• 13 hours ago
Los Casablanca Capítulo 22 Completo HD
Los Casablanca Capítulo 22 Completo HD
Los Casablanca Capítulo 23 Completo HD
Los Casablanca Capítulo 24 Completo HD
Los Casablanca Capítulo 22 Completo HD
Los Casablanca Capítulo 22 Completo HD
Los Casablanca Capítulo 22 Completo HD
Transcript
00:00I got lost last night, Dad, and I'm sorry about that.
00:04It wasn't the place, it wasn't the way.
00:07No, it wasn't.
00:09That doesn't mean you don't believe what I told you.
00:12You think I'm using you and then I'm going to let you go?
00:15Yes, yes, and I think I have the right to feel that way.
00:19Nobody, none of my brothers know this company like I do.
00:23Aren't you a lawyer?
00:24Can't you take care of the legal affairs of the company?
00:27Do you think I don't realize what you're trying to do with Samuel?
00:31Are you preparing him to take care of everything, or am I wrong?
00:34No, you're not wrong.
00:36But it's only one possibility.
00:38And can you tell me why?
00:41If I'm the most capable, can you tell me why?
00:44How do you want me not to feel anything for you, Dad?
00:48I'm your eldest daughter, I've dedicated my life to these companies.
00:51From any point of view, I'm the most capable.
00:54No doubt you have many abilities, Alexandra.
00:58And I know it.
01:00That's why you've been my right hand all this time.
01:05But your character betrayed you.
01:08My character?
01:10Yes.
01:11You felt threatened by Juan Pablo.
01:14And the first thing you did was humiliate him in front of everyone.
01:18You treated him like a stranger.
01:21You messed with him, regardless of your sister or anyone else.
01:25Now Samuel, who is your own brother,
01:28who hasn't done anything to you,
01:30you go and humiliate him in front of everyone.
01:33Every time you don't like something,
01:35you mess with him, regardless of the consequences.
01:40Daughter, you're smart.
01:42You're talented.
01:44You're hard-working.
01:46But you don't know how to control your emotions.
01:49And that's serious.
01:51That's dangerous.
01:52It's very dangerous.
01:54That can throw anything overboard.
01:57Dad, it's not because of that.
01:59Admit it.
02:01Then why is it?
02:03You're never going to give me the place that belongs to me
02:05because I'm a woman.
02:07Please, Alexandra, don't start with that.
02:09Dad, please.
02:10It's a matter of looking around you.
02:11All the businessmen you surround yourself with are men.
02:14Good daughter.
02:15It's so ingrained in you
02:16that you don't even realize that
02:17that and no other is your real problem with me.
02:22Wait a minute, Alexandra.
02:25Where did you get that idea
02:27that I put my brother Ivan aside?
02:30I don't know.
02:32I thought that could have happened between you two.
02:35It's something you say when you're cured.
02:47Well, it looks like I don't have anything else to do here.
02:50It was a pleasure doing business with you.
02:52No, it was an honor for me.
02:54I thank you.
02:55And you know, this is your house.
02:57You can come back whenever you want.
02:58I'm going to do it.
03:00Ivan, I know I had already told you,
03:03but, well, the staff is very...
03:07There are going to be changes.
03:08I can assure you of that.
03:10What I am going to ask you to remind me of
03:13Ah, Isabela.
03:14Isabela Rodríguez.
03:15I told her.
03:16Any questions you have, she will help you.
03:18Perfect.
03:19Well, the first payment has already been made
03:22and the other two will be released at the end of the month,
03:25as we agreed.
03:26Perfect.
03:28Well, good luck, Ivan.
03:30No, for you.
03:31Take care.
03:37I'm going to go.
03:38I'm going to go.
03:39I'm going to go.
03:40I'm going to go.
03:41I'm going to go.
04:09I'm waiting for you.
04:10You agreed to give me an answer yesterday.
04:12The contract I offer you is a luxury.
04:26Hello, good morning.
04:28I need a little more time.
04:34What?
04:35Didn't you talk to my brother?
04:38Yes, of course.
04:44And? What did he say?
04:49Those things are not decided overnight.
04:56I know my brother.
04:57This will be decided in five minutes.
05:00Did he accept, yes or no?
05:08He said no, but I'm going to get him to accept.
05:32Isabela, you have to be calm.
05:34I talked to Ivan.
05:35He assured me that there will be no change here in the hotel.
05:38I think he's a reliable guy.
05:40Oh, God willing, Paco.
05:41Come on, woman.
05:43Calm down, everything will be fine.
05:45Paco.
05:48Paco.
05:50Can I ask you a favor before you leave?
06:00Excuse me.
06:01Excuse me.
06:03Good morning.
06:06It's late and you came to have breakfast.
06:08I'm not here to have breakfast.
06:10Oh, did you have breakfast?
06:12No, I'm here to talk to Don Raimundo.
06:14Oh, why?
06:16You know I'd rather talk to him directly.
06:19Is he there or not?
06:20Yes, he's in his office, he's working.
06:22But I don't think he'll receive you.
06:24Well, I don't lose anything by trying.
06:27Excuse me, see you later.
06:31Bye.
06:37Do I also send the email to the Independent Vineyarders Association?
06:42Yes.
06:43We have to confirm the venue for the annual party.
06:45Uh-huh, perfect.
06:49Come in.
06:52Excuse me.
06:53I promise.
06:54Did something happen with Hurricane?
06:55No, no, Hurricane is fine.
06:57I wanted to talk to you about something else.
06:59I don't know if you have a second.
07:00Yes, of course.
07:02Should I leave you alone?
07:03No, no, not necessary.
07:04Sit down.
07:05No, yes, it's going to be short.
07:06I prefer to stay still.
07:07I'm listening.
07:09Hey, I want to tell you this with all due respect,
07:11but you know that if you don't trust me,
07:13I don't have anything else to do here.
07:15But how can I not trust you?
07:17What nonsense are you saying, man?
07:20You're in charge of my horses,
07:22which is what I love most in life,
07:24after my children.
07:25And I'm not going to trust you.
07:26Yes, well, I thank you very much.
07:28But look, one thing is that you put some cameras
07:31there in the stables to take care of the horses,
07:33which I don't quite agree with,
07:34but you're the boss, okay?
07:36I'm sending you here.
07:37And another very different thing is that you put a camera
07:39pointing directly to my cabin.
07:42What do you mean a camera pointing directly to your cabin?
07:44What are you talking about?
07:45Yes, man.
07:46I just saw a camera in a tree pointing directly to my house.
07:49But...
07:50Don Raimundo, I live there and I don't like to be watched.
07:53I already have the right to privacy too.
07:55Yes, of course I do.
07:56And I repeat that I say it with a lot of respect, okay?
07:59But if you don't trust me,
08:00I'd rather you tell me face to face.
08:02Because I'm not used to working like this.
08:13Like in the old days then.
08:16Oh, Jonás, what's wrong with you?
08:17What?
08:18Can you tell me how you expose Gaby like that?
08:20How, how, how?
08:21Excuse me.
08:22No, what is your family secret?
08:23Why?
08:24What is your sister's secret?
08:25Talking bad about my daughter?
08:26Washing her mouth with soap before talking about Gaby.
08:28Did you hear me?
08:29Yes.
08:31Excuse me, I didn't know that...
08:33What? What didn't you know?
08:34Well, I didn't know that Martina could...
08:36send a mess like that.
08:38It was unexpected.
08:39Of course, always unexpected.
08:40I didn't know, I didn't know.
08:41You never know anything, right?
08:42And that's why you're sending one shit after another.
08:45Hey, also lower a change,
08:46since it's not my fault that Martina was sent.
08:48It's your fault.
08:49It's Martina's fault.
08:50Of course it's your fault.
08:51You invited her to that family celebration.
08:52You exposed her.
08:53I didn't expose her on purpose, Ivete.
08:55What's wrong with you?
08:56What's wrong with me is that I told you,
08:57the other day at the cafe,
08:58that I didn't want to see you go out with my daughter,
09:00and you did it anyway.
09:01And what happened?
09:02That she had to swallow a terrible bad time because of you.
09:04Look, Jonas, I'm going to repeat it to you again, okay?
09:06I don't want to see you going out with Gaby, okay?
09:09And I don't want anyone in your family
09:11to do or say anything bad to her.
09:13Because no one messes with my daughter.
09:15Is that clear?
09:17Yes, Ivete.
09:19It's clear and it's not going to happen again, okay?
09:21I apologize.
09:22It's okay.
09:26And once again I found out
09:28that someone in your family
09:29is going to mess with Gaby,
09:31I don't care who it is,
09:32he's going to have to deal with me.
09:43I'm glad you were able to talk to your dad, love.
09:45How did it go?
09:46I don't know who cleans a lot, really.
09:48My dad thinks I have character problems.
09:51Pure excuse.
09:52Well, since he's accepted your apologies...
09:55He's making fun of me
09:56and I have to apologize to him?
09:58I don't think so.
09:59Alex, love.
10:00You got lost.
10:01You have to admit it.
10:02Let's see.
10:03Maybe I made a mistake in the form,
10:05but not in the background.
10:06I'm sorry to interrupt you.
10:07Pueblo.
10:08Come in, man.
10:09Come on in.
10:10Excuse me.
10:12How can I help you?
10:14Tormento found a camera
10:15pointing directly at his house.
10:17Why is there a camera
10:18watching Tormento's house?
10:20That's true.
10:21Take it.
10:22Yes, there may be a camera
10:24watching the area around the house.
10:26No, no, no.
10:27There's one pointing directly at my house.
10:29I found it myself.
10:30Let's see, show me.
10:31Let's see.
10:35Oh, yes.
10:36Indeed, there's something there.
10:38And did you ask for it?
10:40Yes, yes, I asked for it.
10:41I mean, I asked them to put it
10:42not so direct,
10:43but pointing at the area.
10:44For what purpose?
10:46Well, I don't know.
10:47I thought that maybe
10:48the other day they came in
10:49and took out the crack.
10:50Poor man.
10:51I thought it could be
10:52a good way to take care of him.
10:53God forbid they come in again
10:54and attack him.
10:56Since when is that camera there?
10:58The same day
10:59they installed all the other cameras.
11:02Maybe you could have asked me
11:04before installing a camera
11:05there that's watching me, right?
11:07But we're not watching you, man.
11:08Don't be a pervert.
11:09I'm telling you
11:10I put it there to take care of you.
11:11Well, whatever,
11:12surveillance or care,
11:13that camera can't be there.
11:15Tormento doesn't want it
11:16and he has the right
11:17to his privacy.
11:18So, please, take it out.
11:20Well, it's very clear.
11:21We'll take it out.
11:22Of course,
11:23I'm not saying
11:24you have to come in
11:25and take out the crack.
11:26Besides, we don't know
11:27who Chucho is.
11:39Hi.
11:40They told me
11:41you wanted to talk to me.
11:42Yes.
11:43Good morning.
11:44Good morning.
11:45Who can I talk to?
11:46My name is Alvaro Virena.
11:47I'm a local businessman.
11:48They told me
11:49a lot about this store
11:50and the truth is
11:51it's beautiful.
11:52Congratulations.
11:53Thank you very much
11:54for having me.
11:55Are you the author
11:56of all this?
11:57Yes, that's right.
11:58Look.
11:59Well, tell me,
12:00how can I help you?
12:01Or did you come to visit the store?
12:02We only have
12:03some incredible tasting tours.
12:04No, no.
12:05I can't do tours,
12:06but I want to bring wine.
12:07Ah, of course.
12:08Any particular grape?
12:09There's one that was
12:10awarded recently, right?
12:11Yes.
12:12Our Merlot.
12:13We have a few bottles left.
12:14And we also have
12:15Cabernet Franc,
12:16Sauvignon Blanc,
12:17Pinot Noir,
12:18Riesling,
12:19Carménère.
12:20Which one would you like to bring?
12:22All of them.
12:23All of them?
12:24Very good.
12:25How many bottles of each?
12:26How many bottles
12:27do you have here in the store?
12:29In the whole store
12:30we should have
12:31about 500 bottles,
12:32plus the ones
12:33in the winery,
12:34about 1,500.
12:35Perfect.
12:37I want them all.
12:41All the bottles
12:42in the store,
12:43plus the ones
12:44in the winery?
12:45All of them.
12:46May I?
12:51That's it, Fonancy.
12:52It's really over.
12:53Yes, well,
12:54but it was still disunited.
12:55Yes, but it's over.
12:56It's really over.
12:57Elena,
12:58take this.
12:59Perfect, Fonancy.
13:00Well,
13:01in any case,
13:02the commentator was a classist,
13:03it was Benka,
13:04Martina
13:05didn't behave well
13:06and I apologize
13:07because
13:08beyond all that,
13:09I wouldn't like
13:10any of this to affect you,
13:11Gaby, really.
13:12Look at him.
13:13When I was born in Casablanca,
13:14the very same person
13:15who bullied me
13:16out of nowhere
13:17really regretted it.
13:18Well, obviously,
13:19because I think
13:20that you,
13:21less than anyone in this world,
13:22deserve to be treated like that.
13:23Me, less than anyone?
13:24You, less than anyone.
13:25Let's see,
13:26why me, less than anyone?
13:27I don't know.
13:28I think
13:29there are good people
13:30in this world
13:31and you're there, Gaby.
13:32Can I ask you a question?
13:35Do you feel
13:36that I exposed you?
13:37No.
13:38No, no, no.
13:39I don't want you to think that.
13:40You,
13:41it's not your responsibility
13:42to expose you
13:43and expose Alex.
13:44No.
13:45Yes, well,
13:46a little freak my family.
13:47Well,
13:48why would I say no?
13:49Yes, yes.
13:50Ah, well, cool.
13:51Hey, no, seriously,
13:52calm down.
13:53If what your sister tells me
13:54happens to me,
13:55it happens to me.
13:56Yes,
13:57I was already feeling bad
13:58about everything that happened.
13:59I mean,
14:00I feel bad
14:01about everything that happened,
14:02really.
14:03Well,
14:04let's see,
14:05if you feel so bad
14:06and you're very sorry,
14:07maybe there's something
14:08that can solve it.
14:09Yeah, let's see, what?
14:10Invite me to dance
14:11tonight.
14:12Uh,
14:15I think it's going to be
14:16a little complicated
14:17because tonight
14:18I have to,
14:19something,
14:20I had promised my dad
14:21to do something
14:22and it's going to be difficult.
14:23But,
14:24nothing,
14:25maybe another day?
14:26Another day.
14:27Another day.
14:28Perfect, great.
14:29Cool, cool.
14:30Yeah, well,
14:31go to work.
14:32Yes?
14:33Yes.
14:34Don't fuck with me,
14:35please, Tomás.
14:36You know I don't believe
14:37your sudden concern
14:38for Tormento.
14:39Look,
14:40I'm not worried about the petitioner,
14:41I'm worried about the horses
14:42and that that starving man
14:43is not going to sue us.
14:44That worries me.
14:45Really?
14:46Yes.
14:47Well, if you know perfectly well
14:48that whatever happens
14:49in the property of the employees
14:50has no validity in the workplace.
14:51What do you care so much
14:52about that camera?
14:53Let's see,
14:54if they're going to take it away,
14:55don't worry.
14:57You saw me get in there,
14:58right?
15:02You can't deny
15:03that you are quite direct
15:04for your things, Alexandra.
15:07Were you spying on me?
15:11Why?
15:14Should I?
15:17I went to Tormento's house
15:18to apologize
15:19because I challenged him
15:20unfairly
15:21for a misunderstanding
15:22the other day.
15:24And you've been
15:25watching him apologize
15:26for a long time.
15:27It looks like
15:28that petitioner
15:29has been robbed a lot.
15:31You're controlling me, Tomás.
15:34No.
15:36I just don't believe you at all.
15:37I don't believe you at all.
15:39Then what do you think
15:40I went to do?
15:43I don't know.
15:48But you'd better believe
15:49everything you're telling me,
15:50Alexandra.
15:52I can do anything,
15:53but not shit.
15:54And I don't like
15:55to be seen in the face.
15:56No one is seeing your face, Tomás.
15:59I already explained
16:00what I went to do.
16:01If you don't believe me,
16:02it's your problem.
16:03Instead of worrying
16:04about apologizing
16:05to that shitty petitioner,
16:06who's worth nothing here,
16:09you should apologize
16:10to your brother, Samuel.
16:11Don't you think?
16:15Come in.
16:17Mr. Tomás.
16:18Oh, excuse me.
16:20Don Raymundo
16:21wants to talk to you.
16:23Excuse me.
16:30They're looking for you.
16:37Ah.
16:44How dare you
16:45put a camera
16:46in front of the house
16:47in the middle of the storm?
16:48Yes, I'm sorry.
16:49I already explained my reasons.
16:51I went too far
16:52with the security issue.
16:54What do we do with this, boss?
16:55Come here.
16:56I'll give it back to you later.
16:57I'll talk to him.
16:59Is there anything
17:00I want you to take care of?
17:01Yes, tell me.
17:03Now that Samuel
17:04will become
17:05the company's lawyer,
17:07I want you
17:08to take care of Aras.
17:12Yes.
17:14Basically,
17:15do the same thing
17:16Samuel did.
17:21What a surprise, father-in-law.
17:22No, no, no.
17:23I didn't see it coming.
17:26But are you sure?
17:27You can't do it.
17:29Take care of Aras?
17:30Don't be silly.
17:31It's my business.
17:32No, I'm just asking
17:33if you're sure
17:34of the tremendous responsibility
17:35you're giving Samuel.
17:37Are you doubting
17:38my abilities?
17:39No, no.
17:40No, no, no.
17:42I'm just worried
17:44that this decision
17:45could affect
17:46the family matter a little.
17:47I don't know if I make myself clear.
17:49You say that
17:50because of your wife's tantrum yesterday.
17:53If I ran my business
17:54trying to please
17:56the people
17:57who are close to me,
17:59I would luckily have
18:00a kiosk in a corner.
18:03Yes.
18:04You're absolutely right,
18:05father-in-law.
18:06Talk to Samuel
18:07and have him explain
18:08how the business works.
18:09Yes, yes, yes.
18:11I'm going to start
18:12right away.
18:13Listen, father-in-law.
18:14I mean,
18:15he made the best decision.
18:16I'm going to have Aras
18:17as my...
18:19I love
18:21my horses.
18:23I hope you don't fail me this time.
18:33I'm Ivan Casablanca
18:34and I promise
18:35to continue leading
18:36with integrity,
18:37passion,
18:38and dedication
18:39and to offer
18:40unforgettable experiences
18:41to all our guests.
18:43For me,
18:44Hotel Siete Vientos
18:45is not just
18:46a business.
18:47It's my home,
18:48my passion,
18:49and it will be my legacy.
18:51I'm Ivan Casablanca
18:52and I promise
18:53to continue
18:54leading with integrity,
18:55passion,
18:56and dedication
18:57and to offer
18:58unforgettable experiences
18:59to all our guests.
19:00For me,
19:01Hotel Siete Vientos
19:03is not just
19:04a business.
19:05It's my home,
19:06my passion,
19:07and it will be my legacy.
19:08I'm Ivan Casablanca
19:09and I promise
19:10to continue
19:11leading with integrity,
19:12passion,
19:13and dedication
19:14and to offer
19:15unforgettable experiences
19:16to all our guests.
19:17For me,
19:18Hotel Siete Vientos
19:19is not just
19:20a business.
19:21It's my home,
19:22my passion,
19:23and it will be my legacy.
19:24For me,
19:25Hotel Siete Vientos
19:26is not just
19:27a business.
19:28It's my home,
19:29my passion,
19:30and it will be my legacy.
19:31And what would you like to know?
19:32No,
19:33I don't want to know anything.
19:35Just that...
19:37I don't know
19:38what happened to your brother
19:39or why he hates him so much.
19:42But wouldn't it be better
19:43to let go?
19:45Let go of what?
19:47Let go.
19:49Your brother already bought
19:50the hotel you wanted to buy.
19:52It's over.
19:53It's done.
19:54And...
19:55I don't know.
19:56I think it would be better
19:57to let go of that grudge.
20:00Maybe I'm being very intrusive.
20:01If that's the case,
20:02tell me.
20:03I'm saying it for your own good.
20:08Maybe you're right.
20:09Maybe...
20:10I should let go.
20:13But how do you want me
20:14to forget about this fucker
20:16if he keeps provoking me?
20:19What happened?
20:21I told you that we wouldn't
20:22sell him our wines.
20:24And look what he does.
20:25Look.
20:31I'm sorry.
20:32I'm sorry.
20:33I'm sorry.
20:34I'm sorry.
20:35I'm sorry.
20:36I'm sorry.
20:37I'm sorry.
20:38I'm sorry.
20:39I'm sorry.
20:40I'm sorry.
20:42Get me out of here, you bastard!
20:56Come in.
20:58How's the new best lawyer
21:00of the best companies in this country?
21:03Good, good.
21:04Here we are.
21:05Putting a lot of effort into this.
21:07Well, what better than you
21:08to do it, old man?
21:10Really, I think your dad
21:11made a very good decision
21:12to put you here.
21:13I always thought so.
21:14And well, from here...
21:15Poof!
21:16Poof!
21:17No.
21:18You don't know where, do you?
21:19No, no.
21:20Let's take it easy.
21:21We'll see.
21:22On the way, we'll see
21:23what happens, right?
21:24Okay.
21:25What do you need?
21:26Nothing.
21:27I wanted to tell you that
21:28your dad left me in charge
21:30of the Aras now.
21:31Really?
21:32Yes.
21:33Well...
21:34Well, yes.
21:35Thank you, man.
21:36It was a tremendous responsibility.
21:38Well, I think, but...
21:39I wanted to ask you,
21:40who was in charge before me,
21:42what do you think
21:43of your dad's decision?
21:45What do I think?
21:46But, but...
21:47But everything's fine.
21:48Really?
21:49Yes, man.
21:50So I can count on you
21:51if I have any doubts?
21:52And you're the expert.
21:53For whatever you need,
21:54here we are, my king.
21:55Well, you've gone too far.
21:57Really.
21:58Hey, Samuel,
21:59I wanted to apologize
22:00for the little number
22:01Alex made yesterday.
22:03Don't worry.
22:04I know my sister perfectly,
22:05so don't worry.
22:06Oh, you're talking
22:07so much about Alex.
22:08No, really,
22:09don't take it personally, man.
22:10It's just stress.
22:12You see?
22:13Yes, I see.
22:14Don't worry, it's fine.
22:15It's not fine what he did.
22:16Really,
22:17I get mad at her,
22:18we argue,
22:19it's bad.
22:20Listen,
22:21I want to tell you
22:22that any conflict
22:23you have with her
22:24in the future,
22:25please,
22:26count on me.
22:27Okay?
22:32We're in this together.
22:33Good luck.
22:34What's up?
22:35Tomás,
22:36what did I tell you
22:37about the crest?
22:44Come in.
22:46Hey,
22:48are you sure
22:49no one saw you coming?
22:50Yes, sure.
22:53Am I interrupting you?
22:54No,
22:55you don't interrupt me,
22:58but I didn't imagine
22:59I'd see you now.
23:01I wanted you to know
23:02that I had no idea
23:04there was a security camera
23:05pointing to your house.
23:07I can imagine.
23:08It must have been a mess.
23:12Anyway,
23:13my dad sent you out,
23:14so you don't have to worry.
23:15Yes, I know.
23:17Hey, but do you think that...
23:19What?
23:20That your husband
23:21saw you come in
23:22the day before yesterday
23:23when he came to...
23:24He saw me?
23:26Of course he saw me.
23:28But I told him
23:29I was here
23:30to apologize
23:31for making a scene
23:32with his sister.
23:33Yes, but...
23:34I don't want
23:36to talk about my husband now.
23:40Not here,
23:41not with you.
24:03I'm sorry.
24:33I'm sorry.
24:53It's okay.
24:57I can't tell my mom.
25:00I can't tell her.
25:01I don't get it.
25:03It's okay.
25:05Don't go.
25:08I have to go.
25:29Is it true or not?
25:30And if not,
25:31on a fake page?
25:32It could be.
25:33It could be a fake ad
25:34just to provoke you.
25:36Well, it could be
25:37that Samuel is right,
25:38but...
25:39And if not,
25:40that guy is selling
25:41my wines at his hotel.
25:42Excuse me.
25:44What happened?
25:46It looks like
25:47they're selling
25:48Itaca wines
25:49at Hotel Siete Vientos,
25:50the hotel that
25:51his dad's brother bought.
25:53But...
25:54But the purchase was made?
25:55Finally, yes.
25:56Well, if that page
25:57is true, then yes.
25:58The point is
25:59who sold
26:00our wines
26:01to my brother
26:02disobeying my orders.
26:07What?
26:08No, don't look at me.
26:10No, really,
26:11please.
26:12I can do anything to you,
26:13but not to my house.
26:14I would never dare
26:15to disobey an order of yours.
26:16I didn't sell
26:17a bottle to your brother.
26:18If you didn't, then who?
26:19Because somewhere
26:20he got the wine.
26:22He told me he needed
26:23a lot of wine for his business
26:24and he bought El Por Mayor.
26:25El Por Mayor,
26:26moreover.
26:27In other words,
26:28we are giving our wine
26:29to Ivan,
26:30with the box.
26:31That's what we always do
26:32with purchases
26:33over 20 boxes,
26:34yes or no?
26:35How was I going to know
26:36that guy came
26:37apart from your brother,
26:38that now I have to do
26:39a fingerprint test
26:40to all the people
26:41who come to buy wine?
26:42No, no, no, no.
26:43Nobody is asking you that.
26:44Nobody is saying that.
26:45Well, but then you recognize
26:46that it was an involuntary mistake.
26:47It was unintentional.
26:48Yes, yes, of course.
26:49How are you so
26:50fanciful, Martina?
26:51Can't you add two plus two
26:52and realize that if someone
26:53practically crushes
26:54with all the bottles
26:55it's for something?
26:56You made him an invoice, I guess.
26:57No, look,
26:58he made me a stamp.
26:59Dad,
27:00it's going to be solved,
27:01we're going to solve it.
27:04There it is,
27:05if you want to check it.
27:07You don't know how to read?
27:08Sorry?
27:09Here is the address
27:10of Hotel Siete Vientos,
27:11don't you see?
27:12Very clear.
27:13How was I supposed
27:14to know that that guy
27:15wanted to buy the same hotel
27:16that dad wanted to buy?
27:17No, no, no,
27:18don't be fresh,
27:19don't blame dad,
27:20Martina is in control of you.
27:21Let's see, Alex,
27:22lower it a little, lower it.
27:23I'm not going to lower anything.
27:24Dad,
27:25they wouldn't have put me
27:26in this mess.
27:27We are like you, Alex.
27:28You realize how soft
27:29Samuel is?
27:30They play his little sister,
27:31he becomes like a little flan.
27:32Are you going to take him with you?
27:33Please, lower it.
27:34My problem is that
27:35you don't have fingers for the piano
27:36and they put you to play an orchestra.
27:37That's my problem.
27:38Enough, enough.
27:39Enough, please.
27:40Enough.
27:43All this shit
27:44is the fault
27:45of my unfortunate brother.
27:49Martina, listen to me.
27:51The next time you have to
27:52make a sale
27:53as important as this one,
27:54please,
27:55contact the office before.
27:56Okay.
27:57Yes.
28:05You didn't go last night.
28:12I love it.
28:13It's great.
28:14I told you, I told you.
28:15I still want us
28:16to check it completely again.
28:17Okay.
28:18Nothing can escape us.
28:19This report will shake
28:20the whole region.
28:22No, and the accountant's bag
28:23of the mayor
28:25not only falsified
28:26documents in the name
28:27of the tenants
28:28to scam the state,
28:29but also transferred
28:30public money
28:31from personal accounts.
28:32Look.
28:33Of course.
28:34In addition, they have
28:35the whole town bribed.
28:36Nobody is going to report anything.
28:37No.
28:40Including the local press.
28:44Hello?
28:45One second.
28:55What do you want?
29:01I need to talk to you.
29:03Can we meet at the café?
29:08No.
29:12Not at the café
29:13or we can't meet?
29:19Whatever it is,
29:20tell me here.
29:25Can I call you then?
29:27I have to talk to you.
29:30It's important.
29:37Everything okay?
29:39Yes.
29:40Can you give me five minutes?
29:41Sure.
29:47Give me a few minutes
29:48and I'll call you.
29:55Good afternoon.
29:56Is Ivan here?
29:57Yes, from whom?
29:58Ivan Casablanca!
30:00Sir, you have to wait for me.
30:01It is understood
30:02that the staff
30:03is a little restless.
30:04This always happens
30:05with the changes,
30:06but I assure you
30:07that in a couple of weeks
30:08we will get to know each other.
30:13Stop screwing up my life,
30:15asshole,
30:16or you will regret it.
30:17I swear on my children
30:18that you will regret it.
30:25Hello.
30:29Thank you for calling me.
30:30It's important.
30:32What's wrong, Juan Pablo?
30:33I don't think it's right
30:34for you to call me
30:35or send me a message.
30:38I'm sorry, Luciana.
30:39I didn't mean to bother you,
30:40but what I have to tell you
30:41is important.
30:42I can't tell you
30:43because of the message.
30:45What's wrong?
30:49I'm sorry,
30:50but I have to tell you
30:51something important.
30:53Eh...
30:55Let's see...
30:57When I told you
30:58that I wanted to be
30:59in good terms with you,
31:00it was serious.
31:01I know that
31:02maybe you don't believe me,
31:03but I swear
31:04by the most sacred
31:05that is truth.
31:07Ok.
31:08I believe you.
31:09Is that why you called me?
31:10No.
31:11No.
31:12There is something else too.
31:14Yes?
31:16Let's see, Luciana.
31:17I haven't had
31:18a good time
31:19with all this.
31:21Well, me neither.
31:24I mean
31:25that I haven't done anything good
31:26to have you so close.
31:29I was calling you
31:30because I wanted to tell you
31:31that...
31:34that I'm going to do
31:35everything possible
31:36to forget about you.
31:41Let me go, Ferundo.
31:42Let me go.
31:43How long are you going
31:44to fuck my life up?
31:45How long?
31:46Let me go.
31:47I don't know what the fuck
31:48you're talking about.
31:49I'm talking about the wine.
31:50I'm talking about the wine.
31:51Don't play dumb.
31:52And that's why
31:53all this scandal.
31:54You should be grateful
31:55that my hotel is interested
31:56in your wine.
31:57I told you
31:58I wasn't going to sell you my wine
31:59and you send Paco
32:00to close the business.
32:01What is that
32:02if not fuck me?
32:03A good business
32:04if you're old enough
32:05not to realize
32:06that this is my problem.
32:07Never.
32:08I'm going to do business with you.
32:09Did you hear me?
32:10Why?
32:11Never.
32:12Why?
32:13You're afraid of me.
32:14And you have the face
32:15to ask me?
32:16Listen to me, Ivan.
32:17I have no idea
32:18what your intentions are
32:19but I told you once
32:20and I'll say it again.
32:22Stay away
32:23from me
32:24and my family
32:25forever.
32:29There he is.
32:30Get that man out of here.
32:31I'm not leaving.
32:33Kiss me.
32:37I warned you.
32:49Well,
32:50from now on
32:51I'm in charge of Lara
32:52so things are going to change.
32:54I see.
32:55Like what, Don Tomás?
32:57I think Samuel
32:58had a little too much on Lara.
32:59He had everything
33:00a little off.
33:01A lot of going around
33:02a lot of throwing balls.
33:04If you say so.
33:06So I'm going to be worried
33:07that things get better,
33:08that there's more discipline,
33:09that there's more rigor.
33:12As you say.
33:14Boss.
33:16As you say,
33:17boss.
33:19As you say,
33:20boss.
33:23Well, since you're the boss
33:24and the rest of the people
33:25I want you to go
33:26and tell them
33:27that now the boss
33:28is me.
33:31Are we clear?
33:32We're clear, boss.
33:35Can I go now, boss?
33:38Boss?
33:39Yes, yes, go ahead.
33:45In a few moments
33:46Lara's favorite hurricane
33:47Valle Alto
33:48will run its first race.
33:50There are many expectations
33:51with the performance
33:52of this horse.
33:53Lara Valle Alto
33:54stands out
33:55for its remarkable specimens.
33:57Minutes to go
33:58for the big race.
33:59Get ready.
34:00They're off.
34:01Hurricane in the center
34:02in first place.
34:03Tiremiso
34:04cuts the distance
34:05through the poles
34:06and passes the front.
34:07They enter the ground
34:08on the right.
34:09Tiremiso
34:10has two bodies
34:11ahead of Hurricane.
34:12Third Panchito,
34:13fourth Cuesco.
34:14Juan Pablo, I don't understand
34:15why you say that.
34:18Well, because that's
34:19what happens to me.
34:21And I have to be honest
34:22with myself.
34:23This is getting
34:24stronger.
34:26What's stronger than you?
34:28Having you close to me,
34:29Luciana,
34:30and pretending
34:31I don't care.
34:32Every time we see each other,
34:33I...
34:34I remember
34:35when we were together
34:36and...
34:38I don't want that
34:39to happen to me,
34:40but it does
34:41and that's not right
34:42because I'm a married man.
34:43Stop, Juan Pablo, stop.
34:44Please, I can't believe
34:45you're telling me this.
34:48I understand, I understand.
34:49You have millions
34:50of reasons
34:51to distrust me.
34:54I just wanted to tell you
34:55that...
34:57that I'm going to stop
34:58bothering you,
34:59that this is going to be
35:00my way to stop
35:01screwing your life
35:02at least.
35:04I'm going to save you
35:05from my contacts too.
35:06I'm warning you
35:07so you don't have
35:08to worry
35:09and know
35:10it's because of this.
35:11So I'm not tempted
35:12to call you,
35:13to send you more gifts
35:14or anything.
35:17Yes,
35:18I think it's right.
35:21We're just going to have to
35:22see each other
35:23at family reunions,
35:24but that's going to be all.
35:27Our relationship is over,
35:28Luciana,
35:30and I have to understand it
35:31once and for all.
35:34A kiss?
35:36No, a hug would be better.
35:43I love you.
36:13I didn't know we had
36:14Yolanda Sultana
36:15here at the post office.
36:16Yeah.
36:17What's up?
36:18Are you taking a walk
36:19on top of...
36:20No, silly.
36:21Pedrito, come here.
36:22No, no.
36:23I was in my free time
36:24and I just wanted
36:25to clear some doubts
36:26in my head.
36:27Well, if you want,
36:28I'll leave then.
36:29No, if you already
36:30interrupted.
36:32It's a joke.
36:33Okay.
36:35Hey, seriously,
36:36are you really
36:37going to leave?
36:38No, I'm not leaving.
36:39I'm not leaving.
36:40I'm not leaving.
36:41I'm not leaving.
36:42Do you really know
36:43how to read that question?
36:44Yeah, I've been doing it
36:45for a while.
36:46I mean,
36:47I always carry it in my bag.
36:48I see.
36:49But do you read it
36:50in a cool way
36:51or is it just kind of
36:52a chantilly?
36:53Try me.
36:54Do you want me
36:55to read it for you?
36:56I mean, to see
36:57if I'm a chantilly or not.
36:58I mean...
36:59Do you get scared?
37:00No, I don't get scared,
37:01really.
37:02Sit down.
37:03Okay, I'll sit down.
37:04Let's see.
37:05Take the deck
37:06and stir it
37:07thinking of a question
37:08without telling me.
37:09Okay.
37:10Let's see.
37:11Sultana,
37:12I want to know
37:13who is the love
37:14of my life.
37:15Without telling me,
37:16I said it.
37:17Well, I already said it.
37:18And there it is.
37:19Let's see.
37:20Now,
37:21with your left hand,
37:22you're going to draw
37:23two cards
37:24without looking at them.
37:25Without looking at them?
37:26Yes.
37:27Okay.
37:28Why with the left hand?
37:29Because it's the one
37:30with the heart.
37:33Done.
37:34There it is.
37:35Let's see.
37:38Wow.
37:39Cool.
37:40And the card?
37:41The devil.
37:42That's scary.
37:43No, no, no.
37:44You don't have to be scared.
37:45It's a symbol.
37:46You don't have to read it
37:47so literally.
37:48In fact,
37:49the moon appears to me.
37:50And the moon
37:51represents a woman
37:52much older.
37:53Much older than you.
37:55And it's a woman
37:56who is very close to you.
37:57But very close.
38:01Genoa, maybe?
38:03No, silly.
38:04No.
38:05No, because the devil is there too.
38:06And the devil
38:07represents everything
38:08that is
38:09passion,
38:10sex,
38:11lust,
38:12passion.
38:14Wow.
38:15And what does that mean then?
38:17Well, that you are very
38:18attached to a bond.
38:19A bond that is very hard
38:20to let go.
38:21Whether you want it or not.
38:22But a lot.
38:25The other day at the bar
38:26you told me about a woman.
38:28It's her, right?
38:34Mr. Raimundo,
38:35what's wrong?
38:37Nothing.
38:38I had something to solve.
38:45Can I help you with anything?
38:46Do you need anything?
38:48No, Miranda.
38:49Thank you very much.
38:51Leave me alone for a moment,
38:52please.
38:53Perfect.
38:54Then I'll tell your children
38:55to wait for you.
38:57For what?
38:59Oh, he hasn't heard the news.
39:02But you hit him.
39:03No, they didn't tell me.
39:04Dad!
39:05I've been looking for you
39:06everywhere with Juan Pablo.
39:07We searched the vineyards
39:08from top to bottom,
39:09right, my love?
39:10Yes, it was as if
39:11the earth had swallowed him,
39:12father-in-law.
39:13It's true, we called you.
39:14Where's your cell phone?
39:15I had the cell phone off.
39:16I imagine you were
39:17in something important, dad.
39:18Where are you, father-in-law?
39:19I come with the seven winds.
39:20I had to fix
39:21a matter with my brother.
39:22How?
39:23Were you with Ivan?
39:24Yes.
39:25Dad, why didn't you
39:26tell me anything?
39:27I don't want to talk about that now.
39:28Was it about the wines?
39:29No, no, I don't want to talk
39:30about that now.
39:31It's a moment of celebration
39:32for the triumph of Huracán.
39:33I don't want to throw away
39:34talking about Ivan.
39:35I agree more
39:36with my father-in-law
39:37because it's time
39:38to toast to Huracán
39:39who gave us
39:40an extraordinary career.
39:41I have to say something.
39:42The recommendation
39:43comes very close,
39:44but it's my first triumph
39:45in charge of Aras,
39:46so also, father-in-law,
39:47please, Miranda,
39:48a toast for me,
39:49give me a T,
39:50give me an O,
39:51give me an M,
39:52who's coming, Tomás,
39:53come on, with everything,
39:54please, serve yourselves,
39:55over there,
39:56your lady, please,
39:57a gentleman,
39:58very good, come on,
39:59so cheers,
40:00to Huracán, to Aras,
40:01to me,
40:02to everyone,
40:03to you,
40:04to everyone,
40:05cheers.
40:06To Huracán.
40:07Cheers.
40:11Asshole.
40:12Who do you think
40:13came here to my office
40:14to insult me?
40:15And how is it possible
40:16that any idiot
40:17could get here
40:18and as if nothing,
40:19nobody kept him?
40:20Mr. Ivan,
40:21they really tried
40:22to stop him
40:23and no one could.
40:24Well,
40:25it can't be repeated again,
40:26is it clear?
40:27It can't be repeated again,
40:28don't worry.
40:29Do you want some water,
40:30something to calm down?
40:31And you think
40:32I'm going to lose my fucking temper!
40:41I'm sorry.
40:46I'm sorry, Isabela. I shouldn't have spoken to you like that.
40:52No, it's okay. We haven't known each other for a long time.
40:55It's okay. Don't worry.
40:58I understand that he may have affected your visit.
41:00Yes, it was very unpleasant. I'm sorry.
41:04It's okay.
41:06Can I ask you a question?
41:08Yes, of course.
41:10Was he Raimundo Casablanca, the ambassador?
41:14Yes.
41:18Is he your brother?
41:21Yes, unfortunately.
41:23Unfortunately.
41:27Give the order to return the wine, please.
41:32What? The wine you brought in the morning?
41:34Yes. I don't want a fucking bottle of Ithaca wine here in my hotel.
41:39I don't want it.
41:41Okay. Don't worry. I'll give the notice now. Excuse me.
41:46Let's go.
41:54Do you want war?
41:57You're going to have war.
42:00You're going to swallow each and every one of your threats.
42:06One by one.
42:14Don't tell me. He did tell you.
42:17That you shouldn't be there.
42:19I mean, not with those words.
42:21Grandma, but I'm going to understand.
42:24But look, what Martina tells me is the same, grandma.
42:29What she didn't tell me is that you looked at me ugly last night.
42:33Oh, my dear. I'm so sorry.
42:36But you know I'm from another time.
42:40And do you want me to tell you the truth?
42:42I didn't like her at the dinner yesterday.
42:45Okay, okay. It seems that we will never agree on that point, right?
42:48Look, the only thing I'm going to tell you is that in this world,
42:51I only care about you and my mom.
42:53No one else, grandma.
42:56Also his dad.
42:58That's it. Very little time for such a dramatic issue, right?
43:01I have to go back to the post office.
43:02Well, that's it.
43:04Hi, Gaby. I didn't know you were here.
43:06Hi. Yes, I came to see my grandmother.
43:10What does my daughter need?
43:12We ran out of cheese.
43:13Oh, I'll pass it to her. I'll pass it to her.
43:15Let's see.
43:17Here. Oh, I ran out of cheese.
43:19I'm going to get the fridge.
43:22I'm going out, grandma. I have to go back to the post office.
43:24I love you.
43:25Bye, grandma.
43:26Bye, Martina.
43:27Bye, Gaby. Take care.
43:37Yes?
43:39Excuse me. Can I bother you for a moment?
43:41What's up?
43:42The thing is, I'm trying to catch up with Osandón.
43:45And there are two contracts that I can't find that are from Colchagua.
43:49One is from La Siria and the other is from La Truco.
43:52What about them?
43:53I need you to send me two copies of the contracts to my email, please.
43:56Yeah, I can't right now. I'm busy.
43:59No, I imagine. It doesn't have to be now.
44:01But I hope it's not two more weeks.
44:03Because if I don't move forward with that, I can't continue with my job.
44:06Do I make myself clear?
44:07You make yourself clear perfectly, Samuel.
44:08But it's not my fault that Osandón has been a mess.
44:13Are we going to talk in a minute about what happened yesterday
44:15or are we going to be stupid all day?
44:16About what?
44:17That you made a fool of yourself.
44:19That you let us all in and because of you, the celebration is over.
44:25Okay, I've had enough.
44:27Especially with you.
44:28But I'm still holding on to what I said.
44:31Oh, you're going to continue?
44:32Do you want to talk or do you want me to tell you what you want to hear?
44:36Okay, I'm listening.
44:39I apologize if I offended you, okay?
44:42It wasn't my intention.
44:44I crossed the line.
44:47But the truth is that I felt super alone.
44:51Why?
44:53Because Dad crowns you.
44:55And no one, absolutely no one,
44:57fixes everything I've done for this company.
44:59No one.
45:02And surely you won't like what I'm going to tell you, Samuel.
45:04But you, Poncho, are in big trouble.
45:07Dad not only wants you to be the new lawyer for the companies.
45:10You have to be an idiot not to realize
45:12that he is preparing you to be the new successor.
45:16But I didn't obey him, Alex.
45:18But you didn't reject him.
45:21Or am I wrong?
45:26Forgive me for my lack of humility, brother.
45:29But here the only natural and possible successor is me.
45:33And you know it.
45:34Dad too.
45:35And anyone who works in this company.
45:38But things are as they are.
45:41And you can continue to insist that I'm throwing you the floor.
45:44Or change your attitude.
45:46And that we both look at the same side.
45:47Don't you think it's better?
45:49Do you want us to shake hands like good brothers?
45:51And that from now on I start working for you?
45:55Is that what you want?
45:58Let's see, Samuel, this is not against you, okay?
46:01We have historically been able to get along quite well.
46:04But when something seems unfair to me,
46:06I can't stay quiet.
46:09Sorry.
46:15You told me the trick and ...
46:19And I did it.
46:21I did it.
46:27Don Tomás.
46:31Don Tomás.
46:33Delfina, what's up?
46:34They are calling from the racetrack.
46:36Is it with you or with Don Samuel?
46:38What do you mean with you or with Don Samuel?
46:39With me, of course, if I'm in charge of the Aras.
46:42What happened? Why do you have that face?
46:44What? It seems that something happened with Huracán.
46:47Give me the phone, please.
46:56Hello.
46:57Yes.
46:58Yes, yes, you are talking to ...
47:00Arafay Alto.
47:01You are talking to Tomás Garrazur and the manager.
47:05What?
47:09How did one of our horses give positive?
47:12Something like this has never happened to us in life.
47:15How is it possible, Tomás? Explain to me.
47:17Well, father-in-law, I am as surprised as you.
47:19And I take the opportunity to remind you that I have only been in charge of the Aras for hours.
47:22No, let's see, stop it. What's up with the veterinarian?
47:24Because sometimes horses are given remedies to get out.
47:26And maybe that happened to Huracán.
47:28I already talked to the veterinarian and he told me that Huracán was not sick at all.
47:30And for the rest, the horses that run always treat them with natural products.
47:32Never with drugs.
47:34Unless it's something very serious.
47:36I'm surprised you don't know.
47:38Well, but Tomás, it is evident that they must have given him something.
47:40If he scored positive.
47:43Who was with Huracán before the transfer?
47:45The only person in charge of taking care of Huracán was the new peddler, Tormento.
47:49So if this had never happened before, plus two plus two, right?
47:53You are insinuating that Tormento is to blame.
47:56Well, surely that peddler had something to do with this, right?
47:59No, no, no, no, please.
48:00Let's see, I reviewed the entire story of Tormento when I hired him and it is impeccable.
48:04It has pure good recommendations.
48:06In fact, Tomás, for you to know, he is one of the best peddlers in the country.
48:09That's why his horses almost always win.
48:11And you didn't think to question why his horses always win?
48:14Let's see, why do you have so much distrust in him?
48:17Because I left him in charge of taking care of Huracán.
48:20And today the horse scores me positive.
48:22Yeah, but that doesn't mean he did it, Tomás.
48:26Well, I distrust him.
48:28You have always taught me.
48:30It is key to trust our employees.
48:33You put me in charge of Laras.
48:35I don't trust that character.
48:37So I think we have no choice but to leave him on the street.
48:40Leave him on the street without any proof and let the competition go.
48:43I don't agree, dad.
48:45No, no, no, no, no, no.
48:47We are not going to fire anyone just because of suspicions.
48:49We need concrete evidence.
48:51The first thing we are going to do is check those cameras to see what happened.
48:53I swear I didn't mean to make Gaby feel bad.
48:56I got nervous because of the show that happened to Alexandra.
48:59And you know I get drunk and I say, silly, I got it.
49:02Don't worry.
49:04I know you are not a bad person.
49:07I am worried that Gaby felt bad.
49:10Did you say something?
49:12No, she didn't say anything.
49:14She doesn't listen to those things.
49:16She is a professional.
49:18She is a professional.
49:20She is a professional.
49:21She doesn't listen to those things.
49:23She is a professional.
49:25Okay.
49:28They are all crazy about what happened with the hurricane.
49:31I don't know what to believe.
49:33What do you think, Geno?
49:35What happened with the hurricane is terrible.
49:38I don't know.
49:40We have to be careful.
49:42Because La Hipica has its dark side.
49:45Yes, but it's weird because nothing ever happened here.
49:48My dad loves horses.
49:50They take good care of them.
49:52Sami has always been worried that they are healthy.
49:55Someone must have given money to the horses.
50:00So that something happens to them.
50:02I don't know.
50:04But your dad...
50:06There are jealous people.
50:08I don't know.
50:10Do you want some tea, Geno?
50:12No, thank you, my love.
50:14What is this?
50:16What is this?
50:18What is it?
50:22Where did you get this, Geno?
50:25You silly girl.
50:27How could I get into this mess?
50:30Hey, more respect with the tarot, Geno.
50:32It's not a mess.
50:34It must have been left to Gavita.
50:37Did your granddaughter read the tarot?
50:41Yes.
50:45Give it to him.
50:47Give it to him.
50:49There it is.
50:51The employees arrive and Tormento stays up all night watching the hurricane.
50:53Of course, no one does anything to him.
50:55Not only that, his work is impeccable.
50:57He stayed up all night watching the hurricane.
50:59I don't know.
51:01I don't think this is very conclusive.
51:03What did he tell you about Tormento?
51:05What do you mean?
51:07Samuel, father-in-law, please.
51:09This fixer has just arrived at the camp.
51:11We can't risk it and give him our trust.
51:12Of course.
51:14You have to take care of the horse like a saint.
51:16No one comes near him, no one injects him, no one gives him anything.
51:18Father-in-law, you know that a rooster can be drugged a couple of days before.
51:22This same rooster can have his pills diluted.
51:24I don't know, medication, food, water.
51:27We wouldn't have realized it either.
51:29Do you really distrust Tormento?
51:32Father-in-law, please.
51:34You've always told us not to trust anyone and to distrust everything.
51:37Yes or no?
51:39Father-in-law, horses are your passion.
51:40You don't even win one with horses.
51:43On the contrary, you invest millions and millions.
51:45Are you really willing to mortgage all the prestige you have in La Hipica at the South American level for a rooster you barely know?
51:53Okay, call Tormento.
51:55What do you mean, who sent me?
51:57Hey, please, you have to get to the bottom of the matter.
51:59You have to call him.
52:01What's going on? Why are you arguing?
52:03It seems to him that it is because of the horse he won.
52:05Because of Huracán?
52:07What about Huracán?
52:08Because of Huracán.
52:13Hello.
52:15Hey, I didn't know you were going to play.
52:17As if you had never seen the picture, kid.
52:19But it's my privacy.
52:21Where is my privacy?
52:23Let's go there now.
52:25I came for something very specific.
52:27I need you to send me Gaby's number.
52:29What? No.
52:31Forget it, I'm not going to send you Gaby's number.
52:33Why? So you can keep insulting her?
52:35Obviously not, I want to apologize.
52:36Okay.
52:38And to what do I owe this?
52:41To the fact that your sister knows how to recognize her mistakes.
52:43She's going to take the piss when she has to.
52:46Look, I doubt it.
52:48But hey, since I insisted, I'm going to send you Gaby's number.
52:53But be careful, poor you, I found out you insulted her.
52:55Oh, come on.
52:57Treat her well.
52:59I told you I was going to apologize. Did you send it?
53:01Yes, I sent it to you.
53:03And you? Where are you going so perfumed?
53:04Dad, I'm with Gaby.
53:06Get used to it.
53:08Thank you very much for coming.
53:10Hey, I was just asking.
53:12Thank you very much.
53:14Bye.
53:18It could have been the other way around.
53:20Is it true that something happened with Huracán?
53:22No, Alexandra, please don't get involved in this.
53:24If something happened to any of our horses, I want to know.
53:26Dad?
53:28Hello, excuse me.
53:30Come on in.
53:32Yes, Tormento, I'm going to be direct with you.
53:35Did you have anything to do with what happened with Huracán?
53:38You knew that Huracán won the race because he gave positive, right?
53:40What?
53:42Yes, yes, I just found out.
53:44But what they put on the horse was in the transfer,
53:46at the racetrack, due to some carelessness of the rider.
53:48Don Raymundo, I assure you that the hurricane came out of here completely clean, okay?
53:52Let's see.
53:54How do you know that?
53:56Did you do a dubbing to the horse before dispatching it?
53:58Well, because I was there all night.
53:59And if I had been high, I would have realized.
54:01And how would you have realized?
54:03The horse would have started to relinch stupidities?
54:05Shut up, Tomás.
54:07No, I should have been high myself.
54:09And I don't need to be doing that to prepare my horses.
54:11Now, if you don't believe me and don't trust me,
54:13I have nothing to be doing here.
54:15That's the most sensible thing I've heard all day.
54:17You should resign immediately.
54:19No, no, no, that's completely unfair.
54:21Sorry, I'm the one who rides the most in this family.
54:24I've seen Tormento work with the horses and he's very good, he does it very well.
54:27In addition, we cannot forget that recently,
54:29some strangers took out the crest.
54:31Now, a horse of ours comes out positive in dubbing for the first time.
54:34I mean, it's obvious that someone wants to hurt us, right?
54:37I think it's unfair to accuse him,
54:39fire him or any Aras worker without having a clear foundation.
54:45Okay.
54:47I'm going to think about everything we've talked about,
54:49I'll make my decision and I'll let you know later.
54:54Excuse me.
54:57Excuse me.
55:04What do you mean it's not necessary, please?
55:07Imagine, all this is covered here.
55:10Let's see.
55:12I even had the cordillera in here.
55:14Do you want to exaggerate, Angel?
55:16If it's not so much either.
55:18How long has this been uncovered?
55:20What?
55:22How long has this been uncovered, woman?
55:25I don't know.
55:27How long has this been uncovered?
55:29But of course it's uncovered once a year, at least.
55:32I have no idea.
55:34That's it.
55:36But Angel, it's not necessary for you to do that.
55:38What?
55:40No, really, you're the director of the post, not my gaffer, that's enough.
55:44But I like doing this.
55:46Especially if it's with your company.
55:48I feel good.
55:50What do you have?
55:52You have that I owe you a thousand.
55:54You owe me a glass of wine.
55:55We're good with that, doctor.
55:57I'm on it, doctor.
55:59Hey, can I have the teflon, please?
56:05I made you a tangerine.
56:10This is the teflon.
56:12Perfect. Don't take me into account for the next doc.
56:15I'll serve you a glass, then.
56:17That's it.
56:21Wait, someone?
56:23No, no one.
56:25Hi.
56:27I was dying to see you.
56:29Is it Gaby?
56:31No, it's Jonas.
56:34Hi, Jonas.
56:36Are you here to pick up Gaby?
56:38Yes, I'm here to pick up Gaby.
56:41But Gaby is on duty, right?
56:43Yes, she's on duty.
56:45She's on duty, right.
56:47I completely forgot about it.
56:50I'm going to tell her you came.
56:53Me?
56:55Bye, Angel.
56:57Bye.
57:07The wine.
57:09That's it.
57:26What was that defense you did to the petitioner?
57:29I said what I think, Tomás.
57:31You know I always do it.
57:33And I see that Tormento does a good job.
57:35What's the problem?
57:37What's the problem? We are punished for two positive pins
57:39and you defend the horsekeeper.
57:41When you yourself say that when someone does their job wrong,
57:43they have to get out of here.
57:45But he clearly said that this had happened outside the area,
57:47that he had not been.
57:49Oh, wow, how I had not thought of it before.
57:51The word of Tormento cannot be questioned.
57:53It is sacred.
57:55We have no proof to blame him.
57:57Why are we going to fire him?
57:59Because I am his boss and I do not want to continue working with him.
58:01Period.
58:03Well, but being the boss does not give you the right to be unfair.
58:05Oh, how nice.
58:07The petitioner defends him and you attack me.
58:09Oh, I'm not attacking you, okay?
58:11But you've been through it for a while.
58:13And a boss does not behave like that.
58:15Stop saying how I have to do my job, please.
58:17The horsekeeper is in my charge.
58:19But it's my family's.
58:25I have to go.