S66E052-May-2-2025
Category
📺
TVTranscript
00:00MUSIC
00:25It's a smashing little place. Proper good investment.
00:28I'm looking for £60,000 for a 50% share.
00:32Oh, ha! Hark at me.
00:34I sound like I'm on Dragon's Den, don't I?
00:38Really?
00:40Well, yeah, well, why don't we meet up later on today?
00:45Oh, I know that place well.
00:49All right. Yeah, well, I'll see you later.
00:52OK, bye.
00:54Any luck?
00:56She just wants to chat, but fingers crossed.
01:00Partnering up with an investor, it's my only way out of this mess.
01:04Oh, hey, but look. Here.
01:06The bank sent me an updated statement.
01:09Thought they sent out my £60,000 is safe.
01:12I'm sorry about my mum.
01:14Just when I thought she was turning into an actual human being.
01:17You're not responsible for that woman.
01:20And whatever she's done, it doesn't mean that you have to go, does it?
01:23You know?
01:24I'd miss my glamorous sidekick.
01:26You're the... you're the muttly to mind it dastardly.
01:30I don't know who either of them are, but they don't sound very nice.
01:33Morning.
01:39How's my mum?
01:41Could you do us all a favour, please, and throw away the key?
01:45She's always been a manipulative cow, that one.
01:49I should have seen it coming.
01:51Actually, could you... could you finish off this?
01:53Cos I need to get myself into gear if I'm going to meet with...
01:56Please, God.
01:57My new partner.
02:02So?
02:05Good morning to you as well.
02:08I need to ask what you knew about this scam.
02:13Er, well, like I said yesterday, nothing.
02:17It's this dumb guy that Jenny's been seeing.
02:19I'm sure of it.
02:20Why aren't you out there looking for him?
02:24I am worried over what he could do to me mum.
02:27Well, he's not going to do much.
02:28He's still banged up, causing my colleagues a load of havoc.
02:33If she was involved, what would the motive be?
02:39When I was little, do you know what she used to say her favourite thing was?
02:43OPM.
02:45Other people's money.
02:47She's been pulling tricks like this since I can remember.
02:53You gonna let her out?
02:55Oh, not for a while yet.
02:56We've got to go back to her with all this.
02:59A word of advice.
03:01I've seen the text message between Dom and Jenny.
03:04And now I know that you think she got your best interest at heart,
03:06but in a good few of them,
03:08she won't have given you a good slagging.
03:10Thanks for the tip.
03:18Look at that.
03:21Nice.
03:23Proper little man cave.
03:25You can see the appeal.
03:26No, you can't.
03:28That's because you're not a man.
03:29Well spotted.
03:31Yeah, and we'll get rent from the flat as well.
03:33Yeah, canny deal.
03:35Would have been nice if you'd have mentioned it to me.
03:37I did, you shut me down.
03:38And why is that?
03:41Right, that's me.
03:42I've got taxis to drive and that.
03:44See you, mate.
03:46Babe, I have been rattling around that junk shop for way too long.
03:50Ned gave me a great deal.
03:52It's exciting, eh, mate?
03:55Oh, yeah, you can hardly contain himself.
03:57Yeah, it could be the start of a proper little family business, this.
04:00One day, boy, all of this will be yours.
04:03Yeah.
04:04Share between your other kids that you may or may not know about.
04:06Liam!
04:07Cheeky look, yeah.
04:09Go on, you. Get yourself off to school.
04:11Hey, and don't forget, come straight to the salon after school.
04:12We're going on our tea date.
04:14Please don't say tea date.
04:17Honestly, kids these days.
04:18All right, Grandad.
04:20Right, I should be getting off to work as well.
04:22Yeah, and I'd best start looking for blokes with tools.
04:25Just remember what I said about that McBloke.
04:27After everything I've seen and heard, he's bad news.
04:30I've promised him a gig now.
04:32Garrett, verbal agreements are null and void after three pints.
04:35That is the unwritten rule.
04:43Spankies.
04:45Listen, tell you a lot they're fractured to keep their eyes on the phones.
04:48Well, they're never off them. That's the problem, isn't it?
04:50Here they are.
04:52No, I mean, when they're out and about,
04:54there's a bunch of opportunistic lowlifes that are pinching them round here.
04:57Ooh.
04:58I love having a little tip off me.
05:00It's like being in an episode of The Wire or something.
05:03Is she still in the pit?
05:05Yeah, she needs a sleep.
05:07That must be exhausting for her, all that faking injury.
05:10I know, I know. I'm far too soft with her.
05:14Oh, what do I know? Lisa, you know.
05:17Probably got the maternal instincts of Joan Crawford.
05:20Ooh, Carla, a gay culture reference. I'm very impressed.
05:23I know. I've been swatting up.
05:26I'll see you later.
05:27You're late.
05:37You're all packed, then.
05:39Nearly.
05:41And it was me up and you might have a last minute change of art.
05:44This job was never meant to be forever, Jen.
05:47And everything that's happened lately.
05:50I'm gonna miss you.
05:53Oh, it's only Brighton to start with, anyway.
05:57You know, my old schoolmate, she's got the spare bedroom for me
06:00and she's lined up a bar job where she works.
06:02It's a lucky break, really.
06:06Oh, come on.
06:08Be happy for me, please.
06:09We've taken a chance, I suppose.
06:13New beginnings and all that.
06:16Want one?
06:18Yeah.
06:20Did Kit have any news on that robbing cow of a mother of yours?
06:24Still being questioned.
06:26Good.
06:28Can't wait till he gets round to me, because I will have things to say.
06:31Oh, yes.
06:33Morning.
06:34Oh, yes, is that the time? Here, you deal with that, I'd better.
06:37Get on!
06:40So, what's really happening, then?
06:43It is.
06:45Ah.
06:47I'll miss you.
06:49You know, there is this thing called the internet now.
06:53You can see anyone, any time, anywhere.
06:55Internet, you say? How do you spell that?
06:57You can always come down for a weekend visit.
07:01Mad club scene in Brighton right up your street.
07:04Yeah, maybe.
07:06I'm sorry.
07:09What for?
07:11For everything.
07:14Uh-uh.
07:16I'm glad you ruined my life.
07:18Mm.
07:22Glad we're in each others.
07:23Oof, getting on a train, not a spaceship.
07:29Stop being such a drama queen.
07:31Fair enough.
07:33Actually, there is one little thing that you could do for me.
07:37Hm?
07:39I come bearing gifts.
07:42Oh, well.
07:44You always did know exactly what to get me.
07:47No girl forgets when a fella brings her her first wheelchair.
07:50Fancy trying it for size?
07:51All right.
07:59Ooh.
08:00Yeah.
08:01It's actually quite comfy.
08:03Oh, fancy a go on the red wreck later.
08:05Oh, and I would rather an afternoon in the pod.
08:07I know.
08:09I'm going to get you more food.
08:10Are you OK?
08:11Apart and parcel, I'm afraid.
08:16I brought you these and all your bitsy bobsies from your side of the bed.
08:21I still don't get it.
08:23Have I done something wrong?
08:25No.
08:27No, you've done nothing wrong.
08:29It just all got too much for me.
08:31You know, work and Kevin.
08:33Looking after Layla and now our Carl's back.
08:36Yeah, but that's... that's life.
08:39Stuff happens.
08:41I mean, I could take some of the pressure off you.
08:44Please, Bronny, don't make this any harder than it is.
08:47And I know this is a cliché, but it's me, it's not you.
08:51Oh, madam's woken up.
08:53So I'll sort the bottle out.
08:55How's she doing?
08:57Should have seen it in here this morning.
08:59Glory kicking off, Layla screaming the house down.
09:02We might as well offer to take the quads and turn the place into a kindergarten.
09:05Still, I'm not complaining.
09:08I'm just happy Gary's buying the builder's yard, cos we're gonna need the money.
09:14Right then, I, er...
09:16I best be going.
09:18Stuff to do.
09:20People to shout at.
09:22There isn't anything else going on, is there?
09:25Are you accusing me of putting us about a bit?
09:28That's not my style, Ronnie Bailey.
09:31You know, that's not what I meant.
09:33Hey.
09:35I thought I'd come on for lunch just in case you needed help with Layla.
09:38Me?
09:39I've got it all under control.
09:41Er...
09:43I've got everything under control, you mean?
09:46You've got a lovely family.
09:49Yeah.
09:51And I was looking forward to you becoming a part of it.
09:55Take care of yourself.
09:56What about Ed?
09:57I thought he would've been your first choice.
09:58No, I asked him, but he's got his hands full with some refurb at the hotel.
10:11And Dini's baby.
10:12I thought Debbie and Ronnie were looking after her.
10:15Well, they've split up.
10:16Yeah, Ronnie's back at number three with Michael and Ed.
10:19What? So it's actual real-life three men and a baby?
10:22Well, it's three men and two babies. It must be crazy.
10:24Hey, hey, Sam, all right? How's the head?
10:29Excuse me, we're talking.
10:31I do beg your pardon, Duchess.
10:33Just wondering when we get started, Gazza.
10:36Er, well, er, let's, er, let's not get ahead of ourselves, eh?
10:40What's that supposed to mean?
10:42It means that we don't make business decisions while we're leathered, do we?
10:46Is that the royal we?
10:47No, it's the we meaning us.
10:50And, come on, mate, your attitude's not exactly endearing, is it?
10:55So, is there anything else that we can help you with,
10:57or can we get back to our conversation?
11:02He makes my skin fall.
11:05Imagine dealing with him every day.
11:11I'm gagging for a hot pot.
11:13Well, then, you've come to the right place, mate.
11:14Hey, what's going on with Daisy's money?
11:18You know I can't die of always, but
11:19there are two kinds of people we hold overnight.
11:22Them that sit there quietly, read and sleep,
11:24and there's them that bang on the doors,
11:25shout the odds, scream the place down.
11:28I'll let you guess what she is.
11:30I'll get you that hot pot, then, mate.
11:32Oh, look at you!
11:34What's all this in, Adolf?
11:36Well, I'm meeting with a potential investor later,
11:38cos I've still got my 60k,
11:39so I just need to find somebody who can match it.
11:42I'll keep my fingers crossed.
11:43Yeah.
11:49Bad time?
11:51Oh, well, is there a good time lately?
11:53Well, what's up?
11:55Daisy's leaving.
11:56And the bad news?
11:58Er, excuse, lads, this is Jenny.
12:00All right, just go and look round.
12:01I'll be with you in a minute.
12:02I'll catch up, all right?
12:04Lines?
12:05No.
12:06That's the estate agent and potential buyer.
12:08And he's a great big fan of Newton Ridley's,
12:09so get him a pint.
12:10They never informed me.
12:11Yes, they did.
12:12They sent you an email yesterday, apparently.
12:13But...
12:14I'm meeting with a potential investor later.
12:16Oh, well, you'd better get your skates on, then, and make a bid.
12:19Cos I think he's quite keen, to be honest.
12:22Newton Ridley.
12:23Newton and Ridley.
12:42Ta.
12:43Thanks, love.
12:44Oh, yeah, thanks.
12:45You're welcome.
12:46Right, I'll, er...
12:48I'll go and see what the maid of the play is, shall I?
12:55Hello?
12:56Yeah?
12:57Hi.
12:58Pint, please.
13:01What was that all about?
13:02Ah, wave of my peg room, mate.
13:05There's what you're about.
13:06She's just getting the rest of her stuff together.
13:09Look at her there.
13:11Trail of broken hearts, she's leaving me any.
13:14Speak for yourself.
13:16She's my local barmaid.
13:18Not exactly the first time at that particular rodeo.
13:21I suspect he'd have protested too much.
13:23All right, Sandy Totsvig.
13:25Sammy's right, though, one way or another.
13:27Bewitched us all, at some point.
13:29Bewitched?
13:30I wasn't bewitched.
13:31I mean, what is it with all the blokes round here?
13:34We all had a thing with her and she's moved on.
13:35Big deal.
13:37I'm with Sarah now, so I'm happy.
13:39What's this poor sap I feel sorry for?
13:42Left him dangling right to the end.
13:44Sympathetically put, as ever,
13:47I can see why you work in public service.
13:50Do I get a flake with this?
13:52If you want.
13:54It's what we like, the pair of us.
13:57Let's milk it, we might get a free drink.
13:59Hey.
14:01You two all right?
14:03Oh, yeah.
14:05Living the dream.
14:07Well, we're as well as can be expected, Jenny.
14:10Oh, how are you feeling?
14:13Well, it only hurts when I laugh.
14:15Hey, well, you've come to the right place, son.
14:18Oh, why all the grim faces?
14:20Daisy's leaving.
14:22Oh, I thought it was some bit serious.
14:24It is.
14:25To them, you know.
14:26They all had a thing with her.
14:28Oh, lucky Daisy.
14:30Oh, well, how about I get you ladies a free drinky on the house?
14:34Oh, that's so kind.
14:36Oh, thank you.
14:37I'll have a double gin and tonic.
14:39Right.
14:41Yeah.
14:42Fabulous milking.
14:43Wasn't it just?
14:45Oh, it sounds like Daisy's broken a few hearts.
14:46Oh, to be young and putting it about.
14:48Oh, is that how you're feeling?
14:49Oh, good grief.
14:50No, I haven't got the energy for one.
14:51Never mind three.
14:52Be like being a groupie for the Bee Gees.
14:53Oh.
14:54Well, anyway.
14:55You've got George.
14:56Yeah.
14:57I mean, he may not be a mysterious maverick who plays by his own rules, but he's a reliable,
15:00kind man who makes a decent ratatouille, and sometimes that's enough.
15:03Oh.
15:04Oh.
15:05Are you all right, love?
15:06Yeah, no, I'm fine.
15:07Where's that free milk in it, drink?
15:08Ow.
15:10Right, well, this isn't a social call.
15:12I've just got a little bit of coffee for the Bee Gees.
15:14Oh.
15:15Oh, well, anyway.
15:16You've got George.
15:17Yeah.
15:18I mean, he may not be a mysterious maverick who plays by his own rules, but he's a reliable,
15:20kind man who makes a decent ratatouille, and sometimes that's enough.
15:22Oh.
15:23Are you all right, love?
15:24Yeah, no, I'm fine.
15:25Where's that free milk in it, drink?
15:26Ow.
15:30Right, well, this isn't a social call.
15:32I've just been on the phone to my insurance company, and they won't pay out, because
15:36I left the keys in the ignition.
15:37That was a bit silly.
15:39You smug little...
15:40Right, okay, Betsy, go back to your room, please.
15:42No, I want to hear what she's got to say.
15:44It's ironic, innit?
15:45You being a policewoman, and having a kid as bad as the criminals that you chase.
15:49Oh, shut up, Tracey, stop with the theatrics.
15:52Honestly, what do you want?
15:53I want you to pay for the damage.
15:55Otherwise, I'm going to get a solicitor, and I'm going to drag this through the courts.
15:59Are you actually trying to get yourself arrested?
16:01You know, coming round here trying to blackmail a copper.
16:04We both know your kid's a lost cause.
16:07Even if you and your mates did make her crime go away.
16:10So, unless I'm paid what you owe me by the end of the day, I'm going to make sure the world and his wife knows what a thieving little cow you've raised.
16:18You've got no proof.
16:20And from what I hear, half the street would happily testify that you can't even breathe without lines, so best a British without.
16:26Now off you pop.
16:30See you, Trace.
16:31Come on now.
16:32Beautiful.
16:33You've been fed.
16:34You've been changed.
16:35What else can I do for you?
16:36I could try singing again.
16:37Whatever you do, please.
16:38Don't do that.
16:39Don't do that.
16:40Oh, hiya.
16:41Hey, sweetheart.
16:42You okay?
16:43Yeah, I'm fine.
16:44I don't think she is, though.
16:45How are you gulping?
16:46How are you gulping?
16:47How are you gulping?
16:48I could try singing again.
16:49Whatever you do, please.
16:50Don't do that.
16:51Don't do that.
16:52Oh, hiya.
16:53Hey, sweetheart.
16:54You okay?
16:55Yeah, I'm fine.
16:56I don't think she is, though.
16:58How are you gulping?
16:59Oh, yeah, I'm fine, please.
17:00Thought of.
17:01You still don't want me to see if I can't see that.
17:04No, I just don't think that's a good idea, of course.
17:07All right, Uncle Ronnie, if you don't want me out.
17:09Well, I didn't say that.
17:11Where are you two?
17:12Calm down.
17:13What's going on in the air?
17:14Nice cup of char for my favourite sister-in-law.
17:19Oh, darling.
17:20You know, you don't have to babysit me.
17:23Why don't you go in surprise, Eileen,
17:27pick her up from work, take her out for dinner?
17:29Big romantic gesture.
17:31Why?
17:32Oh, because that's what couples do, isn't it?
17:36Hmm.
17:37Well, birthdays and anniversaries, maybe.
17:40But a random rainy night in May.
17:42Well, it might be fun.
17:44It'd give your relationship a bit of oomph.
17:47I wasn't aware it needed oomph.
17:53Did she say something in the Rovers?
17:56No.
17:58No, not really.
17:59So, she did say something?
18:02Well, no.
18:03Don't listen to me.
18:04I'm just giddy.
18:05It'd be the morphine.
18:06Julie?
18:07Well, no.
18:08She's just said you two were fine.
18:11You know, a lot of people trundle along happily and...
18:14You know, there's nothing wrong with being content with what you've got.
18:18Oh!
18:19Too slow.
18:20Give that back.
18:21Make me.
18:22And I couldn't go without one more massive coddle for my best boy, could I?
18:39Hey.
18:40And I didn't want to leave with us on bad terms either.
18:44Oh, right.
18:45Well, let's just kiss, make up, pretend everything's fine then.
18:48Look, why don't I take this young man for a little walk to the shop?
18:53No, Dad.
18:54You stay where you are.
18:55It's fine.
18:56Bye, Daisy.
18:58Yeah, I, er, I shouldn't stay.
19:04I've got a train to catch and you know me in timekeeping.
19:07Yeah.
19:08Look, Ken, thank you for your kindness.
19:11Really, it's been such a pleasure.
19:13Your feeling's mutual.
19:15Have a safe trip.
19:18So I guess this is it then?
19:21Yeah.
19:25Okay, then.
19:28I'm sorry.
19:33Me too.
19:41Bye, Bertie.
19:44Really, Daniel?
19:46Dad, don't.
19:47You don't know the whole picture.
19:49She's done nothing but cause trouble for me since she got here, has she?
19:52I mean, she pitted me against Ryan, then she pitted me against Kit.
19:55She was lying about her pregnancy.
19:57Oh, Bertie, er, why don't you go and find a book and I'll read you a story.
20:03Love is complicated, Daniel.
20:06Well, life is complicated.
20:08Oh, Dad, if I wanted some fuss-out philosophy, I'd buy a fortune cookie.
20:12I'm sorry.
20:13Sorry.
20:14That was uncalled for.
20:15Well, but, um, usefully, er, indicative of your feelings.
20:25If you didn't care about her, you wouldn't be reacting like this.
20:31I have never slept so badly before in my life.
20:37That is a human rights violation, that is.
20:40Sorry.
20:41The middle of my fault.
20:42Look, I shall be suing you.
20:44You've got no proof.
20:45You've got no evidence.
20:46Just the words of that little ratbag, Jenny.
20:48She's the one you ought to be locking up.
20:49Well, we'll be investigating further, so don't think this is going away.
20:52You waste your time however you like.
20:54Beckel.
20:55Oh, and I'll be sure to pass on your comments regarding the sleeping arrangements to the
20:58hospitality department.
20:59Bye now.
21:00Oh.
21:01Don't.
21:02Would you just pick up your phone?
21:05I am sick of leaving your voice messages.
21:10Oh.
21:11Hey.
21:12I didn't know you were in there.
21:26Yeah.
21:27You okay?
21:28Yeah.
21:29No.
21:30No, I'm not.
21:33A buyer came round before.
21:36Well, you knew that was coming.
21:39And then I got a call cancelling the meeting with the investigators.
21:44Apparently they made some enquiries, whatever that means.
21:47Probably just asked around.
21:50But I could deal with all of that somehow.
21:54It's you going that's breaking my heart.
21:58Oh, come on.
21:59Come on.
22:00Come on.
22:01Come on.
22:02I know it's now just I feel like I'm being abandoned.
22:05Yeah.
22:06Yeah.
22:07Yeah.
22:08Yeah.
22:09Yeah.
22:10I need a fresh start.
22:11We both do.
22:13Look.
22:14Go to Brighton, spend some time with your mates and then when you come back I'll have sorted everything out and hopefully got a new investor for this place and things will look so much better.
22:30Jenny.
22:31Jenny.
22:32No, no, no.
22:33Please just listen to me.
22:34We can work together as equals.
22:37You know, you be social media manager and marketing.
22:38It'll be like a new era for both of us.
22:44You're not going to stay, are you?
22:45Too much has happened between us.
22:46Don't say that.
22:47I have to go.
22:48I do.
22:49Does it have to be today?
22:50The longer I leave it the harder it's going to be.
22:51You be social media manager and marketing,
22:56it'll be like a new era for both of us.
23:03You're not going to stay, are you?
23:07Too much has happened between us.
23:09Don't say that.
23:11I have to go. I do.
23:14Does it have to be today?
23:16The longer I leave it, the harder it's going to be.
23:19I'm sorry, Jenny, really, I am...
23:22I'm going to get changed and get the rest of my stuff.
23:33It's not funny anymore, just give it back.
23:36Oh, it's your mum.
23:42Seriously?
23:47Bye, Mum.
23:49Do you want money? I've got money.
23:52How much?
23:56Look, it's all I've got.
23:58Please, I need my phone.
24:02Cheers, mate.
24:03Just give me your phone.
24:04Oi!
24:08Give it back.
24:10Who are you?
24:11Who am I?
24:12I'm the fella that's going to use your head as a football.
24:16I know who you two are, your mates with our Brodie.
24:19You've got two seconds to give this lad his phone back.
24:23They take anything else?
24:28You touch him again, and I'll come looking for you.
24:31Alright?
24:35Thanks.
24:37You're Gary's lad, aren't you?
24:41That's my mum.
24:43I think you'd better answer it.
24:47Look, she's just trying to help.
24:48She is a mother.
24:50Yeah, I'm in the suits.
24:51Hey, hang on a minute.
24:53It's just going to confuse the poor child.
24:56Okay, can I say something?
24:57Or are we just going to continue to talk about me like I'm not actually here?
25:01Well, you're not here, are you?
25:02Most of the time.
25:03Not for the baby, anyway.
25:05Okay, I think that's enough.
25:06Oh, well, this has been nice, isn't it?
25:08Let's do it again soon.
25:09See you later.
25:10I'm just thinking about what's best for Layla.
25:12Look, I know you cut up about Debbie, but there's no need to take it out on her.
25:17This has got nothing to do with what's going on with me and Debbie.
25:21It is done and dusted, and I'm fine.
25:24Oh, well, this is awkward.
25:27I'll take care of Layla if you want to get off.
25:29Yeah.
25:30Yeah.
25:32Where's Julie?
25:33Brian took her out for a spin in the wheelchair.
25:36The way you dote on her.
25:38Must be nice.
25:42Well, obviously our doting days are over, aren't they?
25:45Have you ever doted on me at all?
25:47You don't strike me as much of a doter.
25:49If we're going to have a fight, could you at least tell me what it's about?
25:54Well, Julie gave me the impression that I don't exactly make your heart skip a beat these days.
25:59She seemed to imply that you feel like you're settling by being with me.
26:03I mean, feel free to jump in at any point and say,
26:06of course I'm not settling, George, or, no, you're the man of me dreams, George.
26:09Well, the man of the dreams might be pushing it.
26:13But I love you, nothing's changed.
26:15So where does she get this impression from?
26:17Well, I don't know. She's on morphine twice a day.
26:20I'm surprised she's not seeing little green men at the foot of her bed.
26:23Closer than I get to your bed these days.
26:24Oh, for crying out loud. I ask you to sleep on the couch for one night.
26:29Are you happy?
26:31My little sister's dying.
26:33I mean...
26:34Oh, apart from that.
26:36Are you happy? With me?
26:39Ecstatic. Delirious. Can't believe my luck.
26:43Oh, maybe I have been a little bit off, but it's only because I've got so much going on with Julie.
26:50We're fine. Honest.
26:52I can't believe you're going.
26:57Oh, come on, then. It's gonna be Daisy who in a couple of weeks.
27:01Well, I'm two, was I?
27:03How did we get here?
27:05I don't know.
27:08Come on.
27:12You look after yourself, yeah?
27:14You too.
27:17It's fine. Go on.
27:19Before I make a show of myself.
27:22You all right, love?
27:23Yeah.
27:24You all right, love?
27:25Yeah.
27:26You all right, love?
27:27Yeah.
27:28You all right, love?
27:29Yeah.
27:30Stop!
27:31Whoa!
27:32What are you playing at?
27:33Don't go.
27:34Not like this.
27:36You don't have to pick your moments.
27:37I need to speak to you.
27:38Well, then speak.
27:39No, not here.
27:40Five minutes.
27:41Five minutes.
27:42The meter's running.
27:43Just see you now.
27:44Please.
27:45All right.
27:46All right, all right.
27:47I'm so sorry, Tim.
27:48I'll be five minutes.
27:50Did you just have a gob on air when you stood up for me?
27:51Who?
27:52Gracie?
27:53Yeah.
27:54Fishbowls?
27:55Yeah.
27:56All right.
27:57I'm so sorry, Tim.
27:58I'll be five minutes.
27:59Did you just have a gob on air when you stood up for me?
28:02Who?
28:03You?
28:04Yeah.
28:05Fishbowls?
28:06I'd say that to her, Face.
28:07Yes, please.
28:08Do you think she'll get a sister?
28:09People who tell you that they're gonna get a sister generally don't get a sister.
28:11It's a bit like threatening to hit someone.
28:12Oh, well, you don't know, Tracy.
28:13You don't know Tracy.
28:14And by the way she does it, she does it.
28:15I'm so sorry, Tim.
28:16I'm so sorry, Tim.
28:17I'll be five minutes.
28:18I'm so sorry, Tim.
28:19I'll be five minutes.
28:20Did you just have a gob on air when you stood up for me?
28:21Who?
28:22Tracy?
28:23Yeah.
28:24Fishbowls?
28:25I'd say that to her, Face.
28:26Yes, please.
28:27Do you think she'll get a sister?
28:28A bit like threatening to hit someone.
28:29Oh, well, you don't know Tracy.
28:31And by the way, she does it, people, so...
28:33Yeah.
28:34I'd like to see her dry.
28:35He'll be okay.
28:37Maybe, you know, you should pay a little bit towards the damages, seeing as you were responsible.
28:42She left the keys in the car.
28:44Oh.
28:45That meant you just had to nick the van, then?
28:46I'm not paying her a penny.
28:48Well, no, I don't take too kindly to people who barge into my home, shouting the odds and
28:53calling my daughter all sorts.
28:56You sure you're okay, yeah?
28:57I'm fine.
28:58Thanks for looking after him.
28:59Yeah, you're welcome.
29:00Right, come on, you.
29:01Help me tidy up in the back before we close.
29:02I should get going, too.
29:03So, er, these two lads?
29:04I, er, I had a word.
29:05Trust me, they won't be messing with them again.
29:06Appreciate it.
29:07Yeah.
29:08No, you do the same for me.
29:09Yeah, listen, we're going to the bistro for our tea.
29:10Let me get you a drink.
29:11Back to the scene of the crime, eh?
29:12No, no, it's a quiet one this time.
29:13One drink.
29:14No.
29:15Can I take you upstairs?
29:16Brian!
29:17Brian, control yourself.
29:18To the bathroom.
29:19No, just tip me out on the sofa.
29:20Oh, come on, let's kick you up.
29:21Come on, let me go.
29:22Hang on, let me help you.
29:23Oh!
29:24Heaven, I'm in heaven.
29:25La, la, la, la, la.
29:26OH!
29:27Oh!
29:29…oh.
29:30Can I take you upstairs?
29:31Brian, control yourself.
29:32To the bathroom!
29:34No, just tip me out on the sofa.
29:35Oh, come on, let's kick you up.
29:36Come on, let me go.
29:37Hang on, let me help you.
29:40Oh, oh!
29:42Heaven, I'm in heaven.
29:48Oh, let's sit you down.
29:51Come on.
29:53Oh...
29:54Oh, will you stop looking at me like I'm about to fall off me perch?
29:59Go and put the kettle on.
30:00Yeah.
30:07You know what I'm going to say to you?
30:10George?
30:11Will you please stop sticking your nose in?
30:13We're OK. I've told you we're OK, so just leave it.
30:16Look, George is beautiful, but he is not the one for you.
30:20Julie, you're my sister, and I love you very much.
30:23If you tell me George is not the one for me again,
30:27I will take you to the top of a big hill and I will push you down.
30:32What's happening?
30:32No, nothing. I'm fine.
30:34You need some more morphine?
30:35Not till seven.
30:36She's a bit short. I was going to pick some up at the chemist on the way to work.
30:39It's fine. I'll get it. You go to work.
30:41Are you sure?
30:42Right. Well, if you need anything, call me.
30:44Will you stop fussing?
30:46Right.
30:53Can I, er, plump up your cushions?
30:58Well, you can plump up my cushions any time you like, Mr. Packham.
31:02Your sex magic.
31:03I resemble that remark.
31:04Where's my tea?
31:05You know what, Layla?
31:13Your great-granddad never pushed a pram in his life.
31:16Said it weren't manly.
31:18Don't know why I listened to him, but I must have done.
31:20Well, because I never pushed Michael.
31:24Weren't until your mum came along that I thought I could get away with it.
31:28Well, even then I only pushed it with one hand.
31:30Oh, dear.
31:34Not afraid now, though.
31:37To not look manly.
31:40Well, then, I'll have to get you up a poose.
31:42Yeah, all right.
31:43Don't go that far.
31:44Look, I can feed her if you like.
31:56Oh, well, yeah.
31:58I mean, you don't have to if you're not feeling up to it.
32:00No, it's fine.
32:01I want to.
32:03OK.
32:10OK.
32:11Listen, um, about your Uncle Ronnie.
32:18It's fine.
32:19Don't worry about it.
32:26Um, listen, I can help you look after her if you want.
32:29Well, yeah, if it's all right with you.
32:32Yeah, just until James comes back, eh?
32:36Come on.
32:37I really should go.
32:44Please, will you just listen?
32:46Listen to what I've got to say.
32:51We've both been with other people,
32:52and I couldn't even begin to tell you why now.
32:56Maybe we were just trying to punish each other,
32:59but I know that I can't lose you, all right?
33:03I want to spend the rest of my life with you.
33:06Daniel, look, I can't do this.
33:09I'm sorry, I really do have to go.
33:12I've made up my mind to go,
33:13and there's nothing that you or anyone can say to stop me.
33:15I don't want to stop you.
33:18I want to go with you.
33:21Me, you, Bertie.
33:24I don't care where we go.
33:26Just so long as we're together.
33:27We've spoken about this.
33:43I know, but now we're actually going to do it.
33:45Look, I know that I've been giving you a hard time lately,
33:47but I was just hoping that you'd come to your senses.
33:51But I don't care what you've done anymore,
33:52or who you've done it to.
33:53I want to be with you, OK?
33:55I love you, Daisy.
33:58Bertie loves you.
33:59And I love you.
34:00Right, well, let's do this, then.
34:02Let's just do this, then.
34:03Come on.
34:03I just need a couple of weeks to sort things out.
34:06I'm in a couple of weeks.
34:07You're going to need another couple of weeks,
34:09and I have to go, Daniel.
34:10I have to go today.
34:11Well, we'll follow you on, then.
34:14We both know you're not going to do that.
34:17Bertie's in school,
34:18and you've got your family here,
34:21and you're right, this is your home.
34:23It's OK.
34:24It's for the best.
34:27How?
34:28How can it be for the best
34:30if we love each other?
34:34Because you said it yourself.
34:36We have been punishing each other
34:37these past couple of years.
34:38So whatever we had,
34:41whatever we've still got,
34:42it's...
34:43It's not healthy.
34:46So that's it?
34:48Maybe we need this.
34:49You know we do.
34:52You can't just go off on your own.
34:54I'm a big girl, Daniel.
34:55Where will you go?
34:57Yeah, you're staying with mates
34:58first for a bit in Brighton,
34:59but then what?
35:00You've got no job,
35:01you've got no plan,
35:02you've got no money,
35:03you've got nothing.
35:04Well, this is cheering me up.
35:06No end.
35:06How are you going to live?
35:11Come here.
35:13Something will turn up.
35:17I'm sorry.
35:20Yeah, me too.
35:23I mean, stay at me, man.
35:24I'm going to have to redo my make-up now.
35:36What?
35:41You've got lipstick all over your face.
35:42You're not going to miss that, are you?
35:44Is it gone?
35:46Sure.
35:51Wherever you end up,
35:55please be happy.
35:57Okay?
35:57You too.
35:57Do you think she's gone off me?
36:09Who, aren't they?
36:10Hmm.
36:12She hasn't met herself lately.
36:13Oh, because she's normally so full of joie de vivre.
36:16Come here.
36:18The money's gone.
36:19What do you mean?
36:20The safe account that the bank transferred my 60 grand into it doesn't exist.
36:24All right, get straight onto the bank and find out what's what.
36:27Okay.
36:30I did warn her.
36:33God, never mind.
36:35Well, do you think Julie's right?
36:38Eileen feels like she's settling.
36:39I think she'll have a word with Julie.
36:41She ain't got long to live.
36:43And she'll have even less to live.
36:44She carries on talking to my brother like that.
36:46I'll let you out.
36:50It was a misunderstanding.
36:55Er, can I help you?
36:56Jenny said it was fine for me to go through.
37:01I don't trust that woman.
37:03Hmm?
37:03That woman.
37:05No, I don't want to hear my balance because I haven't got any balance.
37:10How'd you stand up then?
37:12You've got a nerve.
37:13Scutting back here.
37:15Where's Daisy?
37:16It was you, wasn't it?
37:17What was me?
37:18You, you, you've got my 60 grand.
37:21What are you going to do with that?
37:22Well, if I don't get my money back, I will show you.
37:24I do karate, love.
37:26Where is it?
37:27I haven't got your money.
37:28I don't believe you.
37:30Do you think I'd have come back here if I did have it?
37:32Where's Daisy?
37:33Why isn't she picking up her phone?
37:35She left in a taxi half an hour ago.
37:40No, she wouldn't.
37:41She wouldn't.
37:42Not, not Daisy.
37:43Daisy.
37:43Oh, wouldn't she?
37:49Oh, crafty little man.
37:53Now, hang on.
37:54I don't know what you're trying to pull here, but you're definitely trying to pull something.
37:57I'm not trying to pull anything.
37:59She's got your money.
38:01She's got all of it.
38:02No, you're lying.
38:03I'm not lying.
38:06Sir Dom pretended to be the fraud team from the bank when you were having a wobble, right?
38:10That was, that was part of the plan.
38:12And then, Daisy asked him to give her the money for safekeeping after I got arrested.
38:19I'll tell you what, credit where credit is due.
38:22I did not think she had it in her.
38:24How could she do this to me?
38:28Can't stop.
38:29I've got a few of these.
38:30It's for Julie, from Daisy.
38:31Thanks.
38:33Don't ask me.
38:34See you later.
38:34I thought you were in work.
38:38I forgot my pain meds.
38:42Eileen.
38:44I'm sorry about what I said to George.
38:46I'm sorry, too.
38:48I don't want to fight with you.
38:50Oh, it'll be some fight.
38:51You've got severe bruising and I need a winch to get me out of a chair.
38:55Did Brian get you your drugs?
38:57Yeah.
38:58He's just popped to the shop to get me something for my tea.
39:00I can't believe I'm saying this, but you're Brian.
39:03Bit of a catch.
39:04I've only been saying that for years.
39:07Just wish you got back together sooner.
39:09Well, it didn't have to happen at all, did it?
39:13So, I'm grateful for that.
39:16How do you do that?
39:18With everything you're going through, you still see the positive in everything.
39:22Well, one of us has to be optimistic.
39:24I mean, only you could jack up with a funeral director
39:26and still be the gloomy one in the relationship.
39:30Are you working tomorrow?
39:31No.
39:32Do you fancy your day out?
39:34We never did get that trip to the lake, did we?
39:37Yeah.
39:37Sounds lovely.
39:38All right, then.
39:40Just right back, get back to work.
39:41Oh, and this is from Daisy, apparently.
39:43Oh.
39:46Eileen?
39:46Hmm?
39:47Just the two of us tomorrow.
39:48At the lake?
39:50Yeah, if you like.
39:51And I'll, er, try and be a bit more cheerful.
39:54Might even smile when no-one's watching.
39:56Sorry, Tim.
40:08Are we still going to the airport?
40:10Yeah, please.
40:11Because you can.
40:12You know, maybe I was a bit hasty, saying that you two shouldn't be working together.
40:32Seems like a decent fellow, doesn't he?
40:36Yeah, he does.
40:37Wine for the lady.
40:38Aw.
40:39We were buying you a drink.
40:40You don't have to get us one.
40:41Look, I don't know how it works for your mates, but this is how it works for mine.
40:45Is he a bit tight?
40:46Is that what it is?
40:47Yeah, very.
40:48Oh, just looking at your Liam, it really reminds me of my lad.
40:52He always wanted to work with his dad.
40:54You should make Liam an apprentice.
40:55Oh, no.
40:56We want him to stay on at school.
40:58I don't even see your lips move then, mate.
40:59Hey, look, she's the boss.
41:01Maybe a bit of work experience, though, eh?
41:03There you go.
41:04Right.
41:05Let's get it started.
41:06Need your help at the bar, carrying the rest of these drinks over.
41:12Come on, big lad, slow as you like.
41:17Right, this one is for you, mate.
41:21You're one of the lads now.
41:22Come on, get it down you while your mum and dad are looking.
41:30Good lad.
41:33Okay, here we go.
41:35No, I've got to go.
41:40You're ball and chain.
41:42Yeah, listen, mate, before you go,
41:44erm, I could still do with that extra pair of hands in the yard.
41:49If you're interested.
41:52Yeah, of course.
41:54Nice one.
41:55Sam, mate.
41:56See you.
42:02You are going to have to pick up sooner or later.
42:05How you can do this, to me, is beyond me.
42:07I'm standing there, I'm saying goodbye to you,
42:09and I'm crying me eyes out because I'm going to miss you so much.
42:12And all the time you were robbing me blind.
42:16I should report you to the police.
42:18I should.
42:19Nobody would blame me.
42:22You...
42:23You...
42:24Please put this towards a charity of your choice.
42:34I'm sorry for ruining your fundraiser.
42:38I'll keep you in my thoughts.
42:43Have a drink on me.
42:45Cheers for putting a smile on me face
42:46and your mother in a cell for the night.
42:49Too right?
42:50Hey, get yourself some new decks
42:52and I will see you on the dance floor.
42:55Too Daniel and Bertie.
42:57Tickets to stay at Disneyland Paris.
42:59Make sure you go for breakfast
43:00with all of the characters
43:01and get Mickey Mouse's autograph.
43:03You too, Bertie.
43:05Look after each other.
43:08I love you both.
43:11Daisy.
43:16Goodbye.
43:17And for what it's worth,
43:19I am sorry.
43:21I got no balance
43:24I'm moving all out now
43:37Turn it up.
43:53Turn it up.
43:54Malach daar in my heart
43:57Maulachan
43:58Maulachan
43:59Maulachan
44:02Maulachan
44:03Maulachan
44:03Maulachan