مدي 1 تي في : مع ليلى اكسيم - 07/05/2025
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04:09I was able to give them a lot of my friends, and I was able to give them a lot of my friends.
04:15Everything was going to say that they were very good.
04:19Do you know how you were growing in the field of art and how you were growing in the field of art?
04:23Do you have any other forms of art and art?
04:29I was able to give my own art, but I was able to give my own art.
04:32I was able to give my own art and my own art.
04:36I didn't know how to go in the music field.
04:40But when I was small, I would always be in front of the camera.
04:44I would like to be in front of the camera and to be in front of the camera.
04:47Did you do something for the camera or not?
04:50I did it, I think.
04:51Because the camera is working, you can see the camera and the camera.
04:55You can see the camera and see the camera and see the camera.
05:00Do you do anything like that?
05:01I think the camera is working with the camera.
05:04I was in the university and I was working with the camera.
05:10I worked with the camera for 3-4 years.
05:12After that, I was able to play the camera.
05:14I was able to play the cinema and I was able to play the camera.
05:18And I learned how to move the camera and move the camera.
05:24I was able to play the video clip.
05:27I was able to play the scenario and I worked with the camera.
05:32and I tried to give a glimpse of the music and the music as well as the music and the music as well as the music.
05:38How did you work on your music, Leila?
05:42During this year, I tried to work for almost every day and I started working with the music.
05:50So, I started to learn more about the field.
05:55So, I started working with the music and I started working with them.
06:04Do you have any problem with the live?
06:06No, I didn't have any problem.
06:07I was like, I have a problem with Starlight.
06:10What did you think?
06:12Normally, I wanted to go to the music, but I didn't want to go to the music.
06:21At first, I started working with them directly.
06:24So, if you could, I didn't realize your life.
06:27I could say I was
06:28apart from the music and the music and other little behaviors.
06:29Exactly.
06:30It's the piece of the music in the music landscape.
06:34However, I never asked the music that you were discussing the music in the music."
06:35Exactly.
06:37Of course.
06:38But I was interested in just trying to find you the impact that you are facing the principles of experience and the music.
06:44Be sure to take advantage of your experience continue to live, difficult learning experience experience in the music.
06:47Especially if you don't know your experience with your dreams.
06:52So how do you know how to use them, how to use them a little bit?
06:56In fact, it was only the people who used to use the language, who discovered this question.
07:00They didn't know how to use them in the chat, and they said to me in the comments, because they used to use the language.
07:07So it was a good thing.
07:10How did you know the features of Starlight?
07:13The features of Starlight, I was going to share with you with the first experience of the language.
07:19I was very different. First of all, I wanted to share with you with the features of Starlight, one of the big features of Starlight.
07:30There are many features, and there are many musicians, and there are many musicians, and there are many musicians.
07:36And there are other features of the participants who are with us.
07:41Starlight was very nice, and they gave me a love to the people.
07:45Do you feel comfortable with the experience of the vacances, or the experience of the culture, or the work?
07:55It is of course, the culture.
07:57I would like to share with you the episodes, which will continue with them or with them, it will be a lot of fun.
08:06But at the same time, the sky that is in Starlight,
08:10between the musicians and musicians,
08:13we can be satisfied.
08:15We can be satisfied.
08:17The most important thing is to live with the songs
08:19and to provide the songs with it.
08:22Do you know how you feel like this?
08:25Or how you feel a little bit?
08:28For real?
08:30For real?
08:31For real?
08:33I was thinking about the show,
08:38and I was able to listen to the show.
08:39I was able to listen to the music,
08:42and the songs I used to sing.
08:44I forgot to listen to the music,
08:46and I was able to listen to them.
08:48I just got a lot of songs and I found five songs.
08:52You never saw the music.
08:54No, you didn't even know the music.
08:56You didn't know the music.
08:58I was able to listen to my music,
09:00but I was able to listen to the music.
09:02The important thing for me was to make my own songs and try to give it to me and give it to me better than I have.
09:12What did you do with the LJNAT-T-HKIM?
09:17After the LJNAT-T-HKIM, I don't know much about the LJNAT-T-HKIM, but I have a lot in social media and we have a relationship.
09:27What did you do with the LJNAT-T-HKIM?
09:33In the recording?
09:37There are many of you who gave me the LJNAT-T-HKIM?
09:40The master's good.
09:43He was the LJNAT-T-HKIM, who gave me a lot of information about music.
09:48He was always focused on the music.
09:52The master's good, and the master's good.
09:57He could give you the best of his best.
10:01There were other things.
10:05You can't give you a lot of feedback from the LJNAT-T-HKIM.
10:10The Starlight is a good idea for you.
10:14You have a good idea for all fans and fans.
10:21What was the idea of the human being?
10:28What was the first step of the idea of the human being?
10:32The human being was before Starlight.
10:36It was a long time ago.
10:38Yes, it was a long time ago.
10:40And I was surprised when I was going to do the work.
10:44When I started the experiment of Starlight.
10:46I started to pause.
10:48Yes, I started to pause.
10:50And I decided to put the starlight in this moment.
10:54I was going to start the starlight.
10:56I was going to start the starlight.
10:58What did you do today?
11:00What did you do today?
11:02Which was my team in this year.
11:04I started to use this technique.
11:06I was able to use this technique.
11:09I used to use this technique.
11:11I used to use these techniques into the art.
11:15By the way my job was,
11:16I got a good job.
11:19I did a great job.
11:21I took my job.
11:23I used to be Anis Hamdou Che.
11:27And I used to be a great job.
11:29Okay, we have a production of the Laksim, so you can see the intake?
11:34May Allah!
11:36Of course, for the first part, I wanted to make the intake.
11:39I forgot my experience, I forgot my experience, I forgot my experience.
11:44Is it a big intake, a great job?
11:48I tried to give you everything I have in the first part,
11:53and I took my mistakes, I took my mistakes,
11:57but I didn't know how to do that at first.
12:00What was that?
12:01Okay, I had covered such problems wrapped up,
12:07I began to film two days, not knowing how Iacquipu was ل,
12:13I could mark them in the intake.
12:15I just ignored the intake then, exactly, I enjoyed the intake.
12:18I got to power some STEVENsed out,
12:21I took the video ARTS, I wanted to leave writing,
12:23I had to make a sorry signage.
12:26Yes.
12:28You are perfect.
12:30Yes.
12:32Yes.
12:34Yes.
12:36Like this,
12:38you are amazing.
12:40Yes.
12:42I can't speak.
12:44No.
12:46No.
12:48Yes.
12:50Is it good?
12:52No,
12:54Yes.
12:56It was a great experience for me as a first experience, and I really enjoyed it with many people, and I really enjoyed it.
13:05Did you call Anas, who was with you in the clip, and how did you deal with it?
13:10Anas, thank you all, is not my fault.
13:14And when we started working on the design, we realized that we didn't see any problems with it.
13:25Did you call Anas?
13:27Yes, I was a good friend.
13:30Me, I said, I am not.
13:35I was a fool and a fool and a fool.
13:40It was not a passion for me.
13:43Well, it's not a passion for me to learn.
13:46It's a passion for your life, and it's a passion for your own mind.
13:52But how do you think about love?
13:56Do you have a relationship with a story in the job?
14:02Maybe.
14:03A story of a society, a story of a society?
14:06It's not a story of love and a story of a society.
14:08It's not a story of love.
14:10And how do you think about it?
14:12We noticed that in the video clip.
14:15Was there a story about you or a doctor in the video?
14:19No.
14:20It's a story of love.
14:22I've done the music and I've been able to do the work in front of the camera.
14:27And I also have the help of the music and the feeling that you can do the work.
14:33Thank you for your time, Leila.
14:35Let's go with me.
14:36We need to make a story for you.
14:38We'll be back to you.
14:41We'll be able to do the news of the audience in the U.S.
14:44And today we'll show you the video clip of Draganov
14:48who's talented and so to be successful for Drogonov,
14:51and as a person who's talented,
14:53as well as the service of Drogonov.
14:55We'll be able to do the work well and admire.
14:57We'll be able to make a story of the story of David Drogonov.
14:58with the name of the Krasu and the name of the Krasu
15:00and the name of the Krasu.
15:02This is the actuality and the name of the Krasu.
15:07We'll watch the video from the Krasu and the video clip of Draganov.
15:28I am
15:31I am
15:33I make summer
15:35I don't use nor should I
15:37I don't
15:37I have my back
15:39I am
15:41She should frequently
15:41I understand
15:42My name
15:44I am
15:45Your name
15:46My name
15:46My name
15:47My name
15:48Your name
15:49Your name
15:49Your name
15:50Your name
15:50Your name
15:51My name
15:52My name
15:53I
15:54I
15:55I
15:56I
15:57joblasa
15:58b sprinkle the girl
16:003 days into a spare
16:02i'm not going to go in the press
16:04b quit your joblasa
16:07b sprinkle the girl
16:09b composition
16:11I don't think what I'm going to make a new bro-tras
16:14I don't think it is going to be in the list
16:16I don't think I'm going to focus
16:18It's all in the world
16:20I don't think I'm going to focus
16:23I don't think I'm going to focus
16:25I don't think I'm going to focus
16:27Welcome to Draganov, and welcome to the members of this project.
16:40Here is the director of this project, Anas Bissbussi, Raby Grym, and Aba Tura.
16:47He is a great director of the artistic director, and he is a great director of this project.
16:51And to remember that Draganov is very good,
16:53he is in the right way,
16:54and he has a global partnership between them
16:57with the Cowboys of Panama with Oxmo Pochino
17:01and Mr. Yu.
17:03Let's go back to the episode of today's episode.
17:06Let's ask you a little bit,
17:08what's going on?
17:09What's going on?
17:21You and that girl took him.
17:27Something deep down in my soul,
17:31said the cracker.
17:34Then I see you walk away from a child.
17:41So you see I love you so much that I want to watch you leave me, baby.
17:48I don't know, but I'm a dream I love you.
17:52I'm a dream I love you, baby.
17:55Oh, oh, oh.
18:00Thank you very much.
18:01The main question is what you are going to be in the southern?
18:05Or what do you think of the southern?
18:07I think I like the southern, I love the Arabic.
18:11The Irish and the Irish.
18:12Exactly.
18:13This is what I don't know about Starlight,
18:16I was able to use Arabic songs, but in terms of my songs, we will try to use Arabic songs with different styles.
18:26We can use pop, R&B, or modern music.
18:32We will always try to develop the culture of the Greek culture.
18:37I would like to use an album with some sort of traditional music, and some sort of traditional music.
18:44The other one is the English language.
18:50It is English language.
18:52English language.
18:53You were born in the English language.
18:56No, it's a very good language.
18:59It's a very good language.
19:02English language.
19:03English language.
19:04English language.
19:05I'm working with my friend Amina Alhwari.
19:07I want to give you a happy birthday.
19:09I'm going to share the video.
19:11It's a very good language.
19:13Yes.
19:14Are you in the sky or before the sky?
19:16I'm going to be in the sky.
19:19I'm going to be in the sky.
19:20Okay, I'm going to be in the video clip.
19:21I'm going to be in the video clip.
19:22Yes, I'm going to be in the video clip.
19:23Yes, of course.
19:24What would you say to me, Leila?
19:25Is he going to be an academy?
19:28Yes.
19:29Or is he going to be a fan of 100%?
19:31He's going to be an academy.
19:34He's going to be an academy.
19:35But he's going to be a fan of the music.
19:37The most important thing in the music is the development.
19:40I'm going to tell you that the experience is going to be a lot.
19:42I'm going to be very happy.
19:43I'm going to talk to you about this movement.
19:45I'm going to be a big picture of the music.
19:49I think these are the experiences, I think they can get a lot of fun.
19:52Do you agree with me?
19:53Yes, the experiences have a great experience in the music.
19:58And in terms of the experiences, I think the musicians do not even want to grow their own.
20:05I like that if they are hearing the music, they can learn a little bit.
20:09I would like to think about this one in my first work.
20:13I noticed that it will be one of the best if you were able to understand it.
20:21It's not something that's related to you.
20:22It's about the tools that help you and make you feel better.
20:25Are you ready for the moment?
20:27Yes, I'm ready for the moment.
20:27Okay.
20:28Are you ready for the next step?
20:29Yes.
20:30Okay, step by step.
20:32Step by step, exactly.
20:33Are you ready for the next step?
20:35Yes, step by step.
20:36Okay, what are the strategies for you in the future?
20:38What can you share with us with us a strategy for the first step?
20:42Well, in terms of the strategies for the first step, we're going to try to improve the music, and we're going to work with the fans, because I'm going to give them a little bit.
21:00Okay, you're going to give them a little bit more?
21:02Yes, I'm going to give them a little bit more.
21:04Okay, and can we see you in the video?
21:06Yes, I will.
21:08I'm sorry, I'm going to give them a little bit.
21:10So, are you ready for the next step?
21:12Yes, I will.
21:13Yes, I will.
21:14Yes, I will.
21:15Yes, I will.
21:16Thank you, Leila, for the last step.
21:18Thank you, Leila, for the last step.
21:19Thank you, Osama, for the participation of the program Patchwork.
21:23And I want to give you a shout-out to the members of Kisand Leyla Kisim.
21:28I want to say that I want you a lot.
21:30Thank you very much for your support.
21:32Thank you, Leila.
21:33Thank you very much for your support.
21:35Thanks, Leila.
21:36Thank you so much.
21:37Thank you so much for your support.
21:38Thank you very much.
21:40Thank you very much for your support.
21:42And we'll see you in Patchwork.