Igra sudbine, Epizoda 1498 ,Igra sudbine 1499,Igra sudbine 1498,Igra sudbine Epizoda 1499, Igra sudbine Epizoda 1498,Epizoda 1499 Igra sudbine ,Epizoda 1498 Igra sudbine
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TVTranscript
00:00DARKO
00:12How many of you, Darko, I was nervous!
00:19How many of me got pushed to a blast on a shibal.
00:24DARKO?
00:25DARKO!
00:26What?
00:26What did you say?
00:27What?
00:30You didn't tell me before that, but now, that he was married in that fame, as a distributor.
00:39They were connected with some unexpected friends.
00:44Who do you think?
00:47For example, Gabriel and Lenka.
00:50Two of them?
00:52Yes, yes. They were not developed in the last time.
00:56One of them was a true bird who gave me what you did.
01:02What did you do?
01:05Sarah Berger received a letter from the reader.
01:09What does that mean?
01:11Yes, it is.
01:15I see that you are quite indolent on what I told you about.
01:19I can tell you that it is a very serious thing.
01:22It has nothing to do with it.
01:25Yes?
01:26Yes.
01:27I have to trust you.
01:29With whom I am connected.
01:31I really don't know.
01:32Wait, do you know me?
01:35Yes.
01:36I don't want to see you when I got an order.
01:39Yes.
01:40Inspector Rosic did not have the opportunity to come because of the connection.
01:44Yes, I jumped.
01:46Really?
01:47Yes.
01:48What a coincidence.
01:50Yes, the world is really small.
01:53I don't know if I know you are my son.
01:58Wait, Mr. Director is your son.
02:01Yes.
02:02What did you say?
02:03What did you say?
02:05What did you say?
02:06What did you tell me?
02:09You're a slave.
02:12And you're a slave.
02:14I just said...
02:15I only said...
02:17What did you say?
02:18What did you say?
02:20What did you say?
02:21You know where you were sent to the end?
02:24Hey, what happened?
02:31I noticed that I got a letter from Sari Berger,
02:35that I felt very fond of what I said to you.
02:39Okay, Alexa, let's go, calm down.
02:44We'll talk about it.
02:46Okay, how can you do it?
02:48Let's go, calm down.
02:50That's stupid.
02:52Alexa, here in the office there is no time or place to talk about it,
02:57so at home we'll explain it.
02:59No, we'll explain it now.
03:07I think you have something mine.
03:13Alexa, how many times do I have to tell you that it's on our side?
03:17It's not a matter of who's on which side,
03:19it's not a matter of our private things.
03:21I've just shared something that hurts me with a friend and a friend.
03:26I hope you won't get married.
03:30I won't.
03:32I'm fine.
03:33What do you want?
03:36I want to tell you that you were right.
03:39I want to tell you that life is written in the romans.
03:52I want to tell you that life is not fair.
03:54I want to tell you that life is written in the romans.
04:03I want to tell you that life is not fair.
04:08Sometimes it will be, but often it will be, and everything is useless, except for the sin of mine.
04:22Like love in the war, there is no way to do it, but you have one life, only one chance to become no one.
04:38I'll see you soon.
05:08I'll see you soon.
05:38I'll see you soon.
06:07I'll see you soon.
06:37I'll see you soon.
07:07I'll see you soon.
07:37I'll see you soon.
07:39I'll see you soon.
07:41I'll see you soon.
07:43I'll see you soon.
07:45I'll see you soon.
07:47I'll see you soon.
07:49I'll see you soon.
07:51I'll see you soon.
07:53I'll see you soon.
07:55I'll see you soon.
07:57I'll see you soon.
07:59I'll see you soon.
08:01I'll see you soon.
08:03I'll see you soon.
08:05I'll see you soon.
08:07I'll see you soon.
08:09I'll see you soon.
08:11I'll see you soon.
08:13I'll see you soon.
08:15I'll see you soon.
08:17I'll see you soon.
08:19I'll see you soon.
08:21I'll see you soon.
08:23I'll see you soon.
08:25I'll see you soon.
08:27I'll see you soon.
08:29I'll see you soon.
08:31I'll see you soon.
08:33I'll see you soon.
08:35Bye.
09:05I'll see you soon.
09:07I'll see you soon.
09:09I'll see you soon.
09:11I'll see you soon.
09:13I'll see you soon.
09:15I'll see you soon.
09:17I'll see you soon.
09:19I'll see you soon.
09:21I'll see you soon.
09:23I'll see you soon.
09:25I'll see you soon.
09:27I'll see you soon.
09:29I'll see you soon.
09:31I'll see you soon.
09:33I should lay on the side.
10:03Atalija!
10:18Ej!
10:20Odkod je ovde?
10:22Odkad je u ovom gradu zabranjeno dalice da posle napornog dana na poslu doći popije koktel?
10:29Odkod je ovde?
10:31And when a freelance photographer comes to come to drink and drink, and so it's a little bit left.
10:38Are you alone here?
10:41As you can see, I am. And you?
10:45I am not the best.
10:47Then we are in the same position.
10:49Of course.
10:54I thought I was the only person in the city that wants to come here and drink and drink.
10:59I thought I was the same, but I believe that there is a lot.
11:04You know how they say? There are a lot of souls in this city.
11:07And at least it's a great place for them.
11:09Exactly.
11:13I come here because of this cocktail. I love them.
11:17I come here because of the atmosphere and people.
11:21Someone comes here because of the people, someone because of the cocktail, but that's all.
11:26Yes, it's a great place.
11:30Okay. Then, do you call me?
11:33I'm sure.
11:34I'm sure.
11:36Fantastic.
11:37I want to take you drink the drink…
11:40That's fantastic.
11:50I want to take myself.
11:53Olga! Olga!
11:55Olga!
11:56Olga!
11:57Olga!
11:59Olga!
12:00Mina!
12:01Mina!
12:02Olga!
12:03This was a phenomenon.
12:07This was so emotional.
12:09I didn't know that you had your own song.
12:13Olga!
12:14I'm at the end imploded!
12:17Thank you very much.
12:18Thank you for your support.
12:20What support!
12:22Mina!
12:23Mina!
12:25Let's say it.
12:27Bravo!
12:28Bravo!
12:29Mina!
12:31Mina is my new star.
12:34I really like it.
12:36It was a phenomenon.
12:38It was a phenomenon.
12:40It was a phenomenon.
12:41It was a phenomenon.
12:42I want to say it.
12:43Bravo!
12:44Bravo!
12:45Sjajni ste bili!
12:46Olga!
12:47Bravo!
12:48Olga!
12:49Olga!
12:50I love you!
12:51I love you!
12:52Bravo!
12:53Hvala!
12:54Hvala!
12:55Hvala!
12:56Olga!
12:57Pevaš!
12:58Božanstveno!
12:59Stvarno!
13:00Ja sam od uvek znao da mi majka ima andđelski glas.
13:02Dobro!
13:03Majku moj imaš ti i oca, vajda!
13:05Dobro!
13:06Ok si bio!
13:07Samo ok!
13:08Odličan si!
13:09Bio sam fantastičan!
13:10Ali u pravu se ovo ipak bilo Olgino več, ona je blistala!
13:15Jeste!
13:16Stvarno je bilo!
13:17Stvarno ste odlični!
13:18Hvala vam!
13:28I?
13:29Kaži mi kakav je život freelance fotografa.
13:32Uvek me je to zanimalo.
13:34Veruj mi, tu nema ničeg zanimljivog.
13:36Samo se znalaziš.
13:38Pa kao i svuda.
13:40Da, mislim, ovo je malo drugačije.
13:43Živiš od posla do posla.
13:45I može da bude baš lud.
13:47Ali je u isto vreme i nekako cool.
13:49Slobodan si, to je najbitniji.
13:51Da.
13:52Mislim, cool je to što ne moraš da radiš od 8 do 5.
13:55Upravo to.
13:56Mogu da se uspojam kad god to želim.
13:59Baš je strava biti fotograf.
14:01Jeste, priznajem da jeste.
14:02Ali može da bude i opasto.
14:04Bezavisi šta ti je cilj.
14:06Da.
14:07Ali da je lako, ni.
14:09Ne sumnjam.
14:11Šta ima kod tebe?
14:14Pa...
14:15Znaš šta.
14:16Nije lako biti novinar.
14:18U suštini isto.
14:20Lepo je, ali može da bude opasno.
14:23I u sekundi može da se promeni atmosfera i da ispada neki haos.
14:28Kao na primer?
14:30Pa kao na primer, ako promašiš rokove, glavni urednik može da te stavi u top.
14:36Joj, to sam iskusio.
14:41Bila je frka od tih fotografija sad za posljednji broj.
14:45Fotkao sam te ljude i imao sam zanimljivu situaciju za tom glavnom urednicom.
14:50A...
14:53Oko plaćanja verovatno, ili tako?
14:55Pa šta drug? Kao uvek.
14:57Ali, ali dogovorili smo se na kraju, tako da ispalo je sve okej.
15:01Ja si iskreno radam da ta godarka neće, neće ispaliti dogovor što bi rekli.
15:07Pa ne znam, pasi se ti, opasna ti ona, da znaš.
15:11Nego, htio sam da te pitam nešto ovako u skutu.
15:15Jel misliš da bi Doni možda bili potrebni neki fotografi u neko skorije vreme?
15:21Mislim ono nešto?
15:22Honorarno.
15:24Pa iskreno ne znam.
15:25Što?
15:27Da bi se vidjeli malo češće.
15:31Pa...
15:33Proverit ću pa ću ti javiti.
15:35Obavezno, nemoj da me zaboriš.
15:41Ja bih morala da krenem, jer kasno je, a ja sutra ujtru radim.
15:47Dobro, ovo ide na mene da znaš.
15:50Pa hvala.
15:51Onda se vidimo na nekom sljedećem koktelem.
15:54Vidimo se.
15:55Vidimo se.
15:58Ćao.
16:00Aš.
16:18Kasnije minuta, treba da idemo kući.
16:21Pa hajde.
16:22Ajde.
16:23How do you call it?
16:35Good evening.
16:36I think you have something my name.
16:40My name?
16:43I said I think it's mine with you.
16:48What are those things with me?
16:50My name is Ivana.
16:54I hear you ask yourself about me.
17:00This is a free country. A man can ask yourself about any question.
17:05Yes, it's true.
17:07But there are no questions.
17:10If you are friendly and normal.
17:13For example?
17:15For example, about love life.
17:17For example, you are asking yourself about my case.
17:20I don't know if it's because of the love and love.
17:24Or the engagement.
17:26Or the engagement.
17:29What can I thank you for this unexpected and unexpected visit?
17:33Why are you talking about Saru Berger?
17:38Who are you talking about?
17:40What's the answer?
17:42I don't know you're talking about Saru Berger.
17:43I'm asking you about the answer.
17:45What's the answer?
17:47What's the answer?
17:48Do you know what I'm talking about?
17:50You know what I'm talking about.
17:55Where did you go to my restaurant and do that?
18:01Well, I'll give you the idea.
18:03No.
18:04But who else?
18:06You want to make a scandal?
18:08You want to make a scandal?
18:09I'll make a scandal.
18:10If you want to make a scandal,
18:12I'll make a scandal like this.
18:14I've said that I don't know what I'm talking about.
18:16I don't know what you're talking about.
18:18Yes, yes.
18:20And I know that Sara Berger is your right hand,
18:25and that you, she and her,
18:27and she will have something to do.
18:28It would be better to tell me
18:30what to do.
18:31It will be better for you.
18:35What's funny?
18:41Sorry, but I really have to laugh.
18:43Why?
18:45Well, I'm happy because Vukasin Subrak,
18:50the old man, the old man, the old man,
18:52the old man, the old man, the old man,
18:54the old man.
18:55Vukasin,
18:56Vukasin,
18:58people love you.
19:00I pray.
19:02I say they love you.
19:04Who loves you?
19:05Sara,
19:06you and Žile.
19:08You love me.
19:09You love me.
19:10I don't have anything for you.
19:11I'll give you a lot of support.
19:13But I want you to tell me,
19:14what are you talking about?
19:16I know that I have operated with emotions and anything that is related to emotions,
19:23Sara Berger.
19:24And Žile se,
19:26they love you.
19:27I don't know what's wrong with you.
19:28I don't know what's wrong with you.
19:29What's wrong with you?
19:30Milorade,
19:33I don't really like that.
19:36Whether you are mine or you,
19:38I will hold them.
19:39I will hold them up to you,
19:41and you?
19:42Especially.
19:43I believe.
19:44I didn't know that you would want to hold the gift with the married married married.
19:50I mean,
19:51you weren't on the way.
19:54That's it.
19:58What are the questions that I have asked about your love life?
20:04The question is about my partner.
20:07Who is your partner?
20:09Please, I don't want to be bullied.
20:12I don't want to be bullied as you can see.
20:15My partner is living, and you know it very well.
20:19Yes, yes, yes, I remember.
20:21You know what I love when two young people love me.
20:26It's such a shame.
20:29Yes, I see you are really positioned for bullying.
20:33Yes, yes, I always like to bullying.
20:35Thank you very much for coming.
20:37You can do it always.
20:39No, I didn't come because of bullying.
20:42Of course not with you.
20:44I came to take what is mine.
20:47Well... What's your partner?
20:49You are your partner.
20:53What is your partner?
20:55What is he talking about?
20:57What is he talking about?
20:59What are you talking about?
21:01What is he talking about?
21:07He told me that you engaged me in the last-season,
21:11I don't know how to get into it.
21:14I admit, I'm a little bit too.
21:17Yes.
21:19I understand, because I don't know how to get into it,
21:21but I don't know how to get into it.
21:23It's true.
21:25What is it?
21:27I can't believe that I'm going to talk about it.
21:31I can't believe that I'm going to talk about it.
21:33I'm going to talk about it, and I'm going to talk about it.
21:35It's true.
21:37We're going to live in the house.
21:39But for us it's so close and so far.
21:43The times change.
21:45You're going to therapy, and you think everything is over the night?
21:48I know not everything, but our communication is still alive.
21:53Yes?
21:54Yes, yes.
21:55Why do you think so?
21:57I think that you want to tell me that communication is better.
22:04Is it possible to try to be wrong?
22:05No, it's not wrong.
22:07I'm so happy that you want to do it.
22:09Come on, come on.
22:10I want to hear everything.
22:11Come on.
22:14The truth is that I would like to have someone.
22:19...
22:31You're right.
22:32You're right.
22:34Outro music...
22:36...
22:37You're like a girl Vuka Karadžić.
22:40I'm Goran, I'm good at Mina.
22:43Where are you here?
22:45I'm Pancetina, a new daughter, and I came to her.
22:48Really?
22:50Yes, she is!
22:52She will be in the evening to me home.
22:55Pancetina, of course, is still home,
22:57but I don't have any final thoughts on my life.
23:00Really?
23:02Oh, Gorane!
23:04You, you'd be a woman across the water,
23:08but I'm going to give you a lot.
23:11I won't, Pancetina.
23:13No!
23:14No!
23:15No!
23:16You don't do me, Pancetina!
23:17I'll give my hands away from me.
23:19Yes, Pancetina?
23:20Yes, that's right.
23:22If I tell you, and I'll tell you,
23:24that you need to change,
23:26then that's how it should be.
23:28I don't know.
23:29Pancetina,
23:30if I tell you that it's under my jurisdiction,
23:36then it should mean that you're leaving now.
23:41Let's go,
23:42let's go over here,
23:43let's go over here.
23:44I know you, Pancetina.
23:46Pancetina.
23:47Let's go.
23:48Let's go.
23:49Did you hear me?
23:52I heard you.
23:54Let's go.
23:55Let's go.
23:56Let's go.
23:57Let's go.
23:58Let's go.
23:59Let's go.
24:00Let's go.
24:01Hello, Mina.
24:02Hello.
24:03Hello.
24:04Hello.
24:05Hello.
24:06Hello.
24:07Hello.
24:08Hello.
24:09Hello.
24:10Hello.
24:11Hello.
24:12Hello.
24:13Good morning.
24:14Good morning.
24:15How do you call me?
24:16Nevena.
24:17Nevena?
24:18Yes.
24:19Can I invite you to drink?
24:20Of course.
24:21Nevena.
24:22Do you want me to drink?
24:23No.
24:24Yes.
24:25Yes.
24:31What is your name?
24:32I think you know very well what you call me.
24:36The name is the name is the name.
24:38The name is the name is the name.
24:39I think I have a block of the name.
24:45If I need it.
24:47You are a very duhovist person.
24:51Yes.
24:52Yes.
24:53Yes.
24:54That's what everyone says.
24:55That's a great deal.
24:56I am a great deal.
24:57Good morning, Mr. Suvobrk.
24:59If you want to talk again to me, please call me free.
25:04You don't need to break the door and fall into the order.
25:08I don't care about the door.
25:09I don't care about the door.
25:10I don't care about the door.
25:11I pray, Mr. Suvobrk.
25:13That's not my style.
25:15I've never killed any door in my life.
25:18I've lost my door.
25:19I've lost my hand.
25:21You've lost your hand.
25:22You've lost your hand.
25:23You've lost your hand.
25:24You see this, Mr. Suvobrk.
25:26Yeah, Suvobrk.
25:27Yeah.
25:28Yeah.
25:29Yeah.
25:30Yeah.
25:31Okay.
25:32Good morning.
25:33Good morning.
25:34Good morning.
25:35Good morning.
25:37I have missed my hand.
25:39That was true.
25:40I thought I could find any partner.
25:42I wanted to find some partner.
25:44I wouldn't like it.
25:45Any woman you love is not the ultimate.
25:47Yes, he's in your mind.
25:48Good morning, I wasn't thinking about it.
25:49I thought I could find something new.
25:50To some people, I thought I could find a partner.
25:53And I thought I'd find a partner.
25:56Go, she's not that woman I'd like it.
25:58My life is a lot easier when you're doing it.
26:01Yes.
26:02Sit.
26:03Sit.
26:07It's not going to be like that.
26:08It's not scary if you're staying alone.
26:10It's not really scary when you're staying alone.
26:12It's a experience.
26:13Of course.
26:15I don't know, mama.
26:16You need to be very strong.
26:19You're thinking that you're not strong?
26:21I've always thought that I am, but sometimes I'm asking.
26:24No, I'm asking you.
26:25I'm asking you for me.
26:27Atkud znaš?
26:28No, I know, I am driving it.
26:29You're listening to.
26:30You're listening to me.
26:31I'm something like you did.
26:32I'm going to be with you now.
26:33You're listening to me.
26:34I am about to see you.
26:36As I am seeing you, I said before I'm speaking.
26:39You're listening.
26:40I'm talking about my jas.
26:41Do you really?
26:42As you're listening to me.
26:43I'm asking.
26:44You really?
26:45Ma'am?
26:46I'm being able to understand.
26:47I'm saying I want you to know.
26:48As you are there.
26:49I'm still thinking I'm getting to you and I always do this.
26:53What I'm thinking.
26:54You know?
26:55Really.
26:56And I'm sure that you'll find someone else.
27:00I don't know.
27:01I'm just asking when I ask you.
27:02Oh, when?
27:03It always happens when...
27:06...you'll find yourself.
27:08Okay.
27:10I hope you're right.
27:12What do you think?
27:13I'm right. Give me a hand.
27:14Give me happiness.
27:15Everything will be fine.
27:16Nothing to do with you.
27:26What do you think?
27:52Who did you want to do with the first?
27:54I think that neither you nor I need to go to the hospital until we don't do anything.
28:00I'm really humorous.
28:02I'm humorous, Alex.
28:04Who is the first time to go to the hospital?
28:06I've heard what I tell you.
28:08Why?
28:09Because it's a young people.
28:11I'm really humorous for the sin.
28:14What, you don't think you need to talk about this situation?
28:19This situation is very clear.
28:22Yes.
28:23Okay.
28:24Can you explain to me how you see?
28:26You see it so that you don't know how you feel our intimacy.
28:29Now you really hurt yourself.
28:31I'm not responsible for this situation.
28:34Alex, I don't have the intention to talk about yourself.
28:37You have the intention to talk about yourself.
28:40Why do you insist on talking about yourself?
28:42Because I have a completely different intention.
28:44What?
28:45What?
28:46I want to forgive you.
28:48That's it.
28:52You have the courage to talk about yourself.
28:54You have a problem not to talk about yourself, but we are sad.
28:56You have a feeling.
28:57What?
28:58And you have an emotional reaction.
28:59You have to be amazed.
29:00You have to be afraid of yourself.
29:01We have to be a socialist.
29:02And we are not yet to talk about you.
29:03Do you have an emotional reaction.
29:04Okay, let me give up.
29:05I really appreciate your opinion.
29:06What about you?
29:07I don't know you are too passionate about you.
29:08I can't believe that we are here. We have a message.
29:12I'm afraid I'm going to get out of it.
29:14Barbara, please, stop doing things from the past,
29:18especially when it comes to the past.
29:20From the past, I can't die because of you.
29:24What did you say?
29:26Myr, Dame, Dame.
29:28You can't kill me.
29:30You have an image to get here.
29:32You're the last person who doesn't want to talk about the image.
29:36What happened recently, between you two, is the past.
29:42Don't worry about it.
29:44You're going to get back to the future.
29:46How do you need to get back to the future?
29:48Peace, Barbara.
29:50I agree with you.
29:52We don't need to make a woman from a woman.
29:56Barbara, I'm happy that I hit you.
29:59I know that I need to hear.
30:06Mr. Berger, I will keep you safe.
30:12See you soon.
30:14See you soon.
30:16See you soon.
30:18See you soon.
30:20All right, let's see you soon.
30:26Bukashina, this was really nice.
30:29It's all a happy name, but not?
30:31It wasn't because I was in line.
30:34Or you wouldn't have taken a lot of lives on there.
30:37I will quit here.
30:38May I ask you, do not find any ideas about your year.
30:42Need for a moment.
30:43What did you want?
30:44What did she say?
30:46She came to us to tell us that we are broken.
30:49That is, that you are broken.
30:51What is it?
30:53She is not stupid, she is just evil.
30:57She is just like Sabela 22.
31:00She is the only thing that she knows.
31:03Is that what she knows?
31:05She doesn't have anything to do with that.
31:08I think that what we know that Žile financed her return to Beograd is nothing.
31:18When everyone knows this, it means that they are not clean,
31:22because there is nothing to do with Žile.
31:25Everything is evil.
31:27It is our time to wait and see what will happen.
31:34That will happen.
31:38I don't have to accept Gale's idea that Sari will take the manuscript.
31:49It is nice to hear me.
31:51But it is the only thing that I am wrong.
31:54I think that it is about sharing our things with the third person.
31:59I don't want to forgive myself.
32:01I think Gale is my colleague and friend.
32:05And it is natural to share things with us in life.
32:10You must have to talk about everything.
32:12What?
32:13What?
32:14You are not talking about friends with me.
32:15I am talking about it, but not so much.
32:18You see, the point is that it is normal that we have friends with people who share things with you.
32:24And the other thing, I don't talk about anything that I have nothing to do with you.
32:28Where did you go?
32:29Where did you get to the Gale's life?
32:30Where did you get to the house?
32:31Where did you get to the house?
32:32Where did you get to the house?
32:33Where did you go?
32:34Where did you get to the house?
32:35And what did you do with the house?
32:36Well, Alexa, don't be afraid of Gale's life.
32:38She likes you and does.
32:40And she wanted to do with someone who is going to do what you want.
32:44And she wanted to know how you can find something wrong.
32:45Where is it?
32:46You know, on the original one.
32:48She is a little bit hurt, it's a bit of a joke.
32:51I understand, but I think that's a gala. What do I do?
33:02Do you want to say something?
33:09What kind of appearance was Sari Berger when she saw her?
33:16You can't even imagine.
33:21This will be your work position. Is that ok?
33:31I'm almost ok.
33:32You can go.
33:33You can go.
33:34You can go.
33:35Before you get acquainted with this space, because at this moment there will be chaos.
33:51You can go.
33:54Mariana?
33:55Hmm?
33:56What is it?
33:57What is it?
33:58I have something for you.
33:59What is it?
34:00I have something for you.
34:01What is it?
34:02It's one of my old things.
34:03You go wherever you need.
34:04I have something for you.
34:05What is it?
34:06I have something for you.
34:07What is it?
34:08What is it?
34:09What is it?
34:10I have something for you.
34:11What is it?
34:12What is it?
34:13It's one of my old things.
34:14What is it?
34:15What is it?
34:16It's one of my old things.
34:17It's one of my old things.
34:18You go where you need to go.
34:19I've heard that you are going to be humanitaried work.
34:22and it's one of my old things.
34:25F
34:40Being Yeti, how the stuff is so clear, please?
34:43Sebren the power of all the things they need to.
34:45Why can't we speak about it?
34:46None of us pray a lot.
34:47Will you allow me to tell her that they have joined us?
34:49Let me tell her that.
34:50Hey, hi. Hi.
35:02Sit down.
35:04How to sit down?
35:07How to sit down in such a beautiful place.
35:10How did you get away from me?
35:12Okay, let's go. I have something important to say.
35:14Sit down, please.
35:20I understand. I understand everything.
35:30What?
35:32Maybe he did this. Let's see how we think.
35:35Maybe this is a test.
35:37Do you think this is a test?
35:38Yes, but what?
35:40Sorry, you really forgot what I said. I pray.
35:54Mariana.
35:56What are you, Mariana?
35:59No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
36:14I didn't know which person was in particular, but I'm convinced that one person has a relation to this.
36:23What person?
36:25What is it?
36:27It is a strange person.
36:29You are not familiar with me.
36:31You are familiar with me.
36:33It is a strange person.
36:35I don't know where I am.
36:37You are familiar with me.
36:39You are familiar with me.
36:41I am very familiar with you.
36:43I am familiar with you.
36:45Hello?
36:47Hello?
36:49Hello?
36:51Hello?
36:53Hello?
36:57Hello?
36:59Hello?