Naqaab Episode 33 | Ali Ansari | Humayoun Ashraf | Hina Tariq | Ghana Ali | 19 April 2025 | ARY Digital
The story follows Bilal and Eman, whose lives take unexpected turns when some secrets unravel. Those once trusted may not be the same as they seem. Will the masks finally fall, revealing the true faces behind the deception?
Cast:
Ali Ansari,
Humayoun Ashraf,
Ghana Ali,
Hina Tariq,
Javed Jamal,
Sadaf Siddiqui,
Sajjid Shah,
Ammara Malik,
Ahmed Rafique,
Huma Tahir,
Rehan Saeed,
Hurriya Mansoor
Writer: Shafia Khan
Directed by: Syed Jari Khushnood Naqvi
Timing: Watch Naqaab Daily at 7:00 PM
#Naqaab #aliAnsari #HinaTariq #HumayounAshraf #ghanaAli #AmmaraMalik #ARYDigital
Welcome to Drama Adda, your ultimate hub for Pakistani dramas! We showcase a diverse collection of shows from leading networks like Hum, ARY, Geo, and Green. Enjoy daily uploads featuring the latest episodes, beloved classics, and fan-favorite series that capture the essence of Pakistani culture and storytelling. Whether you're a long-time fan or new to the genre, Drama Adda has something for everyone. Don't forget to follow and hit the notification bell to stay updated on our latest content!
The story follows Bilal and Eman, whose lives take unexpected turns when some secrets unravel. Those once trusted may not be the same as they seem. Will the masks finally fall, revealing the true faces behind the deception?
Cast:
Ali Ansari,
Humayoun Ashraf,
Ghana Ali,
Hina Tariq,
Javed Jamal,
Sadaf Siddiqui,
Sajjid Shah,
Ammara Malik,
Ahmed Rafique,
Huma Tahir,
Rehan Saeed,
Hurriya Mansoor
Writer: Shafia Khan
Directed by: Syed Jari Khushnood Naqvi
Timing: Watch Naqaab Daily at 7:00 PM
#Naqaab #aliAnsari #HinaTariq #HumayounAshraf #ghanaAli #AmmaraMalik #ARYDigital
Welcome to Drama Adda, your ultimate hub for Pakistani dramas! We showcase a diverse collection of shows from leading networks like Hum, ARY, Geo, and Green. Enjoy daily uploads featuring the latest episodes, beloved classics, and fan-favorite series that capture the essence of Pakistani culture and storytelling. Whether you're a long-time fan or new to the genre, Drama Adda has something for everyone. Don't forget to follow and hit the notification bell to stay updated on our latest content!
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TVTranscript
00:00How do you hear your heart?
00:07How do you hear your heart?
00:12Look, CSS should be a minimum education and graduation.
00:16Just?
00:17Just not, Salim Jaza.
00:19You need to learn a lot.
00:23You're coming again?
00:25Your father called me.
00:27What?
00:30You had a phone call for CSS to ask me.
00:34After that, they had me phone call.
00:38What happened?
00:39You had a phone call here.
00:44You told me that you would like to tell every man of Moussa.
00:49Yes.
00:50And Moussa would like to hear him.
00:53You should listen to him.
00:57You should listen to him.
00:58Yes.
00:59But I feel like you are going to be angry.
01:00You're going to be angry.
01:01You're going to be angry.
01:02You're going to be angry.
01:03Not, but it feels like you're going to be angry.
01:14You'll get into puce even more than that.
01:16Most complicated things should beering.
01:17Look, Bilal Mie, you will say something and I will be able to do something.
01:31But you don't have to be aware of my daughter's ability and ability.
01:37I'm not sure what I'm doing, but the stamina of her CSS is not for you.
01:42But in your own way, there is a need for you.
01:44What is the need for your father to tell you?
01:46I called you here and called me here.
01:48I can tell you about it too.
01:50I haven't seen the launch of Ahad's outlet here.
01:54And I took the C.S.S. here.
01:56You won't even know what you're thinking about right now.
02:03What are you thinking?
02:05What do you think?
02:07They won't come again?
02:09So you think they'll come again?
02:14I just think that at that time,
02:16what you're saying,
02:18you do it.
02:20Study,
02:21become,
02:22and take care of yourself.
02:24This is what I'm trying to do C.S.S.S.
02:28You don't have to go out with the Bachelor of Education.
02:31So you think that I'm always jealous of all these things?
02:34Why do you want to do C.S.S.?
02:36Because I want to move forward.
02:38I'm not even jealous of you.
02:40I want to move forward to your father.
02:42You don't have to go out with me.
02:44You don't have to do it.
02:45I'm not even jealous of you.
02:46You don't have to do it.
02:47I love you.
02:48I love you.
02:49You love your father.
02:51I love you.
02:53You love your father.
02:55I love you.
02:57I love you.
02:59I love you.
03:00You love your father.
03:02You can't love your husband, Abou.
03:08When Abou told Abou,
03:11he said that his daughter is sitting here,
03:15he is still alive.
03:23You will do any government service job with him,
03:27then you will not be able to do it.
03:29I would like to come together.
03:31I would like to say that I would like to say that my family and my husband would not be my own.
03:39It would not be my own.
03:41It would be our choice.
03:47There is no one that is that I am not a man,
03:49that I am not a man.
03:51It's a great way to go.
03:53And that's a great way to go.
03:55Why are you making it?
03:57Why?
04:00I don't want to.
04:03I'm afraid.
04:04I'm afraid that I will fail.
04:11You don't understand.
04:14CSS is very tough.
04:15It's not easy.
04:16What did you do, CSS?
04:20Tell me, you've studied CSS.
04:25No.
04:26So how can you say that CSS is very tough?
04:29Have you ever eaten it?
04:32No.
04:33But I know that people can die.
04:36Exactly.
04:37My point.
04:38When you've never eaten it,
04:40how can you say that people will die?
04:42Why would I eat it?
04:43I have to die.
04:45Every thing is not necessary.
04:47You should learn to learn other people.
04:51I have to do it.
04:54So, you need to do it,
04:55I need to do it.
04:57I know,
04:58there is no one in your conversations.
05:01Okay.
05:03First, you'll do graduation.
05:05Then you'll think of it.
05:06Gavie Kasuchek.
05:36Gavie Kasuchek.
05:56O, Helo.
05:58Tee Vee.
05:59ETHERAW?
06:03Tee Vee.
06:04Where did you get this?
06:06This is where.
06:10Why did you leave?
06:11The connection was cut.
06:13And you also need a voice.
06:15So I left it.
06:17Okay, then.
06:18Okay.
06:23Now this is a lot of work.
06:25I'm thinking about advertising in the newspaper.
06:28It's better to keep an opening ceremony.
06:31I don't know.
06:33But maybe you won't be so impactful.
06:36So why don't you throw a party?
06:38You know, use social media.
06:40The potential clients are social media users.
06:45This is a good plan.
06:48You, Mangani?
06:49We've talked about it, right?
06:55Okay.
06:57But...
06:58How do you manage your plans?
07:00We'll call the media.
07:02The opening of the opening.
07:03The opening of the opening.
07:04The opening of the opening.
07:05The opening of the opening.
07:08The idea is very good.
07:11But my brother, I don't know.
07:12Why did you send Zara and Taimur?
07:14If you leave a few weeks,
07:15then you'll have to ask them.
07:16You'll have to ask them.
07:17You'll have to ask them.
07:18You'll have to ask them.
07:20And you'll have to ask them.
07:22And you're both here.
07:23And you'll have to ask them.
07:26What do you mean?
07:27You'll have to ask them without Taimur.
07:29You'll have to wait for them.
07:31If they have Taimur's place,
07:32then what do they do too, Mom?
07:35What do they do?
07:36We don't have to wait for anyone.
07:38You prepare for the work.
07:40I'll tell you my daughter.
07:45I'll see you then.
07:48Also, I was thinking
07:49that you can call Rida tomorrow.
07:51Why?
07:52It's okay, right?
07:53No, it's actually my meeting.
07:54And I'm already late.
07:56So just, you know,
07:57let me know if it's possible.
07:59No, no, no.
08:00We'll do everything tomorrow.
08:01You go.
08:08What are you doing?
08:10Do you know Taimur and Taimur
08:11how much you felt last time?
08:13How much you felt?
08:14I felt good.
08:15I've got to see my daughter's good.
08:17Just.
08:18Before he goes back,
08:19if he goes back,
08:20he goes back to his true destiny.
08:22Please.
08:23Okay.
08:24Go.
08:25I'll go to my house
08:26and do a lot of work.
08:27Okay.
08:28Go.
08:29Go.
08:30You'll be thinking
08:32that...
08:33...
08:38You're always thinking...
08:39...
08:40...
08:42...
08:42...
08:42...
08:43...
08:44To explain to her, she is a fool of himself.
08:51She is not allowed to be alone with her husband.
09:00She knew that she will fail.
09:03But I would agree that she would not have to deal with her.
09:09I don't want to think that she would have thought
09:13He had a chance to have a chance to have a chance.
09:17But his father had a chance to have a chance to have a chance to have a chance.
09:26Who said he would fail?
09:31You didn't say that the toughness is very difficult.
09:34The problem is to go to the house and go to the house and go to the house.
09:39Do you want to tell him?
09:41When the people have a motive for the mountains,
09:45they will be the way through the mountains.
09:48The eyes of the eyes are the eyes of the eyes.
09:52The eyes of the eyes are the eyes of the eyes.
09:54The eyes of the eyes of your eyes are the most important problems.
09:58I can't believe in my own friends and friends.
10:03I can't believe in my friends.
10:06I can't believe in my friends.
10:08It's good to see you as well as your father.
10:16But in this world there are so many people who are not giving a mother or not giving a mother.
10:32That's good.
10:33Father...
10:34Don't keep this.
10:38Your mother made a lot of love.
10:42Let's go.
11:04I love you.
11:34I love you.
12:00Where are you?
12:02Where are you?
12:04Go ahead and go to the Tando.
12:06I'll go ahead.
12:08There's a container.
12:12You leave it to me.
12:14And where I'll go.
12:16Where I'll go.
12:18Okay.
12:20I'll go ahead.
12:22Who's going to go.
12:24And who's going to go.
12:26And who's going to go.
12:28And if you're a relationship with the scene.
12:30I'll go ahead.
12:32I'll go ahead.
12:34I'll go ahead.
12:36I'll go ahead.
12:38Why?
12:40What's the problem now?
12:42It's night.
12:44I'll go ahead.
12:46I'll go ahead.
12:48I'll go ahead.
12:50I'll go ahead.
12:52And if you're looking at someone else's eyes.
12:54I'll go ahead.
12:56I'll go ahead.
12:58And keep it to what?
13:00If there's something else,
13:02then call it.
13:04I'll go ahead.
13:06Who's looking at the house?
13:12There's a plot.
13:14I don't think the owner's mind.
13:16Okay.
13:18The plot will come.
13:20He'll probably tell me.
13:22He'll tell me the story.
13:24Actually, he'll tell me the story.
13:26Actually, he'll tell me the story.
13:28He'll tell me the story.
13:30He'll tell me the story.
13:32He'll tell me the story.
13:34That's why the brokers and dealers are telling us.
13:36When the owner is not paying for the money,
13:38then why are you paying for the money?
13:43Yes, that's why the benefits,
13:44I'll give you the value.
13:46The lender's mind is not giving her value.
13:51Once again, I'll give my timeline.
13:55I'll give it to her.
13:57If it doesn't know the value in them,
14:01then to save needed argued.
14:03And then keep hiding.
14:05I'll stop for the boundary walls.
14:07For just the remaining wall of it.
14:09Bondry ball is only for me to save my money.
14:17Or else they are giving people to the house.
14:22I'll order some food.
14:25We'll eat.
14:27I'll tell my mom that I'm going to get here.
14:39I'll tell my mom that I'm going to get here.
14:48Our attorney is very good.
14:49Every time we get a new story.
14:55Iman, son.
14:57Why are you thinking about another attorney?
15:01How did you think of attorney's attorney?
15:04What happened again?
15:05What happened?
15:06They have a new attorney in our house.
15:11A attorney?
15:12Yes.
15:13What? With me?
15:14Yes.
15:15He said he was making a camera.
15:17He didn't come here.
15:19But he was a good attorney.
15:21I'm afraid to see him.
15:23What?
15:24Yes.
15:25Your father told me.
15:27Yes.
15:28Let's see Bilal's message.
15:30Let's talk about it.
15:31Yes.
15:36What are you doing, Master?
15:39Why?
15:40What did he do?
15:42Look.
15:43He's been here once again.
15:45Okay.
15:46So what do you need to call her again?
15:48She's a young girl.
15:50She's a little message.
15:51Give her a phone to her.
15:52Okay?
15:53She's not a girl.
15:55What?
15:56My head is a very small girl.
15:58My head is a male male.
15:59She's a human boy.
16:00Look.
16:01The human male is a human man,
16:04it is a human man.
16:05And it doesn't appear to be a human being.
16:07You've seen a human being,
16:09and a human being,
16:10it seems they are not a human being.
16:11You've seen a human being?
16:13I'm not saying it.
16:14You're not saying that.
16:15It's not that human being.
16:16I don't know.
16:18Look, brother.
16:20He doesn't come here.
16:22He doesn't come here.
16:24And I also have the problem of human beings.
16:26That's why you don't need to think about it.
16:28I've never seen it on your own problem.
16:30I've never seen it on your own problem.
16:32Kau sir.
16:34I'm not saying to you.
16:36I'm not saying to you.
16:38But if you don't do it like this,
16:40if you don't do it,
16:42it's better.
16:46I hope you'll be able to think about it.
16:52If you don't have any problem,
16:54you'll be able to think about it.
16:56But if you don't have a problem,
16:58you'll be able to think about it.
17:00But I don't have any problems.
17:02You've been able to think about it.
17:04You'll see too.
17:06You're not saying that you don't have any problems.
17:08There are no problems.
17:10But since you were saying to me,
17:12the master of your father,
17:14So, I think I'm going to have a long time in my mind.
17:23It was a long time ago.
17:29But today I'm going to be confident that you have to keep up with Abba.
17:38The rest is that I'm here to work.
17:42Focus on me.
17:44It's easy to do with each other, but if it's very necessary, you can contact me.
17:55If you want to graduate, tell me, I'm going to help you with CSS.
18:03If there's a bad thing, you'll be happy.
21:14We're right back.
26:14We're right back.
28:14We're right back.
28:44We're right back.
29:14We're right back.
29:44We're right back.
30:14We're right back.
30:44We're right back.
31:14We're right back.
31:44We're right back.
32:14We're right back.
32:44We're right back.
33:14We're right back.
33:44We're right back.
34:14We're right back.
34:44We're right back.
35:13We're right back.
35:43We're right back.
36:13We're right back.
36:43We're right back.
37:13We're right back.
37:43We're right back.
38:13We're right back.