Directed by the legendary Alfred Hitchcock, Secret Agent is a gripping British spy thriller based on W. Somerset Maugham’s stories about espionage. Released in 1936, this film blends suspense, deception, romance, and moral conflict — all hallmarks of Hitchcock’s early work.
🌍 Plot Summary
Set during the First World War, Secret Agent follows British author and army captain Edgar Brodie (played by John Gielgud), who is reported dead and given a new identity as Richard Ashenden. He is secretly recruited by British Intelligence to track down and eliminate a German agent operating in neutral Switzerland.
Upon arrival in Geneva, he is partnered with the mysterious and seductive Elsa Carrington (played by Madeleine Carroll), who is also acting under a false identity as his wife. Their alliance is complicated by the presence of Robert Marvin, a romantic rival who is unaware of their true identities.
They are joined by the flamboyant and cold-blooded assassin known only as The General (portrayed by Peter Lorre in a memorable role), who brings unpredictable violence and black humor to the mission.
As Ashenden grows more disillusioned with the ethics of espionage and his feelings for Elsa deepen, the team misidentifies their target, leading to a fatal mistake. Wracked with guilt and seeking redemption, Ashenden must make a fateful decision that will define his mission — and his soul.
🌍 Plot Summary
Set during the First World War, Secret Agent follows British author and army captain Edgar Brodie (played by John Gielgud), who is reported dead and given a new identity as Richard Ashenden. He is secretly recruited by British Intelligence to track down and eliminate a German agent operating in neutral Switzerland.
Upon arrival in Geneva, he is partnered with the mysterious and seductive Elsa Carrington (played by Madeleine Carroll), who is also acting under a false identity as his wife. Their alliance is complicated by the presence of Robert Marvin, a romantic rival who is unaware of their true identities.
They are joined by the flamboyant and cold-blooded assassin known only as The General (portrayed by Peter Lorre in a memorable role), who brings unpredictable violence and black humor to the mission.
As Ashenden grows more disillusioned with the ethics of espionage and his feelings for Elsa deepen, the team misidentifies their target, leading to a fatal mistake. Wracked with guilt and seeking redemption, Ashenden must make a fateful decision that will define his mission — and his soul.
Category
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Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59A soldier dies in his bed these days
00:02:01No, sir
00:02:02No such luck, sir
00:02:03Pretty sudden, wasn't it?
00:02:04Chill carried him off very suddenly, sir
00:02:06A week ago, he was as fit as you and I
00:02:08When he came home on leave
00:02:09Well, there's one thing
00:02:10Brody the novelist will be remembered
00:02:13When half the great soldiers of the war have been forgotten
00:02:16I shouldn't be surprised, sir
00:02:17No, no, it's all right, sir
00:02:19By the way, when's the funeral?
00:02:21Tomorrow, sir
00:02:22Very quietly in the country
00:02:23Thank you
00:02:24Good morning
00:02:25Good morning
00:02:26Good morning
00:02:30Good morning
00:02:31Good morning
00:02:31Goodbye, cool
00:02:32So long, girls
00:02:34You'll be in work again in less than those
00:02:36Red Cross, munitions, what not
00:02:38You'll be in work again in less than those
00:02:39You'll be in work again in less than those
00:02:40You'll be in work again in less than those
00:02:41You'll be in work again in less than those
00:02:42You'll be in work again in less than those
00:02:43You'll be in work again in less than those
00:02:44You'll be in work again in less than those
00:02:45You'll be in work again in less than those
00:02:46You'll be in work again in less than those
00:04:19Did you have a good crossing from France?
00:04:21Excellent, thank you.
00:04:22I wanted to find out as soon as I landed in England that I was dead.
00:04:24Very sad.
00:04:25Casualism has been very heavy at least.
00:04:26But look, yes, have you seen this?
00:04:28Mm-hmm.
00:04:28So what's the explanation of that?
00:04:29Well, the explanation of that is this.
00:04:35What does that mean?
00:04:36It means that we can't advance a yard in Palestine to be quite sure of the Arabs behind us.
00:04:39We're not quite sure, is that it?
00:04:41When the sensor lets up to this extent, things are pretty critical.
00:04:44Yes, but look, yes, I don't see.
00:04:45No, and you won't see if you keep on talking.
00:04:47Now, Germany is making every effort at the moment to buy up the Arabs.
00:04:52Tell me, do you love your country?
00:04:54Well, I just died for it.
00:04:55You can't guess why?
00:04:57I suppose I'm waiting for you to tell me.
00:05:03These areas always upset the gophers.
00:05:05You never know what to do with them.
00:05:08Here are your passports.
00:05:09One British, one American.
00:05:11You have the reputation of being a shrewd observer of life, Ashenden.
00:05:16Ashenden, me?
00:05:17Yes, you.
00:05:18The late lamented Brodie was much too well known for our present purpose.
00:05:21Okay, what are you driving at?
00:05:23Ashenden is going to Switzerland to locate a certain German agent
00:05:26who is leaving for Arabia very shortly via Constantinople.
00:05:29Description?
00:05:30None.
00:05:31Well, that's helpful.
00:05:32But your predecessor, rest his soul.
00:05:38In his last message, it said he thought he was staying at the Hotel Excelsior.
00:05:42I want you to go there.
00:05:44Now, in this envelope is the name of a man playing for both sides
00:05:47who may help you to find him.
00:05:49When I have found him?
00:05:52That sounded just like a pistol shot, didn't it?
00:05:54Report to me, and you'll be given further instructions.
00:05:59I see.
00:06:02He's not to be allowed to reach Constantinople.
00:06:05Precisely.
00:06:06I like a man who makes quick decisions.
00:06:09Tonight, a car will take you to Jova.
00:06:11You'll change into civis on the destroyer, which will take you across the channel.
00:06:14From there, you'll go to Switzerland by a roundabout route.
00:06:17Your assistant will be there before you.
00:06:19I'm to have an assistant, am I?
00:06:20Yes, and in the circumstances, he's a very useful one.
00:06:23We call him the hairless Mexican.
00:06:25Oh, why?
00:06:26Cheaply because he's got a lot of curly hair and isn't the Mexican.
00:06:28You can call him the general.
00:06:30He isn't a general, but he'll appreciate the compliment.
00:06:32You'll see him for yourself.
00:06:33Where's the general?
00:06:34He took to the cellar, so when the raid began.
00:06:36Funny, he can't have lost his nerve.
00:06:38Mr. Ashenden will be leaving in a few minutes.
00:06:39Very good.
00:06:40Hold on, let's go down.
00:06:41Right.
00:06:42Where's my cap?
00:06:42Hold on.
00:06:43Now, bear in mind, if the Swiss police know what you're up to, they'll have you in the jug.
00:06:55Right, you are.
00:06:55Watch my step.
00:07:01Here, steady, steady, my girl.
00:07:03It's much safer down here than upstairs, you know.
00:07:05I'd rather be upstairs with a bomb than downstairs with some people.
00:07:07Oh, hello, general.
00:07:10I did you an injustice.
00:07:12I thought you came down here to dodge the bombs.
00:07:13But, Mr. R., you should know me better.
00:07:15This is Ashenden.
00:07:17General Pompilio Motesuma de la Bequette del Conde de Longue.
00:07:20Very pleased.
00:07:20Excuse me, I have some very important business.
00:07:23See you in Switzerland.
00:07:25Hello, dearie, sweetie.
00:07:27Just a moment.
00:07:28I love you.
00:07:28Lady Calais, not only ladies.
00:07:32Well, now that you've met, we won't delay your departure no longer.
00:07:34I'd better go and see what he's up to.
00:07:36So long.
00:07:37Let's go.
00:08:07Come on, now.
00:08:33Let's go.
00:08:34Let's go.
00:08:35Let's go.
00:08:36Let's go.
00:08:37Let's go.
00:08:38Let's go.
00:08:39Let's go.
00:08:40Let's go.
00:08:41Let's go.
00:08:42Let's go.
00:08:43Let's go.
00:08:44Let's go.
00:08:45Let's go.
00:08:46Let's go.
00:08:47Let's go.
00:08:48Let's go.
00:08:49Let's go.
00:08:50Let's go.
00:08:51Let's go.
00:08:52Let's go.
00:08:53Let's go.
00:08:54Let's go.
00:08:55Let's go.
00:08:56Let's go.
00:08:57Let's go.
00:08:58Let's go.
00:08:59Let's go.
00:09:00Let's go.
00:09:01Let's go.
00:09:02Let's go.
00:09:03Let's go.
00:09:04Let's go.
00:09:05Let's go.
00:09:06Let's go.
00:09:07Let's go.
00:09:08Let's go.
00:09:09Let's go.
00:09:10Let's go.
00:09:11Let's go.
00:09:12Oh.
00:09:13MaasAM.
00:09:14You're a wife, monsieur.
00:09:15She arrived yesterday.
00:09:16You were not expecting it so soon.
00:09:19No.
00:09:20Not quite so soon.
00:09:21This isn't a price per me, isn't it?
00:09:24Indeed, yes, monsieur.
00:09:27Mrs. Ashenden looking well.
00:09:28MaasAM looks Robinson, monsieur.
00:09:31Well that is nice, isn't that?
00:09:33Well, I made a message now.
00:09:35I'll do another one upstairs.
00:09:36Rooms 234 and 5, you said?
00:09:38Yes, monsieur.
00:09:39I suppose Mrs. Ashenden has the key.
00:09:41Yes, monsieur.
00:09:43Shall I come up with you, monsieur?
00:09:44No, no, no.
00:09:44I think I'll just surprise her on my own, if you don't mind.
00:09:48Have my luggage sent up, will you?
00:09:49Certainly.
00:09:51What were those numbers again?
00:09:52234 and 5.
00:09:54I'll write them down for you, sir.
00:09:55Thank you very much.
00:10:03I'm so sorry.
00:10:09I'm afraid it was entirely my fault.
00:10:11No, it's quite all right.
00:10:11No harm done.
00:10:12I'm sure I haven't had him.
00:10:13Not a bit.
00:10:13Quite a bit.
00:10:15Poor old boy.
00:10:16What's going on?
00:10:17What's going on?
00:10:18What's going on?
00:10:18No, no.
00:10:19No.
00:10:21Someone just dropped on his foot, my dear.
00:10:22That's all.
00:10:23Nothing.
00:10:24Who is that?
00:10:25England, right?
00:10:26Yes.
00:10:33Aren't you through that bath?
00:10:42I'm trying myself.
00:10:43Good news.
00:10:45What are we going to do tomorrow?
00:10:47Why, please.
00:10:48Why aren't you going out with me?
00:10:49Didn't you promise?
00:10:51What about a nice private picnic in the wood around here somewhere?
00:10:53I want a nice public lunch to the dining room downstairs.
00:10:57Oh, lady.
00:10:58Didn't I make any better hit with you than that?
00:11:00No way.
00:11:01I'm a respectable married woman, and I've only known you 24 hours.
00:11:04Sure.
00:11:05That means in 48, you'll know me twice as well.
00:11:07By the end of the week?
00:11:10You looking for anybody around here?
00:11:12You're only my wife.
00:11:13By the end of the week, poor.
00:11:16A divorce, it looks like.
00:11:18Are you Mr. Ashenden?
00:11:19Guilty.
00:11:21Darling, you're here at last.
00:11:24Angel, how well you're looking.
00:11:27Delicious.
00:11:28I hope you haven't been lonely.
00:11:29Oh, no.
00:11:30This gentleman and I picked each other up in the lounge yesterday, didn't we?
00:11:32Yes.
00:11:33A good angel threw us together.
00:11:34He's been most kind and entertaining.
00:11:36Mr. Roger Martin, isn't it?
00:11:39It sounds well the way you say it, but it's really Robert Marvin.
00:11:41Oh, sorry.
00:11:42Pleased to meet you, Mr. Lockett.
00:11:44How do you do, Mr. Ashenden?
00:11:45So, so.
00:11:47Well, I suppose it's time now for the triangle to retire from the family circle.
00:11:51Exit, uh, battle.
00:11:53I wasn't expecting you quite so soon.
00:12:07So are I gallows.
00:12:07Gallows?
00:12:08My good girl, there's no need for you to play a part now.
00:12:10Kind of tell me who you are, what your name is, and why you're passing yourself off as my wife.
00:12:14My name is Elsa Carrington.
00:12:16I just thought you could have answered the other question for yourself.
00:12:18But you mean that old ruffian hour has gone and unloaded you on me?
00:12:21Yes, as you so elegantly put it.
00:12:23But you're on the same job.
00:12:24Yes, I'll send for me and tell me to come out here to join my husband, Mr. Richard Ashenden.
00:12:28So here I am, Dickie dear.
00:12:30Now how do I know you're really the person you say you are?
00:12:36Here's my passport.
00:12:38That's better.
00:12:39Who is it?
00:12:41All right, stick them down there.
00:12:44Anything else?
00:12:45First of all, I'd like to see yours.
00:12:47Oh, that's better still.
00:12:53All right.
00:12:54I acknowledge you as my true and lawful husband.
00:12:58Well, there's no note for you.
00:13:00It's in my bedroom.
00:13:02Our bedroom?
00:13:03Mine.
00:13:04You sleep there.
00:13:04Oh.
00:13:09Here it is.
00:13:10Go.
00:13:29Well, what does it say?
00:13:32Do you mind if I come in?
00:13:33You don't want the whole hotel to here, do you?
00:13:34You don't mind my getting on with the day's work?
00:13:36No, not the least.
00:13:39I had to work it out.
00:13:44It's in code.
00:13:44I know.
00:13:45You opened it?
00:13:45Of course I did.
00:13:46I'm a silly.
00:13:48Father concerns you, says.
00:13:50I'm making you a married man just to round off your new character.
00:13:53What else does it say?
00:13:54Your wife comes a fighting stock.
00:13:57A regular little fire eater, in fact.
00:13:58It will be nice.
00:13:59I look to you to direct her energies into the right channels.
00:14:03Be as connubial as possible.
00:14:04Yours are.
00:14:05What does connubial mean?
00:14:07Luxorious.
00:14:08What does that mean?
00:14:09Speak English.
00:14:10Affectionate in a big way.
00:14:11Well, that shouldn't be difficult.
00:14:13Well, what do you think of your new husband?
00:14:17I'm agreeably surprised.
00:14:19It's chilly this far.
00:14:21Well, you see, I've been reading your books for years and years, and I sort of pictured you
00:14:23as a very old gentleman.
00:14:25God knows so bad as I thought.
00:14:27That's very kind of you.
00:14:28It's too hot there.
00:14:29What do you think of me?
00:14:30I don't know.
00:14:30I'll tell you when you finish putting on your face.
00:14:33Look here, what did you really take this job on for?
00:14:35What else was there to do?
00:14:36Oh, all sorts of things.
00:14:37You might have been a nurse or something.
00:14:38Me?
00:14:38I know a ministering angel.
00:14:40I've come to Switzerland for a thrill.
00:14:42You think I'm going to give it to you?
00:14:43Goodness, no.
00:14:44You're only the means to an end.
00:14:45The end being?
00:14:46Excitement.
00:14:47Big risks.
00:14:48Danger.
00:14:49Perhaps even a little.
00:14:49All that sort of thing may not be quite so amusing as you think.
00:14:55Now, look here.
00:14:56Let's understand each other.
00:14:57I've burnt my boats.
00:14:58I've quarreled with dozens of people to come out here to do something worthwhile.
00:15:01There's no good you're standing there looking middle-aged and bleeding about safety.
00:15:04All right.
00:15:04All right.
00:15:05All right.
00:15:08Well, how do we start?
00:15:10I suppose I'll tell you what we're here for.
00:15:12A little.
00:15:13He said you tell me the rest.
00:15:14What on earth's that?
00:15:18Hello.
00:15:19Good heavens.
00:15:19How did you get here?
00:15:21My dear old friend, how do you do?
00:15:24Yeah, yeah, yeah.
00:15:24Steady on.
00:15:25Oh, Ashton, how have you been all the time?
00:15:28I haven't seen you.
00:15:29Yes, yes, yes.
00:15:29All right, all right.
00:15:30Take it easy, general.
00:15:31Take it easy.
00:15:31How did you get in?
00:15:32Oh, I was staying on door all the time, but, and, and I was knocking and barking, but you
00:15:38did not hear.
00:15:40Too busy in company of beautiful women.
00:15:43A lady, girl.
00:15:45You know this man, do you, then?
00:15:46Oh, I think he's a conjurer or something.
00:15:48Follows me about the hotel and tries to show me some silly trick with pennies.
00:15:51Very nice trick.
00:15:53Your wife, huh?
00:15:55How do you know this lady is my wife?
00:15:56How do I?
00:15:57Very simple.
00:15:58Passport in tables.
00:16:00Each one on side of each other one.
00:16:03No flies on you, are there?
00:16:05You know him?
00:16:06Well, of course I do.
00:16:06He's one of our colleagues, aren't you, general?
00:16:08General Pompilio Montezuma de la Villa del Conde de L'Ambou, as I said before.
00:16:12Yes, and I may as well tell you at once that this lady is not my wife.
00:16:15Then what?
00:16:16This lady's been issued to me officially by old man R.
00:16:20Issued?
00:16:20What, what do you mean issued?
00:16:22Issued like, like, passport?
00:16:25Oh, you mean given to you?
00:16:28Oh, this is too much.
00:16:30And who has given her to you?
00:16:32Will you tell me who has given her?
00:16:34Oh, maybe perhaps this old, oh, this old foolish, terrible, impossible man.
00:16:40This awful.
00:16:42This is too much.
00:16:43Really too much.
00:16:44For you, beautiful woman.
00:16:46And what for me?
00:16:47What for me?
00:16:48Nothing.
00:16:49Nobody, nothing.
00:16:50No, this is.
00:16:51Caramba de dieu.
00:16:53Caramba.
00:16:54For you, all this.
00:16:55And nothing.
00:16:56No, no.
00:16:59No, I, I, I resign.
00:17:04General, don't you listen if you're quite finished.
00:17:06Brodie was a bachelor, therefore Ashenden has to be a married man.
00:17:09It makes it much safer, that's all.
00:17:11This girl's been issued to me as part of my disguise.
00:17:13I resign.
00:17:14She's nothing to me, I tell you, and I'm nothing to her.
00:17:17Can't you understand?
00:17:18No, no.
00:17:19I, or maybe perhaps his lies true?
00:17:24Well, of course it's true.
00:17:25What do you mean?
00:17:26Oh, then in this case, maybe, maybe affections of beautiful lady are free for me?
00:17:35Completely free?
00:17:36Absolutely, as far as I'm concerned.
00:17:38Can't you do anything about this?
00:17:40Do I look as if I enjoy conjuring tricks?
00:17:42Yeah, yeah, yeah, General, no lovemaking, no funny business.
00:17:45We can't afford to take risks.
00:17:46The Swiss police will be on us in no time.
00:17:49Besides, you've got to get a move on.
00:17:50What have you done since we've got here, anyway?
00:17:52Oh, me, me, much too big gentleman to tell this in front of lady.
00:17:58I dare say.
00:17:59Let me remind you, we're here for a purpose, and we've got to start tomorrow.
00:18:03Our first job is to go to a village in the mountains called Langenthal.
00:18:06In Langenthal, there's a church.
00:18:08In that church, we'll find the organist, who ours says here,
00:18:10has been working for the Germans, but is now on our side.
00:18:13We've got to get in touch with him,
00:18:14and he'll put us onto the track of the man we're after.
00:18:16What do I do?
00:18:17Nothing.
00:18:18You stay here and wait in case that phone call comes through from Syria.
00:18:21That'll be a good start.
00:18:22Would you mind removing your friends so I can get on with my dressing?
00:18:25Go on, General.
00:18:26Out you go.
00:18:27Out you go.
00:18:39Well?
00:18:41Well?
00:18:42How does Mrs. Ashlandon look now?
00:18:44This has all been done for your special benefit.
00:18:46Better kind of you, I'm sure.
00:18:48A bit fond of yourself, aren't you?
00:18:49Married life has begun.
00:18:57All right, chat about that as much as you like.
00:18:59But don't think we've got a job to do,
00:19:00and it's part of that job to keep it secret, whatever happens.
00:19:02All right, let's go.
00:19:32Let's go.
00:20:02All right, let's go.
00:20:32What do we do?
00:20:51Light three candles, a coat signal.
00:20:53He'll see us in his mirror.
00:20:54Do not insult me, please.
00:20:56I'm not insulting you.
00:21:24Put those back, you fool.
00:21:36Put those back, you fool.
00:21:42Put those back, you fool.
00:21:55This floor makes my beautiful leg very angry.
00:22:03Better keep a lookout.
00:22:04He might be working with the other side.
00:22:24Strangled.
00:22:28Nice work.
00:22:30Neat, very neat.
00:22:32Someone very much did not want we should speak to him.
00:22:36Look what it looks like, doesn't it?
00:22:38Hmm.
00:22:39Hmm.
00:22:40Oh, look.
00:22:41Oh, look.
00:22:42What's that?
00:22:44Not so neat, after all.
00:22:45Big struggle before he dies.
00:22:47Me better, much better.
00:23:06The man who owns this is the man who killed him.
00:23:10Yes, sir.
00:23:12Listen here.
00:23:13Also, he's the man we are looking for to find.
00:23:16You're right.
00:23:17That's the motive.
00:23:18Hmm.
00:23:18One way of stopping a fellow's mouth.
00:23:21Say, look out.
00:23:22Someone's coming.
00:23:36Come on.
00:24:06We'll have to stay up here for hours.
00:24:20I say we'll have to stay up here for hours.
00:24:23Yes.
00:24:24Yes.
00:24:25But your wife, you wonder what happened to her poor little general.
00:24:36I say, do let's stay here a little longer.
00:24:49I've always wanted to come to Switzerland.
00:24:51The people are so nice.
00:24:52Yes.
00:24:52Especially Charlie there.
00:24:54Hey, Fred.
00:24:55Do you mind moving down a bit so we can see the scenery?
00:24:57Oh, no, don't.
00:24:58He's nice.
00:25:00Are those your own teeth?
00:25:01Of course, I don't.
00:25:01This is silly.
00:25:02I bet yours are.
00:25:03I never thought to look.
00:25:04Wait a minute.
00:25:08You mind holding them for me?
00:25:10They're disgusting.
00:25:13Look at that nose.
00:25:15Boy, I bet you could squeeze it and get a quart of whiskey out of it.
00:25:17Hey, Sam, George, Fred, with every name.
00:25:21Get me some smokes, will you?
00:25:23Smokes.
00:25:28Oh, there I dropped an H.
00:25:29No.
00:25:30Bully, boo, uh...
00:25:36I was afraid of that.
00:25:39No, you don't understand.
00:25:41Uh, uh...
00:25:43Cigar...
00:25:45Cigaruchin.
00:25:47No?
00:25:48Compris.
00:25:49Compris.
00:25:50What is this strange power you have over coachman?
00:25:53Hmm.
00:25:53No mystery, lady.
00:25:54Just the well-equipped young man at home in every language.
00:25:56Hmm.
00:25:56Bad language.
00:25:58Why, you...
00:25:58Oh!
00:26:00Oh!
00:26:00Man paralyzed when about to strike woman.
00:26:03Oh!
00:26:04What's the matter?
00:26:05Whim?
00:26:06No, love.
00:26:07What, again?
00:26:08Why not?
00:26:09Speaking of love,
00:26:10do you think that bow-legged husband of yours
00:26:11would mind if I kissed you?
00:26:12He's not bow-legged.
00:26:13I'll call him for me.
00:26:14He is too bow-legged.
00:26:15Oh.
00:26:16Well, if you won't let me kiss you,
00:26:17do you mind if I bite your Adam's apple?
00:26:18Oh.
00:26:20Speaking of your husband,
00:26:21if you go on defending him like that,
00:26:22the idea might get around that you love him.
00:26:24I think I do.
00:26:27Oh.
00:26:29How long has this been going on?
00:26:30Since yesterday.
00:26:32Yesterday.
00:26:33That's a fine thing
00:26:34after the way you practically
00:26:35flung yourself at me.
00:26:37Oh, look at me.
00:26:38I'll call the police.
00:26:39Oh, wait.
00:26:42Vivante.
00:26:45Home, James.
00:26:46I mean, the casino.
00:26:48Can you play a duet?
00:26:54Diablo, she's not in dining room.
00:26:56Where can she be?
00:26:57I don't know, I'm sure.
00:26:58What's the matter with you?
00:26:59Me's still blind on this ear.
00:27:01All right, all right.
00:27:02Calm down, you know.
00:27:02Calm down.
00:27:03She's probably in the hotel somewhere.
00:27:05Have you seen Mrs. Ashenden this evening?
00:27:07Madam is going with another gentleman
00:27:09to the casino.
00:27:10Telegram for you.
00:27:34Consult, general.
00:27:36Silly.
00:27:38First, find men.
00:27:39Then I'll do my job.
00:27:41Let's go to Casino to see nice Mrs. Asheron, huh?
00:27:44Can't you keep your mind on the business, General? This is urgent.
00:27:46You are always jumping conclusions.
00:27:49Maybe nice Mrs. Asheron has found out something, huh? Let's go.
00:27:53Steady on. We can't go in these clothes. They won't let us in. We should go and change.
00:28:11Let's go.
00:28:39Have you any night shift today?
00:28:41Yes, sir?
00:28:43That all I get?
00:28:47Yes, sir.
00:28:49Here's your own money.
00:28:51I haven't yet.
00:28:53All right.
00:28:55One.
00:29:01I can put all those on two.
00:29:03Sentiment.
00:29:05Two stands for twins.
00:29:07That's what you and I are going to raise when we settle down together.
00:29:09What do you say?
00:29:15Oh, don't be a piker, honey.
00:29:17Let's do this in a big way.
00:29:23Oh, look, that's the dog I put on in the hotel.
00:29:27He doesn't need to bear any malice, does he?
00:29:31Would you like him?
00:29:33You know exactly I hate our dogs.
00:29:37Oh, look.
00:29:39Oh, look.
00:29:41Oh, look.
00:29:43Hello, darling.
00:29:45Oh, hello.
00:29:47There you are.
00:29:49You must have had a long walk.
00:29:51I got all aboard staying in the hotel, so I came along here with Mr. Marvin.
00:29:53You don't mind, do you?
00:29:55Good heavens, now.
00:29:56Good evening, good evening.
00:29:57Nine of them.
00:29:58What do you think of that?
00:29:59Thank heavens you've come along, take your dull wife off my hands.
00:30:01I'm tired of talking in words of one cylinder.
00:30:03Oh, you don't know each other, do you?
00:30:05This is the gentleman I was talking to you about this morning.
00:30:07General Pompilio Montezuma de la Villa del Conde de l'envoo.
00:30:11Do you mind if I call you Charlie?
00:30:13I mind.
00:30:15Pardon me while I pick up my winning.
00:30:17Well, what?
00:30:18Well, what?
00:30:19What happened?
00:30:20Did you get any results?
00:30:21Some total of our day's work.
00:30:22What does that mean?
00:30:23I can't tell you here.
00:30:24Oh.
00:30:25Oh.
00:30:26Oh.
00:30:27Oh.
00:30:28Oh.
00:30:29Oh.
00:30:30Oh.
00:30:31Oh.
00:30:32Oh.
00:30:33Oh.
00:30:34Oh.
00:30:35Oh.
00:30:36Oh.
00:30:37Oh.
00:30:38Oh.
00:30:39Oh.
00:30:40Oh.
00:30:41Oh.
00:30:42Oh.
00:30:43Oh.
00:30:44Oh.
00:30:45oh.
00:30:47Oh.
00:30:48That's a lot of buttons for somebody.
00:30:59You'll have to pay seven buttons, won't you?
00:31:01Well, it's one of yours, isn't it?
00:31:01What?
00:31:03Ah!
00:31:04It must be.
00:31:05Thanks.
00:31:09I'm not asking you, will you kindly take that dog out of the chadillo?
00:31:24Oh nonsense, the dog was tied up.
00:31:25Look, it broke his arm's knee.
00:31:26Why did you look so startled?
00:31:28Look at that batman again.
00:31:30That's our man.
00:31:31Do you mean the man we may have to?
00:31:33How thrilling.
00:31:35I'm glad you think that.
00:31:37But he's English.
00:31:38Let me have another look at him.
00:31:41That is quite forbidden that dogs should be brought to you.
00:31:43Well, I don't worry about the rules.
00:31:45Why do I have to get sick?
00:31:47I've brought him this vinegar.
00:31:49He looks so harmless.
00:31:51The Herr Director Willick, I'll see you there.
00:31:53Hey, you lords.
00:31:54I've said five or six times he has to take a dog out of the chadillo.
00:31:57So, then go to my house.
00:31:59Yes, sir.
00:32:00Anybody hurt?
00:32:01The dog's not doing any harm.
00:32:02Couldn't bite anybody.
00:32:03They tried.
00:32:04They're making a ridiculous touch about the dog being in the casino.
00:32:06Well, that's right.
00:32:07What's the trouble?
00:32:08It seems the Sausage Hound has busted the regulations.
00:32:09Good heavens.
00:32:10How many of them?
00:32:11All of them, I guess.
00:32:12But are these the regulations governed by the Geneva Convention of 1864?
00:32:16Mais non, monsieur.
00:32:17They are the regulations of the casino.
00:32:19Have you got a copy of the regulations?
00:32:20There's no need.
00:32:21They are well known.
00:32:22He hasn't got a copy of the rule.
00:32:25Did you understand?
00:32:26You understand, sir, that under no circumstances whatever that we allow to have this dog molested?
00:32:30Unless you show us a copy of the regulations governing the transportation of livestock in this casino.
00:32:34Right.
00:32:35I would do the whole thing over again.
00:32:36Yes.
00:32:37Do you understand, sir?
00:32:38Now I go immediately to my office.
00:32:40And then we shall see.
00:32:42Becker.
00:32:43Come here.
00:32:44Qu'est-ce que c'est?
00:32:45Livestock.
00:32:46May I introduce you?
00:32:47Well, the dog's already done that in the whole server.
00:32:48My name's Caper.
00:32:49Yes.
00:32:50Mine's Ashenden.
00:32:51Do you know my wife, do you?
00:32:52I know, I do.
00:32:53Oh, very well, sir.
00:32:54Do you know Mr. Caper?
00:32:55Yes, sir.
00:32:56Are you also a friend of Ashenden's?
00:32:57Yes.
00:32:58Me friend of every man with beautiful wife.
00:32:59Ah, that reminds me.
00:33:00I was going to see my wife.
00:33:01She's watching the dancing.
00:33:02I think this calls for a celebration.
00:33:03Anybody here on the wagon?
00:33:04Well, I'm hardly dressed for a party.
00:33:05You've been kind of me, Mr. Marvin.
00:33:06I've been kind of me all day.
00:33:07I've been kind of me.
00:33:08I've been kind of me all day.
00:33:09I've been kind of me.
00:33:10In that case, you're entitled to the first drink.
00:33:11Have a long.
00:33:12Did you hear?
00:33:13He was in the same village today we were.
00:33:14Yes, I heard.
00:33:15Go on.
00:33:16Go and talk a little bit.
00:33:17I've got an idea.
00:33:18This college boy.
00:33:19No simpatico.
00:33:20Get along.
00:33:21You don't talk so much.
00:33:22Go on.
00:33:23Go on.
00:33:24Go on.
00:33:25Go on.
00:33:26Go on.
00:33:27Go on.
00:33:28Go on.
00:33:29Go on.
00:33:30Go on.
00:33:31Go on.
00:33:32Go on.
00:33:33Go on.
00:33:34Go on.
00:33:35Go on.
00:33:36Go on.
00:33:37Go on.
00:33:38Go on.
00:33:39Go on.
00:33:40Go on.
00:33:41Go on.
00:33:42Go on.
00:33:43Go on.
00:33:44I thought you were starting on your long trip today.
00:33:45No, no, no.
00:33:46Day after tomorrow.
00:33:47Oh, good.
00:33:48Yeah, you are.
00:33:49General Pompilio Montezuma de la Villa del Conde de Longo.
00:33:52I want you to meet Mr. and Mrs. Cashin.
00:33:54And my wife.
00:33:56I think you've already met Mr. Marvin, haven't you?
00:33:58Yes.
00:33:59General, look at your pie.
00:34:00It's terrible.
00:34:01Come here.
00:34:02Did you hear?
00:34:03He's leaving the day after tomorrow.
00:34:05Comprendo.
00:34:06Yeah, this is what I want you to do.
00:34:08Have you been away from England long?
00:34:10I have never been to England.
00:34:12And I have never before been away from Germany.
00:34:21Well, yes.
00:34:22I'll have a double gin, Tony.
00:34:23I refuse to discuss the matter any further, General.
00:34:25That's quite enough.
00:34:26It is not enough.
00:34:27Me just beginning.
00:34:28Boys.
00:34:29How about a nice, friendly little drink?
00:34:31Pull yourself together, General.
00:34:32Don't make a scene.
00:34:33Shut up, you hear?
00:34:34Me not shut up.
00:34:35Hey, what's the trouble?
00:34:36Me not shut up?
00:34:37It doesn't matter.
00:34:38It's nothing at all.
00:34:39It's perfectly all right.
00:34:40I'd like a cognac.
00:34:41It is not all right.
00:34:42He insults me in a very big way.
00:34:44He says this thing is nothing.
00:34:46I say this thing is very big something.
00:34:48You bet you're sweetly smart.
00:34:50Now, now, now, General, really?
00:34:51No, no, no, no, no, no.
00:34:53I make the propuesta that we should climb the mountain all together.
00:34:57He said me not fit for mountain climbing because I only think on beautiful women.
00:35:03Now, that is too much.
00:35:04General, all I said was you couldn't go climbing mountains and taking your beautiful women with
00:35:07you.
00:35:08Sure, that's all, General.
00:35:09He was only joking.
00:35:10Forget it.
00:35:11Don't be so touchy, General.
00:35:12Me touchy as much as I want.
00:35:14I bet you five English pounds that I can climb mountains much higher than you can.
00:35:20Oh, don't be so silly.
00:35:21Go on, Ashton.
00:35:22He's called you bluff.
00:35:23No, no, no.
00:35:24But it's ridiculous to say a joke like it's serious.
00:35:25You see?
00:35:26You see?
00:35:27You see?
00:35:28He's making the climb out.
00:35:29You mean the back down.
00:35:31That's what I said.
00:35:32Well, it's a bit, is it?
00:35:34All right.
00:35:35I'm on.
00:35:36Fine.
00:35:37Ladies and gentlemen, the fight's on.
00:35:38All we need now is a little mountain.
00:35:39Anyone got a mountain?
00:35:40No.
00:35:41Well, there's the, uh, the hanging out.
00:35:44You better take some old hand, will you?
00:35:46There's rather a tricky bit about, uh, about a thousand feet.
00:35:49About a thousand feet above the funny girl.
00:35:51Oh, well, I wonder if there's anywhere in the town where we can get a guide.
00:35:54Of course, you know somebody.
00:35:56Well, I think the, uh, the whole porter's a man to ask.
00:35:59As a matter of fact, if I weren't going away the day after tomorrow,
00:36:02I'd have to have taken you up myself.
00:36:04That would have been an awful night.
00:36:09What a pity.
00:36:11Well, of course, it can't be helpful.
00:36:14I suppose you couldn't make it tomorrow, would you?
00:36:18Well, as a matter of fact, I could, of course.
00:36:21But, uh, how about you, General?
00:36:23It would mean breaking a date, wouldn't it?
00:36:24Why, what for?
00:36:25There's one climbing mountain in the middle of night.
00:36:28Well, the guide is engaged.
00:36:30While the boys are mobilizing, what about a dance for you and me?
00:36:33Sorry, I'm just one of those old-fashioned wives.
00:36:35How about it?
00:36:36Come on, let's clear up.
00:36:37Excuse us, won't you?
00:36:39You're wonderful.
00:36:51What are you going to do?
00:36:53Wasn't it marvelous the way you fell for it?
00:36:55I'm glad you enjoyed it anyway.
00:36:57Do you need to suspect anything?
00:36:59No, you wouldn't be coming with us if you did.
00:37:01Okay, you've got to stay behind and look after Mrs. Keper.
00:37:03Oh, why?
00:37:04Well, somebody's got to keep her occupied.
00:37:06You better practice German conversation with us.
00:37:08But why can't I come with you?
00:37:09Oh, don't be absurd.
00:37:10Oh, I see.
00:37:11I've got to stay at home with a stuffy old house-frau
00:37:13while you go out hunting and get all the fun.
00:37:15I call it work.
00:37:18Did I tell you something?
00:37:19What?
00:37:20We aren't hunting a fox.
00:37:21We're hunting a man.
00:37:22It's an oldish man with a wife.
00:37:25Oh, I know it's war and it's our job to do it.
00:37:27But that doesn't prevent it being murdered.
00:37:29It's a simple murder.
00:37:31It's all you can see in it is fun.
00:37:50Oh, you're havin' foot.
00:38:01Come here, little dear.
00:38:02Come on, come to me, will you?
00:38:04Ah, yeah.
00:38:05Hold on, don't you take any notice of that funny dogman?
00:38:09I suppose your husband's a very good mountaineer.
00:38:24Yes, then he is there.
00:38:27All is safe.
00:38:30Is this your home?
00:38:32It was our home.
00:38:34Where you lived before the war?
00:38:36If you please, we do not talk about the war.
00:38:40Will you sit down and we will have a little German conversation, yes?
00:38:45I'd love to.
00:38:47How much German do you know?
00:38:49I'm afraid very little.
00:38:51Suppose you say to me the days of the week in German.
00:38:57Sonntag, Montag, Dienstag, Mittwoch.
00:39:04Good.
00:39:05But pronounce the word broader so.
00:39:08Sonntag, Montag, Dienstag.
00:39:12Yes?
00:39:13Yes.
00:39:16Please, ma'am.
00:39:17My mummy says have you room for a new boy in your class?
00:39:19No.
00:39:20Go away.
00:39:21Pardon me.
00:39:22I was speaking to the teacher.
00:39:23Do you understand German, Mr. Marvin?
00:39:26Not a word, but I speak it fluently.
00:39:29I'll sit down here by this little girl.
00:39:32I promise to be good.
00:39:33I won't pull your hair or anything.
00:39:35Much.
00:39:36Here.
00:39:37Little girl shouldn't smoke cigarettes in class.
00:39:40Would you like to try it, please?
00:39:43The days of the week in German?
00:39:45Sure.
00:39:47Uh, Sonntag, Montag, Mi, um, Tiwago.
00:39:57Oh, your pronunciation is terrible.
00:40:02I thought so.
00:40:04Look what it's done to the dog.
00:40:06Oh, you ought to be back in comfortable time for dinner.
00:40:15What appetites we'll have, generally?
00:40:17Sure, sure.
00:40:18We'll have big fun when this thing is over.
00:40:21Huh?
00:40:26Now, perhaps you are going to an hotel
00:40:29and you wish to engage your room.
00:40:31In what way would you say?
00:40:34I would say I want a double bedroom and bath
00:40:36for myself and my beautiful wife.
00:40:38This is my beautiful wife.
00:40:39No, no.
00:40:40I speak to Mrs. Ashenden.
00:40:42What would you say?
00:40:44I would say, I want a single room, please.
00:40:48Let me see.
00:40:49Ich mercer eine kleine Symmeter.
00:40:52Well, the going's not too bad so far, is it?
00:41:04No, pretty good, really.
00:41:05I suppose this sort of works child's play to you, eh, General?
00:41:08Oh, for me, just second nature.
00:41:11Look, we've got a grand day for it.
00:41:14Oh, yes.
00:41:15As Englishmen say, the more better the day,
00:41:18the more better the deed.
00:41:20Correct?
00:41:21Yes, approximately.
00:41:25Christy, come.
00:41:26Come here.
00:41:27Come.
00:41:28He is always troubled when his master is away.
00:41:32He thinks of him all the time.
00:41:36Do say that again.
00:41:38He's not going through with us, do you hear?
00:41:53So, we are not.
00:41:55You forget instructions of Mr. R.
00:41:57You prepared me finish.
00:41:59Besides, what about my money for this job?
00:42:02What are you waiting for?
00:42:04You two fellows still at it?
00:42:08He makes again the back down.
00:42:10I mean the climb up.
00:42:12He's tired, he says.
00:42:13Oh, okay.
00:42:14If you're tired, let's cut it out.
00:42:15Good.
00:42:16No, no, no.
00:42:17This is the only trick for me losing my bet.
00:42:19Oh, you've won your bet, all right, if you like.
00:42:21I'll pay you the money down.
00:42:22No, but there is my honor to make the climb.
00:42:24All right.
00:42:25Well, then go and climb by yourself.
00:42:26Stay back here with me, will you, Caper?
00:42:28No, please, please, come with me.
00:42:30No, you stay here.
00:42:31Let him carry on alone.
00:42:32Oh, no, no.
00:42:33I'll try to go with him.
00:42:34It's a bit tricky up there.
00:42:36Alexia, you can see us reach the top from the observatory over there.
00:42:38Come on, General.
00:42:39I'll race you.
00:42:48No, he's being a very bad dog.
00:42:50That's it.
00:42:51When your master comes home, I tell him how you behave.
00:42:53And then what will happen, huh?
00:42:54Now, you lie there like a good little dog.
00:42:55Now, Mrs. Washington, we go back to our lesson.
00:42:56You think 20 marks is too much for your room.
00:42:57So what do you say?
00:42:58That is true.
00:42:59Oh, I don't know.
00:43:00What does it matter?
00:43:01Now, I don't know.
00:43:02What does it matter?
00:43:03Now, Mrs. Washington, we go back to our lesson.
00:43:04You think 20 marks is too much for your room.
00:43:05So what do you say?
00:43:06That is true.
00:43:07Oh, I don't know.
00:43:08What does it matter?
00:43:09Now, Mrs. Washington, you will feed them easily.
00:43:15Thanks very much.
00:43:19You will feed them easily.
00:43:20Thanks.
00:43:21With this thing, Mrs. Washington, we go back to our lesson.
00:43:23You think 20 marks is too much for your room.
00:43:25So what do you say?
00:43:27That is true.
00:43:29Oh, I don't know.
00:43:30What does it matter?
00:43:32Now you will feed them easily.
00:43:34Don't understand, you've never liked this before, I wonder if...
00:43:49The God Keeper, for God's sake!
00:43:59The God Keeper, for God's sake!
00:44:17The God Keeper, for God's sake!
00:44:22The God Keeper, for God's sake!
00:44:25The God Keeper, for God's sake!
00:44:28The God Keeper, for God's sake!
00:44:32The God Keeper, for God's sake!
00:44:42The God Keeper, for God's sake!
00:44:47The God Keeper, for God's sake!
00:44:51The God Keeper, for God's sake!
00:44:55You're very quiet tonight.
00:44:58What's the matter?
00:45:00Bring you on a nice little steamer trip and this is how you behave.
00:45:06Oh, sorry, I apologize.
00:45:09Missing your dear little American friend, I suppose.
00:45:12The God Keeper, for God's sake!
00:45:17The God Keeper, for God's sake!
00:45:20The God Keeper, for God's sake!
00:45:22Hello, hello General, how are you?
00:45:24Here we are, good evening.
00:45:27How have you been?
00:45:29Good evening, how are you?
00:45:31How did the police inquire go?
00:45:34Oh, perfectamente, perfectamente.
00:45:37Beautiful accident.
00:45:39Very, very sad, but could not be helped.
00:45:42Poor, poor gentleman.
00:45:44Didn't they find out any more about him?
00:45:46Oh, nothing important.
00:45:47Only photography of his wife when she was young
00:45:50and photography of Little English Village, where he lived once.
00:45:55Developing mistakes.
00:45:56Look at my chin.
00:45:57Oh, he's nuts!
00:45:58He's nuts!
00:45:59Oh, he's nuts!
00:46:16Oh, I forgot.
00:46:18I forgot, I have telegram for you waiting in hotel, but me gentlemen, I have not opened it.
00:46:33Come on, I'll have to be coated.
00:46:44It's chocolate.
00:46:49I'm out of here.
00:46:55I have noone.
00:46:58I have nocule.
00:47:02Help me.
00:47:34But, but the button.
00:47:50The wrong man.
00:47:52Seems very much like those buttons are more common here than we thought.
00:48:06The wrong man.
00:48:11The wrong man.
00:48:13The wrong man.
00:48:16The wrong man.
00:48:21Pirodi alirio, lilia
00:48:24Pirodi alirio
00:48:28Pirodi alirio, lilia
00:48:32Pirodi alirio
00:48:35Nasty carny survived by cold feet.
00:48:40It's a lovely place to live in, isn't it?
00:48:41It's so gay and he's such charming people.
00:48:44I think I've ever met so many really charming people in one place.
00:48:47I love them all.
00:48:49Especially generous.
00:48:50I think generals are so... so funny, don't you?
00:48:53Elsa, please.
00:48:54And there's only more I've got to say.
00:48:56I hope you won't be very schoolgirlish,
00:48:58but I would like to tell you how...
00:49:00how wonderful it's been meeting you, Mr. Ashenden.
00:49:02I'd often wonder what you were like, of course,
00:49:04but now I know. I really know. Think of that.
00:49:06Shut up. For God's sake.
00:49:07Oh, I believe you're trying to love me.
00:49:09Please don't.
00:49:10I'm being terribly sincere about all this.
00:49:12In fact, I'm going to be quite shameless.
00:49:15I'm going to tell you a secret.
00:49:17I fell in love with you at first sight.
00:49:20Not a scratch, but a crash.
00:49:23Wouldn't that amuse you?
00:49:24I thought it would.
00:49:26I've been so faithful to my love for you.
00:49:29I can't tell you how unkind I've been to poor Marvin.
00:49:32I'm glad it's over now.
00:49:34I see. It's over.
00:49:36Isn't it funny?
00:49:38I thought it never could end, but it has.
00:49:41Aren't you glad?
00:49:42It's so boring being idolized.
00:49:44Oh, yes, of course I'm glad.
00:49:46Because after this you'll be able to treat the whole thing
00:49:48just as an ordinary job, something you're paid for.
00:49:51You are paid a salary, I suppose.
00:49:53Oh, yes, that's what I'm doing it for.
00:49:54Money, didn't you know?
00:49:56It isn't.
00:49:58You know it isn't.
00:50:00Yes, it is, I tell you.
00:50:02Only...
00:50:03Only...
00:50:05Somehow...
00:50:06I don't like murder at close quarters as much as I expected.
00:50:10Or murderers, for that matter.
00:50:13Please, Charlie, shall miss.
00:50:18I don't like them much either, as a matter of fact.
00:50:20Oh, don't make me laugh!
00:50:33It hasn't been much fun for me, either, lately.
00:50:40I don't wonder.
00:50:42I didn't kill him, you know.
00:50:46You were there when it was done?
00:50:48Oh, yes, I was there all right.
00:50:51Half a mile away at the other end of a telescope.
00:50:55Yes, it's quite true.
00:50:57Just one of those long-range assassins.
00:51:04That doesn't make it any better, does it?
00:51:09I think you're beginning to find that out, too.
00:51:12Aren't you?
00:51:15Oh, I say, don't cry.
00:51:16Have a cigarette.
00:51:24Why can't we give it all up?
00:51:28Why, would that make any difference?
00:51:31To us?
00:51:35Yes, but I thought you said it was all over.
00:51:49You know, you weren't the only one that crashed.
00:51:52Hmm?
00:51:57Come on, it's getting cold.
00:51:58That's good.
00:52:12There are times, Mrs. Ashenden, when it is almost a pleasure to be alive.
00:52:17Is this one, Mr. Ashenden?
00:52:18I don't quite know yet.
00:52:19Just hold this cup and I'll tell you.
00:52:25Ah, yes, it is.
00:52:26Idiot.
00:52:27Here, here, it's my copy.
00:52:28No, no, no, no, no, no.
00:52:29Business first.
00:52:30Have you finished that letter of resignation?
00:52:31Yes, it is on the table.
00:52:32Well...
00:52:34I shouldn't think I'll be very pleased when he gets it.
00:52:35Especially the post-script.
00:52:43Here, will you give me another cup of coffee, please?
00:52:45Mm-hmm.
00:52:46What's going to happen when we get back to England?
00:52:48Oh, nothing much.
00:52:49I'll just send somebody else out to take my place, that's all.
00:52:52Why, it doesn't matter much to you, does it?
00:52:54Here, answer the telephone.
00:52:56Find it yourself, lazy.
00:52:57That's a rude.
00:52:59Yeah.
00:53:03Hello.
00:53:05Mm-hmm.
00:53:07Yes?
00:53:08Oh.
00:53:09Is that the ugliest woman in the world?
00:53:11Who is it?
00:53:13Your hated rival.
00:53:14They're all my hated rivals.
00:53:15Who's going to do this time?
00:53:16Marvin.
00:53:17Oh.
00:53:18Yes.
00:53:19Yes, Hank.
00:53:20Much better.
00:53:22Yes, all alone.
00:53:24The neglected wife, as usual.
00:53:27Yes, you have my permission to still it.
00:53:31That's very sudden and...
00:53:32Chattering.
00:53:33Chattering for a girl.
00:53:35Yes.
00:53:36Oh, I'm afraid I can't.
00:53:41If I promised my husband I'd...
00:53:43Oh, you better not let him hear that.
00:53:47You can cut out that Darby and Joan stuff.
00:53:50You see, I know your husband.
00:53:55And look what you're passing up.
00:53:57Me!
00:53:58A caveman with a college education.
00:54:01What more do you want, for heaven's sake?
00:54:02You know, you're breaking my back.
00:54:05Well, this is my last word.
00:54:07Listen.
00:54:16Pardon me while the brain reels.
00:54:19Our first kiss.
00:54:21Or am I just goofy?
00:54:22Was that really you?
00:54:24Yes, my love.
00:54:25Not Art, it wasn't.
00:54:26Hey, what's the idea?
00:54:28Whom have I been kissing?
00:54:29Hold on, here's your little helper.
00:54:31Oh.
00:54:34Hello.
00:54:35Is that you at last?
00:54:36Let me get this straight.
00:54:37Whom have I been kissing?
00:54:38You or the old man?
00:54:42Very well, I'm satisfied.
00:54:44Now get me.
00:54:47This, madam, is the end.
00:54:49So long.
00:54:51And goodbye.
00:54:52And may you have quintuplets.
00:54:54You know, I'm quite sorry for that chap.
00:54:55I believe he's really fond of you.
00:54:56Isn't anyone else?
00:54:57Yes.
00:54:58Me.
00:54:59Oh, hello, General.
00:55:00Morning.
00:55:01Come to join the celebrations?
00:55:02Yes.
00:55:03Making the morning husband and wife exercises?
00:55:06No, not this time.
00:55:07A genuine article today.
00:55:09One dozen daily.
00:55:10Ha, ha, ha.
00:55:12I'm true, yes?
00:55:13No, not in the least, General.
00:55:15You've just come to a decision and we're celebrating it, that's all.
00:55:17Hooray.
00:55:19We're going away from here tomorrow.
00:55:21I've resigned.
00:55:26Resigned.
00:55:27Resigned?
00:55:28What does this word mean?
00:55:29In middle of war?
00:55:30Impossible.
00:55:31Imagine, could I resign?
00:55:32In middle of war?
00:55:33Or imagine whole army and front line would do this resign business?
00:55:38I wouldn't do it if I were in the army.
00:55:40Fighting in the front lines of dance, I'd clean that job than this.
00:55:42And then, if the most respectful, Mr. R, does not accept your assignment, and he certainly will not.
00:55:51Oh, I can't help that anyway.
00:55:53Then what?
00:55:54Listen, look here, I'm fed up with this whole business.
00:55:57It isn't as if we've done any good since we've been out here so far.
00:56:00We aren't trained bloodhounds either of us.
00:56:01What do you mean?
00:56:02What do you mean?
00:56:03They can quite easily find somebody much better than we are to take our plates.
00:56:05Maybe for you, maybe for you.
00:56:07They can find.
00:56:08Not for me.
00:56:09Me certainly very well-trained bloodhound.
00:56:11Me, me first-class bloodhound.
00:56:13No worries.
00:56:14I know all about that, thank you.
00:56:15Yes?
00:56:16Then it's good.
00:56:17Come here, I'll tell you.
00:56:18What is it?
00:56:19What is it now?
00:56:20This is the reason why I'm here in this minute.
00:56:22Very big, important news.
00:56:24Very best up to now.
00:56:26I dare say, I dare say.
00:56:27Directamente to men.
00:56:29To the right men.
00:56:30No making mistakes this time, please.
00:56:32No good.
00:56:33Nothing doing.
00:56:34I'll tell you.
00:56:35I'm finished.
00:56:36Me, me promise.
00:56:37Me do everything.
00:56:38You only give advice.
00:56:39Word of honor, I mean.
00:56:40Promise.
00:56:41Well look, your advice is all you get.
00:56:42Hurry up.
00:56:43Tell me what it's all about.
00:56:44Yes, fine.
00:56:45Don't go.
00:56:46It's all right.
00:56:47I'll shovel more than a few minutes.
00:56:51Hey, Susan.
00:56:55It's all right.
00:56:57I'll do best.
00:57:16I'll do best.
00:57:17You're right.
00:57:24Hey, you going past your room, anyway.
00:57:25Yes, but here is my little baby's room.
00:57:27How we go here.
00:57:28Well, well, marida carisissima.
00:57:31How have you been all the time?
00:57:32I brought you a very fine gentleman friend of mine.
00:57:34To see you.
00:57:35Oh, why have you come into my bedroom in hell?
00:57:37I'm a nice girl.
00:57:38So I gather, how do you do?
00:57:39Isn't she sweet?
00:57:40Please, sit down.
00:57:41Oh, so I gather. How do you do?
00:57:43Isn't she sweet? Please, sit down.
00:57:47Your secretary-general, I suppose.
00:57:49No, yes, my private secretariat.
00:57:51Isn't she sweet?
00:57:52Oh, come on, come on, General. What's it all about?
00:57:55There is very much all about. You wait and see.
00:57:57You see, last night we met in August's house.
00:57:59I play my little penny game with her.
00:58:02So, we get acquainted very quickly.
00:58:05Of course, you would.
00:58:06We also talked afterwards.
00:58:08Oh, I wonder what about.
00:58:09Little conversation.
00:58:10She tells me about her fiancé.
00:58:13What does he here do?
00:58:14Oh, no, no, no, no.
00:58:16He works in chocolate factory on the top floor.
00:58:19But he's in big money.
00:58:21He makes about four times as big money as any other clerk.
00:58:24And here I come to the point.
00:58:26I can't believe it.
00:58:28You go and play find and seek with it, yes?
00:58:33Here, baby.
00:58:35Help!
00:58:36Mine!
00:58:37Help!
00:58:38Yes!
00:58:38You see, this chocolate factory is not only factory, but it is also.
00:58:44And now you will see that me very first has bloodhound, that me big patriot.
00:58:48You know what it is?
00:58:49You know?
00:58:50No, no, no.
00:58:50I don't know.
00:58:51It's the big German spy post office.
00:58:55You mean the clearinghouse for information?
00:58:57Yes, exactly.
00:58:58But secret, very secret.
00:59:00No one knows.
00:59:01Even manager does not know.
00:59:02Only one or two workmen know.
00:59:04Including her boyfriend, I suppose.
00:59:06Exactly.
00:59:08Yesterday, message came through, which is a very big sensation.
00:59:12Message for someone.
00:59:15You mean for the man we're after?
00:59:16Exactly.
00:59:17Are you quite sure of that?
00:59:18Positive.
00:59:19Well, I'm to him this time, really.
00:59:21That's what I said.
00:59:22Yes, but did the boyfriend mention any names?
00:59:24No, he did not.
00:59:25Well, then what's the good of that?
00:59:26But he knows.
00:59:28And I'm quite sure he will tell for a small money amount.
00:59:31Five thousand francs!
00:59:33What?
00:59:34Are you crazy?
00:59:35Are you completely crazy?
00:59:37Didn't I give you already big money amount for you?
00:59:40One hundred francs?
00:59:42Huh?
00:59:42Oh, that was for me?
00:59:43Yes?
00:59:43The other's for Carl.
00:59:44Oh.
00:59:45Because he wanted to get married.
00:59:46Room two, three, four, please.
00:59:57Hello?
00:59:58Listen, Elsa, something's happened.
00:59:59I've got to go out for a couple of hours.
01:00:01Will you send one of the boys down to the hall with my hat and coat?
01:00:03We can easily still catch the night train.
01:00:09Did you go there?
01:00:11Yes.
01:00:12I'm sorry, my dear, but I can't help it.
01:00:16Yeah, I must.
01:00:18No, I haven't time to explain the details, but I'll let you know as soon as I get back.
01:00:22I shan't be long, really.
01:00:26You do understand, don't you?
01:00:28Yes.
01:00:28Go, go, go.
01:00:50I'll go and find him and send him to him first.
01:01:09Come along.
01:01:10Here's our guide.
01:01:12Here's our guide.
01:01:41Here's our guide.
01:02:11Here's our guide.
01:02:13Here's our guide.
01:02:17Here's our guide.
01:02:19Here's our guide.
01:02:23Here's our guide.
01:02:25Here's our guide.
01:02:29Here's our guide.
01:02:31Here's our guide.
01:02:35Here's our guide.
01:02:37Here's our guide.
01:02:41Here's our guide.
01:02:43Here's our guide.
01:02:45Here's our guide.
01:02:47Here's our guide.
01:02:49Here's our guide.
01:02:51Here's our guide.
01:02:53Here's our guide.
01:02:55Here's our guide.
01:02:57Here's our guide.
01:02:59Here's our guide.
01:03:01Here's our guide.
01:03:03Here's our guide.
01:03:05Here's our guide.
01:03:07Here's our guide.
01:03:09Here's our guide.
01:03:11Here's our guide.
01:03:13Here's our guide.
01:03:15Here's our guide.
01:03:17Here's our guide.
01:03:19Here's our guide.
01:03:21Here's our guide.
01:03:23Here's our guide.
01:03:25Here's our guide.
01:03:27Here's our guide.
01:03:29Here's our guide.
01:03:31Centrale!
01:03:33We're going to change that!
01:03:35Ah, the director of the chocolate factory.
01:03:39Two Englishes?
01:03:41No, no.
01:03:47Are we here today two Englishes?
01:03:49Englishes?
01:03:51You mean the two of you have to hang with your face?
01:03:53So?
01:03:55Yes, yes, there are two Englishes in the factory.
01:03:57Yes, yes, yes, yes, yes, yes.
01:03:59Yes, yes, yes, yes.
01:04:01We're going to go to Portal 2.
01:04:03We're going to go to Portal 2.
01:04:05Let's go.
01:04:29We're going to move on to Portal 2.
01:04:31There's no way to get it from.
01:04:32I'll go to Portal 2.
01:04:33No way to get to the hospital.
01:04:34We're doing to take a walk.
01:04:35We're going to go to Portal 3.
01:04:37We're going to have a now-
01:04:39Play now!
01:04:40Kara!
01:04:41We have to go to Portal 3,
01:04:43We're going to go to Portal 3.
01:04:44Tochied us.
01:04:45It'll just take a walk in place.
01:04:47Yes, it'll be able to be able to be able to do this.
01:04:48We'll be able to do this from reality.
01:04:50We'll be able to go to Portal 2,
01:04:52and we'll be able to bring it back.
01:04:53We'll be able to get some more.
01:04:54I'll be able to go to Portal 3.
01:04:56Oh, my God.
01:05:26Oh, my God.
01:05:56Oh, my God.
01:06:26Oh, my God.
01:06:56Oh, my God.
01:07:26Oh, my God.
01:07:28Oh, my God.
01:07:32Oh, my God.
01:07:34Oh, my God.
01:07:35Oh, you know, for me, you're fine.
01:07:37Oh, I want to store it.
01:07:41You have the money.
01:07:42Mm-hmm.
01:07:46What is it, please?
01:08:05May I have a trunk?
01:08:14Has it come down yet?
01:08:15Yes, madam.
01:08:17But there is no label on it.
01:08:19Where shall I send it to?
01:08:21Oh, I don't know.
01:08:24Could you send it to the station and in my name to be called for?
01:08:28Yes, madam.
01:08:29And there's my letters.
01:08:31Seven hundred, eight hundred, nine hundred, one thousand.
01:08:34Thank you, sir.
01:08:40Hello, Elsa.
01:08:41You're leaving.
01:08:42Yes.
01:08:43Madam, this is the end.
01:08:45Didn't you hear me?
01:08:46Yes, I didn't think you meant it seriously.
01:08:48I have to leave, all right.
01:08:49I just had a hurry-up call back home.
01:08:51So if I don't check out now, it's goodbye to seeing the rest of little old Europe this trip, anyway.
01:08:55Where are you going?
01:08:57To Greece first, I think.
01:08:59I was leaving this for you.
01:09:02Something to remember me by.
01:09:18Where are you going?
01:09:20What a dangerous idea.
01:09:26I say, do I look as though I've been crying?
01:09:30No, I don't think so.
01:09:31Why?
01:09:32Anything wrong?
01:09:35I'm leaving, too.
01:09:37What about your husband?
01:09:42I haven't went any more.
01:09:45But look, only this morning you told me that...
01:09:47You're so nice to explain.
01:09:49Well, the guy is waiting.
01:09:53I could come with you, couldn't I?
01:09:56Oh, I couldn't.
01:09:57I mean, uh...
01:09:58I promised I wouldn't get in your way or interfere with anything you wanted to do.
01:10:01But couldn't...
01:10:02I mean, shouldn't you go back to England?
01:10:04Oh, no.
01:10:05I couldn't do that.
01:10:07There, least of all.
01:10:08I'd be terrified.
01:10:09I'm terrified.
01:10:10Please let me come, won't you?
01:10:11We have only a few minutes left, sir.
01:10:14Please.
01:10:17All right, come on.
01:10:25Yes, sir.
01:10:26Yes.
01:10:27Yes, sir.
01:10:28Left the hotel.
01:10:30Mr. Marvin, sir.
01:10:31He's gone, too.
01:10:33Yes.
01:10:34To the railway station with madame.
01:10:37What do you think?
01:10:39He's gone.
01:10:40Is this funny?
01:10:41Elsa's gone with him.
01:10:42No.
01:10:43She must be under him, after all.
01:10:44She's the first-classes bloodhounds of all of us.
01:10:45Come on.
01:10:46Yes.
01:10:47What an actress.
01:10:48She jumps ahead of us all the time.
01:10:49Right, right.
01:10:50You're great, sir.
01:10:51No.
01:10:52No.
01:10:53No.
01:10:54No.
01:10:55No.
01:10:56No.
01:10:57No.
01:10:58No.
01:10:59No.
01:11:00No.
01:11:01No.
01:11:02No.
01:11:03No.
01:11:04No.
01:11:05No.
01:11:06No.
01:11:07No.
01:11:08No.
01:11:09No.
01:11:10No.
01:11:12No.
01:11:13No.
01:11:14Colonel Anderson.
01:11:19Oh.
01:11:20Here you are.
01:11:21Here's your man, sir.
01:11:22Upside down.
01:11:23Oh, sorry.
01:11:24Sit down.
01:11:27What's the matter?
01:11:28Feeling wet?
01:11:29Oh, no.
01:11:30Yes.
01:11:31Clever with that girl, getting ahead of him like that.
01:11:34With any luck, Ashenden ought to get him on the Greek front here.
01:11:36Here, before he slips out of neutral territory into Turkey.
01:11:39Well, sir, supposing Ashenden makes a mess of it.
01:11:43We'll see about that.
01:11:44Get me Army headquarters in the line when I get back.
01:11:47You don't think there's any danger to this man getting through?
01:11:50I don't.
01:11:51Get me that line.
01:11:52Yes.
01:11:53Not at home.
01:11:54There's no use.
01:11:56No one's allowed on the bridge.
01:11:57I don't know.
01:11:58Get up, sir.
01:11:59I don't know.
01:12:00I don't know.
01:12:01I don't know.
01:12:02I don't know.
01:12:03I don't know.
01:12:04I don't know.
01:12:05I don't know what you're doing.
01:12:07But, you know.
01:12:08It's no use.
01:12:09No one's allowed on the platform until the train starts.
01:12:13The idea, maybe if I give money to the son of a rank and file, you know what, Kish?
01:12:19I hate these people.
01:12:20They only do everything only for money.
01:12:21Well, go on.
01:12:22Try and see what happens.
01:12:23Hello.
01:12:24Hello.
01:12:25Hello.
01:12:26Hello.
01:12:27Hello.
01:12:28Hello.
01:12:29Hello.
01:12:30Hello.
01:12:31Hello.
01:12:32Hello.
01:12:33Hello.
01:12:34Hello.
01:12:35Hello.
01:12:36Money?
01:12:37Batsis?
01:12:38Come here.
01:12:39One, two.
01:12:40Okay.
01:12:41More, more.
01:12:42Come here.
01:12:43More Batsis.
01:12:44Come.
01:12:45One, two.
01:12:46Okay.
01:12:47Hello, Mr. Medes.
01:12:48What are you doing with this knife?
01:12:49Me, General, you know.
01:12:50Me go to Station Master.
01:12:51You will see.
01:12:52Hello, Station Master.
01:12:53Listen, I'm gonna get some cigarettes.
01:12:54You'd better go into the compartment.
01:12:55Have I time to get a magazine?
01:12:56Yes.
01:12:57Elsa!
01:12:58Elsa!
01:12:59Elsa, darling!
01:13:00Olé!
01:13:01You, of all people!
01:13:02Oh, I can't get out of here.
01:13:03They won't let me through.
01:13:04How are you, darling?
01:13:05Oh, I'm so glad to see you.
01:13:06How did you get here?
01:13:07Why did you take that risk?
01:13:08Alfa!
01:13:09You, of all people!
01:13:10Oh, I can't get out of here.
01:13:11They won't let me through.
01:13:12How are you, darling?
01:13:13Oh, I'm so glad to see you.
01:13:14How on earth did you get here?
01:13:15Why did you take that risk?
01:13:16I have to.
01:13:17Yeah, well, I wish you'd let me know what you were up to.
01:13:18I couldn't bear it any longer, darling.
01:13:19When I found out that you'd gone,
01:13:20it was the last straw.
01:13:21I have to leave you.
01:13:22What do you think I came without telling me?
01:13:23I'm most frightfully anxious about you.
01:13:24Anyway, thank heaven you're here.
01:13:25Now we can see you get all about it and go back.
01:13:26No more killing, no more Mexicans.
01:13:27Adam!
01:13:28We have permission!
01:13:29I have permission!
01:13:30Here!
01:13:31I have permission!
01:13:32Here!
01:13:33I have permission!
01:13:34Here!
01:13:35I have permission!
01:13:36Here!
01:13:37I have permission!
01:13:38Here!
01:13:39I have permission!
01:13:40Here!
01:13:41I have permission!
01:13:42Here!
01:13:43We have permission!
01:13:44I have permission!
01:13:45Here!
01:13:46Here!
01:13:47We have permission!
01:13:48Here!
01:13:51Oh!
01:13:52Everybody has permission!
01:13:53Oh, yes!
01:13:54Our beautiful detective!
01:13:55How on earth did you find out that Marvel is the man we're up?
01:14:00You didn't know?
01:14:01You'd be crazy!
01:14:03He's fooled her, too.
01:14:04Where is he now?
01:14:05He's got to get some cigarettes.
01:14:07Unfortunately, he hasn't got onto the train that's going to Constantinople.
01:14:09Constantinople.
01:14:10Jersey, enemy territory.
01:14:12I've seen it!
01:14:13He's just getting on!
01:14:14But it's ridiculous!
01:14:15It's important to me!
01:14:16He's been so kind and friendly!
01:14:17Yes, friendly!
01:14:18Much too friendly!
01:14:19See my instinct?
01:14:20Me hating him all the time!
01:14:21Now we do our last job, then we're going to go!
01:14:22We're going to go!
01:14:23We're going to go!
01:14:24We're going to go!
01:14:25We're going to go!
01:14:26We're going to go!
01:14:27We're going to go!
01:14:28We're going to go!
01:14:29We're going to go!
01:14:30We're going to go!
01:14:31We're going to go!
01:14:32We're going to go!
01:14:33He's been so kind and friendly.
01:14:35Yes, friendly, much too friendly.
01:14:37See my instincts, me hating him all the time.
01:14:39Now we do our last job, then back to forms and beauty.
01:14:43You must be fooling, that's what it is.
01:14:45It's fooling, it's just a joke.
01:14:51Wait until I come back.
01:14:55I'm coming, will you?
01:15:01Yes.
01:15:03Oh!
01:15:09Come on, let's go before we're out of mutual country.
01:15:11Listen, Elsa, when the man comes for the tickets...
01:15:13I'm not going to kill him.
01:15:16You mad.
01:15:17Come away from that door.
01:15:18I'm not going to let you do this.
01:15:20It's cold-blooded murder.
01:15:21No use trying to stop us now.
01:15:22It's got to be done, that's all.
01:15:24We'll be in enemy country in a few minutes.
01:15:25You must be at the frontier now.
01:15:26Look, here.
01:15:30I've got to do it, it's my job.
01:15:31You know that perfectly well.
01:15:32I can't do anything in the world through your moments of pain,
01:15:34but I shouldn't see you dead for me to go through with this.
01:15:36Don't you care at all what I feel?
01:15:38Of course I do, you know that quite well.
01:15:40Then don't do this.
01:15:41I've got to.
01:15:43All right.
01:15:44What do you mean to do?
01:15:45I've got to tell the first enemy soldier who you are.
01:15:48You're so ridiculous.
01:16:15Don't.
01:16:16Don't.
01:16:17Don't do it, Mr.
01:16:27No, you're so ridiculous.
01:16:30Look, that's a pretty sight.
01:16:35You see them!
01:16:36Spy!
01:16:37Free today!
01:16:38Only.
01:16:39You English?
01:16:40No.
01:16:41American.
01:16:42God.
01:16:43I have lived Chicago town for three years.
01:16:47Where you live?
01:16:48Uh, Hollywood.
01:16:49Is that in America?
01:16:51Sure.
01:16:52Time.
01:16:53Baby.
01:17:00Now you can tell.
01:17:02Please.
01:17:08Why are you on the train?
01:17:27Because I'm going to Constantinople.
01:17:30Are you alone?
01:17:33Yes.
01:17:35Come along with me.
01:17:37Let's go.
01:17:38Come along.
01:17:41Come along.
01:17:44Come along.
01:17:46Come along.
01:17:48To me.
01:17:49Do you want to go along?
01:17:50You have to go along?
01:17:51I'll see you along.
01:17:52Good night,-come the front door.
01:17:59Leave us, leave us, leave us-
01:18:02I'd better keep this handy.
01:18:25You see, I don't trust you.
01:18:29Now, what are you doing on this train?
01:18:30I told you.
01:18:31You're here on business.
01:18:33Old man R's business.
01:18:35You're in the spy racket, too, aren't you?
01:18:37I don't know what you're talking about.
01:18:38All right.
01:18:40I can place you now.
01:18:42The lovely, neglected wife.
01:18:45And I felt...
01:18:46I guess I was sorry for you.
01:19:03But I'm sorrier now.
01:19:09Do you realize where you are?
01:19:12You're in my country.
01:19:14Enemy territory.
01:19:15I'm sorry.
01:19:21Where are your two friends?
01:19:23On the train somewhere?
01:19:25How on earth would they get on this train?
01:19:28It's their headache, not mine.
01:19:29But if they have, they're dead men.
01:19:42Why don't you have the train searched?
01:19:43Exactly what I'm going to do.
01:19:46When you do, perhaps you'll believe me.
01:19:48I hope you're not bluffing me.
01:20:02Why should I?
01:20:04Surely a clever man like you can guess.
01:20:06Guess what?
01:20:08Why, I've trailed halfway across Europe with you.
01:20:10How long has this been going on?
01:20:20I think from the first day we met.
01:20:23Before the villain was unmasked?
01:20:25From the very beginning.
01:20:27How did you find out about me?
01:20:29Ashton told me.
01:20:30When?
01:20:31For a long time ago.
01:20:33It made no difference.
01:20:35None.
01:20:36You're either the biggest double-crossing liar I've ever met, or...
01:20:41Congratulations on the punctuality of your earphone.
01:21:08I'm afraid they've made a mistake.
01:21:09Should have taken you off the train before they started this.
01:21:11I tell you, I've got nothing to do with it.
01:21:12You know why I'm here.
01:21:19It's like old man, I'm making sure.
01:21:23If friends fail, the enemy must step in.
01:21:26Come on, have a safe place.
01:21:33Chivalrous German spy protects British lady from British bombs.
01:21:36That's very funny, isn't it?
01:21:42Too bad I didn't love you.
01:21:44I never did.
01:21:46You know that, don't you?
01:21:55Mean.
01:21:56Very mean.
01:21:57Mrs. Ashton, you used too much lipstick.
01:22:04Well, gentlemen.
01:22:06What's on your mind, gentlemen?
01:22:11My dear friend, you have given us big, big trouble for a long time.
01:22:15Couldn't you tell us in Switzerland?
01:22:17Sorry, but I had other business to attend to first.
01:22:20An organist in the church, for instance.
01:22:21Unfortunately.
01:22:23Yes.
01:22:24And now is yours, sir.
01:22:27Yes, it looks like it.
01:22:29You've made certain.
01:22:30Sure.
01:22:31I congratulate you all.
01:22:34Especially, madame.
01:22:37Excellent.
01:22:38Most convenient coincidence.
01:22:42Heaven is always with a good cause.
01:22:44I think we can forego the Thanksgiving service.
01:22:46Well, when does the shooting begin?
01:22:54Joseph, please go outside.
01:22:55No guns.
01:22:57This is my job, you know.
01:22:59Besides, you know it is.
01:23:06You go with madame.
01:23:08Our conference will be very short.
01:23:10Call you back soon.
01:23:12Wait a minute.
01:23:13What are you doing?
01:23:13You heard what I said just now.
01:23:14I meant it.
01:23:15I'd sooner see you dead than let you do this.
01:23:16You realize it might be the end of our forces, isn't he?
01:23:18What difference does that make me?
01:23:19His life against a life of thousands.
01:23:21What do I care about them?
01:23:22What do I care about him?
01:23:23He's a disaster.
01:23:24We don't get to have this on our conscience.
01:23:25Listen.
01:23:26What do I care about them?
01:23:27What do I know?
01:23:29What do I care about you?
01:23:31What do I care about you?
01:23:44Hooray!
01:23:46All right!
01:23:48Let's go.
01:24:18Let's go.
01:24:48Let's go.
01:25:18Let's go.
01:25:48Let's go.