Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Al Fondo Hay Sitio 12 Capítulo 14 en Español Completo
Category
🎥
Short filmTranscript
00:00This guy has Claudia Llanos' blood running through his veins.
00:04He's our enemy. Don't forget everything he's done to you.
00:08Claudia was the soul in pain who contacted me when she was in a trance
00:13and told me that Isabela was no longer in El Mazallón.
00:19I know you. You're Margarito's girlfriend.
00:21Yes, I saw you over there.
00:23Wait.
00:24Who?
00:31Thank you, Tito.
00:33Why are you thanking me?
00:36For what you've done for me.
00:38You convinced Teresa and the girls to move just to see me happy.
00:45Are you tired of losing, Miss Zapayal?
00:48I think you're the one who lost, Mr. De las Casas.
01:00I hope it works. Let's see.
01:11It works! It works!
01:13It works, it works, it works!
01:15Why does that machine still work?
01:17Because it's a machine of the devil!
01:20Fran, this is worrying me.
01:23Are you using shamans to find out about your daughter?
01:27Isabela is in the cemetery.
01:29Carmen ended her life with a gunshot. That's the reality.
01:34My mother's love tells me she's alive.
01:37It's weird, besides, that Leonardo appears like this after so long.
01:41He looks cooler than ever.
01:45With his hairstyle, with his look.
01:49He's all pulcro.
01:51With those beautiful and frizzy hair.
01:56I just want to see Alesia.
01:57Don't be so anxious.
01:58We just need to find a nice airport.
02:01Juanito, Juanito!
02:02There she is.
02:07Alesia.
02:08Juanito!
02:09Juanito!
02:10Juanito!
02:11Juanito!
02:12Juanito!
02:13Juanito!
02:14Juanito!
02:15Juanito!
02:16Juanito!
02:17Juanito!
02:26If I spread my sexiness, I'll do it.
02:28There are millions of Chinese.
02:29What's wrong?
02:30Come here.
02:31Tell me.
02:32What's wrong, bro?
02:33Calm down.
02:34Calm down.
02:35It can't be.
02:36Calm down.
02:37It can't be again.
02:38Sorry.
02:39No, I don't know what's going on.
02:40We're following you everywhere because we have no other choice.
02:42Juanito, we thank you.
02:43We thank you.
02:44But I crashed my face against the wall again.
02:46That wasn't Alesia.
02:47I'm going crazy, bro.
02:48Calm down.
02:49I'm going crazy.
02:50Calm down.
02:51Juanito, calm down.
02:52Juanito.
02:53Juanito.
02:54Joe, I'm sorry, but ...
02:57He's got the doll, bro.
02:58I don't understand.
02:59What doll?
03:00Calm down, I'm nervous.
03:02Don't worry.
03:03I know anyone can be wrong.
03:05I'm never wrong.
03:07Oh, no?
03:08Maybe my cousin can help us.
03:10She works nearby.
03:12Your cousin?
03:13What does your cousin work for?
03:14She makes phones.
03:15She makes phones?
03:17Does she have a workshop?
03:18A small workshop?
03:19It is something bigger than a workshop.
03:21Bigger?
03:23Let's go. Come on, let's go.
03:25I know people who disarm them.
03:28But to disarm them?
03:40Welcome to the living city.
03:42This is bigger than Lima.
03:45I want to apologize for inviting you.
03:47I understand your apology.
03:50Let's go in there.
03:54What a thing.
03:56Wow.
03:58We couldn't have seen this without you.
04:01We would be in a park.
04:03I thank you for letting me help you, Jimmy González,
04:07and you, Joel González, the legend.
04:10Quack, quack, quack, quack.
04:20When the visit is over, we can talk to my cousin.
04:23She has many important friends.
04:26Of course, because a Peruvian chef in China
04:28shouldn't be very common, right?
04:35What are we doing here?
04:37We just found your cousin and she was a robot.
04:39Manito.
04:41Manito, Manito, please listen to me.
04:43Joel, I love you with all my heart.
04:45But sometimes you ask stupid questions.
04:47What's going on?
04:48Let's go here.
04:49Look.
04:51Wow, look at my pupil.
04:53This is fantastic.
04:58Follow me.
05:03Hey, what do you want?
05:05Another harvest.
05:07This is my cousin.
05:09Ni hao.
05:10Ni hao, ni hao.
05:11This is the legend, Quack, quack, quack.
05:12This is my brother.
05:13Yes, from Peru.
05:14I met them in Shanghai.
05:16They came to China to find a girlfriend.
05:18I don't know if you have anyone you can introduce.
05:21You can help them.
05:25Joel, do you think your cousin can give us the data?
05:28No, but first let her finish her work.
05:32She has to change.
05:35Can we see her cell phone?
05:38Ah, you understand.
05:40She understands.
05:41Oh, Manito.
05:48What are they doing?
05:50They are assembling accessories.
05:55Ah.
06:03And now what are they doing?
06:05Connecting the main board and the sub-board.
06:07They are connecting the main board and the sub-board.
06:20And now what are they doing?
06:23Assembling the middle structure.
06:37And now what are they doing?
06:39Checking the main board and the sub-board.
06:42The last check after assembling the back cover.
06:48Oh.
06:52And now what are you doing?
06:54Yes, yes, I'm doing the last check.
06:56Doing the last check.
06:59Oh.
07:07And now what are they doing?
07:09The whole process is over.
07:11The phone is ready.
07:13To take it, to take it.
07:14So your cousin can't help anymore?
07:16No, she can't.
07:19Oh, Manito.
07:21The factory is beautiful, isn't it?
07:22Yes, Mano, yes.
07:24Hey, do you think they can give us a phone?
07:27No, no, don't worry, don't worry.
07:28You can find this technology in Peru.
07:31Really?
07:32Of course.
07:33No, no.
07:34No, no.
07:35Oh, Manito, you.
07:36Oh, how nice.
07:38How nice.
07:39How nice.
07:40How nice.
07:41How nice.
07:42How nice.
07:43How nice.
07:44How nice.
07:45How nice.
07:46How nice.
07:48How nice.
07:49What did he say?
07:51What do you know about Beijing?
07:53You're making fun of me, Mano.
07:55I know I'm beautiful.
07:57No, Mano, Mano, Mano, Mano.
07:58Please, just a little while.
07:59Just a little while.
08:00Eat, eat.
08:01Shut up.
08:02What's going on with Beijing?
08:17What a night we've had, huh?
08:19What a good inauguration, huh?
08:21We already have a good memory of our first night in our little nest of love.
08:26I've slept much better in this room.
08:29You can't hear anything at all.
08:31Yes, right?
08:34Come in.
08:38Hi, Tere.
08:40We're moving.
08:41Yes, I heard you.
08:42Did you hear us?
08:43Loud and clear.
08:45We were just tidying up the furniture.
08:48Which finger do I suck?
08:50Look, we're adults and we're not going to give ourselves explanations.
08:53You don't need to.
08:54The only thing I'm going to ask of you is to be discreet when my son is at home, okay?
08:58It was the emotion.
09:00Thank you for letting us move to this room.
09:03Well, as long as Charo doesn't come to claim what's his, there's no problem.
09:07Excuse me, neighbors.
09:09Messura.
09:11Yes, it was the first night, you know.
09:15The emotion.
09:27What if Charo comes back?
09:29Honey, don't worry.
09:31When Charo comes back, we'll be living in our own apartment.
09:38I love hearing you say those things.
09:41Say it and say it so it's done.
09:44You have to declare it.
09:48When are you going to come?
09:50I need you to teach me that new move.
09:52I need to learn a new move.
09:54Come back.
09:55I love it.
09:56Yes, please.
09:57Nothing new.
09:58Please help me.
09:59Please.
10:00They stole me.
10:01They stole me.
10:02They stole me.
10:03Didn't they steal you yesterday?
10:04Yes.
10:05You're Chato's girlfriend, right?
10:06Yes.
10:07But Chato doesn't live here.
10:08I'm from Maripaz.
10:09My dad bought me your cell phone and they stole it again.
10:11Please help me.
10:12I'm in crisis.
10:13I don't know what to do.
10:14They stole you again?
10:15Yes.
10:16Please go over there.
10:17Over there?
10:18Yes, please.
10:19Come on, please.
10:22Now we're talking.
10:39Come on.
11:10Are those bullets?
11:12Were they bullets?
11:14Are you sure?
11:15These unconscious people.
11:16What if no one pinches the puppies?
11:18I haven't seen many puppies around here.
11:20Well, it's true.
11:22Uh...
11:23Oh, I'm sorry.
11:25I'm sorry.
11:26I'm sorry.
11:27I'm sorry.
11:28I'm sorry.
11:29I'm sorry.
11:30I'm sorry.
11:31I'm sorry.
11:32I'm sorry.
11:33I'm sorry.
11:34I'm sorry.
11:35I'm sorry.
11:36I'm sorry.
11:37I'm sorry.
11:39How comfortable I've slept here.
11:42Are you sure you've slept comfortably?
11:44Yes.
11:45I like to sleep on the hammock.
11:46Why?
11:47It's not the best for your spine.
11:49Why?
11:50My dad has slept here all his life and has not had any problems.
11:57We did it.
11:59What are you talking about?
12:01No, nothing.
12:02Nothing, nothing.
12:03Nothing, nothing.
12:06Hey, didn't your grandfather get burned?
12:09What if they weren't friends?
12:13No.
12:19Miss!
12:22The thief escaped again!
12:27He's not here again, he's not here.
12:29No!
12:30Neutronics!
12:31Neutronics!
12:32No!
12:33Now I'm screwed.
12:34I'm out of a job now.
12:36No!
12:37Oh, God!
12:39It can't be.
12:40I'm gone.
12:41I'm gone.
12:42I'm gone.
12:45And now what am I going to do?
12:47What am I going to do?
12:52Here's the banana I asked for!
12:56I can't believe it!
12:58Neutronics, you're indestructible!
13:01No!
13:05Valentín, I received your message!
13:06You did it!
13:07You're the best!
13:08No, we didn't do anything.
13:10We did it a long time ago.
13:12What? What? What happened to me?
13:13Feli just bought a banana.
13:16But how is this possible?
13:17Who is attempting against Mr. Miguel Ignacio's machine?
13:21Wait a minute.
13:29These guys think I was born yesterday, right?
13:33I don't understand.
13:34I understand why they hate this machine.
13:37What are we going to do?
13:39The winery has its days cut short.
13:41That's it.
13:45Poor Mr. Gilberto.
13:47Now we're really going to lose.
13:56What a shot!
13:58Yay!
13:59Yay!
14:00Yay!
14:01Yay!
14:02Yay!
14:03Yay!
14:04Yay!
14:05Yay!
14:06Yay!
14:07Yes, yes, yes.
14:08It's a good shot.
14:09It's a good shot.
14:10Get out of the way.
14:11Get out of the way.
14:17¿Qué son esas explosiones?
14:19Unos vándalos estuvieron reventando cuetecillos, señora Maldini.
14:22Pensé que en este distrito estaba prohibida la pirotecnia.
14:25Lo está, pero al parecer a estos desadaptados no les importa nada.
14:29Debe ser la recua del frente.
14:31Por favor, no les abras la puerta nunca más.
14:34Nunca más.
14:35¡Qué asador!
14:36¿Por qué me ha visto toda la pincada?
14:39¿Qué es esto?
14:41¿Alguien?
14:47¿Qué está pasando?
14:54¡Ay no!
14:59¿Señora Maldini?
15:01¿Está bien?
15:02¿Señora Maldini?
15:03¿Señora Maldini?
15:05¿Está bien?
15:06¿Está bien?
15:07Respire, por favor.
15:08Respire, por favor.
15:09Respire.
15:10Respire.
15:11Respire.
15:12Respire, por favor.
15:13Respire.
15:14Por favor, reaccione.
15:15Dígame algo, por favor.
15:16¡Don Diego!
15:17¡Don Diego, por favor!
15:18¡Venga, rápido!
15:19¿Está bien, por favor?
15:20Fran, ¿está bien?
15:21¡Llama a una ambulancia!
15:22Sí, sí, sí.
15:23Fran.
15:24¿Qué pasó?
15:25Se asomó a la ventana.
15:26¡Aló!
15:27¡Ayuda!
15:28¡Aló!
15:29¡Aló!
15:30¡Aló!
15:31¡Aló!
15:32¡Aló!
15:33¡Aló!
15:34¡Aló!
15:35¡Aló!
15:36¡Aló!
15:37¡Aló!
15:38¡Aló!
15:39¡Aló!
15:40¡Aló!
15:41¡Aló!
15:42¡Aló!
15:43¡Aló!
15:44¡Aló!
15:45¡Aló!
15:46¡Aló!
15:47¡Aló!
15:48¿Qué es eso?
15:50Parece una mano saliendo de la tierra.
15:54Parece una mano, pero no es una mano.
15:57No puede ser una mano.
15:58Las manos no crecen en los jardines.
16:00Bueno, en su jardín, pasan cosas muy raras señor.
16:03Luzio, no te dejes llevar por las noticias malintencionadas que andan diciendo por ahí.
16:07Más bien, ¿por qué no te acercas, para verificar que no es una mano?
16:12¿Acercarme?
16:13to make you cry.
16:15It must be a mushroom,
16:17a crot, a hand-shaped calendula.
16:20Mr. Diego, I appreciate the opportunity,
16:23but I better go.
16:24And don't worry about my compensation
16:26for working hours, okay?
16:29This is never going to end.
16:32Frank.
16:35Frank.
16:37The ambulance is coming.
16:39Frank.
17:10This is not a real hand.
17:21Wait, it'll work, okay?
17:23It will.
17:24Valentino, if that machine does not disappear
17:25before Mr. Gilberto returns...
17:27It will disappear.
17:29It could give him an attack or something!
17:31Think!
17:32Think!
17:35Sarah
17:40Where's confiar in me por favor pues hacerlo
17:48Oye como cuando vuelve el venerable anciano del hippie pp. I think it's been a few days
17:54I
18:04Feel a turtle eata
18:09Mejor vamos al patio y ahí les damos la sorpresa
18:15Que buena idea
18:19Vamos a entrar calladitos
18:24Por don gil cuando se entere que su bodeguita le habrá casado
18:35A la voz de tres sorprendemos a julie en su cuarto
18:40Tu cuenta
18:53Perdón discúlpena discúlpen no sabíamos
19:01Felicitaciones por el matrimonio
19:04Sí
19:05Gracias los hubiéramos invitado pero pero no no no hubo tiempo don gil se ha cambiado el look no
19:14Mi tortolita me dijo que me dejara un poco de barbita
19:24Bueno no sabrán disculpar pero está entrando un chiflón de aire
19:35Sí con toda la comodidad tranquilos
19:44Que hace el tito y la lorena en el cuarto de la julie
19:50No lucen la verdad
19:56Porque no vamos a darle la sorpresa a la teresita
20:05Sí
20:22Cuanto llegaste a ver
20:27Creo que no fue buena idea
20:30Presentarse tan de sorpresa ya sabemos para la próxima que no es muy buena idea de estar sorprendiendo a las personas
20:41Pero qué bonito se siente regresar a la casa
20:44Eso
20:54O sea que ese vieja hecho de la silla de ruedas
20:57Fue alguna vez tu suegro y ahora es tipo una especie de empleado arrastrado que utiliza solamente para divertirte
21:07Karma
21:08las vueltas que da la vida
21:11Pero la tipita que se maneja como se existente
21:15El nivel de mujercita es no es que se nota que la sacado de un hueco
21:19Pero de qué hueco la habrá sacado no porque la pinta de trepadora no se la quita a nadie
21:26Claro ahora la tipa piensa que encontró a su sure daddy
21:31Pero cuánto le durará la gracia dos tres meses máximo no pero la viste bien no la viste bien
21:40No
21:49Es el caso de perder señorita zapallá yo creo que qué perdió es usted señor de las casas
22:03Pero la viste no dime que la viste
22:07La vim muy bien horrorosa
22:13Don Diego yo paso a retirarme llame a una ambulancia permiso
22:19No puedo decir que fue un gusto trabajar con usted tranquilo lucio
22:25No es necesario que te vayas
22:30Todo tiene una explicación
22:36Y
23:06Y
23:19Qué habrá pasado ya vuelta
23:21Y yo que no me puedo apartar de la máquina del miguel ignacio ni un minuto ya voy maquinita
23:36Como está mi esposa
23:38Y
23:40Y
23:42Y
24:04Thanks
24:06Sir Leonardo que sorpresas ya le gusto visitar la casa de su ex familia política
24:12Ah, oye, ¿y esa ambulancia?
24:14Ah, doña Francesca está malita.
24:16Eh, no he escuchado muy bien, pero parece que la cosa es grave.
24:25¿Qué le ha pasado a Francesca?
24:27¿Y todavía preguntas, infeliz?
24:30No tienes respeto ni por la memoria de tu difunta mujer.
24:34Yo, yo puedo ayudar en algo.
24:36¿Sabes cómo ayudas? Desapareciendo.
24:37No quiero verte más.
24:38¿Pero a dónde, a dónde se la llevan?
24:40A la clínica de las Nuevas Lomas.
24:54Uy, tengo un mal presentimiento.
24:56Ojalá que la señora Francesca pueda contar la ya vuelta.
24:59Oye, Félix, ¿tú sabes dónde queda esta clínica de las Nuevas Lomas?
25:02Sí. Tome un taxi. Le va a cobrar 10 soles máximo.
25:06Ok.
25:07Oye.
25:09Oye, Félix, me da un poquito de vergüenza, pero ¿no tiene 10 lucitas que me prestes?
25:13Señor Leonardo, ¿me está pidiendo plata?
25:15¿Qué pasa? Que desde la última vez que te he visto, las cosas no han ido bien.
25:18Pues, tú sabes, los artistas sufrimos.
25:20Tranquilo, tranquilo, ya está bien.
25:22Creo que tengo por acá, justamente.
25:25¿10 soles?
25:26Sí.
25:27Perfecto. Dale, te pasaste.
25:29Oye, ¿tú querés que me cobre unas 5 lucitas y de vuelta?
25:32¿Cómo?
25:33De ahí lo veo, de ahí lo veo.
25:34Y para ti soy Leonardo Azecas, ¿ah?
25:37Leonardo Azecas. No se preocupe.
25:39Aquí le voy a apuntar.
25:42Leonardo Azecas.
25:4510 lucitas.
25:48Disculpenos por haber abierto las ventanas sin avisar,
25:53pero queríamos darle una sorpresa.
25:57Al final, la sorpresa nos la llevamos nosotros.
26:00Sorpresota.
26:03No sabíamos que habían cambiado los cuartos de una chica.
26:08Sí, les ofrecimos mudarse para el cuarto de arriba y ellas aceptaron felices.
26:13Igual es momentáneo, hasta que podamos comprarnos nuestro departamentito o nuestra casita.
26:18Sí, ese es nuestro sueño.
26:21Ay, casados, casa quieren.
26:24Y hablando de mudanzas, ¿mi televisor sigue en mi cuarto?
26:27Ay, acá estás.
26:30Cuánto te extrañé.
26:33Ya nos vamos a poner al día viendo todos los capítulos de La Rosa de Guadalupe, Perú.
26:38Sí, está bien.
26:40Estamos muy contentos de que estén aquí con nosotros nuevamente, Don Gil.
26:43Sí, buenas vacaciones. Se han metido, ¿ah?
26:46En Chalhuanca la pasamos de lo más bien con mi tortolita.
26:51La pasamos bien bonito y por si acaso trajimos recuerdo para todos.
26:56¿Y qué pasa con la bebé que no sale a saludar a su padre?
27:01Está en Galonia, Don Gil. Pero ya no es una bebé.
27:04Ahora es Doña Tere.
27:08¿Qué quieres decir con eso, Lorenita?
27:11Ya lo va a ver, Don Gil.
27:13Sí, algunas cosas han cambiado por aquí.
27:20¡Qué sorpresa!
27:22¡Qué sorpresa!
27:24Oh, linda. Papá Gilberto.
27:27Terecita, ¿con ese peinado te pareces tanto a tu madre?
27:32Como dos gotitas de vinagre.
27:35Eres su vivo retrato.
27:37Los genes camacho predominan.
27:40Acelerado su belleza.
27:43Y lo insoportable también.
27:44¡Calla, comemoco! Te voy a quitar tu cuarto, ¿ah?
27:47No, no, no dije nada. Perdón, Doña Tere.
27:49¿Terecita?
27:51Doña Tere.
27:52Perdón, Doña Tere.
27:55¿Por qué estás vestida así?
27:58En primer lugar, para hacer un homenaje a la fundadora, a la creadora.
28:04A la matriarca, Nelly Camacho.
28:07Y en segundo lugar, para seguir el legado de su gran apellido.
28:12¡Qué bonito homenaje le estás rindiendo!
28:17¡Terecita no!
28:19¡Doña Tere, papá! ¡Doña Tere!
28:23Y este look también es para enfrentar de igual a igual al peor de los enemigos.
28:30A Diego Montalban.
28:31Uno peor.
28:32¿Peor qué? No me imagino.
28:36Miguel Ignacio de las Casas.
28:39¿Quién es Miguel Ignacio de las Casas?
28:43¿Quién es Miguel Ignacio de las Casas?
28:46Pero ya te lo dije.
28:48¿Cuándo?
28:50La visca que es reñida.
28:54Y a que no saben la última que nos hizo.
29:02¿No puede ir más rápido?
29:04Súbale el volumen a la sirena.
29:05¿Que para qué la tiene?
29:06Tranquilícese, por favor.
29:07No me diga que me tranquilice, inepto.
29:09A mi esposa le puede dar cualquier cosa.
29:11Y ustedes no la están atendiendo como se debe.
29:14Los voy a demandar por negligencia.
29:16¡Apure, oiga! ¡Apure! ¡Más rápido!
29:29Qué bueno que Greta se quedó donde sus papás.
29:37Neutronics, ¿todo bien?
29:39No tienes que responderme.
29:42Watchman, ¿todo bien por acá?
29:45Sí, todo bien, todo tranquilo, todo suave.
29:49¿Alguna novedad?
29:51No, ninguna novedad.
29:53Justo está tranquilo porque doña Francesca ha tenido su ataque fulminante.
30:10Trini, pon el quinto teletubbie.
30:15Poniendo el quinto teletubbie.
30:33¿Por qué tan feliz, Miguel Ignacio?
30:36Porque la vida es buena conmigo, Trini.
30:39Tengo salud, dinero, amor.
30:42Y encima mi enemiga está cada vez más cerca de la tumba.
30:52¿Aló?
30:54¿Mikey? Tenemos que hablar.
30:57Ah, ¿y ahora de qué quieres hablar, Gretita?
31:00¿Cuándo me vas a oficializar?
31:03Mi amor, ¿pero no te parece que ya estamos mayorcitos para esas cosas?
31:07Pero es que yo necesito saber.
31:10Algún día lo voy a hacer, ¿ya?
31:12¿Cuándo?
31:14Pronto, prontito, por favor.
31:16Y ahora déjame llamar a mi amigo Diego porque su mujer está delicadita.
31:21¿Tu amigo el chef?
31:22¿El que se casó con una anciana solamente por su plata?
31:25Así es, el mismo, exactamente, ¿sí?
31:28Nos vemos más tarde.
31:29Chao, mi amor. Chao, besos.
31:38Oficializar.
31:49Ese saltimbanqui y el otro charlatan la deben haber sugestionado con sus estupideces.
31:55Quizás ellos mismos enterraron el maniquí en mi jardín.
32:00Miserables.
32:01Aló, Miguel Ignacio. Estoy en emergencia.
32:04Francesca se puso mal por una broma de mal gusto.
32:07No, no sé nada. Estoy esperando noticias de ella.
32:13¿Familiares de la señora Francesca Maldini?
32:15Sí, tengo que colgarte que me están llamando. Te llamo luego.
32:19Yo soy su esposo. Dígame, ¿cómo está ella?
32:32¿Por qué se demora tanto?
32:38Listo, mi amor. Ya estoy preparado para mi gran acto de ilusionismo.
32:44¿Y por qué te has vestido como Emo?
32:46No. No soy Emo. Yo soy...
32:52Criss Angel.
32:54¿Quién es ese?
32:55Criss Angel, mi ilusionista favorito, quien me inspiró la idea para desaparecer esa máquina del demonio.
33:01¿Dónde está?
33:04¡Olinda! Don Gilberto, ¿qué hacen acá?
33:07Acabamos de llegar y nos hemos enterado que el señor Vizcacha Estreñida
33:10ha puesto una máquina que le ha quitado clientela a la bodega.
33:15¿Es verdad eso, maripacita?
33:18Sí, no. Más o menos.
33:21Pero usted sabe que la bodega siempre tiene sus clientas fieles que no lo abandonan.
33:25Sí, pero de que las ventas han bajado, han bajado.
33:27¡Valentino!
33:29¿Quién lo vio?
33:30Está fuera, don Gilberto.
33:37Don Gilberto, Solinda, regresaron.
33:40Hola, Félix.
33:44Así que es la máquina que me ha estado quitando los clientes.
33:48Qué cosa tan rara. Parece un frigider.
33:50Es mucho más que eso, Linda.
33:51Esta máquina tiene de todo.
33:54Quiero hablar con el que atiende. Quiero hablar con él.
33:58No, no, no. Es una máquina inteligente.
33:59Tú le pides algo y te lo da.
34:01Ay, ¿cómo va a ser?
34:03A ver, quiero una causita de pollo.
34:07Primero tienes que pagar por tu pedido.
34:09Pero, ¿dónde coloco las monedas? No tienen ni siquiera un agujero.
34:14¿Qué monedas? Esta es una máquina moderna.
34:17No acepta monedas.
34:19Puedes pagar con tarjeta o con tu QRS.
34:23¿Ah, sí? A ver, vamos a ver si es verdad lo que tú dices.
34:28A ver.
34:32Causita de pollo.
34:41No puede ser.
34:45¡No puede ser!
34:47¡Máquina del demonio!
34:54Está riquísima esta causita.
34:58Con esta máquina,
35:01mi negocio se puede ir a la quiebra.
35:04No, no, no.
35:05No, no, no.
35:06Tranquilízate, Gilguerito.
35:09No te vaya a dar un soponcio o algo peor. Tranquilízate.
35:13Puedo perder mi bodeguita.
35:15No, no se preocupe, don Gilberto.
35:17Esa máquina no nos va a vencer.
35:19Sí, don Gil, ya tenemos planeado esa parada.
35:21Trabajar duro para recuperar a los clientes.
35:24Sí.
35:25Quiero echarme un rato.
35:28Esto está causando...
35:32No, María, tranquila, tranquila.
35:34No, vamos.
35:35Vamos, vamos, vamos al cuarto.
35:47Frank.
35:49Frank.
35:51Frank, Shakira está en el cuarto del costado.
35:55Sí, sí.
35:57¿Cómo estás?
35:59Vas a estar bien, tranquila.
36:01No te preocupes.
36:02Isabela.
36:03No, no, no pienses en eso ahora.
36:05Isabela está viva.
36:09Los doctores me han pedido que te quedes un tiempo más para hacerte unos exámenes.
36:14La mano de Claudia.
36:16No era la mano de Claudia.
36:18Era un maniquí que alguien puso ahí para molestarte.
36:21¿Un maniquí?
36:24Pero no te preocupes por eso.
36:26Ya voy a encontrar al culpable.
36:32Gilberto, tómate este poquito de agua de azar.
36:35Te va a ayudar a calmar.
36:36Gracias.
36:38¿Julie ya está viniendo para acá?
36:40Le hubieras dicho que mande a la ambulancia.
36:42De repente, don Gil se quiere ir al otro barrio, ¿ya?
36:44¡Cállate la fustán!
36:46Que la boca se te haga chicharrón.
36:47Mi papito es fuerte como un roble.
36:49Sí, pero los años no pasan en vano, Teresa.
36:51Tito, ya cállate mejor.
36:54Tal vez ese sea mi destino.
36:58Morir de una vez.
37:00Cállate, Gilguerito.
37:01Tú todavía tienes muchos años por delante.
37:04Exacto, papito.
37:05Tú tienes cuerda para rato.
37:07No tanta cuerda.
37:09Si esa máquina del demonio me sigue haciendo la competencia.
37:14¿No pueden hacer nada para que la saquen de aquí?
37:16Don Miguel Ignacio tiene todos los permisos del municipio.
37:19Seguramente ese tipo está amarrado con el alcalde.
37:21Ay, mi bodeguita.
37:24No quiero que desaparezca.
37:28Ay, Dios mío.
37:30¿Y si llamamos a un cura?
37:39¿Y? ¿Qué pasó?
37:42Don Gilberto regresó.
37:43¡No!
37:45Ay, no. ¿Ya se murió?
37:47¿Qué, qué? ¿Entonces nos hemos vestido de emo por la pura?
37:49¡No somos emo! ¡Somos Chris Engine!
37:52No, se murió. Solamente se ha puesto mal.
37:54Porque ahora la máquina le está quitando clientela a la bodeguita.
37:58Si esa máquina sigue operando, podría ser el fin de la bodega de Don Gilberto.
38:02No somos nada. No somos nada.
38:05Mi mamá ha hecho muchas preguntas desde que me vio salir así de la casa.
38:08Me quiere llegar el psicólogo. Es que estoy como que...
38:10Bueno, ya me voy a ganar a mi sobrita.
38:12Pero, ¿qué? ¿Entonces el plan ya no va o qué?
38:15No.
38:19El plan sigue en marcha.
38:22Esa máquina tiene que desaparecer sí o sí.
38:27Solo vamos a tener que esperar el momento indicado para poder hacerlo.
38:38¿Quién es?
38:45Disculpe, ¿la señora Francesca Maldini está internada aquí?
38:48Sí, señor. ¿Es usted familiar de la señora Maldini?
38:51No. Soy amigo de la familia. Me gustaría poder verla.
38:54En estos momentos su esposo está con ella.
38:57Mire, justo ahí va a salir.
38:59I don't know what you're talking about.
39:01You want to drive my wife crazy.
39:03I'm worried about Francesca.
39:05I want to see she's okay.
39:07Don't play the good Samaritan.
39:09You want money.
39:11I know just how kind of a person you are.
39:14Why do you distrust me so much
39:15when you never do anything to me?
39:16You didn't destroy Francesca's life.
39:19You destroyed her.
39:20You destroyed her.
39:22You destroyed her.
39:23Why don't you just leave?
39:25You don't have to say that.
39:26You're not my husband.
39:28You destroyed her life.
39:29Because of you, Isabela died.
39:31Hey!
39:31Hey, I was also a victim of my family.
39:33Oh, please.
39:34That role of victim doesn't suit you at all, Saltimbanque.
39:38Hey, I loved Isabela more than my own life.
39:41And I have affection for Francesca.
39:42I want to know if she's okay.
39:43Sorry, let me...
39:44Hey, you're filling up my patience.
39:46Get away from my wife.
39:47I'm not going to repeat it to you.
39:48Diego, let me go.
39:49Let me go.
39:49Listen to me.
39:50The monkey said his soul was not in the spiritual plane.
39:54Please stop putting those nonsense
39:56in Francesca's head.
39:58You and the other charlatan
40:00have made her get to this situation.
40:02Diego, the shaman is not a charlatan.
40:04I have nothing to do with him.
40:06This is real.
40:08And this too.
40:10Security! Security!
40:13Don't come near my wife again.
40:15What's going on here, gentlemen?
40:16I didn't let him in.
40:18He just wants to hurt my wife.
40:20Sir, withdraw.
40:23Withdraw.
40:25JULIE.
40:27JULIE.
40:31JULIE.
40:34JULIE.
40:36The pill will relax him
40:37and he will be able to sleep a little.
40:40Thanks, Julissita,
40:42because he didn't sleep at all
40:43on the way back to Lima.
40:46Yes, no overreaction.
40:48He has to be very quiet.
40:49Are we okay?
40:50Do not worry.
40:51I will make sure
40:52Don't get up from bed until tomorrow.
40:54Yes.
40:55I will never be able to be calm
40:59while that devil's machine is still next to my little cellar.
41:05Damn starfish.
41:08Oh, what a pity.
41:10Oh, Don Gil, please.
41:12Papito, you already heard Yuli.
41:15You have to keep her calm.
41:16If not, she can give you a kick.
41:18Teresita.
41:21Our house and the cellar are in danger
41:25while that guy continues to live in the new slums.
41:29No, Papito.
41:30Nobody is going to take our house away from us.
41:32And the cellar will continue to work as usual.
41:36With you or without you.
41:38Uncle.
41:39Don't listen to her, Don Gil.
41:40We are not going to allow that guy to do something against us.
41:44Yes, we will be a single fist.
41:45A single family.
41:46With many surnames.
41:47Exactly.
41:49Collazos.
41:49Flowers.
41:51Lara.
41:51Contreras.
41:52Coyoneche.
41:53But a united family.
41:55Thank you for giving me that peace of mind.
42:02Well, family, I think it would be better if we left
42:05and let Don Gil rest.
42:07Have you heard the nurse?
42:08Everyone out.
42:10Let him rest in peace.
42:11Everything.
42:12So there is no noise.
42:13I'll take it.
42:14Rest, Don Gil.
42:15I love you, Papito.
42:21You know, Olindita.
42:23No surprise.
42:24Thank you, Yuliecita.
42:31Wednesday machine!
42:51Where have I seen this mannequin before?
42:58Oh my God! Who knocks on the door that way?
43:01Maybe there are some people.
43:02Don't worry, I'll go.
43:05Caterpillar of soulless savages!
43:08Engenders of hell!
43:11Calm down, Ratatouille.
43:12Who else is present?
43:13You are just one thing.
43:15Look.
43:16Do you calm down or do I slap you on the head?
43:18We slap you.
43:19Of course.
43:20Shield yourself in your gender to make yourself offended.
43:22You may know what this,
43:25that mannequin of garbage was doing
43:28buried in my garden.
43:30Oh, profaner of graves!
43:32Why did you bury Yulice and let her rest in peace?
43:35In peace in my garden?
43:36Why in my garden?
43:38Well, because the hole was already made
43:40and I was close to the house to visit her.
43:42Well, for your great idea,
43:43now Francesca is debating between life and death.
43:47And do you need the hole to bury her?
43:49What?
43:50Tito, don't be stubborn.
43:52I just warn you that if you get into my house again,
43:56I'm going to lock you up
43:58and there will be no power in the world
43:59to get you out of the dungeon.
44:05I'm not used to being treated that way.
44:08I'm sorry.
44:09This time it was my fault.
44:10Well, take care of your husband.
44:12Otherwise you will have to face his stupidities.
44:16Tito, I told you to get rid of her!
44:19But I did that!
44:21Oh, Yulice, I have missed you so much.
44:25It's a pity that Lorena doesn't understand us.
44:30I love you.
44:45I love you too.
45:15I love you too.
45:45I love you.
45:47I love you too.
46:02We are in the lost city.
46:07I say forbidden.
46:15I say forbidden.
46:16I say forbidden.
46:17I say forbidden.
46:18I say forbidden.
46:19I say forbidden.
46:20I say forbidden.
46:21I say forbidden.
46:22I say forbidden.
46:23I say forbidden.
46:24I say forbidden.
46:25I say forbidden.
46:26I say forbidden.
46:27I say forbidden.
46:28I say forbidden.
46:29I say forbidden.
46:30I say forbidden.
46:31I say forbidden.
46:32I say forbidden.
46:33I say forbidden.
46:34I say forbidden.
46:35I say forbidden.
46:36I say forbidden.
46:37I say forbidden.
46:38I say forbidden.
46:39I say forbidden.
46:40I say forbidden.
46:41I say forbidden.
46:42I say forbidden.
46:43I say forbidden.
46:44I say forbidden.
46:45I say forbidden.
46:46I say forbidden.
46:47I say forbidden.
46:48I say forbidden.
46:49I say forbidden.
46:50I say forbidden.
46:51I say forbidden.
46:52I say forbidden.
46:53I say forbidden.
46:54I say forbidden.
46:55I say forbidden.
46:56I say forbidden.
46:57I say forbidden.
46:58I say forbidden.
46:59I say forbidden.
47:00I say forbidden.
47:01I say forbidden.
47:02I say forbidden.
47:03I say forbidden.
47:04I say forbidden.
47:05I say forbidden.
47:06I say forbidden.
47:07I say forbidden.
47:08I say forbidden.
47:09I say forbidden.
47:10I say forbidden.
47:11I say forbidden.
47:12I say forbidden.
47:13I say forbidden.
47:14I say forbidden.
47:15I say forbidden.
47:16I say forbidden.
47:17I say forbidden.
47:18Oh, foot ofكم тю세요.
47:19I am it.
47:20I repeat, I refuse to give in without struggling that machine.
47:21How rich dormito of the door.
47:30Now if to do my morning round.
47:35Oye?
47:36What is this?
47:41Did Mr. Miguel Ignacio cover the machine to protect it at night?
47:46But I'm going to take this off. Don't think it's out of service.
47:58San Juan Bendito!
48:00He's not here!
48:11Who's knocking at this hour?
48:14It's the busy watchman, Mr. Miguel Ignacio.
48:26What's up, Felix?
48:28Mr. Miguel Ignacio, how are you? Sorry for the inconvenience.
48:32I would like to know if by any chance you have kept your machine.
48:36What machine?
48:37The Neumtronics.
48:38No, I haven't kept it anywhere. Why?
48:41Because it's not in its place.
48:47I thought you had covered it to protect it from the cold at night,
48:51but when I take the cloth off, I'm surprised that there's no machine.
48:55It disappeared like magic!
48:58They stole the Neumtronics!
49:01Suddenly, as it is an intelligent machine, it went out for a walk at night.
49:06All this is your fault, watchman.
49:09No, Mr. Miguel Ignacio, don't say that. I swear I watched it all night.
49:12So why isn't the machine there?
49:14I don't know why it's not there, but I'm going to investigate it right now.
49:18You don't need to investigate.
49:20The machine has an incorporated GPS that will give us the exact location of where it is.
49:24Oh, that's great!
49:27But this mistake...
49:29This mistake will cost you very dearly, watchman. Very dearly!
49:36God bless you! Hugs, guavillos!
49:43Do you know anything about Leonardo?
49:46Why do you ask me about him?
49:49Forget about that bastard, it's not about trusting.
49:52Forget about him and the charlatan who told you all those things in the spiritualist session.
49:57It's not good for you to remember those sad moments of your life.
50:06What are you doing here?
50:07To the beach! To the beach!
50:10What's wrong? What's wrong?
50:12To the beach, miss.
50:14We are poor but honored, you know?
50:16He's getting confused.
50:17I only have my car, I only have my car.
50:18Hey, hey, hey! Silence!
50:19Where is the machine?
50:20What machine?
50:21The machine!
50:34And I really don't lie when I say that I would give up everything I have
50:39for having Otito and Gladys by my side.
50:47Who is Gladys?
50:51Who is Gladys?
50:53Who is Gladys?