A screenwriter is tormented by nightmares as he writes a script about the historical murders of a family, but he soon realises the grisly crimes he's writing about are beginning to happen in real life.
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00:25:22Transthirds
00:25:51Fine-tuning.
00:25:53Fine-tuning.
00:25:55Tweeting?
00:25:57No, you need to feel his anger.
00:26:01You know, his anger for the accident on his friend.
00:26:05Really, that's what we need.
00:26:07Keep working on it, Jeff.
00:26:09You're going in the right direction.
00:26:11It's great.
00:26:21It's good to have you back, man.
00:26:25It's good to be back.
00:26:27I tell you.
00:26:29Hey, Jeff, man. Welcome back.
00:26:31Good to be back.
00:26:33I'm Peter.
00:26:35Congratulations, man. I just heard.
00:26:37For what?
00:26:39You didn't take care of me.
00:26:41You didn't take care of me.
00:26:43You didn't take care of me.
00:26:45You didn't take care of me.
00:26:47You didn't take care of me.
00:26:49For what?
00:26:51You didn't tell you?
00:26:52That movie, that DreamWorks movie?
00:26:54Peter got it.
00:26:56Dead End?
00:26:57Yeah.
00:26:58You got Dead End?
00:26:59Yeah.
00:27:00Purely a coincidence.
00:27:01I was in Nate Niles with my agent,
00:27:03and the DreamWorks acquisitions guy came over to borrow Pickles and...
00:27:07Wow.
00:27:08That's a big time.
00:27:10DreamWorks. Amazing.
00:27:12Nate Niles, huh?
00:27:15Yeah, that's wonderful, Peter. Congratulations.
00:27:17Thanks.
00:27:18Yeah.
00:27:25You okay?
00:27:27Oh, yeah. Yeah. Yeah.
00:27:29Fine.
00:27:32What's up?
00:27:33It's your sweatshirt.
00:27:36Thanks, but today's color's in blue.
00:27:38Yeah.
00:27:40Play ball.
00:27:41Angel!
00:27:42Yeah.
00:27:43That's okay.
00:27:44Better.
00:27:46Yeah.
00:27:47You don't see anything cool.
00:27:48Yeah, you don't see anything green.
00:27:50No.
00:27:51Okay.
00:27:52You, don't see anything green.
00:27:53You, don't know.
00:27:54You're in the yellow.
00:27:55The yellow.
00:27:56That's a little thing.
00:27:57We're gonna have a little blue.
00:27:58I got a little blue.
00:28:00It's worth from.
00:28:01Yeah.
00:28:02You're in the yellow.
00:28:03It's really cool.
00:28:04It's a little blue.
00:28:05It's just the yellow.
00:28:06You got that end?
00:28:27Yeah, it was just pure coincidence.
00:28:29My agent and I were in the house, and the DreamWorks Acquisitions guy came over to borrow
00:28:35Pickles.
00:28:36That was it.
00:28:37That's wonderful, Peter.
00:28:38Congratulations.
00:28:39Congratulations.
00:28:40You're not angry at me, are you?
00:28:42No.
00:28:43No.
00:28:44No.
00:28:45No.
00:28:46No.
00:28:47No.
00:28:48No.
00:28:49No.
00:28:50No.
00:28:51No.
00:28:52No.
00:28:53No.
00:28:54No.
00:28:55No.
00:28:56No.
00:28:57No.
00:28:58No.
00:28:59No.
00:29:00No.
00:29:01No.
00:29:02No.
00:29:03No.
00:29:04No.
00:29:05No.
00:29:06No.
00:29:07I'm happy for you.
00:29:10No.
00:29:11No.
00:29:12No.
00:29:13No.
00:29:14No.
00:29:15No.
00:29:16No.
00:29:17No.
00:29:18No.
00:29:19No.
00:29:20No.
00:29:21No.
00:29:22No.
00:29:23No.
00:29:24No.
00:29:25No.
00:29:26No.
00:29:27No.
00:29:28No.
00:29:29No.
00:29:30No.
00:29:31No.
00:29:32No.
00:29:33No.
00:29:34No.
00:29:35No.
00:29:36No.
00:29:37No.
00:29:38Call an ambulance! Get an ambulance!
00:30:08What the fuck?
00:30:36I'm not a killer.
00:31:00Well, you better start thinking like one.
00:31:04You're gonna like it, sweetie.
00:31:14It's fine. It's only for a short time.
00:31:24Look, babe, I know it's not much, but being here is really gonna help me write.
00:31:34I need you here with me. If you don't like it, you can go home.
00:31:38Please?
00:31:42It's not that bad.
00:31:44So what do you think?
00:31:54No, actually. I don't know. It feels like home.
00:32:00Really?
00:32:02Yes.
00:32:04What are you doing?
00:32:06I thought the other room would be better. This one's a little freaky.
00:32:09No, I love this room. Let the other one be the guest room. Let's stay here.
00:32:14Really?
00:32:15Yeah.
00:32:16Okay.
00:32:17As long as it doesn't bother you.
00:32:22It's not.
00:32:32What's the block?
00:32:34Motive.
00:32:35Okay, so imagine Graham entering the kitchen and his mother-in-law standing right here.
00:32:42He takes a toaster and drops it into the water, electrocuting her.
00:32:48Then he grabs an axe.
00:32:50Then into the bathroom, where he hacks the father-in-law to death.
00:32:54Then into the bedroom.
00:32:57Then he comes into the bedroom and uses the same axe on his pregnant wife.
00:33:02Pregnant? What happened to the baby?
00:33:06Nope. There's no fetal death certificate for anyone named Graham on or around that date.
00:33:16What does that mean?
00:33:19That the baby survived?
00:33:22Maybe there's no birth record because it was adopted.
00:33:27Adopted?
00:33:29He'd be about 35 now. 36.
00:33:34Huh. My age.
00:34:01Why did you do it?
00:34:02It didn't.
00:34:03It didn't.
00:34:04You did.
00:34:05You did.
00:34:06Take it.
00:34:07Me.
00:34:21They said the splinters cut off the oxygen to his brain.
00:34:25I'm Marilyn Cresden.
00:34:26Oh, you're his agent, yeah?
00:34:27Oh, well, technically, but I like to consider myself more than that.
00:34:32I didn't catch your name.
00:34:33Jeff, Sten.
00:34:34Oh, the writer.
00:34:35Peter spoke very highly of you.
00:34:36What are you working on?
00:34:37It's a horror thing for true films.
00:34:38Let me give you my card.
00:34:40Send me your script when you're finished.
00:34:41I'd love to take a look at it.
00:34:42It's a horror thing for true films.
00:34:43Let me give you my card.
00:34:44Send me your script when you're finished.
00:34:45I'd love to take a look at it.
00:34:46I'd love to take a look at it.
00:34:47It's a horror thing for true films.
00:34:48Let me give you my card.
00:34:49Send me your script when you're finished.
00:34:50I'd love to take a look at it.
00:34:51I'm here to spend a look at it.
00:35:19I'm here to see Marilyn.
00:35:22She isn't taking any appointments today.
00:35:25Jeff's den.
00:35:26Oh, go right in.
00:35:32Jeff, come in.
00:35:36I'm glad you agreed to come in.
00:35:38You know, it was the strangest coincidence
00:35:40after you mentioned George Truman of True Films.
00:35:44Well, I met him the next day,
00:35:47and we got to talking.
00:35:49About you.
00:35:50And Jeff, he let me see some of that horror script
00:35:53you've been working on.
00:35:55I love it. I love it.
00:35:58And I think DreamWorks would love it too.
00:36:01DreamWorks?
00:36:02Absolutely. Absolutely.
00:36:03I think it has just the right quality
00:36:05they're looking for for Dead End.
00:36:07And, you know, with all the publicity
00:36:10you've been getting lately.
00:36:12Jeff Sten, a screenwriter,
00:36:15friend of the accident victim.
00:36:17Timing couldn't be better.
00:36:21Although, we mustn't get ahead of ourselves.
00:36:23Uh, so does that mean you're going to represent me?
00:36:27Well, you still have to finish it.
00:36:30Otherwise, George will be very unhappy.
00:36:32Right, George?
00:36:33That's right.
00:36:35First things first.
00:36:41So where are we on the script?
00:36:44Uh, page 49.
00:36:46Fabulous.
00:36:47But there's a slight change in concept, Jeff.
00:36:52Change?
00:36:53Mm-hmm.
00:36:54The new investors that want it to...
00:36:56Bigger?
00:36:58Yes, Jeff.
00:36:59With 10 million budget,
00:37:01there comes effects.
00:37:03Earthquakes.
00:37:05Supernatural, like...
00:37:07He's the angel of death.
00:37:09The devil's son.
00:37:10You know...
00:37:11Tidal waves hits LA.
00:37:15Can you see it?
00:37:17But that isn't how it happened.
00:37:20Are you so sure?
00:37:22You remember that Earthquake tragedy in Mexico 71?
00:37:26Hundreds of people die, Jeff.
00:37:30Are you saying that Graham was there then?
00:37:32That he willed it?
00:37:34I don't want to say anything.
00:37:38But it's possible.
00:37:40He took a vacation just before it happened.
00:37:43Think about it.
00:37:45Think about the guilt.
00:37:49Jeff, listen.
00:37:51It's just the same.
00:37:52It is just bigger.
00:37:54Bigger.
00:37:56And more.
00:37:58Yeah.
00:38:04In Mexico.
00:38:24In Mexico.
00:38:34Honey, why don't you come inside and eat?
00:38:50I'm not hungry.
00:38:52Okay, well, I left something for you on the table.
00:38:55You need to eat.
00:38:55Uh...
00:38:56Tree, did you feel that?
00:39:08Wake up.
00:39:09What is it?
00:39:10It was an earthquake.
00:39:11Did you feel that jolt?
00:39:13Probably just the truck passing.
00:39:15No, that was an earthquake.
00:39:18I don't understand.
00:39:19I said it in Mexico.
00:39:21What are you talking about?
00:39:23It's not your fault.
00:39:27It wasn't your fault.
00:39:29It was an accident.
00:39:31You can't make things happen by putting them in a movie.
00:39:39You're going to continue talking to yourself.
00:39:41Are you just trying to deny your own dangerous power?
00:39:44Because otherwise you'd have to quit the film.
00:39:46You can't quit the film.
00:39:53Somehow everything depends on the film.
00:40:04What's this?
00:40:06Remember I told you I had something to tell you?
00:40:10What?
00:40:13We might be needing that minivan.
00:40:14Um, you're pregnant?
00:40:18We talked about kids before.
00:40:20You said you wanted children.
00:40:21What's wrong?
00:40:25It's in the script.
00:40:28Forget the script.
00:40:30We're not being controlled by the script.
00:40:35Can't risk it now.
00:40:37Jeff, wait.
00:40:38Listen.
00:40:40You're worried, right?
00:40:42About the accidents.
00:40:43But Jeff, when Graham killed his wife, it wasn't an accident.
00:40:47We don't know what put him over the edge.
00:40:50Whatever it was, it's not going to happen to us.
00:40:52You never really would hurt me.
00:40:56Right?
00:41:00No.
00:41:01Never.
00:41:03You're going to be okay.
00:41:05Yeah.
00:41:06You're going to be okay.
00:41:12Why don't you do a test?
00:41:15Write something and see if it happens.
00:41:17What do you think I've been doing?
00:41:18If you have this power, you can make things happen.
00:41:22So write something.
00:41:23Make something bad happen.
00:41:25I don't want bad things to happen to people.
00:41:27Isn't there someone whom you might get pleasure from writing a scene about?
00:41:31Oh, this is crazy.
00:41:53Okay.
00:41:53I can't do this.
00:42:14Honey, is that you?
00:42:17Yeah.
00:42:18Were you just in the bedroom?
00:42:20No, I haven't moved here.
00:42:23That's funny.
00:42:24I thought I felt you there.
00:42:26Have you been working all night?
00:42:30Why did he do it?
00:42:32Why did he do it?
00:42:33The truth is there.
00:42:35I just have to see it.
00:42:36Jeff, he just went crazy.
00:42:38There has to be a reason.
00:42:39Maybe Peg was cheating on him.
00:42:42Huh?
00:42:42What?
00:42:44Why would you say that?
00:42:45Isn't that the standard reason?
00:42:47I don't know.
00:42:50Why would you say that?
00:42:51Why would you say that?
00:42:52Why would you say that?
00:42:53Why would you say that?
00:42:54Why would you say that?
00:42:55Why would you say that?
00:42:56Why would you say that?
00:42:57Why would you say that?
00:42:58Why would you say that?
00:42:59Why would you say that?
00:43:00Why would you say that?
00:43:01Why would you say that?
00:43:02Why would you say that?
00:43:03Why would you say that?
00:43:04Why would you say that?
00:43:05Why would you say that?
00:43:06Why would you say that?
00:43:07Why would you say that?
00:43:08Why would you say that?
00:43:09Why would you say that?
00:43:10Why would you say that?
00:43:11Why would you say that?
00:43:12Why would you say that?
00:43:13Why would you say that?
00:43:14Why would you say that?
00:43:15Why would you say that?
00:43:16Why would you say that?
00:43:17I don't know.
00:43:47I don't know.
00:44:17I don't know.
00:44:47Peg, are you cheating on me?
00:44:49Peg?
00:44:51I love you.
00:44:51How could you?
00:44:52I have to...
00:44:53No, that's ridiculous.
00:44:55Pregnant women don't cheat.
00:44:56It'll be perfect.
00:45:05Great.
00:45:08I love it.
00:45:11That's right, yeah.
00:45:12That's right, yeah.
00:45:22It'll be perfect.
00:45:23I love it.
00:45:25That's so right, yeah.
00:45:28Oh, honey, phone's for you.
00:45:31It's Greg.
00:45:31He called?
00:45:36I didn't hear the phone ring.
00:45:38I was on the other line.
00:45:40Here, take it.
00:45:44Yeah, buddy boy.
00:45:47Yeah, I'll be there.
00:45:51Later.
00:45:52Peter, you two seem to be having a nice conversation.
00:45:56He went to visit Peter.
00:45:58He said he's doing better.
00:46:01Well, I better get back to work.
00:46:06Okay.
00:46:06I think it's weird.
00:46:30Yeah?
00:46:31How's it going, buddy?
00:46:32Yeah.
00:46:32How's it going, buddy?
00:46:34Jester, how are you?
00:46:48Hey, Bob.
00:46:49Hey, listen.
00:46:50Don't ask me how I did it, but I did it.
00:46:51You're hot again, baby.
00:46:52Why don't you come into the office and make an appointment,
00:46:54and maybe we can talk about stuff.
00:46:57Well, I'm kind of busy right now.
00:46:58What?
00:46:59I didn't hear you.
00:47:00I have a new representation, Bob.
00:47:03Oh, a minor issue.
00:47:04Why don't you swing by the office and we can have a sit-down.
00:47:06Give Sally a call.
00:47:07A lot of buzz, baby.
00:47:08A lot of buzz.
00:47:10Fuck.
00:47:11Hold on.
00:47:11Bob Rupp's office.
00:47:32Yeah, Bob Rupp.
00:47:33I was just on the phone with him.
00:47:34It's Jeff Stent.
00:47:34He's not taking any calls.
00:47:35Son, see you back at home.
00:47:55Okay.
00:47:56Hey, Jeff.
00:47:56You need to lift home?
00:48:14How about it?
00:48:16Yeah, sure.
00:48:17Get in.
00:48:18Thanks, bro.
00:48:18No problem.
00:48:20No problem.
00:48:20Let's go.
00:48:50Hey, where you been?
00:48:59I, uh, went to pick up your dry cleaning, but it wasn't ready.
00:49:03Are you hungry?
00:49:04No.
00:49:05Let's go.
00:49:20So, honey, I was thinking, you really should visit Peter this weekend.
00:49:24You haven't seen him in weeks.
00:49:25Sure, yeah, that's a good idea.
00:49:26You want to come with?
00:49:28No, I'd love to.
00:49:29I have cooking class, though.
00:49:30You sure you don't want to come?
00:49:34Of course I want to come, but I've got to keep my chops up for my man.
00:49:42Yeah, well, okay, see you later.
00:49:43Let's go.
00:50:13How you doing, bud?
00:50:21Good.
00:50:23How you doing, man?
00:50:24I'm getting out of here soon.
00:50:36Sure you are, bud.
00:50:37Will we win?
00:50:38The game.
00:50:39No, man, they called the game.
00:50:49Hey.
00:50:49Well, I'm, uh, I'm, uh, I'm gonna go, Pete, all right?
00:50:57I'll, uh, I'll come back and visit you soon, okay?
00:51:02Hey, Jeff, can you give me a ride home?
00:51:05Mm-hmm.
00:51:09I'll be outside in a second.
00:51:14Hey.
00:51:15Hey.
00:51:16Hey.
00:51:16How are you, baby?
00:51:21I'm good.
00:51:23Well, you look wonderful.
00:51:30Hey, how you doing?
00:51:32I'm your neighbor.
00:51:33Oh, hi.
00:51:35Yeah, I was wondering if I could borrow your axe.
00:51:37Axe?
00:51:38Um, I, I don't think we have an axe.
00:51:40Yeah, you got one in the garage.
00:51:41I know the landlord.
00:51:43You definitely got one.
00:51:45Oh.
00:51:46Okay.
00:51:46Come in.
00:51:46Thanks.
00:51:52That tremor last night took down a couple of my branches.
00:51:56Thanks for the wine.
00:52:05So how's the script coming?
00:52:09Well, I mean, I hear it's getting a real buzz around town, and Marilyn seems to really like you.
00:52:14Yes, I have to say something.
00:52:15I want to do something, you know, the way things worked out with Peter, I think I'd...
00:52:19What do you mean?
00:52:21Well, Marilyn's interested in me and my writing because of what happened with Peter, and I
00:52:25figured that...
00:52:26Look, Jeff, it's not your fault, okay?
00:52:29I mean, you're a good writer.
00:52:31Peter loves you.
00:52:33He would only want good things to happen for you.
00:52:36I get this deal with DreamWorks.
00:52:37I want, I want to give you guys something.
00:52:38No, just forget it.
00:52:39No, I won't.
00:52:41I'm not going to.
00:52:41So, did you figure out an ending yet?
00:52:46I can't figure out why he did it.
00:52:52She probably cheated on him.
00:52:54What?
00:52:54Why would you say that?
00:52:56No reason.
00:52:57I mean, isn't that the classic reason?
00:52:59Yeah, but he killed three people.
00:53:00Why would I do that?
00:53:01What did you just say?
00:53:03Why would he do that?
00:53:05No, no, you just said, why would I do that?
00:53:06Why would I say...
00:53:07Why the fuck would I say that?
00:53:09Okay, could you just take me home?
00:53:10Why would I do that?
00:53:40Why would I do that?
00:54:10Why would I do that?
00:54:40oh man feel better now yeah a lot better everything's great i'm going back to kiddo
00:55:06tomorrow what about the angel of death script i'm finishing it tonight so afterwards are
00:55:12we going back home yes let's get out of here tomorrow okay
00:55:36so
00:55:49I don't believe it.
00:56:11Jeffrey?
00:56:12Jeffrey, what is this?
00:56:16That's the script.
00:56:17Jeff.
00:56:19It is everything you asked for.
00:56:20It has the accidents, gore and blood.
00:56:25I guess I should have listened to people
00:56:27when they told me you never finish what you started, Jeff.
00:56:31What are you talking about?
00:56:33Lawsuit?
00:56:34Why your agent dropped you?
00:56:37Jeff.
00:56:40Don't make this your last script.
00:56:45It's the best I can do.
00:56:46I mean, what do you want me to do?
00:56:50Very simple.
00:56:53Make them die violently.
00:56:58You know, people start asking about you in town again.
00:57:03My good friends, DreamWorks, they're very interested in you and they're considering you for, guess what?
00:57:15Dead end.
00:57:16They are?
00:57:21They are?
00:57:23Really?
00:57:23Really?
00:57:24Yes.
00:57:25Yes.
00:57:26Yes, Jeff.
00:57:27But, of course, I told him how thrilled I was working with you.
00:57:30Of course, I was before.
00:57:32You know, you better finish the script.
00:57:35I paid you, Jeffrey.
00:57:38You have to finish the script.
00:57:41You know, make Graham explain why Graham killed his wife and his family.
00:57:47Make it more violent.
00:57:54Make it true.
00:57:57Real.
00:57:59So, true slaughter.
00:58:02Jeff, I thought you were finished with the script.
00:58:25I thought we were leaving today.
00:58:27Yeah.
00:58:28Where is it?
00:58:30Where is it?
00:58:34Jane Rolfe.
00:58:37That's it.
00:58:37She'd know about my adoption.
00:58:39Who's that?
00:58:40It's Graham's sister.
00:58:42You're not adopted, Jeff.
00:58:44How do you know?
00:58:45I don't look anything like my parents.
00:58:46It would explain everything.
00:58:48Even if you were, what makes you think you're Graham's son?
00:58:50I don't know.
00:58:51It's a feeling.
00:58:54That has to be it.
00:58:55Listen, what about me?
00:58:58Look, I never told you, but I was adopted.
00:59:01Okay?
00:59:02Just because I'm adopted doesn't mean I'm the child of the angel of death.
00:59:06Thousands of people are adopted.
00:59:08Yeah, I know.
00:59:09But if I'm connected to everything, it explains it all.
00:59:12It explains everything.
00:59:13Jeff, please, give this up.
00:59:17Los Angeles, California.
00:59:20Jane Rolfe.
00:59:21It's a residence.
00:59:21R-O-L-F.
00:59:35We've reached the Rolfe residence.
00:59:37We're not in.
00:59:38Please leave a message.
00:59:39Hello.
00:59:40Yes.
00:59:41Ms. Rolfe, this is Jeff Sten.
00:59:43I don't know if you're Gary Graham's sister, but if you are, I need you to call me as soon
00:59:50as possible.
00:59:51I don't know if you're a child.
01:00:14Oh
01:00:25Congratulations Jeff
01:00:27We came all the way from Phoenix for your party now that our son-in-law is a big motion picture
01:00:35Congratulations to dreamworks loves your work. You're hired. Are you surprised?
01:00:44Oh
01:00:48Jeffrey George Truman
01:00:51Congratulation I just want to tell you I love the script
01:00:57The final draft has everything
01:01:00It was all there
01:01:03Wasn't it Jeffrey the final draft well final to me
01:01:08It is spectacular
01:01:10Yeah, well, uh, thanks, you know Steven
01:01:14At dreamworks. He loves it. He even thinking of auctioneer
01:01:22In fact
01:01:25Jeffrey I'd love to work with you again. I don't know what to say why I
01:01:31Think we were a great team you and I
01:01:35When did I send you that draft again, I know
01:01:39I'm sorry. I didn't call you earlier after your email. I love your script
01:01:44Just like everybody else Jeff
01:01:47Congratulations get a drink get some champagne enjoy the party. This is for you and treat
01:01:55Cheers
01:01:57Uh, I know this might sound a little odd, but can I ask you a favor?
01:02:18Congratulations
01:02:18Did you read it of course the ending is a kicker?
01:02:22It's a kicker
01:02:37Hello hello, Jeff stand please
01:02:40This is he
01:02:42This is Jane Graham Rolf
01:02:44What's this about you said something about Graham's baby?
01:02:49Yeah, I I
01:02:52Wanted to know what happened to him him? I think I might be Graham's child
01:02:57You're not mr. Stan. I can guarantee that why were you convinced you were Graham's child?
01:03:01Just strange things seem like they've been happening
01:03:04What kind of strange things I can't explain
01:03:07Mr.. Stan, there is nothing to worry about the baby wasn't a son. It was a daughter
01:03:14And there's one other thing about the child proton anomaly. Do you know what that is mr. Sten?
01:03:19A particular kind of colorblindness very rare
01:03:22One out of a hundred males might have it for women it might be one out of a thousand
01:03:26Also known as red weakness for the afflicted red hues are shifted. It appears to them as green
01:03:32Graham's daughter has it mr. Sten
01:03:37It's beautiful thanks mom it'll do bagels too don't worry about the dishes leave them for tomorrow
01:04:07Bill
01:04:22Tree we need to talk what is it mom do you know who this is?
01:04:28I
01:04:34Don't think it would be good for this to get out can you see the headlines there? It's not proper
01:04:39We've worked so hard scripts written you can't undo that hollywood does not work that way we'll talk when jeff gets back
01:04:47He'll understand
01:04:49It's bad for the family. He's a reasonable young man
01:04:52No mother why didn't you tell me this tree what good would it have done you knowing that what good?
01:05:02Look what's happened now is because of you happening now is we're preventing a disaster
01:05:06Imagine what people will say when they find out that you your husband are profiting from this
01:05:12Calm down and think about it calm down you don't understand jeff
01:05:16What will happen when he finds out he'll understand i'll lose him no you won't
01:05:22No more argument everybody needs to calm down we'll finish this when jeff gets back we're a family
01:05:28end of discussion
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