Al Fondo Hay Sitio 12 Capítulo 7 en HD Completo
Al Fondo Hay Sitio 12 Capítulo 7 en HD Completo
Al Fondo Hay Sitio 12 Capítulo 7 en HD Completo
Al Fondo Hay Sitio 12 Capítulo 7 en HD Completo
Al Fondo Hay Sitio 12 Capítulo 7 en HD Completo
Category
🎥
Short filmTranscript
00:00I don't know what's going on with the planes that keep falling.
00:02Dad!
00:03No, it's the truth. There have been like 10.
00:05No, no, don't listen to him.
00:07May you go super in your trip and in your new job.
00:11Good luck.
00:12Yes, Maca, may you go super well.
00:16I want to thank you all for having listened to me.
00:19It's been a pleasure.
00:28I want to thank you all for having received me when I needed it most.
00:32Did you talk to Joel?
00:34Yes, I already told him.
00:35Well, we'll go with you to take your taxi.
00:37No, friend.
00:39I don't want to cry.
00:42Thank you all very much.
00:43Bye.
00:45Just in case, in the back seats you have more chances to survive.
00:49Dad!
00:50No, it's true.
00:59Where are you going?
01:01I got a job in Trinidad and Tobago.
01:05That's too much of a question.
01:08No, it's serious.
01:11They don't pay me much, but it's my thing and it's in dollars.
01:16Oh, Macaren.
01:18How nice of them to give it to you.
01:20Okay, but you're my daughter and you always will be.
01:24So, if you need anything, pick up the phone and call me.
01:28Okay?
01:31I told you to call me, okay?
01:35Because I don't want you to suffer from hunger or be sick.
01:42I don't want you to suffer from hunger or be sick.
01:47That's it.
02:00Good luck.
02:17Good luck.
02:47Good luck.
03:07On this third card, do you remember the first time we met?
03:17We played seven cards.
03:20Do you also think about me?
03:47I didn't want everything to end like this.
03:50This is the card 11, 12, 15 cards.
03:55I had never written so much in my life.
03:58How are you?
03:59Do you like your job so much that you don't want to come back with me?
04:0320 cards.
04:05Wow.
04:07I think I ran out of ink.
04:10Get me a new pen.
04:18You have me trapped in the night.
04:30What a disgusting Deja Vu.
04:34Hey, if you're going to park like this, don't pass.
04:37First greeting, right?
04:38Good morning, Mr. Miguel.
04:39Miguel Ignacio!
04:41What are you doing here?
04:47Good morning.
04:48Let's go.
04:49Let's go.
05:02Emilia, Emilia, Emilia!
05:06This is an emergency, come out quickly!
05:09Dear God!
05:10What happened to my junior?
05:11Because she is not very calm.
05:13I'm getting like Lacharo with Jimmy.
05:15Felix, please! We're not here to guess!
05:17I was just in the bathroom and I saw a discharge!
05:19The new neighbor of the new Lomas is...
05:23Miguel Ignacio de las Casas.
05:26God!
05:28Who is that?
05:29I don't know.
05:32Ah!
05:33And that's my facade!
05:35Hey, what are you doing here?
05:37Have you seen him before?
05:38No.
05:40Are you talking to me?
05:41Yes! Don't play dumb!
05:45Tito? Teresa?
05:48Who else?
05:49I didn't recognize you!
05:51Life has treated you with such little affection!
05:54What an ugly old man!
05:56Hey, your jokes are still as stupid as always!
05:59No one laughs anymore!
06:02What do you mean old man?
06:04What's wrong with you, Miguel Ignacio?
06:05And why are you alone?
06:07And where is your friend the drunk bus driver?
06:10What's going on?
06:11Won't the rest of the Gonzales come out to welcome me?
06:14Teresa!
06:15Where is your father's old bus driver?
06:17Look!
06:18When you talk about my father,
06:20refer to him with respect!
06:22What's going on? Did he die?
06:23What a shame!
06:24Don Gil is more alive than ever!
06:26And he's married!
06:27Already?
06:28And who are you?
06:29I am Teresa's husband, Gaspar Goyoneche.
06:31As far as I'm concerned,
06:32I continue with my affairs.
06:34Oh, I know who he is!
06:35It's my cousin's father-in-law, the gray one, right?
06:37I had heard rumors about him,
06:39but I didn't think he was so emphatic.
06:41Honey, is this the guy who knocked down another house?
06:43It's him!
06:44And what is he doing here?
06:45It's obvious!
06:46Diego Motalban called him to join forces
06:49and be our enemy in the neighborhood.
07:01Thank you for offering to clean the house, Cristobal.
07:04I didn't offer.
07:06Francesca, my father forced me when I returned home.
07:09You will understand that after what happened,
07:11we don't want to involve strange people.
07:14And we don't know anything about Claudio either.
07:17Although I really want to see him, I don't.
07:21Yes, well, we don't know anything about Coqui either.
07:25Francesca, I have a stain in the kitchen that doesn't come out.
07:29I'm going to mix water and vinegar to get it out.
07:31Yes? Excuse me.
07:32It's good that you learned cleaning tips from Julio.
07:42Okay, I'm going.
07:50Get back! Get back!
07:56What's going on?
07:57I told you you couldn't come in.
08:00Bring your husband!
08:01You don't give me orders!
08:02And nobody gives you the right to want to burst our liver!
08:06I'm not for stupidity, get out!
08:08Ma'am, ma'am, look.
08:09I try to be very respectful with everyone,
08:11but calling the person who breaks down Gonzales' house
08:15is very low, ma'am.
08:16Of course!
08:17Who broke down the house?
08:18Did Miguel Ignacio go look for them?
08:21No, Mrs. Francesca.
08:22Your ex-son-in-law has settled in the house
08:24that belonged to Professor Xavi.
08:27Now he's your neighbor.
08:28Oh, impossible!
08:29Oh, yes, pretend you don't know.
08:31Of course I don't know!
08:35Let's see.
08:37Let's see.
08:41It's for now.
08:44Being a housekeeper is not embarrassing at all.
08:47Let's see if you have a busy mind and leave me alone.
08:53I'd better go with Mrs. Francesca.
08:54I'm not going to let anything happen to her.
09:00Cristóbal, I don't need you to come with me.
09:02I'd rather you keep cleaning the house.
09:07In this country,
09:08housekeepers are not respected.
09:13The house looks good.
09:14I'll call my friend Bobo
09:16to make it smarter.
09:19Trini,
09:21tell me tomorrow's schedule.
09:23Of course, Miguel Ignacio.
09:25At 9 in the morning,
09:27you have breakfast with the orphans.
09:29It's for charity.
09:31Oh, how boring.
09:33Cancel that breakfast.
09:34Cancel that breakfast.
09:35Next.
09:37At 10.30 a.m.,
09:38meet with the congressman
09:39who likes fine gifts.
09:44He's going to help me with my problem.
09:48How much will I ask this time?
09:49Next.
09:51At 12 a.m.,
09:52spa.
09:55Stop.
09:57Miguel Ignacio!
09:58You filthy rat!
10:00Get out of there!
10:02It was taking too long.
10:09Francesquita,
10:10did you come to welcome me?
10:12Listen to me, bad-smelling German.
10:14German what?
10:15Bad-smelling.
10:16Well said.
10:17You already ripped off the management of my company.
10:19What do you want now?
10:20What?
10:21Miguel Ignacio is the manager of the corporation?
10:23He must have done something dirty under the table.
10:26It's typical of him.
10:27Francesquita,
10:28we already talked about the subject.
10:29You should thank your mother-in-law,
10:31who was the one who hired me.
10:32The titanic's grandmother hired him?
10:34Miguel Ignacio is a new sheriff, right?
10:36You don't blame Antonia's cockatoo, do you?
10:39Moving in front of my house
10:41is a dirty trick of yours
10:43to put pressure on me,
10:45to scare me,
10:46to make me feel miserable,
10:48to make me lose my sanity.
10:50I moved to the new slopes
10:52because I like the area.
10:54I think it has potential.
10:56And besides,
10:57I think interesting buildings could be built.
11:03Did you see his face?
11:04He's got a face of greed.
11:06He wants to take the house from us again.
11:09I will not allow it.
11:11You touch a single brick of my house
11:14and I bury you alive.
11:16You are not welcome here.
11:18I'm leaving.
11:19Yes, I'm leaving.
11:20I'm leaving.
11:21I'm leaving.
11:22I'm leaving.
11:23Enough, enough.
11:24I'm going to pass your scream through my nose.
11:28If any of you dare to touch my hair,
11:31I'll file a complaint and I'll leave you on the street.
11:33I know where you all come from.
11:35No, no, no, no.
11:36You don't know me.
11:37Me neither.
11:38I'm going to do it in a short time.
11:40And instead of nagging me, you should thank me.
11:42Because in my presence, the square meter in the area goes up.
11:54I'm leaving.
11:55I'm leaving.
11:56I'm leaving.
11:57I'm leaving.
11:58I'm leaving.
11:59I'm leaving.
12:00I'm leaving.
12:01I'm leaving.
12:02I'm leaving.
12:03I'm leaving.
12:04I'm leaving.
12:05I'm leaving.
12:06I'm leaving.
12:07I'm leaving.
12:08I'm leaving.
12:09I'm leaving.
12:10I'm leaving.
12:11I'm leaving.
12:12I'm leaving.
12:13I'm leaving.
12:14I'm leaving.
12:15I'm leaving.
12:16I'm leaving.
12:17I'm leaving.
12:18I'm leaving.
12:19I'm leaving.
12:20I'm leaving.
12:21I'm leaving.
12:22I'm leaving.
12:23I'm leaving.
12:24I'm leaving.
12:25I'm leaving.
12:26I'm leaving.
12:27I'm leaving.
12:28I'm leaving.
12:29I'm leaving.
12:30I'm leaving.
12:31I'm leaving.
12:32I'm leaving.
12:33I'm leaving.
12:34I'm leaving.
12:35I'm leaving.
12:36I'm leaving.
12:37I'm leaving.
12:38I'm leaving.
12:39I'm leaving.
12:40I'm leaving.
12:41I'm leaving.
12:42I'm leaving.
12:43I'm leaving.
12:44I'm leaving.
12:45I'm leaving.
12:46I'm leaving.
12:47I'm leaving.
12:48I'm leaving.
12:49I'm leaving.
12:50I'm leaving.
12:51I'm leaving.
12:52Hello?
12:53Amiga?
12:54Hello?
12:56Hi, Mrs. Lee.
12:58Amiga, how is my country treating you?
13:02Everyone has treated me very well.
13:04Yes, we are good hosts.
13:08And your country is very beautiful.
13:10Have you been to Shanghai?
13:12Oh, a lot.
13:14Don't you see that my grandmother is from there?
13:18Could you recommend me some places to eat?
13:21What?
13:22They haven't told you yet?
13:23They haven't taken you yet?
13:26They have taken me to great restaurants, but...
13:30I would like to go to more popular places to get to know that culinary environment.
13:36Oh, how nice that you tell me.
13:38Because I know a lot of people there.
13:43Mrs. Lee, I wanted to ask you something.
13:47I heard something very crazy and strange that is impossible to be true.
13:52It's about Jimmy who took a boat and...
13:55What are you talking about?
13:57Nothing.
13:58Nothing.
13:59It's nonsense.
14:00Tell me about your friends.
14:02Look, I'll tell you.
14:03I know one there in a little street that is entering Shanghai.
14:08That guy is the worst.
14:10He dedicated his existence to making our lives impossible.
14:13It would seem that you were talking about Diego Montalban.
14:16Please tell me.
14:17He is a 20-year-old guy next to him.
14:19Do you know what he did to us once?
14:21Tito, you've been talking about that guy for 20 minutes.
14:24Forget it.
14:26You don't know how much I hate that idiot.
14:28But why do you have so much resentment?
14:32I can't continue with this farce, Tito.
14:34I don't love you.
14:38What do you mean you don't love me?
14:40You're good and noble.
14:43And you're going to find a girl who loves you just like you are.
14:47I already found that girl.
14:49And that girl is you.
14:52We're not made for each other, Tito.
14:56Goodbye.
15:04Liliana, wait!
15:05It's best if you go with him.
15:07Liliana!
15:08Liliana!
15:11Why did Pepe do this to me?
15:13Why?
15:16You know what?
15:17You're right.
15:18I'm going to stop talking about that idiot.
15:20Hey, baby.
15:21Why are you packing your bag so early?
15:24We'll do it tomorrow.
15:25Because I love to do things in advance.
15:27I hate to leave everything last second.
15:30My wife is very organized, isn't she?
15:33You should do the same.
15:36I'll listen to you.
15:39I can't believe we're finally going on our honeymoon.
15:43Yes.
15:44I really don't know how that hotel in Paracas is so cheap.
15:48I wouldn't have been able to do it if I hadn't worked in an agency.
15:52You're going to learn all my skills.
15:55Let's see.
15:57Show me your skills.
16:05I haven't told my family yet that we're in love.
16:08What if we tell them now?
16:10Tell them?
16:11Don't you think it's a good idea?
16:13You know how they are.
16:14Tito is going to tell you one of his jokes.
16:16You're going to feel uncomfortable.
16:18I prefer to prepare them before I tell you.
16:22We can prepare them with our stomachs.
16:24Of course.
16:25I can make them a lunch that leaves them with their mouths open.
16:27And you know what?
16:28We'll tell them the news.
16:31Well, you liked the idea.
16:33Why do you say interesting things?
16:35Because you inspire me.
16:37Good answer.
16:39Well, let's go to the market.
16:41We have to buy the ingredients.
16:42What are you going to prepare?
16:43You'll see.
16:45Tell me.
16:47That information is worth another kiss.
16:55The entrance is going to fascinate you.
16:58It's going to be amazing.
16:59Do you want me to chop the vegetables?
17:00Please.
17:01Wait a minute.
17:04It's the head nurse of the clinic.
17:06I would really love to work there.
17:08I hope it's good news.
17:09Of course.
17:11Hello, Nurse Diaz.
17:13You continue with your call.
17:14I'm going to go.
17:16Get your dirty hands off little Yuli.
17:19You thought there was no one at home and you could do your dirty work, right?
17:22No, it's not what you think.
17:24It's a television, Nurse Diaz.
17:25It's a police program.
17:26What's going on?
17:27I found the boss taking advantage of Yuli without her consent.
17:30What?
17:31No, no.
17:32Let's go upstairs.
17:33That's not what happened.
17:34Why?
17:35We're going to put him upside down.
17:36No, no.
17:37Not me.
17:38Shut up!
17:39Do you think that because you prepare delicious food for us,
17:41you can take advantage of her without her consent?
17:44What?
17:45No!
17:46Shut up!
17:47Nurse Diaz, I think so.
17:49I hear her, I hear her.
17:52We opened the door to the house.
17:55We gave you our trust.
17:57We allowed you to prepare Christmas dinner and a few breakfasts,
18:01and that's how you pay us?
18:02Now you're going to know what we do to losers.
18:04No!
18:05No, I'm not a loser.
18:06What happens is that Yuli and I ...
18:08Shut up!
18:11Are you colliding with the Gonzalez family?
18:14That.
18:15Hit him hard.
18:17Help me with the countdown.
18:19Five.
18:20Four.
18:21Ready, Nurse Diaz.
18:22I'll be there.
18:23Thanks for letting me know.
18:24Let him go.
18:25He's my boyfriend.
18:26Don't lie, Yuli.
18:28I swear on the Virgin of Guadalupe that he is my boyfriend.
18:31We've been together for a few days.
18:32But...
18:33But why didn't you say it before?
18:35We were looking for the right time to tell you.
18:38Really?
18:39Sorry, Salvador, but we thought he wanted to get over you for Yuli.
18:42No!
18:43What do you mean?
18:44If Salvador is a gentleman.
18:45It doesn't matter.
18:46It doesn't matter.
18:47It was all a misunderstanding.
18:48In fact, what better time than now to tell you that you can stay calm.
18:53If I'm always going to respect Yuli.
18:56Well, if that's the case, and since Pepe is not here,
18:59I think it's up to me to welcome you to the family.
19:02Welcome, boy.
19:03Thank you, Pepe.
19:04But this little confusion serves as an experience for you.
19:10Because if you make Yuli suffer like Vampirin did,
19:13in front of Silo.
19:15I promise you it will be different.
19:21Well, now we have to celebrate this, right?
19:23Of course.
19:24Well, I had planned to prepare lunch for you.
19:27Ah, perfect.
19:29And no bachelor.
19:41It's the tastiest thing I've ever tasted in my life.
19:43Can you repeat?
19:45Of course.
19:46It's good that you liked it.
19:48We loved it.
19:49What's more, now that Linda is not here,
19:50I propose that you be the official cook of this family.
19:53Yes, uncle.
19:54Salvador works.
19:56But on my days off, I can come and cook for you.
20:03Tere, didn't you like it?
20:05No.
20:07I don't have an appetite.
20:11Well, Teresa, don't bring your couple problems to the table.
20:15Are you upset with me, love?
20:16No, love, no.
20:18He speaks because he has a mouth.
20:20He's an animal.
20:21Don't call him an animal either, Tere.
20:23Thank you for defending me, dear wife.
20:25No, I'm sure it's spicy because Salvador's food is delicious,
20:28but hers is horrible.
20:29It's disgusting.
20:30Tito, Tito, Tito, Tito.
20:32Tito.
20:35Well, I remind you that tomorrow Tito and I
20:37are finally leaving on Monday.
20:39That's right.
20:41Beach, drinks, sun.
20:45And well, that you already know too.
20:47There are things that children prefer not to know.
20:49When we were on Monday and Sunday, we left the room, right love?
20:52I imagine.
20:56Is something wrong with you?
21:01No.
21:02Nothing happens.
21:18As Vito Corleone used to say,
21:22keep your friends close
21:25and your enemies even closer.
21:31Ay, ay, ay.
21:36Bad quality bradillo, scratchy cement.
21:41Incredible.
21:43Trini,
21:46being able to lift something better,
21:48they lifted the same crap.
21:53They even preserved the chulpas of their deceased.
22:01And their horrible business could not be missing.
22:07Trini,
22:08give me two ideas to spoil the week to the González.
22:14Stop.
22:18And that?
22:25Hello, can I help you?
22:28Do you have it here?
22:29Yes.
22:31And why?
22:33Because I like it.
22:34Ah, and do you know where the air conditioning is?
22:36Oh, hello, how are you?
22:38Can I help you with something?
22:41Excuse me for the intrusion, right?
22:44Do you work for the González?
22:47No, I'm Tito's wife.
22:50What?
22:51Did you marry that guy?
22:53Sorry?
22:55But, let's see, it can't be that you look so presentable.
23:00I mean, you don't have the same ethnic or sociocultural type as them.
23:04Look, sir,
23:05I don't know what kind of prejudices you have installed in your mind,
23:09but neither my daughter nor I have any interest in discovering it.
23:12So please leave.
23:15Miguel Ignacio de las Casas to serve you.
23:18Love, how many underwears do you think I should wear?
23:21Remember that I use them backwards and to the right.
23:24What are you doing here?
23:28Ah, I came to buy.
23:31Remember that here you are a non-grateful person, so get out, okay?
23:35Good afternoon.
23:41Is he the new neighbor?
23:43You're absolutely right, he's unbearable.
23:47Daughter, the next time you see him, pour boiling water on him, okay?
23:51Copichi.
23:54Yes.
24:04Yes.
24:35Son.
24:36Dad.
24:39How are you? Have you talked to your sister?
24:41Yes, yes, I talked to her.
24:43She told me that everything is fine, but that she misses Peru.
24:47Of course.
24:49And you, why are you so sad?
24:52Do you really care?
24:54Of course I do, son.
24:57You are part of my life.
24:59Your pain is my pain.
25:03Tell me everything.
25:06I miss her, dad.
25:09Keep in mind that the separation is recent.
25:11And painful.
25:13I understand you.
25:15You know, I try not to think about her, but there are so many moments together.
25:22I miss her.
25:24I miss her.
25:26I miss her.
25:27The moments together.
25:30At this moment, time is our best ally.
25:35I can only think like that.
25:39She knows how much you love her.
25:42I don't think so, dad.
25:44And I don't think I can forget her.
25:47Julie is the love of my life.
25:53Julie?
25:54Dad.
25:55Are you talking about Julia?
25:57Dad, calm down.
25:58I thought you were talking about your sister.
26:00No, dad.
26:02Damn it, you're going to waste my time.
26:06Dad.
26:16And did you tell Jimmy that you are with Salvador?
26:18Not yet.
26:19No, but I guess you already know.
26:22Here the walls not only have ears, but they are very noisy.
26:26In case I was going to the bathroom.
26:31But well, and do you think that when you tell him, he will get angry?
26:36No.
26:38Anyway, after all, Salvador was the one who encouraged him to go to China to look for Alicia.
26:42Yes, it's true.
26:44I hope he finds her.
26:45He will find her.
26:46They are destined to be together.
26:50Yes, but you still don't talk to her.
26:52I think she doesn't want to know anything about him.
26:59Julie, can I ask you a question?
27:01Yes.
27:03Do you still feel something for Cristobal?
27:09Oh, no, no, no.
27:11Sorry, sorry.
27:12What happens is that, I don't know, I remembered when you were in love and all that.
27:16But if you want, we can talk about something else.
27:18Don't worry, it's okay.
27:22Look, I think all relationships are different.
27:28Because people are different.
27:31I went through a lot of beautiful things with Cristobal.
27:37But it didn't work.
27:39And sometimes you have to leave some people behind and give the opportunity to others.
27:45Yes, but still.
27:46Salvador is a very nice guy.
27:48Yes.
27:50I would still like Valentín to be a little bit more like Salvador, more polite.
27:54That's for going up and down with the guy.
27:56Yes, well.
27:58Oh, and if the four of us go out at some point?
28:00So that he gets a little bit of what Salvador is to Valentín.
28:04Yes, I'm going to tell Salvador.
28:07Oh, what a cute little brother.
28:10It's going to be a lot of fun.
28:11It's going to be a lot of fun.
28:13Yes.
28:14Eat.
28:15Yes, or go to the movies.
28:18Yes, yes.
28:19Yes.
28:39Daughter, please.
28:40Anything.
28:41Call us.
28:42Yes.
28:43Yes, mom.
28:44Send photos.
28:45And don't forget to bring us some gifts.
28:46Important.
28:47Yes, look, they're staying with us.
28:49Ah.
28:50Well, I really don't remember, but it's a very cool boyfriend.
28:52Let's see, let's see, let's see.
28:53I see, I see, I see.
28:55Let's see.
28:56Very cool.
28:57Let's see.
28:58The photo looked nice.
28:59Yes, of course.
29:02Tito, I'm going to kill you.
29:06Have you made the reservation at the hotel for next year?
29:10What?
29:11Love, what a good joke, I almost fell.
29:14No, but you are talking to an expert in the matter.
29:16It's getting late, let's go.
29:17Look at him.
29:19Look at him.
29:33Notiendo Provincias.
29:35It's me.
29:36Ah, finally someone comes to welcome me with affection.
29:40Your whiskey, do you want it simple or double?
29:43What are you doing here?
29:46Are you also going to join the crybabies club?
29:49First the corporation.
29:51Then you move to the neighborhood.
29:54What's next?
29:56I did it as if my presence would bother you.
29:59No, Nacho, you are my brother.
30:01For me it is always a pleasure to have you close.
30:04But?
30:06But?
30:07But you are causing a discomfort to Fran
30:10and I would like to free her from that martyrdom.
30:15For God's sake, Diego, are you listening to yourself?
30:18No, no, no, listen to me, listen to me.
30:21I'm telling you that I'm going through a bad time.
30:24First the corporation and its changes.
30:26Then the police.
30:28Give us a break.
30:30Lower your tone.
30:32Move out of the neighborhood.
30:34What?
30:35No one tells me what to do.
30:37I'm serious.
30:39Me too.
30:41Are you going to put years of friendship at risk for a nursery?
30:43Here the crybaby is you.
30:45You are going too far.
30:47The girl is manipulating you like her dog Faldero.
30:49Either you leave Las Nuevas Lomas
30:51or our friendship ends here.
31:00Enough, Terry.
31:02Pack me without compassion.
31:04Lore.
31:06With all confidence.
31:08Well, Tito, you are a loser, a good for nothing,
31:10an animal, a beast, almost an illiterate.
31:12How are you not going to read what it says there?
31:142026.
31:16But it is that no one has ever had Fentito, not even his mother.
31:18And now, poor Lorena has ended up flirting with Tito.
31:20But that's how things are.
31:22If I were Lorena, I ...
31:24Love, love, already.
31:26Lorena, can I stop her, right?
31:28Yes, yes.
31:30It's good.
31:31You were right, they were so cheap.
31:33Well, I should have suspected.
31:35Yes, no, really.
31:37I'm very sorry.
31:39I saw the photos.
31:41They were pretty.
31:43I got excited.
31:45And well, I bought the touch.
31:47And there that travel agency also gets crazy.
31:49How are they going to put 2026 in letters so small?
31:51Exactly.
31:53And now what are they going to do?
31:55You know what?
31:57Let's go to the agency to ask them to return the money to us.
31:59Yes.
32:01Poor Lorena.
32:03It's just that, look, poor thing.
32:05Carrying the animal of Tito.
32:07Love, love.
32:09If I talk to my mom so she can host them for a little while in Cañete.
32:11Well, it may be.
32:13But first get the money back.
32:15Oh, this Tito.
32:17Oh, no, no, no.
32:19I'm not going to let them miss the honeymoon like that.
32:21And my family is going to help me.
32:26Diego, stop, stop.
32:28Let's talk.
32:29I would like to be a teletubbie, nothing more.
32:32Save the song that you are not going to convince me.
32:34Diego.
32:36One of the things I came to Las Lomas
32:38is to give you your deserved Los Gonzalez.
32:41Without having to study
32:43or have to work.
32:48I want to be the fifth teletubbie.
32:53I want to be winning in the field.
32:55I want to be winning in the field.
32:57I want to be winning in the field.
32:59I want to be winning in the field.
33:01I want to be winning in the field.
33:03You are not even free.
33:05You are rich,
33:07all being run by the capoe.
33:11La la la la
33:13La la la la
33:15once more
33:17La la la la
33:19La la la la
33:21once more
33:22La la la la
33:24Once more
33:26Where were you?
33:28We have to go to the Corporation.
33:30I went to talk to Miguel Ignacio.
33:32Para para ponerlo en su lugar. Le de un ultimatum para que se mudara del barrio
33:37que es que lo haga no lo sé es un necio pero si te puedo asegurar que está advertido que no debe meterse con
33:44nosotros
33:46Gracias por intentarlo
33:48Tienes nada que agradecer
33:51Sabes que siempre puedes contar conmigo
33:54Música
33:58Déjame ser como soy
34:00ya vienen ya vienen
34:02al instante al instante
34:04Música
34:06Música
34:08Música
34:10Mira amor
34:12Hay que darle el lado positivo
34:14tenemos vacaciones aseguradas en Paracas
34:16el próximo año
34:18Bienvenidos a Love Paradise Resort
34:20Música
34:22What is this?
34:24As your trip was canceled, I convinced the family to give you a day of honeymoon.
34:28That's right, so relax and enjoy the love.
34:33Fun is guaranteed.
34:36You have free meals and drinks.
34:39That includes a lot of soda.
34:41And it's going to be unforgettable.
34:44Oh, family, you didn't have to bother.
34:46No.
34:47You deserve everything.
34:49Long live love.
34:52How are you?
34:56Since they are VIP customers, we have assigned them the Sweet Sapphire in front of the sea.
35:05Decoration for newlyweds.
35:10Equipped fridge.
35:15High definition television.
35:18Have you bought us a TV?
35:20No, it's borrowed from Olinda.
35:22And you can hear the sea?
35:23Yes.
35:24Of course.
35:26It's part of the experience of sleeping in front of the sea.
35:32And I suggest that you start analyzing because your activities start in 15 minutes.
35:38Activities?
35:41I hope the resort is comfortable.
35:44Please serve yourself.
35:46What do I serve to the boyfriends?
35:48I want to feed the fly.
35:50Please, that question offends me.
35:54Get ready because your Zumba instructor is about to come for her first activity.
35:59I'm here.
36:01Let's go upstairs.
36:02Let the party begin.
36:03Let the party begin.
36:05Let the party begin.
36:07Let the party begin.
36:09Let the party begin.
36:11And how is this couple?
36:13Is it active?
36:15Yes.
36:16Let's dance.
36:17Let's dance.
36:18Let's dance.
36:19Right.
36:21Left.
36:22Right.
36:24Left.
36:27Come on, come on, come on.
36:32No.
36:34No.
36:35No.
36:36No.
36:38No.
36:39No.
36:40No.
36:41No.
36:42No.
36:43No.
36:44No.
36:45No.
36:50No.
36:55No.
37:00No.
37:05I'm sorry to interrupt, serve a little more for the boyfriend and for the girlfriend.
37:19If you need anything, let me know, there's more here.
37:30Why didn't you invite us? I didn't want to see you.
37:33Get out of here, fat man. Let's call Panduro. Where's his number? Here it is.
37:41I'm still the lawyer of the Maldini Corporation.
37:44I don't have any kind of authority here.
37:47I called you to show you personally the results of the analysis carried out by the police
37:53on the body they found buried in your garden.
37:56In addition to what we already knew, that it is a female sex corpse,
38:01and with six shots of a revolver it was possible to establish the identity of the female.
38:08Be direct, Ronald.
38:11The body belongs to Claudia Llanos.
38:14Are you sure it's her?
38:17Completely. Someone buried the corpse of your greatest enemy in your garden.
38:23So I'm warning you that the investigations will continue.
38:29It's curious.
38:31The murder of Claudia Llanos occurred about four or eight months ago.
38:35However, and thanks to the images of the security cameras,
38:39it was possible to establish that the burial in your garden is of a more recent date.
38:44I can't believe it.
38:46I know it's a difficult idea to digest, but ...
38:50What interest would this person have in burying him in your garden?
38:54And what theories does the police handle?
38:57I have not had access to them, but most likely the murderer wanted to incriminate them,
39:03knowing the mutual hatred they had.
39:07We have to find the culprit of all this and soon.
39:11It is possible that they receive messages of extortion or calls
39:14by the person who is behind all this.
39:17If that happens, let the police know.
39:20Is Claudia Llanos' family already informed of the incident?
39:24It must be.
39:26The burial will be held tomorrow.
39:44I really feel like I'm in a resort.
39:47Our daughter is wonderful.
39:50Where is the guy with the drinks?
39:53Valentino went to the bathroom. He'll be right back.
39:56You don't have to give me a tip.
40:00Oh, honey, have you noticed that despite all the adversities,
40:03here we are drinking and drinking like kings?
40:10And you know something?
40:12I ... I've realized that ...
40:16I don't need a resort,
40:19or a five-star hotel, or luxury, or any of that.
40:22I ...
40:25I just love to be by your side to be happy, love.
40:30I love you.
40:34My love?
40:36Franchi!
40:39Franchi, come out!
40:41Let's solve our problem, Franchi!
40:43Oh my God!
40:46You thought it was nothing, didn't you?
40:49Now look at me.
40:51Look at me, I'm fully happy.
40:54I have a wonderful daughter, a husband who loves me.
40:58What do you have?
41:00You don't have anything.
41:02Money doesn't buy happiness, Franchi.
41:06Franchi!
41:09Hey, vampire!
41:11What are you doing here?
41:13What are you doing here?
41:14Lorena, excuse me, Francesca is not here.
41:16Oh, so you're going to listen to me.
41:18Who do you think you are?
41:19Open, open, open.
41:21Open, open, open.
41:23Go, go, go.
41:24Have a drink, have a drink.
41:26Excuse me, vampire.
41:28Drink a little.
41:29It's our honeymoon.
41:30Excuse me.
41:31But where are you taking me?
41:32Let's go, let's go.
41:33There, there.
41:34Excuse me.
41:37Now I understand everything.
41:41That woman may look like San Isidro,
41:43but inside she's a water box.
41:47They are such for which.
42:03I thank you so much
42:05that you have put together that pantomime
42:07in the false police station.
42:09Can you imagine if I had confessed everything?
42:12You were very stressed, Fran.
42:14Fortunately, you have already recovered the trial.
42:17The students and those actors you hired,
42:21will they speak?
42:23No.
42:24For them, this was another casting.
42:27The investigations are getting closer and closer to us.
42:31The police have no idea
42:33what happened in that house.
42:35The police don't.
42:37Whoever did the burial, yes.
42:41If that person had evidence,
42:43we would have been behind bars a long time ago.
42:46Maybe that's not his intention, to imprison us.
42:50Please, I can't take this uncertainty anymore.
42:53We have to find that person.
42:58The burial will be tomorrow.
43:00How are you so sure?
43:02Something tells me
43:05that whoever is doing this to us, will go.
43:09If that's the case, we will go too.
43:13Fran, it's a terrible idea.
43:15Anything could happen.
43:17Analyze the situation.
43:19It's the only way to find an answer.
43:36I love you, Alicia.
43:39And that's why...
43:42I've traveled from Shanghai to Shanghai.
43:50The end of the 22nd card.
43:55Jimmy!
43:56It's time, right?
43:57That must be the port, right?
43:59Yes, brother, that's it!
44:01Brother, that's it!
44:04Brother, that's it!
45:02The end of the 22nd card.
45:13The end of the 22nd card.
45:22Hello?
45:23Juli!
45:24What?
45:25What do you mean you don't know anything, Alicia?
45:27Didn't he answer you?
45:29And his aunt, Cristobal?
45:31Nothing?
45:33Well...
45:34At least he knows I'm here to pick her up, right?
45:39Brother, it can't be!
45:41Juli, Juli, Juli, what is it?
45:43Don't back down, Pepe!
45:44Perrofranco found Trump here!
45:46What? What did you say?
45:47No, no, no, don't worry.
45:48Don't cry either.
45:49No, calm down, calm down.
45:50Listen to me.
45:51Inform the family
45:52that we have finished the first part of the mission.
45:54Successfully.
45:55Now, we need the second part,
45:57where Alicia was found.
45:59That's it, that's it, that's it, that's it.
46:07I want to know
46:10your name!
46:12Hinoachel.
46:16Ay, ay, ay.
46:17This is the best memorization, isn't it?
46:19And Uncle Jue?
46:21Has he learned something?
46:22Come on, come on, come on.
46:23What are we going to do?
46:24Where do we start?
46:26Get off the boat.
46:29Family!
46:30Family!
46:31What happened?
46:32Why is there so much commotion?
46:34I just spoke to my cousins, yes?
46:36They are already in Shanghai!
46:37Oh no!
46:38I need to know, Mr. Jesus Christ!
46:40All right?
46:41Joel and Jimmy are already in China.
46:42Oh no!
46:44The only thing is that my cousin is a little desperate
46:47because we couldn't find Alicia's whereabouts.
46:50Well, we did what we could,
46:51he can't blame us.
46:52But at least they have Joel there
46:53so I can help him.
46:54Or so I can alter him.
46:55Let's see, the most important thing
46:57is that the boys have arrived well
46:58after being on the high seas for so many days.
47:01We have to send them good vibes
47:02so that they come home safe and sound, please!
47:05At least one of them!
47:07Yes, because it is already quite late.
47:09No, no, no, no, no, no.
47:11What are you going to do?
47:12Take the boat with Alicia!
47:13Yes, but the trip is dangerous.
47:15Don't take the boat with Alicia!
47:16And if it gets stuck?
47:17You can't swim, you can't swim.
47:19I don't want you to fall.
47:25Brother, what was it?
47:26Change of face, man!
47:27What we propose, we achieve, that's it.
47:30Yes, brother, I'm sorry for the nonsense.
47:32No, no, don't worry.
47:33Maria says it's getting cold.
47:35But since we are a kind of ambassador
47:37of the Peruvian brand,
47:38as the name suggests,
47:39we have to leave our brand, man.
47:44Chumwe!
47:45Chumwe!
47:46Hello, hello, hello!
47:47Hello, hello!
47:48Chumwe!
47:49Chumwe, Chumwe!
47:50Chumwe!
47:51Chumwe!
47:52Chumwe!
47:53Chumwe!
47:54See you!
47:55Thank you!
47:56Thank you for everything!
47:57Thank you for everything!
47:58Don't forget!
47:59Mr. Chumwe!
48:00Chumwe!
48:01I'm going to send you your dry soup,
48:03my friend Gaspar, Gaspar.
48:05Remember I told you?
48:06I'm going to send you that.
48:07The beans too.
48:09No, yes, from Shanghai to Shanghai,
48:11it arrives quickly, just like that or not?
48:13From Shanghai to Shanghai.
48:14It's going to ferment, see you!
48:16Bye, Mr. Chumwe!
48:17I'm going to see you on a downhill,
48:18a little less complicated.
48:19No, brother, follow me.
48:20No, yes.
48:21Step by step.
48:22Step by step.
48:23If you go to Lima,
48:24listen,
48:25you go to Lima,
48:27we have a reception in my house,
48:30okay?
48:31My house is great, it's big.
48:32A soda, tell him.
48:33Yes, yes, we're going to invite you a soda
48:35and I'm going to introduce you to some friends there.
48:37Yes, of course.
48:43Thank you, thank you.
48:44Thank you, thank you.
48:50Chumwe!
48:51Chumwe!
48:52Chumwe!
49:03Limay!
49:05Limay!
49:06Thank you for everything, Limaya.
49:07We had an incredible time.
49:08Thank you, Mr. May.
49:09Thank you for your concerts and your hugs.
49:12We had a great time on the boat.
49:14Yes.
49:16Thank you, thank you.
49:17Smoke the boat, smoke the boat.
49:19Take care of yourself.
49:20Did you understand something?
49:21No, I didn't understand.
49:22Did you understand?
49:23No, I didn't understand anything.
49:24No, good, but Limay?
49:25Limay.
49:26I didn't understand Limay.
49:27Me neither, Limay.
49:28Limay in words.
49:29Limay in words.
49:51We are ready!
50:05Yeah!
50:11Yeah!
50:17I'm going to miss you, brother, I'm going to miss you.
50:20I'm going to miss you, guys, I'm going to miss you.
50:22Let's go, let's go.
50:36Yeah!
50:38Thank you, thank you, thank you.
50:40I'm touched, I'm touched, I'm touched.
50:44Get out of the car, man.
50:48That's it, brother.
50:50Leave your mark.
50:51Yeah, yeah, yeah.
50:52Yeah, yeah, yeah.
50:53Yeah, yeah, yeah.
50:54Yeah, yeah, yeah.
50:56Bye!
50:57See you later!
51:00Did you see that, bro?
51:01There he is, there he is.
51:02Good people, yes, of course, brother, anyway.
51:05Ay, ay, ay, little brother, now yes, from Chiang Kai to Shanghai.
51:14To a very distant port, my skinny dog arrived.
51:22He arrived with the legend, his brother the king, Che Che.
51:30Thank you, thank you, thank you, thank you, thank you, thank you, thank you, thank you.
51:34And the chorus says ...
51:35Where are you going?
51:36Where are you going?
51:37Don't leave me.
51:39I'm going to find you.
51:41I'm going to find you.
51:56Hey, what are you doing tomorrow?
51:58You have the day off, right?
51:59Yes, why?
52:01I was talking to Mappy and we were thinking that we could make a double date.
52:07Mappy?
52:08Paripa, it was.
52:09Ah, the little girl.
52:13Hold on, do you want us to go out with her and her boyfriend, Chibolo, to make ice cream?
52:20Liliana wanted to suffer from Tito.
52:22What? Who is Liliana?
52:24The snake that took Tito to the altar.
52:27Tito was married?
52:28Well, almost, because she left him at the altar in front of Tito.
52:32Poor him, he really suffered a lot, didn't you know?
52:38Who do you want to find at this unimaginable funeral?
52:41We are exposing ourselves too much.
52:47We're going, Franco.
52:48Yes, my love.
52:49We're going.
52:50Acheca.
52:55I never imagined seeing you here.
52:58Acheca.
53:00Acheca.
53:02Acheca.
53:04Acheca.
53:06Acheca.