Al Fondo Hay Sitio 12 Capítulo 12 Completo HD
Al Fondo Hay Sitio 12 Capítulo 12 Completo HD
Al Fondo Hay Sitio 12 Capítulo 12 Completo HD
Al Fondo Hay Sitio 12 Capítulo 12 Completo HD
Al Fondo Hay Sitio 12 Capítulo 12 Completo HD
Al Fondo Hay Sitio 12 Capítulo 12 Completo HD
Al Fondo Hay Sitio 12 Capítulo 12 Completo HD
Al Fondo Hay Sitio 12 Capítulo 12 Completo HD
Al Fondo Hay Sitio 12 Capítulo 12 Completo HD
Category
🎥
Short filmTranscript
00:00Not even those of life and death.
00:05Is it possible that you have the key?
00:08My machine will make you bite the dust of defeat!
00:15Wait a minute! Here is my daddy's warehouse!
00:18I know! What a shame!
00:21Why don't you blame the free market system and let the best win?
00:25I think I know who can help you.
00:28Some specialist, totally, a professional on the subject.
00:33Someone who helps heal wounds when a loved one is in pain.
00:37What are you eating?
00:41A guaruguero, sir.
00:46Enjoy it.
00:49Don't you want a bite?
00:53Why not?
00:57Come here.
01:05Teresa has recommended me to a professional
01:08who is dedicated to helping people to overcome this type of loss.
01:14Teresa? I'm surprised by her.
01:18Yes, she is well changed. She is more focused, more alert.
01:23Two thousand soles in one day! I love you, Neutronics!
01:28A holistic healer?
01:31Yes, he is a professional of the soul.
01:34Dedicated to healing people who have suffered violent losses.
01:37Like us?
01:40I'm sure he will help us overcome the bite of my daughter and the woman you loved so much.
01:45We must admit that a machine won us over.
01:48We still don't give up.
01:50But no one is coming, Valentino.
01:53It was for the good, now it's our turn.
02:05Welcome, Maestro.
02:08Welcome, Maestro.
02:18Who are you?
02:21The one who sees everything, the one who knows everything.
02:25Lucio!
02:27Now we are going to talk about my honors.
02:29Why did you let this homeless man in?
02:32The gentleman said you called him.
02:34Me?
02:35You are the Muki?
02:38Exactly.
02:40I thought by your name you were a shaman from the East or something like that.
02:47Isabella Maldini?
02:49No, I am Francesca Maldini who called you.
02:52But I think there is a mistake.
02:55Yes, I think we were waiting for another type of professional.
03:01Another type of professional?
03:03Wait a minute, please.
03:12Are you Marco Zunino?
03:14Look, Mr. Muki, I will not lack respect.
03:18If we start like this, we are bad.
03:24Did you mind that this man came in?
03:27Are you going to fire me?
03:29And if you fire me and I have not signed a contract, does that mean I will not charge anything?
03:33Shut up.
03:35Only I can think of asking for help from those people.
03:37Mrs. Francesca, I'm sorry.
03:40I'm really sorry.
03:42I do not want to intrude, but I saw Mr. Leonardo enter the house,
03:45and then I also saw Mr. Muki enter.
03:48So what's going on, if you can tell me?
03:50You are an impertinent watchman.
03:52Limit yourself to your affairs.
03:54But those are my affairs, because they are visits that can alter the order, Mrs. Francesca.
03:58Do you know if Teresa is there?
04:00Yes, I saw her in the room.
04:03Let's go.
04:15Only I can think of asking for help from those people.
04:20But I will not be prejudiced against that Muki.
04:30But I ...
04:31Out!
04:34Hello, Francesca.
04:37Blessed are the eyes that see you.
04:40Keep your horn, poor devil.
04:43I'll find a way to get rid of that smile.
04:53And to think that I left my smart house for you, Francesca.
04:58I just wanted to make your life better.
05:00Ha!
05:02Greta, are you?
05:07Did you really say by mistake that she was your girlfriend?
05:10Yes, it is with that.
05:12It is that he had made me so many illusions.
05:14My love.
05:16Oh yes, yes, my love, but not your girlfriend.
05:18No, but listen to me, look.
05:31Have you lost something?
05:33Ah?
05:34No, no.
05:36Nothing, nothing.
05:37And you?
05:40I see that you are empowered.
05:42Ah?
05:44But happily, now I'm here.
05:46Ah?
05:47To de-empower you.
05:49Watchdog.
05:51Listen to me well.
05:53If you make a mistake, a minimum mistake.
05:56I'm going to make it impossible for them to throw you off the hills.
05:58Did you understand?
06:00You're not going to go up?
06:02Because the house was going to cry, right?
06:06I'm going.
06:13The smallest mistake.
06:25Sorry.
06:27Sorry.
06:28Sorry, love.
06:29Sorry, it's the habit.
06:30I forgot you were here.
06:31I always mess up.
06:33Excuse me.
06:34Excuse me.
06:35Please excuse me.
06:36I did not want to.
06:37It's over.
06:38I can't stand it anymore.
06:44Isabela is the person we want to contact in the afterlife.
06:50Isabela is daughter?
06:52One of my daughters.
06:53Yes, and she is my wife.
06:54Well, she was my wife.
06:57She died a few years ago.
06:59Of a violent death.
07:01But she is still alive in our hearts.
07:03We want to talk to her.
07:06Although she has already manifested with me.
07:09I have seen her as I am seeing you now.
07:13Are you a medium?
07:14No, no, no.
07:15What are you going to be a medium?
07:16No, no, no.
07:17Well, you can be a witch when you want, but ...
07:19No, sorry.
07:20It's not a medium.
07:21The Gonzales have told us very well about your work
07:25in this type of spiritual events.
07:28I am the Muki.
07:31The best disciple of Rosendo Malki.
07:34The shaman.
07:37I think I've seen your teacher a couple of times.
07:40I trust that you can help us.
07:44That's what we are for.
07:52Hello, daddy?
07:55Yes, everything is fine.
07:56The winery.
07:58And the winery is wonderful, dad.
08:00Everything is working amazing.
08:02In a few words,
08:04your winery is breaking sales records.
08:07A total success.
08:09How good what you tell me, baby.
08:14Well, as you will understand,
08:16the air of my land has given me a lot of strength.
08:19Yes.
08:21We will be in contact.
08:24Take care, baby.
08:27No, no, no, no, no.
08:29You should have asked him things in more detail.
08:32Litito and Lorena, how are they?
08:34Yuli and Salvador?
08:36And Joel and Jimmy?
08:38Have they found Alessia?
08:40And Macarena?
08:42Has he arrived from Tabaco and Chanel?
08:44Ah!
08:46Ah!
08:48Ah!
08:49Yes!
08:53I'm sorry, I'm sorry, I'm sorry, I'm sorry.
08:56We know something about the death of the kids.
08:59It's true.
09:01And the creaking disk.
09:03It's that creepy kid, Joel.
09:05To move from the neighborhood.
09:07What does he do?
09:08What does he eat?
09:09How does he move?
09:10I want to know everything.
09:12Look,
09:14when we arrive,
09:15You will have the opportunity to ask.
09:19For me, the important thing is that everything is fine and my little boat continues to work.
09:27And above all, to have you by my side.
09:33Oh, my little silver.
09:37I will always thank heaven that the Lord has put you in my way.
09:45I say the same.
09:48I love you, little turtle.
09:51I love you, little ginger.
09:54And why didn't you tell him that we are already in Camango?
09:58Because I wanted to give him the surprise.
10:03Oh, but what a catch.
10:10That's how I am.
10:13I love surprises.
10:28Any sale?
10:31May God take us confessed the day we leave this land.
10:35That machine of the devil.
10:38It is that if we close the winery, my daddy dies.
10:43It's water.
10:48I don't want Grandpa Gilberto to die.
10:51That's not going to happen.
10:53We just have to get rid of that Neutronics.
10:57I don't want to get into trouble.
10:59Look, princess, calm down.
11:02I'm going to get my hands dirty for you.
11:07I can't stand it anymore.
11:09I have to go through the entire pijama rooftop to get rid of that stinky silo.
11:14I have a great idea.
11:16I have it.
11:18What do you think if we get one of those portable bathrooms?
11:21We install it here in room 8 and that way you have your private bathroom.
11:25Are you serious?
11:28Of course.
11:30I have my leg, Cholo Calypso, who organizes concerts on the main road.
11:33He can sell us a second hand in very good condition.
11:36And I guarantee you that the smells don't come out.
11:38There's no way I'm going to accept something like this.
11:41The only solution is that we can move to another place.
11:44I can't stand it anymore.
11:46I can't stand the heat in this room.
11:48I can't stand the pigeons fluttering in the calamity.
11:51I can't stand the whistle.
11:53I can't stand the stinky smell of the silo.
11:56I can't stand it anymore.
11:58Calm down.
12:00Calm down.
12:02You're right.
12:04I want you to be comfortable.
12:06I want you to be happy.
12:08And that's why we're going to go to a better place.
12:12Really?
12:14Really, my love?
12:16Yes.
12:18We're not going to move?
12:20It's the best thing for us.
12:22And if not, we're going to go to a little apartment, a little house.
12:24Where?
12:26Warm, warm.
12:29A table.
12:33It's the fastest way to contact the souls of the beyond.
12:37A candlelight dinner.
12:39Isabel loved candlelight dinners.
12:41I always surprised her with a romantic scene.
12:44The candles.
12:46And I started singing.
12:48Leonardo, the gentleman is talking about something else.
12:51What do you need for that ritual?
12:54The first thing.
12:57A table.
12:59We can use the dining room.
13:02I also need white candles.
13:06And blue.
13:08I can get something else.
13:11I need a photo, Isabela.
13:14I want to know how she was in life for her spirit to manifest in front of me.
13:37The next day.
14:02What's going on here?
14:03I just came to buy some candies, but I see that the machine is well supplied.
14:08Take a picture of the machine.
14:10To what?
14:12I saw that you took out your cell phone and took a picture.
14:14A selfie I have taken.
14:16Of course, for my followers on social networks to keep them up to date.
14:20What do you think?
14:22Let's see the selfie.
14:24The selfie?
14:26Valentino, the finest friend.
14:28Follow me on my social networks and there you will know all my content.
14:30Bye, Julio.
14:31I know something is going on, but I can't make the slightest mistake.
14:37I know how to eliminate her, but it won't be easy.
14:40Felix is watching her all the time, but don't worry.
14:43We will take care of him.
14:45We will take care of him?
14:47Princess, princess, calm down.
14:49I just need to call my team.
14:51Have you been to Miami?
14:53Miami? Of course, my love.
14:55You say Miami and the disco, but the one in San Antonio.
14:57My love.
14:59Oh, I'm tired. Wait.
15:02Ah, it's from work.
15:04Do you work?
15:05Of course.
15:06Now I can tell my mom that you are not a nobody.
15:08What? Does my little sister-in-law say that about me?
15:11She says worse things.
15:13Ah, yes. Wait.
15:15Well, we got a job.
15:17Neutronics.
15:19And Barbie, do you want to see your... your action?
15:22Yes, wait for me to call my mom.
15:24Mom, guess what?
15:25Guess what?
15:27Miquel is not the dirtiest thing you think.
15:29Not a crap, not a garbage, not a waste,
15:32not a good for nothing.
15:34What? Does my little sister-in-law say all that about me?
15:37Yes, something like that. But why should I tell you?
15:39Yes, let's go, let's go.
15:55Let's go.
16:21I need to see you again, Jamil.
16:24No importa el precio que tenga que pagar.
16:44Mikey, look, when you tell me, my love,
16:48it's nice, but...
16:50but I feel like I'm not making a commitment.
16:53Tiempo al tiempo.
16:55Besides, the other day we talked that when you go to crowded places,
16:59you never take me out.
17:01But how do you like to make movies in your head, don't you?
17:06Do you think I'm hiding you?
17:08A little bit.
17:10So, why are we going to the club right now?
17:16But do you think I'm not going to want everyone to die of envy
17:20when they see me with you?
17:21Oh, yes, I cause envy, yes.
17:23Of course, my love.
17:27Watchman!
17:29Tell me, Mr. Miguel Ignacio.
17:32I'll take care of my vending machine.
17:34And you know,
17:36at the slightest mistake,
17:38Rouse!
17:41Let's go, my love.
17:43Let's go.
17:51Let's go.
18:05What are you doing, you good-for-nothing?
18:08Calculating if all my things go in here.
18:11For what?
18:13I plan to move in this room with Lorena.
18:19Are you going to evict your daughter?
18:21It sounds horrible, doesn't it?
18:23But what if I use the word to evict?
18:25Let's evict from the room, daughter!
18:28It sounds better, doesn't it?
18:30Well, why not expropriate?
18:32You can always fall lower.
18:34It's just that the room, you know,
18:36doesn't have the comforts to become
18:39the nest of love of a newlyweds couple.
18:42She didn't get used to it.
18:44Not at all.
18:46Well, it's not her fault.
18:48I hope Yuli also wants to leave in a good way, right?
18:49Well, if you explain it to her like that,
18:51the girls will understand.
18:53Look, I really don't find it very funny
18:55that you are my neighbor.
18:57But when it comes to Lorena,
18:59I evict her.
19:01Thank you, Tere!
19:03Oh, sorry.
19:05I meant Mrs. Tere.
19:13Enough.
19:15What are you doing here, champ?
19:17Why did you bring her?
19:19She wants to see her Ken in action.
19:21My Barbie?
19:23What? You are her Ken?
19:31Oh, sorry.
19:33You better not say anything.
19:35Maripaz?
19:37Daughter, where are you?
19:39I better go before she sees us.
19:41Good luck.
19:43What's the plan?
19:45Wait, I'm going to make a story.
19:46Please, please, please.
19:48Oh, sorry.
19:50Do you really want to belong
19:52to this organization for no profit?
19:54Wait, don't you charge for your work?
19:57No, but ...
19:59Well, work is work, right?
20:01Yes, you're right.
20:03Well, this is the plan.
20:17But look who we have here.
20:22Do you want to play a game?
20:25Huh? Are you excited?
20:34Dear daughter of my heart,
20:36adored niece of affection,
20:39we have a proposal to make you
20:41that will change the course of your lives.
20:43What proposal?
20:44Do you like it?
20:46You're going to love it. Yes or no, Lorena?
20:48Yes, yes, yes.
20:50When I heard the idea, I said,
20:52Mappy and Yuli cannot miss this tremendous experience.
20:55Oh, I'm curious.
20:57What experience?
20:59Do you know the word permutation?
21:01I don't think so.
21:03No, it's not used much.
21:05The point is that we are going to offer you
21:07this beautiful newly remodeled room
21:10so that you can feel more comfortable and independent.
21:12And we, who are sacrificed parents,
21:14well, we'll move to the room below,
21:16which is all ugly and small.
21:19What do you say?
21:23But there is no bathroom here.
21:25Yes, but the silo is in optimal condition.
21:28And it also has an air conditioner.
21:30Yes, I put it on lavender, delicious.
21:32Yes.
21:37I don't know what to tell you.
21:39Oh.
21:41But...
21:42Girls, I, I...
21:45I'm going to speak to you with all sincerity.
21:49I don't get used to being here.
21:52The truth is that when I was younger,
21:54surely I could have endured,
21:56but now I can't.
21:59I need my comforts,
22:01have my things close and...
22:03and I don't feel good here.
22:05Yes.
22:07Besides, you are not that old.
22:08What? Uncle!
22:10I mean, I mean that they are young
22:12and they can withstand the silo, the calamine,
22:15the unbearable heat.
22:17On the other hand, you are not for those trots.
22:19Trots?
22:20That's what they say.
22:22Guys, can you give us an answer
22:25before this man keeps calling me old?
22:28Can we talk outside?
22:30Yes, call the group.
22:31Yes.
22:32Go, go.
22:36I won't accept it again.
22:38This is a posilga
22:39and you already called me old like five times.
22:41No, no, no.
22:42Please, I didn't mean that.
22:44If I'm older,
22:45don't I look old?
22:50Oh, mommy.
22:52What strange things are they going to do in the house.
23:05Can we start with this once?
23:08I don't want my husband to find us like this.
23:12Let's start, Mr. Maldini.
23:15But first I want to warn you.
23:19When I go into trance,
23:23I will face other people,
23:26even
23:28speak in other languages
23:31or transform
23:33into any animal.
23:36I ask you to stay calm.
23:39But we are prepared for everything, Mr. Muquiar.
23:42Yes, right, Frenchie?
23:43Yes, whatever is necessary
23:45to talk to my daughter one more time.
23:49Then let's start.
23:52Yes!
23:57I heal, I act, I conduct, I exalt, the blood, I drink you,
23:59my heart, I give birth, I have you, don't touch me.
24:01If you touch me, don't touch me!
24:02Yes!
24:05Yes!
24:18Comrades, comrades,
24:20from this historic moment,
24:25I want to speak!
24:27No, please!
24:29Let's use a little recipe.
24:32I am innocent!
24:35No!
24:39No!
24:43Thank you, people!
24:45Pass to the final!
24:48Senita, beautiful, beautiful!
24:51What do you want?
24:54Hey, what do you have?
25:02Thank you, boss, you did not know.
25:04We are about to reach the end!
25:08How are you? Are you ok?
25:10Yes!
25:11I can't take it anymore!
25:14Let me go!
25:15Let me go!
25:18Come on!
25:34No!
25:55Isabela!
25:57It's my daughter!
25:58How is she?
26:00Can you hear us?
26:01I love you, Cosita!
26:03I love you, Cosita!
26:06I'm sorry.
26:08I'm looking for something else.
26:11Her name is Isabela Maldini.
26:14Have you seen her?
26:19I'm sorry.
26:34Let me go!
26:36I don't want to talk!
26:38Manolo!
26:40No!
26:41What's wrong with you?
26:43What do you want?
26:48Is she ok?
26:50Please don't die here.
26:53I'm back.
26:56Did you find my daughter?
26:58How is she?
27:00She's fine.
27:02How is she? What did she say?
27:07I didn't see her.
27:09No one saw her.
27:11What do you mean?
27:13She must have seen her.
27:15She must be in the afterlife.
27:19If her soul lives in the afterlife,
27:23it's because she doesn't belong to that plan.
27:27That's impossible.
27:29She must be there anyway.
27:32You mean...
27:34my daughter is alive?
27:50You don't pay me to put up with this.
27:52You don't pay me to put up with this.
27:54Right?
27:55You don't pay me.
28:00Hello?
28:02Yes, I just wanted to know how things were around the house.
28:06What?
28:08Besides paying you your salary,
28:10you want me to give you therapy to scare you?
28:13What are you talking about?
28:16A spiritual session in my house?
28:29To be continued...
28:59To be continued...
29:29To be continued...
29:59We made a decision.
30:03We accept your offer.
30:05We'll move out of here.
30:11Thank you for accepting!
30:13Thank you!
30:14Yes, girls, you don't know.
30:16You're going to have a great time.
30:18If only these triplets could talk.
30:20They'd be silent.
30:21Yes, better.
30:22When do you want to move to the first floor?
30:25Right now!
30:28Isabela is alive.
30:30Franchi, you know perfectly well that this is not possible.
30:33But you just heard it.
30:35Isabela's soul is not in the afterlife.
30:38But it could be anywhere else.
30:40Mr. Mugui, do you think my ex-wife's soul is in...
30:45In hell?
30:47Leonardo.
30:48I'm just asking, Franchi.
30:50Isabela Maldini does not inhabit the world of the dead.
30:55A soul in pain, he told me.
30:57But who is that soul?
30:59I don't even know her.
31:00He doesn't know her.
31:02He told me with great certainty.
31:06Isabela is not dead.
31:09Francesca, you buried her yourself.
31:12But I didn't see the body.
31:15The same thing could happen to Grace.
31:20Do you remember Lucho González?
31:22He died three times.
31:24And I pretended to be dead myself.
31:27Mr. Mugui, are you sure of what you're saying?
31:29Because this could completely change the course of our lives.
31:35And they made me doubt.
31:39In any case...
31:42I could reconnect with the afterlife.
31:47But that would take me more time to recover.
31:51What the hell is going on here?
31:58I hope your girl does what I asked her to do.
32:00If she doesn't, I'll kill you.
32:02Please, man.
32:04She has natural talent for acting.
32:06If she saw the scenes she made me...
32:09What scenes?
32:10Fill it up, man.
32:11Wait, wait, wait.
32:13What is this?
32:14Done.
32:15My drink is ready.
32:16We're done.
32:17We're done.
32:18Hurry, hurry.
32:21What is this guy doing here?
32:23I'm El Mugui.
32:24The best disciple of Rosendo Malki.
32:26I don't mean you, Rondero.
32:28I mean this girl.
32:30Okay, but I'm not Rondero.
32:32What twisted ideas are you putting in my wife's head?
32:36No, I mean...
32:37I just want to help Francia.
32:38I'm giving her...
32:39All you want is your personal benefit.
32:42You're doing her a favor to get money out of her, right?
32:46I'll kill him.
32:47I'll kill him!
32:48No! No! No!
32:49No, no, no!
32:50Do something!
32:52Do something, please!
32:53Do something!
32:55Lucio! Lucio!
32:57Do something!
32:58That's it!
32:59That's it!
33:00Well, the double of zero is zero.
33:03No!
33:04Out!
33:05Out!
33:07Nothing will happen to her while I'm here.
33:09Watch her.
33:11Help! They're killing each other!
33:13I'm sorry, Mrs. Francesca, but I can't move.
33:16Badulaca Incapaz!
33:18I told him that this visit was going to be very convictive.
33:21Enough! Enough! Enough! Enough!
33:25Leonardo has not asked me for money.
33:28We were just remembering Isabella.
33:30But don't you realize, Frank, what this guy is doing to you?
33:34What we talked about went through one ear and came out the other.
33:37Leave your grudges aside and listen to me carefully.
33:40Isabella is alive.
33:42But what are you saying, Frank?
33:45Maestro Mook is a powerful shaman.
33:48And he has contacted the one beyond.
33:51And he has told us that Isabella is not in the other plane.
33:54Which means that she is alive.
33:56No! This guy must be conspiring with Leonardo
34:00to get those ideas into your head and drive you crazy
34:03and keep all your money.
34:05I do not allow him to call me that.
34:07I am a very professional shaman.
34:09And the Gonzalez can trust my work.
34:13Gonzalez, please!
34:15This guy has Claudia Llanos' blood running through his veins.
34:19He is our enemy.
34:20Don't forget everything he has done to you.
34:22Claudia?
34:24That was the name.
34:26What did you say?
34:28Claudia was the soul in pain that contacted me when she was in trance.
34:33And she told me that Isabella was not in the other plane.
34:37But do you realize?
34:39These guys want to emotionally destabilize you.
34:42They want to drive you crazy.
34:44But I will not allow it.
34:45Get out of the house.
34:47Get out of here or I'll call the police.
34:49Get out of here.
34:50Yes, yes.
34:51Call me for any other job.
34:53Don't forget my schedule, please.
34:55Get out of here.
34:56You too.
34:57Get out of here.
34:58Get out of here.
35:01Get out of here.
35:08What are you trying to do, Fran?
35:11Isabella is dead.
35:14Do you understand?
35:16Dead!
35:26What's going on?
35:31Leonardo!
35:35It's me, Tere.
35:37Tere?
35:39Oh, her mother.
35:41Tere, I didn't recognize you.
35:43I'm the same as I wore pants.
35:45But today, more matriarchal than ever.
35:50Tell me what happened.
35:52Look, the truth is, I came looking for something, but I'm going with my head.
35:55It's a disaster.
35:57I never thought I'd hear something like this.
36:00But the fly, what is it doing here?
36:02Well, I gave Mrs. Francesca the phone.
36:04What exactly happened?
36:08No, no, no.
36:09You're not going to hear it for me.
36:11Tere, it's been a great pleasure to see you.
36:14The pleasure is mine.
36:16And let me tell you that the years have fallen on you.
36:23Thank you, Tere.
36:24And you are...
36:26Take care.
36:28Oh, what happened?
36:32Oh, Tere, don't blame Leonardo.
36:34It's just that you don't like that look.
36:38Look, Felix.
36:39Mrs. Tere has a mission that goes beyond the physical at the moment.
36:45And Leonardo is in his prime.
36:47He is to eat and to carry.
36:50Look, if I wasn't married, I wouldn't forgive the IGB.
36:54Don't tell me I said that, huh?
36:58No.
37:07Don Bruno, I don't know how to play tennis.
37:10Look, all you have to do is hit the ball with the racket.
37:14That's all.
37:15That's all?
37:16That's all. It's very simple.
37:19Of course.
37:20Calm down, calm down.
37:23Are you really going to play in your chair, Bruno?
37:25And what's the problem?
37:27Well, get ready to lose.
37:58Goal!
38:09Goal!
38:11Goal!
38:28Goal!
38:35But...
38:36But why have you gone up so much to the net?
38:38It has to be lower.
38:40Oh my God.
38:41It can't be, then.
38:45Calm down, soft, soft.
38:48Goal!
38:53Goal!
38:57Miguel Ignacio, tell your girlfriend Adorno
39:00to be more careful with my assistant.
39:02Oh, sorry.
39:04It was nothing, it was nothing.
39:07The old man thinks I'm your girlfriend.
39:09Adorno.
39:11Ah!
39:18Goal!
39:22Oh, man, I'm out of practice, God.
39:26Time, time.
39:28It can't be.
39:30How's the blow?
39:31No, it was nothing.
39:33I wouldn't have done it on purpose, your girlfriend.
39:35Oh, sorry again.
39:37You see, she also thinks I'm your girlfriend.
39:43Nothing, we're just getting to know each other.
39:46Oh, no, no.
39:47You don't have to give me explanations.
39:51Are you tired of losing, Miss Zapallano?
39:54I think the one who lost is you, Mr. De las Casas.
40:09I'm going to tell you a secret.
40:11I'm letting you win.
40:13I know Miguel Ignacio.
40:15He's very hot.
40:17And if he loses, he's capable of saying goodbye.
40:19Yes.
40:21You're right.
40:23Look at him.
40:43Don't worry.
40:52Help, please.
40:53She's been robbed.
40:54Help, help, help.
40:55Please, please.
40:56I don't know what to do.
40:57Help me.
40:58What?
40:59I know you.
41:00You're Margarito's girlfriend.
41:01Yes.
41:02I'm going over there.
41:03Wait.
41:04I don't understand.
41:13Help.
41:14Help.
41:15Help.
41:16Help.
41:17Help.
41:18Help.
41:19Help.
41:20Help.
41:21Help.
41:22Help.
41:23Help.
41:24Help.
41:25Help.
41:26Help.
41:27Help.
41:28Help.
41:29Help.
41:30Help.
41:31Help.
41:32Help.
41:33Help.
41:34Help.
41:35Help.
41:36Help.
41:37Help.
41:38Help.
41:39Help.
41:40Help.
41:41Help.
41:43Help.
41:44Help.
41:45Help.
41:46Help.
41:47Help.
41:48Help.
41:49Help.
41:50Help.
41:51Help.
41:52Help.
41:53Help.
41:54Help.
41:55Help.
41:56Help.
41:57Help.
41:58Help.
41:59Help.
42:00Help.
42:01Help.
42:02Help.
42:03Help.
42:04Help.
42:05Help.
42:06Help.
42:07Help.
42:08Help.
42:09Help.
42:10Help.
42:11Help.
42:12Help.
42:16Help.
42:18Help.
42:20Help.
42:24Thank you, uncle.
42:26Why are you thanking me?
42:28For what you've done for me.
42:31You convinced Teresa and the other girls
42:34to move away just to...
42:36see me happy.
42:38I will always want to see you happy.
42:41That's my mission in life.
42:43So you have to leave the room and all your memories.
42:49I love you, Tito Lara.
42:52I love you, Lorena Contreras.
42:59One goodbye.
43:01And no Ache.
43:03No, no.
43:09No one!
43:11No one!
43:13I didn't find any thieves!
43:16Miss!
43:20Miss?
43:21Where did she go?
43:24Has it rained here or what?
43:27No, no rain, no rain.
43:29This machine has been vandalized!
43:34I hope it hasn't been damaged.
43:36If not, Mr. Miguel Ignacio will keep his word.
43:43I don't understand.
43:44And we do all this so that the mission is not closed?
43:47That's our motivation.
43:48Oh, I love that you are so cute.
43:50Now we just have to make sure that this machine is damaged.
43:54God bless.
43:55I hope it works.
43:57Let's see.
44:04It works!
44:05It works!
44:06It works, it works, it works!
44:10It works.
44:11Why does that machine still work?
44:13So if it's a machine of the devil!
44:34I love you.
44:35I love you.
44:36I love you.
44:37I love you.
44:38I love you.
44:39I love you.
44:40I love you.
44:41I love you.
44:42I love you.
44:43I love you.
44:44I love you.
44:45I love you.
44:46I love you.
44:47I love you.
44:48I love you.
44:49I love you.
44:50I love you.
44:51I love you.
44:52I love you.
44:53I love you.
44:54I love you.
44:55I love you.
44:56I love you.
44:57I love you.
44:58I love you.
44:59I love you.
45:00I love you.
45:01I love you.
45:03Take a pill, Frank.
45:05This will help you sleep.
45:07I don't want pills.
45:10Frank, I'm doing it for your own good.
45:13I understand that you're worried about me, but...
45:17Yes.
45:19You care how I feel.
45:22Please believe me.
45:24Frank, I believe you.
45:27But I don't believe those two criminals.
45:30Mr. Mookie is not a charlatan.
45:33He's not involved with Leonardo.
45:36I contacted him to take Isabel with me.
45:40Frank, this is worrying me.
45:43Are you using shamans to find out about your daughter?
45:47Isabel is in the cemetery.
45:49Carmen ended her life with a gunshot.
45:51That's the reality.
45:54My mother's love tells me she's alive.
45:58I won't talk about this anymore.
46:01I'm going to sleep in Alesia's room.
46:04I hope you don't go crazy tomorrow.
46:20I have to know where Isabel is.
46:27If she's alive, I'm going to find her.
46:35But why did Mr. Mookie mention Claudia?
46:48Shut up, Tito. They're going to hear us.
46:52It looks like there's no competition.
46:54They'll try, but they won't be able to.
46:56I have to go.
46:57Mrs. Francesca came to pick me up.
46:59She wanted Mr. Mookie's phone number.
47:01I gave it to her.
47:02But the weird thing is that Mr. Mookie
47:04turned up with Leonardo Rizopatrón.
47:06He's actually Llanos.
47:07He's the brother of La Mirada de Tiburón.
47:09He married Isabel.
47:12Did he tell her he was missing?
47:14But the weird thing is that
47:16that house is making strange movements.
47:19It's weird for Leonardo to turn up like that
47:22after so long.
47:24He's more churro than ever.
47:27With his little hairstyle.
47:29With his look.
47:31All cruel.
47:33With those beautiful, frizzy hair.
47:38His silver hair gives him a mystical aura.
47:54La Mirada de Tiburón
47:56La Mirada de Tiburón
47:58La Mirada de Tiburón
48:00La Mirada de Tiburón
48:02La Mirada de Tiburón
48:04La Mirada de Tiburón
48:06La Mirada de Tiburón
48:08La Mirada de Tiburón
48:10La Mirada de Tiburón
48:12La Mirada de Tiburón
48:14La Mirada de Tiburón
48:16La Mirada de Tiburón
48:18La Mirada de Tiburón
48:20La Mirada de Tiburón
48:22La Mirada de Tiburón
48:24La Mirada de Tiburón
48:26La Mirada de Tiburón
48:28La Mirada de Tiburón
48:30La Mirada de Tiburón
48:32La Mirada de Tiburón
48:34La Mirada de Tiburón
48:36La Mirada de Tiburón
48:38La Mirada de Tiburón
48:40La Mirada de Tiburón
48:42La Mirada de Tiburón
48:44La Mirada de Tiburón
48:46La Mirada de Tiburón
48:48La Mirada de Tiburón
48:50Don Juan
48:52Don Juan
48:54Don Juan
48:56Don Juan
48:58Don Juan
49:00Don Juan
49:02In the reservant of the Alésia
49:04In the reservant of the Alésia
49:10What are we going to eat today?
49:14Don Juan belongs to Canton
49:16to Canton and the first Chinese who came to Peru are from this area.
49:21That means that the food here is similar to our chifa.
49:25That's what they say.
49:26That's good.
49:27I don't care about that, I just want to see the Elysia.
49:29Come on, don't be so anxious.
49:30Imagine that we have to eat at an airport.
49:42Is there an airport or not?
49:44No, there isn't.
49:45There isn't?
49:46No.
49:47Can you stand it?
49:48Yes, I can.
50:03Elysia.
50:04Elysia!
50:05Elysia!
50:06Elysia!
50:07Elysia!
50:08Elysia!
50:09Elysia!
50:10Elysia!
50:11Elysia!
50:12Elysia!
50:13Elysia!
50:15Neutronics.
50:16Is everything OK?
50:17You don't have to answer me.
50:20Huachiban.
50:21Everything OK over here?
50:22Yes, everything is fine.
50:24Everything is calm, everything is smooth.
50:27Any news?
50:28No, no news.
50:29Do you think it will work?
50:31It will work.
50:32Valentino, if that machine doesn't disappear before don Gilberto comes back.
50:36It will disappear.
50:38Are you sure?
50:40Of course.
50:41Alberto will come back and...
50:42Disappear.
50:44It could be an attack or something.
50:46Think about it.
50:47Family!
50:49Wait, Tortolita.
50:53Let's go to the yard.
50:56And there we give them the surprise.
51:00What a good idea, Pichín.
51:04Let's go in quietly.
51:06Poor Don Gil.
51:08When he finds out that his boutique has failed him...
51:13What is this?
51:25Jesus.