Al Fondo Hay Sitio 12 Capítulo 12 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 12 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 12 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 12 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 12 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 12 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 12 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 12 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 12 en Español Completo
Category
🎥
Short filmTranscript
00:00Not even those of life and death.
00:05Is it possible that you have the key?
00:08My machine will make you bite the dust of defeat!
00:15Wait a minute! Here is my daddy's warehouse!
00:18I know! What a shame!
00:21Why don't you blame the free market system and let the best win?
00:25I think I know who can help you.
00:28Some specialist, totally, a professional on the subject.
00:33Someone who helps heal wounds when a loved one is in pain.
00:37What are you eating?
00:41A guaruguero, sir.
00:46Enjoy it.
00:49Don't you want a bite?
00:53Why not?
00:57Come here.
01:05Teresa has recommended me to a professional
01:08who is dedicated to helping people to overcome this type of loss.
01:14Teresa? I'm surprised by her.
01:18Yes, she is well changed. She is more focused, more alert.
01:23Two thousand soles in one day! I love you, Neutronics!
01:28A holistic healer?
01:31Yes, he is a professional of the soul.
01:34Dedicated to healing people who have suffered violent losses.
01:37Like us?
01:40I'm sure he will help us overcome the bite of my daughter and the woman you loved so much.
01:45We must admit that a machine won us over.
01:48We still don't give up.
01:50But no one is coming, Valentino.
01:53It was for the good, now it's our turn.
02:05Welcome, Maestro.
02:08Welcome, Maestro.
02:18Who are you?
02:21The one who sees everything, the one who knows everything.
02:25Lucio!
02:27Now we are going to talk about my honors.
02:29Why did you let this homeless man in?
02:32The gentleman said you called him.
02:34Me?
02:35You are the Muki?
02:38Exactly.
02:40I thought by your name you were a shaman from the East or something like that.
02:47Isabella Maldini?
02:49No, I am Francesca Maldini who called you.
02:52But I think there is a mistake.
02:55Yes, I think we were waiting for another type of professional.
03:01Another type of professional?
03:03Wait a minute, please.
03:12Are you Marco Zunino?
03:14Look, Mr. Muki, I will not lack respect.
03:18If we start like this, we are bad.
03:24Did you mind that this man came in?
03:27Are you going to fire me?
03:29And if you fire me and I have not signed a contract, does that mean I will not charge anything?
03:33Shut up.
03:35Only I can think of asking for help from those people.
03:37Mrs. Francesca, I'm sorry.
03:40I'm really sorry.
03:42I do not want to intrude, but I saw Mr. Leonardo enter the house,
03:45and then I also saw Mr. Muki enter.
03:48So what's going on, if you can tell me?
03:50You are an impertinent watchman.
03:52Limit yourself to your affairs.
03:54But those are my affairs, because they are visits that can alter the order, Mrs. Francesca.
03:58Do you know if Teresa is there?
04:00Yes, I saw her in the room.
04:03Let's go.
04:15Only I can think of asking for help from those people.
04:20But I will not be prejudiced against that Muki.
04:30But I ...
04:31Out!
04:34Hello, Francesca.
04:37Blessed are the eyes that see you.
04:40Keep your horn, poor devil.
04:43I'll find a way to get rid of that smile.
04:53And to think that I left my smart house for you, Francesca.
04:58I just wanted to make your life better.
05:00Ha!
05:02Greta, are you?
05:07Did you really say by mistake that she was your girlfriend?
05:10Yes, it is with that.
05:12It is that he had made me so many illusions.
05:14My love.
05:16Oh yes, yes, my love, but not your girlfriend.
05:18No, but listen to me, look.
05:31Have you lost something?
05:33Ah?
05:34No, no.
05:36Nothing, nothing.
05:37And you?
05:40I see that you are empowered.
05:42Ah?
05:44But happily, now I'm here.
05:46Ah?
05:47To de-empower you.
05:49Watchdog.
05:51Listen to me well.
05:53If you make a mistake, a minimum mistake.
05:56I'm going to make it impossible for them to throw you off the hills.
05:58Did you understand?
06:00You're not going to go up?
06:02Because the house was going to cry, right?
06:06I'm going.
06:13The smallest mistake.
06:25Sorry.
06:27Sorry.
06:28Sorry, love.
06:29Sorry, it's the habit.
06:30I forgot you were here.
06:31I always mess up.
06:33Excuse me.
06:34Excuse me.
06:35Please excuse me.
06:36I did not want to.
06:37It's over.
06:38I can't stand it anymore.
06:44Isabela is the person we want to contact in the afterlife.
06:50Isabela is daughter?
06:52One of my daughters.
06:53Yes, and she is my wife.
06:54Well, she was my wife.
06:57She died a few years ago.
06:59Of a violent death.
07:01But she is still alive in our hearts.
07:03We want to talk to her.
07:06Although she has already manifested with me.
07:09I have seen her as I am seeing you now.
07:13Are you a medium?
07:14No, no, no.
07:15What are you going to be a medium?
07:16No, no, no.
07:17Well, you can be a witch when you want, but ...
07:19No, sorry.
07:20It's not a medium.
07:21The Gonzales have told us very well about your work
07:25in this type of spiritual events.
07:28I am the Muki.
07:31The best disciple of Rosendo Malki.
07:34The shaman.
07:37I think I've seen your teacher a couple of times.
07:40I trust that you can help us.
07:44That's what we are for.
07:52Hello, daddy?
07:55Yes, everything is fine.
07:56The winery.
07:58And the winery is wonderful, dad.
08:00Everything is working amazing.
08:02In a few words,
08:04your winery is breaking sales records.
08:07A total success.
08:09How good what you tell me, baby.
08:14Well, as you will understand,
08:16the air of my land has given me a lot of strength.
08:19Yes.
08:21We will be in contact.
08:24Take care, baby.
08:27No, no, no, no, no.
08:29You should have asked him things in more detail.
08:32Litito and Lorena, how are they?
08:34Yuli and Salvador?
08:36And Joel and Jimmy?
08:38Have they found Alessia?
08:40And Macarena?
08:42Has he arrived from Tabaco and Chanel?
08:44Ah!
08:46Ah!
08:47Forgive.
08:50Forgive.
08:52Forgive.
08:57Now we already know something about the death of the ...
09:01Oh LA His story is weird.
09:03Is those who I have believed in today,
09:05to move from the neighborhood,
09:07What a way.
09:08What eats, how it moves,
09:11I want to know everything.
09:13Look when we arrive you will have your opportunity to ask Kurt.
09:17For me, the important thing is that everything is fine and my bottle continues to work.
09:26And above all, to have you by my side.
09:37I will always thank heaven that the Lord has put you in my way.
09:44I say the same.
09:48I love you, little turtle.
09:51I love you, little ginger.
09:54And why didn't you tell him that we were already in Camango?
09:58Because I wanted to give him the surprise.
10:05Oh, but what a pig!
10:10That's how I am.
10:14I love surprises.
10:29Any sales?
10:32May God take us confessed the day we leave this land.
10:35That machine of the devil.
10:37It is that if we close the winery, my daddy dies.
10:43It's water.
10:48I don't want Grandpa Gilberto to die.
10:50Hey, hey, hey.
10:51That's not going to happen.
10:53We just have to get rid of that Neutronics.
10:57I don't want to get him in trouble.
10:59Look, princess, calm down, okay?
11:02I'm going to get my hands dirty for you.
11:07I can't stand it anymore.
11:09I have to go through all the hotels in pajamas
11:11to get rid of that stinky Silo.
11:14I have a great idea.
11:16I have it.
11:17What do you think if we get one of those portable bathrooms?
11:20We install it here in room 8
11:22and that way you have your private bathroom.
11:26Are you serious?
11:28Of course.
11:29I have my leg, Cholo Calypso,
11:31who organizes concerts on the main road.
11:33He can sell us a second hand in very good condition.
11:35And I guarantee you that the smells don't come out.
11:38There's no way I'm going to accept something like this.
11:40The only solution is that we can move to another place.
11:43I can't stand it anymore.
11:45I can't stand the heat in this room.
11:47I can't stand the pigeons fluttering in the calamity.
11:50The whistle.
11:51The whistle of the Guachiman.
11:53I can't stand the stinky smell of Silo either.
11:55I can't stand anything.
11:56I can't stand anything.
11:58Yes, yes, calm down, calm down, calm down.
12:00Calm down, calm down, yes.
12:02You're right.
12:03I want you to be comfortable.
12:05I want you to be happy.
12:08And that's why we're going to go to a better place.
12:13Really?
12:14Really, my love?
12:15Yes.
12:16We're not going to move?
12:17It's the best for us.
12:20And if we're not going to go to a little apartment, a little house?
12:24Where?
12:25Warm, warm.
12:29A table.
12:32It's the fastest way to contact the souls of the beyond.
12:36A table, a candle.
12:38Isabella loved candles.
12:41I always surprised her with a romantic scene.
12:44The candles.
12:45And I started singing.
12:46Yes.
12:47Leonardo.
12:48The Lord is talking about something else.
12:50What do you need for that ritual?
12:54The first thing.
12:57A table.
12:58A table.
13:00We can use the dining room.
13:03I also need white and blue candles.
13:09I can get you something else.
13:12I need a photo, Isabella.
13:16I want to know how she was in life for her spirit to manifest in front of me.
13:28A table.
13:29A table.
13:30A table.
13:31A table.
13:32A table.
13:33A table.
13:34A table.
13:35A table.
13:36A table.
13:37A table.
13:38A table.
13:39A table.
13:40A table.
13:41A table.
13:42A table.
13:43A table.
13:44A table.
13:45A table.
13:46A table.
13:47A table.
13:48A table.
13:49A table.
13:50A table.
13:51A table.
13:52A table.
13:53A table.
13:54A table.
13:55A table.
13:56A table.
13:57A table.
13:58A table.
14:02What's happening here?
14:04Here I came to buy some candy, and I saw that the machine works great.
14:08So I took a photo of the machine.
14:10Of what?
14:11The machine, I saw you were on it, and I killed you there.
14:14A selfie...
14:16For me?
14:17Sure, for my followers on social networks so they stay up-to-date.
14:20What do you think?
14:21How about a selfie?
14:23A selfie...?
14:24Alright.
14:25Valentino, the finest friend. Follow me on my social media and you'll know all my content. Bye, Julio.
14:30Something's going on, but I can't make the slightest mistake.
14:36I know how to eliminate her, but it won't be easy.
14:39Felix is watching her all the time, but don't worry, we'll take care of him.
14:43We'll take care of him? We? Honey, I told you...
14:46Princess, princess, calm down, okay? I just need to call my team.
14:50Have you been to Miami?
14:52Miami? Of course, honey. You say Miami, the nightclub that's in Sarate.
14:57No.
14:59Oh, I'm tired. Wait.
15:02Oh, it's about work.
15:04Do you work?
15:05Of course.
15:06Now I can tell my mom that you're not a nobody.
15:08What? That's what my little sister-in-law says about me?
15:11She says worse things.
15:13Yes, but...
15:15Good, we have a job. Neutronics.
15:19And, Barbie, do you want to see your... your action?
15:22Yes. Wait for me to tell my mom.
15:24Mom, guess what?
15:26Mikel is not the dirtiest person you think.
15:28Not a piece of crap, not a trash, not a waste, not a good for nothing.
15:33What? Is that what my sister-in-law says about me?
15:36Yes, something like that, but why should I tell you?
15:38Yes, yes, let's go.
16:20I need to see you again, Jamil.
16:24It doesn't matter how much I have to pay.
16:27Let's go.
16:44Mikey, look, when you tell me, my love, it's nice, but...
16:50but I feel like I'm not making a commitment.
16:53Time is time.
16:55Besides, the other day we talked that when you go to crowded places, you never take me out.
17:01But how do you like to make movies in your head, don't you?
17:06Do you think I'm hiding you?
17:08A little bit.
17:10So, why are we going to the club right now?
17:16But you think I'm not going to want everyone to die of envy when they see me with you?
17:21Oh yes, I cause envy, yes.
17:23All right, my love.
17:27Watchman.
17:29Tell me, Mr. Miguel Ignacio.
17:32I'll take care of my machine, and you know, at the slightest mistake, Raul.
17:41Let's go, my love.
17:42Let's go.
17:53Let's go.
18:05What are you doing, you good-for-nothing?
18:08Calculating if all my things go in here.
18:11For what?
18:13I'm going to move in with Lorena in this room.
18:19Are you going to evict your daughter?
18:21It sounds horrible, doesn't it?
18:22But what if I use the word to evict?
18:25Let's evict from the room, daughter, huh?
18:27It sounds better, doesn't it?
18:28Well, why not expropriate?
18:30You can always fall lower.
18:32It's just that the room, you know, doesn't have the comforts to become the nest of love of a newlyweds couple.
18:42She didn't get used to it.
18:43Not at all.
18:44Well, it's not her fault.
18:46I hope Yuli also wants to leave in a good way, right?
18:49Well, if you explain it to them like that, the girls will understand.
18:51Look, I really don't find it very funny that you are my neighbor.
18:56But when it comes to Lorena, I evict her.
19:00Thank you, Tere.
19:02Oh, sorry.
19:04I meant Mrs. Tere.
19:15What are you doing here, Chanto?
19:16Why did you bring her?
19:18My Barbie wants to see her Ken in action.
19:21My Barbie?
19:23What? Are you her Ken?
19:31Oh, sorry.
19:33You better not say anything.
19:35Maripaz?
19:36Daughter, where are you?
19:38I better go before he sees us, okay?
19:39Good luck.
19:41Hey, what's the plan?
19:43Wait, I'm going to make a story.
19:44Hi, we're here.
19:45My love, please.
19:46Please.
19:48Sorry.
19:50Do you really want to belong to this organization for no profit?
19:54Wait, don't you charge for your work?
19:57No, but ...
19:59Well, work is work, right?
20:01Yes, you're right.
20:03Well, this is the plan.
20:16But look who we have here.
20:21Do you want to play a game?
20:25Huh? Are you excited?
20:33Dear daughter of my heart,
20:36adored niece of affection,
20:38we have a proposal to make that will change the course of your lives.
20:43What proposal?
20:44Do you like it?
20:45You will love it. Yes or no, Lorena?
20:47Yes, yes, yes.
20:48When I heard the idea, I said,
20:50Mappi and Yuli cannot miss this tremendous experience.
20:55I'm curious.
20:56What experience?
20:58Do you know the word permutation?
21:00I don't think so.
21:01It is not used much.
21:03The point is that we are going to offer you
21:06this beautiful newly remodeled room
21:11so that you can feel more comfortable and independent.
21:13And we, who are sacrificed parents,
21:15well, we will move to the room below,
21:17which is all ugly and small.
21:20What do you say?
21:24But there is no bathroom here.
21:26Yes, but the silo is in optimal condition.
21:29And it also has an air conditioner.
21:31Yes, I put it in the lavander, delicious.
21:33Yes.
21:38I don't know what to tell you.
21:40Oh.
21:41But...
21:42Girls, I...
21:45I'm going to speak to you with all sincerity.
21:49I don't get used to being here.
21:52The truth is that when I was younger,
21:54surely I could have endured,
21:56but now I can't.
21:59I need my comforts,
22:01have my things close and...
22:03and I don't feel good here.
22:05Yes.
22:06Besides, you are not that old.
22:08What? Uncle!
22:09I mean, I mean that they are young
22:12and they can bear the silo, the calamity,
22:15the unbearable heat.
22:17On the other hand, you are not for those trots.
22:19Trots?
22:20That's what they say.
22:22Guys, can you give us an answer
22:25before this man keeps calling me old?
22:28Can we talk outside?
22:30Yes, call the group.
22:31Yes.
22:32Go, go.
22:36I can't accept it.
22:37This is a posilga
22:39and you already called me old like five times.
22:41No, no, no, no.
22:42Please, I didn't mean that.
22:44If I'm older, don't I look old?
22:50Oh, mommy.
22:52What strange things are they going to do in the house.
22:54Can we start once with this?
22:57I don't want my husband to find us like this.
23:00Let's start, Mr. Maldini.
23:03But first I want to warn you.
23:07When I get into a trance,
23:10I'm going to leave you.
23:12I'm going to leave you.
23:14I'm going to leave you.
23:16I'm going to leave you.
23:18I'm going to leave you.
23:20I'm going to leave you.
23:21That means
23:24I'm going to face other people.
23:27Even
23:29speak in other languages
23:32or transform
23:35into any animal.
23:37I ask you to keep your calm.
23:40But we're prepared for anything,
23:42Mr. Mugiar.
23:43Yes, Flancy, right?
23:44Yes,
23:47as long as we can talk to my daughter again.
23:49So, how do we start?
23:52Yes!
23:57I heal you, I lead you, I spread your blood, I drink your heart, I give birth to you, I have you, don't touch me!
24:01If you touch me, I'll kill you!
24:03I heal you, I lead you, I give birth to you, I have you, don't touch me!
24:18Comrades and comrades of this historic moment!
24:25I want to talk!
24:26No, please!
24:29Let's use a recipe!
24:32I'm innocent!
24:43Thank you, people of Indigo!
24:45Pass it to the end!
24:48Dear!
24:49Beautiful, beautiful!
24:51What do you want, what do you want, what do you want?
24:54You have me!
25:02Thank you, my brother!
25:03You don't know, we are about to reach the end!
25:08How are you?
25:09How are you?
25:10Fine?
25:11Yes!
25:12I can't take it anymore!
25:14Let me go!
25:16Let me go!
25:19Go ahead!
25:31Go ahead!
25:55Isabela!
25:57It's my daughter!
25:58How is she?
25:59Can you hear us?
26:00I love you, little thing!
26:02I love you, little thing!
26:05Excuse me!
26:07I'm looking for something else!
26:10If you call Isabela Maldini!
26:13I haven't seen her!
26:18Sorry!
26:29Let me go!
26:30I don't want to talk!
26:32Manolo!
26:33I beg you!
26:34Oh no!
26:35What's wrong with you?
26:37What do you want?
26:38What do you want?
26:39Please!
26:43Sir, are you okay?
26:44Don't die here, please!
26:48I'm back!
26:50I'm back!
26:51I'm back!
26:52I'm back!
26:53I'm back!
26:55I'm back!
26:56I'm back!
26:57I'm back!
26:58I'm back!
27:00Did you find my daughter?
27:02How is she?
27:03What did she say?
27:07I didn't see her.
27:09No one saw her.
27:11What do you mean you didn't see her?
27:13She must have seen her.
27:15She must be in the afterlife.
27:19If her soul doesn't live in the afterlife,
27:23it's because she doesn't belong to that planet.
27:27That's impossible.
27:29She has to be there anyway.
27:32You mean...
27:34my daughter is alive?
27:50You don't pay me to put up with this.
27:51You don't pay me to put up with this.
27:54Right?
27:55You don't pay me.
28:01Hello?
28:02Yes, I just wanted to know how things were around the house.
28:07What?
28:08In addition to paying you your salary,
28:09you want me to give you a therapy to scare you?
28:13What are you talking about?
28:17A spiritual session in my house?
28:25Yes.
28:48Did you know that if you have Claro in your house
28:50and Claro on your cell phone,
28:51you are fully Claro?
28:53Live full benefits without paying more
28:55and for the rest of your life.
28:56Become full Claro by calling 0800-00200
29:00or at claro.pe.
29:12What do we do, Juli? Do we move?
29:15Well, I like the idea that we have a place just for us
29:18and that we are away from the family.
29:20Oh, yes.
29:21Thinking about it,
29:22if we stayed here,
29:23we could stay until late watching romantic comedies,
29:25eating canchita and gossiping without anyone finding out.
29:28In addition, we could have dates with our lovers.
29:31And see if the miracle of being friends happens.
29:35But apart from all that,
29:38I do like the idea that my mom is happy and happy with my dad.
29:42Oh, now you gave me a good reason.
29:50Hey, I'm white, but I don't have wrinkles.
29:52Yes, no.
29:53Compared to the girl, you are already older.
29:55But I'm not an old woman.
29:56Yes, of course not.
29:57Mom, Dad, we have already made a decision.
30:03We accept the offer.
30:04We will move out of here.
30:11Thank you for accepting.
30:14Yes, girls, you don't know.
30:15You're going to have a great time.
30:18Oh, if these triplets spoke.
30:20Stay mute.
30:21Yes, better.
30:22And when do you want to move to the first floor?
30:25Right now.
30:28Isabela is alive.
30:30Franchi, you know perfectly well that this is not possible.
30:33But you just heard it.
30:35Isabela's soul is not in the beyond.
30:38No, but it could be anywhere else.
30:40No.
30:41Mr. Mugui,
30:42do you think that suddenly my ex-wife's soul is in...
30:45In hell?
30:47Leonardo.
30:48I'm just asking, Franchi.
30:51Isabela Maldini does not inhabit the world of the dead.
30:55A soul in pain told me.
30:57But who is that soul?
30:59I don't even know her.
31:00He doesn't know her.
31:03He told me very safely.
31:06Isabela is not dead.
31:09Francesca, you yourself buried her.
31:12But I didn't see the body.
31:15The same thing that happened to Grace could happen.
31:20Do you remember Lucho González?
31:22He died three times.
31:23And I pretended to be dead myself.
31:27Mr. Mugui, are you sure of what you're saying?
31:29Because this can completely change the course of our lives.
31:35And they made me doubt.
31:39In any case,
31:42I could reconnect with him beyond.
31:46But that would take me more time to recover.
31:51What the hell is going on here?
31:58I hope your girl does what I asked her to do well.
32:00If not, I'll grab you or I'll kiss you, Chato.
32:02Please, buddy.
32:03Fill it up, fill it up, fill it up.
32:04It simply has natural talent for acting.
32:06If I saw the scenes you made me...
32:09What scenes?
32:10Fill it up, fill it up, fill it up.
32:11Wait, wait, wait.
32:13Who is it?
32:14Now, now.
32:15My girl is ready.
32:16Now, now.
32:17We're here, we're here.
32:18Hurry, hurry, hurry.
32:21What is this guy doing here?
32:23I am El Mugui.
32:24Best disciple of Rosendo Malki.
32:26I don't mean you, Rondero.
32:28If not this limaña.
32:30Oh, yeah, but I'm not Rondero.
32:32What twisted ideas are you putting in my wife's head?
32:36No, I mean, I just want to help Francesca.
32:39All you want is your personal wealth.
32:42You're screwing her to get money from her, right?
32:46I'll kill him.
32:47I'll kill him.
32:48I'll kill him.
32:49Please, stop him.
32:51Let him go.
32:53I'll kill him.
32:55Lucio, Lucio.
32:58Please stop, stop.
32:59I'll double it if you do.
33:01Well, double zero is zero.
33:03No.
33:04No.
33:05No.
33:06Oh
33:36You
34:06Look at me
34:08I'm a very professional guy
34:10And the Gonzales can trust my work
34:12The Gonzales?
34:14Please!
34:16This guy has Claudia's blood running through his veins
34:18He's our enemy
34:20Don't forget everything he's done to you
34:22C-Claudia?
34:24That was the name
34:26What did you say?
34:28Claudia was the soul in pain
34:30that contacted me
34:32when I was in a trance
34:34He said Isabela
34:36wasn't in the afterlife
34:38What do you realize?
34:40These guys want to emotionally destabilize you
34:42They want to drive you crazy
34:44But I won't allow it
34:46Get out of the house!
34:48Get out!
34:50Get out of here or I'll call the police
34:52Just a minute
34:54If you need anything else, call me
34:56Don't forget my phone number
34:58Get out!
35:00You too!
35:02Get out!
35:08What are you trying to do, Fran?
35:12Isabela is dead
35:14Do you understand?
35:16Dead!
35:18What's going on?
35:32Leonardo!
35:36It's me, Tere
35:38Tere?
35:40Oh, her mother
35:42I didn't recognize you
35:44I'm the same as you
35:46But today I'm more matriarchal than ever
35:50Tell me, what happened?
35:52Look, I came looking for something
35:54but I'm going crazy
35:56It's a disaster
35:58I never thought I'd hear something like this
36:00Really?
36:02I gave Mrs. Francesca the phone
36:04What exactly happened?
36:08No, no, no
36:10You won't hear it for me
36:12It's been a great pleasure to see you
36:14The pleasure is mine
36:16And let me tell you that the years
36:18have fallen on you
36:22Thank you, Tere
36:24And you are...
36:26Take care
36:28What happened?
36:34Don't blame Leonardo
36:36That look doesn't suit you
36:38Look, Felix
36:40Mrs. Tere has a mission
36:42beyond the physical at the moment
36:46And Leonardo is in his prime
36:48He's ready to eat and to wear
36:50Look, if I wasn't married
36:52I wouldn't forgive him for HIV
36:54Don't you think I said that?
37:08Don Bruno, I don't know how to play tennis
37:10Look, all you have to do
37:12is hit the ball with the racket
37:14That's all
37:16That's all?
37:18That's all, just like that
37:20Easy, easy
37:24Are you really going to play in your chair, Bruno?
37:26And what's the problem?
37:30Okay, get ready to lose
37:40Goal!
38:10Goal!
38:36But...
38:38The net has to be lower
38:40Oh my God
38:42It can't be
38:46Easy, easy
38:58Miguel Ignacio, tell your girlfriend
39:00to be more careful with my assistant
39:02Oh, sorry
39:04It's nothing, it's nothing
39:06Does the old man think
39:08I'm your girlfriend?
39:10Leonardo
39:22Oh, man
39:24I'm out of practice
39:26God, time, time
39:28It can't be
39:30How was the shot?
39:32No, it was nothing
39:34It was on purpose, your girlfriend
39:36Oh, sorry again
39:38See, she also thinks I'm your girlfriend
39:44No, we're just getting to know each other
39:46Oh, no, no, you don't have to give me explanations
39:50Are you tired of losing, Miss Zapayal?
39:54I think the one who lost
39:56is you, Mr. De las Casas
40:04I'm going to tell you a secret
40:06I'm letting you win
40:08I know Miguel Ignacio
40:10He's very sharp
40:12And if he loses, he's capable of firing me
40:14Yes
40:16You're right
40:18Look at him
40:34I realized I'm different
40:36I dance on the street, I dance at the disco
40:38If someone likes me, I give them a bite
40:40And I stop them
40:42I dance all night
40:44Don't worry
40:52Help, please
40:54They've robbed me, help, help, help
40:56Please, please
40:58I don't know what to do, help me
41:00I know you, you're Margarito's girlfriend
41:02I'm going this way
41:04Wait for me
41:32Help
41:58Miguel, look out
42:00Help
42:24Thank you, Uncle
42:26Why are you thanking me?
42:28For what you've done for me
42:30You convinced Teresa and the girls
42:32to move out
42:34just to see me happy
42:36I'll always want to see you happy, my love
42:40That's my mission in life
42:42So I have to leave the room
42:44and all her memories
42:48I love you, Uncle Lala
42:50I love you, Lorena Contreras
42:59One goodbye
43:01And no H
43:13I didn't find any thieves
43:15Miss
43:19Miss
43:21Where did she go?
43:24Did it rain here?
43:27No, it didn't rain
43:29This machine has been vandalized
43:33I hope it didn't get damaged
43:35If not, Mr. Miguel Ignacio
43:37will keep his word
43:42I don't understand
43:44Did we do all of this
43:46to close the mission?
43:48That's our motivation
43:50I love that you're so nice
43:52Now we just have to make sure
43:54God bless you
43:56I hope it works
43:58Let's see
44:10It works!
44:12It works!
44:14It works!
44:16It works
44:18Why is that machine still working?
44:20Because it's a devil's machine
44:24It's a devil's machine
44:54I love you
45:04Take some pills, Frank
45:06This will help you get some sleep
45:08I don't want pills
45:10Frank
45:12I'm doing this for your own good
45:14I understand that you're worried about me
45:16but
45:18if
45:20you care how I feel
45:22Please believe me.
45:25Fran, I believe you.
45:27But I don't believe those two criminals.
45:30Master Mookie is not a charlatan.
45:33Nor is he in complicity with Leonardo.
45:36I contacted him to take Isabel with me.
45:40Fran, this is worrying me.
45:43Are you using shamans to find out about your daughter?
45:47Isabel is in the cemetery.
45:49Carmen ended her life with a gunshot.
45:52That's the reality.
45:54My mother's love tells me she's alive.
45:58I'm not going to keep talking about this.
46:01In fact, I'm going to sleep in Alesia's room.
46:04And I hope this madness has passed by tomorrow.
46:20I have to know where Isabel is.
46:27If she's alive, I'm going to find her.
46:35But why did Master Mookie mention Claudia?
46:44Oh, yes, love, dance for me.
46:48Shut up, Tito. They're going to hear us.
46:52It looks like there's no competition.
46:54They will try, but they will not be able to.
46:57Mrs. Francesca came to see me.
46:59She wanted Mookie's phone number.
47:01And I gave it to her.
47:03But the strange thing is that Mookie appeared with Leonardo Rizopatrón.
47:06Who is actually Llanos.
47:08Because he is the brother of La Mirada de Tiburón.
47:10Who married Isabel.
47:12Did he tell you that he failed?
47:14But here the strange thing is that that house is having strange movements.
47:19It is also strange that Leonardo appears like this after so long.
47:24He looks cooler than ever.
47:27With his little hairstyle.
47:29With his look.
47:31All cruel.
47:33With those beautiful and frizzy hairs.
47:38His silvered hair that gives him a mystical air.
48:13No.
48:43Don Juan.
48:45No, Don Juan.
48:47Don Juan.
48:49Ah, Don Juan.
48:51Don Juan.
48:53Let's eat.
48:55In the restaurant of Alesia?
48:57In the restaurant of Alesia.
48:59Let's go, let's go, let's go.
49:01Where?
49:03What are we going to eat today?
49:04So Don Juan belongs to Canton.
49:07And the first Chinese who arrived in Peru are from this area.
49:11That means that the food here is similar to our chifa.
49:14That's what they say.
49:16That's fine.
49:18I don't care about that, I just want to see Alesia.
49:20No, no, don't be anxious.
49:22Imagine that we eat at a very cheap airport.
49:24Let's go, let's go.
49:26Don Juan.
49:28Don Juan.
49:30Don Juan.
49:32Don Juan.
49:34Don Juan.
49:43Does the airport exist?
49:45No, it doesn't exist.
49:46It doesn't exist?
49:47No.
49:48Can you stand it?
49:49Yes.
49:50Yes, I can.
49:56Yes, I can.
49:59Yes, I can.
50:01Alesia.
50:20Neutronics.
50:22Is everything okay?
50:24You don't have to answer me.
50:26Watchman.
50:28Is everything okay here?
50:30Everything is fine, everything is quiet, everything is soft.
50:33Any news?
50:35No, no news.
50:37Do you think it will work?
50:38It will work.
50:39Valentino, if that machine doesn't disappear before Don Gilberto returns ...
50:42It will disappear.
50:44It can give him an attack or something.
50:46Think about it.
50:47Princess.
50:48Family.
50:50Wait, turtle.
50:54Let's go to the courtyard.
50:57And there we give them the surprise.
51:00What a good idea.
51:04Let's go in quietly.
51:06Poor Don Gil.
51:08When he finds out that his boutique has failed him ...
51:13What is this?
51:25Jesus.
51:30Jesus.
51:31Jesus.
51:32Jesus.
51:33Jesus.
51:34Jesus.
51:35Jesus.
51:36Jesus.
51:37Jesus.
51:38Jesus.
51:39Jesus.
51:40Jesus.
51:41Jesus.
51:42Jesus.
51:43Jesus.
51:44Jesus.
51:45Jesus.
51:46Jesus.
51:47Jesus.
51:48Jesus.
51:49Jesus.
51:50Jesus.
51:51Jesus.
51:52Jesus.
51:53Jesus.
51:54Jesus.
51:55Jesus.
51:56Jesus.
51:57Jesus.
51:58Jesus.