don't risk their lives
12:52That's not true
12:54That's too much
12:56I'm sorry, I'm sorry
12:58The moment it's over, he approaches the staff
13:00It's amazing
13:02It's not good, but there's still time
13:04Let's do something about it
13:06Let's do something about it
13:09It's floating
13:11He's practicing
13:14He's there, he's there
13:15He's there
13:16That's why you sharpen your sword, right?
13:18That's right
13:21Hashimoto, you don't want to get along with the staff?
13:27I didn't say that
13:31You're the kind of person who says, look at the results
13:33Wait a minute
13:34You're the kind of samurai that says, look at the results
13:40I don't like that
13:41I don't like that
13:43That was a good way to say it
13:45What is it?
13:47You're the kind of samurai who eats rice balls, too
13:50I don't eat it
13:52I don't eat it
13:53I'm a samurai if I don't eat it
13:55There's a scene where he's drinking tea in Jirai Geki
13:58He's a samurai eating rice balls in tea
14:01You want to get along with them, and of course you want to get the best results
14:06You want to get along with them, and you don't want them to think you're using them
14:12You want to be like that
14:14You want to be like that
14:15What do you mean?
14:16You want to get along with them?
14:18I want you to worry about me
14:20You want me to worry about you?
14:21You want me to worry about you?
14:22I'm always watching you
14:24I'm always watching you
14:27Tsuda, please tell us
14:29I don't get along with the staff that I'm involved with
14:33You don't?
14:35It's a variety show, and I get along with them
14:38It's similar to Hashimoto, but when I get along with them and slip
14:42The reaction is too big
14:44If you get along with them?
14:45Yes
14:46If you get along with them, you can't just slip and get along with them
14:52If you don't get along with them, you can't just slip and get along with them
14:56If you get along with them, you can't just slip and get along with them
14:59There are people who slip and get along with them, and then slip again
15:04There are people like Inoue
15:06Yuta
15:07Non-star
15:08Non-star Inoue
15:09Mimei said that too
15:10He talks very frankly, and he gets a lot of attention in the show, but he still slips and gets along with them
15:15I think that's amazing
15:17You want to contribute to them
15:19You want to help them
15:20You don't want to embarrass them
15:23That's right
15:24Right, Lee?
15:25That's right
15:26If you don't get along with them, you're embarrassing them
15:29You don't want to be friends with the staff?
15:32I get along with the staff that I'm not involved with
15:34But it's difficult to get along with the staff that you're not involved with
15:37For example, the staff at the music station
15:42It has nothing to do with it
15:43I want to know
15:44How do you get along?
15:45We get to know each other at the golf course
15:47I invite the staff to the golf course
15:50We talk a lot there
15:52Normally
15:53You don't slip at the music station, do you?
15:55I don't slip at the music station
15:57Then
15:59It would be funny if Tsuda appeared at the music station
16:04How do you get along with them?
16:06What do you mean?
16:07I won't refuse
16:10I won't refuse in such a situation
16:12That's right
16:14How about you, Miyama?
16:15Here's my answer
16:17I won't get along with them if they betray me
16:20That's a lie
16:21That's a lie
16:22That's a lie
16:23That's a lie
16:24Osaka people are all like that
16:26That's a lie
16:27Which do you prefer, not getting along with them or getting along with them?
16:32That's a lie
16:33If you betray someone you get along with, you'll be embarrassed
16:37But I'm a little different from you two
16:39If I get along with them, I want to get along with them until the end
16:48If you get along with them deeply
16:51I want to get along with them until the end
16:55Until the end?
16:56I want to get along with them until the end
16:59Like a regular program
17:00If you get along with them quickly, they'll be nice to you
17:04I see
17:05As expected
17:06He's a woman
17:07He's a woman
17:08I think he was brought up by Osaka people
17:11You can't move around freely without being conscious of the camera
17:16If you get angry, it's hard to do that
17:18I can trust him because I've built a relationship with him
17:21I want to work with a team like this
17:23He's a good staff
17:25We all praise him
17:26Only Hette and Atsushi praise him
17:28You
17:29No, no
17:30He's more sensitive
17:32He's more sensitive
17:34He's always praising the staff
17:37Why did you call us today?
17:40Atsushi
17:42Wasn't that good?
17:43That was amazing
17:44That was amazing
17:45That was amazing
17:46What's that?
17:47Is it all in that book?
17:48It's not a commercial version
17:50It's a commercial version
17:52It's a commercial version
17:53I'm in a line with Mr. Tsuji
17:58What are you talking about?
17:59What are you talking about?
18:00It's a hobby from the north
18:02I like it from the north
18:04You've never been in a line with the staff?
18:08I've only been in a line with Mr. Tsuji
18:11That's unfair
18:12Maybe Mr. Tsuji is more attractive
18:19Mr. Tsuji, please publish a book
18:27Kusanagi's self-analysis
18:30I'm afraid of getting close to people
18:34That's amazing
18:36I'm happy when people praise me
18:40I know it's better to tell the staff
18:46But I feel like I'm on the side of being praised
18:52I feel like I'm on the side of being praised
18:55I feel like I'm on the side of being praised
19:02Kusanagi, it's okay
19:04I stopped being in a line
19:08I don't want to do it anymore
19:09All the lines?
19:10He deleted all the lines
19:12I'm going to live on my own
19:15I'm going to do it on my own
19:17He's determined
19:18I do a live show once a month
19:23I don't have the staff with me
19:26I bring the mic with me
19:29I start with the mic
19:31I go home with the mic
19:36I bring it home
19:37You're just like Cool Poco
19:43I don't know how to use it
19:46Even if the manager sells it to me
19:49I don't know how to use it
19:51I thought he was going to bully me
19:53So I didn't get a job
19:56But he used it
19:58All the shows started
20:03I can't believe these people
20:07That's how it started
20:09I'm not human
20:11What do the staff think about Kusanagi?
20:15I don't want to hear this
20:17I don't want to hear this
20:19Oh no, his face
20:26The director of a certain show
20:28He said a certain show
20:29He's hiding it
20:34It could be good
20:37He's been working for a while
20:39He's been working for a while
20:41He's been working for a while
20:43He's back to zero
20:45I don't want people to think
20:47I don't want people to think
20:49That's why I'm resetting
20:53He's hiding it
20:55I don't think so
20:57There are a lot of people like this
20:59I've only heard one
21:02There are more, right?
21:04There are more
21:06There aren't any more
21:08He's been thinking for a long time
21:10He's going to be a foreigner
21:12Nenate
21:14I want to say this
21:16The TV station is making me panic
21:18The TV station is making me panic
21:20This space?
21:22If it's a weird space, it's definitely a weird space
21:24If it's a weird space, it's definitely a weird space
21:26When I joined, I wanted to interact with the staff
21:30When I joined, I wanted to interact with the staff
21:32I was focusing on myself
21:34I was focusing on myself
21:36I was able to get out of my ear
21:38I was able to get out of my ear
21:40I was able to get out of my ear
21:42I was able to get out of my ear
21:44I was able to get out of my ear
21:46I was able to get out of my ear
21:48I was able to get out of my ear
21:50I was able to get out of my ear
21:52I was able to get out of my ear
21:54I was able to get out of my ear
21:56I was able to get out of my ear
21:58I was able to get out of my ear
22:00I was able to get out of my ear
22:02I was able to get out of my ear
22:04I was able to get out of my ear
22:06I was able to get out of my ear
22:08I was able to get out of my ear
22:10I was able to get out of my ear
22:12I was able to get out of my ear
22:14I was able to get out of my ear
22:16I was able to get out of my ear
22:18I was able to get out of my ear
22:20I was able to get out of my ear
22:22I was able to get out of my ear
22:24I was able to get out of my ear
22:26I was able to get out of my ear
22:28I was able to get out of my ear
22:30I was able to get out of my ear
22:32I was able to get out of my ear
22:34I was able to get out of my ear
22:36I was able to get out of my ear
22:38I was able to get out of my ear
22:40I was able to get out of my ear
22:42I was able to get out of my ear
22:44I was able to get out of my ear
22:46I was able to get out of my ear
22:48I was able to get out of my ear
22:50I was able to get out of my ear
22:52I was able to get out of my ear
22:54I was able to get out of my ear
22:56I was able to get out of my ear
22:58I was able to get out of my ear
23:00I was able to get out of my ear
23:02I was able to get out of my ear
23:04I was able to get out of my ear
23:06I was able to get out of my ear
23:08I was able to get out of my ear
23:10I was able to get out of my ear
23:12I was able to get out of my ear
23:14I was able to get out of my ear
23:16I was able to get out of my ear
23:18I was able to get out of my ear
23:20I was able to get out of my ear
23:22I was able to get out of my ear
23:24I was able to get out of my ear
23:26I was able to get out of my ear
23:28I was able to get out of my ear
23:30I was able to get out of my ear
23:32I was able to get out of my ear
23:34I was able to get out of my ear
23:36I was able to get out of my ear
23:38I was able to get out of my ear
23:40I was able to get out of my ear
23:42I was able to get out of my ear
23:44I was able to get out of my ear
23:46I was able to get out of my ear
23:48I was able to get out of my ear
23:50I was able to get out of my ear
23:52I was able to get out of my ear
23:54I was able to get out of my ear
23:56Hey we don't like that much
24:09Here it is, Fujimo
24:12Some people don't know what people think about you
24:16Like when you work with young staff
24:19Like when you work with young staff
24:20All of us don't know how to work together
24:22All of us don't know how to work together
24:24It's just that she's had a long career.
24:26So the younger staffers are afraid of her.
24:29Fujimoto-san, so you're great at bringing out different talents and comedians.
24:32I'm great at comedians.
24:34So if you think you can work with a staffer, you're not going to be taken seriously.
24:39So if I had to choose, there are kids who are 20 years younger than me.
24:42Yes, there are.
24:44At the Ame Talk meeting, there were staffers who were 20 years younger than me.
24:50Episode talk
25:20It's like he's trying to make me say it!
25:22He's trying to make you say it.
25:24Young staffs are like,
25:26don't they need my Gaia?
25:28I wonder if it's just my imagination.
25:30A while ago, I was invited to a quiz show.
25:32And I was like,
25:34I'm going to make Gaia more exciting.
25:36That's my job.
25:38That's my job.
25:40I was going to make Gaia more exciting.
25:42But on the way,
25:44a young, old woman,
25:46an AD girl,
25:48came up to me.
25:50And she said,
25:52I want you to look at this.
25:54A photo.
25:56Is this possible?
25:58I'm being drawn in.
26:00I'm being drawn in.
26:02What did you think when you saw this?
26:04I thought it was really quiet.
26:06I was drawn in.
26:08I thought it was really...
26:12That's how it is these days.
26:14That's how it is these days.
26:16It was on another show.
26:18It was on another show.
26:20It was a show with 50-60 comedians.
26:2250-60 comedians are the highlight of the show.
26:24That's right.
26:26This is my highlight.
26:28I made Gaia fly.
26:30And then,
26:32the staff came up to me.
26:38That was amazing.
26:40That was amazing.
26:42It was recorded in a library.
26:44Fujimoto was on the other side.
26:46I was on the other side.
26:48I couldn't get the camera or the mic.
26:50I kept talking.
26:52I went to the entrance
26:54and said,
26:56I'm going to die.
26:58I'm going to die.
27:00I'm going to die.
27:02Tsuraya-san,
27:04I was so embarrassed.
27:06I was angry.
27:08I said,
27:10I'm going to die.
27:12You're talking to a dog barking.
27:14I'm going to die.
27:16I'm going to die.
27:18I'm going to die.
27:20I'm going to die.
27:22It was in front of the supermarket.
27:24It was so funny.
27:26You said,
27:28I'm going to die.
27:30You were so quiet.
27:32I was so quiet.
27:34You were so quiet.
27:36You were so quiet.
27:38You were so quiet.
27:40You were so quiet.
27:42You were so quiet.
28:10We'll be accepting applications from today.
28:12Tickets are accepted.
28:14Tickets are accepted.
28:16Next,
28:18What's the thing you don't like about working with staff?
28:20What's the thing you don't like about working with staff?
28:22I think many people who work in general
28:24know this.
28:26There is a time when
28:28the elevator strokes
28:30after you leave the dressing room.
28:32When the staff
28:34send you off,
28:36I.O. from ZUN
28:38has a great stroke.
28:40He's good at talking.
28:42He's good at talking.
28:44When the staff
28:46send you off,
28:48I was surprised.
28:50Everyone was smiling.
28:52When I.O. left,
28:54I thought
28:56I had to do this.
28:58I thought I'd do my best.
29:00I.O. was talking about the weather.
29:02I.O. was talking about the weather.
29:04When the staff said,
29:06It was a little cold today.
29:10It was cold in the dressing room?
29:12I'm sorry.
29:14The bento was good.
29:16Oh, yeah?
29:18What was there?
29:20When a staff member said that,
29:22there was no staff member eating Bento.
29:26I.O. made them
29:28say it was delicious.
29:30say it was delicious.
29:32for self-evaluation.
29:34And I can see ya
29:42Whatever, okay, I don't mean I don't
29:46Don't say no that's more good
29:51Honey it's it's a tomato. Yeah, I'm sure I'll be on it. It's nice. It's not
29:56I
30:26Don't want to eat it up for you. I don't you know, she'll look there. No, but don't you want to get the grenade?
30:31You know you cut them all cut them all
30:35Advice to the host in this kid, but look at the key
30:37Do you think that's the time you ask him?
30:39I said, I'm not going to come up with it, but I'm not
30:41Mother what a cut that this woman that you don't want to do it. Oh, she's died. Boom. Oh, I don't like this
30:46I
30:53Don't know who I'm not gonna give him credit. He didn't give us can
30:57Have a minute. I don't know if I could eat. I got that. It's in my scent
31:00Oh, yeah, they thought I'm gonna be there. So what's up?
31:03They're not going to turn it out. She met another animal that's done there. Got you. I didn't want to give you a bento
31:08Oh, no, so we got me no, we're on you
31:10Now if it's kind of
31:13Yeah, hold on a minute. I'm gonna say come on. They can't stop it. Hey, we'll see you later
31:16It's the kind that I'm not going to say I got that stuff. I'm gonna
31:21Eat show that don't want to ask you
31:23I
31:54See
32:00I don't tell me what I got a snowy to the elevator
32:05on a Yomiuri no
32:08No, no, you can't do it. Maybe that's why she's you know, what's not that I'm a me not quite stick with it
32:13And then kiddo, she's not that I'm going to get a mother me a ten-year-old
32:17Me a time. I'm a co-student. I got it. I guess come on. It's all the way me that I couldn't
32:24I
32:34Don't worry me
32:36I'll hold it up. Oh, I've done this. I mean, I don't know
32:39So Joe take his it's a nice photo. I'll tell you that
32:43They've done so that you have my dick. I didn't mean I'm kind of dead in there. Oh, do you want it?
32:47Hey, it's not sent a tape. How do you know I'm not so much
32:50Oh
33:20I
33:50Don't know
34:20I
34:50Don't know
35:20I don't know what's going on.
35:22What's going on?
35:24I don't know what's going on.
35:26That's too hard.
35:28It's hard.
35:32I just realized that I can't talk to the staff of Miminoana anymore.
35:36I can't talk to them anymore.
35:38I said that, but I'm going to drink it.
35:40That's a good chance.
35:42That's a good chance.
35:44I said that in the talk.
35:46I heard the survey.
35:48I heard the survey.
35:50I learned a lot.
35:52I'm the first-generation HASHIMOTO.
35:54I'm the first-generation HASHIMOTO.
35:56I'm the first-generation HASHIMOTO.
35:58I went to drink with a hot TV man.
36:00I went to drink with a hot TV man.
36:02We gathered and said,
36:04We gathered and said,
36:06Let's change the comedy club.
36:08We said it was hot.
36:10We said it was hot.
36:12We said we had to change it.
36:14I was so nervous when I said that.
36:18We were so excited to say that.
36:20The director who was going to change the comedy club and the actor who was going to change the comedy club were like,
36:24What are you going to do now?
36:27It was so crazy.
36:28I was forced to laugh out loud.
36:31And they were like,
36:34They were like,
36:36They were laughing their asses off.
36:39They were laughing their asses off.
36:43We didn't know the contact number of the staff.
36:46When we were called by a close comedian,
36:48the staff who was close to the comedian went out.
36:50We weren't informed.
36:52They said,
36:53Hashima-san, it's a perfect opportunity. Please come out.
36:55We said,
36:56Thank you very much.
36:57And then,
36:58another day,
36:59about three months later,
37:00we met again.
37:01Hashima-san, please come out.
37:03Of course.
37:05And then,
37:06about three months later,
37:07Hashima-san, please come out.
37:08He said he would come out.
37:10He said he would come out.
37:12He said he would come out.
37:14He said he would come out.
37:16He didn't come out.
37:18He said he would come out.
37:19He said he would come out.
37:21He said he would come out.
37:24It's definitely strong to have a regular show.
37:27That's right.
37:28That's right.
37:29We meet often,
37:30so we can go on for a long time.
37:32That's right.
37:33What I envy is that the main MC comedian
37:35is making a reservation for the staff.
37:39I envy that.
37:40It's like,
37:41who made this V?
37:43It's like,
37:44you again?
37:45I really want to say that.
37:48There's nothing to see, V.
37:50There's nothing to see, V.
37:51There's nothing to see, right?
37:52I wonder if I can say it.
37:54If I say it,
37:55will they say C?
37:56There's a possibility.
37:58Can we use C from now on?
38:01Of course.
38:02It's for everyone.
38:04He was saying it.
38:06C?
38:07He was saying it.
38:08He was saying it.
38:09It's a different word.
38:11It's a different word.
38:13Words of joy from the staff.
38:18You guys don't know how to interact with the staff,
38:21but what kind of words would you be happy to hear from them?
38:23Tell us from Iguchi.
38:25Words of joy.
38:26You know that they invited us so many times.
38:30In the end, it's the most gratifying thing to be called again.
38:34Even if you don't talk to each other.
38:36That's true.
38:37That's gratifying.
38:38For people like us, it's more like,
38:40tell me you like me.
38:42That's right.
38:44When you get too close,
38:45you might get told you don't like me,
38:46so you can't get close.
38:47On the other hand,
38:48the staff who are watching this right now,
38:50is it okay to talk to everyone?
38:52Of course.
38:53Is that so?
38:54That's right.
38:55That will change a lot.
38:57But the rally won't continue.
38:59It's embarrassing.
39:00You won't be able to say thank you.
39:02No, no.
39:03You'll be embarrassed.
39:04You'll be like,
39:05that was a good idea.
39:07It was just a good idea.
39:10Do you have a way to deal with compliments?
39:13I just realized,
39:14I don't really get compliments.
39:16Really?
39:17Really?
39:18I'm more like,
39:19thank you,
39:20when you say it when it's no good.
39:22I don't like that.
39:23You don't like it when it's no good.
39:25I don't want to hear that.
39:26That's true.
39:27Why did you say that?
39:29Why did you say that?
39:32Why did you say that?
39:34Next, Hikorohi.
39:35Hikorohi.
39:36When I was editing,
39:38I realized that Hikorohi's words
39:40were the starting point.
39:43I couldn't hear his voice.
39:45When there are a lot of entertainers,
39:47even if I talk a lot,
39:48they don't pick me up on the spot.
39:50There were a lot of things I couldn't notice.
39:52It was a complex.
39:53But I worked hard,
39:54I didn't give up.
39:55When I was editing,
39:56the staff from a certain program said,
39:58when you edit,
39:59the flow of Hikorohi's words
40:01is born and unfolded.
40:03When you edit,
40:04all the sounds come in.
40:06You can understand it.
40:08When they said that,
40:09I was really happy.
40:13I'm happy.
40:14I'm happy.
40:15I'm happy.
40:16As expected of Hikorohi,
40:17I jumped.
40:19That's good.
40:20I want to hear that.
40:21I'm happy.
40:22I want to hear it.
40:23I want to hear it.
40:24It's no good.
40:25It's no good.
40:26It's Hikorohi's voice.
40:30Let's go to Hashimoto.
40:31Hashimoto.
40:32This is it.
40:33You're funny.
40:34It's a little dangerous.
40:35It's too amazing.
40:36It's amazing.
40:37It's amazing.
40:38I was told by a cameraman
40:40on TV in Saga.
40:41It was a day of shooting.
40:42After it was over,
40:43I said,
40:44yes, okay.
40:45The cameraman put the camera
40:46that is more important than life
40:47right below me.
40:48You were funny.
40:49It's dangerous.
40:50It's amazing.
40:51He said,
40:52shake my hand.
40:53He said,
40:54I've never met
40:55such a funny person
40:56in my life.
40:57He said,
40:58thank you.
40:59It was amazing.
41:00You're a little dangerous.
41:02He's a cameraman.
41:03He's a cameraman.
41:04He's a veteran cameraman.
41:05He's a veteran cameraman.
41:06Yes, yes.
41:07He said,
41:08you're amazing.
41:09I still remember
41:10the feeling at that time.
41:11Now, Atsuda.
41:12Atsuda.
41:13Yes, please.
41:14I've been offering for a long time,
41:15but I can't get a schedule.
41:17I see.
41:18I can't get a schedule at all.
41:22I'm busy.
41:23I'm ticklish.
41:28You've been offering for a long time.
41:29Yes.
41:30There are a lot.
41:31I think there are a lot.
41:32It's not a big deal.
41:33If you say so,
41:34what are you going to do?
41:35It's a chance.
41:36What are you going to do?
41:37What's that?
41:39I can't say anything.
41:40I can't say anything.
41:41I can't say anything.
41:42Now,
41:43Niyama.
41:44Here it is.
41:46It's already regular.
41:49I'm close to Eguchi.
41:51He's coming at me.
41:53How much are you coming at me?
41:55It's already regular.
41:58You're calling me, aren't you?
42:00The angle of coming at me
42:03makes me happy.
42:05Why are you coming at me?
42:06You're calling me, aren't you?
42:07That's it?
42:08That's it.
42:09That's it.
42:10That's it?
42:11Yes.
42:12Now, Kusanagi.
42:13Kusanagi.
42:16It's dark.
42:19You should take that chance to say...
42:23It's wide-screen...
42:27There's one photo in a photo machine...
42:30And a photo of a troll...
42:34It's wide and wide.
42:37People together say...
42:40I can do everything.
42:42I'm going to win.
42:44I won't lose.
42:46He's seen more than 480 masterpieces in the past.
42:50He's been a comedian for a long time.
42:52This week, he's a comedian who gets nervous easily.
42:56He's also a comedian who used to do karate.
42:59Today's missed program.
43:00Two weeks in the club.
43:02And here's a look at last week's HANSAMA.
43:06These two are in Shibuya.
43:08Search for Hame Tohoku Club.
43:12What about Kusanagi?
43:16He said that the recording was very interesting.
43:20He commented on my broadcast on X.
43:29I'm happy with that.
43:32I feel like I'm watching a pass announcement.
43:36It was interesting.
43:38What if he says it directly?
43:39Even if he says it directly, I can't help but laugh.
43:43SNS is just right.
43:45I want to be like him.
43:47Is that so?
43:49Before I became a comedian,
43:52I thought it was a world where I could live.
43:56But it's a world of communication.
43:59No, no, no.
44:02There's a lot of pain.
44:05Nedate.
44:06Here it is.
44:07It's called Rashi-sa Deteta-ne.
44:10Rashi-sa Deteta-ne.
44:12When I was on Hame Tohoku,
44:15I got a direct message from Mr. Kaji.
44:18Mr. Kaji?
44:20It's all Mr. Kaji.
44:22He was sick and had a blood transfusion.
44:25He didn't have Mr. Kaji, so he said Rashi-sa Deteta-ne.
44:29When there's no director, you can say Rashi-sa Deteta-ne.
44:32That's what I thought today.
44:34Fujimoto.
44:35Yes.
44:36I was impressed that you did your best for Veteran Brazil.
44:41Recently, at an event for young people,
44:45a young writer who planned the event
44:49told a comedian about it, and I heard it from the comedian.
44:53I was very happy.
44:55And you were told by a young staff, right?
44:57That's right.
44:58It still resonates with the young staff.
45:01Why don't you call Mahalo?
45:03Mr. Fujimoto's team.
45:04I don't want to go drinking with them.
45:07If they say they want to come, will you call them?
45:10Of course, I'll call them.
45:12I'm pretty old, but I do music for young people.
45:17Music?
45:19That's old.
45:21Music?
45:23Stop it.
45:25If a comedian says it, it's over.
45:27It's almost over.
45:30I'm looking forward to it.
45:32I'm looking forward to it.
45:34I'm looking forward to it.
45:36If you say that, it's hard to talk.
45:39I don't know what to say.
45:41Stop it.
45:43On the contrary, if you are conscious of it,
45:46the number of conversations will increase, right?
45:48Let's do it together.
45:51Let's do it together.
45:53Let's do it together.
46:02Have a good time.
46:08Thank you very much.
46:12Have a good time.
46:14Thank you for your hard work.
46:32I'm the CM King right now.
46:34Who said that?
46:35You can't drink until 4 in the morning.
46:38He's talking about his life in Shizuoka.
46:40I'm going to kill you!
46:42Next week, we'll talk about this MC comedian, 2025.