Nina De Azúcar Capítulo 21 Completo HD
Nina De Azúcar Capítulo 21 Completo HD
Nina De Azúcar Capítulo 21 Completo HD
Nina De Azúcar Capítulo 21 Completo HD
Nina De Azúcar Capítulo 21 Completo HD
Nina De Azúcar Capítulo 21 Completo HD
Nina De Azúcar Capítulo 21 Completo HD
Category
🎥
Short filmTranscript
00:00Well, that's what it looks like.
00:01No, no, look, I had an excellent childhood, everything spectacular.
00:05Teenagers, very loved, I mean, the girls came, they threw themselves at me, I stopped, stopped, stopped.
00:09And as an adult, you already know me, I'm the most coveted.
00:12Yes, but you are talking to me about passion.
00:14I'm talking to you about something else.
00:15Yes, about love. No, it's not my house, I'm not interested.
00:18You know what? Why don't you get your head on a new date for the wedding,
00:22your new dress and the new living room.
00:24Because the one we had on loan is no longer available.
00:30Sorry.
00:31Sorry, girl.
00:32Sorry, but I'm very distracted because I'm thinking what song I'm going to sing for the Pasteles festival.
00:38And in Ignacio de la Torre.
00:40In Ignacio de la Torre? But you are not well, what happened?
00:43It's my dad.
00:48What?
01:01There is no case, little angel. The wax does not respond.
01:05Mr. Leandro, Ms. Globo is a very busy person.
01:10In fact, I had to suspend my dance classes due to your work commitments.
01:14I understand, but I think I exceeded the information I gave you about a delicate issue.
01:18So much so that I don't want to talk to you?
01:20I don't know, people in general don't talk much with me.
01:23I think you're a little sensitive, Mr. Leandro.
01:26Look, angel, I appreciate your words, but I feel like I was very abrupt.
01:32Maybe like with the leather, as Valentina says.
01:35I make too big jumps.
01:37Because I think you're taking risks, Mr. Leandro.
01:40I like that point of view.
01:42But here it has to do with the intimacy of someone else.
01:44I wish I could tell you.
01:46Sorry.
01:49Ignacio.
01:50Take it easy, sir.
01:51No, park and take care of him.
01:53Me?
01:54Yes, park.
01:56Okay.
02:01Look, if he's angry, you'll know how to handle it.
02:03But with a lot of tact, please.
02:09Good morning, Mr. Ignacio.
02:11Greetings, angel.
02:13Yes, Mr. Leandro is very busy doing some procedures.
02:18How are you?
02:20What a nice day, right?
02:22One question, are you angry?
02:24Why would I be angry?
02:25No, well, I see that the world is upside down.
02:28And well, you know how that is.
02:30It's not like everyone stops angry.
02:32In fact, Mrs. Ema, my mother-in-law, says it's because of Mercury retrograde.
02:37The truth is that I'm fine, angel.
02:39Thank you very much for your concern.
02:41You're welcome.
02:42Sometimes I feel like I'm serving the community.
02:45Now that you say it, I'm here at Leandro's house.
02:48And I wanted to ask you a question about a safe.
02:51I'm sorry, Mr. Ignacio.
02:52I don't handle that issue.
02:53Yes, I assumed it, calm down.
02:56I rather wanted to give you an order.
02:59Sure, of course, whatever you say, Mr. Ignacio.
03:02What's more, the least Mr. Leandro wants is for you to get angry.
03:06I mean, I don't want you to get angry.
03:10Thank you both.
03:16Mr. Ignacio is impeccable.
03:18Of excellent humor.
03:21So Sheila hasn't said anything.
03:23Sheila?
03:26You mean the issue of the mermaid and you involve Mr. Ignacio?
03:30I'm sorry, angel.
03:32I must keep the truth.
03:34But when I say it, there will be signs.
03:40What happened, Valentina? What happened to you?
03:42I can't, I can't, I can't concentrate, I can't think.
03:45Why?
03:46I can't concentrate.
03:48You know what, Bruno? Stay with her.
03:50Don't leave her alone, call me anything.
03:52Come, Valentina, come, come here.
03:54Sit down, sit down.
03:55I'm shaking, you see?
03:56Now, calm down, relax and breathe.
03:58I'm going to win, Bruno.
03:59Inhale.
04:01And exhale.
04:02Inhale.
04:03Slower.
04:07Good afternoon, how are you, how are you?
04:10Look, we're doing a survey.
04:13Do you usually go to my networks?
04:15Listen to my podcast?
04:17I've heard of him, yes.
04:19Well, now it doesn't seem like it, right?
04:21But I'm the famous Emma the witch.
04:27Well, excuse me.
04:28It's just that my mom loves to talk to the clientele.
04:32Come here, Mom.
04:33Well, excuse me.
04:34Come, thank you very much.
04:35Keep going, keep going.
04:36Mom.
04:37Yes.
04:38What are you doing?
04:39Well, you said it, socializing with the clientele.
04:42You make them nervous, which is different.
04:44Oh, but what do you want?
04:46If they like it, daughter.
04:48Oh, Mom, no.
04:49You're not going to turn around about the same thing, please.
04:52Look, don't even dream about it.
04:53I'm going to find out who my admirer is.
04:56A generous person who gave you and Dayana a gift.
05:00No, no, no.
05:01It's a person who wanted to get closer to me
05:03through the gift she gave my friend.
05:05Mrs. Emma.
05:06I've been thinking and I already have two possible candidates.
05:09Oh no, Guille, you too with that?
05:11Let him tell me.
05:12Tell me, tell me, tell me, tell me.
05:14Look, I've been thinking about the blacksmith.
05:16Yes.
05:17That big one, you know, the one who has a big hand.
05:19Oh, yes.
05:20That's why I'm going to lend him the microphone.
05:23And you also know who, Mrs. Emma?
05:25The man who sells you the newspapers.
05:27Because for some reason he lends you that magazine every day, right?
05:29How does he lend you the magazines?
05:31No, well, he, he ...
05:34He didn't know he was lending me the magazine, right?
05:39When I go, I'm going to pay you.
05:41Of course, I'm going to pay you.
05:45Oh, my holy virgin.
05:47Why is this girl crying?
05:49Hey, Grandma, don't lie to me.
05:51Hey, don't you value honesty?
05:53Yes, we value it, Grandma.
05:54But you have to save the girl.
05:56Let's see, rather.
05:57Since you're here, please, could you get me this?
05:59Yes, my daughter, my daughter.
06:00I'll do it, but please take her to the bathroom.
06:02Well, because the bathroom is flooding here.
06:04Yes, yes, calm down, don't worry.
06:05I'm going to sweeten it.
06:08Calm down, calm down, breathe.
06:15I don't understand anything.
06:16I don't understand, I can't study.
06:18Valentina, doing this is going to be much worse.
06:20But it's that you don't understand that I can't.
06:22I don't get the information.
06:25Now, are you more relaxed?
06:27I don't know what's wrong with me.
06:29I can't concentrate.
06:30I can't study.
06:31I feel like I'm going to pull.
06:32You are very pressured, Valentina.
06:33That's the story of my life.
06:35Well, change it.
06:36Change it.
06:37As if it were so simple.
06:38Of course, since you don't have any more aspirations in life.
06:44Sorry.
06:46Sorry, sorry.
06:47I really didn't mean to say that.
06:48No, no.
06:49No, no, don't offend me.
06:50Don't offend me.
06:52Maybe in a way you're right.
06:56Eh, Valentina.
06:58If it helps you to calm down with me, do it.
07:00And if you want me to help you read something, I can do it too.
07:03But that's not going to solve your problem.
07:05You need to relax.
07:06How about we go get some air?
07:10Why don't you leave me alone?
07:13Just because I pay you?
07:15No.
07:17Because I want to do it.
07:20And do you do that with everyone?
07:23With everyone I care about?
07:26With them, yes.
07:32Mom, I'm going out, okay?
07:34Can you bring me my wallet?
07:35Uh-huh.
07:36Fly free, little girl.
07:37Mommy has arrived at her temple of peace.
07:41To my new home.
07:45Bye, mom.
07:46Bye.
07:47Goodbye.
07:50I can't stand being here anymore.
07:52Really, Valentina.
07:53The screams.
07:54But that's a scandal.
07:56She's just like her dad.
07:57No, and I also need space.
07:59I don't know where to put my watches.
08:01I know, honey.
08:02Have you tried meditating?
08:05Meditation doesn't buy you space.
08:07And it doesn't make you a dad.
08:11I'm sorry.
08:16That's it.
08:18I don't think I'll be able to be at peace
08:21if I don't tell my daughter that I'm her father.
08:30Oh, no, thank you.
08:32The waitress is not hungry.
08:34I'm very sad and I don't feel like eating.
08:36I understand.
08:37But thank you anyway.
08:41Um, look.
08:44Well, the question is why Mr. Montes would lie to you about something like this.
08:47Because he's telling you the truth, right?
08:54Get out, get out.
08:56I haven't forgiven you since the last time you spied on me.
09:01You don't learn from a young age.
09:03I don't know, Nina.
09:04But forgiving my father is hard.
09:07But not knowing anything about him is worse.
09:09Believe me.
09:10Oh, no, no, no, no.
09:11I understand you.
09:13I really understand you.
09:17I wouldn't forgive my biological father either.
09:20But luckily I've had Angel as a dad.
09:23At least you had someone.
09:25Oh, yes.
09:26Um...
09:27I have no one.
09:28I understand you.
09:30But look.
09:31Look at it as an area of opportunity.
09:33Right?
09:34What do you think if now that it appears, you give it a chance?
09:43And I've already got everything you asked me, Nina.
09:45Carlitos is waiting outside.
09:47Oh, I'm going, I'll take care of it.
09:48Rather...
09:49What?
09:51Ah, ok, ok, ok.
09:56I don't know why, but...
09:58But I'm going to hug you.
09:59Oh, no.
10:00I love you.
10:01I love you.
10:02I love you.
10:04I love you.
10:15Serve yourself, Cecita.
10:19You know I have a secret admirer?
10:22He gave me a beautiful dress.
10:24To me and Diana.
10:26Really?
10:27Yes.
10:28And who is that admirer?
10:31I don't know.
10:32But he gave me his nickname in a broadcast.
10:34Arroba Perdado Truco.
10:38I understand.
10:40Give me a second.
10:41I have to send an audio to a representative.
10:42Yes, yes, yes.
10:43Follow me.
10:48Ramiro.
10:49There is a liar who has made Emma believe that he has given the dress to her and Diana.
10:53How do we proceed?
10:58Wait.
11:03Did you bring this for yourself?
11:07Thank you, Anita.
11:08Excuse me.
11:27I'll wait for you in the park with that cap so that no one recognizes us.
11:31It's time to relive what is ours, Ramiro.
11:33What?
11:56A party is a party, woman.
11:58Error, error.
11:59Because it is in the field.
12:01If I were in a salon, I could go with a long-tailed dress.
12:05Why not, mommy?
12:06Because it is in the field.
12:07And in the field, what is there, love?
12:09There are cows.
12:10And the cows poop.
12:12Imagine me with a designer dress dragging the silk tail of India through the grass.
12:18No, mom.
12:19You have a party at a farmhouse and there are no cows there.
12:22Oh yes?
12:23And who told you that there are no cows?
12:24Oh no, mom.
12:25Oh, what excuse is this boy?
12:26Look at your son.
12:28Ramiro.
12:29There is a liar who has made Emma believe that he has given her and Diana the dress.
12:34How do we proceed?
12:38Okay.
12:40Don't tell her anything.
12:41Yes?
12:42Let's be attentive.
12:43I don't like to be cheated.
12:45Who is cheating who?
12:47I'm not talking about cheating.
12:49Oh no?
12:50I just heard you.
12:51No, I heard the doorbell.
12:52No, come here, come here.
12:53No, I'm going to open.
12:54Come here.
12:55Who are you going to cheat?
12:56That's how you talk to your little son.
12:58Oh no.
12:59Don't make fun of me, my love.
13:00My baby jaguar.
13:01Don't make fun of me.
13:02That's how you talk to him?
13:03No, forgive me.
13:04I know you are unable to cheat.
13:05Relax.
13:06Excuse me.
13:07I'll make you a mate.
13:08Son, this is for you.
13:09Can you make me a mate too?
13:10Oh my God.
13:11Oh my God.
13:12Oh my God.
13:13Oh my God.
13:14Oh my God.
13:15Oh my God.
13:16Oh my God.
13:17Oh my God.
13:18Oh my God.
13:19Oh my God.
13:20Oh my God.
13:21Oh my God.
13:22Oh my God.
13:23Oh my God.
13:25I'll wait for you in the park with that cap so that no-one will recognize us.
13:30It's time for...
13:32... your hair.
13:33Elise San.
13:39Your stepmother is the worst.
13:41I never burned her hair.
13:43She's not my stepmother.
13:44Oh really?
13:45Then why don't you deny that I burned her hair?
13:47Because now you really feel her as your own family, you defend them.
13:50The U.S. wants war.
13:52Yes!
13:53What's gonna happen?
13:55Shh!
13:56Here comes the enemy.
13:58Leon, I think you're in a very bad mood.
14:01No, no, no, no, no.
14:02Just arrived.
14:04To receive a warning!
14:07Ladies, I don't understand you.
14:09What warning?
14:10Tell your ex.
14:11The one with the downy hair.
14:13That she's digging her own grave.
14:17Oh!
14:19I have no idea what happened.
14:21What has Alessandra done now?
14:23Leon, I don't want to talk about your ex.
14:25As you understand, the mermaid is very embarrassed.
14:28And I just want to talk about me.
14:30Yes.
14:31And I am very relieved that you have finally appeared.
14:35I feel like I was very abrupt with the news I gave you.
14:40Well, yes.
14:41A little bit, yes.
14:42But I've thought about it and I think you can help me with something.
14:48Very personal.
14:51Me?
14:52Yes, you.
14:54Because, let's see, let's say I'm a woman.
14:58Strong.
15:03Torn.
15:07Brilliant and intelligent.
15:10But.
15:12There's something I can't do alone.
15:16And it's facing Don Ignacio.
15:18And I was wondering if you wanted to accompany me.
15:42And we've gone around a thousand times.
15:44How about we have a coffee?
15:46I feel better now.
15:48I think we can go home and keep studying.
15:50A coffee, I ask you.
15:51A coffee, a breath.
15:52Only as friends.
15:53Something informal.
15:54What do you say?
15:58Okay.
15:59I think it's better to be with you all day today.
16:06Thank you, Garay.
16:08Hey, hey, hey, hey, hey.
16:09Hey!
16:11Bruno, leave him, leave him, leave him, leave him, leave him.
16:14Joaquin.
16:17Valentina.
16:19Oh la la.
16:40Oh la la.
16:41Oh la la.
16:42Oh la la.
16:43Oh la la.
16:44Oh la la.
16:45Oh la la.
16:46Oh la la.
16:47Oh la la.
16:48Oh la la.
16:49Oh la la.
16:50Oh la la.
16:51Oh la la.
16:52Oh la la.
16:53Oh la la.
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16:56Oh la la.
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20:00Oh la la.
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22:00Oh la la.
22:01Oh la la.
22:02Oh la la.
22:03Oh la la.
22:04Oh la la.
22:05Oh la la.
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30:00Oh la la.
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31:00Oh la la.
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32:00Oh la la.
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33:00Oh la la.
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33:24Oh la la.
33:25Oh la la.
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33:27Oh la la.
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33:30Oh la la.
33:31Oh la la.
33:32Oh la la.
33:33Oh la la.
33:34Oh la la.
33:35Oh la la.
33:36Oh la la.
33:37Oh la la.
33:38Oh la la.
33:39Oh la la.
33:40Oh la la.
33:41Oh la la.
33:42Oh la la.
33:43Oh la la.
33:44Oh la la.
33:45Oh la la.
33:46Oh la la.
33:47Oh la la.
33:48Oh la la.
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33:50Oh la la.
33:51Oh la la.
33:52Oh la la.
33:53Oh la la.
33:54Oh la la.
33:55Oh la la.
33:56Oh la la.
33:57Oh la la.
33:58Oh la la.
33:59Oh la la.
34:00Oh la la.
34:01Oh la la.
34:02Oh la la.
34:03Oh la la.
34:04Oh la la.
34:05Oh la la.
34:06Oh la la.
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34:11Oh la la.
34:12Oh la la.
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34:15Oh la la.
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34:18Oh la la.
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34:20Oh la la.
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34:24Oh la la.
34:25Oh la la.
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34:27Oh la la.
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34:29Oh la la.
34:30Oh la la.
34:31Oh la la.
34:32Oh la la.
34:33Oh la la.
34:34Oh la la.
34:35Oh la la.
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34:37Oh la la.
34:38Oh la la.
34:39Oh la la.
34:40Oh la la.
34:41Oh la la.
34:42Oh la la.
34:43Oh la la.
34:44Oh la la.
34:45Oh la la.
34:46Oh la la.
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34:50Oh la la.
34:51Oh la la.
34:52Oh la la.
34:53Oh la la.
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34:55Oh la la.
34:56Oh la la.
34:57Oh la la.
34:58Oh la la.
34:59Oh la la.
35:00Oh la la.
35:01Oh la la.
35:02Oh la la.
35:03Oh la la.
35:04Oh la la.
35:05Oh la la.
35:06Oh la la.
35:07Oh la la.
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35:09Oh la la.
35:10Oh la la.
35:11Oh la la.
35:12Oh la la.
35:13Oh la la.
35:14Oh la la.
35:15Oh la la.
35:16Oh la la.
35:17Oh la la.
35:18Oh la la.
35:19Oh la la.
35:20Oh la la.
35:21Oh la la.
35:22Oh la la.
35:23Oh la la.
35:24Oh la la.
35:25Oh la la.
35:26Oh la la.
35:27Oh la la.
35:28Oh la la.
35:29Oh la la.
35:30Oh la la.
35:31Oh la la.
35:32Oh la la.
35:33Oh la la.
35:34Oh la la.
35:35Oh la la.
35:36Oh la la.
35:37Oh la la.
35:38Oh la la.
35:39Oh la la.
35:40Oh la la.
35:41Oh la la.
35:42Oh la la.
35:43Oh la la.
35:44Oh la la.
35:45Oh la la.
35:46Oh la la.
35:47Oh la la.
35:48Oh la la.
35:49Oh la la.
35:50Oh la la.
35:51Oh la la.
35:52Oh la la.
35:53Oh la la.
35:54Oh la la.
35:55Oh la la.
35:56Oh la la.
35:57Oh la la.
35:58Oh la la.
35:59Oh la la.
36:00Oh la la.
36:01Oh la la.
36:02Oh la la.
36:03Oh la la.
36:04Oh la la.
36:05Oh la la.
36:06Oh la la.
36:07Oh la la.
36:08Oh la la.
36:09Oh la la.
36:10Oh la la.
36:11Oh la la.
36:12Oh la la.
36:13Oh la la.
36:14Oh la la.
36:15Oh la la.
36:16Oh la la.
36:17Oh la la.
36:18Oh la la.
36:19Oh la la.
36:20Oh la la.
36:21Oh la la.
36:22Oh la la.
36:23Oh la la.
36:24Oh la la.
36:25Oh la la.
36:26Oh la la.
36:27Oh la la.
36:28Oh la la.
36:29Oh la la.
36:30Oh la la.
36:32Oh la la.
36:33Oh la la.
36:34Oh la la.
36:36Okay.
36:44Ale, por favor.
36:45I need you to change your contacts.
36:46Alright?
36:47I don't want this chemist to be a hairdresser.
36:48Please.
36:49In Europe they want me married and free of sins.
36:50Make yourself famous.
36:56Ramiro Moran, you are sinking us, champion.
36:59They're calling you from Europe.
37:00Your image and the transfer are going down, you hear me?
37:03I want you far away from the scandals.
37:05Far away.
37:06You're a soccer player's baby, huh?
37:09My manager wants to kill me.
37:11What do we do?
37:12What do we do?
37:16Hi, right now I'm not in the mood for complaints.
37:18Now I am.
37:21Excuse me, yes?
37:22Did you know that your husband has a daughter?
37:24Yes, of course, I know everything.
37:25Ah, then I guess you know who it is.
37:27Unfortunately.
37:29Ah.
37:32And can I know why you didn't answer me?
37:34Professional secret.
37:35Mom, no one has professional secrets anymore.
37:38I mean, hello?
37:39Do social media ring a bell?
37:40Yes, they ring a bell because I'm part of them.
37:42And if you keep annoying me, I'm going to be forced
37:44to post pictures of when you were a little girl
37:46and you had brackets and braids.
37:47Okay?
37:47Bye.
37:49Don't you dare.
37:51Ready.
37:52Can you finish all this acting and take care of me?
37:55Acting? No, no.
37:56I'm sensing danger.
37:58Liar.
37:58Why don't you tell me you did it to keep me away from Joaquin?
38:00What? No, this is my job.
38:02And the guy we were with was dangerous.
38:05He looked very strange.
38:06Very strange.
38:06Dangerous, yes.
38:07Yes?
38:07Excuse me, I'm going to change.
38:10Or are you going to keep me there too?
38:13No.
38:14Why don't you ask me about Joaquin?
38:15Directly.
38:16Joaquin?
38:16Joaquin? I don't care about Joaquin.
38:18I don't care about Joaquin.
38:20Ah.
38:22Don't you realize what I feel when I look at you?
38:28Joaquin.
38:29Joaquin.
38:29Joaquin.
38:31Dalia, please tell me what's going on.
38:33Did Ignacio find out?
38:34Does he want revenge?
38:35Is he going to review my taxes?
38:36My court declarations?
38:37Ah.
38:38Do you have something to hide?
38:39No, never, never, never.
38:40But just to know.
38:41Otherwise, I'll be in trouble.
38:42You'll find out.
38:43No, don't do this to me.
38:44The job has the spirit of your curious.
38:45Girl!
38:46Wow!
38:47Wow!
38:48Wow!
38:49Wow!
38:50Wait, wait, wait.
38:52I'm counting.
38:53A little while.
38:53Oh.
38:54What a party.
38:55A little while.
38:56It's fine.
38:56Good.
38:57Good.
38:57Ready.
38:59See you tomorrow.
39:00See you tomorrow.
39:01Yes.
39:01My order.
39:03Is it true?
39:04I forgot.
39:04I was alone.
39:05Today's order.
39:05Yes.
39:06Thank you very much.
39:07See you soon.
39:08Bye.
39:08Bye.
39:09Bye.
39:09Angel, for God's sake.
39:12What can be so urgent that we are in full attention?
39:14I'm sorry.
39:15I'm sorry.
39:15I'm sorry.
39:16But I have a hot gossip.
39:18Oh, well.
39:19That's another thing.
39:20At last, something interesting in this cage.
39:22I'll tell you, Mrs. Emma, but I can't publish it online this time.
39:25But then, what's the grace?
39:27No.
39:28Either you promise it or I won't tell you anything.
39:31Promise.
39:31Promise.
39:33Mr. Ignacio de la Torre is in the house talking about his paternity.
39:37What?
39:38No.
39:39What?
39:40Is there gossip?
39:41No.
39:42No.
39:42No.
39:50Ready?
39:50The time has come.
39:51The time has come, friend.
39:53At last, La Sirena, your daughter, and her father are together again.
40:00I mean, you.
40:00Let's see.
40:01I think I'm not understanding well.
40:03I thought this conversation was between you and me.
40:05La Sirena does not want more middlemen.
40:08I want you to tell me the story of our relationship.
40:13I'm sorry, miss, but I think it's a mistake.
40:15Am I a mistake?
40:16No, you're not a mistake. I just wanted to say that.
40:19Serial abandoner.
40:21What?
40:21That's what you are.
40:22No.
40:22Yes.
40:23No.
40:23You're a serial abandoner.
40:24What?
40:25Close the door.
40:25No, no, no.
40:28Mr. Ignacio.
40:29Nina.
40:30No.
40:30Nina.
40:31No, no.
40:31Nina.
40:32Not like this.
40:32Nina.
40:33Nina.
40:33No, Nina.
40:37What a disappointment.
40:38Serial abandoner.
40:43Leandro.
40:46He should never have come.
40:47Don't tell him that.
40:48Men never apologize.
40:51What happened?
40:52Mr. Ignacio didn't recognize him as his father.
40:54Sheila?
40:56Excuse me, but have you seen Sheila?
40:58Miss Sheila is very ill, Mr. Leandro.
41:01Nina went after her.
41:02Let's go get her, Angela.
41:03A good soldier never abandons a mission.
41:06Let's go.
41:10Hey.
41:11That Leandro has changed his look and hairstyle to look younger.
41:16Or am I the one who has to change my glasses?
41:31Wow.
41:32I see you have good technique.
41:34I don't know.
41:35Maybe I can help you with what you need, right?
41:39Armand.
41:40The popcorn.
41:41The popcorn is in the back.
41:42Yes.
41:43Over there.
41:44In the back.
42:04The air that I always breathe.
42:09Everything changes suddenly.
42:18Here.
42:19Look, you dropped this.
42:20Can I help you?
42:21Please.
42:23Thank you for returning it to me.
42:24Can you close it for me?
42:25Of course.
42:26Shouldn't you be teaching me?
42:28And don't you owe me respect?
42:29Oh, Bruno.
42:30Enough.
42:31Really.
42:32You can't act like an offended boy.
42:33Fine.
42:34We were going to have coffee and my ex showed up.
42:36Which I'm not to blame for.
42:37And of course.
42:38You didn't like him because he's a handsome boy.
42:40He's a cult boy.
42:41He's a boy with Parisian vibes.
42:44He's a boring boy, maybe.
42:46Of course.
42:47And since you're the king of fun...
42:50Paint in Paris or box?
42:51Which do you prefer?
42:53I knew it.
42:55You had heard me.
42:57He's jealous.
42:58Bruno is jealous.
43:00He's jealous.
43:01He's jealous! Bruno is jealous!
43:04I have a reputation to take care of, please.
43:07Then box.
43:09I also need to release the tensions.
43:11Me too.
43:13What? What happened?
43:15Has the news made you a little tense
43:17that the daughter of my mother's husband
43:20is your little mermaid?
43:22Your shiny woman, a lot of glow.
43:25What about you?
43:28Hey, maybe they're going to share a room.
43:30Can you imagine?
43:35Excuse me.
43:37That was a lot of motivation.
43:39And well, maybe,
43:41maybe what I need is not boxing,
43:43but a little kiss.
43:45Oh yeah?
43:47Take it off your ex.
43:48Up to the guard. Come on.
43:50Come on.
43:52Come on.
43:53Come on.
43:57Come on.
44:21Can you tell me what's going on?
44:24Mirta, I swear I have nothing to do with this.
44:27That's your favorite phrase, right?
44:29Mirta, please.
44:31Nina called me.
44:32She told me she wanted to talk to me as a father.
44:34So I thought she had already found out the whole truth.
44:37And suddenly Leandro appears with this girl.
44:40Very picturesque, voluptuous.
44:42Sheila.
44:43The tropical mermaid.
44:44That one.
44:45She told me she was my daughter.
44:46I wanted to explain the truth to them.
44:48And suddenly they got mad at me.
44:50They left and ...
44:52Say goodbye.
44:54And so it will be.
44:55What?
44:57What are you asking me, Mirta?
44:59Do you want me to go on with this lie?
45:01That girl is not my daughter.
45:03And you know it better than anyone.
45:04I'm very sorry.
45:06For you and for her.
45:08But my daughter is first.
45:09So shut up.
45:10You're not going to say a word until after the wedding,
45:13as we have agreed, Ignacio.
45:15Because I swear that if you do,
45:17for all my ancestors, which are many,
45:19that Nina will never want to know about you.
45:21Never.
45:22Mirta, are you threatening me?
45:24With all my desire.
45:26And I don't care how you're going to get out of this.
45:28Look for them as a good politician you are.
45:30But with the truth, no.
45:52Because you are no longer.
45:56I feel.
46:21From Monday to Friday, your favorite band arrives.
46:23Very good night.
46:25So with this joy we begin today's edition.
46:27With many novelties, funny notes, guests and great surprises.
46:29I see you straight.
46:31The Chinese band.
46:33Because the rest is very boring.
46:35From Sunday to Friday, your favorite band arrives.
46:37Very good night.
46:39So with this joy we begin today's edition.
46:41With many novelties, funny notes, guests and great surprises.
46:43I see you straight.
46:45The Chinese band.
46:47Because the rest is very boring.
46:49It's spectacular.
46:51Here's the Chinese band.
46:53From Monday to Friday,
46:55immediately after the Central Edition of America News.
46:57For America.
46:59Thanks to Sabital.
47:01The New Year's blast awaits you with the only tropical.
47:03And the beautiful light.
47:05And together we say.
47:07Happy New Year.
47:09Happy New Year.
47:11Happy New Year.
47:13Happy New Year.
47:15Happy New Year.
47:17Happy New Year.
47:19Happy New Year.
47:21Happy New Year.
47:23Happy New Year.
47:25Happy New Year.
47:27Happy New Year.
47:29Happy New Year.
47:31Happy New Year.
47:33Happy New Year.
47:35Happy New Year.
47:37Happy New Year.
47:39Happy New Year.
47:41Happy New Year.
47:43Happy New Year.
47:45Happy New Year.
47:47Happy New Year.
47:49Happy New Year.
47:51Happy New Year.
47:53Happy New Year.
47:55Happy New Year.
47:57Happy New Year.
47:59Happy New Year.
48:01Happy New Year.
48:03Happy New Year.
48:05Happy New Year.
48:07Happy New Year.
48:09Happy New Year.
48:11Happy New Year.
48:13But they put her in the line of the single girls.
48:17And the worst thing is that it's the fault of another one.
48:19Go to hell.
48:21Imagine what it's like to start from zero at 34.
48:25Well, almost 35.
48:27Forget it, your boyfriend left you.
48:29Bye-bye.
48:31You're in the egg, the rudder, the neck.
48:33A super cast.
48:35Did you grab the branch?
48:37No, it happened to me.
48:39What is happening to you is the train.
48:41You're in the egg, the rudder.
48:43Your husband left you.
48:45Start!
48:47Don't call me single.
48:49Don't call me single.
48:51This Wednesday, New Year, at 9.30pm.
48:53In America.
48:57We recommend watching this program in the company of an adult.
49:01And the surprise, my emaloveres.
49:03If you have read well, a sweet reward.
49:05Those who help me discover the real name of
49:07Arroba Verdado Truco
49:09will win an orange cake,
49:11specialty of the pastry
49:13Nina de Azucar.
49:15Nina de Azucar.
49:17Nina de Azucar.
49:19Nina de Azucar.
49:21Nina de Azucar.
49:23Nina de Azucar.
49:25Nina de Azucar.
49:27Nina de Azucar.
49:29Nina de Azucar.
49:31Nina de Azucar.
49:33Nina de Azucar.
49:35Nina de Azucar.
49:37Nina de Azucar.
49:39Nina de Azucar.
49:41Nina de Azucar.
49:43Nina de Azucar.
49:45Nina de Azucar.
49:47Nina de Azucar.
49:49Nina de Azucar.
49:51Nina de Azucar.
49:53Nina de Azucar.
49:55Nina de Azucar.
49:57¿Un canje?
49:59Bueno, yo sé que usted es periodista.
50:01Y yo una influencer famosa.
50:03Mucho asegurado.
50:07Gracias, pero estoy esperando a alguien.
50:11Ah, comprendo la cita.
50:13Pero no está siendo
50:15nada ilegal aquí en el barrio, ¿no?
50:17Por supuesto.
50:19Se trata de un informante.
50:21Ah.
50:23Ok, ok.
50:25Por las dudas, usted y yo
50:27nunca hemos hablado.
50:29Boquita cerrada.
50:39Gracias por contactarme.
50:41Como verás, no hablo de más.
50:43Así que espero que tú también me hayas guardado
50:45a la primicia.
50:47Tengo palabra. Espero que tú también.
50:49Por supuesto. Es un trato.
50:51Anda.
50:53Te escucho.
50:57Ignacio de la Torre.
50:59El político famoso ese.
51:01Tiene una hija
51:03no reconocida.
51:05¡No!
51:07¡Qué gran noticia!
51:09¿Cómo se llama?
51:15Sheila.
51:17La sirena tropical
51:19de su hija no reconocida.
51:23No puedo.
51:25Llévame contigo
51:27que es lo único que quiero.
51:29¿Aló?
51:31Mi, para mi casa ya, por favor. Tenemos que hablar.
51:33Ante tremendo embrollo.
51:35Que haya cerca de que es usted hija
51:37de Ignacio de la Torre.
51:39La sirena no da más declaraciones. Gracias.
51:41¿No me has preguntado por la hija de Ignacio?
51:43¿Verdad, Sheila?
51:45¿Qué delirios tiene esa mujer?
51:47Explotará la verdadera bomba.
51:49Como andas inventándome hijas,
51:51no estás enterado del rumor
51:53de que Alessandra tiene un romance
51:55con el jaguar Morán.
51:57Dulcifica tus noches con
51:59Niña de Azúcar.
52:01Este quilombo que armaste es por tu culpa.
52:03Y el besazo que se dieron en el parque,
52:05también es mi culpa.
52:07Jueves 9 y 40 de la noche
52:09por América.