• yesterday
Al Fondo Hay Sitio Temporada 12 Capítulo 11 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 11 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 11 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 11 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 11 Completo HD
Transcript
00:00I'm gonna win.
00:01I just want to see that.
00:02Hey!
00:03Listen to me!
00:04Be very careful when you get close to my Gaspi again, because I'll tear your extensions
00:09and I'll leave you bald!
00:12Don't worry, I know what I'm doing.
00:18I'll call you later.
00:21Who were you talking to?
00:25I'll call you later.
00:28Who were you talking to?
00:30To someone, business.
00:33Why did you hang up?
00:34Because it wasn't important and I wanted to ask about Cris.
00:38She's in her room, Lucio is helping her.
00:40I'm going up to see her in a while.
00:45Seriously, didn't it bother you, not even a little bit?
00:47Not even a little bit.
00:49Hey, is it really so hard for you to believe that?
00:52I'm not a bully, Margot.
00:55I know that.
01:02You're a mechanic, right?
01:04Of course, haven't you seen?
01:06There's something here in Fuyos that might interest you.
01:09Oh my God, I've worked on a ship.
01:11Just imagine.
01:12Let's go.
01:13Did you have anything to do with the body buried in my garden?
01:20Start, let's talk.
01:25Aguava!
01:26Hey, hey, you're getting me wet, watch out!
01:29Calm down, I said Aguava.
01:31These shoes are worth more than your house.
01:33Well, I hope they're waterproof then.
01:35She's looking for you, Teresa, she's looking for you.
01:37Oh my God, please look how I tremble.
01:38Get up, get up, get up, get up.
01:41I know it's very often, but I had to give you this.
01:50It's her.
02:11And why do you want me to have Isabella's blouse?
02:14I feel like you should have it.
02:17I've kept it all this time, but now I feel like I should let it go.
02:23I don't want to remember my daughter like the last time I saw her.
02:27That day was our reunion.
02:30I was so excited to see her.
02:33She was also very excited.
02:36It was all so violent.
02:39My mother used me to carry out her revenge.
02:45I feel so guilty.
02:48I loved Isabella.
02:50And if I give you this, it's because I don't blame you, but your family.
03:00Claudia is already dead.
03:03And my mother will soon be too.
03:05It's time to bury the past.
03:08I think the same.
03:11I want to remember my daughter alive.
03:17Isabella was such a special person.
03:21I was so happy with her, Franchi.
03:25I owe her my best years.
03:28If you had met her as a child.
03:31Oh no?
03:32Wait.
03:43Look.
03:46Where did you get this picture?
03:50She gave it to me.
03:52But it was Mother's Day in the nest.
03:55She disguised herself as me.
03:57Yes, she told me that they put 20 for the executive costume.
04:01I would have loved to see her.
04:04Didn't you see her?
04:05No, she was on a business trip.
04:08Oh, I understand.
04:11Are you in a hurry?
04:13Do you want to go for a walk in the park?
04:16With pleasure.
04:22No, I had nothing to do with it.
04:25And that's why you brought me here.
04:27Well, so you can get out of Franchi's orbit.
04:31Tell me.
04:33The body they found in the garden that was Claudia's?
04:37100%.
04:39Look, maybe you had nothing to do with it.
04:42But you talked about more.
04:44Maybe in the background.
04:46I never talk about that.
04:49And it's bad for your wife to distrust me.
04:51I'm as confused as you are.
04:53I don't want this to come to light.
04:55So don't worry, it's not on my side.
05:00Yes, you can have many defects.
05:02But you're not stupid.
05:05Now, there's another matter.
05:07I'm not going back.
05:08I guess.
05:09I found out about the altercation you had with Francesca.
05:11I don't think in detail.
05:12But let's leave it there.
05:16Do you know who Leonardo Rizopatrón is?
05:20No.
05:21No, it doesn't ring a bell.
05:23Leonardo Llanos.
05:26Claudia's brother.
05:28He was married to Isabel.
05:31The same one.
05:33He fulfilled his sentence.
05:34We saw it in the cemetery.
05:37Give me a few days and I'll find out everything about that Leonardo.
05:41In the meantime, stay away from him.
05:44You don't have to tell me.
05:47I've been in the office for a long time.
05:50How long will they keep bothering me?
05:53Why don't they go extinct all at once?
05:57I have to do something to make them disappear from the face of the earth.
06:00But what?
06:02They're like cockroaches, they never die.
06:05And on top of that, they have this winery so well located in the middle of the New Lomas.
06:10If only they had a competitor.
06:14If only they had a competitor to make them disappear.
06:32And we wanted to make Snow White and the Seven Dwarfs, but we only got four.
06:36So we said, no, let's change, let's change.
06:38And we said Cleopatra.
06:40And she became this Egyptian queen.
06:43I, Marco Antonio, remember?
06:44Yes, I remember.
06:46They loved to disguise themselves.
06:48No, no, no.
06:49They weren't disguises.
06:50They were characterizations.
06:51We did the whole thing on stage.
06:53You don't know how much effort we put in.
06:55You don't have to give me details.
06:57We had so much fun behind closed doors.
06:59I know.
07:00My room was close by.
07:02Oops.
07:03Sorry.
07:04No, no, youth is to be enjoyed.
07:07Yes, we did.
07:10And your musicals?
07:12How can I forget them?
07:14No one can forget your musicals.
07:17Don't make fun of me, Franchi.
07:21I can't find the will to do them.
07:24I had a motivation now.
07:27It's hard for me to get out of bed.
07:30I know that feeling.
07:34Although I've been through something, Franchi.
07:38No, I don't think it's the right time to tell you.
07:41You can't leave me like this, can you?
07:42No, I can.
07:43That's how I make sure of the next visit.
07:47We had a good time remembering Isabela.
07:50With a smile, as it should be.
07:52As it should be, yes.
07:55Franchi, do you dream of her?
07:58I dream of her.
08:00And I've seen her as I'm looking at you now.
08:04But it's been a long time since...
08:06She disappeared?
08:09She just left.
08:13It must be my rational part that tells me that she's not there anymore.
08:18That seeing her and listening to her is just a product of my imagination.
08:24No, Franchi. She's still alive.
08:27She's still alive inside of us.
08:30It's nice to hear it, even if it's not true.
08:33Yes, it is.
08:35Yes, it is, Franchi.
08:36And every time you need Isabela, look for her.
08:40I will.
08:56Fried rice with eggs? What's wrong, Salvadora?
08:59Well, Julia is looking for a job because she was suspended.
09:03Well, it's good that Julia is hardworking and responsible,
09:07but her cook could be a merit, right?
09:10We support her, John.
09:11You could also cook from time to time, right?
09:14I'm going to do it. And I'm going to surprise you, you'll see.
09:17I want to see it.
09:19I bring the soda.
09:21It's funny, I bring it from the winery.
09:23That's why I say, I just bring it.
09:25And what are you doing here? Don't tell me you also want to have lunch.
09:27Oh, well, dad. Valentino helps me uninterestingly in the winery.
09:31Uninterestingly, I don't think so.
09:33Come on, fry your egg.
09:36Who goes?
09:37You, Manchu.
09:38You, Manchu.
09:40You lost.
09:42I'm going, I'm going.
09:43The chicken has arrived.
09:45Which chicken?
09:46This one.
09:47Yes!
09:50Just in time to save them.
09:52Move, move, bring a chair.
09:54Oh, please, it's not that much, but chicken is chicken.
09:57Oh, yes, distribute, distribute.
10:02And where are the others?
10:04Don't tell me that Mr. Phil ...
10:06No!
10:07Yes, yes.
10:10And Jimmy?
10:12He went to China.
10:14What?
10:15Yes, yes.
10:16Of course, Koky, so that you give yourself so much time too.
10:19It's true, Koky.
10:20Many things have happened, but ...
10:21Well, serve yourself, serve yourself.
10:28Does Miss Zapallón offer you something?
10:30No, I mean, yes.
10:33Decide.
10:35Mr. Bruno gave me an order and I don't know how to do it.
10:39What is it about?
10:41He asked me to install Candy Crush on his cell phone.
10:48And you think that the general manager of a corporation like this
10:52is the most unoccupied person for you to ask for a favor from that old man?
10:57I'm sorry, I thought maybe ...
11:00No, you thought wrong, Miss Zapallón.
11:04I mean, do you think that Elon Musk or Bill Gates
11:08asked you for help to tie his shoes?
11:11Who are they? Do they work here?
11:17Let's see, give me that manager.
11:20Let's see.
11:23There it is.
11:25Martita is the key, Martita.
11:27No, no, I don't know why I would use that name.
11:30Martita?
11:31Yes.
11:35Oh, Bruno.
11:38Here it is.
11:39Let's see.
11:40Let's see.
11:48It's done.
11:50Tell your boss.
11:52It's done? So fast?
11:55Oh, thank you.
11:57You are a love.
11:58No, I'm not.
12:02Okay.
12:04Tomorrow I'm going to bring you a Juan as a thank you.
12:07No, thank you.
12:13Another day I would like to ask for help with a ...
12:15No.
12:19Okay.
12:22I'm leaving.
12:27Well, Miss Zapallón, go.
12:29Well, Miss Zapallón, go.
12:51But what are you telling me?
12:54I went to see Leonardo.
12:55For the second time.
12:57Why do you get like that?
12:59Because that guy is an ex-convict.
13:01I remind you that he is also my ex-son-in-law.
13:04That was part of a plan, it was all a deception.
13:07Leonardo loved my daughter and is a legitimate widow.
13:10He got into your house, he got into your family,
13:13with deceptions, with false identity.
13:15Of course I know.
13:16But he never did anything to us.
13:19In a way it was a protection against his mother and his sister.
13:22I don't know what I'm talking about if you already forgave him everything.
13:26There is nothing to forgive him.
13:28I repeat, he never did anything to us.
13:30And there was little left.
13:32I don't trust that guy.
13:34My love.
13:35Claudia is dead.
13:38Carmen is sick in prison.
13:40What can Leonardo do?
13:42Besides, he was never like them.
13:45I hope you're right.
13:48That family is extinct.
13:51And can you tell me what they talked about?
13:56We spent a long time remembering Isabel.
14:01Of course.
14:02I catch you for the feeling.
14:04Do me a favor.
14:05It offends me that you treat me like a stupid woman.
14:08Forgive me, Fran.
14:10You are not.
14:12It's just that...
14:15I'm afraid for you.
14:18I'm afraid for you.
14:20Thank you, but you don't have to.
14:23And even if you don't believe it,
14:25Leonardo suffered a lot from Isabela's death.
14:28Talking to him comforts me.
14:33Well.
14:35If you say so.
14:38See you tomorrow.
14:47See you tomorrow.
14:54Daughter, here I am.
14:57Please.
15:00Come talk to me, Isabela.
15:08What's wrong with this lady?
15:11I hope she doesn't come tonight
15:13disguised as her old lady in the deceased.
15:18Mrs. Goyoneche.
15:19Are you there?
15:20For God's sake, Gaspar.
15:21How intense.
15:22Honey, you left me alone waiting for you.
15:24I'm going to sleep, okay?
15:26I'm going, honey.
15:27I'm fixing it.
15:28Fixing what?
15:29Are we going out?
15:30No.
15:31Then?
15:34Oh, God.
15:37Oh, God.
15:38What's this?
15:39Does it say something?
15:41My God.
15:43It's worth the wait, honey.
15:45It's worth the wait, honey.
15:48I can only tell you that in private
15:50I can stop being Mrs. Tere.
15:53Are you still sleepy?
15:56I'm very awake.
15:58Oh, I love it.
15:59Then I'll sing you one of my repertoires.
16:01Really?
16:03Give me your chocolate.
16:05Yummy, yummy, yummy.
16:07Yummy, yummy.
16:08Give me your chocolate.
16:11Another day without being able to sleep.
16:14Why do you say that?
16:15Well, because Teresa and Gaspar are doing their...
16:18...things again.
16:20Oh, well, honey.
16:21But it's okay.
16:22They're husband and wife.
16:23Yes, I mean, it's good for them.
16:24But they don't let me sleep.
16:26You have so much to learn.
16:28Yuri, I don't want to learn your ear.
16:30Oh, no.
16:31I'm not talking about that.
16:33What are you doing?
16:34Are you going to inject me something?
16:35No.
16:37Look.
16:38It's for you to put in your ear.
16:41Oh, what a good idea.
16:43Let's see.
16:44I have a mommy, my little bunny from Berea.
16:46It's a sponge.
16:48Oh, a sponge.
16:52Put it on, hurry up.
16:53Yes, yes, yes.
16:57Ready.
16:58How's it going?
16:59Do you hear anything?
17:00Perfect.
17:05Now, go to sleep quietly.
17:08Yes, I'm ready.
17:09Good night.
17:25Oh, no.
17:27No, no.
17:32It's going to pass.
17:33It's going to pass.
17:36Oh, don't push me.
17:38Oh, no.
17:45Push, push, push.
17:47Oh, no.
17:49I can't take it.
17:51I don't want to go down.
17:53What if I go to the ceiling?
17:56Oh, I'm going to suffocate.
18:00I can't take it, I can't take it.
18:05What's going on here?
18:06What's going on here?
18:08The girls are already sleeping.
18:15Oh, I got it, I got it, I got it.
18:17Adjust, adjust, adjust.
18:32Oh, with the adjustments.
18:37Oh.
18:48A paper?
18:51What now?
18:53Oh, no.
18:56I'm going to call Mami.
18:57She's going to save me.
19:06You are mine.
19:08Love is a trap.
19:11But I love it.
19:13But I love it.
19:15We cry of sadness and joy.
19:19I'm not a fool.
19:21Come on, Mami.
19:24What happened to this girl?
19:25She became deaf.
19:27Maripaz, answer, answer.
19:36But my eyes told me.
19:40I didn't sleep anymore.
19:42I just cried.
19:44I don't know why.
19:45My girlfriend left me.
19:47But I miss her.
19:49I'm going to ask her to forgive me.
19:53Love is a trap.
19:56I used to have a room with a bathroom.
19:58But I love it.
20:00I cry of sadness and joy.
20:04But I'm yours.
20:07But I love it.
20:09Did you hear her crying?
20:11Don't listen to Rosamito.
20:13And touch the drawer.
20:15That's it.
20:17Right there.
20:19There we go.
20:21Oh, my God.
20:23Oh, my God.
20:27But I love it.
20:29But I love it.
20:31We cry of sadness and joy.
20:34But I'm yours.
20:36But I love it.
20:38But I love it.
20:40Love is a trap.
20:42But I love it.
20:48Hey, bro.
20:50That's a taxi.
20:52It's big, it's difficult.
20:54It looks like a taxi.
21:03Hey, buddy.
21:05There are no bridges in Peru.
21:07Right?
21:24I want to laugh.
21:26What did he say?
21:35We have to create a song.
21:37You have to say it.
21:39Hey, hey, hey.
21:46Hey, look at that mall.
21:48It's beautiful.
21:50They sell pizza.
21:52We have a lot of bridges.
21:54Have you met Peruvian people?
21:56Yes.
21:58But we are the best Peruvians.
22:00Have you seen it or not?
22:04It's beautiful.
22:11I'm going to dance.
22:13Why are you taking off your dress?
22:15Why are you taking off your dress?
22:17Why are you taking off your dress?
22:19Why are you taking off your dress?
22:21Remember the mask, remember the mask.
22:23It's not necessary.
22:25We are in the middle of the street.
22:27We are in the middle of the street.
22:34We are in the middle of the street.
22:36We are in the middle of the street.
22:38We are in the middle of the street.
22:40We are in the middle of the street.
22:58No, no, no.
23:00It can't be, cousin.
23:02It can't be that you haven't found Alexia's address.
23:04You're going to kill Cristobal.
23:06This is crazy.
23:08This is crazy.
23:10I think the cousin is upset.
23:12She sent me a message.
23:14Let's see.
23:16Don't pressure her.
23:18Leave her alone, don't pressure her.
23:20Just trust Joe.
23:22Joe is an angel.
23:24Did she send it or not?
23:26Go.
23:28How do you make a car from scratch?
23:30A car from scratch?
23:31A car from scratch?
23:33Hold on.
23:35Hold on.
23:37We can't just do this visit.
23:50Latin party!
23:53Fernandez!
24:01Fernandez!
24:03Fernandez!
24:05Fernandez!
24:07Fernandez!
24:09Fernandez!
24:11Fernandez!
24:13Fernandez!
24:15Fernandez!
24:17Fernandez!
24:19Fernandez!
24:21Fernandez!
24:23Fernandez!
24:25Fernandez!
24:27Fernandez!
24:29Fernandez!
24:31Fernandez!
24:33Fernandez!
24:35Fernandez!
24:37Fernandez!
24:39Fernandez!
24:41Fernandez!
24:43Fernandez!
24:45Fernandez!
24:47Fernandez!
24:49Fernandez!
24:51Fernandez!
24:53Fernandez!
24:55Fernandez!
24:57Fernandez!
24:59Fernandez!
25:01Fernandez!
25:06Wait.
25:08Since I didn't answer,
25:10now they're sending me a message.
25:13No!
25:15No, my love!
25:17Joel is at the film factory.
25:20There they make cars from scratch
25:22with high tech robots.
25:25It can't be!
25:27Joel is there and I'm here.
25:29So think about what you're going to choose.
25:33Honey, but...
25:34Listen to me.
25:35In an American TV show I saw
25:37happy wife, happy marriage.
25:39You choose.
25:42I'm going inside.
25:43That's it!
25:44Very good!
25:51Gaspar, look!
25:55Gaspar, everything is done alone here!
26:00I don't need you anymore!
26:01I don't need you anymore, Gaspar!
26:07Everything is done here!
26:08Everything is done alone, man!
26:10All day long!
26:12There he goes!
26:14Wow!
26:16Wow!
26:19Look how the floor moves, Gaspar!
26:29Redondo, redondo, redondito
26:31Redondo, redondo, redondo
26:34Redondo, redondo, redondito
26:36Dance with desire, dance tasty
26:38I know you, don't be mysterious
26:41You don't have an excuse, dance my cumbia
26:44My cumbia, my cumbia, my cumbia
26:54There he is!
26:55The daddy of the pibuicho!
26:59Take out the bottle to dance for her
27:02Let no one go, the music is there
27:05It had to be my cumbia, my cumbia
27:08It had to be my cumbia, my cumbia
27:14My cumbia, my cumbia
27:23Dance with desire, dance tasty
27:25I know you, don't be mysterious
27:28You don't have an excuse, dance my cumbia
27:31My cumbia, my cumbia, my cumbia
27:37Listen to me, have you ever thought of having a beautiful Latin American man here?
27:43What do you want?
27:44Man, man, please, I warn you, don't be ridiculous
27:46Leave me alone!
27:47Don't be ridiculous, man
27:48A mechanic, beautiful, exotic
27:50Have you ever thought of having him for your social networks?
27:52For your almanacs, for your commercials?
27:54All that stuff you say, like me
27:56Like Jean-François
27:58And all that volume, volume
28:00Because I get dry, I get into that situation
28:02And I get dry, I get dry like Bruce Lee
28:04It's beautiful, what do you say?
28:06Translate it for me
28:08He says, have you ever thought of having an image spokesperson for your brand?
28:12You can do some commercial promotions
28:14Post it on social media platforms
28:16He says he's a mechanic
28:18He's stylish, he's handsome, he's professional
28:21If you find another Latin American image spokesperson, you can consider him
28:26What's up? Why are you laughing?
28:28I already told you, you're very funny
28:31The language of laughter, man
28:33The language of laughter, universal, universal
28:35Yes, of course, of course
28:41Ay, ay, ay
28:42Ay, ay, ay
28:44Manito, I think it's time to implement the robotics of our workshop
28:47Yes or no?
28:48I say, let's take a few robots
28:50And we're going to bring more customers today
28:52Yes, man, I think what you say is fine
28:53It's time
28:54Jimmy, good news
28:56Your girlfriend is in Don Juan
29:00Alicia is with a Don Juan?
29:02No, no, Don-
29:03Let's see, let's see, let's see
29:04I'm not surprised because, let me explain
29:05She was always a little slippery
29:07Brother, don't say that
29:08You're going to defend her, she's with a Don Juan
29:10And you're going to defend her
29:11You were in a hurry on this trip, I'm sorry Jimmy
29:13Okay, okay, okay
29:14Hey, hey, hey, hey, hey
29:15Do you know where that Don Juan lives?
29:16Hold on, hold on
29:17Do you think the two of us can do it with him or not?
29:18I'm going to help you
29:19I don't know, maybe he's a paid employee
29:20I don't know
29:21But he needs martial arts
29:22Well, well, I'm armed
29:23Everyone knows this is a bad idea.
29:25Let's go!
29:26I don't know, if you don't do it, I'll do it myself.
29:49San Juan Blessed, what is that?
29:53I don't know.
30:20After you, beautiful lady.
30:21Thank you, my prince of ebony.
30:23Good morning!
30:24Good morning!
30:26I slept well today.
30:27I also slept very well.
30:29Although Jimmy woke me up in the morning with his questions.
30:32I answered him with a lot of poop.
30:34What fault do I have that Alessia has cut off contact with me?
30:40Good morning! Good morning, little girl.
30:42Good morning to everyone.
30:43And mom?
30:44Just that, aunt, to ask. Didn't she come down?
30:46I haven't seen her.
30:47Well, maybe she went out to run.
30:49Oh, yes.
30:50I'm sure she'll be back.
30:51Yes.
30:52Hey, Dani.
30:53Who's in the bathroom?
30:54Yes, huh?
30:55What?
30:56Of course.
30:57And why is the door closed?
30:59Because I slept in the bathroom!
31:03Mom?
31:04Why don't you answer me?
31:05Bring the toilet paper, I can't feel my legs anymore.
31:09My God!
31:11But what happened?
31:13I don't know, but it's probably my fault.
31:15To the breast no more, daddy.
31:16The law of the married.
31:17To the breast.
31:19Of course.
31:20Well said.
31:21Well said.
31:25Mom, why didn't you call me?
31:27Of course I called you.
31:28You must have like 20 missed calls on your cell phone.
31:31I swear I didn't hear anything.
31:35Do you know what I dreamed last night?
31:37That a gold bath was coming in.
31:39And everything was gold.
31:40Even the water was gold.
31:42And do you know what else was gold?
31:43We don't need details right now, please.
31:45Don't be so discreet, you can hear everything.
31:48Really?
31:49Well, not so much to you.
31:52González family.
31:53González family!
31:54Hello González, we are Goyeneche.
31:56What's up, what's up?
31:57Oh, it's true.
31:58Goyeneche, Contreras, Flores, Collazos, Lara, and Panduro Panturo, which is me.
32:05Well, what's up?
32:06Oh, yes.
32:07It's just that I can't say it.
32:09Totally?
32:10No, I can't say it because it's something that is indescribable.
32:14It's inaudible.
32:15It's unusual.
32:16It's as if the aliens had brought it.
32:19You better come and see it.
32:20Let's see, let's see.
32:34What is that?
32:38That
32:40is modernity.
32:43Mr. De las Casas, is this machine yours?
32:45Yes.
32:46This super modern machine is the Neutronics 1000 with artificial intelligence.
32:53It needs artificial intelligence because it doesn't have it naturally.
33:00Laugh as long as you can, ignorant González.
33:03Because soon you will cry.
33:05My machine will make you bite the dust of defeat.
33:11Wait a minute.
33:13Here is my daddy's winery.
33:15Oh yeah?
33:16What a shame.
33:17Why don't you blame the free market system and let the best win?
33:21Ha!
33:22But then I can keep his smart refrigerator because everyone prefers personal treatment.
33:28Well said, daughter.
33:29Yes.
33:30Listen to me, millennial insolent.
33:32Yes, yes.
33:34Look, we're in the New Lomas.
33:36Nobody wants a neighborhood winery here.
33:38Okay?
33:39So now, if you'll excuse me, I'm thirsty.
33:44Water.
33:45No gas.
33:55Excuse me.
33:56Primitives.
34:00Why are you treating him like that?
34:02What's wrong with him?
34:03Let's see, I want water.
34:05I want a banana, a banana.
34:06Leave it to me, leave it to me.
34:07Let's see.
34:08I want a tamal.
34:09Tamal.
34:10Let's see, let's see.
34:13Tamal.
34:14I think you have to pay first.
34:15Oh yes.
34:16I saw that you put your card there.
34:17Well.
34:18Let's see.
34:19Water.
34:20Water.
34:21Water.
34:24And?
34:25Did you dream of your daughter?
34:26Don't make fun of me, Diego.
34:28No, I'm not making fun of you.
34:29I just want to know if the meditation worked.
34:32What's going on?
34:34I was remembering my late daughter, that's all.
34:37Leonardo Rizopatrón, or Llanos, or whatever his widow's name is,
34:42made him believe that he can talk to Isabella.
34:45He didn't say that.
34:46He said to listen to his voice in his dreams.
34:49It doesn't seem so crazy to me.
34:51Don Gilberto says that every now and then he talks to his late wife.
34:55Because that old man is beyond here.
34:57Well, Teresa has practically become Mrs. Lenny.
35:02Well, not to mention Lucho González, who resurrected three times.
35:06Those González don't respect the differences.
35:08Not even those of life and death.
35:12Is it possible that they have the key?
35:18We are not going to allow that devil's machine to beat us.
35:21No!
35:22The winery, Mi Palomita, is the best.
35:24Yes!
35:25We are going to sink Miguel Ignacio.
35:27Yes!
35:28That cold machine is not going to beat us.
35:30No!
35:31Much less now that my beautiful daughter is the face of the winery.
35:34That, Maripaz.
35:35You have to defend the family.
35:37Trust my family.
35:38That little machine is not going to beat us.
35:40No!
35:42Did you see the machine that is outside?
35:44Sell them some good ice cream.
35:46Love, how did you pay?
35:48They gave me this card.
35:49It came with 100 soles as a gift.
35:53Now we are going to see if those marginals survive my promotions and offers.
36:01Do we distribute in the neighborhood, Mikey?
36:03Of course, my love.
36:05Everyone has to have their Nacho Card.
36:31What are you doing, Valentino?
36:34Surprise offer.
36:35What do you think?
36:41Ready, Mr. Estrepo.
36:43Your car is tuned and purrs like a kitten.
36:46Thank you very much.
36:47Well, do I cancel you?
36:48Well, if you cancel the bill, I have a discount.
36:50And I also have a stick.
36:53The cover is the same.
36:54It's the same.
36:55It's the same.
36:56It's the same.
36:57It's the same.
36:58And I have a stick.
36:59The cover is the same.
37:00It's the same.
37:01It's the same.
37:02It's the same.
37:03It's the same.
37:04You will not regret it.
37:05See what you get.
37:06Great.
37:09Here you go.
37:11No problem.
37:12Ready.
37:13How's my pressure, Miss?
37:14Ah, and you will get your results in the My Palomita warehouse.
37:16Ending in the park on the right two blocks in front and ready.
37:20But you told me it was free.
37:22oh, yes, yes, it's free.
37:25Reclaim your results with this code.
37:27And it has a 2% discount on antifungals.
37:33Do a leg.
37:40Very good, passengers!
37:43Last stop!
37:45Please get off in order, please.
37:48Wait a moment, I'll give you your ticket.
37:51Very good.
37:53Let's see, I'll take care of it, I'll take care of it.
37:55I'll open it for you.
37:56Let's see, get off in order.
37:58And now I welcome you to the modern and tidy winery
38:02Mi Palomita.
38:03Please come in, here you can find everything.
38:05You have a 10% discount on coffee products.
38:08And remember that with your ticket you can exchange a nice gift made of badges.
38:14Come in, come in, without compromise.
38:16Come in, come in, come in.
38:18No, but...
38:23No, but...
38:25And the little gift?
38:27It's bad today.
38:28No, but...
38:55It can't be!
38:56That machine of the devil is taking all my clients.
39:00Nobody is entering my daddy's winery.
39:02Yes, Teres.
39:03I don't know where the personal treatment has been left, the human values, and so on.
39:13And that banana?
39:15Oh, it's cheaper, Teres. It comes out quickly, you understand me?
39:19Traitor!
39:24Suffering, González.
39:26What a delight to see how those marginals are extinguished.
39:29Soon I will take away their livelihood.
39:38Excuse me, Aunt Teres.
39:39It's time to put into practice an aggressive strategy.
39:44A winning roulette, what a good idea!
39:51How sad your promotion.
39:53Give up already!
39:57I'm half-ass, I'm going to put on some glitter, I'll be right back.
40:00No, my love, I sacrifice myself.
40:02Attention!
40:09Come on, play and win!
40:11The millionaire roulette of the winery, my little dove, where...
40:15Everyone wins!
40:17Of course, of course.
40:19What a beauty, what a queen, what a baby, my girl, my girlfriend.
40:22Maripaz, Maripaz, throw the roulette.
40:26Throw the roulette, throw the roulette.
40:28Damn degenerate!
40:30Dad! Dad, I feel something!
40:35Dad, I feel something!
40:37Let that winery die.
40:40Nobody is going to buy them.
40:42If I had known it was so easy, I would have done it a long time ago.
40:46I want to be the fifth teletubbie.
40:50I want to walk around the field.
40:53I want to see the colorful world and go out to play.
41:06The promotion was useless.
41:09I did a thousand, a thousand laps in the roulette and no one came.
41:12And this chon metipuloso is going to get me all hot.
41:15Enough, love.
41:16If you want, go change and I'll wait for you in the winery.
41:20Until I burn the last card.
41:23But...
41:24Come on, come on.
41:25I'm all screwed up.
41:26Come on, come on, come on.
41:28Oh, baby.
41:30Don't feel bad, you did what you could.
41:32Oh, but a machine can't beat us, Tere.
41:34It's not a machine that beat us.
41:36It's Miguel Ignacio.
41:38Oh, I don't know what I'm going to do when my dad comes.
41:40How am I going to tell him?
41:42Well, I'll think of something.
41:43You can keep serving.
41:44But who, if no one is coming?
41:46Ah!
41:52Pass the door.
41:53Pass.
41:57For God's sake.
42:00Yes.
42:01It's me.
42:02The new matriarch.
42:04Now I'm carrying the family on my shoulder.
42:06Mrs. Tere.
42:08Note the resemblance, Teresa.
42:10Mrs. Tere.
42:12Mrs. Tere.
42:13Mrs. Tere.
42:15A consultation.
42:18Are you talking to Meli?
42:24Luisa, where are you?
42:27Today I was going to look for you.
42:32I already saw you, Miss Zapata.
42:35I'm going to pay Mr. Orozco.
42:37Well, whatever.
42:40What are you eating?
42:44Guarguero, sir.
42:49Enjoy it.
42:54I don't want a bite.
42:58Why not?
43:14Very good.
43:16Go back to work.
43:18Yes, Mr. Manager.
43:43Yes.
43:44I talk to her.
43:45I pray to her.
43:47I bring her to my memory to remember her as she was.
43:52But.
43:54You communicate with her.
43:57I mean, do you feel that she speaks to you?
44:00I mean, as if she were here.
44:03I don't know.
44:05I don't know.
44:07I don't know.
44:09I don't know.
44:11I don't know.
44:13Speaking face to face, no.
44:16But I feel her presence.
44:18What's more, I'm more and more influenced by her.
44:22You can tell.
44:24Yes.
44:26And your dad, Mr. Gilberto, talks to Meli, right?
44:32I've seen it.
44:34Yes, my daddy always talks to my mom.
44:37Although sometimes he exaggerates a little.
44:39Here among us, Olinda became jealous of my mother's ashes.
44:45Don't tell me.
44:47Well, clearly I had a different idea of your relationship with your deceased.
44:57Mrs. Francesca.
44:59What do you want to tell me?
45:02How can I help you?
45:05I don't know if I can tell you.
45:07I don't know if I can tell you.
45:09You're going to think I'm out of my mind.
45:12No, we listen, we don't judge.
45:16You know that my daughter Isabela suffered a violent death.
45:20Horrible.
45:22And since then,
45:26I can't remember her,
45:28if it's not with a lot of sorrow, with a lot of pain.
45:32When it comes to my memory,
45:35I feel a great disappointment.
45:41I would like to be able to enjoy your memory with joy,
45:46if I only had a hope.
45:50I think what you need is to talk to Father Manuel.
45:54No, no, no.
45:56I know what you're going to tell me.
45:58And it's not a lack of faith.
45:59I just need to talk to her,
46:05see her smiling,
46:07know that that bullet didn't kill both of them.
46:13I understand, I understand.
46:17I think I already know who can help you.
46:20Some specialist?
46:22Totally. A professional on the subject.
46:25Someone who helps heal wounds when a loved one is born.
46:30I'm going to thank you very much for giving me the contact.
46:35Let me get it. Excuse me.
46:44That's what I need.
46:48Heal this deep wound.
46:53I hope that psychiatrist,
46:55coach,
46:57holistic healer, whatever his name is,
47:01helps you
47:03remember my daughter with the joy that characterized her.
47:13Isn't that Diego's nuclear man?
47:16What is he doing here?
47:25Yes!
47:27It's mine!
47:29I thought I had lost it.
47:32It was in the Gonzales' house.
47:35What? What was it doing there?
47:38In a moment,
47:40I thought I had lost it.
47:43It was in the Gonzales' house.
47:46What? What was it doing there?
47:49In a moment,
47:51I thought I had lost it.
47:53Yes.
47:55In a neighborhood where corpses change places,
47:58a doll is nothing.
48:00But if I had it in my drawer,
48:02even for them it would be too much to take it from there.
48:06And what were you doing in that house?
48:09I was thinking about what we talked about.
48:12The relationship the Gonzales have with their dead.
48:15Are you going to continue with that?
48:17If you had suffered what I suffered,
48:20you would also cling to anything.
48:24You're right, forgive me.
48:31And above all,
48:34the way they remember Nelly and Lucho when he was alive
48:39is healthier than my eternal love for Isabela.
48:43Don't tell me you're going to start following in the footsteps of that old motorist
48:47and you're going to walk around with your pyramid everywhere.
48:49Oh, please, no.
48:51Teresa has recommended me to a professional
48:55who is dedicated to helping people to overcome this type of loss.
49:01Teresa?
49:03I was surprised by her.
49:05Yes, she is well changed.
49:07She is more focused, more alert.
49:21Two thousand soles in one day. I love you, Neutronics.
49:26I love you too, Nachito.
49:29Neutronics, don't call me Nachito.
49:40We have to admit that a machine beat us.
49:44We still don't give up.
49:46But if no one comes, Valentino?
49:48It was for the good.
49:50Now it's our turn.
49:55A holistic healer?
49:57Yes, he is a professional of the soul.
50:00Dedicated to healing people who have suffered violent losses.
50:04Like us?
50:06Yes, I'm sure he will help us overcome the death of my daughter
50:10and the woman you loved so much.
50:12I'm sick of wishing to put myself under the tutelage of this abnegate.
50:17I'll tell you.
50:33Welcome, Master.
50:46Hello, Papito?
50:49Yes, everything is fine. The winery.
50:52And the winery is wonderful, Dad.
50:55Everything is working amazing.
50:57In a few words, your winery is breaking sales records.
51:01A total success.
51:03I see that you are empowered.
51:06But I don't know what to do.
51:09I don't know what to do.
51:11I don't know what to do.
51:13I don't know what to do.
51:14Empowered, huh?
51:16But happily, now I'm here
51:19to depower you, watchdog.
51:23Listen to me well.
51:25If you make a mistake, a minimal mistake,
51:29I'm going to make it impossible for you to get kicked out of the Lomas.
51:32Did you understand?
51:34The smallest mistake?
51:37I already know how to eliminate it, but it won't be easy.
51:40Felix is watching her all the time, but don't worry.
51:42We will take care of him.
51:44We will take care of him?
51:46Honey, I told you not to ...
51:48Princess, princess, calm down, okay?
51:50I just need to call my team.
51:53I need to see you again, Javier.
51:57No matter the price you have to pay.