Miami Vice Season 2 Episode 23 Son And Lovers
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TVTranscript
00:00Oh
00:30I don't know.
01:00Take his wire.
01:30Let's go.
02:00It's a green light.
02:09I don't have them.
02:10They're out of view.
02:12Move!
02:13It's a rip!
02:15Cuff them!
02:31It's a green light.
02:43It's a green light.
02:55It's a green light.
03:00Don't touch the door, Zito!
03:21It's a green light.
03:34You okay?
03:46Easy, I got one in my closet.
03:49It's a green light.
03:58This guy's still breathing.
03:59I'll get an ambulance.
04:00I'll get an ambulance.
04:01I'll get an ambulance.
04:10I'll get an ambulance.
04:43There could be a sex bug down as far as the basement.
04:54Let's get a perimeter on the building ASAP.
05:00Oh, yeah, excuse me.
05:04Make sure you get a receipt for that, Dick.
05:08Boy, guys, for a minute there, I was really scared.
05:12I didn't think I was going to make it up those steps.
05:15I've got to start working out.
05:19Yeah, well, you can tell whoever has that laser.
05:22He's got a big one coming from us.
05:25Anything he wants.
05:27What are you talking about?
05:31Whoever took out our friend Mendez here
05:33practically had this shotgun up our noses
05:37before I saw that laser light on the wall.
05:43We didn't have a laser.
05:50We didn't even get a shot off.
05:52We didn't even get a shot off.
05:53We didn't even get a shot off.
05:54We didn't even get a shot off.
05:55We didn't even get a shot off.
05:55We didn't even get a shot off.
05:56We didn't even get a shot off.
05:57We didn't even get a shot off.
05:58We didn't even get a shot off.
05:59We didn't even get a shot off.
06:00We didn't even get a shot off.
06:01We didn't even get a shot off.
06:02We didn't even get a shot off.
06:03We didn't even get a shot off.
06:04We didn't even get a shot off.
06:05We didn't even get a shot off.
06:06We didn't get a shot off.
06:07We didn't get a shot off.
06:08We didn't get a shot off.
06:09We didn't get a shot off.
06:10We didn't get a shot off.
07:41If it hadn't been for the mystery sniper...
07:44Excuse me.
07:45Ballistics matched the cartridge we found on the roof with the bullet that hit Mendez.
07:515.56 millimeters.
07:54What's his status?
07:56He's in surgery.
07:58They say he'll make it.
07:59I won't run the clock.
08:05Guards at the hospital.
08:08Wait a minute.
08:13What about the third player?
08:15Well, there's a sewer system connected to the basement there.
08:20He could be anywhere.
08:21We've done a house to house.
08:24Lieutenant, I wouldn't be too hard on the backup.
08:27Mendez and his people had this one figured out for him to get.
08:32Backup was sloppy.
08:33Gina just called.
08:42She spotted Vega on Royal Avenue.
08:45That's the snitch that said up our meat.
08:48Mr. Castillo burned about the backup.
08:50Well, you can't blame him.
08:52He almost thought of one of his best cops this morning.
08:55Yeah, not to mention you.
08:58Come on, man.
08:59Mr. Eight floors is high enough.
09:01This guy's pretty tall.
09:03Find out.
09:04Come on, man.
09:05You guys are cops, right?
09:06I don't know how Mendez copped you.
09:09I mean, how did Columbus cop to him?
09:11No!
09:12Oh, this is not right, man.
09:14Please.
09:15Please.
09:15Get the window.
09:16No!
09:16No!
09:17No!
09:18No!
09:19Man, this is murder!
09:21Murder!
09:22Come on, we're going to throw this jerk out the window.
09:24Man, no.
09:25No, no.
09:26All right, all right, all right, all right, all right, all right.
09:28All right, I copped you, man.
09:30Please, don't kill me, please.
09:32I just needed the money, man.
09:33Please, don't kill me.
09:35Who paid you?
09:36I don't know, someone I do that I never saw before, man.
09:39Just don't kill me.
09:40Where'd you meet?
09:41Well, after I set up your gig, I got hip to this bounty,
09:46and then I told Mendez what you guys were about,
09:48but the next thing the dude shows up in a limo, I don't know.
09:51Hold, hold, hold it.
09:52What are you talking, bounty?
09:54What, you don't know?
09:56Yeah, man, words on the street.
09:58One million dollars if you can deliver Ricardo Tubbs alive.
10:05Delivered to whom?
10:07Someone named Calderon.
10:11Calderon!
10:13Liar!
10:14Calderon was killed a year ago.
10:17Oh, man, that's the name.
10:18I swear it.
10:20Mendez and the one I do was on the million.
10:23All I got was a few crumbs for the info.
10:25And I'm sorry I took the money.
10:27I mean it.
10:28Really, I am.
10:28I promise.
10:29That's right.
10:30How'd he go?
10:31I just needed to push him back.
10:33No, no, I won't do it again.
10:35I promise.
10:36Oh, I promise.
10:37Oh, I promise.
10:39Oh.
10:43Book him, Dano.
10:45The above-styled autopsy revealed bullet wounds
10:57to multiple structures within the chest cavity.
11:00Suspect, Calderon, was pronounced dead on the scene.
11:07One time we reeled in a big one.
11:10Yeah.
11:11This just goes to show what the average New York flatfoot
11:16can do with the proper local supervision.
11:20That's one more memory I can do without.
11:24Calderon's daughter.
11:26Angelina.
11:32Hospital's calling about Mendez, Crockett.
11:35Best to leave that one where it was, pal.
11:41After the fire, the fire still burns.
11:48The heart grows older, but never, ever learned.
11:55The memories smolder, and the soul always yearns.
12:04After the fire.
12:06The fire still burns.
12:14The fire still burns.
12:15I heard a voice asking, what happens after the fire?
12:39The fire still burns.
12:40The fire still burns.
12:42And then the sound of a breaking window.
12:47And the scream of a tire.
12:52And then the sound of a distant gun.
12:56And the cry of a hungry child.
13:00Hungry child.
13:01The night is hot, but nothing's gonna stop this game going wild.
13:12After the fire, the fire still burns.
13:17The heart blows older, but never ever burns.
13:22The memory's smaller, but the soul always yearns.
13:27After the fire, the fire still burns.
13:34I saw Mac Dillard in black and white.
13:56There ain't no color in memories.
14:02He rode his brother's Harley across the TV.
14:06While I was laughing at Thundalline.
14:12Now I'm sucking all my videotapes.
14:16And I'm crying, and I'm joking on you.
14:23After the fire, the fire still burns.
14:28The heart blows older, but never ever burns.
14:33The memory's smaller, but the soul always yearns.
14:38After the fire, the fire still burns.
14:45The fire still burns.
14:46The fire still burns.
14:50After the fire, the fire still burns.
14:55After the fire, the fire still burns.
14:58This morning was a rip-off.
15:01They would have taken the cash.
15:02If it was straight business, they would have called it off when Vega told him you were cops.
15:09Yeah, someone's just trying to chump me off, man.
15:13Yeah, and I ain't called her own because he's dead.
15:15I know it for a fact.
15:17What are your feelings on protection?
15:19I don't want it.
15:21I think the best way to get to the bottom of this is just to be cool and not act scared.
15:27He's absolutely right.
15:29Mendez is out from under anesthetic.
15:31I say we go see him and see what he has to say.
15:36Yeah, I know.
15:38No heroes.
15:52So, does it feel any different now that you've got a price on your head?
15:57Probably just a rumor from some low-end chump.
16:01Nonsense, man.
16:02Nonsense.
16:04Well, the price certainly is.
16:14Crackett.
16:14Detective, I'm calling for Dr. Meyer.
16:17Mr. Mendez had to go back for emergency surgery.
16:20Is he going to be all right?
16:21There's no prognosis yet, but we'll let you know.
16:24All right, thanks.
16:27Mendez is going back into surgery.
16:34What are you doing?
16:36Reprioritizing.
16:38What are you doing?
16:42All right.
16:45Simon.
16:45What are you doing?
16:46Arrl.
16:55What am I doing?
16:56lunch on me on you yep can't let a guy buy his own last meal anything you want anything
17:16veggie burger anything but that i tell you what surprised me i gotta make a call
17:21surprise me if i got enough money
17:26so
17:36so
17:40so
17:44so
17:54Oh, my God.
18:24Oh, my God.
18:54Angelina?
18:58I want to show you something.
19:04I want to show you something.
19:26Our son.
19:39Hey.
19:40Hey.
19:44Hey, little handsome guy.
19:48Wow.
19:50This is something.
19:52I can't believe it.
19:57All right.
19:58Hey.
20:00Hey.
20:01Hey.
20:03Hey.
20:05Hey.
20:06Hey.
20:07Hey.
20:09Hey.
20:10Hey.
20:11Why didn't you tell me?
20:27I never intended to see you again after my father was killed.
20:33Angelina, he was going to kill me.
20:36I didn't come here for an explanation.
20:38I came here because someone is going to kill you.
20:42And whatever you are, you're the father of my child,
20:45and I've had enough bloodshed in my life.
20:49Who's going to kill me?
20:51My half-brother, Orlando.
20:55And he'll do anything to get you.
21:08Orlando.
21:20We were raised separately.
21:22The only time I met him was when my father gave us these penance,
21:26so his people would know us for his children.
21:28Now he's taken over all of my father's connections,
21:32and he's sworn to avenge his death.
21:36And he will.
21:37Believe me.
21:41I believe you.
21:44Where's your brother now?
21:46He's on his way to Miami.
21:47Maybe here already.
21:49He's got people looking for you all over the city.
21:52I know.
21:53You've got to leave Miami.
21:54I brought money for you.
21:55Angelina.
21:57Don't you understand?
21:58He can do anything.
22:00He can buy anyone.
22:02He's everything you said my father was.
22:05Forget about your father.
22:07I can't!
22:13I know he was a criminal.
22:15I've tried to understand him.
22:20But he was everything to me.
22:21Now all I've got is my baby.
22:40You got me.
22:42You got me.
22:51I know he was a criminal.
22:52I know he was a criminal.
22:53I know he was a criminal.
22:54I know he was a criminal.
22:55I know he was a criminal.
22:56I know he was a criminal.
22:57I know he was a criminal.
22:58I know he was a criminal.
22:59I know he was a criminal.
23:00I know he was a criminal.
23:01I know he was a criminal.
23:02I know he was a criminal.
23:03I know he was a criminal.
23:04I know he was a criminal.
23:05I know he was a criminal.
23:06I know he was a criminal.
23:07I know he was a criminal.
23:08I know he was a criminal.
23:09I know he was a criminal.
23:10I know he was a criminal.
23:11I know he was a criminal.
23:12I know he was a criminal.
23:13I know he was a criminal.
23:14I know he was a criminal.
23:15What do you got?
23:25A file.
23:41Count the money in your time.
23:45What else?
23:50Your sister got here ahead of you.
23:53I heard.
23:55She probably brought the cop his baby.
23:59Know where she's at?
24:03You can try and find out.
24:06You either bring me the cop or you bring me that whore.
24:10I'll give you the same money.
24:14I'll do my best, senor.
24:16Ah.
24:20He did his best.
24:28Clean that up.
24:28I used to wonder what would be.
24:34I used to wonder what would be.
24:38I used to wonder what would be.
24:42I used to wonder what would be like to see you again.
24:48I used to wonder what would be like to see you again.
25:00Me too.
25:02Except I was afraid to come back with a little more than you expected.
25:07my son.
25:13He's beautiful.
25:14What's his name?
25:19Ricardo
25:19That's original
25:24Ricardo
25:27There's $800,000 in that suitcase
25:32Wait a minute
25:38Just take it and leave
25:40He knows you're here
25:42And he'll find you
25:44Look, Angelina, I'm a cop
25:47I can't just blink my eyes
25:51And turn my life upside down
25:53You have no choice
25:57Wait a minute, where are you going?
26:05There's no time
26:06I'll be back in two hours
26:10I'm not just gonna walk out on you and my son
26:16Don't worry
26:20One ten-year-old snapshot
26:40Not much to go on
26:42Get a copy to Metro Customs and to Broward
26:47Does she want protection?
26:50I'll talk to her
26:51Give me Captain Reardon
26:53Listen, Lieutenant, I got one favor I'd like to ask
26:58You know, the sniper that shot Mendez
27:01That's Angelina's bodyguard
27:03And if you could just cut him some slack
27:05I really would appreciate it
27:07He's got my vote
27:09I'll talk to the prosecutor about it
27:14When you're in the safe house
27:15What do you mean?
27:21Lieutenant, I want to carry my own weight
27:23You're in the safe house
27:26Yeah
27:33Hey, Pete
27:41We need to borrow this room for a second, all right?
27:45Come on
27:46While we're young
27:47Thanks
27:52Rico, this may be none of my business
28:01I don't know if I'm out of line to say so
28:04But, uh
28:05Are you sure this kid is yours?
28:09I mean, we don't even know for sure
28:11If this half-brother of hers really exists
28:13And the lady's got every reason in the world
28:18To play with your head
28:20I don't think it didn't cross my mind
28:25But, yeah
28:30I got a son
28:32In that case, congratulations, Dad
28:37Thanks
28:37Thanks, bud
28:38DEA on lines before you, Rico
28:43I wasn't really suspicious
28:46Except when you told me that the kid was good-looking
28:49Okay, get out of here
28:50You want to be the guy, Falk?
28:54When it comes to settling down with a chick
28:57I'm fairly selective
28:59Because, let's face it
29:02I can afford to be
29:03I'm sure they line up around the block
29:06I got the looks
29:08Steady job
29:10Cable?
29:12Cable TV
29:13The works
29:14But there's something about a girl
29:18Uh, like this Angelina
29:20Couldn't be the money
29:22Money?
29:25We're talking companionship here
29:28A relationship
29:29If you will
29:31With a real 80s woman
29:33Oh, give me a break
29:35But seriously
29:37You've got to respect a woman who says
29:39Honey, we've got a little problem here
29:42You're going to have to leave town
29:44And here's $800,000 in cash
29:49Cute girl
29:51So, this is Harrison, DEA
29:55According to our Caribbean Bureau
29:57Calderon's sister's also on her way to Miami
30:00Yeah, well, I've already made contact
30:02That was quick
30:04Maybe we should connect
30:06I've got a telex of field reports
30:09I'm sure you'd like to see
30:11Yeah, except, uh
30:14I'm just on my way to talk to her
30:15About protective custody
30:17Uh, anyway, you might be able to meet us there
30:20Will Vice reimburse my guess?
30:24Bet
30:24Look, it's 24-0-1
30:28Ocean
30:29Okay, see you there
30:32Get this to him
30:36Right away
30:38I belong on the street, man
30:43You'll be back
30:45Meantime, there's worse places to be
30:49Than in a safe house
30:50With Angelina and your baby
30:51It's true
30:54Besides, just think of it
30:56As the department
30:57Paying for your diaper-changing lessons
30:59What the hell's going on?
31:15So what happened?
31:27I don't know
31:27Looks like somebody beat our guys
31:30To a world
31:30What do you mean?
31:33Still lying
31:34No sign of the girl
31:38Or the child
31:39We've got every available unit
31:41Dry clean in the area
31:42My son
32:02Rico
32:11Got to take it easy, man
32:29Best thing you can do for them right now
32:34Is just concentrate on the police work
32:36I'm trying
32:37I'm trying
32:40Lieutenant
32:44Lieutenant
32:44SRT's here
32:46Bomb squad's on the way
32:47And Zito set up a trace
32:48Where?
32:48What do you want to do for them?
33:18Tubs.
33:20Oye, papo, be at Lighthouse Cove in one hour.
33:25Where's my family?
33:27They'll be in a car where you can see them.
33:30So where are they now?
33:32Come alone.
33:35First I gotta know that my family's all right.
33:39Don't come, Rico. They'll kill me anyway.
33:41Angelina!
33:43Fifty-nine minutes.
33:48Tubs.
33:53Mobile phone and the voice box.
33:57Damn.
34:09You wire the bomb to the horn in the window?
34:16Go get the baby.
34:18Take him to the main house and leave him with Maria.
34:25No!
34:27No!
34:28No!
34:29No!
34:30No!
34:31No!
34:32No!
34:33No!
34:34No!
34:35No!
34:36No!
34:37No!
34:38No!
34:39Take him to the main house and leave him with Maria.
34:41No!
34:42No!
34:43No!
34:44No!
34:45No!
34:46No!
34:53Fix the blanket so it looks like it's still in the car.
34:56No!
34:57No!
34:58No!
34:59No!
35:20Goodbye, sister.
35:26Take the baby to the main house.
35:29Take the baby to the main house.
35:56Covering the roads will be no problem.
36:01The shack's out on the end of the point.
36:04It's wide open.
36:05Isolated.
36:06I'll make his escape by water.
36:09The cove's got a lot going for it.
36:11Good visibility of the car.
36:13Nothing to interfere with his radio transmitter.
36:16It's a smart way to go.
36:18I always assume the other guy's smart, so we don't look dumb.
36:21If Calderone's on land, it should be easy enough to surround him.
36:24Then do what?
36:26He made sure we can't prove participation.
36:29You know we have no case on him.
36:31True, but if we show him some muscle, maybe he'll back out.
36:34Yeah?
36:35And maybe he'll blow the car on his way.
36:37He won't as his own sister, man.
36:39We haven't got a whole lot of cards to play here.
36:41Wait a minute!
36:44Calderone wants me.
36:46And it's my job to put it on the line for the hostages, not the other way around.
36:51I'll call it when I see him.
37:16Let them join me.
37:44Cute.
37:45Looks like motion-sensitive wires and an arm radio device.
37:50That amounts to 40 very delicate minutes just to open the door
37:54if they're not watching.
37:57The bomb's controlled by transmission from this shack
38:00at 87 megahertz, so we will be able to use our radios
38:04without triggering it.
38:06Bad news is that it's a coded signal, and I can't jam it.
38:10Excuse me, Lieutenant.
38:15This is Park Commissioner Alito. This is Lieutenant Castillo.
38:18Lieutenant, you can't bring your boats in from out there
38:21without being spotted till high tide.
38:23Too many sandbars out there.
38:26Is there anything special about that shack?
38:29Uh, no. It's just leftover from some guys
38:31who wanted to put up a hotel.
38:33We don't go for commercializing public land.
38:35We beat them in court.
38:38Guess I should have, uh, gotten rid of the shack, too.
38:44Swy, take your shooters.
38:48Deploy along the shoreline.
38:50Hey, if you need some help, I'm pretty good with a gun, too.
38:53That's all right, Commissioner. We got that.
38:54Come on, right this way.
38:56Can you get to that shack?
39:06When it gets dark, I might get some men in there.
39:09I don't know whether or not they can get to that transmitter.
39:15If that's our best shot.
39:17I'll give us a better shot.
39:19I'll make them give it to me, and then I'll turn it off myself.
39:23You're putting yourself in their hands, man.
39:25Look, it's our only chance.
39:27If they don't give me the transmitter,
39:29then we know that they're gonna blow that car no matter what.
39:32If they meet with you at all,
39:34it'll be someplace I can't cover you.
39:36I can.
39:39If I can go with him.
39:49We got six minutes to go.
40:06Wow.
40:07I got eight minutes to get people used.
40:10That's what we're waiting for.
40:11I just love to plug them down.
40:12Give it just a solid shot.
40:13I love youravoids.
40:14I got anything about it.
40:15You're a bit hungry.
40:16Could you?
40:17I don't know if you're getting better.
40:18Damn, one of the girl that was a assault,
40:21of being my loving,
40:23I didn't know it.
40:24It's nice to have your own選統.
40:25Yeah.
40:30But I saw their obedient diggeness.
40:32What are they doing?
40:33Why don't you like us?
40:35I don't know.
41:05You got 60 seconds to get to the shack.
41:19You want me? Bring the transmitter.
41:23When you get to the shack.
41:25Now!
41:27Bring it now.
41:31Just do what you gotta do.
41:35I could do it now, but I want to look into his eyes when I offer him.
41:54You and I have business together.
41:58Now meet my people at the rowboat.
42:00Let's go!
42:04Let's go!
42:23No! He's gonna kill me anyway!
42:53Oh, no!
43:11Oh!
43:13No!
43:23The radio's open.
43:41I can't tell if they have the transmitter, but they're moving.
43:53The minute that light goes on, say the word.
44:03If that light's not out in three seconds, start shooting and don't stop until there's nothing moving in that van.
44:13I'm counting on you, son.
44:23...
44:33...
44:43...
44:45...
44:51I'm gonna get in that van, and you're gonna give me the transmitter.
44:58Once he gets in their van, he's gone.
45:06Lieutenant, she's moving. The girl's moving.
45:10No!
45:40Wo-wo-wo-wo-wo-wo!
46:01Wo-wo-wo-wo-wo!
46:07Don't shoot him!
46:27Don't shoot him!
46:37Don't shoot him!
47:07Don't shoot him!
47:14Don't shoot him!
47:19Don't shoot him!
47:24Don't shoot him!
47:47Anything?
47:48No.
47:49Just a scrap of paper.
47:53You want to come back to the boat with me, man?
47:56I think I want to wait until they identify Calderon's body.
48:02I won't start IDing teeth until tomorrow morning, man.
48:05I still want to wait.
48:08You can wait with me back to the boat.
48:10I got to think, man.
48:13I just want to be alone.
48:18Listen, partner, I'm not trying to crowd you.
48:23I just want to be there for you.
48:26If you need it.
48:27You're out.
48:32I'll tell you what.
48:34I'll make you a deal.
48:35I'll drop you at the St. Vitus.
48:38Mark will write this up.
48:40Then we'll go get some breakfast or talk.
48:43Whatever.
48:45Come on.
48:47call to Rome's papers.
48:50The rest of the evidence from the scene is already downtown.
48:55Calderon's papers.
49:07The rest of the evidence from the scene's already downtown.
49:12Yeah, thanks. I'll read them later.
49:15No, I understand.
49:16There's even a couple of pages in there from a DEA report.
49:20But I'm sure Internal Affairs can wait and read that tomorrow.
49:22What DEA file?
49:25On tubs, right there at the top of the bag.
49:30Oh, and listen. Tell him how sorry I am.
49:34Yeah, thanks.
49:52Who are you here to see?
50:12Special Agent Harrison.
50:13Huh. Popular guy with vice this morning.
50:18What'd you do, bust his bookie?
50:20Another vice cop was here this morning?
50:22In a caddy about 20 minutes ago.
50:25I sent him down to Falcon's restaurant. Harrison's up here.
50:30Hey, man, you come back and bring me a Danish!
50:33You can't do this, Rico.
51:02I know about Harrison.
51:08I read the files, too.
51:12Harrison gave up my family, man.
51:15And he'll pay.
51:18But not like this, buddy.
51:23I don't want to hear it.
51:25Harrison, I want to talk to you!
51:35There it goes.
51:41I don't want to hear it.
51:43No!
51:48No!
51:53No!
51:57No!
51:58Come on, come on.
52:28Come on, come on.
52:38It's over.
52:43You killed my family, man.
52:47Yeah, I know.
52:49I hope you rot in hell.
52:56Let's go.
52:58Let's go.
52:59Let's go.
53:00Let's go.
53:04Let's go.
53:06Let's go.
53:08While I sit in the trial, I think things to say.
53:30Someone lies bleeding in the field somewhere.
53:38So you would see, we've still got a long, long way to go.
53:49I've seen all I want to see today.
53:54While I sit in the trial, I'm the only way I can.
54:06While I sit in the trial, I'm the only way I can.
54:21Someone, someone lies dead in the field somewhere.
54:30I want to see, I've still got a long, long way to go.
54:41I can't take it anymore.
54:49Turn it off if you want
55:01Switch it off, it'll go away
55:07Turn it off if you want
55:11Switch it off or look away
55:17While I sit in the trial, I'm the only way to go.
55:38While I sit in the trial, I'm the only way to go.
55:44Someone, someone's lover's heart stops beating in the street somewhere.
55:58So you would see, we've still got a long, long way to go.
56:04I know, I know, I've heard all I want
56:10I want to hear today
56:12Turn it off if you want
56:24Switch it off, it'll go away
56:29Go away
56:37Switch it off
56:37Switch it off if you want
56:40Go away
56:43Switch it on
57:02Switch it on
57:08Switch it on
57:12Switch it on
57:17Switch it on
57:22Switch it on
57:27Switch it on
57:31Switch it on
57:51Transcription by CastingWords