Part 7 of 8 of the 2nd series. Trevor feels left out when Joe and Viv discuss a joint business. Clare and Trevor get back together.
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00:00You
00:30Oh, good morning, that's my town.
00:42Is it?
00:43What do you want me to do about it?
00:44Give it back.
00:45What, now?
00:46Yeah, right now.
00:53It's two days since I've seen Claire, or next door, Mr. Brady Sunshine with his feet.
00:58Welcome to the table, and thanks.
01:00Our record's stuck again, Trev.
01:02Hey, I've got a right to whinge me.
01:04If it wasn't for Joe, Claire wouldn't be running around after Nick,
01:07and I wouldn't be waking up to your bloody ugly mug every morning.
01:10Give it a rest, man, please.
01:13I'll give it a rest when everything's back to normal.
01:15Between me and Claire, and Claire and Nick, and Joe's apologised.
01:19Now go and hold your breath.
01:23Take it like a puppy, haven't I?
01:26No!
01:28Oh, morning, darling.
01:30Morning, Sam.
01:31Did you sleep well?
01:34I heard some noises in the night.
01:36Oh, my goodness.
01:37Probably cats.
01:39You sounded more like shagging to me.
01:41Hey!
01:47Listen, I'm shy.
01:48For a three-man team, it's three days worker.
01:51It's four maximum.
01:52What happened to the trailer contract?
01:53Let me deal with the contract.
01:55You just keep busy slapping on paint.
01:56Did he pull it?
01:57I said, I'll deal with Jim Taylor.
02:00Bloody hell are you doing here?
02:02What was that about contracts?
02:05Since your boyfriend and his family stitched me up,
02:08people have started to take their business elsewhere.
02:10Well, is there anything I can do?
02:12Can I help?
02:13No, no, no.
02:14I don't need any more knives in the back.
02:16No.
02:16You go back to your new fella.
02:19You're most of him while he's still in one piece.
02:21Oh, what's that supposed to mean?
02:23Nick!
02:26Nick!
02:29Good morning.
02:30Good morning.
02:31Did that noise keep you up last night?
02:33Terrible racket.
02:35Cats, probably.
02:36Peppa.
02:37I'll carve him, is he?
02:37Well, boy!
03:01Well, boy!
03:01Well, boy!
03:02How sweet it is
03:15To be loved by you
03:17Baby
03:17Heart kill, baby
03:19Oh, it is
03:22Uncle Alan's coming today
03:25And we need this place looking a little less
03:26Like the Black Hole of Calcutta
03:27Come on, four hands good, two hands bad
03:29Weeks of you being happy
03:32It's starting to get quite scary
03:34Why shouldn't I be happy, eh?
03:37Sun's shining
03:38Birds are singing
03:39Actually, it looks like it's going to
03:43Not from where I'm staying
03:45How's Claire?
03:52I'd prefer not to discuss Claire with you
03:55Just interesting
03:57No, you're not
03:58You don't even feel bad about what happened
04:01Why should I?
04:05Because it's your fault that she's chasing after Nick
04:08Mm-hmm
04:10His business is in trouble because we conned
04:13You conned him out of serious money
04:16Oh
04:17Well, I feel guilty enough about it
04:19She feels twice as guilty as me
04:22And the only person who should feel really, really guilty about it is you
04:26And you couldn't give a toss
04:27Nick sent you to prison, Trevor
04:29He deserves everything he gets
04:34But Claire doesn't
04:36I'm worried about her
04:40She said he was so angry with her the other day
04:44If you're that worried about her
04:48Go and see her
04:50I won't be lying
04:51Grab that
04:53When Alan gets back here
04:55I want this place looking like an aunt's nest
04:56I want it busy, busy, busy!
04:57Do you think Uncle Alan will be impressed?
05:06It's Barbara Carlin, we're a slap
05:08No!
05:09No!
05:21No!
05:22No!
05:22No!
05:23No!
05:24No!
05:25No!
05:26No!
05:27No!
05:28No!
05:29No!
05:30No!
05:31No!
05:32No!
05:33No!
05:34No!
05:35No!
05:36No!
05:37No!
05:38No!
05:39No!
05:40Have you been playing that all night?
05:43I can't get past level 12.
05:45Wait, you'd be better off channeling your energies into getting Mum back.
05:49I think I've got more chance with the ice cream of Nidania.
05:52Oh, pull yourself together, Dad.
05:54I don't want Mum coming round and finding you like this.
05:57And down it all fades to a speck of light until, eventually, nothing.
06:08Hm?
06:10Sorry.
06:11Very cool.
06:12She said giving you a masterpiece.
06:44Have a good breakfast, have a nice bath, and you'll feel much better.
07:07Typical. No milk.
07:09I'll go get some, and you get cooking, okay?
07:14All right, Dad.
07:17Right, good.
07:18Good.
07:19Good.
07:20Good.
07:21Good.
07:22Good.
07:23Good.
07:24Good.
07:31Good.
07:32Good.
07:45Good.
07:46This is the main flat.
07:52It'll have a spiral staircase that goes to the mezzanine floor
07:55and that leads to a roof garden.
07:58The idea behind that design, it was...
08:00Don't waste the sales funnel on me, Joe. Save it for the buyers.
08:04You do realise you're heading towards your family, boss.
08:07That flat will be cracking.
08:08But at the moment, it's a half-finished flat in a half-finished building
08:12surrounded by scrubland.
08:14But this flat's cracking, though, isn't it?
08:15Eh? Eh?
08:18Look, what can I say?
08:19Well, you can say it.
08:21Don't worry, Uncle Alan.
08:22All the flats and the landscaping will be finished at the end of the week
08:26like it says in our contract.
08:28The flats are on the market for how much?
08:30£160 for the main flat and £140 for the other two.
08:35You should be starting to recoup by now.
08:37We've done our best.
08:39Don't make me laugh.
08:40The estate agent hasn't found it easy to generate interest.
08:43Yeah, well, where's the advertising?
08:44Well, the estate agent said...
08:46The estate agent's a vermin.
08:47You don't listen to them.
08:48There should be ordings over here.
08:50Adverts in local papers.
08:51These flats should be papered all over Brighton.
08:54It's all very well getting a deep gloss finish and polished chrome fittings,
08:58but it means bugger all if no-one knows they're up for sale.
09:02I'll go and talk to the estate agent.
09:03No, I'll go and talk to them.
09:06You get your fingers out here.
09:07From now on, every day you're leaking money,
09:09and that money is going to come out of your bonus and your profit.
09:12So think about it.
09:15Sorry, I was...
09:17I had to do something.
09:18God forbid that work should interfere with your social life, Trevor.
09:21Right, you heard the man.
09:30Come on, let's get back to work.
09:30One last big push.
09:31Come on.
09:36You're doing a good job.
09:37They're sitting on a bloody gold mine.
09:40Calm down, Alan.
09:41You know what happens when you get overexcited?
09:44It ends up being no fun for anyone.
09:46Dad?
10:02Dad?
10:05Shit.
10:06Dad?
10:07Dad?
10:16Dad, somebody help me!
10:24Dad, please!
10:33Dad?
10:37Sorry.
10:40It was an accident.
10:41He's nearly burnt the house down.
10:50Who has?
10:50Silly sod's left a pan on the stove.
10:52It's burnt all the way up the wall and ceiling.
10:54I think he might have done it on purpose.
10:56He thinks you have to help me.
10:57Why would I want to help Jeff?
10:58I knew he still owes us loads of money from the last job.
11:01Please.
11:03Hang your backs.
11:05Becky reckons that Jeff's nearly burnt the house down.
11:09We need help.
11:09Let's have a look.
11:13It's just another trick, man.
11:15Are we?
11:30Trevor, what brings you here?
11:32You see what I mean?
11:33You burn the kitchen down, you stupid git.
11:36Oh, my God.
11:38Now he reacts.
11:39Shit.
11:48Pippa's gonna bloody kill me.
11:49They'll fix it as long as you promise to pay them what you owe.
11:52Don't worry about that.
11:54I promise I'll pay it.
11:55Only get it sorted before Pippa comes around.
11:59I'll see he sticks to it.
12:00So, what kind of property were you interested in?
12:11Any chance of talking to your private men?
12:15Max, go and get a sandwich, will you?
12:18Usual.
12:18I'll see you in the building trade for over 30 years, Mr. Boycott.
12:32I thought I recognised the accent.
12:34Oh, very perceptive.
12:37I've been in the building trade for over 30 years, Mr. Boycott.
12:41Oh, please, call me Russell.
12:42And I think I know a prime property when I see one.
12:45And I believe that the Purvis and Purvis school project is a prime property.
12:49Well, with all due respect...
12:50Shut up.
12:52Let me finish.
12:54Which means one of two things.
12:56Either you're not trying because you've got your eye on the place yourself.
13:00Now, that'd be lethal, wouldn't it?
13:03Or someone has bought you.
13:05I beg your pardon?
13:08I'd plumb for number two.
13:10Now, we could spend the next half hour while you play indignant and deny everything.
13:15But I think we all know I've hit the nail on the head.
13:18I'm not here to ruin you, Russell.
13:20I'm here to up the ante.
13:22Whatever you're getting paid, I'd better it.
13:27A speechless estate agent.
13:30Rare as Rocky knows shit.
13:32What do you want me to do?
13:38Listen, no.
13:39I don't blame you for not believing me.
13:42No, I should have done.
13:44I'm sorry.
13:46No, I'm not really sorry.
13:48Well, I guess we can both be sorry.
13:52That's enough.
13:58Listen, if you ever want to go out again...
14:00I don't think so.
14:04No.
14:05Right.
14:07Jeff!
14:08Oh, no.
14:10What the...
14:11Aye, it tends to make a bit of a mess when you set fire to your breakfast.
14:14Where's Jeff?
14:16He's in the conservatory.
14:17Is he all right?
14:21Well, that's the million-dollar question.
14:24Did I hear Pippa?
14:26I should know with Guy Fawkes.
14:28Can you get me some sealant, some tile grout?
14:32Yeah.
14:32Oh, goodness sake, Jeff.
14:35I can't leave you alone for a minute.
14:37It was an accident.
14:38You're a bloody accident, Jeff.
14:40What's the damage, Trevor?
14:42It's all superficial.
14:44Cosmetic, mainly.
14:46But only redecorating.
14:48Unless you like the scorched look.
14:51What were you doing?
14:53Pruning.
14:54Where are you going?
14:57I'm going to check on some outlets for my work.
14:59Someone's got to keep the money coming in, Jeff.
15:01Could I tag along?
15:03You'd be a great advert for fun novelty items, wouldn't you?
15:06Depressed and smelling a burnt bacon.
15:08Besides, Jeff, this is my project.
15:10Right.
15:11Do you sorted, will you?
15:14She still hates me.
15:18I don't know that it's hate.
15:20Well, what is it, then?
15:23Well, I'd say it was more indifference.
15:27My God.
15:36Hey!
15:39I'm sorry.
15:40I was just hoping to see some work being done, but...
15:42Yard's empty.
15:43That's all right.
15:44We're over at Jeff's.
15:45He's barbecued his kitchen, man.
15:47Oh, has he?
15:48What's that got to do with us?
15:50He's promised to pay back the money he owes
15:52as if we sold it out for him.
15:53Plus the price of the repair job.
15:57I reckon, yeah.
15:59Okay.
16:01But quick, mate.
16:01I want you back here.
16:02Schnell.
16:03Claire, can I help you?
16:18Yeah.
16:18Turn down the brightness for a star.
16:20Do you know what?
16:21Why does a little bit of happiness make people so nervous?
16:24No, but I'm not used to it.
16:26What, are you saying that my natural disposition
16:27is not one of unfettered joy?
16:29You're a moody bugger, yeah.
16:30Look, have you seen Nick?
16:31No.
16:32Have you lost him?
16:34Yes.
16:34Oh, what a shame.
16:36I don't think you've come here, Claire.
16:38Unless he doesn't know when he's beaten.
16:41Where's Trevor?
16:42He's over at Jeff's.
16:43Do us a favour.
16:45Talk to the miserable get.
16:46Please.
16:47I'd love to, but I've got to find Nick.
16:49He misses you, Claire.
16:54Just tell him to watch out for Nick.
16:56He's on the warpath.
16:57What?
17:09Don't you get a free pair of sunglasses with every job?
17:17What did you say?
17:19What did you say, you smart-ass.
17:21Geordie's in!
17:23You think you're all right?
17:25You come and have a go!
17:27Come on!
17:27And what is it?
17:28When the going gets tough, the Geordie's cack the panties!
17:31Is that what it is?
17:33Get out, man!
17:34Get out of the wagon!
17:35Come and have some of this!
17:36I'll stick it up here, you Geordie tosser!
17:39Go away!
17:41You Geordie!
17:43I don't have a clue what to do with it.
17:46I'll just get one of them books, you know?
17:49I'll entitchmarsh.
17:51I'll sketch something out, you'll be fine.
17:52You can't just chuck down a path and some plants and that's it.
17:55You know, whatever you do, it'll be great.
18:00It'll be great.
18:01And then we'll have finally finished this place.
18:05Start thinking about the next one.
18:07All we need is the redies.
18:10Sounds like you've got it all planned out.
18:13Just thinking about the possibilities, Viv.
18:16Do you have per visit?
18:20All right.
18:23All right.
18:25Are we expecting you, then?
18:27Yeah.
18:28What is it?
18:29Oh, we've got people coming up here in 15 minutes.
18:32Yes!
18:33Fantastic!
18:35Uncle Alan!
18:41Becky!
18:41Can you turn that down, please?
18:44That's an improvement.
18:46I'm sat there like a vegetable.
18:47He's going to have a heart attack.
18:51Will you turn that music down?
18:52Get lost!
18:57Do you think we should go?
18:59I miss on the phone.
19:00What?
19:02Turn it down, please.
19:03I like it.
19:04It helps drown you out.
19:05I'm warning you.
19:06Jeff, me drill won't work now.
19:22Well, then it fits in with everything else in this house, doesn't it?
19:29What do you think you're doing?
19:31Trying to get some peace and quiet.
19:33Look at yourself.
19:35You're a bloody mess.
19:36Don't you swear at me.
19:37You're a loser, Dad.
19:38A total loser.
19:40It's no wonder Mum left you.
19:42You know nothing about it.
19:44Everybody hates you.
19:45I'm ashamed to have you as a dad.
19:50Now I think we should go.
19:52Hang on.
19:58Jeff?
19:59I'm sure she didn't mean it.
20:05You are not a loser.
20:08You are certainly not hated.
20:12I mean, you know, I know sometimes you're not the easiest man.
20:17Who is?
20:19But hate.
20:21Oh, Trevor.
20:26Come on, you've got to look on the bright side.
20:29You've got your work.
20:31You've got your health.
20:32I haven't worked for two months.
20:36Well, you've got your...
20:38Hey, I mean, you're not exactly ill.
20:43Physically.
20:44Trevor!
20:44I have never seen a man so damn in the dumps.
20:53Yeah, you didn't help by handing him a shovel.
20:56Try not cheering him up.
20:58Look, if I ever end up like that, don't under any circumstances try and cheer me up right now.
21:02Come on.
21:03Ha!
21:14My pleasure.
21:16There you go.
21:16Thanks, Mr. Purvis.
21:22I'll be in touch.
21:23Did they like it?
21:24I think they're going to want to move fast on this one.
21:26I'll get them back to the office and give you a tinkle.
21:28What do you think?
21:31I think it looks good.
21:32I think it looks very good.
21:40Uncle Alan.
21:41I don't know what you said to your state agent.
21:44You just have to know how to deal with these people.
21:46Yeah.
21:47Well, fingers crossed, eh?
21:49Yeah.
21:51Everything crossed.
21:52You're in a place for yourself.
21:56I'm always pleased with myself.
22:00Now, where were we?
22:02Sir, I'm Blanche.
22:04OK.
22:10We make a pretty good team, don't you think?
22:12Casey and Purvis.
22:15Purvis and Casey.
22:17Why?
22:18That was more the ring.
22:20Casey and Purvis.
22:21All your bills you need to cater for.
22:24Yeah.
22:24Specialists in bloody awful jobs that nobody would touch with a barge ball.
22:31Oi, oi, oi.
22:34Use a plate.
22:38So if you and Mum are going to work together,
22:40does that mean you're going to have to get married?
22:46What gave you that idea?
22:48You and Dad worked together first.
22:51Joe and I won't have to get married now.
22:54Unless you're not.
22:58Yep.
22:59Russell.
23:02They have.
23:03Just one second.
23:04They've made an offer on all three flat.
23:06I'm back.
23:06Yeah, but that's way below the asking price, Russ.
23:18It's as far as they're prepared to go.
23:20You tell them no, then.
23:22I'll get back to you.
23:28What, what, what?
23:29They've offered 340 for the loss.
23:34What do we do now?
23:36Now, we wait.
23:40Push it up to 350.
23:43If I could just give you some advice about Joe Purvis.
23:46No, no, right, okay.
23:49Whatever you say.
23:49How much?
23:55350.
23:59Nah, won't be great.
24:00Needham, Russell.
24:00Try again.
24:00Go back.
24:10Do you think they'll come back?
24:13They'll come back.
24:13I came round to see you earlier,
24:25and I was told you were out showing clients
24:27round a certain school project.
24:29Ah.
24:29Ah.
24:30I had no choice, Nick.
24:30Well, I've got no choice,
24:31then I'll break your scrawny little neck.
24:33Nick!
24:34You're on your way out, mate.
24:35You what?
24:36If you don't mind,
24:36I've got an important call to make.
24:38Oh, you're asking me to leave?
24:39Yeah.
24:40Before I call the police.
24:41Yes.
24:43You ain't heard the master, this.
24:46Oh, I think I have.
24:55Hello?
24:57No, he's still not biting.
24:59360.
25:01And that's your ceiling, yeah?
25:03And we throw in the letter now?
25:06Will do.
25:13Go on.
25:15Mr. Purvis.
25:17Mm-hmm.
25:17It hasn't been easy,
25:18but I've managed to get a better offer out of them.
25:20Mm-hmm.
25:21How much better?
25:22360.
25:23But they've insisted on a binding letter.
25:26I'll get back to you.
25:29What are they offered now?
25:31360.
25:32That's their final offer.
25:35We need at least 400
25:36to have any hope of buying the next one.
25:37I know.
25:39I need to speak to Arlen.
25:41Why?
25:43Because in the end,
25:45he has the right to say yay or nay.
25:51Yeah.
25:53This is an offer on all three bloody flats.
25:55It's a crap offer.
25:57It's not crap.
25:58It's just not what you were hoping for.
25:59We put everything into this place
26:01and get something out of it.
26:03We're going to get nothing out of this deal.
26:06You're not going to lose anything either.
26:09Take the offer.
26:09Sign the letter
26:10and let's all have a drink.
26:11Couldn't we just accept the offer
26:13and then if something better comes along,
26:16take that?
26:17If you don't sign this letter,
26:18they won't do the deal.
26:19The letter simply states
26:21that you've entered into an agreement
26:22with the purchasers.
26:24But once me and Trev sign it,
26:28there's no going back, is there?
26:30Well, that's the idea.
26:33No.
26:36Well, it'll protect you too.
26:38You have to do it, lad.
26:40You need the capital to pay back my loan.
26:44We're selling below the asking price, Uncle Alan.
26:47You have to start moving forward.
26:49Even if it's on our hands and knees?
26:52What do you think, Trev?
26:54I think it's a bloody disaster.
26:57Look, there's been so little interest in the property.
27:00Maybe we should just cut our losses and sell.
27:04Very wise, Trevor.
27:06Well, they are taking all three flats.
27:08Under the circumstances,
27:09it's a very good offer, boys.
27:12Well, it doesn't feel like it.
27:14Sign on the dotted line
27:15and then we can all meet up later
27:17for a celebratory drink at my hotel.
27:19It's a choice between this offer
27:28and possibly losing everything.
27:31Then where will your future plans be, eh?
27:32See you later.
27:42See you later.
27:43Bye.
27:44So what's happened that we sold the place?
27:51Aye.
27:52Yeah, but don't go bugging any Caribbean holidays.
27:54I'm very sorry.
27:56Looks like the end of Purvis and Casey.
27:59Purvis and Casey?
28:00Yeah, well, we were thinking of diversifying.
28:06We're going to set up a new company.
28:08Purvis and Casey.
28:09It'll still be the same, Trevor.
28:10No, it won't.
28:12It'll be Purvis and Casey.
28:14Don't be a silly sod.
28:15You're not being shoved out.
28:16So, uh,
28:17how long has this been under discussion?
28:19Yeah, we just thought about it today.
28:21Oh, just like that?
28:22Yeah, just like that.
28:23Don't sulk.
28:24I'm not sulking.
28:25Yes, you are.
28:26Well, listen,
28:27as soon as you two have decided my future,
28:30you will let me know about it, won't you?
28:32Where are you going?
28:34Like it matters to you.
28:37Well, we handled that really well, didn't we?
28:44You didn't get the price you wanted for the place, then?
28:53Look, we had no choice but to take it, all right?
28:58I mean, the interest in this place being so piss poor,
29:00the only one to see beside those two was Nick bloody Costello.
29:05I seen him this morning.
29:06He chased the van right up the road, man.
29:07He's off his head.
29:09He's not the only one.
29:10Yeah, chased us from Russell's estate agents right up to the Crown.
29:13He's raged, man, I tell you.
29:19You saw Nick Costello at the estate agents?
29:22Aye, this man.
29:24He was coming out when I was going past.
29:34What?
29:36Babe?
29:39What's this?
29:40It's your estate agents.
29:41Russell Wardy Bank.
29:42Tell him you're interested in a modern conversion of an old property, all right?
29:45A luxury flat within ten minutes of Santa Brighton.
29:48Why should I want that?
29:48We've just...
29:49Oh, no.
29:50We'll just do it.
29:51Russell Boycott.
29:52Hello?
29:52I wonder if you can help me.
29:54Yeah, I'm looking for a property in the Brighton area within three or four miles of the centre.
29:59Ideally, a modern conversion in an old property.
30:03Studio flat, preferably.
30:04Really?
30:07Really?
30:07Really?
30:08Nothing?
30:10Nothing like that come in over the last few weeks?
30:14No.
30:15I'd rather not leave my number.
30:16Thanks.
30:16Bye.
30:18What's going on?
30:19Nick bloody Costello's what's going on.
30:20It's taken me all day to pin you down.
30:27Yeah, but I'm a very busy man.
30:29It's not what I've been hearing.
30:30This place is collapsing around your ears.
30:32Let it collapse!
30:33Well, better still, let them have it.
30:35Let the purposes have it all.
30:36Let them take the shirt off my bloody back while they're at it.
30:38God, all I pray is that I get one last shot at them.
30:42One more chance to kick them where it hurts.
30:44God, I would like to tear their hearts from out their chest with my bare hands.
30:48I would like to squeeze their necks so tight till their eyes pop out their heads!
30:53Oh, my God.
30:54Yeah, well, it's how I feel, sweetheart.
30:55I'll just be a minute!
31:06What are you doing here?
31:07I'm looking for Claire.
31:09What's your excuse?
31:11I just fancied a chat with Nick.
31:14Nick?
31:15Hey, hey.
31:16Wind your neck in.
31:17Trevor?
31:18What the...
31:18Joe, I thought I told you to...
31:20I had to see you.
31:21Well, did you have to bring him with you?
31:22He didn't.
31:22I'm here to see Nick.
31:23Is he in?
31:24It's not a good time.
31:26Why?
31:27Working on who to shop next, is he?
31:30Bloody hell, you got a nerve coming here.
31:32Nick, calm down.
31:34Yes, calm down, Nick.
31:35You bloody trespassing!
31:36Nothing to what you've been up to, is it?
31:38What are you bloody talking about?
31:40I'm on to your little scam with your state agent, Nick.
31:42Very clever.
31:44Keeps the flats off the market.
31:46Buys them up cheap.
31:47Sells them on at a profit.
31:48Screws us all in one go.
31:50Very clever.
31:51That binding letter.
31:53Binding letter.
31:54Isn't worth the paper it's printed on.
31:56What binding letter?
32:03Oh, my God, that is brilliant.
32:05What, and you signed it?
32:07Ha, ha, ha, ha, ha, ha, ha.
32:09And you never saw it coming?
32:10Ha, ha, ha, ha, ha, ha.
32:12And the joke is?
32:13You are, you stupid Geordie tosser.
32:15You think I've got the money to buy your bloody flats?
32:19Do you do any other impressions apart from goldfish?
32:22Ha, ha, ha, ha, ha, ha, ha.
32:24God, I thought I was a devious bastard, but this takes the bloody biscuit.
32:27Ha, ha, ha, ha.
32:29You want to let me in on the joke?
32:30No chance.
32:31You'll cotton on eventually.
32:32In the meantime, I want to see you suffer.
32:34I want to see you squirm like a worm on a hook, you pitiful Geordie shite.
32:39Ha, ha, ha, ha, ha, ha, ha.
32:40Ha, ha, ha, ha, ha, ha.
32:41Do you know what he's talking about?
32:43No idea.
32:43Yeah.
32:48Do you want to lift back, Trent?
32:49I want to talk to Claire.
32:52Suit yourself.
32:52Brothers, eh?
33:01Mm-hmm.
33:04I'll miss you, mate.
33:05I'll miss you.
33:22Oh, this is so peaceful.
33:32No brothers to bother us.
33:36I love being here with you.
33:38Oh, I've missed you.
33:42And I love you, Claire.
33:44Oh, I love you too, Trevor.
33:50Hey, I've just had a thought.
33:52No, it's daft.
33:57What?
33:58Tell me.
33:59It's mad.
34:00Good.
34:01What is it?
34:03Well, is there any chance?
34:06Well, do you think there's a chance that you...
34:11What?
34:13Are you saying what I think you'll say?
34:17I don't know.
34:18I might...
34:19I mean, I think we should.
34:20Would you?
34:26Would you marry me?
34:29Do you mean it?
34:32You're right.
34:33It's stupid.
34:34No, no.
34:35It's not stupid at all.
34:39So is that a yes?
34:40What do you think?
34:45Oh.
34:46Are you going to tell Uncle Alan about this?
34:53Nope.
34:53I'm going to tell Russell.
34:54He's the one with the answers.
34:56Promise me you won't go in like a bully in a china shop.
34:58Hey, come on.
34:59You know me.
34:59Promise?
35:01I promise.
35:01Oh, there you are.
35:07Come on, come on, come on.
35:09Erm, what do you have, Viv?
35:11Oh, erm, a white wine.
35:13Thanks.
35:14Er, do you?
35:15Beer.
35:17Well, I hope you're a bit more chuffed than this lot, Viv.
35:20Not really.
35:21Well, as I said them earlier, sometimes breaking even is an achievement.
35:25That's business.
35:28Bottoms up.
35:29Cheers.
35:30One of the workers.
35:32What do you have, Simon?
35:34Are you OK?
35:35Aye.
35:36I'll have a crate of brown elk, please, man.
35:39Give him a bottle.
35:40I've been thinking.
35:41You should leave that to me, son.
35:44Can somebody buy the flats up cheap and sell them on the future?
35:49You know, make a nice little sum of money with very little effort.
35:52Too risky.
35:53There's no guarantee of making the money back.
35:56I mean, the flats have taken so long to shift as there is.
35:58I mean, they're hardly hot at the Russell.
36:01It hasn't been easy getting people interested, no.
36:04But what if there was a local conspiracy?
36:07You'll be having me looking out for men in big hats with Italian accents next.
36:11Oh, come on, now.
36:12This is a celebration.
36:13Here's to success, eh?
36:17Even so, eh?
36:18Do you all relax?
36:24Enjoy the evening.
36:26If there are legitimate worries, we'll work them out tomorrow, all right?
36:30You have to learn to mark your successes.
36:32Jeff?
36:54Oh, oh, come on.
36:56It's only me.
36:57Something smells nice.
37:01Oh, just a little thing I rustled up.
37:04And I pictured you with a sad microwave meal for one.
37:17Oh, Delia Smith's got nothing to worry about then.
37:19Um, aren't you going to ask me how I got on today?
37:28How did you get on?
37:30Two shops want to sell my picture frames.
37:32Another one wants to take the papier-mâché.
37:34Not only that.
37:35But they've placed an order for as many as I can make.
37:39That's good.
37:42Good?
37:43It's bloody amazing.
37:46My dinner's getting cold.
37:47You could show a bit more enthusiasm, Jeff.
37:53You really are a miserable salt sometimes.
37:58No, I'm glad it's all working out for you.
38:01But my life is falling apart and I'm finding it increasingly difficult to work up the enthusiasm
38:07to get out of my bloody chair, let alone the energy required to massage your bloody artistic
38:12ego.
38:12All right?
38:13Do you ever fancy taking your talents a little further afield?
38:21Stay to Newcastle.
38:23Well, I'm very flattered, but...
38:24Don't be.
38:25I only acknowledge talent and you are talented.
38:29Come on.
38:30Thank you, Mr Purvis.
38:31Call me Alan.
38:32Alan.
38:33All right, who's for another drink?
38:36Me?
38:37No, I don't hold back.
38:39I think I'm going to be sick.
38:40Well, you should appreciate what you've got before it's tempted away.
38:44I fully appreciate what I've got.
38:45That's why you want us to go into business.
38:48Yeah, please.
38:50I can't rest the office.
38:52Are you serious about Purvis and Casey?
38:55Deadly.
38:55What about the money?
38:59Find it.
39:01Get another loan off Alan.
39:05Drummer!
39:06What are you drinking?
39:07Erm, I'll have a pint, please.
39:10Didn't think you'd come.
39:12I nearly didn't.
39:14What have you been doing?
39:16Well, can't you tell?
39:17Look at that big dopey grin on his face, mate.
39:19You know where I is.
39:20I've got some news for you.
39:22What, are you forgiving me and you want to come in with Purvis and Casey?
39:26No.
39:28Just a sec, try it and need the loot.
39:32Oh, now that you mention it, I'm bustling.
39:41So, what's your news, Trevor?
39:44Little keep.
39:52How much is Costello paying you?
39:57What are you talking about?
40:00I'm having a lot of patience, Russell.
40:01All right, all right.
40:03You're going to be 200 quick with another 100 to follow.
40:06You're cheap.
40:07I've got financial problems at me, aren't I, okay?
40:10I'm a nice double commission on top of that.
40:122% for selling them, 2% for selling them on again.
40:16Cool 15 grand.
40:18And you were using Nick's money to keep him off the market, right?
40:20Yeah.
40:21Who's you robbed in as buyer?
40:24I can't tell you that.
40:29Now, you don't start talking.
40:32Me and him's going to be hiding.
40:33Do a redecorating job, aren't you?
40:34Don't hit me again, please.
40:36I can't stand pain.
40:39Just tell him his name.
40:40He didn't rope anyone in.
40:43It was your uncle.
40:45He paid me more to keep buyers away from the place until he bought it off you cheap.
40:49The couple were a front.
40:51Friends of mine.
40:52Alan's the boy.
41:10Sneaky old kid.
41:11What are we going to do?
41:19Most builders don't appreciate that this business has little to do with bricks and more.
41:24It's all about commerce.
41:25Buying and selling.
41:27You piece of shit.
41:28What?
41:30How do you live with yourself, eh?
41:34Joe?
41:34What are you doing?
41:36It's him.
41:37He's the buyer.
41:39He's the one who shafted us over the flats.
41:42How do you know?
41:44We just had a little chat with our friendly estate agent.
41:47You shouldn't believe everything you told.
41:49Nah.
41:50No, no, no, no.
41:52You're not going to worm your way out of this one.
41:53I have no intention of trying.
41:56Is it your offer on the flats?
41:57It's my money that's been sunk into this project.
42:00This is the only way I can see of recouping it.
42:02You greedy, worthless prick.
42:04How many things do you?
42:05But worthless isn't one of them.
42:06We are supposed to be family men!
42:08There are two sides to our family, son.
42:11The workers and grafters who pull their weight and build something.
42:13That's me.
42:14And then there's the shiftless, blood-sucking parasites
42:17who want everything laid out on a plate for them.
42:20That's you!
42:21Ah!
42:22What are you going to do, eh?
42:23Take a punch at me?
42:24Come on, then!
42:25Come on, get it over with!
42:27You are a lying vicious bastard!
42:29You think I was going to leave you in charge of this project?
42:32Everything you touch turns to crap!
42:35At least this way, one of us gets something out of all the hard work.
42:38Left to you, it'll all be upset, Craig!
42:40That's not fair!
42:41It's in his jeans, love.
42:42Oh, he struts about as if he knows what he's doing.
42:45But he knows buggered all!
42:47He's no builder and he's no businessman.
42:50All he has is front.
42:51He was like it as a snot-nosed little kid and he's like it now.
42:55All mouth and no trousers.
42:58I'm a good enough builder to have built something you couldn't wait to get your hands on.
43:01The school has nothing to do with you, son.
43:04She's the talent.
43:05She tells you where to put the bricks and you put them there.
43:08No!
43:08You don't want to waste any more time with him, love.
43:10Your way is up, is this down?
43:11He's a nothing.
43:13A big, mouthy nothing, just like his bloody father!
43:16You want to think about coming to work for me, love?
43:30He's got nothing to offer you and that lad of yours.
43:34He talks about family, but he doesn't have the first idea.
43:38He already has a little less of his own.
43:39And he never sees, he uses people.
43:43Chews them up and then spits them out when the flavour's gone.
43:46Walk away.
43:49Joe!
43:50No, you stay here.
43:51I'll look after him and you,
43:53you never speak about our dad like that again.
43:56Simon.
44:01Let them sort us.
44:02This isn't that...
44:03Leave it!
44:07Hey, he'd no right to say those things.
44:09Not in front of other people.
44:10If he wants the flats, he's going to have to put the work in.
44:13Ah, don't be an idiot.
44:15We can't have it.
44:15He's not going to get it.
44:16Well, intact.
44:18Look, you'll have to pay for any damage that's done
44:20and then Alan will run hands down, won't he?
44:23Joe.
44:24Joe!
44:25It's family, Trevor.
44:26You can't trust family.
44:28Who can you trust?
44:28Alan's only interested in Alan, you know that.
44:31How could he do it?
44:32I don't know, but he has
44:33and we have to deal with it sensibly.
44:35So what do you suggest we do then, Trev?
44:37Well, we show that we're better than he is.
44:40We finish the work and we just take what we can.
44:43Always a voice of bloody reason.
44:45Well, somebody has to be.
44:47Do you know...
44:48Do you know you're the only one I can trust, Trev?
44:51Yeah?
44:52You've always been there for me.
44:53You always will be, no matter what happens.
44:55Actually...
44:56No, no, you're right.
44:57We're going to finish this job and then we're out of here, yeah?
45:00I mean, we have done such a bloody good job.
45:02Look, Joe, listen, um...
45:05Well, I need to...
45:06Jeff?
45:10Don't come near me or I'll jump!
45:15I mean it!
45:16I will jump!
45:20I've got nothing to lose!
45:25Perfect end to a perfect day.
45:31Hello, Pippa.
45:32Yes.
45:33To your purpose, yeah?
45:34Sorry to bother you.
45:36Jeff!
45:37Oh, man, what's all this about?
45:39Oh, nothing.
45:40Just lost my wife, my family, my job and my future.
45:44And you think that's worth chucking yourself off the roof for?
45:49I don't know.
45:51I'm still considering that one.
45:53Yeah, well, don't take too long.
45:54We've got things to do.
45:55Sure.
45:56You want to be stuck up here while he makes his mind up?
45:59He's really upset.
46:00Who isn't Trevi?
46:01Hey!
46:01You callous bastard.
46:05It's a one-story drop, Jeff.
46:08What exactly are you saying?
46:10I'm saying that as a cry for help, it really doesn't get above a polite request.
46:14So I'm making a balls up of that, too.
46:20You said it.
46:21Oh, you don't know how lucky you are.
46:25Every day you wake up and you know exactly what you have to do.
46:31And when you've finished, there it is.
46:33A wall.
46:35A building.
46:37Something to show for all your work.
46:40Yeah, until Sir Bugger comes along and takes it from under you.
46:45I envy you.
46:47Mine's a business for hungry young sharks.
46:50No one's interested in a washed-up old haddock like me.
46:54For goodness sake!
46:56Jeff!
46:57Dad, what are you doing?
46:59Well, by the looks of things, he's obviously debating whether to go for the full-body twist with Pike or the Swallow Dive and Tuck.
47:04Look, just come down and go home.
47:07I don't want you here!
47:08Stop being a prat, Dad.
47:10Oh, and you can bugger off as well after all that crap you put me through.
47:14Oh, don't start having a good hurt.
47:18Well, tell him to go away.
47:20Hmm?
47:21Do you have life insurance?
47:22Yes, why?
47:23Well, she's here to make sure when they scrape you off the deck, it's safe to put her claiming.
47:27She could be here because she cares about me.
47:30No one cares, Jeff!
47:32Now, the sooner you realise that, the happier you're going to be.
47:35That's a great way to talk to someone who's feeling suicidal.
47:38Just telling it like it is!
47:40Look, rely on no one!
47:44Well, not you, Trevor. Not you.
47:47You will not let me down.
47:49No?
47:50No.
47:51You and me, we're a team.
47:53We're always going to be together, no matter what.
47:55Listen, I tried to tell you earlier.
48:01I proposed to Claire today.
48:05What?
48:07I asked Claire to marry me.
48:11No, of course. I'm really sorry, Trevor. I had no idea.
48:15I asked Claire to marry me.
48:18She said yes.
48:20We're getting wed.
48:21He's a bloody daft man. You can't marry her.
48:29Why not?
48:31Because it's not right. That's not what you want.
48:35It's exactly what I want.
48:37Don't be an idiot. I need you.
48:40What for?
48:40I thought you were going off to set up Purvis and bloody Casey.
48:45Those are all Vib's ideas. I'm bollocks.
48:47When you set up Nick and then ripped him off behind my back, did you think how that might affect Claire and me?
48:52No.
48:54That was different.
48:55Trevor, this is marriage.
48:56It's what we want.
48:59You're making a big mistake.
49:00You just can't bear the fact that little brother doesn't need you anymore.
49:08You will always need me.
49:11I get you off my back.
49:13And Claire gets Nick off hers.
49:16Oh!
49:16Well, I'm glad you're marrying for the right reasons, Trev.
49:20I thought you were supposed to be talking me down.
49:22Oh, you shut up!
49:23I'm going to get my home back, and then I'm out of here, Trev, with or without you.
49:29Typical.
49:30Another job, half finished.
49:32I'm finishing this.
49:35But once the last petunia's planted, I'm off.
49:38You'd better give the garden some thought.
49:41It's the setting for the whole building.
49:43You give it some thought, Jeff!
49:46So, as usual, Joe does what he likes, and to hell with the lot of you.
49:51Now, you see, I've never done what I want.
49:53You see, that's the whole bloody point.
49:55See, I look after you, I look after Simon.
49:57I've always been there for you.
49:59See, family always came first.
50:01Bollocks!
50:02And what do I get in return?
50:03Nothing but bollocks!
50:07Well, from now on, it's just me.
50:10Right?
50:11It's a purvis singular.
50:12See?
50:13Just you!
50:15To hell with the lot of you!
50:21I told you.
50:23You could take the architectural features from the building itself and create a series
50:31of artists, family, from the gates to the front door, welcoming people in.
50:39Joe!
50:39No, Viv.
50:41Alan's right.
50:42No?
50:42No, I've got nothing to offer you, what's that?
50:44I've got nothing to offer anybody.
50:45I've got nothing to offer you.
50:51Over here.