はじめての美術館 2025年1月26日 パークホテル東京
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00:00JIN OJISAN TO KIRARI CHAN GA ARTO WO JIYUU NI TANOSHIRU BANGUMI
00:22HAJIMETE NO BIJUTSUKAN
00:27Good morning!
00:29It's started!
00:31My first wake-up prank!
00:34Today, JIN OJISAN is staying at a park hotel in Shiodome, Tokyo.
00:42I'm going to set up a wake-up prank!
00:46I'm so excited!
00:48Let's go in!
00:53I'll try not to wake him up.
00:56JIN OJISAN
00:59Wow!
01:02The wallpaper looks like art!
01:07Wow!
01:11Huh?
01:13JIN OJISAN?
01:15Huh? He's not here!
01:21You've noticed me, Kirari-kun.
01:24That voice! It's JIN OJISAN!
01:27Yes, it's JIN OJISAN.
01:29A luxury JIN OJISAN, Kirari-kun.
01:33This room is called the artist room.
01:36The whole room is made of art.
01:40It's a morning where you wake up to the sound of art.
01:43It's special.
01:47I'm going to die!
01:51This is a park hotel in Shiodome, Minato-ku, Tokyo.
01:57Inside the hotel, there are a lot of artworks.
02:03But that's not all!
02:06In this hotel, there is a room where the room itself is made of artwork.
02:14This time, we're going to sneak into a hotel that looks like an art museum!
02:29First, let's introduce the room.
02:35Hello.
02:38I'm Kirari Murayama.
02:40I'm Jin Otagiri.
02:42I'm the art director of Park Hotel Tokyo.
02:45I'm Yoshimoto Fujikai.
02:47Nice to meet you.
02:49The art director.
02:51This room is called the artist room.
02:55Yes, it's a room made by artist Kanamaru Yuji.
03:01The artists actually stay and go to the room,
03:05and the whole room is made of artwork.
03:08This is Park Hotel Tokyo's artist room.
03:11In other words, it's a place where you can stay.
03:14What's the theme of this room?
03:17The theme of this room is...
03:19It's an homage to the work of the world-famous artist, Ito Jakuchu.
03:25That's why it's drawn here.
03:28That's why Jakuchu has a picture of an elephant in front of him.
03:32There's a work called Juka Choujutsu.
03:36This time, Mr. Kanamaru changed the kanji for flower into a town.
03:42It's called Jukai Choujutsu.
03:46So there's a town in the tree.
03:48That's right.
03:49Mr. Kanamaru's work has a feature of drawing an animal or a town.
03:55If you look at the actual town here...
03:58It's a great view.
04:00It's 360 degrees.
04:02It's a great view, but it's a part of the work.
04:05I see.
04:06There's a town inside.
04:08There are a lot of buildings.
04:10That's right.
04:11So it's a room where you can stay,
04:14enjoying the animals that have been drawn for a long time
04:19and the buildings of the current Tokyo metropolitan area.
04:25The skyscraper buildings of Tokyo metropolitan area.
04:28The view from the window is also a part of the work.
04:32There are many animals that are as powerful as the view from the window.
04:38I wonder how long it took to draw them.
04:44The feature of this artist room is that you can draw directly on the wall.
04:48It's not pasted.
04:50That's right.
04:51You can draw directly.
04:53By the way, how long did it take?
04:56It took me three years.
04:58Three years?
05:00It took me three years.
05:01Does that mean that no one stayed in this room for three years?
05:06That's right.
05:07That's right.
05:08That's right.
05:09It's a loan.
05:10It's a loan.
05:13It's a little by little.
05:15That's right.
05:16The feature of this room is that there are many layers of paint.
05:22I see.
05:23There are so many layers that you can't see the original color.
05:27There are many colorful colors from the bottom to the top.
05:33Why did you make this artist room?
05:37I want to convey the Japanese culture, Japanese charm, and Japanese way of thinking.
05:46I want people to like Japan more.
05:51With that in mind, I'm working on art.
05:55It seems that Japanese people will like Japan again.
06:00It seems that foreigners will know more about Japan.
06:04That's a perfect comment.
06:06That's exactly how it is.
06:08The artist room is full of things that artists want to express.
06:14Let's take a closer look.
06:18Next, let's take a look at this room.
06:22Good morning.
06:26What is this?
06:32This is amazing, Kira-chan.
06:34It's very different.
06:36It's three-dimensional.
06:38It's not just a picture.
06:40The sofa, the futon, and the bedding.
06:44It's all woven together.
06:46Every part of this room is an art space.
06:51This is Mariko Kobayashi's room.
06:54She makes her works in textile.
06:58I didn't know that.
07:00Red thread.
07:02That's right.
07:04The main theme is red thread.
07:07It's about connecting people.
07:10It's about connecting things.
07:14That's what I wanted to express in this room.
07:18That's amazing.
07:23Mariko Kobayashi's room is made of fabric and thread.
07:28It's a three-dimensional fabric.
07:31It's a space that draws attention to the red thread.
07:37The artist wanted to sew a room.
07:41That's why she started by sewing a wall.
07:44That's right.
07:45She made a new wall.
07:48She also dug a little.
07:50She dug a ceiling.
07:52She used that technique to make this work.
07:55I can see that she sewed it with fabric.
07:58It's amazing.
08:01The red thread has a beginning and an end.
08:08In life, there are times when we say goodbye.
08:14But she always finds a new thread.
08:18She can make new choices.
08:20Even if she can't control herself,
08:22she can spread her world.
08:24That's what she expressed in this room.
08:28I wonder what kind of dream she will have.
08:31That's right.
08:33It's a unique world full of the artist's thoughts.
08:40It's a special experience to spend the whole night there.
08:47Next, let's take a look at this room, which was drawn in a gentle atmosphere.
08:55What do you think of this room?
08:57It's dreamy and fluffy.
08:59It's cute.
09:01It's a light touch.
09:03It's like a paradise.
09:05It's a little Japanese.
09:07That's right.
09:08It's Chinese, Japanese, and Asian.
09:13It says Mt. Fuji.
09:15That's right.
09:17Can you see Mt. Fuji?
09:19Yes, I can see it.
09:20That's great.
09:22Mt. Fuji is on the other side of Tokyo Tower.
09:25It's a nice location.
09:28This room was designed by artist Yumi Hosaka.
09:32The theme of this room is cute.
09:36The theme is cute.
09:38That dog is cute.
09:40It's cute.
09:43It's a cute space where you can become gentle just by looking at it.
09:49If you look closely, you can see that the artist is particular about details.
09:55This person is drawing like a mural.
10:00There is a damaged part.
10:05So it's hard to tell when it was made.
10:12It's like a mural.
10:14That's right.
10:16After this, the artist sneaked into the room in the middle of production.
10:42This is the artist room of Park Hotel Tokyo.
10:47The room is full of art.
10:53There are 44 rooms now.
10:56There will be more rooms in the future.
10:59This time, the artist will show us the room in the middle of production.
11:10There is a room where the artist draws directly.
11:14You're drawing now, right?
11:16It's in the middle of production.
11:18Good morning.
11:20Excuse me.
11:23Hello.
11:25It's a little different from the room before.
11:31Hello.
11:37Nice to meet you.
11:40I was surprised.
11:42It's amazing.
11:44It's a firework.
11:46It's like a Japanese scenery.
11:52Fireworks fly up in Minato-machi in the evening.
11:57The color is vivid and pop.
11:59However, Ayairo, the artist, is drawing a nostalgic atmosphere in a city in Japan.
12:07Let's ask her what kind of room she is going to make.
12:11There are a lot of flowers.
12:14What kind of theme are you drawing?
12:18I usually draw with nostalgic memories of my childhood.
12:27I usually draw with nostalgic memories of my childhood.
12:36Do you remember seeing fireworks in the past?
12:41That's right.
12:44Fireworks were special when I was a child.
12:49I didn't go out in the evening or at night.
12:54I expressed the excitement of that time.
12:59I see.
13:01How do you feel when you draw?
13:04I usually draw on a canvas, so the size is different.
13:09I think it's hard for me physically.
13:13I paint it many times, so it's uneven.
13:17I paint it three or four times.
13:21It's like rainbow and purple.
13:26That's right.
13:28Have you ever drawn a mural like this?
13:31No, this is the first time I've drawn a mural.
13:36Ayairo says it's the first time she's drawn on a big wall.
13:42Here's the question.
13:45This time, Ayairo prepared a secret weapon to accurately draw the draft of an important picture.
13:53What is it?
13:58What is Ayairo's secret weapon?
14:12Pencil sharpener.
14:19Projector?
14:21That's right.
14:23That's right.
14:25You're going to project the picture you originally drew.
14:28That's right.
14:30A projector that can project pictures onto a screen or wall.
14:36Ayairo uses this to project the draft onto the wall.
14:42By tracing the lines, she was able to accurately draw on the wall.
14:49This is a good idea.
14:53I'm going to draw a picture that will be projected onto the wall.
14:57You're going to draw a picture that will be projected onto the wall.
14:59That's right.
15:00First, I'll draw the outline like this.
15:02This is here.
15:04I see.
15:06You can change the color of the picture right away.
15:09It takes a lot of time to paint all the pictures one by one.
15:12That's right.
15:13Even if you actually paint the picture at the end, it's easier to adjust the color of the picture when you imagine it at the previous stage.
15:19That's right.
15:21It's the latest technology.
15:23That's right.
15:24It's very helpful.
15:28Because it's a big piece of work called a room, there are a lot of difficulties.
15:34Now, they're going to infiltrate the room they're making now.
15:38And they're going to draw a picture on the wall.
15:44The room is full of artwork.
15:46They're going to infiltrate the room they're making now.
15:49Excuse me.
15:50It's blue.
15:51It's blue.
15:57It's a chair.
16:02Hello.
16:03Hello.
16:04It's a chair.
16:05It's a chair.
16:06It's a big chair.
16:10Nice to meet you.
16:11Nice to meet you.
16:12Nice to meet you.
16:13Nice to meet you.
16:14I'm Kei Sugiyama.
16:16Nice to meet you.
16:17Nice to meet you.
16:18What kind of work are you doing now?
16:20I'm adjusting the color of the chair.
16:26How do you adjust it?
16:29Acrylic paint tends to stick to the surface.
16:36So I start with a blackish color.
16:39You're brightening it up.
16:42You're doing all this work on each chair.
16:46It's going to take some time.
16:48Of course.
16:49It took three years.
16:52Kei Sugiyama is a painter.
16:54This is the room they're making now.
16:59There are a lot of things on the wall.
17:03What are they thinking about when they're drawing?
17:08I was impressed by the window here.
17:12So I drew it on each wall.
17:14This is a window, too.
17:15This is a window, too.
17:17This is a window, too.
17:19This is a picture frame.
17:21There are a lot of frames on the wall.
17:24The frame is like a window.
17:27I see.
17:31If you like, please draw it.
17:33Like that?
17:36It's me, right?
17:38Is it okay for us to draw it?
17:41I don't think so.
17:43It's okay.
17:44I'm happy, but...
17:46I'm happy, but...
17:48But...
17:49But...
17:50But...
17:51But...
17:52But...
17:55Their drawings will be a part of the work.
17:59It's a lot of responsibility.
18:01They have to work hard.
18:03Sugiyama-kun, what is the theme of your drawing?
18:06Well, I'm trying to draw a motif that can feel the presence of a person.
18:12You're not drawing a person directly.
18:15That's right.
18:16I'm drawing a motif in a room.
18:19I see.
18:20You're drawing a chair, furniture, tableware, and glasses.
18:25I see.
18:26That's the theme.
18:28The theme is to feel the presence of a person in a room.
18:32What is Sugiyama-kun going to draw?
18:35Here are the contours.
18:38I can't think of anything.
18:40Pink.
18:41Pink.
18:42What are you going to draw?
18:44Well...
18:46What should I do?
18:48I'm going to draw a coffee mill.
18:50That's a good idea.
18:51That's a good idea.
18:52I'm going to draw coffee beans.
18:56I'm going to draw a handle.
19:00I'm going to draw it a little bigger.
19:03It has a drawer.
19:06Like this.
19:09It has a handle.
19:12What about you, Yukie-chan?
19:13I'm going to draw an outlet.
19:15An outlet?
19:17That's very stylish.
19:19An outlet is difficult.
19:21Well...
19:24The left one is a little longer.
19:26What?
19:27I think so.
19:29I think it's okay to stick the bottom.
19:31That's very stylish.
19:36Once the draft is done,
19:38she paints it with acrylic paint.
19:43Both of them have serious expressions.
19:48What kind of result will it be?
19:56It's done.
19:57It's done.
19:58Thank you very much.
20:01How was it, Yukie-chan?
20:03If I'm going to draw on a canvas of this size,
20:07I think any color is fine.
20:10But I have to draw it so that it stands out
20:16because I can see it from a distance.
20:20I drew a coffee mill.
20:22It's very harmonious.
20:24I didn't draw it, so I added more colors.
20:27There are a lot of colors.
20:30I think it's just right.
20:37Kirari-chan's outlet
20:39and Jin-oji-san's coffee mill
20:42are added to the artist room of Kei Sugiyama.
20:46I'm looking forward to the day when it's completed.
20:52Kirari-chan,
20:53unlike the usual art museum,
20:55how did you feel when you met the artist
20:58who always makes works in the room in the hotel?
21:02It was a strange feeling.
21:07There was an artist in the room
21:11that says room No. 5.
21:15That's right.
21:17The general public will stay in the completed room.
21:21It will definitely be a good memory.
21:24That's right.
21:25I will never forget that I stayed there.
21:27There is only one room in the world.
21:29It's hard for people who actually do it,
21:32but everyone seems to be having fun.
21:34I think you can do this in this room.
21:36It's nice to do something different from the usual work.
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