Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
📺
TVTranscript
00:00Deniz, where did you disappear to?
00:24How is Deniz?
00:27Why couldn't you pull yourself together?
00:30Deniz.
00:54Yiğit, what are you doing here?
00:58I came to see you. I was wondering how you were. Are you okay?
01:06It's my fault, of course.
01:08What's your fault?
01:10You think I'll be miserable when I leave you.
01:13You're right, because I've always made you think that way.
01:17But, as you can see, I'm fine. I'm very fine.
01:20Deniz, why are you acting like I'm going to be sad that you're okay?
01:23Why are you talking like that?
01:25Why are you acting like that? Of course I want you to be fine.
01:28We're old friends.
01:30We were, weren't we?
01:32We were, and we will continue to be.
01:35I mean, I'm not going to give up on my best friend just because we broke up.
01:41You're right, Yiğit. I'm not going to give up on you either.
01:45But for now, let's keep a distance.
01:48You're right.
01:50I mean, the distance between us is much closer.
01:56I have an appointment. I'm sorry.
02:09I wonder how he sees me.
02:12I mean, it seems like he sees someone else. I don't know that girl.
02:18Actually, I think you know her, but you don't know her.
02:24I don't know.
02:26I'm a little asocial with myself.
02:30I don't know what to do.
02:32You don't know what to do.
02:34Hold my hand.
02:42I don't know what to do.
02:47Well, now...
02:52I mean, I've never had a boyfriend before.
02:57Now that you say it, I mean...
03:01Oh, come on.
03:03Look, it's very simple.
03:05With a little touch of a man's hand.
03:08But you have to be in love with a man, okay?
03:10Then we combine it with your delicate little hand.
03:26It's like a butterfly in a gorilla's hand.
03:29What does that mean?
03:32Okay, I admit it doesn't look bad, but be careful.
03:35Yes.
03:37Do you know what's important?
03:38Do you know what's important?
03:39Fingertips.
03:42Here?
03:43Slowly.
03:44Because you have to feel it.
03:45After you get in there, it'll turn slowly.
03:49My hand is hot, yours is cold.
03:51Yes.
03:52You have to feel it.
03:53Why are you slowing me down so much?
03:55Okay.
03:58Did you...
03:59Did you make me pass now?
04:03I mean, early.
04:05Early, okay.
04:06Then our respect for early is eternal.
04:13Okay, where were we then?
04:16We were talking.
04:17This is Istanbul.
04:20It's complicated.
04:22It's very complicated, look.
04:25The city of chaos.
04:26What?
04:27The city of chaos.
04:28The city of chaos.
04:34I...
04:35I'm in love.
04:36Can you believe it?
04:37I am.
04:38And it's the first time in my life that I'm in love.
04:40I mean, I still don't know what's in this man's mind.
04:44Why Yigit Balcı?
04:45If I shake my hand, it's Elis Yigit.
04:47It's ridiculous.
04:53Can we talk about something else?
04:56You're bored, of course.
04:57You're right.
04:59What did you do?
05:00Tell me a little.
05:01We haven't seen each other in a while.
05:02Do you remember the last time we saw each other?
05:05I said I was in the media industry.
05:07Yes, you were even very nervous.
05:09You said it would be a big change for me.
05:11Exactly.
05:12Actually, I didn't have to be nervous.
05:14I mean, it's on my way.
05:16Now I'm working for a man's magazine.
05:19Is that so?
05:20Then you might know Yigit Balcı.
05:23Because he is the editor-in-chief of Golflamingo magazine.
05:26Although he may not be well-known here because he was transferred from America.
05:29You know what?
05:30They always know him as a very strict person.
05:32I see.
05:33So we're going to listen to Yigit all night here.
05:35No, I said it was over.
05:39Since I didn't forget my ex-fiancée, why are you calling me here?
05:42I didn't call you here.
05:43You came, I forgot my fiancée.
05:45Forget what?
05:48I wish you happiness with Yigit's dream.
05:50Come on, I'm running away.
05:52Wait a minute, wait a minute.
05:53You're acting like this because I broke up with you, right?
05:55You're thinking about revenge or something.
05:57Do you know what your problem is?
05:59Your problem is that you didn't forget me.
06:01That's your problem.
06:03You're not in your right mind.
06:04You...
06:10Very good.
06:22Go, go.
06:25My lungs are ruined because of my romance.
06:28Oh my God, is it bad?
06:29The memory of our first night has something left in his lungs.
06:32Look at the memory.
06:38Who is he at this hour?
06:40Deniz, I can't reach you, can you call me?
06:43I need to talk to Yigit, but how?
06:47Tuna...
06:52What's up, Zulu?
07:05Of course, it's the two of you, right?
07:09What's up, guys?
07:10I think she's in a good mood.
07:12Very good and very super.
07:13Oh my God, you're going to fall.
07:14What are you doing?
07:15Why did you scream?
07:16Wait a minute, Zulu.
07:18Wait a minute, don't come to me, go there.
07:20Go to your lover.
07:21Go, go.
07:22Let me see.
07:23Stop.
07:25Let me see you two.
07:31You look great.
07:33What a beautiful couple you are.
07:36Look, I'm emotional, can you see?
07:41Something is missing in this photo.
07:51Come, come, come.
07:55Guys, let me tell you something.
08:00Love.
08:01Always love each other.
08:03No matter what.
08:05Love, count.
08:08Do you know why?
08:11Because life is too short.
08:14Birds also fly.
08:16I'm not telling you anything.
08:17Her head is beautiful, but there is a trace of the neighborhood.
08:19Let me see.
08:21What's going on?
08:22Come to your senses.
08:23What are you doing?
08:24What's going on?
08:25Why are you treating me like a child?
08:27You're acting like a child.
08:28Why am I going to act like you?
08:41What happened?
08:42Well...
08:43Are you going?
08:44Where did you get it?
08:45He's upset.
08:47What a pity.
08:48Poor thing.
08:49Are you upset?
08:51What happened?
08:52Did I prevent you from seeing each other?
08:54Did I separate you?
08:55No, girl.
08:56Okay, then.
08:57See you.
08:58Come on.
09:00See you.
09:06Wait a minute.
09:07What was I going to say?
09:08Let the party go on.
09:10Party?
09:11What party?
09:13Let the party go on.
09:14Let the party go on.
09:18Girl!
09:19Don't go inside with your shoes.
09:23Wait a minute.
09:25Wait a minute.
09:30What is this?
09:31Neighbors will come.
09:32What are you doing?
09:34Hey!
09:37Hey!
09:42Don't be mad at me.
09:43I will be mad at you.
09:44Why are you trying to ruin my fun?
09:51I'm sorry.
09:55I'm sorry.
09:56Why is your fun ruined?
09:58Don't you need to be free?
09:59No!
10:00I'm sorry.
10:01I don't need to be free.
10:02Because I'm as light as a bird.
10:03Because...
10:04Because I'm a big liar.
10:06Do you understand?
10:07Because I don't need to be sad.
10:10Take it off.
10:11You will sweat.
10:13Exactly.
10:17That's it.
10:18That's it.
10:22Don't you miss me?
10:24Don't you miss me?
10:25Yiğit.
10:26Can I tell you something?
10:27Three kids were written to me tonight.
10:30Do you know?
10:31Three.
10:33All of them were as handsome as Yiğit.
10:35Why should I be sad for Yiğit?
10:39Handsome?
10:40Wow.
10:41Weren't you in love with this boy?
10:43What happened to him?
10:45I was in love.
10:46But he wasn't in love with me.
10:48That's the problem.
10:49Do you understand?
10:50Can't I be a little crazy to hold him?
10:56I don't have anything to say.
10:58Then dance.
11:01Come on.
11:02Come on.
11:03Come on.
11:30I'm coming.
11:31I'm coming.
11:32Are you looking for me?
11:34I'm at home.
11:35Don't worry.
11:47Yes, Mr. Yiğit.
11:49Deniz, I couldn't reach you all day.
11:51Where have you been?
11:52I had things to do.
11:54I guess it's important since you called at this hour.
11:57We didn't talk much today at the office.
11:59When Ms. Neşe came.
12:02I wish you had told me before you left.
12:04I had a lot to do.
12:06I'm sorry.
12:07I was in a hurry.
12:08Then why didn't you call?
12:10Because I'm with Tuna.
12:13Deniz.
12:14Hello.
12:15Are you there?
12:16I'm here.
12:17I'm here.
12:18I know.
12:19We need to talk.
12:21But you don't seem to want to.
12:24I want to.
12:25I want to.
12:26If only I could talk.
12:28This is what I want to hear.
12:31I don't think you want to hear this.
12:35I'm at a dinner right now.
12:38I'm sorry.
12:39Can we talk later?
12:41Okay.
12:42Enjoy your meal.
12:44I'm waiting for you in the car.
12:46Sure.
12:54I hate myself.
12:57For not being able to tell you.
13:00I'm stuck in the middle again.
13:22What happened?
13:23Did you have a fight with Tuna?
13:26No.
13:35What happened?
13:38Nothing.
13:39We didn't argue.
13:40It's work.
13:41I don't know.
13:42I'm bored.
13:43Let it go.
13:44Your only problem is work.
13:46Forget it.
13:47We came from a bigger problem.
13:50We don't have to lie to Yiğit anymore.
13:53Don't we?
13:54We don't.
13:56You still have to.
13:58I forgot.
13:59Forget it.
14:00Tell me and you'll be fine.
14:06Should I tell him?
14:07I mean...
14:08Should I tell him?
14:10I want to tell him.
14:12There's a misunderstanding.
14:14I'm not guilty.
14:15Am I guilty?
14:16I'm not.
14:17I can tell him.
14:18Right?
14:19What are you talking about?
14:21What are you talking about?
14:23I want you to tell Yiğit that you're a sea lion.
14:28Until he comes to me.
14:30Forget it.
14:31It's not a big deal.
14:33It's not a big deal.
14:35Let it go.
14:36Relax.
14:37Let's dance.
14:40I don't want to.
14:51Salt.
14:53I have an advice for you.
14:55Do you know what will solve your confusion?
14:59The truth.
15:02What's the truth?
15:04Yiğit loves you.
15:24You made me nervous.
15:26Please hurry up.
15:29We're late for the show.
15:31Deniz.
15:33Who did her hair?
15:35She looks like an Anatolian hobbit.
15:37It's not her.
15:38Hurry up.
15:39Yes.
15:40Yes.
15:41Yes.
15:42Her hair will burn.
15:44Why don't you turn on the light?
15:46Yaman.
15:47Come here.
15:48Yaman.
15:49Come here.
15:52I think we should put Tuna here.
15:54It will be a layered shoot.
15:56You can't get the light if you put it here.
15:59I want to emphasize Tuna's shadow.
16:02I don't care about the light.
16:04Don't you need some light for the shadow?
16:07Cemal.
16:08We'll do a fashion shoot.
16:11We're not at the philosophy olympics.
16:13Give me that.
16:15Be careful.
16:17Let's speed up.
16:19It's almost done.
16:21Mr. Gazi will take photos.
16:23Ms. Neşe will interview.
16:25I'll record the voice.
16:26Okay?
16:27Yes.
16:28That's enough.
16:29Okay.
16:31Come on, guys.
16:32I'm waiting.
16:33Send him.
16:34Please.
16:35Okay.
16:36I insist.
16:38Tuna, please.
16:39Be serious.
16:40I'm here for tea.
16:41Is this serious?
16:42He's a writer.
16:43No.
16:44A writer puts two fingers here.
16:46He sticks two fingers in his mouth.
16:48Look at the distance.
16:52Done.
16:53Good.
16:54Will Ms. Neşe come?
16:56I don't know.
16:57Ms. Neşe will gather us on the third floor.
17:01She's not here.
17:02She's not here.
17:03She's not here.
17:04She's not here.
17:05She's not here.
17:06She's not here.
17:07She's not here.
17:08She's not here.
17:09She's not here.
17:10She's not here.
17:11She's not here.
17:12She's not here.
17:13She's not here.
17:14She's not here.
17:15She's not here.
17:16I can't hear you.
17:17She's not here.
17:18Is he an asshole?
17:19I don't know.
17:20She made a stand on the third floor.
17:21I don't know if she'll come.
17:22The meeting takes three hours.
17:23Today's shooting will be a lie.
17:26Who will interview?
17:27Good luck, guys.
17:29Welcome.
17:31Hocam.
17:37Hocam, geçmiş olsun.
17:42İstediğin gibi basabilirsin.
17:45Arkadaşım!
17:49Evet!
17:50Bütün gün Tuna Yiğit Deniz Üçgeni.
17:53Yerginlik almaz mıydınız biraz daha?
17:58Evet!
18:01TUNA YİĞİT DENİZ ÜÇGENİ
18:10As far as I know, this is the tenth edition of the book.
18:13Everything is going well.
18:15What do you attribute this success to?
18:17I mean, as much as I can...
18:19...I put real emotions and real events...
18:24...on strong heroes.
18:27The audience consists of women.
18:29What is the secret of this interest?
18:31I think women are more inclined to what I write.
18:35We can link this to the fact that men are sometimes reserved.
18:38Of course, we have male readers.
18:40I don't want to offend them. Let me put it this way.
18:44Men don't show their emotions, weaknesses, or thoughts.
18:48Right? When they see a child in them...
18:50...they run away without looking back.
18:53The characters I write do the exact opposite.
18:58I write about men with weaknesses.
19:02What are your weaknesses?
19:04Not what, but who.
19:05He probably knows himself, but don't write about him.
19:17I learned this at a very young age.
19:19You can only deal with your weaknesses when they are in contact.
19:23Not by running away.
19:25Do you have any wounds that you don't want to touch from the past?
19:29I do. Of course, I do.
19:33For example, I wonder...
19:36...why you are interviewing me when there are so many people in this magazine.
19:41I won't write about this either.
19:43I'm not curious. It's an obligation. You know that.
19:47Someone stop this bloody war before it starts, please.
19:50But I'm already standing in front of you as a messenger of your readers.
19:56Let me push you a little for them, Tuna.
19:59Now, this profile of a man who has been beaten and has weaknesses...
20:06...this is a game, right? A kind of game.
20:09An armor that you have made masterfully...
20:13...so that people love you more, read your books, and feel sorry for you.
20:19Armor.
20:20Now, here's the thing.
20:23We don't all need armor to live.
20:25You, for example.
20:26You have a boss charisma, right?
20:29You have a boss attitude.
20:31When you look at the suit, the shoes, the shirt that support it...
20:35...there is a integrity in your hair design, right?
20:38I'm sure these kinds of integrity have moved you forward in your business life.
20:42Am I right?
20:44That's right.
20:46Now, you mentioned suits.
20:48If we ask some questions about fashion, a fashion...
20:52...assistant, don't get involved.
20:54But the magazine is a fashion magazine after all.
20:58Who is going to read these? For whom?
21:04If it bothers you, Tuna, he'll tell you.
21:07Okay, Deniz?
21:10It seems that the person you claim to have this weakness has influenced you a lot.
21:14Influence?
21:17He made me believe in miracles again, my friend.
21:20Miracles, you say?
21:22Do you always go after the impossible?
21:25It's not impossible.
21:27You should try it.
21:28I don't have it in my dictionary. I don't know how to do it.
21:32It's a shame not to know, not to learn.
21:36Maybe a teacher will come up to you. What do you think?
21:40Maybe he has already come up to you.
21:42If there is one, we'll wait for your advice.
21:44But if I play, I'll win in the end.
21:47For example, if I don't play, I'll win.
21:50But my heroes always lie in the opposite corner at the end.
21:53They stay at the end, okay?
22:01God save me.
22:13You're in your lucky day, guys.
22:16It stopped.
22:24Hello. Are you going through Beykoz?
22:27Jump in.
22:28Okay, thank you.
22:29Get in the front.
22:30Get in the back.
22:31I'm sorry.
22:33If I sit in the back, can I sit in your car?
22:36No, of course not. It's up to you.
22:46Thank you very much. You didn't leave the ones you love.
22:49I didn't leave you.
22:53I think it's the months of Cici.
22:56We can also say the days of Cici.
22:57Yes, it's been a week.
22:59Even inside. Eight days, six hours.
23:03Oh, I understand. It's like that at first, of course.
23:07You only have one lover in your mind.
23:09You can't stop for a minute without him.
23:11In songs, poems, you always remember him.
23:13In the night, in the day.
23:17You know what's next.
23:18What's next?
23:21What's next?
23:23Then, love grows over time.
23:26It turns into a great love.
23:28Think of it like this.
23:29Plants turn green over time.
23:31Just like that.
23:32People grow in love and love over time.
23:34Right?
23:35I feel sorry for you guys.
23:38You're so naive.
23:40You don't know anything about the world.
23:42No, it's not like that.
23:43Let me tell you what happens next.
23:45Then, gradually, the truth begins to come out.
23:50Like the city lights that look beautiful at night.
23:52You look at the sunrise.
23:54Concrete.
23:55Lifeless.
23:56Spiritless.
23:57Desperate.
23:58Just like the real face of the person you think you love.
24:03We've known each other before.
24:05Yes, but you don't know each other.
24:10I think you have a lover.
24:15Love?
24:16There's no such thing as love, baby.
24:18Love is just a dream, a fairy tale, a mirage.
24:22But it's a lie.
24:23Don't forget this.
24:24The more you love each other,
24:26the more you'll fall in love with each other.
24:28You'll fall in love with each other.
24:30Don't forget this.
24:31The more you love each other,
24:33the more you'll fall in love with each other.
24:35You'll fall in love with each other.
24:37I think you're going to start lying to each other.
24:41Then you'll see.
24:43The person you love doesn't love you at all.
24:45She doesn't love you at all.
24:47You've been running after a big lie.
24:50Can we get off at a safe place?
25:03Thank you very much.
25:10The truth is heavy.
25:12There are bad innocent people.
25:18Are you crazy?
25:20God.
25:21Never mind, Irem.
25:23There's no such thing as a single bullet.
25:25There's no such thing as a single bullet.
25:27There's no such thing as a single bullet.
25:29You're right.
25:34That's it.
25:46Cemal, our social media account is still not updated.
25:50I'm not listening to you.
25:51Buket, I sent you an e-mail, I'm still waiting for a response.
25:54Guys, we have a magazine to publish.
25:57Help us! Help us! Help us!
26:27What's that sound?
26:41Shoes on the wall
26:46An unknown woman is coming towards us
26:57What's that sound?
27:09Help us! Help us! Help us!
27:25Help us! Help us! Help us!
27:33Hello, I was looking for Ms. Asena.
27:35She's my mother.
27:40Oh, my dear Ayca.
27:44Welcome.
27:48Ms. Asena, how are you?
27:52I'm fine, dear.
27:53Let's introduce you to Yiğit.
27:54Okay.
28:00Hello.
28:02How are you, Mr. Yiğit?
28:08Yiğit, this is Ayca.
28:10She's the daughter of Mr. Haldun, the owner of Lame Stores.
28:14Nice to meet you.
28:15Likewise.
28:16Please.
28:21Mr. Haldun is an old friend of mine.
28:23Of course, I remember him fondly.
28:25When Ayca said she wanted to work with you,
28:28I couldn't say no.
28:29Is that so?
28:31If we can find a suitable position for her, why not?
28:34What did you study?
28:36I studied art management in London.
28:38Then I did a master's degree in fashion design in Milan.
28:41Good. Congratulations.
29:11Why would a well-educated person like her
29:13want to work in a magazine instead of working with her father?
29:17Look, Mr. Yiğit.
29:18I'm passionate about fashion.
29:20You can't learn fashion from books.
29:22That's why you need to get your act together
29:24and get into the kitchen of fashion.
29:26Very smart, girl. Very.
29:53I'll be honest with you, Ms. Ayca.
29:55Of course, I'd like to have a smart, well-educated person like you on my team.
30:00But the economic situation in our magazine
30:03is not enough to pay for a new staff, Mr. Haldun.
30:07I'm sorry.
30:08I'm sorry.
30:09I'm sorry.
30:10I'm sorry.
30:11I'm sorry.
30:12I'm sorry.
30:13I'm sorry.
30:14I'm sorry.
30:15I'm sorry.
30:16I'm sorry.
30:17I'm sorry.
30:18I'm sorry.
30:19I'm sorry.
30:20I'm sorry.
30:21I'm sorry.
30:22I'm so sorry.
30:24I'm so sorry.
30:25I'm so sorry.
30:26Keep up!
30:27Keep up!
30:28Keep up!
30:29Don't worry.
30:30Don't worry.
30:31I'm not in a position to forget
30:33the gifted people like you, unfortunately.
30:35The money matters nothing.
30:36Experience is everything to me.
30:38I've stopped doing four-foot stand-up comedy.
30:41Always thinking about this stuff.
30:44My love, is there anything left to think about?
30:46Then, welcome to Go Flamingo.
30:48I'm so pleased.
30:50I'm sure it's beautiful.
30:52You have a new internship now.
30:54I want to take this opportunity to get to know you through this conversation between you and Ms. Asena.
31:02Which one would you prefer?
31:05I mean, content, interview, writing, or if you're interested in fashion shoots, it could be in the studio.
31:12Which one?
31:14I want to start with writing, reading books, and content.
31:21Content.
31:27Okay.
31:28Then I'll introduce you to my content editor, Mr. Tuna.
31:32Because you're going to be his intern from now on.
31:34Okay, let's get to know each other.
31:40Michael.
31:41I have to start with you. I'm an editor.
31:43I know. You're just translating what I said, Michael.
31:45But what I'm going to say now is more important. So listen to me.
31:49A human is talking here.
31:50A human is listening. Go ahead.
31:52I'm saying, in fact, you had a bit of a squirrel, a fox, a mouse, a nervous, something in your interview. What's up?
32:00What?
32:01I'm saying you had a thing.
32:03What thing?
32:05Now, even though we are like this, I saw a celebrity.
32:09When I see a celebrity, I feel like I've seen a celebrity.
32:12I mean, excitement and stuff.
32:15I'm serious.
32:16I'm happy to be your assistant.
32:25Editor.
32:28Let me introduce you to your new assistant.
32:33I don't need it.
32:34Does anyone want tea?
32:40Where's your assistant?
32:42Hi, I'm Ayça.
32:47Actually, he's an intern.
32:49Editorial history of the younger generation.
32:51Wait a minute, wait a minute. I'm going to say something.
32:53I've been working here for a few years.
32:55And I've never used an intern for a few years.
32:57Because I like to do my own job.
32:59So why now, intern?
33:03Everything has a purpose, editor.
33:05Right?
33:06You're a famous writer.
33:08We don't want your work and our work here to be in vain.
33:10You say that so well.
33:12I'm glad you agreed, editor.
33:14Good luck.
33:16Good luck.
33:20Can you write?
33:21Okay, okay.
33:24Sorry.
33:29Get well soon.
33:33Thanks.
33:34A little wound.
33:35Come on, take a sandal.