Category
📺
TVTranscript
00:00I'm the boss in three words, the one who wins
00:04And how do I know that what you have there is insulin?
00:07Can you confirm it with your doctor?
00:10I just want to help you.
00:12At least while they give you the results.
00:16Why your gesture?
00:18Suddenly you appear like this, out of nowhere.
00:22With something I really need.
00:25Where are you armed? I don't even know your name.
00:29Well, I am yours.
00:33Gloria.
00:37Nice to meet you, I'm Eduardo.
00:39My friend told me that she saw you with a good workshop.
00:42Do you want a cigarette?
00:44No.
00:46I think you got the gossip wrong.
00:50But the most important thing right now is the health of your son.
00:53And believe me, I wouldn't have wanted to run over him or make him have a bad time.
00:57That's why I'm here.
00:59I just want to help.
01:03I'll leave it here.
01:05I hope you can use it.
01:07And if you don't use it, it would be good if you gave it to someone who needs it.
01:12Excuse me.
01:17Excuse me.
01:32I swore to Ernestina that I wasn't going to say anything.
01:35And look at that.
01:36Go and tell Luisa that she has very bad intentions for Gloria.
01:39I'm sure she's going to tell her in Mexico City.
01:42Don't worry, Matilde.
01:44No one knows you're going to Mexico City.
01:46Much less that you're going to hide Gloria.
01:48Look, take this money.
01:51Give it to your daughter and tell her I'll send you more later.
01:54I'm going to see you.
01:56For no reason, you turn on your phone until you get to Mexico City.
02:00And don't answer any of your daughters' calls.
02:03See if you can take advantage of it to cancel the call.
02:05Yes.
02:07What was that, Luis?
02:10No, bro.
02:11The street is full of guys.
02:16Sonia is careful.
02:17Let's see, Caigo.
02:18If that woman is capable of killing her husband, she is capable of anything.
02:22Be careful, idiot.
02:24Calm down, because I'm not your doctor.
02:25Then talk to your wife.
02:26How much science does she have?
02:36Commander, what happened?
02:39Don't tell me.
02:42Yes, yes, yes.
02:43I see him here.
02:46Commander Tamayo.
02:48He's coming here.
02:50He has urgent information about Gloria.
02:54Very well.
02:59My love.
03:01Just look at how you are.
03:04You're crushing me.
03:06How do you feel?
03:09Can I feed my son?
03:10Yes, of course.
03:11Go ahead.
03:13Excuse me.
03:16Eat, my love.
03:17I need you to be strong.
03:20Look.
03:21Eat.
03:22But I'm already big.
03:23And big children also eat.
03:25Come on.
03:26That's it, my love.
03:29Tasty?
03:30This tastes ugly.
03:31Mom, it tastes ugly.
03:32Look.
03:35It's delicious.
03:37Open your mouth.
03:38Open your mouth, my love.
03:39Open.
03:40Open.
03:41Open your mouth.
03:42That's it, my love.
03:43I need you to eat healthy to get out of here.
03:46And not go back to the hospital.
03:47What?
03:48Can you help me with that?
03:50Open your mouth.
03:52That's it.
03:53Open.
03:54Open.
03:55Open.
03:56Go ahead.
03:57There you go.
03:59Yes, perfect.
04:00Tomorrow at four o'clock for cut and color retouching.
04:05And remember that Estética Brillantes is the house of the haircut and hairstyle that makes you shine.
04:11The house of the haircut and hairstyle that makes you shine.
04:15Ramona, please.
04:16Put a little more flavor.
04:18People want an aesthetic, not a funeral.
04:21Always arriving late and telling jokes of very bad taste.
04:25Hey, who was that woman who came yesterday with the kid?
04:28The one you climbed on the Fercho truck.
04:31Oh, look at you.
04:32You don't like the joke, but you do like the gossip.
04:35Ramona.
04:36Come here, I want to talk to you.
04:38Quick.
04:39Oh, run, little dog, your owner is calling you.
04:42Don't overdo it.
04:44I can make Maribel run with just one hit.
04:48Ramona.
05:02Ramona.
05:30What happened to you?
05:31I fell down the stairs, Tamayo.
05:33You know, a mess.
05:36I would like to talk to you alone, seat.
05:39My brother-in-law Fernando is of all my confidence.
05:41You can talk whatever you want about Gloria in front of him.
05:44What do you think of me?
05:45An FGR agent called me.
05:47He was here on an operation here in Tijuana.
05:50To ask me the story of the widow of Cruz.
05:55Gloria Guzman is in Mexico City.
06:01What?
06:06Get out, get out.
06:09Oh, I'm suffocating.
06:11Please don't see me like this, bitch.
06:14Besides, don't scream anymore.
06:15You were the first one who gave me to the people of the duke.
06:18Here, here.
06:20Sit down, come on.
06:22Sebastian.
06:23Please, you are a good man.
06:25You sent me to kill, bitch.
06:28You can't even kill a bitch.
06:31Do you need a bitch?
06:34I don't care about her, little girl.
06:36Besides, she's the same.
06:39Oh, Sebastian.
06:40I'm sure you're going to kill me again, bitch.
06:44Sebastian, you're hurting me.
06:47Sebastian, please don't do this to me.
06:54What?
06:56What?
06:58Are you going to crush my head or what?
07:01I don't know.
07:02Maybe some bones could pass, what do you think?
07:06You can't hide, Sebastian.
07:08As soon as they find you, they're going to make you chicken broth.
07:14They're going to boil you alive.
07:16That's what they do.
07:17Well, then they're going to make broth, but with you, little girl.
07:20Sebastian.
07:24Sebastian, please.
07:27Sebastian.
07:28Sebastian, please.
07:37Anyway, I'm going to die soon.
07:41What are you talking about?
07:44Do you remember when I was buried in the hospital?
07:47Do you remember my tremors?
07:49My fainting?
07:52Well, I have a very serious disease.
07:55Incurable.
07:57But before I go, my love,
08:00I'm going to do a deep cleansing.
08:03And I'm going to go to hell.
08:06To all that garbage.
08:09Starting with you.
08:12Sebastian.
08:13Now you believe me, I'm going to kill you.
08:16Now you believe me.
08:17No.
08:20No.
08:22No.
08:23Well, I don't know.
08:24I mean, it's not decided yet, but maybe I'm going to Tijuana today.
08:27Hello.
08:28News in full swing.
08:30It's just that ...
08:31Let's see, it's going to sound very crazy, but ...
08:33Today something happened that made me remember
08:35that maybe in Tijuana is the money I need for Daniel.
08:40Well, love, you have to go wherever the money is.
08:44If you have to travel, I can take care of Danielito.
08:46Hey, could you do me a favor?
08:49I need to change my look, whatever.
08:51Well, come here for the aesthetics that I'm going to make you unrecognizable.
08:54In fact, I have some wigs that I think can work very well on you.
08:58Okay, I'll go.
09:05Maribel.
09:07What are you doing?
09:09Nothing.
09:11Hey, do you like that we knock on the door before entering the office or the bathroom?
09:15But from what I see, you enter with the key wherever you want, right?
09:19It's my living room, my rules.
09:21Don't you like it? There's the door.
09:23Let's see your hands.
09:24Nothing.
09:27Son of a bitch.
09:28Maribel.
09:29How much is it?
09:30Oh, give it to me.
09:31It's only three thousand pesos, Maribel.
09:35You have a 30,000 dollar debt with me.
09:38And you didn't think you'd pay me for this.
09:42What? Do you think that when I talk to you, I'm serious or what?
09:46You have two weeks to pay me.
09:48Two weeks.
09:49Two weeks?
09:50Two weeks.
09:52Or I swear you're going to know hell.
09:55Oh, I'm sorry, miss. I didn't know you were busy.
10:13My love.
10:15You look great, babe.
10:18Oh, thank you.
10:22Hey.
10:24Who's the lucky one?
10:27I need all of this.
10:31Well, you, my love. Who else?
10:36Daddy.
10:37It's so good.
10:39It's so good, but...
10:40But what?
10:41My love, you know what?
10:43I have to go to work now, my love.
10:45It's going to be late when I get back.
10:47What do you think?
10:49One thing.
10:50What, my love?
10:52Are you really going to say no to your macho?
10:58No, no, no, no.
10:59It's just that, my love, I have an appointment at the hospital.
11:03And I have to get there early because...
11:05It's just that, my love, I have an appointment at the hospital.
11:07And I have to get there early because...
11:13To me.
11:15Don't tell me no.
11:18Okay?
11:23Yes, my love.
11:27Okay?
11:29Yes, daddy, yes.
11:32No, please.
11:36No.
11:42No, no, no.
11:48No.
11:50No.
12:05You can count on me, Governor.
12:07That's why I came.
12:08But when you're president, I hope I can count on your support.
12:11Of course you can count on Tamayo.
12:13Okay.
12:15See you. Take care.
12:16I'll go this way.
12:19Propio.
12:21Hi.
12:22What was Tamayo doing here?
12:26Where's your mom? I need to talk to her.
12:30My brother doesn't want to tell you, but I do.
12:32We went to follow my mom, thinking she'd take us to Gloria.
12:35But she escaped.
12:41Oh, well.
12:42Investigators die of hunger.
12:45But if Matilde went to look for Gloria, I know where she is.
12:49She's in Mexico City.
12:56Doctor.
12:59Sorry.
13:01Excuse me.
13:02I have a question.
13:03This was a donation,
13:05and I don't know if this insulin is in good condition,
13:09or if it's contaminated.
13:11Okay.
13:12Can you help me?
13:13Of course.
13:15I can do an analysis, okay?
13:17And, well, look.
13:19At first glance, it looks like this is the best brand on the market.
13:22We're also going to give you insulin here,
13:24but, well, if you've made this donation,
13:27I'll save you a few lines and consultations.
13:29It's a big deal.
13:32Thank you very much.
13:34Let's see, doctor.
13:35I have to be absent for 24 hours.
13:38I have to get the money for Daniel.
13:41Okay.
13:42Thank you for informing me.
13:43Who's going to stay with the child for these 24 hours?
13:45It is mandatory that an adult stay here.
13:47A friend offered to take care of him.
13:48Is that okay?
13:49Yes, of course.
13:50Thank you very much, doctor.
13:51To serve you.
13:52Gloria, daughter.
13:54Mom.
13:55Daughter.
13:56Daughter.
13:57Daughter.
13:58Mom.
14:04Now I understand everything.
14:07That's why you were so cocky
14:08and you even faced Luke.
14:11That's why I'm going to get rid of you too.
14:15I can't leave you above Gloria
14:16with all that hatred I feel.
14:19Gloria.
14:20Gloria.
14:21Always that bitch.
14:26You can't just kill me
14:27because you're going to die.
14:28You.
14:31Give me one reason
14:32not to break up with you, Sonya.
14:36Because you'd be killing two people.
14:41I'm pregnant, Sebastian.
14:44I'm going to have a baby of your own.
14:55I'm going to have a baby of your own.
15:25I'm going to have a baby of your own.
15:55Sebastian has been like a brother to me.
15:57Yes, he says he'll send you more later.
16:00With this, I'm going to pay
16:01the rent of the apartment, Mom.
16:03I can't let them do this to me.
16:05No, look.
16:06With the money,
16:07it's what you think is convenient, daughter.
16:09But I wonder
16:10where Sebastian got that money from.
16:12If they also took everything from him,
16:13like they did from us.
16:14I don't know.
16:16But I'm going to pay him, Mom.
16:17Soon.
16:18Oh, daughter.
16:19But what are you going to do?
16:20You don't have a penny either.
16:21No, but I'm going to have it.
16:23I need you to do me a favor.
16:25Yes?
16:26I need you to take care of Daniel.
16:28I have to go on a trip.
16:29One day.
16:30Just one day.
16:31Where to?
16:33I'm going to Tijuana.
16:34Oh, don't say that.
16:35If you're running away from there,
16:36it's very dangerous.
16:37Don't run away.
16:38Nothing's going to happen to me, Mom.
16:39Don't worry.
16:40Besides, I know how to take care of myself.
16:41It's just one day.
16:42Please.
16:43I need you to take care of him.
16:45Look, come here.
16:46I'm going to take you to where Franklin is.
16:47Yes.
16:50There he is.
16:52Yes.
16:55I'm waiting for a son of yours
16:56and you stay so quiet,
16:57all ears, without saying anything?
16:59Look, I'm calculating.
17:01And I'll tell you something.
17:04I can't even remember
17:06when was the last time
17:08you and I were together.
17:11When was it, Sonia?
17:13Two or three months ago?
17:15Oh, I don't care.
17:18If you were pregnant,
17:19you would notice a three-month pregnancy.
17:21And you're just like always.
17:23It's too soon to know that.
17:28Suppose what you're saying is true.
17:34No.
17:36Why?
17:38Why?
17:39Why did you hide it?
17:41Why did you send the people to the Duke
17:44to shoot me?
17:46You don't give a damn
17:47about killing your father,
17:48your son.
17:50What kind of woman are you, Sonia?
17:56I didn't know, I swear.
17:57That's a lie.
17:59I threatened you
18:00with telling everything I knew about you.
18:02And you decided to eliminate me.
18:11Sebastián.
18:16Sebastián, please.
18:18What are you going to do?
18:20I'll be right back.
18:22Where are you going?
18:24Where are you going?
18:26I'm going to get a test.
18:27No, please.
18:29I'm going to get a test.
18:31I'm going to get a test.
18:41Before I go to eat,
18:43I want to tell you something.
18:45You may have noticed
18:46that Olga didn't come to work.
18:49Well, that's how it's going to be.
18:51The bad news is
18:52that Olga is no longer
18:53working with us.
18:55She took her sister
18:56and left to Jalapa again.
18:58What?
18:59But how?
19:00Yes.
19:01But what the hell did she tell you?
19:03Yes, she didn't tell me anything
19:04when she said goodbye to us.
19:06What? She didn't tell you anything?
19:08Didn't you realize
19:09how distressed she was
19:11with tears in her eyes?
19:12Didn't you see her?
19:14Well,
19:15didn't she tell you
19:16that I took her to her house?
19:18Oh, yes.
19:19She told me.
19:21Olga had been working with me
19:23for four years
19:24and we trusted each other a lot.
19:26And that's why she told me
19:28that her sister
19:29was pregnant with a bastard.
19:32Carolina?
19:33Yes, that Carolina.
19:36And then,
19:37they went to complain to her
19:38and the bastard
19:40said that she either
19:41aborted
19:42or threatened both of them
19:43with death.
19:44He was going to kill both of them.
19:45So they had to go.
19:47Just like that.
19:48Without telling anyone.
19:49Without saying goodbye to anyone.
19:51No.
19:52The worst part is
19:53that they had no way to leave.
19:55To be honest,
19:56my elbow hurts, but
19:58I had to lend them
19:59so they could leave.
20:01Yes, they left.
20:02Thanks to me.
20:05Let's go.
20:06Bon appetit.
20:15The students of chemistry
20:16are kidnapping them
20:17to use them
20:18in clandestine drug trafficking
20:19laboratories.
20:22Facu?
20:24Are the drug traffickers
20:25really kidnapping
20:26chemistry students?
20:27That's right.
20:28The new synthetic drugs
20:29business
20:30requires people
20:31with knowledge.
20:32And who better than
20:33the students?
20:34The authorities
20:35are not doing anything
20:36about it.
20:37Please help
20:38the Mexican students
20:39who are in danger.
20:41Let's use the hashtag
20:42chemists kidnapped
20:43by drug traffickers.
20:46Facundo Meza.
20:4822 years old.
20:50Chemistry student.
20:52A classmate
20:53of Karen Carmona.
20:55And with all this mess,
20:56he has more than
20:57a million followers
20:58on his social media.
20:59Damn social media.
21:01They make everything
21:02insignificant
21:03become relevant.
21:04Now it turns out
21:05that everyone cares
21:06about the students.
21:08Either we shut their mouths
21:09with dirt
21:10or we grow the dwarf.
21:12We can't kill this kid,
21:13Marlene.
21:15He has too many eyes
21:16on him.
21:21But,
21:23there's another way
21:24to get him out of the way.
21:26What plans do you have,
21:27boss?
21:35Hello.
21:36Good morning.
21:37Hello.
21:38Good morning.
21:39This is this guy.
21:40Gloria.
21:41This is Estetica Brillante.
21:42It's the house of
21:43the haircut and the hairstyle.
21:44What can I do for you?
21:45I have...
21:46She's my friend, Ramona.
21:48Gloria, she's Ramona.
21:49She's in charge of the place.
21:51Nice to meet you.
21:53She thinks she's the boss,
21:54but she's not.
21:55Let me introduce you
21:56to Laura.
21:58She's Laura
21:59from Cali, Colombia.
22:01The Colombian
22:02diva of the place.
22:03And she has a kid,
22:04I think,
22:05the same age as Daniel,
22:06right?
22:07Hi, how are you?
22:08Nice to meet you, Laura.
22:09Nice to meet you.
22:10And how's your kid?
22:11He's better.
22:13That's great.
22:16She's Suzy.
22:18Suzy Brillitos.
22:21Exactly.
22:22Suzy Brillitos,
22:23the influencer of the place.
22:24You have to follow her
22:25because her social media
22:26has some great reels.
22:27Nice to meet you, Gloria.
22:28Nice to meet you.
22:29I don't have social media,
22:30but I imagine
22:31you have a lot of followers.
22:32You're very pretty.
22:34Here.
22:36Well, girls.
22:39Well, let's go
22:40to try some wigs
22:41that you're going to look
22:42divine with, dear.
22:45Well, there's a bit of everything.
22:47I have several options,
22:48but I liked this color.
22:50Let's see,
22:51help me with your hands.
22:55No, no.
22:56The color is fine,
22:57but we can try it.
23:00I think this one
23:01can work much better.
23:05This color
23:06is a drastic change,
23:08but...
23:12What do you think?
23:15I like it.
23:17Yes?
23:18I like it.
23:19I see myself as different.
23:20That's the idea, right?
23:21I'm back with my haircut,
23:22and well,
23:23here I am.
23:39Hello.
23:40Good morning.
23:41Welcome back.
23:42The girl who was going
23:43to cut your hair
23:44doesn't work here anymore,
23:45but she can cut it
23:46with pleasure.
23:47I told you
23:48that man was following me.
23:49No, I don't think so.
23:50Calm down.
23:51Don't you see
23:52that I've been waiting
23:53to see Lisa
23:54cut her hair?
23:55Today.
23:56Today?
23:57For example, Laura?
23:58Laura?
24:00Oh, how pretty.
24:01But I'd like
24:02you to cut it for me.
24:05Hello.
24:06Do you remember me?
24:07Hello.
24:08Yes, of course, of course.
24:09How can I forget your face
24:10after the scene
24:11of the dead man
24:12in the hospital?
24:13Yes, I know.
24:14But if you want,
24:15I can wait.
24:16I think you're finishing
24:17with the...
24:22Gloria?
24:24What are you doing here?
24:25Why did you bring this wig?
24:26Oh, don't be surprised.
24:28Why are you following me
24:29everywhere?
24:30What do you have, huh?
24:31What do you have with me?
24:32What do you have with me?
24:38My mom doesn't answer.
24:39I've already sent her
24:40like ten messages.
24:41Gloria must have rented
24:42a house or an apartment
24:44if we should call
24:45the real estate agency
24:46and ask, right?
24:47No, no, no.
24:48Do you know how many real estate
24:49agencies there are
24:50in Mexico City?
24:51What if she rented
24:52with a fake name?
24:53They just talk about Gloria
24:54as if the important thing
24:55was to hit her
24:56and not save my mom.
24:58Excuse me.
24:59The food is almost ready.
25:00Ernestina,
25:01don't you remember
25:02if my mom told you anything else?
25:03Any detail,
25:04something important
25:05that helps us
25:06get to her?
25:08I just talked to Sebastián
25:11and he came to tell me
25:12that Danielito is sick
25:13because he is hospitalized.
25:16Well, now that you say it,
25:19I remember that
25:20my mom told me
25:21something like...
25:22Talk, Ernestina.
25:25It's for your mother's sake.
25:27My...
25:28My mom told me that...
25:30That Daniel was very sick.
25:33Poor thing.
25:34What happened to the boy?
25:35I don't know.
25:36Then he has to be
25:37in a public hospital
25:38because Gloria
25:39doesn't have any money anymore.
25:40That's it.
25:42We have to call
25:43all the public hospitals
25:44in Mexico City.
25:45If Mercado shows up,
25:46both of them will show up.
25:49Let's see.
25:51Come on, don't move.
25:53Just a few stitches.
25:55Maribel, it hurts a lot.
25:56Stop talking.
25:57Right now.
25:58Of course it hurts.
26:00I've always said it.
26:01Beauty hurts.
26:03A lot.
26:04Stay still.
26:05Let's see.
26:06So you don't bleed.
26:07Shut up.
26:08Take a deep breath.
26:12Forgive me, queen.
26:13You can't stand anything.
26:15I want to see myself.
26:16I want to see myself.
26:17I want to see myself.
26:27Holy Virgin,
26:28what did you do to me?
26:29What did I do to you?
26:30I beautified you.
26:31What did you do to me?
26:32You took advantage of me.
26:33No, no, no.
26:34Wait a minute.
26:35I just did you a miracle.
26:36It's a very good German product.
26:38No, Maribel.
26:39Look, look, look.
26:40How do I look?
26:41No, Maribel.
26:42Relax, man.
26:43No, Maribel.
26:44No, man.
26:45In less than 24 hours
26:46you're going to look like this.
26:47No, man.
26:48You're not going to have that.
26:49Let me put this ice on you
26:50so you can sit down.
26:51Put it on.
26:52There.
26:53There you go.
26:54My daughter is hysterical.
26:55It can't be.
26:58And you?
26:59What's wrong with you?
27:00What are you doing here?
27:01You look like Meja Colimón.
27:02What's wrong with you?
27:03Because El Cuico is outside.
27:05El Cuico?
27:07A cop is out here?
27:09The one they were going to interrogate, Ivancito.
27:11That's why I killed him.
27:13So they wouldn't tell him anything about that guy.
27:18All right, ladies.
27:20Can someone explain to the lady here
27:22that I have an appointment to cut my hair?
27:25Yes.
27:26Olga was cutting your hair yesterday,
27:28but she couldn't finish it because he had to go.
27:31Yes.
27:32Yes, yes, yes.
27:33The little man who's coming today.
27:34That little man.
27:35The one who was going to know that you were here today.
27:38Well, I don't believe you.
27:40There are a lot of coincidences, right?
27:42You were here and you were out there.
27:44You were in the hospital and there you were.
27:47And now I come back here and here you are.
27:49What a coincidence, right?
27:51The truth is that my friend is right.
27:53You look a little stalker.
27:56Wouldn't it be the other way around?
27:58Wouldn't I have to ask you the question?
28:01Wouldn't you be the one who wants to go unnoticed?
28:02Because with that wig, I don't think anyone will recognize you, right?
28:05Unless that's what you want.
28:08That no one recognizes you.
28:11Maybe someone in the north of the country, I don't know.
28:18Now we're going to know the little truth.
28:23Well, what are you waiting for to untie me?
28:26I need to go to the bathroom to do the pregnancy test.
28:30You always thought I was an idiot.
28:36Open your legs, open your legs!
28:41Open your legs!
28:44What are you doing, Sebastian?
28:53Don't go overboard.
29:06It's him, Maribel.
29:08I'm telling you, that guy is from the gang.
29:10He was interrogating Ivancito.
29:13As soon as the guy came in, he approached Yadira.
29:17He said he knew her.
29:20I don't know, he seems familiar to me.
29:23But where did I see him?
29:24Where do I know him from?
29:28Enough, enough.
29:30Olga, I was washing his head.
29:31Olga is dead and that cop is looking for me.
29:33Shut up!
29:35Please, this is the stage as a hysterical old woman.
29:38And go to the operating room.
29:40And by the way, distract that lady.
29:43Don't make her come out with all her face swollen.
29:46That's all I needed.
29:47How are you?
29:48I'll take care of the cop.
29:56We'll follow you later.
29:59How's everything going around here?
30:01Everything under control?
30:02Yes, fine, thank you.
30:04Are you already attending to the gentleman?
30:06Yes, thank you.
30:08A little question.
30:10Tell me.
30:12How did you end up with this aesthetic?
30:14Because very few men come here.
30:17Yes, I imagine.
30:19Well, nothing, I was passing by the street,
30:21I saw the aesthetics, I wanted to cut my hair
30:23and with so much beauty around here,
30:25I thought anyone would like to stay here, right?
30:27You're humiliating me, Sebastian.
30:30But why, my love?
30:32We're still married.
30:35What's the problem?
30:37Come on, urinate.
30:40What do you mean, urinate?
30:43Urinate, now!
30:57Aren't you the one who brought this
30:59to ask me for a job?
31:01Yes, any problem?
31:03Come on, limosnera with garrote.
31:06I have to go again,
31:08it seems that I will never be able to cut my hair.
31:12Did the insulin I gave you work for your son?
31:15Yes, yes, thank you very much.
31:17Do you think you can give me your phone number?
31:20No, it's not for what you think,
31:22it's just that the one who gives me insulin
31:24sometimes makes donations,
31:27well, Amelia, if it's for your son.
31:31Yes.
31:35I'm out of battery.
31:37But I need a pen,
31:39do you have a pen around here?
31:41Yes, I'll bring it.
31:47What was Bolillo doing in that photo?
31:49Why were they looking for him?
31:56THE LORD OF THE SKIES WILL RETURN
32:26And how do you, why do you have this role?
32:29Are you a cop?
32:31How do you think?
32:33Let's see, I think I better explain it to you, right?
32:35I am a forensic doctor.
32:37No.
32:38Yes, I work in the civil hospital
32:40where the lady has her son hospitalized.
32:42And well, I had to lift the body of a man
32:44that the lady was very impressed with.
32:47And those were being distributed
32:49in the corridors of the hospital.
32:51What's up?
32:53It's the girlfriend I was talking about.
32:54She is still in protection for him.
32:56Fortunately, he left her for another one.
32:58Son, I think there are enough opportunities here, right?
33:00Yes.
33:02I better go.
33:04It was nice to see you, Gloria.
33:06Likewise.
33:08Thank you very much.
33:10I didn't know you were a doctor.
33:12I really didn't imagine it.
33:14If you want to tell your friend Don Ante
33:16where to find me, in the hospital.
33:18And thank you and goodbye.
33:20Goodbye, no, Gloria.
33:22See you soon.
33:24See you soon.
33:30To the office as you were going to say.
33:34Who is the guy in the photo?
33:36Why are they looking for him? What did he do?
33:38It's a very long story.
33:40If you want, look, take the wigs
33:42and I'm going to ask permission
33:44and in half an hour I'll help you with the house, okay?
33:46Gloria!
33:48Speak to me in Chinese, okay?
33:50I said immediately.
33:52I'm coming, I'm coming.
33:55Nothing.
33:57Daniel is not in this hospital either.
33:59Well, I'm sure he already felt good
34:01and they gave him high.
34:03No, I don't think so, Fernando,
34:05because if that were the case,
34:07my mom wouldn't have gone there in such a hurry.
34:10Sometimes you think, Ernestina.
34:12Sometimes.
34:14Let's see, the next one.
34:16Mark.
34:18Civil Hospital of Mexico City.
34:20Hello?
34:22Miss, yes.
34:24I would like to know
34:26if a child is being admitted there.
34:28His name is Daniel Cruz.
34:33Yes?
34:35Are you sure?
34:37No, no.
34:39I would like to send him
34:41a teddy bear.
34:43Thank you very much.
34:45He's in this hospital.
34:46I promise you, Maribel,
34:48that's all I know.
34:50Look, this guy was harassing my friend
34:52and I wanted to know why
34:54and that's why I chased him
34:56to the hospital room
34:58where I found Ivancito dead.
35:00But I swear,
35:02I swear I didn't tell that doctor
35:04that I knew him.
35:06Is he a cop?
35:08I don't know.
35:10Outside he said he was a forensic doctor,
35:12one of those who check the dead.
35:14Did you hear it yourself?
35:16What does he have to do with your friend?
35:19I don't know.
35:21Well, I honestly think he's cheating on her.
35:25But...
35:27But I don't think Gloria is.
35:30And does your friend Gloria
35:32know anything about Bolillo?
35:34No, no. She's never seen him.
35:36No?
35:38She doesn't know anyone.
35:40She just got here to Mexico City.
35:42She's... no.
35:44Don't forget
35:46that you're going to pay me back.
35:48When I find out
35:50that you did something to Bolillo,
35:52or to anyone,
35:54I swear I'll tell you
35:56that I'll send you to hell.
35:58Deal?
36:00Yes, deal.
36:02I think so.
36:04But I'm going to need the afternoon off
36:06to go get your money.
36:08Well, it's time for you to go.
36:10I'll take care of being alone.
36:17No, but how am I going to calm down?
36:19It's just that Javier made me look for him.
36:21Maybe the police are looking for him.
36:23Oh, no.
36:25Hey, listen.
36:27What?
36:29What if the police come and take him?
36:31No, no, no, no, no.
36:33Calm down.
36:35What if they take me?
36:37No, no, no, but calm down.
36:39Calm down a little bit, okay?
36:41Besides, we don't even know
36:43what that poor kid did.
36:44Huh?
36:46I think I'm going to talk to him.
36:48I have to ask him what he did.
36:50No, no, no, no, no.
36:52Yes, yes.
36:54Honey, honey, please be very careful.
36:56I'm begging you.
36:58Look, Bolillo is my husband's nail and nail.
37:00Honey, why don't you do what I do?
37:02Come on.
37:04Grandma, why?
37:06I'm not like you,
37:08who lets you go after this dog animal.
37:12Why do you let it bite you?
37:15Why?
37:17Because it has a bigger and heavier hand than mine.
37:21Hey, listen to me, Patricia.
37:23That old lady,
37:25with her mouth shut,
37:27flies don't get in.
37:30Who?
37:45Laura, leave me alone with Susana.
37:52Hurry up.
37:55Come on, gross.
38:04What happened, honey?
38:15Who was the guy who was outside?
38:18What are we looking for?
38:25There it is ringing.
38:27Me?
38:29No, no, no.
38:31If I tell my mom that it's me, she won't want to talk to me.
38:33Tell her you're Gloria.
38:35If they pass you with her.
38:37But if Gloria is there with her, they won't...
38:39Hello, miss.
38:41I wanted to see if you could communicate with Mrs. Matilde de Guzman.
38:42It's the patient's grandmother, Daniel Cruz.
38:44Who's looking for her?
38:46I'm Gloria.
38:48The patient's mother.
38:50Ah, Mrs. Gloria, how are you?
38:52Look, your mom was feeding the child.
38:54If you wait for me a little bit, I'll go and get her, okay?
38:56Yes, thank you very much, miss.
38:58They're going to pass her to me.
39:00What do I tell her?
39:02Ask her if she's with Gloria.
39:07Gloria, daughter, how's the flight?
39:09Are you ready?
39:10Are you coming back to Tijuana?
39:12What happened?
39:14Hang up!
39:17Talk!
39:19What did she say? Why did you hang up?
39:21It's just that my mom called me thinking it was Gloria.
39:23And she asked me how the flight was going.
39:25That if she was already here in Tijuana.
39:27Gloria is coming back to Tijuana?
39:41What did the test say?
39:43And to see her once and for all?
39:50I wish I had never met you.
39:54It's too late for regrets.
40:11Are you pregnant?
40:29How beautiful.
40:31What?
40:33No, nothing, that Gloria is a very beautiful woman.
40:35She doesn't need to be wearing wigs to ... I don't know.
40:37I mean, unless she wants to change her image
40:39to go unnoticed, right?
40:41Uh-huh, uh-huh.
40:43Are there any photos missing?
40:45If you don't have permission to work,
40:47they won't show up there.
40:49Maribel Ortiz, the owner.
40:51Ramona Muñoz.
40:54Yadira Castro.
40:56Susana Mendez.
40:58All professional stylists.
41:00The last one.
41:02Susana.
41:04I understand that she was the girlfriend
41:05of the man we're looking for.
41:07I want to interrogate her.
41:09I'll get an order.
41:11Yes, but calmly, Marco.
41:13In a hurry, you only get tired.
41:15If we want to put together a good case,
41:17we have to go little by little, step by step.
41:20Locate each piece, each proof.
41:24Maribel.
41:28I'm sure this woman is hiding something.
41:30How were we supposed to know
41:32that Eduardo was a doctor?
41:34And that's why he was armed?
41:36I don't know.
41:38I don't even believe his name is Eduardo.
41:40Well, I do believe him.
41:42He's a great guy.
41:44And if he's a doctor, he's the perfect man.
41:46Made by hand by daddy God.
41:48And all for you, love.
41:50Because you bring us to the banquets.
41:52Enough, enough, enough.
41:54I'm going to the bathroom.
41:56I'm going to the bathroom.
41:58I'm going to the bathroom.
42:00What I think is very strange
42:02is what happened to Bolillo.
42:05Why would they look for him?
42:07What could he have done?
42:09And now more than ever,
42:11Ivancito seems dead.
42:13I don't know, it looks like ...
42:16Oh, I don't know.
42:18Things are happening too fast.
42:20But what does Bolillo
42:22have to do with the mistress of aesthetics?
42:24I don't know.
42:25♪
42:29We don't have to talk about that, Gloria, okay?
42:33Look.
42:35There you go. Are you ready?
42:37Do you want to see yourself?
42:39Look.
42:41Ta-da!
42:42Spectacular, baby!
42:45I'm a different person.
42:47♪