1969 Orgasmo HOT MOVIE
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Category
🎥
Short filmTranscript
00:00:00Warning the authorities.
00:00:06Is it just me or do we see more officers?
00:00:13...on their flight to Italy in 23 hours in departure for London
00:00:19to the United Kingdom number 3
00:00:21to Italy number 5643 for London.
00:00:24Now boarding.
00:00:27One moment please!
00:00:28Over here, just take off your glasses.
00:00:30Smile, please.
00:00:32Over here, Senora West.
00:00:34Brian!
00:00:36Catherine, dear, how are you?
00:00:38Hold it a minute.
00:00:45Is it true your husband lent you 200 million dollars?
00:00:48This is no three-four-hundred. Now, forty-ten-eight-three. Last call.
00:00:57The stage was set the night we met
00:01:01For fate had planned it so
00:01:06And just one look was all it took
00:01:11To set my heart aglow
00:01:15Oh, heartily with all of me
00:01:20I proved how love should be
00:01:24And the days we shared when you still cared
00:01:29Were such sweet ecstasy
00:01:33But then, but then, I don't know why
00:01:38You turned up near
00:01:42And you lied to me
00:01:46And so hopelessly
00:01:50I hid the pride and hide inside
00:01:55When you'd soon be gone
00:01:59But hoping yet you'd not forget
00:02:03That I'd still wait for you
00:02:07On and on and on and on
00:02:23Welcome, Senora West.
00:02:25This is Teresa, your guardian angel.
00:02:27Depend on her to take care of all your wants and pleasures.
00:02:30She's efficient as an IBM.
00:02:31How do you do, Teresa?
00:02:33Grazie, Senora. Please call me Terry.
00:02:35I stay some months in London, so I know some English.
00:02:38Are you thirsty?
00:02:39Make us a cold drink, Teresa.
00:02:42Look, silence and harmony.
00:02:45The village is only a few kilometers.
00:02:47The marina is just 20 minutes if you like boating.
00:02:50Oh, I'm afraid I won't feel up to the sea.
00:02:54All right.
00:02:57Well, here we are.
00:02:59No one will bother you here.
00:03:02Oh, it's lovely.
00:03:04Really lovely.
00:03:09Brian, you've been perfect.
00:03:11Wait, before saying so.
00:03:13Oh, the house is beautiful.
00:03:17Oh, Brian.
00:03:20Now you can turn out pictures by Catherine Somerset.
00:03:23Just the way you did when you were a promising young artist in New York.
00:03:28Too much time has passed since then.
00:03:31I'm afraid I've lost my spirit.
00:03:33Don't worry.
00:03:34Be grateful that the future will hold whatever your heart desires.
00:03:38But there's been so much pain.
00:03:41The sorrow will diminish.
00:03:43The future will lessen the misery you're now enduring.
00:03:46Remember, you can take courage from the memory of Robert.
00:03:50And now that he's dead, how do I pick up the pieces?
00:03:59Oh, no.
00:04:01Isn't there anything stronger to drink in this house?
00:04:03Of course.
00:04:04I'm sorry.
00:04:09Oh, try to understand, Brian.
00:04:12I'm so low, I need something to pick me up once in a while.
00:04:17I know that I can pull myself together in time.
00:04:20But I need a little freedom after what I've been through.
00:04:23I think I ought to remind you that this kind of freedom isn't very good for your nervous system.
00:04:27I'm worried that things could be messy due to a problem turning up in the formal procedure in New York.
00:04:32I don't ever want to go back to New York.
00:04:40So, have you liquidated the estate?
00:04:43My dear girl, I've told you ten times.
00:04:45Two petroleum companies, four television stations, a chain of department stores.
00:04:49They're not items you can unload as you would a truck.
00:04:51It's a big job and I need time.
00:04:54All right, Brian. I'll rely on you.
00:04:57The only thing that might cause a grievance is the family mansion on Lake Michigan.
00:05:02I've just heard from relatives of Robert.
00:05:04Oh, a horrible, cold old barn.
00:05:08I could never stand being there.
00:05:11The letter was from Robert's two old aunts.
00:05:13They're dead set against selling it.
00:05:15Why don't they buy it?
00:05:16Because they consider it property of the family.
00:05:20Oh, it's not important to me.
00:05:23I'll give it to them.
00:05:25This you could do.
00:05:26Of course, on the other hand, it might be best to get the two old ladies out of here promptly.
00:05:30I'd recommend you take it easy and don't worry so much.
00:05:34I'll telephone from New York and assign our best attorneys to settle the probate.
00:05:38Oh, thank you, Brian.
00:05:40You're a treasure.
00:05:43Teresa.
00:05:45Signora?
00:05:46Take that thing away. I don't want it in here.
00:05:49It's messy in the cellar.
00:05:51I don't care where you put it, as long as I never have to see it or hear it.
00:06:13Here are the pills, Signora West.
00:06:18A journalist has telephoned to see you.
00:06:21Oh, questions, questions. I'm sick of them.
00:06:25They go to hell.
00:06:27Oh, I've got such a headache.
00:06:30Better try resting.
00:06:43Salve, gente.
00:06:45Buongiorno, Signora. Come stanno i bambini?
00:06:47This is Signora West's villa. What is it you want?
00:06:50Please, I need tools and a telephone.
00:06:52But you know that I'm cordially penitent, Signora.
00:06:54You see here a daring poor pilgrim and a miserable guy.
00:06:56I'm sorry, but it's impossible to help.
00:06:59Please, Countess, be nice. I tell you I can fix the motor alone.
00:07:02My passion is automobiles.
00:07:04Teresa.
00:07:06Si, Signora West.
00:07:09Give the young man what he needs.
00:07:12And then send him away.
00:07:14Bravo, Signora West.
00:07:17Offer to me.
00:07:19Get her that rose.
00:07:22Come on.
00:07:25Pick it and take it to Mrs. West.
00:07:27My name is Peter Donovan.
00:07:35Screwdriver.
00:07:39Pliers.
00:07:45It's a matter of speaking the same language.
00:07:54Well, that does it.
00:07:56You mean you finished so fast?
00:07:58Not on your life.
00:08:00It's inexorably broken.
00:08:02I have to get a new part.
00:08:04Oh.
00:08:06For your wonderful eyes.
00:08:08By the way, why don't you let me see them?
00:08:10Is it necessary?
00:08:12Not at all. I'll take you on your word.
00:08:30No, your word wasn't enough.
00:08:37All right.
00:08:39Never mind.
00:08:43How far is it to town?
00:08:45I don't know.
00:08:47Two or three miles.
00:08:49Maybe four.
00:08:51Marvelous. I was afraid it was 50.
00:08:53I'm sorry about having to leave the car here.
00:08:55But I'll be back tomorrow morning with the mechanic.
00:08:57It's all right.
00:08:59Would you like me to have Teresa drive you in?
00:09:01No, no, no. I prefer walking on my hands.
00:09:04Well...
00:09:06So long.
00:09:33What are you doing here?
00:09:35Trying to sleep.
00:09:37And then I just happened to bump into the horn.
00:09:39Sorry.
00:09:41But I don't understand.
00:09:43You're not a man with a heart.
00:09:45I'm trying to tell you something.
00:09:47I'm not a man with a heart.
00:09:49I'm a man with a heart.
00:09:51I'm a man with a heart.
00:09:53I'm a man with a heart.
00:09:55I'm a man with a heart.
00:09:57I'm a man with a heart.
00:09:59I'm a man with a heart.
00:10:01But I don't understand. Didn't you go into town?
00:10:04You bet. Six miles. Seven thousand lira to pay for a new part.
00:10:08And if the mechanic had come, it would have taken twelve. I just had seven.
00:10:12I see. In other words, you didn't have the money for a hotel room.
00:10:16It happens at least once in your life.
00:10:21Just a moment.
00:10:26Yes? Hello?
00:10:28Oh, it's you, Brian. I was afraid you wouldn't call.
00:10:33Saturday. Perfect.
00:10:36Let's see. Today is...
00:10:38Wednesday.
00:10:43Yes, that's right. Wednesday.
00:10:47All right, dear. I'll see you then.
00:10:49Right. Goodbye.
00:10:52Haven't you been taught that it's rude to enter a house without being invited?
00:10:56I was just looking. After all, masterpieces are to be looked at.
00:11:00Otherwise, why bother painting them?
00:11:03Well, I paint for myself. Besides, I'm not a professional.
00:11:08It's perfect. You used a mirror, right?
00:11:11You've got a rather unusual belly button, just like the Botticelli Venus.
00:11:16Oh, stop it. Besides, what do you know about painting?
00:11:27You're not an art critic, are you?
00:11:29Why not? What do you know about me?
00:11:31You're right. In fact, I'm not a critic, not even an intellectual.
00:11:36But I've forgotten all my manners.
00:11:40I'm hungry as a wolf.
00:11:44And wolves do not apologize. Good-bye, Miss West.
00:11:47Oh, wait a minute.
00:11:51All right, stay here.
00:11:53But don't touch anything.
00:12:02That's all I could find.
00:12:04But it should be enough for a wolf.
00:12:06I didn't feel I should wake the housekeeper.
00:12:09You needn't have gone to that trouble.
00:12:13Here's a drink if you feel like it.
00:12:24There. You can settle down here.
00:12:27I hope you'll forgive me if I don't have a pair of pajamas your size.
00:12:32I always sleep naked, and I like the women I sleep with to sleep naked, too.
00:12:37I see. Well, good night.
00:13:23I don't want that old witch to catch on to anything.
00:13:26Well, I do.
00:13:28You're a free woman. What's more, you pay her.
00:13:31Why are you afraid of her?
00:13:34One has to be afraid of everything these days,
00:13:37especially when one's happy.
00:13:40Besides, things are not easy for me now.
00:13:46But you are a widow, aren't you?
00:13:48As of seven weeks.
00:13:50I suppose you loved your husband very much, didn't you?
00:13:54He died suddenly in a car crash.
00:13:57Very wisely. Otherwise we wouldn't be here.
00:14:00Poor Robert.
00:14:02He was a good man, but closed.
00:14:06All he ever thought about was money.
00:14:08And you married him for money?
00:14:10No. I needed affection.
00:14:13I thought an older man could give it to me.
00:14:16But all he knew how to give was money.
00:14:20You want some advice to save your soul?
00:14:23Give away all the money you've got,
00:14:25but not to the poor, to somebody richer than you.
00:14:29We need not create rich people any more than there already are.
00:14:38She's coming back later.
00:14:43Well, Mrs. West,
00:14:45have a nice trip and give London a smile.
00:14:49If you're ever in the neighborhood, do stop in.
00:14:53Goodbye.
00:14:55Clear everything away, Teresa.
00:14:58That's all for tonight.
00:15:19Peter!
00:15:21Is that you, Peter?
00:15:27Peter!
00:15:34Oh, no!
00:15:36Are you afraid of getting dirty?
00:15:39No.
00:15:41I'm not afraid of getting dirty.
00:15:43I'm not afraid of getting dirty.
00:15:46Are you afraid of getting dirty?
00:15:56Oh, yes. Dirty me.
00:16:04Hello?
00:16:05Catherine?
00:16:06Brian!
00:16:07Shall I meet you plane?
00:16:08No, I prefer to drive. Wait for me there.
00:16:10Don't forget you're meeting Robert's aunts.
00:16:12Oh, yes. Don't worry. I'll wear the soberest dress I have.
00:16:14Fine. See you in London.
00:16:15Right. Bye.
00:16:20Peter, hurry.
00:16:21You've got to leave right away.
00:16:23Okay, but what's your trouble?
00:16:25Oh, I'm in a terrible rush.
00:16:27You say I'll never get to London.
00:16:29Look, please don't be offended, Peter,
00:16:32but I would like you to be in a position of independence until I get back.
00:16:36Here, take it.
00:16:39Were you used to being paid before you married the rich man?
00:16:42Oh, forgive me. It's just my maternal instinct.
00:16:46Please go now, quietly.
00:16:48Okay, my would-be mother.
00:16:53When I get back from London, will we see each other again?
00:16:56It's up to you. If you want me, just call.
00:16:58Piazza Navona 19, top floor.
00:17:00There's no phone, but the mailman comes.
00:17:13THE FAMILY MANSION
00:17:26We've reached an accord that's perfectly rational.
00:17:28The result is that the family mansion becomes your property.
00:17:31In exchange, are you disposed to renounce all legal demands
00:17:34on the estate of your nephew, Robert?
00:17:36I think so.
00:17:37No, no. That's not so.
00:17:38I'm not going to renounce the legacy we expected.
00:17:40I would absolutely contest any attempt to oppose the will of the family.
00:17:43Mr. Osborne, could we buy the house?
00:17:46Legally, yes, but you'll have to meet the price.
00:17:48Then it's simpler to do, as I say.
00:17:50On the contrary, the West mansion is worth more than mere money.
00:17:53But Catherine was his wife.
00:17:55It had the honor of having Lincoln as a guest one night.
00:17:57After all, it is the West family's oldest possession.
00:18:00And we cannot forget the sentimental value...
00:18:02We cannot equate sentimentality with economics.
00:18:05Let's hear what Catherine has to say.
00:18:07Oh, my dear aunties,
00:18:10the only thing I know is that my poor Robert
00:18:13would have wanted me to give you the family house.
00:18:16Oh, no. Irregardless.
00:18:18We Wests don't want any charity, legal or personal.
00:18:20But Janet, don't be too offended.
00:18:22It was just and generous of our precious niece.
00:18:24I have no nieces.
00:18:25Our poor dear Robert is gone.
00:18:27She's only the widow of my nephew.
00:18:28Poor Robert. He never lived to enjoy his life.
00:18:31A young woman and an older man? It wasn't right.
00:18:33Oh, I'm going to forget that we've been here five years.
00:18:38But why did he drive himself so hard?
00:18:42You, you, Catherine.
00:18:44Please, a glass of water.
00:18:59Here's his telegram.
00:19:02This is from the brokers for Delta Petroleum.
00:19:06For the Pasadena residents,
00:19:08I can hope for the best, even better than New York.
00:19:13These are the Brazilian oil lease for the council
00:19:15to administer during litigation, etc.
00:19:17You can rest assured that you'll be even richer.
00:19:19Oh, you must be mad.
00:19:21Oh, where's my angel?
00:19:23Come on, princess, you're invited to dinner.
00:19:25By whom?
00:19:26A lonely man who's fascinated by you,
00:19:28but who feels he's not worthy of your attention.
00:19:31Oh.
00:19:49Hello? Telegram?
00:19:51Destination, please.
00:19:52Uh, Rome.
00:19:54Piazza Navona 19.
00:19:57Urgent.
00:19:59Yes?
00:20:00Message, please.
00:20:02Yes, yes, please.
00:20:03No, I'm sorry, I've changed my mind.
00:20:31Oh.
00:20:34Who's there?
00:20:55Teresa, is that you?
00:21:00Help!
00:21:18Oh!
00:21:30Oh!
00:22:01Who's there?
00:22:12Let me out!
00:22:14Let me out!
00:22:15Let me out!
00:22:20Teresa!
00:22:22Teresa, help!
00:22:26Señora West.
00:22:27Who's there?
00:22:30Oh, Teresa.
00:22:32What caused you to scream?
00:22:33There's someone in the house, Teresa.
00:22:35Come along.
00:22:36Teresa, there's someone in the house.
00:22:38Come on, come on, come on, come on.
00:22:48But I tell you, I can't have been dreaming.
00:22:50The shower was on.
00:22:51The window was open.
00:22:52But look there.
00:22:53The painting was always there.
00:22:55Somebody must have taken it upstairs.
00:22:57You're not well tonight.
00:22:58You're feeling terribly anxious, but it's only temporary.
00:23:01Don't drive yourself crazy.
00:23:03The lights were on, and then they went off.
00:23:06In other words, you don't believe me.
00:23:09How can I, when you depend so much on pills to help you escape from reality?
00:23:13You need rest, Señora West.
00:23:16Go to your room.
00:23:17You'll feel better soon.
00:23:28I'm sorry.
00:23:29I'm sorry.
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00:26:23Flowers, sir signore?
00:26:25Put it on the bill.
00:26:28Hey!
00:26:31You trying to lose me after depriving me of a roof?
00:26:35I don't find it funny.
00:26:36Why don't you behave decently and apologize?
00:26:38Well, I didn't ask you to accompany her to Rome.
00:26:40Oh, stop it, Peter.
00:26:42I find the whole thing very distasteful.
00:26:45You're right. I'm sorry.
00:26:46Take her.
00:26:53Boo!
00:27:00Teresa.
00:27:02Prepare the guest room.
00:27:04Mr. Donovan is spending a week with us.
00:27:23Eva!
00:27:25Ciao!
00:27:26Come on!
00:27:30I'd like you to meet my sister.
00:27:53Oh!
00:28:17Oh, sorry.
00:28:18Please, try to be more careful when you dance.
00:28:20Ah, Teresa, don't bother.
00:28:22Go to bed and get some sleep.
00:28:24I'll sleep.
00:28:30In my day, I was fabulous.
00:28:36In my day, I was famous for rock and roll.
00:28:39This is your day, Catherine.
00:28:40Ours is yet to come.
00:28:43Peter's right.
00:28:45I'd give half my life to resemble you during the other half.
00:28:51If you only knew the admiration.
00:28:54The enormous attraction I feel for you.
00:28:57The melting sensation I get looking at you.
00:29:00So feminine.
00:29:01So beautiful.
00:29:10There.
00:29:11Touching you to be sure you're real.
00:29:13That's a thrill.
00:29:15Oh, Eva.
00:29:17You have so much inside.
00:29:20If you can even give it away to someone like me,
00:29:23rich with no purpose in life,
00:29:26who doesn't deserve it.
00:29:32Well, then.
00:29:35If that's the way it's to be,
00:29:38teach me how to be young!
00:29:45Good for you.
00:29:46Come on!
00:29:51Come on!
00:29:54What?
00:29:57What?
00:29:58No!
00:30:10Oh, it's wonderful to be young.
00:30:21Hold it!
00:30:23Oh, no, you monster! Don't use the flash!
00:30:26You'll burn everything out on me and we'll turn out looking dreadful.
00:30:29It has a special film that takes photos in this light.
00:30:35Now, you can do whatever you want.
00:30:37Does it have an automatic shutter?
00:30:39Of course.
00:30:51Come on.
00:30:52All together, a family group.
00:30:59So, Eva, how do you like the house?
00:31:01It's lovely here.
00:31:03Silent and chanting.
00:31:05It reminds me of our grandparents' house in Beverly Hills.
00:31:09It's an old, dreary house full of old folks and dogs.
00:31:12Oh, he's lying.
00:31:14I bet he's longing to go back.
00:31:16He's always doing that.
00:31:18When he loves something, he says he hates it.
00:31:23Mmm, at last.
00:31:28Not for me, thank you.
00:31:32I am no teetotaler, but when I drink on an empty stomach,
00:31:35I don't trust myself to drive.
00:31:37But where do you have to go?
00:31:39Well, back to Rome, I suppose.
00:31:41Oh, not at all.
00:31:42I've already arranged dinner here.
00:31:44Unless you have something more important to do.
00:31:46I don't think there is anyone more important than you, Catherine.
00:31:49At least for the moment.
00:31:53Oh, well then, come on, have a drink.
00:31:55You won't be driving anywhere tonight.
00:32:17Don't worry
00:32:19Baby, cause I'm the one
00:32:23I'll be there
00:32:25To turn your sadness
00:32:27Into fun
00:32:31Late at night
00:32:33When it's dark
00:32:35And so cold
00:32:37Girl, I'll promise
00:32:39You the warmest
00:32:41Time to hold
00:32:43So anytime
00:32:45You need some love
00:32:47Just tell me
00:32:49Anytime
00:32:51You feel alone
00:32:53Just tell me
00:32:55Don't worry
00:32:57Baby, cause I'm the one
00:33:01I'll be there
00:33:03To turn your sadness
00:33:05Into fun
00:33:09Late at night
00:33:11When it's dark
00:33:13And so cold
00:33:15Girl, I'll promise
00:33:17You the warmest
00:33:19Time to hold
00:33:21So anytime
00:33:23You need some love
00:33:25Just tell me
00:33:27Anytime
00:33:29You feel alone
00:33:31Just tell me
00:33:33Don't worry
00:33:35Girl, cause I'm the one
00:33:39I'll be there
00:33:41To turn your sadness
00:33:43Into fun
00:33:47Tell me baby
00:33:49Come on and tell me
00:33:51Why don't you come
00:33:53Tell me baby
00:33:55Come on and tell me
00:33:57Why don't you come
00:33:59Tell me baby
00:34:01Why don't you tell me
00:34:03Come on
00:34:05Tell me baby
00:34:07Come on and tell me
00:34:09Why don't you come tell me, baby?
00:34:12Come on and tell me.
00:34:15Why don't you come tell me, baby?
00:34:18Come on and tell me.
00:34:21Why don't you come tell me, baby?
00:34:25Come on and tell me.
00:34:32Oh, I wish I didn't feel so tired.
00:34:38It's a pity to break up a night like tonight.
00:34:41Look, I've got some pills that make you stop feeling tired.
00:34:44I took one in the nightclub.
00:34:47It should be taken with four fingers of whiskey.
00:35:08Eva, I'd like to give her a kiss. May I?
00:35:11You must.
00:35:13Oh, not now, darling.
00:35:15You must never say no to a guest, Catherine.
00:35:30Why should you hide when you make love?
00:35:33There are so many ridiculous and repulsive things.
00:35:36And love is the most beautiful in the world.
00:35:39Quite right, sis.
00:35:40Just think, there's people who count their money in public.
00:35:43People who slug each other in the ring.
00:35:45People who make war.
00:35:50How long is it since you've made love, sis?
00:35:53I never remember the last time.
00:35:55I only think of the next.
00:35:57What you've done in the past seems like nothing...
00:36:01compared to what you'd like to do.
00:36:04Now I order you to go to bed.
00:36:07I will take your word for it.
00:36:10Come on, Catherine.
00:36:12Come on.
00:36:34Catherine, wake up, darling.
00:36:37It's 4 in the afternoon.
00:36:39Don't let me sleep, please.
00:36:42Come on, you've got to wake up.
00:36:45Oh, oh, I can't.
00:36:54You'll end up harming yourself.
00:37:00Take this.
00:37:02You'll feel better in a moment.
00:37:09Your move, Catherine.
00:37:28Yes?
00:37:29Yes, here she is.
00:37:35Hello?
00:37:37Hello, Brian.
00:37:41How are you?
00:37:51No, don't worry.
00:37:52They're two kids from Boston.
00:37:54Yes, the children of a friend of mine.
00:37:58evening perfect till tomorrow night then no I'll come there right I try and leave
00:38:08us and I'll bump you off Peter it was only a joke I don't tolerate jokes with
00:38:17guns and I don't tolerate brutality you prefer she'd shot you you idiot how dare
00:38:23you speak to me like that and you keep your voice down all the Brooklyn comes
00:38:27out and you
00:38:39Brooklyn
00:38:57I don't want you to to quarrel because of me oh it's not because of you it's
00:39:07because of me come on let's drop it oh that's too easy is that what you did as
00:39:12a little boy always but he means it when he says he's sorry well there's nothing
00:39:18really to be sorry about anyway good night good loving
00:39:39I'm
00:39:46perhaps dear Catherine worry comes from caring that's very sweet of you Brian
00:39:52but there's really no need to worry I feel much better now you know these two
00:39:57youngsters have been marvelous for me they've given me a new perspective on
00:40:03life and youth that's so to be young requires the company of the young excuse
00:40:09me I didn't mean to sound like such an old man oh that's not true but I must
00:40:14tell you frankly Brian I have no intention of getting married again I'm
00:40:19not asking you to marry me no but you were about to when I stopped you anyway
00:40:26you'll always be closest person to me I'll never let you go I have always felt
00:40:31the same way about you what's that oh it's just something for the digestion
00:40:39I've had a problem with my liver lately
00:40:44that's why I would like to go home early if possible
00:41:01I
00:41:03Welcome back, you tramp.
00:42:03Welcome back, you tramp.
00:42:33Can you talk, Senora West? Can you say anything? What happened? Are you all right, Senora West?
00:42:50Hmm? Do you feel any better? This is Teresa. Please, say something. Do you want me to
00:42:59make you a cup of hot tea? Ah, good. Here, drink. Can you say anything? You may have
00:43:16a concussion. I just tripped, Teresa. It's nothing. I'll be all right. Go back to bed.
00:43:36We'll look after her. Come on.
00:43:46We didn't lie to you before. My father and Ava's father were good friends. Our
00:43:54mothers, too. To the point that they divorced and married each other. So we
00:43:59grew up together. School together. Vacations together. Bed together. Ever
00:44:03since we were children. It's disgusting. You've deceived me so. You've helped us
00:44:11yourself. Why? Are you jealous of something? I'm the one who should be, but jealousy
00:44:20does not exist. Especially in the particular situation we're in. Why did
00:44:27you come here, Ava? I wanted to see who was stealing Peter from me. And when I
00:44:35saw you, I realized he was right. And you made me fall in love, too. I made you fall
00:44:45in love. There are all kinds of love. And all sorts of pleasures. When you came, we
00:44:52were thinking about you as if you were here with us. I was here with you.
00:45:52I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when
00:46:22I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when. I don't know when
00:46:52Martino stays on. He lives with his flowers and besides he's deaf.
00:47:00Tell me, Catherine, before making up your mind, did you like it?
00:47:22Hey, turn it up!
00:47:25It can't.
00:47:52Oh yeah.
00:47:54Any time you're feeling down, just tell me.
00:48:01Any time I come around, just tell me.
00:48:07Don't worry, baby, cause I'm the one.
00:48:13And I'll be there to turn your sad...
00:48:24So, to the third question.
00:48:27What do you think of yourself?
00:48:30Well, what do I think of myself?
00:48:35When I think of myself, I want to vomit.
00:48:40But I'm happy because I realize it.
00:48:44You see, you two don't realize how nauseating you are.
00:48:50There.
00:48:51I've told the truth.
00:48:58That makes us both more nauseating.
00:49:03Why did you do that? Get out of the way. Let's drink.
00:49:07Come on. It's all over, Catherine. It's only a game.
00:49:11Yes, a game. A game of truth. And I told the truth.
00:49:15You won't screw me anymore.
00:49:19You won't screw me anymore with your drugs, you slimy little bastards.
00:49:25You won't have my neck.
00:49:28Go find somebody else for your degenerate games.
00:49:31And get out of my house. I never want to see you again.
00:49:35You filth. I loathe you.
00:49:49THE END
00:50:08Martino, do you hear me?
00:50:11Take this away.
00:50:19Don't forget. Open the gate at five sharp.
00:50:23But before and after that, don't open it for anyone.
00:50:29Five o'clock?
00:50:32Five.
00:50:49Five.
00:51:04What's the meaning of this?
00:51:07Leave at once.
00:51:19All right. How much do you want?
00:51:22She asks how much we want.
00:51:25How much does she think she's worth?
00:51:28I knew it was blackmail. I haven't got time to lose. I'm expecting guests.
00:51:32Say what you want and get out.
00:51:35We don't want your money. We want you.
00:51:38It was certainly fortunate for Catherine that when Teresa suddenly walked out on her,
00:51:42she discovered you, too.
00:51:45No doubt it's very peaceful in this desert.
00:51:48Desert? Miss West, what do you mean?
00:51:52This is an earthly paradise.
00:51:55I don't know what you're talking about.
00:51:58I don't know what you're talking about.
00:52:01I don't know what you're talking about.
00:52:04I don't know what you're talking about.
00:52:07This is an earthly paradise. I'm majoring in botany.
00:52:10I've never seen any place as rich in fungi of all kinds.
00:52:14Oh, really? What are your interests?
00:52:17Well, music, photography, too.
00:52:20But actually, I'm sort of, well, an old-fashioned girl.
00:52:24And I think I'm too young to take a serious interest in anything.
00:52:28I feel much pleasure whenever I hear such words from the younger generation.
00:52:32No, no, not at all, young lady. Continue on with those principles,
00:52:35and you'll wind up like us, taking care of alcoholics
00:52:37without ever having had the pleasure of getting drunk.
00:52:42Are you feeling better, dear? Oh, much better, thank you.
00:52:45In fact, I jotted down the notes you asked for.
00:52:48What papers? About the oil company.
00:52:51If you start losing your memory, Brian, I'll be forced to hire another attorney.
00:52:55Oh, yes, I forgot. I'm sorry.
00:53:05Good. Then it's possible to proceed.
00:53:08Now, these are the details concerning the sale of the villa.
00:53:12Now, your approval is necessary to complete the matter.
00:53:16Please, sign here.
00:53:18We expect to see you in London, Cathy, dear. Bye.
00:53:21Bye. See you in Michigan. Maybe this springtime.
00:53:24And also, I'm very grateful for the concern you've shown for Catherine.
00:53:28For us, it's a pleasure, Mr. Sanders.
00:53:31Catherine is certainly a good person.
00:53:34Thank you, Mr. Sanders. Catherine is so sweet and unhappy.
00:53:37I'll telephone tomorrow from the airport.
00:53:39Don't forget. Please call.
00:53:41Ciao.
00:53:52Come back alone as soon as you can.
00:53:55I'm in danger.
00:53:56Shut the gate.
00:54:02Here. Give this to her.
00:54:05Magnificent. It would even give a kick to the rotting Mr. West.
00:54:10You'd give all your stinking millions to have a taste of this.
00:54:13Wouldn't you, Catherine?
00:54:15We don't want them. We like you.
00:54:18Sweet and aggressive.
00:54:20I'm sure you'll like it.
00:54:22We don't want them. We like you.
00:54:25Sweet and agreeable, as you were long, long ago.
00:54:30That's all over now.
00:54:32And I don't feel like drinking.
00:54:35You're a liar, Mrs. West.
00:54:37You do feel like it.
00:54:39Except you're also afraid.
00:54:41This is the most exciting moment of your life.
00:54:45Why don't you surprise me and ask to have a drink?
00:54:48Stop it.
00:54:49What do you promise me if I let you drink?
00:54:58Stop it.
00:55:00You hear that? She wants to stop before we've even started.
00:55:07Hello? Brian!
00:55:10Hello, Brian, can you hear me now?
00:55:14Oh, no, no, no. Please. Please.
00:55:19Oh, no, no, no. Don't hang up, Brian. Stay on the line.
00:55:26What?
00:55:31Hello, Brian?
00:55:34Oh, the letter.
00:55:36Oh, it's nothing important.
00:55:38I just wanted to hear about the dividends.
00:55:43Oh, well, it was nothing important.
00:55:45I just wanted to know about the dividends.
00:55:49Yes, I'm... I'm fine. Bye.
00:55:56Oh, no. Turn it down, please.
00:55:59Having a little trouble, huh?
00:56:01Come on. Go to bed. Go on to bed.
00:56:04We want to be alone.
00:56:07Come on. Move it.
00:56:19I promise you the warmest hand to hold.
00:56:24So anytime you need some love, just tell me.
00:56:49Oh, come on.
00:56:57Oh, come on.
00:57:19Come on.
00:57:49Anytime you need some love, just tell me.
00:57:55And anytime you feel alone...
00:57:59Stop it! Stop it! Let me out of here!
00:58:03Stop it! Let me out of here!
00:58:06Stop it! Stop it! Let me out of here!
00:58:09Please!
00:58:11Stop it! Let me out!
00:58:13Let me out of here!
00:58:15Tell me, baby.
00:58:17Come on and tell me.
00:58:20Why don't you come on and tell me, baby?
00:58:23Come on and tell me.
00:58:26Oh, no! No! No!
00:58:30Tell me.
00:58:32Come on and tell me, baby.
00:58:35Come on and tell me.
00:58:38Why don't you come on and tell me?
00:58:42Tell me.
00:58:43Come on and tell me, baby.
00:58:48What's happening?
00:58:49He shut himself in!
00:58:51Catherine, what have you done?
00:58:53What have you done? What are you doing?
00:58:55Pull back the car!
00:58:56Pull back the car!
00:58:57You've gone out of your mind?
00:59:00How you get locked in?
00:59:01I want to leave! I want to get out of here!
00:59:02Where are the keys?
00:59:03You're sick, Catherine.
00:59:04The keys!
00:59:05Come on. Let's go home. Come with me.
00:59:08I don't want to. I want the keys.
00:59:10Where are the keys to my car?
00:59:12I'll give you the keys. Come with me.
00:59:23They weren't there before.
00:59:26You're suffering from hallucinations, Catherine.
00:59:29You can't go away.
00:59:31Not in this state.
00:59:33Come on. Be good.
00:59:42THE END
00:59:56Peter! Peter, look!
00:59:58My God, he might fall!
01:00:00Please, Peter, go get him. Please!
01:00:02Where?
01:00:03Up there! Up there!
01:00:06Ah, the same old story.
01:00:08I'll try from up above. Wait.
01:00:12Where are you going?
01:00:14No, wait! Wait!
01:00:17Stop!
01:00:30Kitty, kitty, kitty, kitty.
01:00:42Kitty, kitty, kitty, kitty.
01:00:59Wait a moment!
01:01:05Oh, thanks.
01:01:06Is it yours?
01:01:07Yes. She's been missing since this morning.
01:01:10I'm living down the way.
01:01:12Where are you going? Go back to bed.
01:01:14No, let me by.
01:01:17No!
01:01:18Let me by!
01:01:19No.
01:01:20Let me by!
01:01:21Go!
01:01:22You!
01:01:23No!
01:01:24Damn you!
01:01:25You!
01:01:26Stop!
01:01:29Bitch!
01:01:30Damn you!
01:01:31Me!
01:01:32Stop it!
01:01:36Stop it!
01:01:37I'm leaving now. See you later, huh?
01:01:39Thanks again.
01:01:40Who's that?
01:01:41Oh, the senor.
01:01:43Oh, it's a dummy person by here.
01:01:45We talk away.
01:01:46Here, go into town and get some cigarettes.
01:01:48Go on.
01:01:50Oh, no.
01:01:51Don't beat me.
01:01:54Oh, no.
01:01:56No.
01:01:58No.
01:02:13No.
01:02:16No.
01:02:17Oh, no! No, please!
01:02:21Oh, please! Oh, no, please, no!
01:02:25Aah! Oh, no!
01:02:28Aah! Aah!
01:02:48Aah!
01:02:50Aah!
01:02:56Aah!
01:03:01Martino!
01:03:03No, don't go away!
01:03:05Don't leave me!
01:03:07Martino!
01:03:09Wait!
01:03:11Martino!
01:03:13Wait!
01:03:15Martino!
01:03:19Don't go away!
01:03:21Don't leave me!
01:03:24Martino!
01:03:26Grazie! Grazie, signora!
01:03:29Thank you very much!
01:03:34Bye.
01:03:44Martino! Martino! Martino!
01:04:02There's not a drop left in the house.
01:04:05Have you forgotten all our wonderful evening?
01:04:14Where's the telephone?
01:04:17We're against technological progress, and we don't want to be disturbed.
01:04:22Oh, put the telephone back at once.
01:04:25I want to order some whiskey.
01:04:27Eva's gone in to lay in a supply, but if you're really thirsty,
01:04:31I'll see what I can do.
01:04:38And I warn you!
01:04:41And I warn you! There's a padlock on the gate!
01:04:59Here we are!
01:05:01But if you want a drink, you've got to be nice.
01:05:04No, no, don't come any closer.
01:05:06Well, I was just trying to be nice.
01:05:09The fact is that we really don't have any more fun with you
01:05:13because you're a poor, demented drunk!
01:06:09Hey, bring me a glass now.
01:06:12Uh, yes.
01:06:39Actually, you're a pretty nice girl.
01:06:43Get up.
01:06:48Stand up.
01:06:56Give me the keys to the gate.
01:06:59I'll get the door.
01:07:01I'll get the door.
01:07:03I'll get the door.
01:07:05I'll get the door.
01:07:07Give me the keys to the gate and the keys to the car.
01:07:10Don't do anything silly, Catherine.
01:07:19Stop there.
01:07:22Throw me the keys and then lock yourself inside.
01:07:37I'll get the door.
01:08:07I'll get the door.
01:08:37I'll get the door.
01:09:07I'll get the door.
01:09:19Damn the day I ever got the idea of using red dye.
01:09:22You can thank me for having thought of putting in those blanks.
01:09:26How is she?
01:09:28She's just waking up. The sedative was weak.
01:09:33Be careful, huh?
01:09:35This isn't the moment.
01:09:37Don't worry. It's pure science.
01:09:56Hello?
01:09:58Yes?
01:09:59West residence.
01:10:01Ah, good evening, Mr. Sanders.
01:10:03She's gone to Rome with my sister.
01:10:05She's gone to do some shopping.
01:10:09I see.
01:10:12Well, I hope she'll be back by that time, okay?
01:10:16Be seeing you soon.
01:10:22I'm sorry, darling, but I had to stop you from saying anything funny.
01:10:27You've done too many funny things already.
01:10:31Now, Mr. Sanders is on his way, and you've got to get rid of him.
01:10:35Brian's coming here?
01:10:39Quite right.
01:10:41You have to behave, and if you say one thing, we spill the beans.
01:10:45But no. Our little Kathy will be perfect.
01:10:49Now get up and get yourself into shape.
01:10:52God save you if you let yourself be seen in this condition.
01:10:55No, later.
01:10:57Now you've got to get up and get dressed.
01:11:28I'm terribly sorry, but I absolutely must be in New York tomorrow morning.
01:11:32I don't know what to say, Mr. Sanders.
01:11:35Every time they go to Rome, they get lost in the shops,
01:11:38go to the movies, stop by in some restaurant.
01:11:41Quite frankly, I'm pretty fed up with trying to keep up with those live wires.
01:11:45Oh, I'm sorry.
01:11:47I've got to get going.
01:11:49I've got to get going.
01:11:51I've got to get going.
01:11:53I've got to get going.
01:11:55I've got to get going.
01:11:59Maybe it's better that way.
01:12:01Katherine needs a little distraction. How is she now?
01:12:03Well, I don't know really what to say.
01:12:05Sometimes she seems perfectly well.
01:12:07And then she gets sudden fits of depression.
01:12:10Forgive me, Mr. Sanders. Perhaps I shouldn't...
01:12:13No, no. Tell me the truth, I beg you.
01:12:15Well, when she gets sad, she drinks a lot.
01:12:18And when she drinks a lot, she says she wants to die.
01:12:22Then, uh...
01:12:24She takes sleeping pills, and she sleeps for 24 hours a day.
01:12:31Yes, we really must convince her to take a cure.
01:12:34I'm very worried, and I'd be very grateful, Mr. Donovan,
01:12:37if you'd always keep me informed.
01:12:39In any case, I'll be back in a week at the most.
01:12:45What about the power of attorney?
01:12:48Thank you. And tell Catherine to sign this
01:12:51and dispatch it immediately to the office of Carlini,
01:12:53who is my correspondent in Rome.
01:12:55And should Signora West have need of clarification,
01:12:58this is my number to telephone.
01:13:00Mr. Donovan, you've been of considerable help.
01:13:02Now, what Catherine wanted to know is what the total dividends come to.
01:13:06Tell her these papers concern $120 million from the Italian branch.
01:13:11I see. $120 million.
01:13:17What was that?
01:13:19Ah, the cat's up to his old trick of trying to steal a bottle of milk.
01:13:24Oh, well, tell Catherine, uh, Mrs. West, to call me. Goodbye.
01:13:28Goodbye, gentlemen. See you, Mr. Sanders.
01:13:39Keep your millions, you filthy...
01:13:42...cratch!
01:13:50Telegramma!
01:13:56Too bad you're so crazy.
01:13:58You are so beautiful.
01:14:00I could have loved you and made you happy.
01:14:03All the fault of whiskey.
01:14:08Would you like to make love one last time?
01:14:12One last time.
01:14:19Only you and me.
01:14:43Catherine?
01:14:45Your supper's ready.
01:14:55Ouch!
01:14:57Ah!
01:14:59Ah!
01:15:01Ah!
01:15:03Ah!
01:15:05Ah!
01:15:07Ah!
01:15:09Ah!
01:15:11Ah!
01:15:14Ah!
01:15:16Let me out!
01:15:18I'm going mad!
01:15:20I'm going mad!
01:15:34Twenty pills.
01:15:36It'll be a painless suicide.
01:15:41Let's go.
01:16:12It is our sad duty...
01:16:14...to inform you...
01:16:16...of the death of your legal representative...
01:16:20...Brian Sanders.
01:16:22Oh, no.
01:16:24In a plane crash returning...
01:16:27...home of his...
01:16:29...little girl...
01:16:31...Catherine.
01:16:33Catherine.
01:16:35Catherine.
01:16:37Catherine.
01:16:39Home of his...
01:16:41Oh, God!
01:16:44Oh, God, no!
01:17:02Ah!
01:17:06This is it.
01:17:08Let's wait at least ten minutes.
01:17:11Okay.
01:17:38Ah!
01:18:08Ah!
01:18:39Ah!
01:18:43Ah!
01:18:49Ah!
01:18:54Ah!
01:19:04Ah!
01:19:08Ah!
01:19:28Ah!
01:19:38Ah!
01:20:08Ah!
01:20:39Bye-bye, Catherine.
01:20:41The party's over.
01:20:51Whoo-hoo!
01:20:53Uncle Brian, lend us the car.
01:20:55Absolutely.
01:20:56When I get in the water, I'll explode.
01:20:58It's a beautiful day for swimming.
01:21:00Brian, your darling. Ciao.
01:21:02See you later.
01:21:09Ah!
01:21:19Sir?
01:21:20Excuse me, Mr. Sanders.
01:21:21You're wanted at Scotland Yard.
01:21:35We're running out of gas.
01:21:36What do you care?
01:21:37We got 3,000 oil wells out in Texas.
01:21:40We can double the price of oil
01:21:42and be less traffic on the road.
01:21:49Listen to this.
01:21:50Catherine saved it, too.
01:22:07Ah!