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00:00And your friend, the owner of the restaurant, can know where to locate Alicia.
00:10Joe, please tell me that this is not going to end like the last time.
00:16No, it's not going to end like before.
00:30This taste is... it's hard to explain. It's like... I haven't tasted anything like this since Lima.
00:45It must be because it's a dish made by someone you know.
00:51Alicia.
00:56Ready. End of my turn.
01:00Alicia! Alicia!
01:08What's going on?
01:09I'm your fan. I'm sorry for being so rude. I wanted to spend more time with you.
01:21She just left. Again.
01:30I love you.
02:00I love you too.
02:31The most beautiful. She is an angel who lives on earth. I don't know.
02:39Each of these cards has come out directly from my heart.
02:44And I hope you get something of yours.
02:48I love you. And it doesn't matter where you are.
02:54Very soon I will be standing in front of you.
03:00No matter where you are, there is no one like her in the world.
03:07I have 21 more cards for you.
03:12Jimmy, how did you know?
03:15Chris told me he was coming, but how am I going to believe him?
03:20When I read my name.
03:24I love you, Jimmy Gonzalez.
03:30I love you too.
04:01Tito! What a good little dance you got me.
04:05I'm dancing. What's wrong with you?
04:07You have to increase the pace.
04:10I don't want to dance, Felix. Don't bother me.
04:13Yes, Tito. It's a good rhythm, but I don't like it.
04:21I don't know what you're talking about.
04:23The one you put me on, love. It's comfortable.
04:27But I'm sleepy.
04:29You're making it up.
04:33Hello.
04:38What's wrong with him?
04:40I don't know. He moves like you.
04:44What do you think?
04:54The bill I'm going to put that old man in to sign.
05:00My favorite manager.
05:02Miss Zapayal?
05:04Let me help you.
05:06This is my job now, thanks to you.
05:08Don't worry, I'm done.
05:11How can I thank you for what you did for me?
05:14Just tell me, and I'll fulfill all your whims.
05:23Doing your work punctually and efficiently
05:26will be the best proof that I wasn't wrong to defend you.
05:31Count on it, Mr. De Las Casas.
05:34I owe you everything. Everything.
05:37And if you ever need anything, anything, whatever,
05:43Juanita Zapayal is at your disposal, day and night.
05:52I'll take that into account.
05:55Now, if you'll excuse me, I'm in a hurry.
06:10Everything on time.
06:13Everything on time.
06:15Everything on time.
06:21Something doesn't add up.
06:23I don't feel myself.
06:27This thing tightens me up everywhere.
06:33Hey!
06:35That's mine.
06:37Huh?
06:38What's yours if Lorena bought me these underpants?
06:40I swear, look.
06:41Hey!
06:44Look what I have.
06:46Keep it.
06:49Huh?
06:50Where did you get that thing?
06:52I put it on my clothes.
06:53Well, it's clearly a mistake, because that thing is Mr. Gil's.
06:59You're right.
07:01Now, take it off.
07:03Give me my underwear.
07:05This thing tightens me up everywhere.
07:07I don't understand how you can wear this thing.
07:09Here.
07:11I'll keep going.
07:18Well.
07:20To Pelayo.
07:25Another thing.
07:27Now, it's me.
07:29There it is.
07:30Congratulations.
07:31Now, what do I wear?
07:32This thing tightens you up, Mr. Gil.
07:34No, thank you.
07:36Now, where are my underpants?
07:39Let's see, write it down.
07:42Ten bags of kilo each.
07:46Ten...
07:48bags...
07:52of...
07:54kilo...
07:56Please!
07:58I don't have all day!
08:00Why are you talking to me like that?
08:03I'm still helping you.
08:05You're a great help!
08:06You're a great help!
08:08I could do it better on my own!
08:10Mr. Gil!
08:12Why are you talking to me like that?
08:14You're always a gentleman to me.
08:19Oh, damn.
08:22It's like...
08:24something came out of me.
08:31I knew that at some point I was going to face Francesca.
08:35But, well, I put her in her place.
08:37Now she knows who's in charge.
08:40She can't be firing ten-year-old people.
08:43No.
08:44That's my place.
08:46Who does she think she is?
08:49Well, you can't play with Juanita, can you?
08:54Or can you?
08:59Trini, call Greta.
09:05Hello, Cuchi. Are you coming for lunch?
09:08Yes.
09:09And we have guests today.
09:11Are you asking me to cook?
09:13No, please.
09:14Don't even think about it. I'm not crazy.
09:16I saw a delivery and it arrived in 15 minutes.
09:23This is bread eaten.
09:26That old man signed the law session today
09:29and tomorrow he'll put me in jail.
09:34Hello.
09:35Did you send for me?
09:37Yes, Miss Zapayal.
09:39We have a matter to discuss with you.
09:42Ah, good.
09:43It will be to sign my new contract.
09:45Something like that.
09:47Just in case I had nothing to do with it.
09:51Proceed, Dr. Gross.
09:54This is your new contract with the corporation.
09:57With the specifications given by Mr. Zapayal.
10:00Miguel Ignacio de las Casas.
10:02As you will see, it has a substantial increase.
10:07How nice!
10:08Juanita, if you don't want to, don't sign it.
10:11Shh, Bruno, please.
10:13Oh, Mr. Brunito.
10:15But I'm not here to stay as an assistant.
10:22There you go.
10:23Ready?
10:24Now I give you the opportunity to sign the contract.
10:27Ready?
10:28Now I give you the opportunity to resign.
10:31What?
10:32No, crazy.
10:33I want to do a career in this company.
10:35We'll see about that.
10:36Diego?
10:38Do you recognize...
10:41this?
10:45It's a doll of...
10:48one of the players in the national team.
10:51It's not Pablo.
10:52It's not Pablo.
10:54It's not Advíncula either.
10:55Advíncula is Boneno.
10:57Yes.
10:59No, it's not Cueva.
11:01Cueva is Trenchudo.
11:02But if it were blond, it would be Oliver, right?
11:06It's Franco.
11:07No, no, no, no.
11:08It's Corzo.
11:09It's Corzo, yes, yes.
11:10It's Corzo.
11:11The same.
11:12It's the doll of the nuclear man...
11:15that you stole from my house...
11:17and appeared in the house of the González.
11:20It has no proof.
11:22I have the...
11:23confession signed by ten witnesses.
11:28The González.
11:31Well, but that's a thing of the past.
11:34In addition, the owner of the houses...
11:36has not given authorization to fire me.
11:39Miss Sapallal.
11:41Let me read you paragraph B...
11:43of article 314...
11:45of the internal regulation of hiring...
11:47and firing.
11:48Section B.
11:49Section B.
11:51Robberies, thefts and misappropriation of any property.
11:54Come on, man!
11:57And it says...
11:59In the event of evidence of theft of any asset...
12:01or property of the corporation...
12:03the immediate and definitive expulsion...
12:05of the criminal will be carried out.
12:08Without the right to liquidation...
12:10or enjoyment of water.
12:11The withdrawal will be automatic...
12:13without subjecting oneself to voting...
12:15or consideration of any class.
12:17Clearer the water, right?
12:19Neither Miguel Ignacio nor anyone...
12:21can save you from this, Juana Sapallal.
12:25But I have not stolen the corporation.
12:27I just found that doll...
12:29and I gave it to Pepito.
12:30You have to believe me.
12:32Yes, of course, you found it in my room.
12:35And since the Maldini Mansion...
12:37belongs to the corporation...
12:39everything that is inside...
12:41also belongs to it.
12:43Therefore...
12:44Therefore, the nuclear man...
12:46belongs to the Maldini Corporation.
12:48And at this moment...
12:49justice will be done by his own hands.
12:52It is not necessary, Diego.
12:54Sorry, I got excited.
12:55I'm sorry, Juanita.
12:57It was good while it lasted.
12:59Take care.
13:00No, no, no.
13:01You can't do this to me.
13:03It's done.
13:05I'm leaving.
13:15Have lunch?
13:17Obviously.
13:18My Cuchi told me to invite you.
13:21You're not Cuchi?
13:23No.
13:24My Cuchi.
13:26Do you understand this woman?
13:30I don't understand anything, but...
13:32if she invites us to lunch,
13:34what can we lose?
13:36Less and less people come to the winery.
13:39At least we'll eat well.
13:40Obviously.
13:42Then we'll wait for you.
13:44Goodbye.
13:46Do you want to fart?
13:48No.
13:50I said goodbye.
13:53What is this lady talking about?
13:55Lady?
13:58Yes.
13:59Soon, lady of the houses.
14:04Goodbye.
14:06Now she said goodbye, didn't she?
14:10Well, if they invited us to lunch,
14:12we'll have to take something, right?
14:28And now?
14:30Where am I going to go?
14:34I have nothing or no one.
14:40I have nothing or no one.
14:42I have nothing or no one.
14:44I have nothing or no one.
14:46I have nothing or no one.
14:48I have nothing or no one.
14:50I have nothing or no one.
14:52I have nothing or no one.
14:54I have nothing or no one.
14:56I have nothing or no one.
14:58I have nothing or no one.
15:00I have nothing or no one.
15:02I have nothing or no one.
15:04I have nothing or no one.
15:06I have nothing or no one.
15:08Hey!
15:10What's going on here?
15:15Oh, he had a gun.
15:17Come on, lady.
15:19And you?
15:21Did you put a gun in your engine?
15:24Who has everything under control?
15:26Your aunt Mac,
15:28who trusts Haggis Dermaker,
15:30the softest diaper to protect your skin.
15:32The only one with vitamin E.
15:34Ultra soft and thin.
15:36With protection up to 12 hours.
15:38Baby knows the softest diaper
15:40for your skin.
15:50Stop doing what you're doing
15:52and raise your hands.
15:54Come on, Diego, sit down.
15:56You don't scare anyone with that banana.
16:00You're boring today.
16:02Admit you're not good for that.
16:04Did you find out anything?
16:06A lot and nothing.
16:08I just want to know if Leonardo
16:10is no longer dangerous.
16:12It doesn't seem like it.
16:14All his stay in prison
16:16he spent trying to set up musicals.
16:18And did he set something up?
16:20No, no, no one wanted to participate
16:22in his madness.
16:24Then he was more successful
16:26forming the theater group
16:28Dramas y Barrotes.
16:30And what did he do after he fulfilled his sentence?
16:32He killed his son, but he doesn't have
16:34the talent to kill his own son.
16:36So he spent it on gambling.
16:38Knocking on doors.
16:40But Diego, forget it, that guy is a loser.
16:42That doesn't make him less dangerous.
16:44Look, without his mother
16:46and without his sister,
16:48Leonardo is a zero on the left.
16:50I hope you're right.
16:52He didn't inherit the talent
16:54for the evil that his family has.
16:56That's it.
16:58Yes, yes, I'll still be alert.
17:00That guy with Francesca.
17:02Well, he's her son-in-law, but he'll get over it.
17:04I hope he gets over it soon.
17:24Hi!
17:26Taxi!
17:28Hello.
17:30Hello, where are you going, miss?
17:32Where are you taking me
17:34for five soles and a smile?
17:36Sorry? I'm not taking you anywhere.
17:38What?
17:40Sir, don't do that!
17:42I'm not a beggar here!
17:44Come on!
17:58Oh!
18:00Oh!
18:02It's horrible, it's horrible!
18:04Oh, that's gross!
18:06It stinks!
18:08Oh, no!
18:12I'm not missing anything!
18:18Oh!
18:20Oh!
18:22Oh!
18:24Oh!
18:26Oh!
18:30Now what did I say?
18:32Come in, come in.
18:34Welcome.
18:36Thank you, thank you very much.
18:38Oh, good afternoon.
18:40Oh, you know, look,
18:42we brought you a little macerado from my land.
18:44Oh, a macerado from the land?
18:46There wasn't any fruit?
18:48No, from my land, from Chahuanca.
18:50Well, if you like it,
18:52but I only drink green juice.
18:54I told you it would have been better
18:56to show you a little lion.
18:58And I told you it was too strong
19:00for a lunch.
19:02Yes, you're right, Olivia.
19:04Yes, it all depends on the marriage.
19:06I'm her husband,
19:08Vizcacha Estrellita.
19:10My name is Olinda,
19:12Mr. Vizcacha.
19:14Olinda.
19:16Sorry, yes, Olinda, Olinda, yes.
19:18Trini, a little music
19:20to honor our guests.
19:22Putting music
19:24to honor our guests.
19:34Let's go in marching.
19:36What an honor.
19:38Yes, yes.
19:40We feel very honored.
19:42Trini,
19:44put something more appropriate
19:46for the occasion.
19:48Don't you have something more vernacular?
19:50Putting vernacular music.
19:54Oh, how beautiful.
19:58How beautiful, really.
20:02Can you sing, El Guainito?
20:04Rio Grande, Chahuanca.
20:10Trini, silence.
20:12Yes, yes.
20:14Shall we have lunch?
20:16What have you prepared, Greta?
20:18I didn't prepare anything.
20:20You told me to order some tapas.
20:22What are we going to eat, tapas?
20:24Frying pan.
20:26You don't eat that.
20:28No, it's a Spanish food.
20:32Spaniards are kind of weird.
20:34Haven't you heard that
20:36they eat callos?
20:38Yes, I remember.
20:40Fortunately, we brought our chocolate cake.
20:42Let's see, Greña.
20:44Miss, can you distribute this?
20:46She's a good employee.
20:48Trini,
20:50can you distribute this equally?
20:52I'm not qualified for that task.
20:54Of course not, Mom.
20:56I'll teach you.
20:58Where are you?
21:00Olivia, it's Trini.
21:04Well,
21:06let's talk business, Mr. Gilberto.
21:08Sit down, please.
21:16Let's talk business, Mr. Gilberto.
21:18Sit down, please.
21:30I can't get a cab.
21:34My house is too far away.
21:40Damn nuclear man!
21:42It's all his fault!
21:46Oh!
21:48I'm hungry.
21:52Oh, God!
21:54Save my car!
21:56Save my car!
22:00Oh, what luck!
22:04What luck, my empanada!
22:12It's so good!
22:16It's so good!
22:28It's my empanada!
22:42Sign here, Mr. Gilberto.
22:44You already read it in the morning.
22:46But now it has only 10 pages.
22:50It doesn't look like it.
22:52It must be the translation.
22:54To Quechua?
22:56No, to English.
22:58Just sign it.
23:00We're among friends.
23:02Well, I'll do it.
23:04But after eating the chocolate cake.
23:06No!
23:08I mean, why waste time?
23:10Surprise your wife, Mr. Gilberto.
23:12She'll thank me.
23:14Okay.
23:18I'll give you 100 soles.
23:20No, Mr. Gilberto.
23:22How can you do that?
23:24Don't be silly.
23:26You have to put all your money.
23:28The arandas are not a safe business.
23:30Give it back to me in less than a year.
23:32What do I say?
23:34A year and six months.
23:36Gilberto!
23:38Don't you know that Trini was an artificial intelligence?
23:40Don't surprise me.
23:46Here, the strange lady
23:48is encouraging me
23:50to invest all my money
23:52in the business of the arandas.
23:54All your money
23:56in a business of the arandas?
23:58No, how scary.
24:00And if the business doesn't work,
24:02what? We're left with nothing?
24:04No, my dear lady.
24:06The arandas have no loss.
24:08I assure you that I will give you the money.
24:10Really?
24:12Of course.
24:14You just have to fill out a form
24:16that I have here.
24:18How much could it be?
24:2050,000 dollars?
24:22Perfect.
24:2450,000 dollars.
24:2650,000 dollars.
24:30It says here that you have to put something in guarantee.
24:32What could it be?
24:34Do you have any value?
24:36No, I don't have it anymore.
24:38Ah, well then.
24:40Let's see.
24:42Do you have any value?
24:44My little pool.
24:46Your little pool.
24:48How funny, Mr. Gil.
24:52I know, I know.
24:54It could be the land.
24:56Don't worry.
24:58It's just a formality.
25:00Give it back to me in less than a year.
25:02Ready? Let's see.
25:04Yes.
25:06Well, in six months.
25:08We will receive the double.
25:10Yes, but our little house...
25:12Don't worry.
25:14It's just a formality.
25:16Nothing else. Ready. Sign it, Gil.
25:18Sign it.
25:20Well, sign it.
25:22I did it.
25:28Delicious.
25:30Delicious.
25:32Perfect, Mr. Gil.
25:34Perfect.
25:36You have done a great business.
25:40But what is this?
25:42It says opa.
25:44What does it mean?
25:48Have you believed me, opa?
25:50Disgraced biscuit.
25:52But Mr. Gil, it's just a business.
25:54Nothing else.
25:56Do you think I'm stupid?
25:58First you try to appropriate you
26:00of my little house.
26:02And now you want to do it
26:04with my house?
26:06That can't be.
26:08Tracking Germany.
26:10Well said, Mr. Gil.
26:14Let's go alone.
26:16And take the cake.
26:18He doesn't deserve that.
26:20Don't take it.
26:22It was delicious.
26:24But well, it doesn't matter.
26:26The same goes for the tapas.
26:40Can I serve you a tapita?
26:42I don't want tapas.
26:46I want that house.
26:52Thank you, Lucio.
26:54No problem, Mrs. Francesca.
26:56I don't want to bother you,
26:58but could we talk
27:00about my fees?
27:02Lucio, didn't you say you didn't want to bother us?
27:04Yes, sir.
27:06Then don't bother us.
27:08But sir, I don't know how much...
27:10I have to talk in private with my wife.
27:12Bye.
27:14What do we have to talk about?
27:16Are you still seeing Leonardo?
27:18I haven't seen him
27:20since the afternoon
27:22Leonardo is just a nexus
27:24to remember Isabella.
27:26I just want to ask you
27:28to be very careful.
27:30The guy is useless,
27:32but he is still dangerous.
27:34Do me a favor.
27:36Yes.
27:38Totally.
27:40Today I helped you.
27:42And I appreciate it.
27:44The nuclear man appears
27:46at the right time.
27:48You were great.
27:50Just tell me one thing.
27:52How did you get the confessions
27:54of the González?
27:56Check it yourself.
28:08They're blank.
28:10Fran, you know them all.
28:12Juana has a dirty conscience.
28:14She knows she's guilty of theft.
28:16And after this,
28:18I don't think we'll see her again.
28:20At the corporation?
28:22No.
28:24And Miguel Ignacio
28:26I don't think he'll be able
28:28to protect that little woman.
28:36Who are you?
28:38Mrs. Normita, it's me.
28:40Juanita.
28:42Juana Zapayal?
28:44Zapayal?
28:46What happened to you?
28:48You look horrible.
28:50Yes, I know.
28:52It's embarrassing.
28:54Please let me in
28:56to change my bathrobe.
28:58No, I'm sorry.
29:00You owed me two months of rent.
29:02I was waiting for you all day.
29:04I'm sorry.
29:06I've been walking from far away.
29:08But I swear I'll pay you all together.
29:10Oh, they turned me on at work.
29:12Yes, of course.
29:14Bye.
29:16I already rented your room.
29:18No, no, ma'am.
29:26Here.
29:28Ma'am.
29:56You should have seen
29:58how he got, my Gilguerito.
30:00He got the Indian, Mr. Gil.
30:02I got the demon.
30:04That guy thought
30:06he could fool me.
30:08Papito, you have to be careful
30:10with Ignacio.
30:12He almost made him sign some papers.
30:14What? Be careful with that.
30:16He could take the house.
30:18What's wrong with you?
30:20Do you think I'm a fool?
30:22Mr. Gil, don't be like that.
30:24Your heart is going to do something to him.
30:26I'm not talking to you.
30:28Oh, Gilguerito, what's wrong with you?
30:30Yes, you're always very gentlemanly.
30:32Why are you talking like that?
30:34Because I like it.
30:36Wait, wait.
30:38He's using my underpants.
30:40What? What are you talking about?
30:42Of course.
30:44You mixed the clothes
30:46and Mr. Gil touched my underpants.
30:48That's why he's talking like that.
30:50Stop joking around.
30:54I'm going
30:56for a walk.
30:58He definitely has
31:00Tito Rayno's underpants.
31:02How ugly.
31:04Don't worry. I'll take care of it.
31:06An old Tito.
31:10Don't laugh.
31:12Enjoy.
31:36It's not just a fragrance.
31:38It's the new collection of
31:40Ancestral Fragrances.
31:42They smell of luxury
31:44like a perfume.
32:06Look, daddy.
32:08Here are your underpants.
32:10Thank you, daughter.
32:12Now I can
32:14do it myself again.
32:16How exaggerated.
32:18Not even the clothes would change your personality.
32:20Tell me.
32:22Are you still imitating your mother?
32:24It's different, dad.
32:26I'm dressed like this because
32:28I want to show respect.
32:30You don't need to dress up
32:32for that.
32:34I'm not dressed up.
32:36Of course you are.
32:38You're not like that.
32:40It's just that now,
32:42as a matriarch of this family,
32:44I have to project
32:46an image that has leadership.
32:48You can do it
32:50yourself.
32:52You don't need
32:54to imitate your mother.
32:56Do you think so?
32:58I don't just think so.
33:00I know.
33:02You have to follow your path,
33:04daughter.
33:08You're right, daddy.
33:10I'll do it.
33:12Do you know anything
33:14about Jimmy and Joel?
33:32I don't know.
34:02How she has me trapped
34:04I can't avoid it
34:06I can't escape
34:08The most beautiful
34:10Since I saw you
34:12I can't stop thinking of you
34:14And when I'm asleep
34:16I dream of you again
34:18You have me trapped
34:20I can't avoid it
34:22I can't escape
34:32I wouldn't change
34:34anything about you
34:36because you drive me crazy
34:38I don't know what to do
34:40to make you think of me
34:42I would give you my soul
34:44if you want it
34:46Just look at me
34:48What can I do
34:50to catch her
34:52I'm not the only one
34:54who wants to conquer her
34:58The most beautiful princess
35:00I can't stop thinking of you
35:02And when I'm asleep
35:04I dream of you
35:06You have me trapped
35:08I can't avoid it
35:10I can't escape
35:12The most beautiful
35:14Since I saw you
35:16Once again,
35:18thank you for everything, dear Jo.
35:20You're welcome.
35:22You have helped us in the greatest adventure of our lives.
35:24Now,
35:26can you tell me
35:28what happened in Nepal?
35:30I was bored in my office
35:32and my boss asked me
35:34to watch stupid videos
35:36of Latin America.
35:38And there you were,
35:40trying to kill Matito Mike.
35:46I'm dying!
35:48That was my biggest success.
35:50In Shanghai, I almost lost my heart
35:52when I saw you.
35:54I almost screamed.
35:56I'm so proud of myself.
35:58Thank you, Jo.
36:00We'll never forget you.
36:02Really, thank you.
36:04And when I'm asleep
36:06I dream of you
36:08You have me trapped
36:10I can't avoid it
36:12I can't escape
36:14The most beautiful
36:18The most beautiful
36:22The most beautiful
36:24The most beautiful
36:26The most beautiful
36:28The most beautiful
36:30The most beautiful
36:32The most beautiful
36:34The most beautiful
36:36The most beautiful
36:38The most beautiful
36:40The most beautiful
36:42The most beautiful
36:44The most beautiful
36:46The most beautiful
36:48The most beautiful
36:50The most beautiful
36:52The most beautiful
36:54The most beautiful
36:56The most beautiful
36:58The most beautiful
37:00The most beautiful
37:02The most beautiful
37:04The most beautiful
37:06The most beautiful
37:08The most beautiful
37:10The most beautiful
37:12The most beautiful
37:14The most beautiful
37:16The most beautiful
37:18The most beautiful
37:20The most beautiful
37:22The most beautiful
37:24The most beautiful
37:26The most beautiful
37:28The most beautiful
37:30The most beautiful
37:32The most beautiful
37:34The most beautiful
37:36The most beautiful
37:38The most beautiful
37:40The most beautiful
37:42The most beautiful
37:44The most beautiful
37:46The most beautiful
37:48The most beautiful
37:50The most beautiful
37:52The most beautiful
37:54The most beautiful
37:56The most beautiful
37:58The most beautiful
38:00The most beautiful
38:02The most beautiful
38:04The most beautiful
38:06The most beautiful
38:08The most beautiful
38:10The most beautiful
38:12The most beautiful
38:14The most beautiful
38:16Oh
38:18I
38:48See to our contigo competito
38:51To
38:531
38:56It's urgent
39:02Porque se puede viaje y nadie sabe cuando volverá ni siquiera tito
39:08Si pues se fue por culpa de alguien que le hizo mucho daño
39:14Pero si él fue que me votó a mí como un trapo sucio
39:18Porque te aprovechaste de su nobleza y de su dinero
39:22Además enteró que tú eres una mentirosa y una amiga de lo ajeno
39:27Anita que cosas tan feas cosas feas que digo son toda la verdad Juana
39:34Dime de una vez y habla rápido antes de que alguien nos vea y se armé la de san cuentín
39:40que quieres de nosotros que has hecho ahora
39:43No no nada es que
39:46Partí mi trabajo y no tengo para pagarle mi casera y no tengo dónde dormir
39:51entonces quería pedirte a ti y a pepito si
39:55podía quedarme aquí
39:58Por favor
40:09No puede ser
40:12No solo mil arma con las cosas tengo tiempo para darme un buchazo
40:17No Juana aquí tú no eres bienvenida
40:22Primita primita primita yo yo sé que me he portado mal pero te juro te juro te juro que cambiamos
40:30Porque volvería a confiar en ti
40:34Porque porque porque yo soy como tu hermana
40:39Y a pesar a pesar de mis errores tú sabes que yo soy un alma buena
40:47Qué te pasó en el trabajo
40:49Seguro te encontraron robando no
40:56Lo que pasa es que yo estaba trabajando en
41:00en la empresa de doña francesca como asistente de su ex marido el señor tom brun
41:08Pasa muchacha como se te ocurre semejante barbaridad
41:15después de todos los problemas que tuviste con la doña
41:20La calle está dura y no había nadie que quería pagármelo justo entonces yo yo yo entré a chambear sin que ella se enterara
41:27pero pero después me descubrió y me votó injustificadamente
41:31Justificadamente le quisiste robar su caja fuerte cuando trabajabas ahí al frente de la casa
41:36Yo sé yo sé que mi pasado me condena pero te juro que he cambiado
41:42Primita por favor
41:44Por favor te lo suplico necesito tu ayuda solamente me voy a quedar por unos días hasta que consiga un nuevo trabajo
41:53No Juana
41:55No puedo ayudarte
42:02Bueno
42:04Ni modo
42:06Tendré que darle la razón a todos y
42:12Dedicarme a la mala vida a robar a esta
42:20Que me queda no
42:22Es perdón primita perdón perdón por haberte molestado incomodado te juro que no volverá a suceder
42:52Y
43:07Si lo hago con fe no puede ser me canceló el taxi maldita sea
43:18Sobrino
43:19Hola tío que haciendo tratando de conseguir un taxi cuando como fútbol
43:25Me acuerdo que era hasta un buen pelotero como yo
43:28Si un día de estos tío tío te dejo que voy a ir a buscar un taxi en la esquina a ver si lo agarro
43:32Ya vamos a lo
43:34De verdad vamos
43:36Gracias tío
43:38Y
43:46Que cara de palo la jornada de venir hasta acá a pedirme asilo después de todos los problemas que causó
43:57Y encima
44:01Diciendo que se va a dedicar a la mala vida
44:08A la mala vida
44:12Y justo parece hoy que vuelvo a soñar con ella
44:22Y si mi prima me estará diciendo la verdad
44:27Si mi prima está en la última lona
44:30No puedo permitir que se hunde en el pozo de la delincuencia
44:35Si existe una posibilidad de salvarla
44:38Tengo que intentarlo
44:41Prima
44:50Así que estás trabajando en el restaurante que le puso francesca tu papá si también me cacholeó como fotógrafo
45:00No te quedes sobrino
45:02Tienes que apuntar a cosas más grandes yo a tu edad ya era gerente junio
45:07No sé tienes que apuntar a puestos directivos política o por último un fotógrafo
45:13millonario y famoso pero jamás se conforma con ser un pobre y triste mozo entendiste
45:21entiendo
45:27Porque nunca tu papá te dio un cargo decente en la corporación
45:34Bueno uno porque no se lo he pedido
45:37Y dos porque me gasté toda la plata que me dio para la universidad en pasearme y joderme por europa
45:46Pero ganaste el mundo
45:48Eso es una gran experiencia conociste otra realidad mi papá no lo ve así
45:53Bueno tu papá es un hombre cuadriculado por eso se quedó en la cocina
45:57Pero es el mejor chef de sudamérica
46:00mira sobrino
46:02Él ya hizo su camino ahora te toca a ti a ser el tuyo
46:07Mira tu tienes que aprovechar tu pinta tu inteligencia tu apellido tu posición social
46:15para conseguir trabajos a tu altura
46:18el potencial lo tiene sobrino
46:20solo es cuestión
46:22de que lo usas correctamente
46:25Gracias tio
46:37Si
46:43Ahorita viene
46:47Juanacha
46:51Prima
46:53Donde estas
46:55Prima
46:57Prima Juanacha
46:59No no no no no
47:01Si me vas a venir a restregar mis errores en la cara
47:03Te pido por favor que no lo hagas
47:06Yo
47:08Entendí
47:10Lo basura de persona que soy
47:12No no no no digas eso
47:14Tu no eres
47:16Una basura de persona
47:18Disculpame por tratarte así
47:20No no no no
47:22De cualquiera lo hubiera esperado
47:24Pero pero
47:26Que tu me desespaldas
47:28Me has clavado
47:30Un puñal en el corazón
47:32Quise darte una leccion
47:35Pero
47:37En verdad lo que debia darte
47:39Es mi apoyo
47:41Perdóname
47:43Mira
47:45Vamos a hacer algo
47:47Prima
47:49Vamos a ir a la casa
47:51Vamos a juntar
47:53A toda la familia
47:55Vamos a
47:57Contarles
47:59Toda tu situación
48:01Lo mas bonito que se pueda
48:03No
48:05No
48:07No
48:09No primita
48:11Yo no te quiero incomodar
48:13Ya dejame aqui
48:15A mi sola y triste
48:17Es lo que yo me gana
48:19No claro que no
48:21Tu
48:23Si realmente estas arrepentida
48:25Mereces otra oportunidad
48:27Y al igual que yo
48:29Todos entenderan y te perdonaran
48:32Ha
48:38Ha
48:40Ha
48:42Ha
48:44Ha
48:54Ha
48:56Ha
48:58Ha
49:00I haven't told you, it's about a condition that I have.
49:13Good, good. Sorry I'm late.
49:16Did you forget what your entry time is?
49:18No, dad, it's just that the taxi canceled me.
49:20I don't care about your excuses.
49:22Look at Velazquez, he lives on the tip of a hill, miserable, but he's here, on time, as it should be.
49:28And Mrs. Lee had to fix all the tables, why?
49:31Because Mr. Tardón didn't arrive because he fell asleep.
49:34I'm going to tell you, okay?
49:36Do whatever you want, dad.
49:39Sorry?
49:41Do whatever you want.
49:43And you get insolent.
49:47Look, Cristobal, I remind you that here you are not my son.
49:51From the door to the outside, yes, but not here.
49:53Here you are an employee and not the most efficient of all, just in case.
49:57Now, go to work.
50:09Ah, damn it.
50:12I already had it, Mr. Gilberto, that old motorist deceived me.
50:18Ah, well.
50:21Today is a new day.
50:23So it will be a reason to collect all the favors from Miss Zapaillal.
50:34As she herself said, she is very grateful to me.
50:43Please send me the coffee shop manager and photocopy.
50:49I want to be the fifth Teletubbies.
50:54I want to...
50:55Are you going to call me?
50:56Yes, Juanita, come in, please.
50:59But who are you?
51:01Where is Juana, I mean Miss Zapaillal?
51:04Mrs. Maldini fired her for robbery.
51:07What?
51:08I bring you a coffee.
51:10Get out of here!
51:18Juanita, what do you like about that hobby of leisure and pasturing?
51:22It's not like that.
51:23No?
51:24No.
51:25It's a very nice career with a lot of options to specialize.
51:28I can do television, cinema, digital content, even radio.
51:33I would like you to listen to someone who wants more forgiveness than anything in this world.
51:49Hello, dear family.
51:59Is there anything I can help you with?
52:01He brought the wrong order.
52:03No, I brought the right one. Maybe you are confused.
52:06I'll take care of it right away, okay?
52:08Hey, idiot, how are you going to contradict the beginner?
52:11I'm going to change the plan.
52:12No, you're not going to do anything. I'll take care of it.
52:13No, I'll take care of it.
52:14No, you shut up and get in the kitchen, idiot.
52:16I'm not an idiot.
52:17Yes, you are an idiot. Get in the kitchen and don't make trouble.
52:20Or else what?
52:21Or else you leave this restaurant forever.
52:24Take your things and leave.
52:25You would be doing me a favor, dad.