• 2 days ago
Nina De Azúcar Capítulo 23 HD Completo
Nina De Azúcar Capítulo 23 HD Completo
Nina De Azúcar Capítulo 23 HD Completo
Nina De Azúcar Capítulo 23 HD Completo
Transcript
00:00Well, that's what it looks like.
00:01No, no, look, you had an excellent childhood, everything spectacular.
00:05Teenager, very loved, I mean, the girls came, they threw themselves at me, I stopped, stopped, stopped.
00:09And as an adult, you already know me, I'm the most coveted.
00:12Yes, but you are talking to me about passion.
00:14I'm talking to you about something else.
00:15Yes, about love. No, it's not my house, I'm not interested.
00:18You know what? Why don't you get your head on a new date for the wedding,
00:22your new dress and the new living room, because the one we had in exchange is no longer available.
00:30Sorry.
00:31Sorry, girl.
00:32Sorry, but I'm very distracted because I'm thinking what song I'm going to sing for the cake festival and ...
00:38And in Ignacio de la Torre.
00:40In Ignacio de la Torre? But you're not well, what happened?
00:43It's my dad.
00:48What?
00:49What?
01:01There is no case, little angel, the wax does not respond.
01:05Mr. Leandro, Miss Glovo is a very busy person.
01:10In fact, I had to suspend my dance classes due to her work commitments.
01:14I understand, but I think I overestimated the information I gave her about a delicate issue.
01:18So much so that she doesn't want to talk to you?
01:20I don't know, people in general don't talk much to me.
01:23I think you're a little sensitive, Mr. Leandro.
01:26Look, angel, I appreciate your words, but I feel like I was very abrupt.
01:32Maybe like with the leather, as Valentina says.
01:35I make too big jumps.
01:37Because I think you're taking risks, Mr. Leandro.
01:40I like that point of view.
01:42But here it has to do with the intimacy of someone else.
01:44I wish I could tell you.
01:47Sorry.
01:49Ignacio.
01:50Take it easy, sir.
01:51No, park and take care of him.
01:53Me?
01:54Yes, park.
02:01Look, if he's angry, you'll know how to handle it.
02:03But with a lot of tact, please.
02:09Good morning, Mr. Ignacio.
02:11Greetings, angel.
02:13Yes, Mr. Leandro is very busy doing some procedures.
02:17How are you?
02:19What a beautiful day, isn't it?
02:21One question, are you angry?
02:23Why would I be angry?
02:25No, well, I see that the world is upside down.
02:29And well, you know how that is.
02:31It's not like everyone stops being angry.
02:33In fact, Mrs. Ema, my mother-in-law, says it's because of Mercury retrograde.
02:38The truth is that I'm fine, angel.
02:40Thank you very much for your concern.
02:41You're welcome.
02:42Sometimes I feel like I'm serving the community.
02:45Now that you say it, I'm here at Leandro's house and...
02:49I wanted to ask you a question about a safe.
02:51Excuse me, Mr. Ignacio, I don't handle that subject.
02:54Yes.
02:55I assumed, don't worry.
02:57I rather wanted to give you an order.
02:59Sure, of course, whatever you say, Mr. Ignacio.
03:02In fact, the least Mr. Leandro wants is for you to get angry.
03:07I mean, I don't want you to get angry.
03:11Thanks to both of you.
03:16Mr. Ignacio is impeccable.
03:18He has an excellent sense of humor.
03:21So Sheila hasn't said anything.
03:23Sheila?
03:25Do you mean that the issue of the mermaid and you involve Mr. Ignacio?
03:30Forgive me, angel.
03:31I must keep the truth.
03:33But when I say it, there will be signs.
03:40What happened, Valentina?
03:41What happened to you?
03:42I can't, I can't.
03:43What's wrong?
03:44I can't, I can't.
03:45I can't concentrate.
03:46I can't think.
03:47Why?
03:48I can't concentrate.
03:49You know what, Bruno?
03:50Stay with her.
03:51Don't leave her alone.
03:52Call me if anything.
03:53Come, Valentina.
03:54Come.
03:55Come here.
03:56Sit down.
03:57Sit down.
03:58I'm shaking, you see?
03:59Now, calm down, relax and breathe.
04:00I'm going to pull, Bruno.
04:01Inhale.
04:02Inhale.
04:03And exhale.
04:04Inhale.
04:05Deeper.
04:08Good afternoon.
04:09How are you?
04:10How are you?
04:11I'm doing a survey.
04:14Do you usually go to my networks?
04:16Listen to my podcast?
04:17I've heard of him, yes.
04:18Well, now it doesn't seem like it, right?
04:21But I'm the famous Emma the witch.
04:27Well, excuse me.
04:28It's just that my mom loves talking to the clientele.
04:32Come here, Mom.
04:33Well, excuse me.
04:34Come.
04:35Thank you very much.
04:36Go on, go on.
04:37Mom.
04:38Yes?
04:39What are you doing?
04:40Socializing with the clientele.
04:42You make them nervous, which is different.
04:45Oh, but...
04:46What do you want?
04:47If they like it, daughter.
04:48Oh, Mom, no.
04:49You're not going to go around the same thing, please.
04:52Look, don't even dream about it.
04:54I'm going to find out who my admirer is.
04:57A generous person who gave you and Dayana a gift.
05:00No, no, no.
05:01It's a person who wanted to get closer to me
05:03through the gift she gave my friend.
05:05Mrs. Emma, I've been thinking
05:07and I already have two possible candidates.
05:09Oh, no.
05:10Guille, you too with that?
05:12Let him tell me.
05:13Tell me, tell me, tell me, tell me.
05:15Look, I've been thinking about the blacksmith.
05:16Yes.
05:17That big one, you know, the one who has a big hand.
05:19Ah, yes.
05:20That's why he lent me the microphone.
05:23And you also know who, Mrs. Emma?
05:25The man who sells you the newspapers.
05:27Because for some reason he lends you those magazines every day, right?
05:29How does he lend you the magazines?
05:31No, well, he...
05:33He...
05:34He...
05:35He didn't know he was lending me the magazines, right?
05:38But when...
05:39When he goes, I...
05:40I'm going to pay him.
05:41Of course.
05:42I'm going to pay him.
05:44Oh, oh, oh, my holy virgin.
05:47Why is this girl crying?
05:49Hey, Grandma, don't lie to me.
05:51Hey, don't you value honesty?
05:53Yes, we value it, Grandma,
05:54but you have to save the girl.
05:56Let's see, rather.
05:57Since you're here, please,
05:58could you get me this?
05:59Yes, my daughter, my daughter.
06:00I'll do it, but please,
06:01take her to the bathroom,
06:02because the toilet is flooding here.
06:04Yes, yes, calm down, don't worry.
06:06I'll sweeten it.
06:07Let's go, let's go, let's go.
06:09Calm down, calm down, breathe.
06:16I don't understand anything.
06:17I don't understand.
06:18I can't study.
06:19Valentina, doing this is going to be much worse.
06:21But he doesn't understand that I can't.
06:23I don't get the information.
06:26There, are you more relaxed?
06:28I don't know what's wrong with me.
06:30I can't concentrate.
06:31I can't study.
06:32I feel like I'm going to fail.
06:33You're under a lot of pressure, Valentina.
06:34That's the story of my life.
06:36No, change it.
06:37As if it were that simple.
06:39Of course, since you don't have any more aspirations in life.
06:44Sorry.
06:47Sorry, sorry, I really didn't mean to say that.
06:49No, no.
06:50No, no, don't offend me.
06:51Don't offend me.
06:52Maybe in a way you're right.
06:57Valentina,
06:58if it helps you to get rid of me, do it.
07:01And if you want me to help you read something,
07:02I can do it too.
07:03But that's not going to solve your problem.
07:06You need to relax.
07:07How about we get some fresh air?
07:11Why don't you leave me alone?
07:13Just because I pay you?
07:16No.
07:18Because I want to do it.
07:21And you do that with everyone?
07:23With everyone I care about?
07:26With them, yes.
07:33Mom, I'm going out, okay?
07:35Can you bring me my wallet?
07:37Go ahead, daughter.
07:38Mommy has arrived at her temple of peace.
07:42To my new home.
07:46Bye, mom.
07:47Bye.
07:51I can't stand being here anymore.
07:53Really, Valentina.
07:54The screams.
07:55But that's a scandal.
07:57She's just like her dad.
07:58No, and I also need space.
08:00I don't know where to put my watches.
08:02I know, honey.
08:03Have you tried to meditate?
08:05Meditation doesn't buy you space.
08:07And it doesn't make you a dad.
08:11I'm sorry.
08:16That's it.
08:18I don't think I'll be able to be at peace
08:21if I don't tell my daughter that I'm her father.
08:31Oh, no, thank you.
08:33The waitress is not hungry.
08:34I'm very sad and I'm not hungry.
08:37I understand.
08:38But thank you anyway.
08:42Look.
08:44Well, the question is why Mr. Montes
08:46would lie to you about something like this.
08:48Because he's telling you the truth, right?
08:55Get out, get out.
08:57I haven't forgiven you since the last time you spied on me.
09:03I don't know, Nina.
09:04But forgiving my father is hard.
09:07But not knowing anything about him is worse.
09:09Believe me.
09:10Oh, no, no, no, no, no.
09:11I understand you.
09:13I really understand you.
09:17I wouldn't forgive my biological father either.
09:20But luckily I've had Angel as a dad.
09:23At least you had someone.
09:25Oh, yes.
09:26I have no one.
09:27I understand you.
09:28I understand you.
09:31But look.
09:32Look at it as an area of opportunity.
09:34What do you think if now that it appears,
09:36you give it a chance?
09:44And I've already got everything you asked me, Nina.
09:46Carlitos is waiting outside.
09:47Oh, I'm going and I'll take care of it.
09:49Rather...
09:50What?
09:52Ah, ok, ok, ok.
09:53Ok, ok.
09:57I don't know why, but...
09:59But I'm going to hug you.
10:00Oh, thank you.
10:01Oh, calm down.
10:02Stronger.
10:03Stronger.
10:04Stronger.
10:05There's more.
10:06Oh, no, no, no, no.
10:16Have a seat.
10:20You know I have a secret admirer?
10:23Who gave me a beautiful dress.
10:25Me and Dayana.
10:27Oh, yeah?
10:28And who is that admirer?
10:31I don't know.
10:32But he gave me his nickname in a broadcast.
10:35Arroba Perdado Truco.
10:38I understand.
10:40Give me a second.
10:41I have to send an audio to a representative.
10:43Yes, yes, follow me.
10:48Ramiro.
10:49There's a liar who made Emma believe
10:51that he gave the dress to her and Dayana.
10:54How do we proceed?
11:03Did you bring this for yourself?
11:09Excuse me.
11:22I'll wait for you in the park with that cap
11:24so that no one recognizes us.
11:26It's time to relive what's ours, Ramiro.
11:51Always use the power.
11:54They don't want to work the same way.
11:56They're going to pay you.
11:57A party is a party, woman.
11:59Error, error.
12:00Because it's in the field.
12:01If it were in a living room,
12:03I could go with a long-tailed dress.
12:06Why not, mommy?
12:07Because it's in the field.
12:08And in the field, what is there, love?
12:10There are cows.
12:11And the cows poop.
12:13Imagine me with a designer dress
12:15dragging the silk tail of the Indian
12:18through the grass, through the poop.
12:20It's a party in a farmhouse.
12:21There are no cows there.
12:22Oh, yeah?
12:23Who told you there are no cows?
12:24Oh, no.
12:25Oh, what an excuse.
12:26Boy, look at your son.
12:30Ramiro.
12:31There's a liar who made Emma believe
12:33that he gave her and Dayana the dress.
12:36How do we proceed?
12:39Okay.
12:41Don't tell her anything, okay?
12:43Let's be careful.
12:45I don't like to be fooled.
12:47Who's fooling who?
12:49I'm not talking about cheating.
12:50Oh, no?
12:51I just heard you.
12:52No, I heard the doorbell.
12:53No, come in, come in.
12:55No, I'm going to open it.
12:57Who are you going to fool?
12:59I'm going to fool your little son.
13:02Oh, no.
13:03Don't make a fool of me, my love.
13:05My baby jaguar.
13:06Don't make a fool of me.
13:07That's how you talk to him?
13:08No, forgive me.
13:09I know you're not capable of cheating.
13:11Forgive me.
13:12Excuse me.
13:13I'll make you some tea.
13:15Son.
13:16I brought this for you.
13:19Can you make me a mate, too?
13:21Oh, my God.
13:27I'll wait for you in the park with that hat
13:29so that no one recognizes us.
13:31It's time to talk.
13:32It's Sandra.
13:40Your stepmother is the worst.
13:42I've never burned her hair.
13:44She's not my stepmother.
13:45Oh, no?
13:46Then why don't you deny that I've burned her hair?
13:48Because now you feel it's your family's,
13:50so you defend them?
13:51Germany wants war.
13:53Yes.
13:54What war will it have?
13:56Shh.
13:57There comes the enemy.
13:59Leon, I think you arrived in a very bad mood.
14:01No, no, no, no, no.
14:03Just arrived.
14:05To receive a warning.
14:07Ladies, I don't understand you.
14:09What warning?
14:10Tell your ex.
14:11The one with the hairy hair.
14:13He's digging his own grave.
14:21I have no idea what happened.
14:23What has Alessandra done now?
14:24Leon, I don't want to talk about your ex.
14:26As you understand, the mermaid is very embarrassed
14:29and I just want to talk about me.
14:31Yes, and I am very relieved that you have finally appeared.
14:36I feel like I was very abrupt with the news I gave you.
14:41Well, yes, a little bit.
14:43But I've thought about it
14:45and I think you can help me with something very personal.
14:51Me?
14:53Yes, you.
14:55Because, let's see, let's say I'm a strong woman.
15:00Eh?
15:04Tornado.
15:08Brilliant and intelligent.
15:11But there is something I can't do alone
15:17and that is to face Don Ignacio.
15:19And I was wondering if you wanted to accompany me.
15:31No, no, no.
15:45We've been around a thousand times.
15:46How about we have a coffee?
15:49I feel better now.
15:50I think we can go home and keep studying.
15:52A coffee, I ask you.
15:53A coffee, a breath.
15:54Only with friends, something informal.
15:56What do you say?
16:00Okay.
16:01I think it's better to be with you all day today.
16:08Thank you, Garay.
16:12Bruno, leave him, leave him, leave him, leave him, leave him.
16:15Joaquin.
16:18Valentina.
16:20Ulala.
16:30Ah, ah, ah, ah, ah.
16:44You do very badly to elevate my tension,
16:49to crush my ambition.
16:52If so, you'll see.
16:56I look around much later than yesterday.
17:03I would wait for you again.
17:06I won't do it, I won't do it.
17:12Where is our unsolved error?
17:16Were you the culprit or was it me?
17:20Neither you nor anyone can change me.
17:24My bells ring in my heart.
17:28How difficult it is to see your face.
17:32Neither you nor anyone can change me.
17:55Hello, hello.
17:59I would like to think that this idea was yours and not Cesar's.
18:03I swear I don't understand anything.
18:04I thought you would explain it to me.
18:05Oh, please.
18:07I deserve all this, but the flowers are not my flowers.
18:11I would never send you flowers.
18:13Don't you send flowers?
18:14No, I don't know.
18:15I don't know what this is.
18:16How come you don't know?
18:17No, I don't know.
18:18I just followed the instructions you sent me.
18:20Oh, yes, the instructions.
18:22Nina!
18:23Nina!
18:24Clearly, of course.
18:25Look, they're her desserts.
18:26It was just her idea.
18:29Well, but ...
18:31Listen to me.
18:33We can thank you.
18:35Why?
18:36Yes, because you did all this so beautifully.
18:39We're not going to leave it like this, right?
18:44What are you doing?
18:46Nothing.
18:48What are you doing?
18:51Nothing.
19:17Nothing.
19:48Thank you very much for coming.
19:52Daughter!
19:53What's wrong?
19:54What's wrong?
19:55Why are you coming like this?
19:56I want to be alone.
19:57What?
19:58Have you been crying?
20:01Oh my God, this man again.
20:03What?
20:04Has he moved in?
20:05This time it wasn't my idea.
20:07It was mine.
20:08You?
20:09You?
20:10I told him to come.
20:12They leave me alone.
20:13I don't know what to do.
20:14I told him to come.
20:16They leave me alone to talk to him.
20:24Are you okay?
20:25Do you need anything?
20:27I want us to talk about ...
20:29The cake festival.
20:31I don't want to talk to him as a political authority.
20:33I understand.
20:34You want to talk like Alessandra's husband.
20:37No, neither.
20:38So, Nina?
20:41I want to talk to him as a father.
20:45I know everything.
20:48Everything about my paternity.
20:52The insistence of these politicians is incredible.
20:55And all for a cake festival.
20:58I give you my word.
20:59I didn't expect something like this.
21:02Me neither.
21:04I'm surprised you take it so calmly.
21:07I've thought about it.
21:09Nina, first, allow me.
21:11One moment.
21:16Oh, my ring.
21:17I lost my ring.
21:18It was very important.
21:20It's illegal.
21:21I gave it to the royalty.
21:23No.
21:24Your grandmother lost the ring.
21:26The tiger one, right?
21:32We're not alone, okay?
21:34Okay.
21:36We're not alone.
21:38We're not alone.
21:40Okay.
21:41Let's talk somewhere else.
21:44I understand.
21:45You know, but she doesn't.
21:47Exactly.
21:48Follow my lead, okay?
21:49I'll follow you.
21:50We have to look for the ring.
21:51We have to look for the ring, right?
21:53Let's look for the ring.
22:00Hello?
22:01Mr. Lean agreed to accompany me.
22:03Yes, he's here with me.
22:05See you at my house.
22:06Don't worry.
22:07Stay calm.
22:08If Ignacio is there,
22:09we won't take long.
22:10Let's go, okay?
22:11Angel!
22:14I love a fire.
22:16You think?
22:17I love it too.
22:19A fire.
22:20I feel, I feel...
22:23Were you looking for me, Mr. Leandro?
22:24Yes.
22:25Angel, get the car ready.
22:26We're leaving.
22:27Destination, sir?
22:29The truth.
22:30The truth, Antito.
22:32I don't understand, sir.
22:33Where are you going?
22:34We're going to your house, Angel.
22:35My house, sir?
22:37Sorry, I don't understand.
22:39You only trust.
22:42The new Leandro
22:44was born to do good.
22:47Whatever you say, sir.
22:50Please.
22:51My wallet and my cell phone.
23:06I'm sorry.
23:22Lemon delight.
23:23Your favorite dessert.
23:24And the first one my mom taught me.
23:26Really?
23:27I'll help you.
23:28Good.
23:33Oh, sorry.
23:34I'm going to get the sugar,
23:35because I need it for the coffee.
23:36And Nina without sugar is not Nina.
23:42I knew you were there.
23:43No, no, no.
23:44It was Ms. Emma.
23:45No, no, no.
23:47Enough, enough.
23:49Stop using Guille.
23:55I'm the victim.
23:56I'm always the victim.
24:05I don't feel comfortable, Ale.
24:07It doesn't bother me to be here at all.
24:09No, no.
24:10Yes, it shows.
24:12I loved the kiss.
24:15But you like cakes more, I see.
24:16I loved it.
24:17Can I try a bit?
24:18Let's see.
24:19No.
24:20Only on my eyelashes.
24:23That's terrible.
24:25Look, Ale.
24:26I want to do things right.
24:28I want to marry Nina.
24:30I want to finish the season in the club,
24:31calm.
24:32I want to go to Europe.
24:34I want to get along with the Europeans.
24:36I have dreams.
24:37I would like to be nominated for the Ballon d'Or,
24:40play a World Cup,
24:42obviously be the face of a fashion house.
24:45Dreams.
24:47And this, the truth is that it's not helping me.
24:50But Nina insists, insists.
24:53I know she wants the best for both of us, but...
24:55But you love me.
24:56I'm irresistible.
24:57And you don't want to hurt Nina.
24:58I understand it perfectly.
24:59But I love her.
25:00You don't want to hurt Nina.
25:01I understand it perfectly.
25:05No?
25:08I would like us not to see each other again.
25:11No?
25:13This seems like a nice ending to me.
25:15That's it, let's leave it here.
25:25Eat quietly.
25:26Eat quietly.
25:27I'm going to eat.
25:30I'm going to eat.
25:33I guess you missed me when we finished.
25:37Paris helped me forget you.
25:40I can't be jealous of Paris.
25:42It's a good competition.
25:46And a great motivation.
25:48I've started taking painting classes.
25:50Oh, very good.
25:54I thought I'd call you
25:56so you could come with me.
25:58It wouldn't be a bad idea.
26:00Sorry, sorry.
26:01What's wrong?
26:03There's a strange movement.
26:06Is the boy dangerous?
26:08I don't see anyone else.
26:10That's what it's about.
26:12That I see what the others don't.
26:15Okay, let's go back to where we were.
26:17And look, I have to take one last exam
26:19and then I could go with you.
26:21That's a great idea.
26:23Exams stress you too much.
26:25I could take you to Provence.
26:28Let's go, let's go, let's go.
26:30What's wrong?
26:31It's confidence, princess, confidence.
26:32I'll call you when I'm done.
26:38The mermaid never thought of meeting her father.
26:40Ignacio is a good person.
26:42Mr. Ignacio is Miss Sheila's father?
26:44Oh, Angel.
26:45The stars have many secrets.
26:47Sorry.
26:48It's not my thing.
26:50But I couldn't help but listen and be surprised.
26:52You know I respect you, Sheila.
26:53We trust your discretion, Angel.
26:55Mr. Leandro, the truth is that lately
26:57it's been hard for me to understand.
26:59But are we going to my house?
27:01Don't worry.
27:02I know I have a more intellectual profile,
27:04more profound, but I'll put it in plain.
27:06Nina is with Ignacio at your house
27:08managing the meeting between father and daughter.
27:10Nina?
27:11My daughter?
27:14She is always willing to give her heart
27:16to whoever needs it.
27:24Bruno!
27:25Dad!
27:27My son, Bruno.
27:29Nina and Bruno.
27:31My two pride.
27:33Sirena, what are you doing?
27:38What are you doing, Sheila?
27:43What's up, Sheila?
27:45Honey, each one to his car.
27:47It's not the same with you, Foxy.
27:49Don't worry.
27:50I'm going to meet my father again.
27:51Your father?
27:53He finally showed up.
27:55Yes, and with everything.
27:57It's Ignacio de la Torre.
27:58What?
28:00Oh, I know.
28:01Give me vibes, please.
28:02Vibes, vibes.
28:03Oh, Mr. Diver, for God's sake.
28:04My son.
28:06My son.
28:07My son!
28:29I swear I had dreamed of this moment
28:32but I never imagined it would be like this, so magical.
28:41The most beautiful things come from the hands of surprises.
28:46And speaking of that, does your wife know?
28:50Yes, yes, she is aware, she is supporting me.
28:55I think I should apologize.
28:58Grandma, here is not your ring of the tigress.
29:01No, no, no, this is important, little girl.
29:04Look, looking and looking, what did I find on the networks?
29:09I don't know, but we're not going to talk about your secret admirer.
29:12No, no, little girl, about your future husband and his current wife.
29:17My number one enemy.
29:20The German, that one, has been fished and a fragrant,
29:23with the jaguar Moran in a park.
29:26Hey, what are you saying?
29:28What is that?
29:30No, grandma, grandma, no, no, they are virals.
29:32Memes, memes.
29:34The networks lie.
29:36Moran and De La Torre very close and on a picnic in a park.
29:41Ah, look, how romantic, right?
29:44They wore hats so as not to be discovered.
29:47Oh, how nice.
29:49Now, from the cancellation of the wedding with Nina Garay,
29:53what are these two figures hiding?
29:56There are photos.
29:59Alessandra and Ramiro?
30:19They say that there are no coincidences.
30:24Everything is written and you know it.
30:28And that love comes.
30:31We are watching Nina de Azúcar thanks to
30:36New Ariel Liquid 400 milliliters.
30:40Find it from 9 soles.
30:43Switch to the fastest mobile network in Peru.
30:49Atrevia. Pet lovers like you.
30:53Celebrate this 2025 with Dotus.
31:19With Claro TV at 67 soles 50 a month.
31:22What are you waiting for?
31:24Change to 0800 0000 or in Claro.pe
31:28If the most anticipated week of the year is over,
31:31use your vouchers in Ripple.
31:33It is December 31st for every 100 soles of purchase.
31:35Exchange for a voucher of 50 or 40 soles in thousands of brands.
31:38Look at your vouchers at usatuvale.ripple.com.pe
31:43From Monday to Friday at one in the afternoon.
31:45Thanks to Pantene.
31:48Bitvaporú.
31:50Emiliano Estrada.
31:52Thanks to Pantene.
31:54Thanks to Pantene.
31:56Thanks to Pantene.
31:58Thanks to Pantene.
32:00Thanks to Pantene.
32:02Thanks to Pantene.
32:04Thanks to Pantene.
32:06Thanks to Pantene.
32:08Thanks to Pantene.
32:10Thanks to Pantene.
32:12Thanks to Pantene.
32:13Thanks to Pantene.
32:15Thanks to Pantene.
32:17Thanks to Pantene.
32:19Thanks to Pantene.
32:21Thanks to Pantene.
32:23Thanks to Pantene.
32:25Thanks to Pantene.
32:27Thanks to Pantene.
32:29Thanks to Pantene.
32:31Thanks to Pantene.
32:33Thanks to Pantene.
32:35Thanks to Pantene.
32:37Thanks to Pantene.
32:39Thanks to Pantene.
32:41Thanks to Pantene.
32:43Thanks to Pantene.
32:45Thanks to Pantene.
32:47Thanks to Pantene.
32:49Thanks to Pantene.
32:51Thanks to Pantene.
32:53Thanks to Pantene.
32:55Thanks to Pantene.
32:57Thanks to Pantene.
32:59Thanks to Pantene.
33:01Thanks to Pantene.
33:03Thanks to Pantene.
33:05Thanks to Pantene.
33:07Thanks to Pantene.
33:09Thanks to Pantene.
33:11Thanks to Pantene.
33:13Thanks to Pantene.
33:15Thanks to Pantene.
33:17Thanks to Pantene.
33:19Thanks to Pantene.
33:21Thanks to Pantene.
33:23Thanks to Pantene.
33:25Thanks to Pantene.
33:27Thanks to Pantene.
33:29Thanks to Pantene.
33:31Thanks to Pantene.
33:33Thanks to Pantene.
33:35Thanks to Pantene.
33:37Thanks to Pantene.
33:39Thanks to Pantene.
33:41Thanks to Pantene.
33:43Thanks to Pantene.
33:45Thanks to Pantene.
33:47Thanks to Pantene.
33:49Thanks to Pantene.
33:51Thanks to Pantene.
33:53Thanks to Pantene.
33:55Thanks to Pantene.
33:57Thanks to Pantene.
33:59Thanks to Pantene.
34:01Thanks to Pantene.
34:03Thanks to Pantene.
34:05Thanks to Pantene.
34:07Thanks to Pantene.
34:09Thanks to Pantene.
34:11Thanks to Pantene.
34:13Thanks to Pantene.
34:15Thanks to Pantene.
34:17Thanks to Pantene.
34:48the fastest mobile network in Peru.
34:49Change to the fastest mobile network in Peru
34:51to 0800-00200 or to enclaro.pe.
35:03Well, Ina, don't worry, okay?
35:04Go ahead. I'll stay and talk to Ignacio.
35:07Yes.
35:08Okay.
35:12It's time for them to live their love.
35:16Alessandra, as soon as you hear this message, call me.
35:23Mr. Ignacio, you love Alessandra a lot, don't you?
35:28Well, she's my wife, and...
35:31it's a little complicated for me to talk about this with you, but...
35:36now that we're getting closer,
35:40and my feelings are affecting you...
35:43What I want is for you not to worry, Mr. Ignacio.
35:48Look, sometimes love doesn't come out the way we think,
35:50and sometimes it's not reciprocal. Do you understand me?
35:53Yes. Are you saying it for me or for you?
35:55No, I'm saying it in general.
35:57The most important thing here is to let go and move forward.
36:03Okay?
36:14What are you doing here?
36:16I didn't want to make you wait or scare you.
36:19The time has come, dear friend.
36:22Uh-huh. I'm very excited about this.
36:25Me too, Dad.
36:27Dad?
36:29I need you to explain to me why you left me.
36:44Ale, please, I need you to move your contacts.
36:46Yes. I don't want this mess to grow. Please.
36:48In Europe, they want me married and clean of sins.
36:50Make yourself famous.
36:56Ramiro Morán, you're sinking us, champ.
36:59They're calling me from Europe.
37:00Your image is falling, the transfer is falling. Do you hear me?
37:03I want you far from the scandals. Far.
37:06You're a soccer player's baby. Huh?
37:09My manager wants to kill me.
37:11What do we do?
37:16Hi, I'm not available right now.
37:18Now you are.
37:20Uh, sorry.
37:22Did you know your husband has a daughter?
37:24Yes, of course. I know everything.
37:25Ah, then I guess you know who she is.
37:27Unfortunately.
37:32And can I know why you didn't tell me?
37:34Professional secret.
37:35Mom, no one has professional secrets anymore.
37:38I mean, hello.
37:39Social media, does it ring a bell?
37:40Yes, it rings a bell because I'm part of them.
37:42And if you keep annoying me,
37:43I'm going to be forced to post pictures of when you were a little girl
37:45and you had braids and curls.
37:46Okay? Bye.
37:49How dare you.
37:51Ready. Can we finish all this acting?
37:53Acting?
37:54That you take care of me?
37:55Acting? No, no.
37:56I'm sensing danger.
37:57Liar.
37:58Why don't you tell me you did it to keep me away from Joaquín?
38:00What? No.
38:01This is my job.
38:02And the guy we were with was dangerous.
38:04He looked very strange. Very strange.
38:06Dangerous, yes.
38:07Okay, excuse me, I'm going to change.
38:10Or are you going to keep me there too?
38:13No.
38:14Why don't you ask me about Joaquín?
38:15Directly.
38:16Joaquín? Joaquín?
38:17I don't care about Joaquín.
38:18I don't care about Joaquín.
38:29Joaquín.
38:30Joaquín.
38:32Come on, Alexandra, please tell me what's going on.
38:33Did Ignacio find out?
38:34Does he want revenge?
38:35Is he going to check my taxes?
38:36My legal declarations?
38:38Do you have something to hide?
38:39No, never, never, never.
38:40But just to know.
38:41Otherwise, I'll get mad.
38:42You'll find out.
38:43No, don't do this to me.
38:44The Jaguar has a curious spirit.
38:51Wait, wait, wait.
38:52I'm counting.
38:53Wait a minute.
38:54What's going on?
38:55Wait a minute.
38:56It's okay.
38:57Good.
38:58Ready.
39:01See you tomorrow.
39:02Yes.
39:03My order.
39:05Today's order.
39:06Thank you very much.
39:08See you soon.
39:11Angel, for God's sake.
39:12What can be so urgent that we are in full attention?
39:15Sorry, sorry.
39:16But I have a hot spark.
39:18Oh, well.
39:19That's another thing.
39:20At last, something interesting in this cage.
39:22I'll tell you, Mrs. Emma, but I can't publish it online this time.
39:25But then what's the grace?
39:27No.
39:28Either you promise it or I won't tell you anything.
39:31Promised.
39:33Mr. Ignacio de la Torre is in the house talking about his paternity.
39:37What?
39:38No.
39:39What?
39:40There's a kiss?
39:41No.
39:49Ready?
39:50The time has come.
39:52The time has come, friend.
39:53They are finally together again.
39:56The mermaid, your daughter, and her father.
40:00I mean, you.
40:01Let's see.
40:02I think I'm not understanding well.
40:04I thought this conversation was between you and me.
40:06The mermaid doesn't want more intermediaries.
40:08I want you to tell me what was the story of our relationship.
40:13Sorry, miss, but I think it's a mistake.
40:15Am I a mistake?
40:16No.
40:17You are not a mistake.
40:18I didn't mean to say that.
40:20Serial abandoner.
40:21What?
40:22That's what you are.
40:23No.
40:24Yes.
40:25No.
40:26You are a serial abandoner.
40:27What?
40:28No, no, no.
40:29Mr. Ignacio.
40:30Nina, Nina.
40:31No, no.
40:32Nina.
40:33No.
40:34Nina.
40:35What a disappointment.
40:38Serial abandoner.
40:43Leandro.
40:46He should never have come.
40:47Don't say that.
40:48Men never apologize.
40:51What happened?
40:52Mr. Ignacio didn't recognize him as his father.
40:55Sheila?
40:56Excuse me, but have you seen Sheila?
40:58Ms. Sheila is very ill, Mr. Leandro.
41:01Nina went after her.
41:02Let's go get her, Angel.
41:03A good soldier never abandons a mission.
41:07Let's go.
41:11Hey, that Leandro has changed from blonde and hairstyle to look younger.
41:16Or am I the one who has to change my face?
41:29Wow.
41:30I see you have good technique.
41:31I don't know.
41:32Maybe I can help you with what you need, right?
41:37Armand.
41:38The popcorn.
41:39The popcorn is back there.
41:40Yes.
41:41There.
41:42At the bottom.
41:59Here.
42:18Take this.
42:19Look, you dropped this.
42:20Did it help you?
42:21Please.
42:23Thank you for giving it back to me.
42:24Can you close it for me?
42:25Of course.
42:26Shouldn't you be teaching me?
42:27And don't you respect me?
42:28Oh, Bruno.
42:29Enough.
42:30Really.
42:31Enough of acting like an offended boy.
42:33Okay.
42:34We agreed to have coffee and my ex showed up, which is not my fault.
42:37And of course, you didn't like him because he's a handsome boy.
42:40He's a cult boy.
42:41He's a boy with Parisian vibes.
42:44He's a boring boy, maybe.
42:46Oh, of course.
42:47And since you're the king of fun.
42:49Well, paint in Paris or box?
42:51What do you prefer?
42:52I knew it.
42:54You had listened to me.
42:56You're jealous.
42:57Bruno is jealous.
42:58He's jealous.
42:59He's jealous.
43:00Bruno is jealous.
43:01I have a reputation to take care of.
43:03Please.
43:04Then box.
43:05I also need to release the tensions.
43:07Me too.
43:08What?
43:09What happened?
43:10Has the news made you a little tense that the daughter of my mom's husband is your little
43:16mermaid?
43:17Your shiny woman, very glow.
43:19And you don't care?
43:21Hey, maybe they're going to share a room.
43:23Can you imagine?
43:24Excuse me.
43:25That was a lot of motivation.
43:27And well, maybe.
43:28Maybe what I need is not to box, but a little kiss.
43:32Oh yeah?
43:33Take it from your ex.
43:35Up to the guard.
43:37Come on.
43:38Come on.
43:39Come on.
43:40Come on.
43:41Come on.
43:42Come on.
43:43Come on.
43:44Come on.
43:45Come on.
43:46Come on.
43:47Come on.
43:48Come on.
43:49Come on.
43:51Come on.
43:52Come on.
43:53Come on.
44:21Can you tell me what's going on?
44:23Mirta, I swear I have nothing to do with this.
44:26That's your favorite phrase, right?
44:28Mirta, please.
44:30Nina called me, she told me she wanted to talk to me as a father.
44:34So I thought she had already found out the whole truth.
44:37And suddenly Leandro appears with this girl, very picturesque, voluptuous.
44:41Sheila.
44:42Sheila.
44:43The tropical mermaid.
44:44That one.
44:45Yes.
44:46She told me she was my daughter.
44:48And suddenly they got upset with me, they left and ...
44:51Oh, thank God.
44:53And so it will be.
44:55What?
44:57What are you asking me, Mirta?
44:59Do you want me to go on with this lie?
45:01That girl is not my daughter and you know it better than anyone.
45:04I'm very sorry.
45:05For you and for her.
45:07But my daughter comes first.
45:09So shut up.
45:10You're not going to say a word until after the wedding as we have agreed, Ignacio.
45:14Because I swear that if you do, for all my ancestors, which are many,
45:18that Nina will never want to know about you.
45:20Never.
45:21Mirta, are you threatening me?
45:23With all my desire.
45:25And I don't care how you're going to get out of this.
45:27Look for them as a good politician you are.
45:29But with the truth, no.
45:44To hide
45:47My heart hurts
45:50For you
45:52Because you are no longer
45:56I feel
46:14Plaza Bea, don't wait any longer.
46:16Here are low prices every day for you to buy when you need.
46:19Check your ticket.
46:20Green grape without pepper per kilo at 10 soles 90.
46:23Special taverner sparkling bottle at 13 soles 90 each.
46:26Check.
46:27Find this and more at Plaza Bea and also at plazabea.com.p
46:32From Monday to Friday, your favorite band arrives.
46:35Very good night, let's continue this joy and start today's edition.
46:39With many novelties, funny notes, guests and big surprises.
46:43I see you, son.
46:45The Chinese band.
46:47Because the base is very boring.
46:50It's spectacular.
46:51Here, the Chinese band.
46:54From Monday to Friday, immediately after the Central Edition of America News.
46:59For America.
47:01Thanks to Zavital.
47:05The new year's blast awaits you with the only tropical.
47:09And the beautiful light.
47:12And together we say.
47:18Receive the new year with Daniela Derkurt.
47:22Harmony 10.
47:26Los Mirros.
47:30Amaranta.
47:33Clavito and his chela.
47:36And many more.
47:39Do you know what's on my schedule?
47:41What?
47:42At 12 o'clock at night I'm going to visit my children.
47:44I hope my wife doesn't find out.
47:45Laughs and surprises with the best New Year's party in your house.
47:49There's someone here. I need a lift.
47:52Me, me, please.
47:53I'll make a corpse lift.
47:55This Tuesday at 9.50 pm.
47:58The New Year's blast.
48:01And for America.
48:03This January 1st.
48:05Yes, I accept.
48:06She swore that night she was finally in line for the weddings.
48:11I need some time for myself.
48:13But she was in line for the singles.
48:16And the worst thing is that it was another woman's fault.
48:19Go to hell.
48:21Imagine what it's like to start from zero at 34.
48:25Well, almost 35.
48:26Forget it, your boyfriend left you.
48:28That's it, bye bye.
48:29You're in the egg, the rue, the neck.
48:32A super cast.
48:33Did you grab the bouquet?
48:34No, it happened to me.
48:35What's happening to you is the train.
48:37In a successful Peruvian film.
48:41You're in the egg, the rue, the neck.
48:43Your husband left you.
48:44Go to hell.
48:45Don't call me single.
48:47Don't call me single.
48:49This Wednesday at 9.30 pm.
48:53In America.
49:05Take me with you, it's the only thing I want.
49:08And the surprise, my emaloveres.
49:13If you have read well, a sweet reward.
49:17Those who help me discover the real name of
49:20Arroba Verdado Truco will win an orange cake.
49:25Specialty of the Nina de Azucar pastry shop.
49:32Well, I'll wait for your data.
49:34And don't forget, Emma and oranges are in fashion.
49:47Good gentlemen.
49:50Don't you want to go to the pastry shop?
49:52Look, look, what you like is courtesy of the house.
49:55Or let's say, an exchange.
49:58Well, I know you're a journalist.
50:01And I'm a famous influencer.
50:04More assured.
50:06Thank you, but I'm waiting for someone.
50:11I understand the appointment.
50:13But it's not being anything illegal here in the neighborhood, right?
50:17Of course.
50:19It's about an informant.
50:21Okay, okay.
50:23Well, but for the doubts, you and I have never spoken.
50:29Closed mouth.
50:39Thank you for contacting me.
50:41As you will see, I do not speak of more.
50:43So I hope you have also kept me in the first place.
50:46I have a word.
50:47I hope you too.
50:49Of course.
50:50It's a deal.
50:52Come on, I listen to you.
50:55Ignacio de la Torre.
50:57That famous politician.
50:59She has an unrecognized daughter.
51:03No.
51:05What great news.
51:08What's her name?
51:14Sheila.
51:16The tropical mermaid is her unrecognized daughter.
51:25Take me with you, which is the only thing I want.
51:29Hello.
51:30Come to my house now, please.
51:31We have to talk.
51:32In the face of tremendous turmoil.
51:34And shut up about that you are the daughter of Ignacio de la Torre.
51:37The mermaid does not give more statements.
51:40You have not asked me about Ignacio's daughter?
51:42Right, Sheila?
51:43But what delusions does that woman have?
51:45The real bomb will explode.
51:48How are you making up my daughters?
51:50Have not you heard the rumor that Alessandra has a romance with the jaguar Moran?
51:55Sweeten your nights with sugar girl.
51:59Now all this mess you made is your fault.
52:01And the kiss they gave in the park is also my fault.
52:04Uh ... kiss?
52:06Thursdays at 9.40 pm.
52:08For America.