• 2 days ago
Al Fondo Hay Sitio 12 Capítulo 15 en HD Completo
Al Fondo Hay Sitio 12 Capítulo 15 en HD Completo
Al Fondo Hay Sitio 12 Capítulo 15 en HD Completo
Al Fondo Hay Sitio 12 Capítulo 15 en HD Completo
Transcript
00:00Do you really not care that they see you with me?
00:07And why would I care?
00:09In fact, after eating, I'm going to take him to the club to try a plus coffee.
00:16Let's go to the terrace?
00:19I'll catch up with you.
00:31It's up to you, Dicken, I don't want to separate.
00:36I'm a lonely man, Mr. Gilberto.
00:42And I'm lonely and regretful for not acting in another way.
00:48At least you recognize the wrong you've done.
00:55And you regret it.
00:57That speaks highly of you.
01:02Thank you, Mr. Gilberto.
01:05Do you really think they'll call me?
01:07Of course, they would be fools if they didn't call you.
01:10You're the best nurse technique I know.
01:14Do you know other girls who want nursing techniques?
01:18Yuli Flores Insegura?
01:21Fool.
01:22Fool.
01:27I'm not Insegura.
01:28Daddy, where were you?
01:31What's wrong? Why are you so excited?
01:35You took a long time.
01:37And Miguel Ignacio is not a liar, Gil.
01:39Did he do something to you?
01:40Tell me, I'm going to put him on his head.
01:42Why do you see him in violence?
01:44That's how they are.
01:45No, he behaved very well with me.
01:48I bought for the mundongo.
01:50And I bought for the rice with chicken.
01:53Gergarito.
01:55It seems that Teresa and Lorena are arguing, right?
01:59I hung the clothes before going to work
02:01because I was sure they were going to dry quickly.
02:03And how long are you going to take to help clean the house?
02:06Lorena works, Teresa.
02:08And what do I do?
02:23Insegura
02:33With hand.
02:34Ah, with hand.
02:36Beijing is the capital of China.
02:38About 22 million inhabitants.
02:4122 million.
02:42And how many restaurants?
02:44Many.
02:45And how many with a Peruvian chef?
02:47I don't have that answer yet.
02:50Don't worry, don't worry.
02:51We'll find out.
02:53Well, you already know some things about us.
02:57But we don't know almost anything about you.
03:00Really?
03:01Of course.
03:02I don't know, maybe we can start with your full name.
03:06Hou Jiaqi.
03:08Hou Da.
03:09Hou Jiaqi.
03:11Let's just leave it in Hou.
03:12Let's simplify it, right?
03:14Better.
03:15And what do you do?
03:16Do you study?
03:17Do you work?
03:18What do you do besides helping the most in need?
03:21I work in the group in the middle of China.
03:24The group in the middle of China?
03:27What is that?
03:32Joel, this is a special theater.
03:35It has more than 350 years of history.
03:39Wow.
03:40Yes.
03:41Incredible.
03:42Many founders of Beijing Opera sang on this stage.
03:47Spectacular, right?
03:48Yes.
03:49All a beauty.
03:51Beautiful.
03:52Hey, Hou.
03:54You do know how to give us on the go, right?
03:56Yes.
03:58I just remembered one thing.
04:00Let's see.
04:03Do you think you can put this song?
04:06Just up to the chorus.
04:07Good.
04:08No.
04:10It's a dream come true, right?
04:11Of course.
04:13Let's go.
04:16Let's go.
04:46Let's go.
05:16Wow.
05:46When I'm with you.
05:49Everything is different.
05:52I don't want to lose you.
05:55I will always love you.
06:07You are a great star.
06:11My talent crosses borders.
06:17I love you.
06:23Manito.
06:25I don't want to be paranoid again.
06:29I want you to tell me.
06:30What is the probability that a Chinese girl
06:32finds two Peruvian boys lost in Shanghai
06:34and takes them for a walk in the middle of the country?
06:36There are very few.
06:38Besides, she hasn't helped us at all so far.
06:43You're right.
06:45You're right, bro.
06:46Joe has a sinister plan for us.
06:49What sinister plan?
06:51The girl is just helping us.
06:53What's sinister about that?
06:54It's weird.
06:55No, it's not weird.
06:58It's not.
07:00Okay, okay.
07:04I know, I know.
07:15Brother, how many hours is the difference with Lima?
07:18Thirteen hours, brother.
07:19Thirteen hours.
07:20Thirteen hours less.
07:21Thirteen hours?
07:22Yes, less, less.
07:23So if here are the...
07:27Twelve plus one, minus one.
07:29Less.
07:30It doesn't matter.
07:31There is no time to lose.
07:32Take out your cell phone.
07:33How do you have it saved?
07:34Hello, Julie.
07:37Julie.
07:42Hello, Julie.
07:44Were you sleeping?
07:46I don't care.
07:47Listen to me.
07:48Listen to me, please, listen to me.
07:49Here, I don't know how you do it,
07:51but you're sleeping very well,
07:52while here, the skinny dog is all drowsy
07:54until he wants to jump off a bridge.
07:55Okay?
07:56I don't know how you do it,
07:57but right now, get me the information
07:59where the church is.
08:00Okay?
08:02Hurry up.
08:03I'll wait for you here.
08:06Mappi.
08:07Mappi.
08:08Mappi, get up.
08:09It's urgent.
08:10What?
08:11What happened?
08:12Don't move.
08:13Don't move.
08:14I can't.
08:18Mappi.
08:23Save yourself, Juana.
08:26Hello, Mr. Gilberto.
08:27Wake up.
08:28What's going on?
08:29An earthquake?
08:30Oh, no.
08:31Mr. Dallavaca.
08:32Open your eyes, sir.
08:33I'll go to the patio and tell you.
08:37What?
08:38Gilberto.
08:40Wake up.
08:41Yulisita is...
08:42I woke up.
08:43Yulisita is calling the whole family to the patio.
08:46Run, run.
08:48Oh, no.
08:52Mom, Dad, wake up.
08:55The house is falling.
08:57You go first.
08:58I'll protect you.
08:59No, no.
09:00Nothing is falling.
09:01Only Yuli wants to talk to us in the patio.
09:02What does Yuli want to talk to us about?
09:04Oh, I don't know.
09:05But it's important.
09:06Let's go.
09:07Okay.
09:12What do you want, Aspar?
09:13Wake up.
09:14What's going on, niece?
09:15What's going on?
09:16I have something important to tell you.
09:17The earthquake in the patio.
09:18Love.
09:19Love.
09:20Aspar, please.
09:21Don't be greedy.
09:22Let me get tired.
09:23Love, I don't need your niece.
09:24Wake up.
09:25Wake up.
09:26What?
09:27Your niece.
09:28Yulisita, can you tell us what such a fuss is about?
09:29First the discussions and now this.
09:32Wait.
09:33We need to talk, Aspar.
09:35Here we are.
09:36Here we are.
09:38Enough, Yuli.
09:39Don't turn around anymore.
09:41Tell us.
09:42How many weeks are you behind?
09:44What?
09:45Dad.
09:46But it is obvious that he has not woken up to tell us that he is pregnant,
09:48but he has the problem of not knowing who the father is,
09:50if the young vampire or the wolf-man apprentice.
09:52Tito, it's none of that.
09:54Speak, little girl.
09:55You have us disgusted.
09:57Oh, please.
09:58They woke me up from my sleeping dream.
10:00It was the president.
10:02He drove me in some very luxurious cars, millionaires,
10:06and he had my watch.
10:08It's about Jimmy.
10:09No.
10:10No.
10:11No.
10:13How do I report, please?
10:14That he was going with so much illusion to meet his beloved.
10:18Life is so unfair.
10:20He said.
10:21He said.
10:22Without his sponge.
10:23No.
10:24What?
10:25He died for love.
10:27No, no, no.
10:28We are going to lift a beautiful prayer for his poor soul.
10:31Let's talk.
10:32I'm going to have to reopen the funerary.
10:34Do you know if it comes refrigerated or in ashes?
10:36No.
10:37Good.
10:38What?
10:39Well, more or less.
10:40It's just that he's desperate because he can't find Alessia.
10:43He's super depressed.
10:45He can't take it anymore.
10:46That's why Joel called me desperate,
10:48demanding that we have to find Alessia's address.
10:51Anyway.
10:52Well, if that's what he asked for,
10:55we'll do that.
11:07I don't know.
11:38I don't know.
11:40I don't know.
12:07It's not safe.
12:08So, think of it.
12:09It's not safe.
12:20Don't be謝謝.
12:21We want to figure out where Alessia is.
12:25Little boy.
12:26Don't be stubborn.
12:27Tell us where Alessia work!
12:32Jimmy Sito needs to meet her.
12:34They love each other.
12:35Your sister will be grateful.
12:36I'm going to thank you.
12:38Look Vampirinza Cabaltero, tell us the truth.
12:40Tell us everything or we'll throw you off the balcony.
12:47Hello, Julie. Tell me, tell me. Here's Juliecita.
12:50Hello, Juven. We have the information.
12:53Information? What information?
12:56Alexia works in a restaurant in Beijing.
12:58She's in Beijing? She's in Beijing?
13:00It can't be, brother! It's incredible!
13:02We're in Beijing together! We're in Beijing together!
13:04I was distrustful, distrustful of poor Jo.
13:06Bring it, bring it.
13:08Hello, cousin. Do you know where to find Alexia?
13:10Huh?
13:11I mean, the restaurant where she's staying.
13:14Do you know or not?
13:16Cristobal only told us that. He didn't know anything else.
13:18Well, it's a full job.
13:21Hey, girl, what's up? Listen to me.
13:23And her phone number? Her new phone number, whatever it is.
13:26We couldn't think of it.
13:28We all have to do it ourselves.
14:04We all have to do it ourselves.
14:29I knew you'd come back!
14:31You! You!
14:33The cell phone died.
14:39I'm so sorry.
14:41Cristobal broke his phone.
14:43It had all the information.
14:44Well, cousin, thank you anyway.
14:46It's just that we also have our problems.
14:49If they knew what happened...
14:51What did you say?
14:52Hey, Julie, we're busy here too.
14:54Enough, enough, enough.
14:56Problems?
14:57No, but we have great news.
15:00Alicia is here in Beijing.
15:02That's very good.
15:03Yes, but we don't know where to find her.
15:06But this is your city, isn't it?
15:07You know journalists, you know people.
15:09If you're not in your neighborhood, isn't it?
15:10Then you can help us.
15:12I promise you that today, yes or yes, Alicia will appear.
15:16Oh, oh, oh, I like that.
15:18She's talking like a Peruvian.
15:20Darling.
15:24We're leaving.
15:25But you have to promise us that you won't say anything to Alicia.
15:28And my son is already close.
15:30And no one should take that into account.
15:32On the contrary.
15:58And your friend, the owner of the restaurant, can know where to locate Alicia.
16:27Joe, please tell me that this is not going to end like last time.
16:32No, it's not going to end like before.
16:40Let me recommend you something very tasty.
16:43Really?
16:44Yes.
19:21Okay, great.
19:23Alright, my turn is almost up.
19:27Thanks!
19:29Let's try it!
19:50It's good.
19:53This flavor is...
19:56It's hard to explain.
19:59It's like...
20:01I haven't tried anything like this since Lima.
20:04It must be, because it's a dish made by someone you know.
20:22What are you saying?
20:26Valencia.
20:28She's in the kitchen.
20:32Valencia!
20:34Valencia!
20:36Valencia!
20:38Valencia!
20:40Valencia!
20:42Valencia!
20:44Valencia!
20:46Valencia!
20:48Valencia!
20:50Valencia!
20:52Valencia!
20:54Valencia!
20:56Valencia!
20:58Valencia!
21:00So, you're from Picarona, right?
21:03You know all this stuff.
21:05You brought us here on purpose...
21:08...so that the meeting is unforgettable.
21:14And to think that Jimmy...
21:17...thought that you were fooling around with other intentions.
21:20Imagine that.
21:22Let's see.
21:44Oh, mommy.
21:46What's going on?
21:47No.
21:49And in another continent.
21:53I'm your fan.
21:55I'm sorry for being so rude.
21:58I wanted to spend more time with you.
22:07She just left.
22:09Again.
22:17I love you.
22:19I love you.
22:47I love you.
22:49I love you.
23:17I love you.
23:18I love you.
23:19I love you.
23:20I love you.
23:21I love you.
23:22I love you.
23:23I love you.
23:24I love you.
23:25I love you.
23:26I love you.
23:27I love you.
23:28I love you.
23:29I love you.
23:30I love you.
23:31I love you.
23:32I love you.
23:33I love you.
23:34I love you.
23:35I love you.
23:36I love you.
23:37I love you.
23:38I love you.
23:39I love you.
23:40I love you.
23:41I love you.
23:42I love you.
23:43I love you.
23:44I love you.
23:45I love you.
23:46I love you.
23:47I love you.
23:48I love you.
23:49I love you.
23:50I love you.
23:51I love you.
23:52I love you.
23:53I love you.
23:54I love you.
23:55I love you.
23:56I love you.
23:57I love you.
23:58I love you.
23:59I love you.
24:00I love you.
24:01I love you.
24:02I love you.
24:03I love you.
24:04I love you.
24:05I love you.
24:06I love you.
24:07I love you.
24:08I love you.
24:09I love you.
24:10I love you.
24:11I love you.
24:12I love you.
24:13I love you.
24:14I love you.
24:15I love you.
24:16I love you.
24:17I love you.
24:18I love you.
24:19I love you.
24:20I love you.
24:21I love you.
24:22I love you.
24:23I love you.
24:24I love you.
24:25I love you.
24:26I love you.
24:27I love you.
24:28I love you.
24:29I love you.
24:30I love you.
24:31I love you.
24:32I love you.
24:33I love you.
24:34I love you.
24:35I love you.
24:36I love you.
24:37I love you.
24:38I love you.
24:39I love you.
24:40I love you.
24:41I love you.
24:42I love you.
24:43I love you.
24:44I love you.
24:45I love you.
24:46I love you.
24:47I love you.
24:48I love you.
24:49I love you.
24:50I love you.
24:51I love you.
24:52I love you.
24:53I love you.
24:54I love you.
24:55I love you.
24:56I love you.
24:57I love you.
24:58I love you.
24:59I love you.
25:00I love you.
25:01I love you.
25:02I love you.
25:03I love you.
25:04I love you.
25:05I love you.
25:06I love you.
25:07I love you.
25:08I love you.
25:09I love you.
25:10I love you.
25:11I love you.
25:12I love you.
25:13I love you.
25:14I love you.
25:15I love you.
25:16I love you.
25:17I love you.
25:18I love you.
25:19I love you.
25:20I love you.
25:21I love you.
25:22I love you.
25:23I love you.
25:24I love you.
25:25I love you.
25:26I love you.
25:27I love you.
25:28I love you.
25:29I love you.
25:30I love you.
25:31I love you.
25:32I love you.
25:33I love you.
25:34I love you.
25:35I love you.
25:36I love you.
25:37I love you.
25:38I love you.
25:39I love you.
25:40I love you.
25:41I love you.
25:42I love you.
25:43I love you.
25:44I love you.
25:45I love you.
25:46I love you.
25:47I love you.
25:48I love you.
25:49I love you.
25:50I love you.
25:51I love you.
25:52I love you.
25:53I love you.
25:54I love you.
25:55I love you.
25:56I love you.
25:57I love you.
25:58I love you.
25:59I love you.
26:00I love you.
26:01I love you.
26:02I love you.
26:03I love you.
26:04I love you.
26:05I love you.
26:06I love you.
26:07I love you.
26:08I love you.
26:09I love you.
26:10I love you.
26:11I love you.
26:12I love you.
26:13I love you.
26:14I love you.
26:15I love you.
26:16I love you.
26:17I love you.
26:18I love you.
26:19I love you.
26:20I love you.
26:21I love you.
26:22I love you.
26:23I love you.
26:24I love you.
26:25I love you.
26:26I love you.
26:27I love you.
26:28I love you.
26:29I love you.
26:30I love you.
26:31I love you.
26:32I love you.
26:33I love you.
26:34I love you.
26:35I love you.
26:36I love you.
26:37I love you.
26:38I love you.
26:39I love you.
26:40I love you.
26:41I love you.
26:42I love you.
26:43I love you.
26:44I love you.
26:45I love you.
26:46I love you.
26:47I love you.
26:48I love you.
26:49I love you.
26:50I love you.
26:51I love you.
26:52I love you.
26:53I love you.
26:54I love you.
26:55I love you.
26:56I love you.
26:57I love you.
26:58I love you.
26:59I love you.
27:00I love you.
27:01I love you.
27:02I love you.
27:03I love you.
27:04I love you.
27:05I love you.
27:06I love you.
27:07I love you.
27:08I love you.
27:09I love you.
27:10I love you.
27:11I love you.
27:12I love you.
27:13I love you.
27:14I love you.
27:15I love you.
27:16I love you.
27:17I love you.
27:18I love you.
27:19I love you.
27:20I love you.
27:21I love you.
27:22I love you.
27:23I love you.
27:24I love you.
27:25I love you.
27:26I love you.
27:27I love you.
27:28I love you.
27:29I love you.
27:30I love you.
27:31I love you.
27:32I love you.
27:33I love you.
27:34I love you.
27:35I love you.
27:36I love you.
27:37I love you.
27:38I love you.
27:39I love you.
27:40I love you.
27:41I love you.
27:42I love you.
27:43I love you.
27:44I love you.
27:45I love you.
27:46I love you.
27:47I love you.
27:48I love you.
27:49I love you.
27:50I love you.
27:51I love you.
27:52I love you.
27:53I love you.
27:54I love you.
27:55I love you.
27:56I love you.
27:57I love you.
27:58I love you.
27:59I love you.
28:00I love you.
28:01I love you.
28:02I love you.
28:03I love you.
28:04I love you.
28:05I love you.
28:06I love you.
28:07I love you.
28:08I love you.
28:09I love you.
28:10I love you.
28:11I love you.
28:12I love you.
28:13I love you.
28:14I love you.
28:15I love you.
28:16I love you.
28:17I love you.
28:18I love you.
28:19I love you.
28:20I love you.
28:21I love you.
28:22I love you.
28:23I love you.
28:24I love you.
28:25I love you.
28:26I love you.
28:27I love you.
28:28I love you.
28:29I love you.
28:30I love you.
28:31I love you.
28:32I love you.
28:33I love you.
28:34I love you.
28:35I love you.
28:36I love you.
28:37I love you.
28:38I love you.
28:39I love you.
28:40I love you.
28:41I love you.
28:42I love you.
28:43I love you.
28:44I love you.
28:45I love you.
28:46I love you.
28:47I love you.
28:48I love you.
28:49I love you.
28:50I love you.
28:51I love you.
28:52I love you.
28:53I love you.
28:54I love you.
28:55I love you.
28:56I love you.
28:57I love you.
28:58I love you.
28:59I love you.
29:00I love you.
29:01I love you.
29:02I love you.
29:03I love you.
29:04I love you.
29:05I love you.
29:06I love you.
29:07I love you.
29:08I love you.
29:09I love you.
29:10I love you.
29:11I love you.
29:12I love you.
29:13I love you.
29:14I love you.
29:15I love you.
29:16I love you.
29:17I love you.
29:18I love you.
29:19I love you.
29:20I love you.
29:21I love you.
29:22I love you.
29:23I love you.
29:24I love you.
29:25I love you.
29:26I love you.
29:27I love you.
29:28I love you.
29:29I love you.
29:30I love you.
29:31I love you.
29:32I love you.
29:33I love you.
29:34I love you.
29:35I love you.
29:36I love you.
29:37I love you.
29:38I love you.
29:39I love you.
29:40I love you.
29:41I love you.
29:42I love you.
29:43I love you.
29:44I love you.
29:45I love you.
29:46I love you.
29:47I love you.
29:48I love you.
29:49I love you.
29:50I love you.
29:51I love you.
29:52I love you.
29:53I love you.
29:54I love you.
29:55I love you.
29:56I love you.
29:57I love you.
29:58I love you.
29:59I love you.
30:00I love you.
30:01I love you.
30:02I love you.
30:03I love you.
30:04I love you.
30:05The most beautiful.
30:06She is an angel living on Earth.
30:15I do not know.
30:23And let's accentuates.
30:33The only one who wants to conquer her
30:38The most beautiful, unreachable princess
30:42I love you
30:44I love you
30:49To think that I came all the way here to get away from you
30:54And now?
30:56I want to get away from you
30:59And when I'm asleep, I dream of you again
31:03You're trapped, you can't escape
31:07You really have 21 cards
31:16I wouldn't change anything about you
31:19Because you drive me crazy
31:22I don't know what to do to make you think of me
31:26I would give you my soul if you wanted
31:29Just look at me
31:33What can I do to catch her?
31:36I'm not the only one who wants to conquer her
31:42The most beautiful, unreachable princess
31:45That everyone wants
31:47There's no one in the world like her
31:51She has me trapped, I can't avoid it
31:55I can't escape
31:57The most beautiful, since I saw you
32:00I can't stop thinking of you
32:02And when I'm asleep, I dream of you again
32:06You're trapped, you can't escape
32:09I'm going to keep these cards in my heart forever
32:15It was the idea
32:19And now what do we do?
32:23Whatever you want
32:25The most beautiful, unreachable princess
32:30Whatever you want
32:35There's no one in the world like her
32:37She has me trapped, I can't avoid it
32:41I can't escape
32:43The most beautiful, since I saw you
32:46I can't stop thinking of you
32:49And when I'm asleep, I dream of you again
32:52She has me trapped, I can't avoid it
32:56I can't escape
33:22Yes, my love, right away
33:24Claro's mobile network is very fast
33:27Change to the fastest mobile network in Peru
33:29To 0800 00200
33:36Damn
33:39We haven't received any news from the boys
33:44They must have found Lalecita
33:47Don Gilberto
33:50What do you offer?
33:53Nothing, I came to thank you
33:55For the great moments I spent in your company
33:58You are a wise and generous man
34:01That has filled me with hope, Don Gilberto
34:03With your well-intentioned advice
34:05Of course, always without ceasing to send your little girl
34:11As it should be
34:13That's right, as it should be
34:15That's why I came to offer you
34:17An offering
34:19An offering?
34:20Yes, more than an offering, it's actually a gift
34:24But you've already hurt me enough yesterday
34:28It's never enough for a man like you, Don Gil
34:33Look
34:37A signature
34:39And you will have the greatest gift of your life
34:47Don Gilberto
34:49Don Gilberto
34:51Don Gilberto
34:53Don Gilberto
34:55Don Gilberto
34:57Don Gilberto
34:59Don Gilberto
35:01Don Gilberto
35:03Don Gilberto
35:05Don Gilberto
35:07Don Gilberto
35:09Don Gilberto
35:11Don Gilberto
35:13Don Gilberto
35:15Don Gilberto
35:17Don Gilberto
35:19Don Gilberto
35:21Don Gilberto
35:23Don Gilberto
35:25Don Gilberto
35:33It's OK
35:35Shameless
35:45What are you doing?
35:51I'm taking off my clothes.
35:52That's not your clothes.
35:53Yes, it's my clothes.
35:54I hung it last night.
35:55Did you wash it again last night?
35:56Yes.
35:57The thing is, Tito gets very dirty.
35:58And I wanted to leave your laces free before I went to work.
35:59Let me do it.
36:00I'll do it.
36:01I'll do it.
36:02I'll do it.
36:03I'll do it.
36:04I'll do it.
36:05I'll do it.
36:06I'll do it.
36:07I'll do it.
36:08I'll do it.
36:09I'll do it.
36:10I'll do it.
36:11I'll do it.
36:12I'll do it.
36:13I'll do it.
36:14I'll do it.
36:15I'll do it.
36:16I'll do it.
36:17I'll do it.
36:18I'll do it.
36:20I'll do it.
36:21I'll do it.
36:22I'll do it.
36:23I'll do it.
36:24I'll do it.
36:25I'll do it.
36:26I'll do it.
36:27How are you holding up the sheet?
36:29It's too heavy.
36:31Come on, leave it me.
36:35I'll take it off, remove it, and you will be late for work.
36:37Are you sure?
36:38Mhm.
36:39Without resentments?
36:40Without resentments.
36:42I can be very intense at times.
36:46I don't stay behind.
36:54As a matriarch of this family,
36:59I have to spread peace.
37:07What are you offering me, my dear?
37:12I can call you that with all due respect, can't I?
37:17I prefer you to call me by my name.
37:20Miguel Ignacio.
37:22Yes, very well.
37:24But don't forget that at my age I don't remember names very well.
37:29Instead, I see your face,
37:32and I immediately remember a Vizcacha pushing.
37:37Call me whatever you want, yes, but firm.
37:40What is this about?
37:43Ah, it's a round business.
37:46Round? I rather see them square.
37:50It's to invest in blueberries.
37:53Blueberries?
37:55Those are round, small and almost purple.
38:01Ah, yes, yes, you know, and as you know, they call it the blue gold.
38:05It's the best investment.
38:08Chileans no longer know what to do.
38:10They have lost their place in the global market.
38:13I have bought two hectares.
38:15It's a business that has no loss.
38:17Look, sign here, and the company, blueberries no, blueberries yes,
38:21is in charge of the harvest, planting and export.
38:25Ah, but I don't have capital for something like that.
38:30But that's not a problem.
38:31You can make a small mortgage
38:36of risk-free investment of your property.
38:39And you have already invested in this?
38:42That's right, but it's just between us.
38:45Don't make us win the business.
38:47Ah, of course, of course.
38:49Look, Mr. Gil, I share it with you because I like you.
38:53But sign in a little while, because otherwise it will go up in price.
38:56Well, I don't want to miss the opportunity.
39:01But before this, I have to look for my magnifying glass.
39:08Magnifying glass for what?
39:10To read the little letter.
39:14I don't see it so well anymore.
39:16I don't take long at all.
39:23Can someone explain to me what this little woman is doing here?
39:26This one has a name.
39:28Juana Zapaya, the rapper.
39:30Juana?
39:33Who is Juana?
39:35I am Juana Zapata of a birth.
39:38Go crazy now.
39:40You were the one who opened my safe.
39:43Who let you in?
39:45I'm going to fire the security team.
39:47Get out of here.
39:49No, no, no, please, Mrs. Franchaca, don't fire me.
39:51I made a mistake, but I already learned my lesson.
39:53You're not going to see my face twice.
39:55Get out.
39:57No, no, no, no, no.
39:59Please leave me here and don't come back to know more about me.
40:03Did you think I was going to swallow the story?
40:06No, no, I would never think that.
40:10Come here.
40:12Come here.
40:19How cute, I eat them.
40:22Who said there should only be one housewife?
40:26False, look at all that money among us.
40:29It's already solved.
40:31We all live on the same roof
40:33and we can afford to put all the clothes together and wash them together.
40:37Hey, what if we buy a washing machine?
40:39The employees of Sara Calavera give us a discount.
40:42That would be better, right?
40:44Approved.
40:46And they will not be confused when it comes to distributing the clothes of each one.
40:50Oh, Tito.
40:52I don't remember your five Polos and three shorts.
40:54Of course, it's impossible.
40:55I mean, my clothes are totally different from Lorena's.
40:58Not to mention Olin's.
41:00Not to mention.
41:02You are unique, my love, unique.
41:04They don't have faith in us, but we already did it this morning.
41:06And did you have any problems?
41:08Nothing to do.
41:10We took each one of your clothes and your husband's.
41:12Not to mention.
41:14You can't complain, you are well attended.
41:16No, my love.
41:18He treats us like kings.
41:20It's time to make merit.
41:22It's not fair.
41:23You know how to scream, love, when you come back from work.
41:26And I, when I come to see you there.
41:37Is something wrong, love?
41:39No, everything is fine.
41:50I hope this old man signs quickly.
41:54Thank God I didn't see anyone around here.
41:57Don Gilberto yesterday.
42:00Don Gilberto.
42:03Don Gilberto.
42:07What happened?
42:09Nothing, he fell asleep.
42:11He wants to sleep me.
42:13At what time?
42:15Apparently, he just signed.
42:18Oh no.
42:20Oh no.
42:25What's wrong?
42:27This doesn't work.
42:29It's all stupid and muddy.
42:31Well, bring a copy and sign it again.
42:35It's okay, I'm going to bring a copy and sign it now.
42:38Yes, yes, I'm going to do it quickly.
42:41I already read the document.
42:43You already read everything, right?
42:45Then I bring the copy and sign it quickly.
42:47I'm not going to move from here.
42:49Then sign it, yes?
42:52Don't tell anyone.
42:54Shut up or else.
42:57If that turns out to be good,
43:00my wife will be very happy.
43:03Of course it's good.
43:05It's just that if I tell her something,
43:07it will ruin the surprise.
43:09Do you understand?
43:11You know everything, don't you?
43:17She doesn't know how much.
43:19She knows.
43:26Did you send me to take Francesca?
43:28Hey, this office is so pretty, for God's sake.
43:32But small,
43:34small like your importance in the corporation.
43:36Did you finish with your thanks?
43:38Well, so far, yes.
43:40For now, for now.
43:42I need to talk to you about something.
43:45Do you? What is it?
43:47I remind you of something.
43:49I now listen to my new leader, to my Trump.
43:54Oh, I forgot that now you are Miguel Ignacio's Felpudín.
43:57Sorry, sorry, advisor.
44:01Suck my socks, but there is a topic that I have to talk to you about.
44:05Can you come in?
44:12What are you doing here? I didn't send you to call, I don't need anything.
44:17Mr. Bruno, Mrs. Francesca is voting for me.
44:20But that can't be, you calm down, calm down, I'll take care of this.
44:26I don't want a criminal in my corporation.
44:29What a pity, Francesca, she is my personal assistant, you can't vote for her.
44:37Very well, then both of you leave.
44:42But you can't vote for me.
44:44Yes.
44:45No, prove it to me.
44:57It was nice to be here.
45:00Have a good day, have a good day.
45:03Mrs. Francesca, please don't fire me.
45:06Pack your things and leave.
45:09And take your things, I've made it very clear to you.
45:13You take a clip of that company and you go straight to jail.
45:18But why do you have such a bad concept of me?
45:22But why so much hate?
45:24Because it's a scam, that simple.
45:27Scam?
45:28By chance, haven't you noticed that you are missing things?
45:31Well, I don't know, my watch, my gold ring, but you know what?
45:39Lately, my wallet, lately, it's been a bit of a mess.
45:45No, Bruno, it's your assistant who is going too far.
45:49Go now, go.
45:52I'm sorry, Bruno.
45:55Oh my God.
45:57Bruno, you have to think about who you're hiring.
46:02What a pain in the ass.
46:04I had already signed that old man and he erased everything with his drool.
46:10It doesn't matter, I'm going to the office and sign a new contract and I'll be right back.
46:15That nauseating construction is mine.
46:19These long pants that my Tere has made are fine, huh?
46:23But why have you made them for me right now if there is still time for winter?
46:27As you wish.
46:29But it's not my style.
46:31But I have to admit that they are very comfortable.
46:37As you wish.
46:39But it's not my style.
46:42But I have to admit that they are very comfortable.
46:50I hope you fall asleep.
46:55Yes, warm.
46:59I hope you fall asleep.
47:06I hope you fall asleep.
47:13How strange is this thong that Lorena has bought me.
47:17I like to have everything loose, right?
47:19To its free albedo.
47:22On the other hand, this is all meticulous.
47:25It has gotten into me.
47:27It's going to boil in me.
47:30No!
47:36I have ten minutes to print this contract.
47:39I hope the old man doesn't die.
47:40It would be too much pineapple for ...
47:42Goodbye, sir of the house.
47:44Goodbye.
47:47Mr. Zapatero, what are you doing?
47:49Go back to your position too early to leave.
47:51What's wrong with you?
47:53I would love to, but I can't.
47:55How? Obey, come on, to your position.
47:58Mrs. Maldini fired me.
48:01I'm sorry.
48:02It was a carelessness.
48:04I couldn't stop in time.
48:07Fortunately, it wasn't a big deal, right?
48:09It didn't hurt us.
48:11Maybe we can fix it somehow.
48:30Francheca, what does this mean?
48:32A rat assembly, why?
48:34Ms. Zapatero works in this corporation.
48:37Not anymore.
48:38Yes.
48:39I didn't fire her anymore.
48:40I'll put her back.
48:41You can't.
48:42Yes I can.
48:43You can't.
48:44They have to spend at least 48 hours after their dismissal
48:46to be able to consider their repossession.
48:49Well, then she canceled your dismissal.
48:55And it never existed.
48:57And I invalidate your invalidation.
48:59Now it's double.
49:09Can I know why?
49:10Because I feel like it.
49:13Because you can't move a pencil without my authorization.
49:16You are no longer the master and lady of this corporation, Maldini.
49:19That Maldini only has the last name.
49:21Did you understand?
49:23You are making a demonstration of power.
49:25Yes.
49:26Is there a problem?
49:28Let me tell you that the lady you defend so much
49:32is a proven thief who opened the safe of my house.
49:36What?
49:37Until December she was working with the domestic service of my house.
49:41Now I see her working here.
49:43What a promotion, right?
49:45She hasn't stolen anything here.
49:47Bruno hired her as his assistant.
49:49And since then she has performed the job perfectly.
49:54Great thing.
49:55If Bruno doesn't do anything, his assistant does less than anything.
49:58That is not my incumbency.
50:02And since I see that your servile ex-husband is under your oppressive yoke,
50:07I am going to transfer Miss Zapayal to the management and planning area.
50:12She is not trained for that area.
50:14In the field of photocopy and coffee.
50:17I said.
50:19Miss Zapayal.
50:21Please, be gentle.
50:23Thank you very much, Mr. Reyes Casas.
50:25I will be eternally grateful.
50:27Go.
50:31You will be happy, right?
50:33You left with yours.
50:35Now you have an eternally grateful young woman.
50:39Why are you so interested in that little girl?
50:43Shut up, I forgot about your tastes.
50:46What are you talking about, Francesca?
50:48I don't care about Miss Zapayal or Perico Los Palotes.
50:52You just don't hire another employee of this corporation without my authorization.
50:57Do you understand?
50:58What are you talking about?
50:59You just got in and fired 60 people.
51:01Because I can, and you can't.
51:09This is not going to stay that way.
51:19Who is calling? Your cell phone.
51:27Hey, Fran. What a surprise. How are you?
51:30Diego, can you come to the corporation?
51:32Is it urgent? I'm in the middle of a preparation.
51:35Very urgent. I'm waiting for you, please.
51:37I'm coming right away.
51:39But tell me, what is it about?
51:41Here I tell you and bring the nuclear man.
51:44What?
51:45You just bring him.
51:46Bye.
51:51I don't know what the hell you're talking about.
51:53The one you put me in, love. It's comfortable now.
51:57But look at its hole.
51:59You're making it up.
52:03Good afternoon.
52:07But you...
52:08And what's wrong with this one?
52:10This one?
52:12And what's wrong with this one?
52:14This one?
52:15He moves like you.
52:17Did you find out anything?
52:19A lot and nothing.
52:21I just want to know if Leonardo Llanos is dangerous.
52:24It doesn't seem.
52:25All his stay in prison he spent trying to set up musicals.
52:30This is bread eaten.
52:33That old man signed today the section of rights.
52:36And tomorrow I'll have that embassy with her.

Recommended