Step into the golden age of British cinema with Up in the World (1956) – a light-hearted, charming comedy that showcases the inimitable talents of Norman Wisdom, one of the UK's most beloved comic actors. Directed by John Paddy Carstairs, this film stands out as a whimsical blend of slapstick humor, social satire, and heartfelt emotion. 🏰🎩😂
Released by the Rank Organisation, this film marked another successful collaboration between Wisdom and director Carstairs, following their earlier hits. Set against the backdrop of an English country estate, Up in the World offers a humorous look at class divides, youthful rebellion, and accidental heroism — all seasoned with the kind of physical comedy that made Wisdom a household name. 🎭✨
Norman (Norman Wisdom) is a humble window cleaner who lands a job at a prestigious country estate owned by the wealthy and spoiled Sir Reginald (played by Jeremy Lloyd). His duties seem simple at first — clean the windows and stay out of trouble. But trouble finds Norman wherever he goes.
The young master of the house, Reggie, is a bratty aristocrat attending a local boarding school and enjoys making life difficult for everyone around him. After several comical mishaps involving falling ladders, soapy water, and mistaken identities, Norman is wrongfully accused of kidnapping Reggie when the boy runs away to escape a dull school life.
In true Norman Wisdom fashion, he goes on the run to clear his name, leading to a series of laugh-out-loud escapades that involve disguises, bumbling police officers, and heartfelt interactions that reveal Norman’s genuine nature. 🤡🚓🏃
Amid all the chaos, Norman ends up inspiring the schoolboys with his sincerity and rebellious spirit. The movie climaxes in a delightful and hilarious showdown that reinforces the underdog theme so central to Wisdom’s characters. 🎉📚
Released by the Rank Organisation, this film marked another successful collaboration between Wisdom and director Carstairs, following their earlier hits. Set against the backdrop of an English country estate, Up in the World offers a humorous look at class divides, youthful rebellion, and accidental heroism — all seasoned with the kind of physical comedy that made Wisdom a household name. 🎭✨
Norman (Norman Wisdom) is a humble window cleaner who lands a job at a prestigious country estate owned by the wealthy and spoiled Sir Reginald (played by Jeremy Lloyd). His duties seem simple at first — clean the windows and stay out of trouble. But trouble finds Norman wherever he goes.
The young master of the house, Reggie, is a bratty aristocrat attending a local boarding school and enjoys making life difficult for everyone around him. After several comical mishaps involving falling ladders, soapy water, and mistaken identities, Norman is wrongfully accused of kidnapping Reggie when the boy runs away to escape a dull school life.
In true Norman Wisdom fashion, he goes on the run to clear his name, leading to a series of laugh-out-loud escapades that involve disguises, bumbling police officers, and heartfelt interactions that reveal Norman’s genuine nature. 🤡🚓🏃
Amid all the chaos, Norman ends up inspiring the schoolboys with his sincerity and rebellious spirit. The movie climaxes in a delightful and hilarious showdown that reinforces the underdog theme so central to Wisdom’s characters. 🎉📚
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Short filmTranscript
00:00:00I'm a feeling of being so up in the world
00:00:27When I'm walking out with you
00:00:31Up in the world is the feeling I get
00:00:35Even talking about you
00:00:38I pray I've made a good impression
00:00:42You're my obsession forever
00:00:49Let our hearts take flight together
00:00:53Up in the world
00:00:57Up in the world
00:01:27Up in the world
00:01:57Let's go!
00:02:27What? Push it.
00:02:36Well? I've been in touch with Harper. The winter cleaner at Banderville Park's had an accident, as arranged.
00:02:42Good. Mick says Lady Banderville will cough up 50,000. Just like that.
00:02:47He'll cough up as much as we ask to get our precious little boy back.
00:02:50We ain't got him yet.
00:02:52It's in shell. I don't look at the place. Guarded like a ruddy prison.
00:02:55Impossible to get him without a pass.
00:02:57It's the new window cleaner we'll get.
00:02:59That job comes up at Tidmarsh Labour Exchange in the morning.
00:03:01Who's going after that? You up.
00:03:04I suppose that somebody beats me to it.
00:03:06Don't let someone beat you to it.
00:03:25Gulp!
00:03:31Gulp!
00:03:33Gulp!
00:03:34Gulp!
00:03:35Gulp!
00:03:38I'm having that job.
00:04:00Who says so?
00:04:01I did.
00:04:08Who wants a job anyway?
00:04:18What's this cue for?
00:04:27Nothing.
00:04:28Oh, yeah?
00:04:38I don't know.
00:05:08I don't know.
00:05:38Thanks for keeping my face warm.
00:05:39You can have yours back now.
00:05:40Oh, no.
00:05:43Who are you pushing and shoving?
00:05:45You all make me so wild.
00:05:48All right, come on.
00:05:49So you couldn't even get yourself employed as a window cleaner?
00:06:00I was double-crossed, Mick.
00:06:01But if ever I get my hands on that little...
00:06:03All right, all right.
00:06:04Forget it.
00:06:05What happens now?
00:06:06So another window cleaner meets with an accident at Vanderbilt Park.
00:06:22Come in.
00:06:28Morning.
00:06:29They sent me here.
00:06:30You've been sent here by the Labour Exchange?
00:06:32Yeah.
00:06:33Oh, a window cleaner for Vanderbilt Park, eh?
00:06:36Yeah.
00:06:36Last job?
00:06:38Um, what to do with windows?
00:06:40Yeah.
00:06:41Reason for leaving?
00:06:42Um, resigned.
00:06:45Yeah.
00:06:46Yeah, well, I handle security for Lady Vanderbilt.
00:06:51Every member of her staff has to be vetted by me.
00:06:53You see, Lady Vanderbilt has a sort of obsession
00:06:55that her son, the little Sir Reginald, is going to be kidnapped.
00:06:58Oh, well, I wouldn't do that.
00:07:00You wouldn't better try.
00:07:01The last one I did's still in prison.
00:07:02You've got a photograph of yourself.
00:07:05What for?
00:07:07For your pass, did you?
00:07:09You'll need one to get in and out of Vanderbilt Park.
00:07:11I haven't got one.
00:07:12Well, we'll leave that for the moment.
00:07:16What are you doing?
00:07:19I've got to take your fingerprints and put them on the pass.
00:07:23Oh, now do your four fingers.
00:07:26No, no.
00:07:28I mean the four fingers of each hand.
00:07:30No, no, no.
00:07:35No.
00:07:35Um, you don't understand, do you?
00:07:39Look, that's the forefinger.
00:07:41The index finger.
00:07:43Stick that on.
00:07:52Isn't it marvellous?
00:07:56Give me a hand.
00:08:00Put your finger on the pad.
00:08:09On the pad.
00:08:12That's right.
00:08:14Now press it on the card.
00:08:15Here.
00:08:22Well, that'll do very nicely.
00:08:26Very well.
00:08:26You may go.
00:08:29I'm sorry.
00:08:29I have...
00:08:51Ooh.
00:08:54Oh.
00:08:55Oh.
00:08:56Oh.
00:08:56Oh.
00:08:56Oh.
00:08:57Oh.
00:08:57Oh.
00:08:57Oh.
00:08:58Oh.
00:08:58Oh.
00:08:59I don't know.
00:09:29Off with you, before I hot you up with a couple of barrels of this.
00:09:52What happened?
00:09:53That, sir.
00:09:55And what is that?
00:09:59I'm Norman, the new window cleaner.
00:10:02You should have been here at nine o'clock this morning.
00:10:04Why?
00:10:05What happened?
00:10:07Where's your pass?
00:10:10I'm not getting caught with that again.
00:10:18Admit him.
00:10:20Jump to it.
00:10:20All right, men.
00:10:23Dismissed.
00:10:26Report to my office.
00:10:27Fourth with.
00:10:30Who's that on the horse?
00:10:31That's Major Willoughby, the estate manager.
00:10:33Oh.
00:10:34Where's his office, then?
00:10:35Along the drive.
00:10:36Oh, very far.
00:10:38About three miles.
00:10:40What time's the next pass, then?
00:10:42Good lady.
00:11:03Ah, good afternoon, Ginny.
00:11:10Good afternoon, Tom.
00:11:12Wasn't that your ladyship?
00:11:13Aye, it was.
00:11:14Och, I know you well enough, Benio.
00:11:17Bye.
00:11:22Who's that dreadful looking man, Simes?
00:11:24Don't know, my lady.
00:11:27Drive on fast.
00:11:28Hey, what about a lift?
00:11:49Did it hurt?
00:11:50Did it hurt?
00:11:51Did it hurt?
00:11:52Can't catch me?
00:11:53I'll give you pretty dirt.
00:11:55I'll give you...
00:12:00I'll give you...
00:12:00Oh, I'll give you...
00:12:02Oh, I can't.
00:12:07Help!
00:12:08Help!
00:12:09Fine, now let me down.
00:12:10Help!
00:12:12Hey, what is...
00:12:13Oh, you.
00:12:13Now let me down.
00:12:14Now go on.
00:12:15Let me down.
00:12:16You look better upside down.
00:12:18Oh, good news.
00:12:19Don't go away.
00:12:22Oh, no.
00:12:25Let me down!
00:12:27Hey! Hey, anybody about?
00:12:29Hey! Help!
00:12:31Help!
00:12:33Hey! Hey!
00:12:35Ow!
00:12:37Oh, hello.
00:12:39Good afternoon, miss.
00:12:41Whatever are you doing?
00:12:43Oh, I'm just hanging around.
00:12:45Oh, admiring the view.
00:12:47Well, yeah, it swept me off my feet.
00:12:49Well, I won't disturb you.
00:12:51Oh, no, don't go, no, because I'm stuck up here and I can't get down.
00:12:53Who are you? I'm Norman, the new window cleaner.
00:12:55Oh, yes. Well,
00:12:57better see what I can do.
00:12:59Yeah, well, if you could give me a bit of a push-up, you know,
00:13:01I could, you know, I could get my feet loose at the...
00:13:03Ah!
00:13:07Oh, are you all right? Oh, yes, thank you.
00:13:09Oh, thank you.
00:13:11Oh. Oh.
00:13:13Oh, you better get my hands on that little devil.
00:13:15Oh, I suppose you know who that little devil is.
00:13:17Well, who? It's Sir Reginald.
00:13:19Sir, he's Sir Reg? Yes.
00:13:21Well, he ought to be kidnapped.
00:13:23Oh, he's not so bad, really.
00:13:25I hope Harold's all right.
00:13:26Harold?
00:13:27Yeah.
00:13:28Oh, whatever's that?
00:13:29Oh, darn, he won't hurt you. Don't be frightened.
00:13:31He's Harold, my hamster.
00:13:33He's a darling.
00:13:34He's nice, isn't he?
00:13:35He's my mate.
00:13:37He's taken quite a fancy to you.
00:13:41Well, well, I think we'd better get up to the house.
00:13:47Well, I'd better leave you here.
00:13:49Well, you've been very kind. Thank you.
00:13:51Hope I can see you again.
00:13:52Well, most likely. I'm on the staff, too.
00:13:54Oh, what's your name?
00:13:55Jeannie.
00:13:56Well, you'd better hurry, because the Major doesn't.
00:13:57I've been kept waiting.
00:13:58Oh, I'm not afraid of the Major.
00:14:00Well, good luck with your windows. Give them a good spit and polish.
00:14:08Oh, I'm going to need an awful lot of spit, aren't I?
00:14:12Bye.
00:14:13Bye.
00:14:16Come in.
00:14:21Oh, I've got it.
00:14:23Sir!
00:14:25Ha! Just call me Norman.
00:14:26Stand to attention when you address me.
00:14:28Thumbs in line with the seam of the trousers.
00:14:40Attention!
00:14:42That's better.
00:14:46Now, you may or may not be aware that Lady Bandeville has a son.
00:14:49I'm aware of it, all right.
00:14:50A fine boy.
00:14:51The apple of his mother's eye.
00:14:53And remember this.
00:14:55Sir Reginald is always right.
00:14:57What, even if he shows me in the...
00:14:58Sir Reginald is always right.
00:15:03Now, with regard to your duties,
00:15:04the ladder house and the equipment therein from now on is entirely your responsibility.
00:15:08Ladders must at all times be kept locked away.
00:15:11Not only with a view of keeping intruders out,
00:15:13but also with a view of keeping Sir Reginald in.
00:15:15Follow my example and Sir Reginald will respect you.
00:15:20Just as he respects me.
00:15:23Now, do you want the key to the ladder house?
00:15:29Sir Reginald is always right.
00:15:30Right!
00:15:34Across the lawn, keep it to the path.
00:15:35The ladder house is in front of the trees.
00:15:36Right!
00:15:37You can be locked back.
00:15:38hello ah yes milady
00:16:07sir reginald has decided to make next saturday banderville's first football match of the season
00:16:12yes your ladyship i think that is a splendid idea
00:16:15hey
00:16:15hey mater
00:16:18hey
00:16:19will you excuse me just a moment your ladyship
00:16:22thank you
00:16:23hey
00:16:25what is it
00:16:28look there's a hole in this bucket and i should need a new leather look this has got a great hole in it
00:16:32and all
00:16:32yes yes we'll attend to all that in the morning
00:16:34here now and another thing will you stop shouting and go away
00:16:40and keep off the grass
00:16:46yes your ladyship
00:16:57yes your ladyship
00:17:00oh yes indeed
00:17:02will you just forgive me once more your ladyship
00:17:09thank you so much
00:17:11hey what about the water where's the tap
00:17:19it's at the back of the ladder house and stop shouting
00:17:22and keep off the grass
00:17:28hey hey major major major major quite a many day major
00:17:39ah
00:17:40yeah
00:17:45yes your ladyship
00:17:58yes your ladyship
00:18:00will you excuse me just once again your ladyship
00:18:06will you excuse me just once again your ladyship
00:18:13what now what i'll have my cap up there tuck it down will you
00:18:18your cap
00:18:19hey what time in the morning
00:18:30i've already told you 7 30 sharp
00:18:32oh hey what gets to say at about seven eight
00:18:38and keep off the good
00:18:44hey where are you off to
00:18:57oh just going to staff hall sir
00:18:59well you're going the wrong way
00:19:00well i was told first right first left
00:19:02no first left first right
00:19:04oh round there
00:19:05oh oh thank you sir
00:19:07don't mention it
00:19:08oh morris
00:19:12lady banderville not playing bridges this afternoon
00:19:14oh yes rather kerner
00:19:16but she's just a teeny weeny a bit late
00:19:17so i'm holding court myself until she comes down
00:19:20hello
00:19:20i was looking forward to a game
00:19:26ah my dear kerner
00:19:27very good player you are
00:19:28very nice of you to say so dear boy
00:19:30yes sir
00:19:30hello
00:19:30oh good afternoon
00:19:32afternoon
00:19:32uh you are uh
00:19:33norman
00:19:34oh yes of course how do you do
00:19:35how do you do
00:19:36only because i've been told to make myself a don't see
00:19:39oh do my dear boy mingle
00:19:40mingle
00:19:42that's what i'll do
00:19:43mingle
00:19:44see you later then
00:19:46and of course you
00:19:47oh what do you do
00:19:48good deal
00:19:48right let's get started eh
00:19:52i'm norman
00:19:53good afternoon
00:19:54afternoon
00:19:54long when i like it here
00:19:56look at all this lot
00:19:56it is nice isn't it
00:19:58but it always is here
00:19:59yeah
00:19:59don't you have none
00:20:00oh i can't wait
00:20:01here i'll get this down
00:20:03don't you think we should work
00:20:05oh come on it's nearly half past four
00:20:06go on you have one
00:20:07have another one each
00:20:08go on
00:20:08here are
00:20:09oh jam roll
00:20:14sorry
00:20:15bit of a scramble isn't it
00:20:16what's up aren't you hungry
00:20:17well i've had no dinner yet
00:20:19now i don't care if i go off bank
00:20:28here you hand these round
00:20:34of course that's your job isn't it
00:20:36i'll bet you
00:20:36i'll bet you
00:20:37and you're dressed up to kill
00:20:39it's your afternoon off
00:20:40now don't tell me i'll tell you
00:20:42you're cookie
00:20:42cookie i've never been called cookie in my life
00:20:45i can tell i can tell i can guess a lot of you
00:20:48good old owen
00:20:49owen
00:20:50owen
00:20:50you'll get used to me
00:20:53rather odd behaviour don't you think
00:20:56very lack of breeding i should say
00:20:58so we meet the game
00:21:00have a cake
00:21:01oh thank you
00:21:02you get your own
00:21:03here this is favourite i tell you once the rush starts these are going to go like hot cakes
00:21:07oh how very kind
00:21:11he's livening up a bit in here doesn't he
00:21:12play the piano
00:21:13it's a matter of fact i do a little
00:21:15you don't
00:21:16yes i do
00:21:17well why didn't you say so
00:21:19here hold this
00:21:20now listen everyone
00:21:21listen
00:21:21listen
00:21:22oi
00:21:23what's your first name
00:21:25uh morris
00:21:26yeah
00:21:26well old morris is going to play the piano for us
00:21:29well if you insist
00:21:30well of course we insist don't we
00:21:32come on give him a big hand
00:21:33look he's got the wind up
00:21:34come on
00:21:35oh you're going now
00:21:37go on then
00:21:38that's it
00:21:40shh
00:21:41no no no no
00:21:50what is
00:21:51beat it up
00:21:53whisk it
00:21:54give it the old in the groom stuff
00:21:55go on then
00:21:58go on
00:21:59go on
00:22:00hit it
00:22:01damn way
00:22:02come on everybody
00:22:03friendly for yourselves
00:22:04hey
00:22:09who's is this lot
00:22:11those are my nephews
00:22:12oh well keep going
00:22:14go on get at it faster
00:22:16go on get at it
00:22:17go on get moving on the rhythm
00:22:20go on get me
00:22:21rock and roll
00:22:21rock and roll
00:22:22run
00:22:23run
00:22:23run
00:22:25run
00:22:26run
00:22:27run
00:22:28go on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on get moving on
00:22:58Mammy!
00:23:26Mammy!
00:23:27Are you really, on intimate terms, a Lady Bandeville?
00:23:32She's my mistress.
00:23:36Oh, please.
00:23:37Oh, my dear, Lady Bandeville.
00:23:39Oh, my dear, what can I do?
00:23:40Oh, sure, she doesn't faint.
00:23:42Get her glass of water.
00:23:44Quick, the tolly.
00:23:46The devil.
00:23:48Jeanie, stop.
00:23:50Yes, sir.
00:23:57Do you mind?
00:24:02Sorry?
00:24:03I'm Norman.
00:24:04We've met.
00:24:05Where?
00:24:06When?
00:24:07I saw your guest appearance at Lady Bandeville's tea party.
00:24:11Yeah, I can't do this.
00:24:12I'm Norman.
00:24:13New window cleaner.
00:24:14Good.
00:24:15I've got a job for you.
00:24:16Yeah, but I don't want...
00:24:17Come and sit down.
00:24:18You'll have to sit a bit nearer if you're going to hold it for me.
00:24:19Do you think you're gonna like it here?
00:24:20Do you think you're gonna like it, Hugh?
00:24:21No, sir.
00:24:22I'm the one here?
00:24:23I'm the owner.
00:24:24I know you were going to be in the room.
00:24:25I'll be here.
00:24:26Come and look.
00:24:27I'll be here.
00:24:28I can look.
00:24:29There.
00:24:30I'll be here.
00:24:31I'll be here.
00:24:32I'll be here.
00:24:33I'll be here.
00:24:34Hello?
00:24:35Come and sit down.
00:24:41You'll have to sit a bit nearer if you're going to hold it for me.
00:24:47Do you think you're going to like it here?
00:24:49It's not very friendly, is it?
00:24:51We'll have to change that, won't we?
00:24:53Yeah.
00:24:57Oh, answer it, can you?
00:25:01Hello?
00:25:03Mr. Alper.
00:25:05Mr. Alper wanted.
00:25:07Yes, that's me.
00:25:08You want it on the phone.
00:25:09I can see that, idiot.
00:25:11Thanks.
00:25:12Sorry.
00:25:13Sorry.
00:25:31Oh, no, listen, wait a minute. Don't be ridiculous.
00:25:34I wanted to do it.
00:25:36Now, woman, now, keep calm.
00:25:38Let's get it off our feet.
00:25:43Do not my wall.
00:25:44Let me get it put out.
00:25:45Let me get it put out.
00:25:46Let me get it put out.
00:25:47Let me get it put out.
00:26:01There won't be a minute.
00:26:04Now, look what you've done.
00:26:10Oh, go on, it's your call.
00:26:21Sorry.
00:26:22You could use it for mending socks.
00:26:24Oh, Norman.
00:26:26Betty?
00:26:28Yes, Betty?
00:26:29Thank you for helping me.
00:26:30Oh, sorry to keep you waiting, boss, but I was tied up.
00:26:34Max lipped up over getting the window cleaning job.
00:26:37It's up to you to see that the situation becomes vacant again.
00:26:42It'll be a pleasure, boss.
00:26:44Don't worry.
00:26:45It's as good as done.
00:26:53Good morning.
00:26:54Good morning.
00:26:55Morning, Sir Reginald.
00:27:03To the right.
00:27:04Back a bit.
00:27:08Forward.
00:27:10Back.
00:27:11Back.
00:27:12Now, straight back.
00:27:14Keep going.
00:27:15That's it.
00:27:30Where has that boy got to?
00:27:31He needs a downside more discipline.
00:27:32Should be sent away to school.
00:27:33How about Eden next half?
00:27:34Amongst all those awful ruffians.
00:27:35Oh, no.
00:27:36Make a man of him.
00:27:37He's far too sensitive.
00:27:39He needs a mother's guiding hand.
00:27:41He needs an uncle's guided foot.
00:27:43Trouble is, the wrong uncle's got hold of him.
00:27:45Morris is a very good tutor.
00:27:47Oh.
00:27:48Thank you, Sybil.
00:27:50Morning, uncles.
00:27:52And about time, too.
00:27:54Out of business.
00:27:56May I take the minutes of the last meeting as read and approved?
00:27:57Those in favour?
00:27:59Those in favour, Morris?
00:28:01Oh, yes, of course.
00:28:03Very well.
00:28:04Now we come to the financial statement of the past year.
00:28:06The assets of the trust amount to £17,008,427.
00:28:12You can put your hand down now, Sybil.
00:28:15This represents an increase over the last 12 months of £4,500,000.
00:28:19It's nice to know that the dear boy will be fairly comfortably off.
00:28:23Any further comments?
00:28:29That's all very well, Morris.
00:28:31I am sick and tired of all this nonsense.
00:28:33Reginald is hopelessly spoiled and is going to be the ruin of him.
00:28:37Protecting him is one thing, Sybil, but you're turning him into a perfect fool.
00:28:41You're dreadfully hard and unkind, Fletcher.
00:28:43Now you're talking rubbish.
00:28:44If you had any sense at all, you'd know it for yourself.
00:28:48Oh, but rarely he seems to be getting on so nicely.
00:28:51That's all very well, Morris.
00:28:52But as I've already said to Sybil, I maintain the sooner Reginald...
00:28:55What's that horrible looking man again?
00:28:57Oh, don't be ridiculous, Sybil.
00:28:58But he looks like a kidnapper trying to break in.
00:29:00Everyone looks like a kidnapper to you.
00:29:01It's the new window cleaner, m'lady.
00:29:07For heaven's sake, Morris, tell him to go away.
00:29:09Now, as I was trying to say...
00:29:10Don't laugh at me!
00:29:14Oh, I'm a fool!
00:29:16Oh, I'm sorry, sir.
00:29:18Oh, I'm sorry, sir.
00:29:19Well, I didn't know you were coming out.
00:29:20No, I'm sorry.
00:29:21No, but it isn't my fault.
00:29:22Well, thanks, Joe.
00:29:23Let me one now.
00:29:24No, you're down.
00:29:25I didn't do it on purpose.
00:29:26Get him alone.
00:29:27Nobody's all right now.
00:29:28Shh!
00:29:29Do you mind, please?
00:29:30Just look at my soup.
00:29:32Oh, look, I'll soon dry you down.
00:29:34Oh, this will you, please?
00:29:35And go away.
00:29:38Outside.
00:29:39Outside.
00:29:40Back to your work.
00:30:02Monstrous little man.
00:30:04I'm a potential criminal.
00:30:05You're an amiable half-witch.
00:30:06Go away!
00:30:08He can't!
00:30:09Why not?
00:30:10Wrong window.
00:30:11No ladder.
00:30:13Good heaven!
00:30:18Pull me up!
00:30:19Pull me up!
00:30:20Pull me up!
00:30:21I'll pull you up!
00:30:22Don't worry!
00:30:23I need some help here.
00:30:24He's sleeping!
00:30:25Keep out of the draught, darling.
00:30:27Stop trying!
00:30:28We'll pull out of him!
00:30:29Morris!
00:30:30Come and take those of you!
00:30:32Pull!
00:30:33Letcher!
00:30:34For heaven's sake!
00:30:35Pull!
00:30:36No!
00:30:37No!
00:30:38No!
00:30:39Pull me up!
00:30:40Pull me up!
00:30:41Send for the fire brigade!
00:30:42Go on!
00:30:43That's funny!
00:30:44The ladder!
00:30:45The net!
00:30:46Anything would save me!
00:30:48Hold on!
00:30:49Hold on!
00:30:50Pull me up!
00:30:51Letcher!
00:30:52For heaven's sake!
00:30:53Pull!
00:30:54I am pulling!
00:30:55Help!
00:30:56Help!
00:30:57You stay where you are!
00:30:58No!
00:30:59I am coming!
00:31:00Go on!
00:31:01Stay then!
00:31:02Ha!
00:31:03Ha!
00:31:04Ha!
00:31:05Ha!
00:31:06Ha!
00:31:07Ha!
00:31:08Hold on!
00:31:09You can't!
00:31:10Go back!
00:31:12Oh!
00:31:13Come on!
00:31:14Eve!
00:31:15That's it!
00:31:16Go on, Eve!
00:31:17Come on!
00:31:18Eve!
00:31:19That's it!
00:31:20Oh!
00:31:21Oh!
00:31:22More!
00:31:23This will all be out of work.
00:31:25Oh, come on, young fella.
00:31:27May I have to seek help?
00:31:29Get back.
00:31:30Get back.
00:31:31Get back.
00:31:32Ah!
00:31:33Ah!
00:31:38Ah!
00:31:40You!
00:31:41Oh!
00:31:45Report to my office at once.
00:31:47Back at once.
00:31:50Oi, Major!
00:31:52It came off the grass.
00:32:10Too big for me.
00:32:13Oh, no, you don't, Sybil.
00:32:15We might as well close the session.
00:32:17The best one we've ever had.
00:32:19Norman.
00:32:21Hello.
00:32:25Jeanie.
00:32:26How are you getting on?
00:32:27Well, I think I made an impression.
00:32:29Oh, good.
00:32:30I'll see you later, then.
00:32:31Norman.
00:32:32Yes, Jeanie.
00:32:33Would you like to come down to the fair in the village this evening?
00:32:35What, you mean, with you?
00:32:36Mm-hmm.
00:32:37Oh, yes, please.
00:32:38At six, then.
00:32:39Fine.
00:32:40Norman.
00:32:41Yes, Jeanie?
00:32:42Oh, you don't have to worry about me.
00:32:43I'm as safe as houses on ladders.
00:32:44Bye.
00:32:45Bye.
00:32:46Bye.
00:32:47You wanted to see me, sir?
00:32:48See you?
00:32:49You're fired!
00:32:50Get out!
00:32:51Get out!
00:32:52Get out!
00:32:53Get out!
00:32:54Get out!
00:32:55Get out!
00:32:56Oh, I'm as safe as houses on ladders.
00:32:57Oh, I'm as safe as houses on ladders.
00:32:58Bye.
00:32:59Bye.
00:33:00Oh!
00:33:01Oh!
00:33:02Oh!
00:33:03Oh!
00:33:04Oh!
00:33:05Oh!
00:33:06Oh!
00:33:07You wanted to see me, sir?
00:33:08See you?
00:33:10You're fired!
00:33:11Get out!
00:33:12Get out!
00:33:13Get out!
00:33:14Get out!
00:33:24Here you are, Harold.
00:33:25What do you think of this?
00:33:26Dear Jeanie,
00:33:28this is to say goodbye.
00:33:30I dropped in to see the Major,
00:33:32and he gave me the sack.
00:33:34Ever so sorry about not seeing you this evening.
00:33:37Don't suppose we'll ever meet again.
00:33:40Yours truly,
00:33:42Norman.
00:33:43Yes,
00:33:44I
00:33:46think
00:33:47you
00:33:48are
00:33:52wonderful.
00:34:07Keep the ladder, house.
00:34:09Ah, yes.
00:34:10Two weeks' wages in lieu of notice.
00:34:12That's what I want.
00:34:13Less PAYE,
00:34:14national insurance,
00:34:15and deductions for breakages.
00:34:16Breakages?
00:34:17Breakages.
00:34:18Well, let's have it then.
00:34:20Leaving,
00:34:21one and fourpence.
00:34:23Oh, nice.
00:34:25I've got a letter here from Miss Jeanie Andrews.
00:34:27See that she gets it, will you please?
00:34:28And you can keep the boat to yourself.
00:34:30Come on, Harold.
00:34:31Let's get out of here,
00:34:32before we get searched.
00:34:33Oh!
00:34:34Ha, ha, ha, ha, ha, ha, ha, ha, ha.
00:34:36Hi!
00:34:37Norman!
00:34:38Where are you off to?
00:34:39Well, you ought to know.
00:34:40Get him in the sack like that.
00:34:41The sack?
00:34:42What do you mean?
00:34:43Soaring through my ladder.
00:34:44But I didn't really, I didn't.
00:34:45Hmph.
00:34:46The last one you sent was quite useless.
00:34:47Oh, excuse me.
00:34:48So, Reginald?
00:34:49Yes.
00:34:50Yes.
00:34:51No.
00:34:52No.
00:34:53No.
00:34:54No.
00:34:55No.
00:34:56No.
00:34:57No.
00:34:58No.
00:34:59No.
00:35:00No.
00:35:01No.
00:35:02No.
00:35:03No.
00:35:04No.
00:35:05No.
00:35:06No.
00:35:07No.
00:35:08No.
00:35:09No.
00:35:10No.
00:35:11No.
00:35:12No.
00:35:13Sir, Reginald?
00:35:14You sacked Norman.
00:35:15That is correct.
00:35:16I had occasion to do so.
00:35:17Well, I'm giving you the occasion to take him on again.
00:35:20Yes, Sir, Reginald.
00:35:30Hey, you.
00:35:31Report back to my office forthwith.
00:35:32Yeah, well, can't you tell me now?
00:35:34I ain't gonna walk all that way back.
00:35:35It's all right for you.
00:35:36You've got all.
00:35:37Hey!
00:35:38Oh, blah, blah.
00:35:40My goodness me, the fates have been kind.
00:35:42Do you really mean I haven't got the sack?
00:35:44Yes.
00:35:45Yes.
00:35:46Yes.
00:35:47Precisely.
00:35:48God, I can't believe it.
00:35:49Against my better judgment, I've decided to give you one more chance.
00:35:51Oh, good.
00:35:52Hey, what about the letter, though, and the gold?
00:35:54The shilling you can have back, but the letter has already reached the young person.
00:35:59Oh.
00:36:04I'll get the key to the ladder house.
00:36:07Thank you, Major.
00:36:08And off we go again.
00:36:09And off we go again.
00:36:22Genie!
00:36:23Norman!
00:36:24Oh, I thought you got the sack.
00:36:26Oh, I've been taken on again.
00:36:28Oh, I am glad.
00:36:29Really?
00:36:30Mmm.
00:36:31Come here.
00:36:37Thank you for your letter.
00:36:39Oh, well, I wouldn't have written it if I'd known.
00:36:42Silly, wasn't it?
00:36:43Well, I thought he was rather nice.
00:36:46What about that bit at the end? I mean, right at the end.
00:36:49Well, I thought that was rather nice, too.
00:36:51Well, I mean, I wouldn't have said it, you know, if I...
00:36:54Well, I know what you mean.
00:37:00I used to be scared of affection, but now I'm not.
00:37:25I used to go cold at its mention,
00:37:28But now I go hot.
00:37:35I used to run a mile
00:37:38If a girl even began to smile.
00:37:45But I'm not afraid any longer.
00:37:52One smile from you
00:37:55And my love grows stronger
00:38:02I've a feeling of being so up in the world
00:38:08When I'm walking out with you
00:38:14Up in the world is the feeling I get
00:38:18Even talking about you
00:38:23I confess that I tremble
00:38:27At your touch, my dear
00:38:31It's cause you're here so near
00:38:38If you'd say yes
00:38:40Then my eager lips would press one kiss
00:38:46That means so much to me
00:38:53My plea is to be tied to the strings of your heart
00:39:03Make me feel that I'm someone really new
00:39:08Don't cut me loose
00:39:11Don't cut me loose
00:39:12Or my life falls apart
00:39:14And I'm no one without you
00:39:18I pray I've made a good impression
00:39:24You're my obsession
00:39:28Forever
00:39:32Let our hearts take flight together
00:39:37Up in the world
00:39:46Come on! Come on!
00:39:48Come on!
00:39:50Come on!
00:39:52Come on!
00:39:54Hey!
00:39:56Hey!
00:39:58Hey!
00:40:00Hey, come on!
00:40:02Hey, get him moving!
00:40:04Hear you.
00:40:06Hey.
00:40:08Yeah?
00:40:14You say, sir, to me.
00:40:16They've all got titles here, haven't they?
00:40:18You'll be needed to play in the first football match of the season this afternoon.
00:40:22Good!
00:40:23Sir Reginald captains the outdoor staff, and they always win. You understand?
00:40:28Always?
00:40:30Oh, well, I should do my best.
00:40:32Are you any good?
00:40:34Nah, not really, nah.
00:40:36Oh, fine. Well, you'd better play for the indoor staff against Sir Reginald, who always wins.
00:40:57Carry on, Major. May the better side win.
00:41:01Oh, skip it. We were going to play this way anyway.
00:41:04Very good, Sir Reginald.
00:41:06That dangerous little man is playing.
00:41:13Of course, you've got the spare ball in there, ain't ya?
00:41:18Good luck, Norman.
00:41:24Come here.
00:41:26Now, listen. I insist on scoring. All right?
00:41:29Well done, Reginald. Shoot.
00:41:37Well done, Reginald. Shoot.
00:41:48That's it. Come on.
00:41:50Come on.
00:41:51Come on.
00:41:54Well played.
00:42:03It's a go. We scored. Offside.
00:42:05Offside.
00:42:07Offside.
00:42:08Free kick. Offside.
00:42:10Free kick. Offside.
00:42:12What are you talking about offside? I brought it right through myself.
00:42:15Free kick.
00:42:17Ah, get out of it.
00:42:19You were offside.
00:42:20Offside.
00:42:21Have you gone raving mad?
00:42:22Have you gone raving mad?
00:42:23Have you gone raving mad?
00:42:24Let's get on with the game.
00:42:25Yes, indeed, m'lady.
00:42:26Yes, indeed, m'lady.
00:42:27Yes, indeed, m'lady.
00:42:29Her lady, she won't, please.
00:42:30She won't, indeed.
00:42:32Pass the ball to Sir Reginald.
00:42:35Oh, Reginald. Reginald.
00:42:36It's awfully good, you know, Reginald.
00:42:40Let Sir Reginald have it, my boy.
00:42:42Pleasure.
00:42:44Hey!
00:42:46Oh, foul!
00:42:48Foul!
00:42:50I meant the ball.
00:42:52Foul, free kick.
00:42:56Oh!
00:42:58All right.
00:43:02Hello.
00:43:03But put him in, girls.
00:43:05He's not big enough.
00:43:06Not Sir Reginald, you.
00:43:07Hold on.
00:43:08Get the jersey on.
00:43:10Up the double.
00:43:14Go on, show them, Norman.
00:43:15Show them, Norman.
00:43:16Come on.
00:43:20Well done, Norman.
00:43:21You're doing fine.
00:43:22Oh, thank you, Jeannie.
00:43:28Here,
00:43:30you are.
00:43:31Here, we go.
00:43:32I can't see you.
00:43:33Here, you are.
00:43:34Here.
00:43:36We'll go.
00:43:37We'll come.
00:43:38Oh, my God.
00:44:08Are you sort of you on?
00:44:24Ah, well saved, Littler.
00:44:31Oh, well done, Norman.
00:44:38Oh, well done, Norman.
00:44:43Go!
00:44:48Jamie, I've scored!
00:44:55We'll show him.
00:44:56Get back to your goal instantly.
00:45:00Hmm, game, little fellow.
00:45:08There, bullies.
00:45:25Reggie, my darling, you great hulking brute.
00:45:29Reggie, come on, come on.
00:45:32Stop the game.
00:45:33Oh, nonsense.
00:45:34No, I'll play on.
00:45:36Oh, he's so brave.
00:45:38I'm sorry, my lady.
00:45:41How dare you!
00:45:43Come on, Cypher.
00:45:45Reggie.
00:45:49Oh, well saved, Norman.
00:45:52He moved.
00:45:53What do you expect me to do?
00:45:54Stand still and save me.
00:45:55You moved.
00:45:56Fuck.
00:45:57No, this is too much.
00:45:59Oh, my dear Cypher.
00:46:00Oh, my dear Cypher.
00:46:02Get back.
00:46:06Hey, now!
00:46:07Now!
00:46:08Play the game!
00:46:10Ah, that is marvellous.
00:46:27Reggie!
00:46:29Oh!
00:46:32Oh, darling!
00:46:36Where's your banjo?
00:46:38All right, let me help.
00:46:40There we are.
00:46:41There we are.
00:46:43There we are.
00:46:45I'm delighted to give that little blighter a dose of his own medicine.
00:46:48You'd better go to bed for the rest of the day.
00:46:49Come on!
00:46:50Come on!
00:46:51Come on!
00:46:52BIRDS CHIRP
00:47:22BIRDS CHIRP
00:47:26You nearly cupped it then?
00:47:28Yes.
00:47:28Hello, Jeannie.
00:47:29I didn't think you'd be working today.
00:47:31Oh, well, I feel fine.
00:47:33Oh!
00:47:33Oh, dear, does it hurt?
00:47:36No, it'll be all right.
00:47:37Norm?
00:47:38Hmm?
00:47:39There's a dance-on in the village tonight.
00:47:42Yeah?
00:47:42Mm-hmm.
00:47:43Oh, well, um, could I take you to it, then?
00:47:47Oh, that's what I was hoping.
00:47:49Yes.
00:47:50Oh, uh...
00:47:52Well, I'll meet you on the terrace.
00:47:56About half past six, eh?
00:48:06Hi, Norman.
00:48:08Yes, Sir Reginald?
00:48:09Come up here.
00:48:14Oh!
00:48:15Morning, Sir Reginald.
00:48:22Come on in.
00:48:28Relax.
00:48:29Yes, Sir Reginald.
00:48:30Oh, skip the title.
00:48:31Come here.
00:48:31Show you a trick.
00:48:35See this empty box?
00:48:36Yeah.
00:48:38Say the magic words.
00:48:39Asgaz-goozlem.
00:48:42No, honestly.
00:48:45Asgaz-goozlem.
00:48:47Hey, presto!
00:48:50Hey, where'd you get all this?
00:48:51Saved it out of my pocket money.
00:48:53Big pocket?
00:48:54Not bad, though.
00:48:55Wish I could counter-light the great de Milo.
00:48:57He's on in London.
00:48:59Oh, yeah.
00:49:00The white cockatoo.
00:49:01Great de Milo.
00:49:03I've seen him before.
00:49:04You can have all this if you'll take me to see him.
00:49:07There's more?
00:49:08No, not me.
00:49:09Now, you'd better get somebody else.
00:49:10I'm going back to work.
00:49:12You might as well clean my windows whilst you're about it.
00:49:15The outside.
00:49:16Oh, well, I don't mind doing that.
00:49:20Watch you!
00:49:20Hey, what are you doing?
00:49:25What are you doing?
00:49:27Oh, let me in.
00:49:28Now, don't laugh about me.
00:49:29Swear to take me up to London.
00:49:31I certainly will not.
00:49:32Get out of it.
00:49:33Now, don't mess about.
00:49:34I can't.
00:49:35What are you doing?
00:49:37Oh, no.
00:49:38Are you going to take me?
00:49:40I certainly will not.
00:49:42We'll see about that.
00:49:45I will not.
00:49:46No, I'm not ticklish.
00:49:47I'm not.
00:49:48I'm not ticklish.
00:49:49It's that little fellow again.
00:50:18Yes, happy indeed at his work.
00:50:19I'll give in.
00:50:28I'll give it out.
00:50:29You give up, then, do you?
00:50:32Oh, yes.
00:50:33You're going to take me out to London.
00:50:34Oh, yes.
00:50:35Well, now, put a ladder up against this window at dusk tonight.
00:50:39Anything you say.
00:50:41No, no, not tonight, no, because I promise.
00:50:42Tonight?
00:50:43Tonight?
00:50:44Tonight?
00:50:45Tonight?
00:50:46Tonight?
00:50:47All right.
00:50:48All right.
00:50:49All right.
00:50:50All right.
00:50:51Good.
00:50:52Good.
00:50:52Oh, yes.
00:50:53Oh, yes.
00:51:02See you, Jeanie?
00:51:03Certainly not.
00:51:04Afternoon, Norman.
00:51:17No.
00:51:18Nice day, innit?
00:51:19Yeah.
00:51:20Switch on the TV, will you?
00:51:21Yeah.
00:51:22All right, then.
00:51:23What was that?
00:51:24Now you've done it.
00:51:25What?
00:51:26And what was that?
00:51:27The television, sir.
00:51:28I told him not to mess about with it.
00:51:29You've done it.
00:51:30Silence.
00:51:31I know a fellow who can fix it up right away for you, sir.
00:51:32Shall I telephone him?
00:51:33Yes, do that, Harper.
00:51:34I'll tell the gatekeeper to expect him.
00:51:35The cost of repairs will be deducted from your wages.
00:51:39The television, sir. I'll tell him not to mess about with it.
00:51:42You've...
00:51:43Silence!
00:51:44I know a fellow who can fix it up right away for you, sir.
00:51:46Shall I telephone him?
00:51:46Yes, do that, Harper.
00:51:47I'll tell the gatekeeper to expect him.
00:51:49The cost of repairs will be deducted from your wages.
00:52:01What is that?
00:52:03As a matter of fact, it's a pajama case for Reginald.
00:52:07It's rather pretty, don't you think?
00:52:11Where is he, Sybil?
00:52:12Gone to bed.
00:52:13Already?
00:52:14Yes, yawning his head off all the evening.
00:52:16Oh, dear. I do hope he's not sickening for anything.
00:52:19No, just sickening.
00:52:20Rally, Fletcher. You're not fair to the dear boy.
00:52:24Oh, such an impressive evening.
00:52:26I think I'll turn myself in.
00:52:29Must catch up on my beauty sleep.
00:52:31Yes, you need to.
00:52:32Rally, Fletcher. Good night.
00:52:34Good night.
00:52:35Good night, dear Sybil.
00:52:36Good night, dear.
00:52:37Tip-toe past Reggie's room.
00:52:38We don't want to disturb him.
00:52:40I will.
00:52:41Quiet as a mouse.
00:52:42Sweet mouse dreams.
00:52:47Who is it?
00:52:48Express TV repairs.
00:52:49How many of you in the van?
00:52:51Only me.
00:52:52All right, drop inside the gate.
00:52:53Okay.
00:52:55Get down, quickly.
00:52:56Right, carry on.
00:52:57Well, we're in.
00:52:58Right on the dot.
00:53:11Harper should be pinching that ladder now.
00:53:13I'll be taking our guns.
00:53:14We're connect for the camera to the otherÉ.
00:53:16Don't go to the window.
00:53:18Just hang out.
00:53:19llegó you through
00:53:20at the end of the waiting list.
00:53:21From the new
00:53:22coach I'll try to get the camera,
00:53:23over the meeting.
00:53:23Love me too now.
00:53:24對!
00:53:26BANG!
00:53:56Okay, Sir Reginald.
00:53:59Yes, just call me Reggie for tonight.
00:54:01Better make it slow, Reggie, eh?
00:54:02No, just Reggie.
00:54:03Okay, Reggie.
00:54:06Look out, there's a van coming.
00:54:08One minute bit of the letter.
00:54:09Shove it over there.
00:54:26Harper's done his job.
00:54:29There's the letter by the boys' room.
00:54:31Look, there's a light on up there.
00:54:36We shall have to wait a bit.
00:54:38Close the door.
00:54:50Are you trying to wake up the whole mansion?
00:54:52Don't you think we'd better take one of the others?
00:54:54No.
00:54:55I can drive this one all right.
00:54:57You drive?
00:54:58Yes.
00:54:59Besides, it would look funny if Mother went out in any other one.
00:55:01But Lady Banniver won't be in it.
00:55:03Oh, won't she?
00:55:18Ah.
00:55:19We'll give you in five minutes.
00:55:22Not bad.
00:55:25Think so?
00:55:26In you get, Mother.
00:55:28Well, come on, let's get a move on.
00:55:30Come on, let's get a move on.
00:55:31Come on.
00:55:32Come on, let's get a move on.
00:55:33Come on.
00:55:34Come on.
00:55:36Come on.
00:55:41Come on, let's get a move on from.
00:55:43Come on.
00:55:44Oh, ah!
00:55:48OK, Max.
00:55:49Okay, Max, it's in the bag.
00:56:09Are you asleep, my darling?
00:56:19Oh, Reggie!
00:56:25Chicken and jump!
00:56:27Reggie! Don't take a bite, Reggie!
00:56:38The lady!
00:56:41It worked!
00:56:42The lady!
00:56:44Help! Help! Where is everybody? Oh, Reggie!
00:56:47Oh, Reggie! So, Reginald, he's gone.
00:56:50What is it, my lady? Kidnapped.
00:56:51Well, do something. Don't just stand there and do something.
00:56:54Oh, Sybil, what is it?
00:56:56Kidnappers.
00:56:57What do you mean?
00:56:58Oh, they're taken, Reggie. My little boy. Oh!
00:57:01Oh, my lady.
00:57:02Remove the ball.
00:57:03Fletcher, Randy, quick. Make it two.
00:57:06Well, press on.
00:57:17Yes?
00:57:18No news yet, Lady Vanderbilt, but the arm of the law is reaching out.
00:57:21I always knew this would happen.
00:57:23But why did they take Morris too? Not that I mind, of course.
00:57:26Probably surprised them at their dirty work. No alternative.
00:57:29None of this would have happened, Sybil, if you'd sent the boy to eat. And what is it, Major?
00:57:32A member of the staff is missing. Norman, the window cleaner.
00:57:34The window...
00:57:35Oh, what did I tell you?
00:57:37Oh, an inside job, eh? That's the man, Inspector.
00:57:40Yes.
00:57:41A thug if ever I saw one.
00:57:43Oh, where will they have taken my poor little Reggie?
00:57:46Obviously, it is some quiet hideout.
00:57:49Talent. We say it's talent. Talent is what the public wants.
00:57:56We don't think that it's too bigger for a girl to show her vigor
00:58:01While the fellows' eyes get bigger all the time.
00:58:04They don't come to see our faces. They just come to find some traces
00:58:09Of the old familiar places down the line. And they find talent.
00:58:14What else but talent? Talent is what the public want.
00:58:20Ooh! Competition, we can fight it. We don't need Shakespeare to write it.
00:58:25We just do it as you like it every night.
00:58:29Though we may not be ambitious, men will grant us all our wishes
00:58:33For as long as we're delicious, they will fight. Act real good talent.
00:58:39We say it's talent. Talent. Talent is what the public wants.
00:58:44We wouldn't fool you. Talent is what the public wants.
00:58:52One more time.
00:58:57Ginger? There!
00:59:00It's okay, Mick.
00:59:01Nice work, boys.
00:59:02Good. There's been a radio alert. The boys have been missed already.
00:59:05The whole thing's been a piece of cake.
00:59:06Cake? He's gonna keep me a mink for a very long time.
00:59:09Okay. Let's take a look at him.
00:59:11with him. What the? Your bird brains. You got the wrong one. Wrong one? Does that look like a boy of 14? Well, perhaps she's prematurely aged. Cut out her wise cats. Well, couldn't we collect a ransom on him? More likely they're glad to be rid of it. That's the one you should have got. Someone else has got him. Someone's pulled a first one on us. Well, what's your
00:59:41we do with this? Oh, dump it. I got to think. Dump it? Where? Anywhere but dump it! Introducing the great de Milo, master of mystery. Good old Milo!
01:00:11Oh, I've never seen nothing like that in all my life. Not never. Yes, thank you, sir, but I hardly think it was as good as all that. And now, ladies and gentlemen, if I may be allowed. Now, well, we like to give credit where it's due, don't we? Yes. Ladies and gentlemen, if I may be allowed to continue without any further interruption, I would like to borrow a gentleman's watch. Will any gentleman kindly lend me their watch? Any gentleman? Hey, no, no, not mine, no. Oh, why not, Norman? No, but it's about the only decent thing I have got. Thank you.
01:00:34Hey, gentlemen. Hey, give me my watch back. Come on, what's up with you? Don't worry, little man. Ladies and gentlemen, I am going to take this gentleman's watch and I am going to wrap it in a very ordinary piece of paper.
01:00:48Now then, do you know what I'm going to do with your watch? No, sir. I'm going to place it on the table, sir. And I'm going to break it up into lots and lots of little pieces.
01:00:59There. Now, I suppose you think your watch is all smashed and broken.
01:01:10Oh, come now. Oh, get out of it. Go on, get out of it. You know very well it's all smashed up and broken. I saw you and everybody saw you.
01:01:17Put it on the table and you hit it as hard as you could. Well, that's just where you're wrong. See.
01:01:25There you are.
01:01:25Good. Now, I suppose you would like to know where your watch really is.
01:01:33Oh, yes, please, sir. Yes, sir.
01:01:38Follow me very closely.
01:01:40Now then, whose watch is this, eh? Whose is it?
01:01:44Norman's.
01:01:45Yes.
01:01:47No one got me once back. He's made it come back.
01:01:51Look, Reg.
01:01:51What a trick.
01:01:53Now, Norman, I'd like you to help me in another little trick.
01:01:56Oh, yes, sir. Yes, sir.
01:01:57Take a card.
01:01:59Any one?
01:02:00Any one.
01:02:01Oh, that one.
01:02:02Right. Look at it and keep it.
01:02:05Now, madam, will you take a card, please?
01:02:08Thank you, sir.
01:02:11Now, please, will you take a card?
01:02:13Now, madam, will you take a card, please?
01:02:16Thank you, sir.
01:02:16Now, ladies and gentlemen, I shall take this young man's watch and I shall wrap it up in this very ordinary piece of paper.
01:02:30Now, do you know what I'm going to do to your watch? Do you? Do you know?
01:02:33Well, I shall place it on this table, sir, and then I intend to smash it up into lots and lots of little tiny, weenie pieces.
01:02:48Now, of course, I suppose you think your watch is all smashed up and broken, don't you?
01:02:51Now, that's just where you're on, you see?
01:02:54There you are.
01:02:59Very clever.
01:03:00Oh!
01:03:30I got a hunch the boy might be in London, but where? Where?
01:03:52The reload is going very well tonight.
01:03:56Yeah. What's going on out there anyway?
01:03:59What's going on?
01:04:06They've chucked out a couple of customers who've just mucked the act up, sir.
01:04:09Help! I just let's call the manager!
01:04:12The boy!
01:04:14Help!
01:04:20What are you doing?
01:04:21Well, let me wrap some up in a bit of paper.
01:04:23Yes, sir. Very good, sir.
01:04:24Help! Let me get down!
01:04:26Stop! Just a minute!
01:04:27Now what's the matter?
01:04:28Our apologies, sir.
01:04:29There's been a big mistake.
01:04:30The management's compliments.
01:04:31And if you'd please return, everything is on the house.
01:04:34I think so.
01:04:35On the house?
01:04:36Come on, Reg.
01:04:37Cut the rest of the cabaret.
01:04:41Get those lights down to the midnight level.
01:04:43And get that band going.
01:04:44Go on, quick!
01:04:45Tell Sidney and Steve to stand by.
01:04:47Okay.
01:04:48We are on back.
01:04:52Make it 27.
01:04:54It's no good.
01:04:55No, no.
01:04:56Any more of that nonsense and I shall have to...
01:04:57Well, I'll take action.
01:04:58Hello, boys.
01:04:59You would like for me to join you, yes?
01:05:00All right.
01:05:01No, thank you.
01:05:02We would like to dance, perhaps.
01:05:03Oh, I can't dance.
01:05:04Oh, why not?
01:05:05Come on, it would be an experience.
01:05:06Come on, he'll go open his door.
01:05:07Please.
01:05:08Come on, get a move on.
01:05:13In three minutes, turn the lights and get that kid.
01:05:16Oh, tell me.
01:05:19You'd like to join you, yes?
01:05:20All right.
01:05:21Well, what is it?
01:05:22No, thank you.
01:05:23You'll take the ride, shall we go.
01:05:25Oh, thank you.
01:05:26Oh, my goodness.
01:05:27Now, now, come on.
01:05:29Come on, come on.
01:05:30Come on, go on.
01:05:31In three minutes, turn the lights will go out.
01:05:32And then, get that kid.
01:05:33Come on, come on.
01:05:34Get your kids.
01:05:35Well, enough now. Thank you very much. I'll go now.
01:05:37Not on your life, chum.
01:05:39My spare time job teaching judo.
01:05:41Hey, you let me go.
01:05:43Oh, let me go. Put me down, will you?
01:05:45Push mother, will you?
01:05:47Oh, come on.
01:05:49Come on.
01:05:51Come on.
01:05:53Come on.
01:05:55Come on.
01:05:57Come on.
01:05:59Come on.
01:06:05Harold.
01:06:07Harold.
01:06:09Come back.
01:06:11Ah!
01:06:13Ah!
01:06:15Ah!
01:06:17Ah!
01:06:19Ah!
01:06:21Ah!
01:06:23Ah!
01:06:25Ah!
01:06:27Ah!
01:06:29Ah!
01:06:31Ah!
01:06:33Ah!
01:06:34Ah!
01:06:36Ah!
01:06:37Ah!
01:06:38Ah!
01:06:39Ah!
01:06:40Ah!
01:06:41Help!
01:06:42Help!
01:06:43Help!
01:06:44Help!
01:06:45Nice work, boys.
01:06:47Ah!
01:06:48No!
01:06:54Yes, is the Vanderbilt car all right?
01:06:56Why, Cocker 2? I wonder.
01:07:03The place is due for a raid anyhow.
01:07:06Officer, officer, here, come quick.
01:07:09There's something peculiar in my dustbin.
01:07:12Go and see what you want, will you?
01:07:15This is the one, officer.
01:07:22Oh. Oh, hello.
01:07:25Oh, I do think placemen are wonderful.
01:07:29You might as well relax, son.
01:07:31As soon as your mother's paid up, we'll let you go.
01:07:34Let me go!
01:07:35Nobody's gonna get hurt.
01:07:44You all right?
01:07:45Yes, I'm fine.
01:07:46I say, isn't this all smashing?
01:07:48We'll get the kid to sign it, then you, Sidney, can pop it down to Vanderbilt right away.
01:07:52Steve, keep your eyes skinned up here.
01:07:53Right, Mick.
01:07:55Someone come in.
01:08:01Oh.
01:08:03Oh.
01:08:04Oh.
01:08:05Put your hands up. Put them up. Come on.
01:08:07All of you.
01:08:08You as well.
01:08:09We can get out with the barrel.
01:08:11Come on.
01:08:13Oh, no, you don't now. Keep back.
01:08:15Oh, no, you don't now. Keep back.
01:08:17Oh, no.
01:08:18Oh, no, you don't now. Keep back.
01:08:30Oh, no, you don't now. Keep back.
01:08:32Oh, no, you don't now.
01:08:33Oh, no, you don't now.
01:08:34Oh, no, you do now.
01:08:35Oh, no, you don't now.
01:08:37Oh, no, you don't.
01:08:39Well, I'm not glad to see you. They've been trying to kidnap us.
01:08:47The game's up.
01:08:48What do you mean, the game's up? I was just trying to get him out.
01:08:50It's no use, boss. They've got us. Better go quietly.
01:08:54Boss? Don't take any notice of him. I've never seen these men in my life before.
01:08:58Take him away.
01:08:58Put on, Edison, I tell you. You ask the boy.
01:09:01Well, no, we were just going to see the Dave Milo another night out there, Saul.
01:09:09He'll need complete quiet for a few weeks. He's suffering from amnesia.
01:09:24Oh, how awful. What's that?
01:09:27Lots of memory. Doctor, how long is it likely to last?
01:09:30Months, maybe years. One can never tell.
01:09:32Won't he even know that I'm his mother?
01:09:34I doubt it.
01:09:35You'll have to break it to him gently, Sipul.
01:09:36It is abundantly clear from the evidence that you were the brains behind this dastardly crime.
01:09:47I shall give you the maximum sentence for the offense.
01:09:5325 years hard labor.
01:10:06Visitor to see you.
01:10:20Come on, look alive, Liz.
01:10:21Left, right, left, right, left, right, left, right, left, right.
01:10:24Left, turn!
01:10:27Left, right, left, right, prisoner.
01:10:29Halt, left, turn.
01:10:30You're going to have two minutes.
01:10:32Hello, Jeannie.
01:10:36Hello.
01:10:38I still believe in you, Norman.
01:10:41You're about the only one who does.
01:10:43If only Sir Reginald hadn't lost his memory.
01:10:47But he did.
01:10:49Don't worry, Norman, dear.
01:10:51I'll wait for you.
01:10:53If you want me to.
01:10:55If I want you to?
01:10:57Thank you, Jeannie.
01:10:58I'll leave you 50 when I come out.
01:11:00I'll leave you 50 when I come out.
01:11:02Jeannie?
01:11:03Yes?
01:11:03Do me a favor.
01:11:05What's that?
01:11:07Look after Arab while I'm on the way.
01:11:10Of course.
01:11:23Prisoner, attention!
01:11:24Right, turn!
01:11:25Quick march!
01:11:25Left, right, left, right, left, right, left, right, left, right, left, right, left, right, left, right.
01:11:43Oh, no, you don't.
01:11:44Don't try to get away.
01:11:50This is 370-99-35.
01:11:51Cheer up.
01:11:53First 25 years are the worst.
01:11:5625 years?
01:11:5825 thinking years.
01:12:01Blimey, a big shot.
01:12:03Delighted to meet you, Gov.
01:12:05There are just small timers in here.
01:12:07Jokes.
01:12:08Robbery with violence.
01:12:1018 years.
01:12:11Damon.
01:12:12Arson.
01:12:1313 years.
01:12:15Williams.
01:12:16Assault and blackmail.
01:12:18Only 10 years.
01:12:19Quo-ho.
01:12:24Look.
01:12:25He's on the job already.
01:12:27Go on, show him.
01:12:30Finest little tunnel you've ever seen.
01:12:32With your help,
01:12:33we can get clear in another five months.
01:12:37Oh, no.
01:12:37Count me out.
01:12:38Happy 14?
01:12:40Gonna play a lone hand, eh?
01:12:46Yeah.
01:12:47Yeah.
01:12:49Yeah, that's it.
01:12:52I'll play a lone hand.
01:12:56I should be taking over in here.
01:13:05Right now.
01:13:06Whose is this bunk?
01:13:08That's mine.
01:13:09Yeah, well, from now on,
01:13:12it's mine.
01:13:13See?
01:13:15Well, Reginald,
01:13:15I think that's about enough Latin for today.
01:13:17Just leave me to study, Uncle.
01:13:19Excuse me, Sir Reginald.
01:13:21Your costume for the staff ball's arrived.
01:13:23Oh.
01:13:26Have you remembered anything about Norman yet?
01:13:29I never knew anyone called Norman.
01:13:31But, sir, he took you to London.
01:13:32I've never been to London.
01:13:34Oh.
01:13:35Poor Norman.
01:13:43Oh, you.
01:13:44Break up that bit.
01:13:45Okay, boss.
01:13:49Keep working.
01:13:50Put your hat on.
01:13:51Working yourself to death, aren't you?
01:14:08Well, I'm responsible for most of the big ones.
01:14:11It's my foot.
01:14:13Oh.
01:14:16370-99-35.
01:14:18You're a dab hand at cleaning windows, aren't you?
01:14:22I've done one or two.
01:14:24You, you, you and you.
01:14:25Follow me.
01:14:27Left, right.
01:14:28Left, right.
01:14:30Left, right.
01:14:31Left, right.
01:14:32Left, right.
01:14:33Oh.
01:14:34All right, get it up there.
01:14:38Those are the governor's quarters, see?
01:14:41Couldn't I carry on breaking up stones instead?
01:14:46You'll do them and you'll do them nicely.
01:14:48370-99-35.
01:14:51All right, get it up there.
01:14:54Up, up, up, up, up, up, up.
01:14:56Get me.
01:15:00Pity the poor blind of it was going to go up there, this wind.
01:15:03Yes.
01:15:06Hey, you.
01:15:07Pick up that bucket.
01:15:08Oh, don't fancy it in this wind.
01:15:10Up you go.
01:15:11I can't get someone else to go up.
01:15:13Oh, no, no, don't ask me to go up there.
01:15:15Go on, get up there.
01:15:16Now.
01:15:18Get up there.
01:15:20Why does it have to be me to go all the way up there
01:15:23and get the tooth from all this luck?
01:15:31Hey!
01:15:32What the devil do you think you're doing?
01:15:40This is a prison, not a circus.
01:15:42Get out with your job.
01:15:47Hey, now, now, pull me back.
01:15:48Put me out of here!
01:16:04Hold, hold, hold!
01:16:06Pull him back!
01:16:07No, no, no, no! Pull him back!
01:16:09Come now!
01:16:10Down him!
01:16:11Hold it! Hold it! Hold it!
01:16:29Blimey! He's damaged!
01:16:323-7-0-99-3-5, come back!
01:16:36Come if I won't stop him!
01:17:06You're right, sir. He is making for Banderville.
01:17:08Yes.
01:17:10You're right, sir. He is making for Banderville.
01:17:12Yes.
01:17:14Yes.
01:17:18Yes.
01:17:20You're right, sir. He is making for Banderville.
01:17:22Yes.
01:17:24Yes.
01:17:26Yes.
01:17:28Yes.
01:17:30Yes.
01:17:32Yes.
01:17:34Yes.
01:17:36Yes.
01:17:38Yes.
01:17:40Yes.
01:17:42Yes.
01:17:44Yes.
01:17:46Yes.
01:17:48Yes.
01:17:50Yes.
01:17:52Yes.
01:17:54Yes.
01:17:56Yes.
01:17:58Yes.
01:18:00Yes.
01:18:12Yes.
01:18:13Yes.
01:18:14Spout fellow, here first, eh?
01:18:24This will get you promotion.
01:18:25Take his name, Sergeant.
01:18:27Open up there.
01:18:28This is the army.
01:18:29What's all this in aid of?
01:18:31Escaped convict heading this way.
01:18:34Come on, hop on, young fellow.
01:18:35Hop on.
01:18:42Who are you, lad?
01:18:44No, man.
01:18:46Okay, good boy.
01:18:47One of you chaps will have to take a bath when we get back.
01:18:50Meanwhile, forward!
01:18:59Here for an up, l'lady.
01:19:01Oh, certainly.
01:19:01Your love.
01:19:02Robinson, Jackson, Thomas, come with me.
01:19:23Sons, stay here before we get back.
01:19:25Come on, there.
01:19:28Go away, lads.
01:19:28Right up.
01:19:37Right now, lads.
01:19:45Come on!
01:19:45Come on!
01:19:46Come on!
01:19:47Come on!
01:19:47Come on!
01:19:48Come on!
01:19:49Come on!
01:19:50I haven't done anything, wasn't me?
01:19:52Enjoying yourself?
01:19:54Go on in, then, and have some more fun.
01:19:58Excuse me.
01:20:00Norman!
01:20:02Shhh!
01:20:04What are you doing here?
01:20:06I'll tell you about that later, but now I've got to find Sir Reginald.
01:20:08He must remember.
01:20:10Of course.
01:20:12I've got an idea.
01:20:14What are you doing here?
01:20:16You must remember. Of course.
01:20:18I've got an idea.
01:20:20Come, this way.
01:20:34Arrest that man.
01:20:36What are you doing?
01:20:38What are you doing here?
01:20:40You've arrested the orangutan.
01:20:42I told you so.
01:20:44Beko, pardon?
01:20:46That's all right. Fancy dress. Care for a drink?
01:20:48Not on duty. Perhaps you can tell me which is Lady Vanderbilt.
01:20:50Madam Pompadour.
01:20:54Drinking on duty? What's your name?
01:20:56I know you're in fancy dress.
01:20:58Yes, Inspector.
01:21:00We have news, my lady.
01:21:02Lady Vanderbilt, a word in your private ear.
01:21:04Norman, the window cleaner, is in our midst.
01:21:08Come, come, children. We can't have two young ladies dancing together.
01:21:20Thank you, Major.
01:21:22No, no. I've already danced with you, Jeannie, if you don't mind.
01:21:24Come along, my dear.
01:21:26Please, in this country, the man always leads.
01:21:30My, my, you are a shy little flower, aren't you?
01:21:34Come along. Look up.
01:21:36Oh, yes. Come along, my dear. Let me see you.
01:21:40Mmm, I knew it. What lovely eyes.
01:21:44I bet all the boys are after you.
01:21:46I bet all the boys are after you.
01:21:48I'm being chased all over the place.
01:21:50You're delightful, really.
01:21:56Oh, come along. Enjoy yourself. This is a party.
01:21:58Sing with me.
01:22:10That's the way.
01:22:12Oh, yes. Thank you.
01:22:14Oh, yes. Thank you.
01:22:19Sir Reginald.
01:22:20Yes?
01:22:21It's me. Look.
01:22:23Norman.
01:22:24I've never seen you before.
01:22:25Doop your free, Lady Vanderbilt.
01:22:27We'll get him. No stone will be left on top.
01:22:30Think hard. Try and try.
01:22:33Norman.
01:22:34The door. Quickly.
01:22:36Hey!
01:22:37Where are you dating me?
01:22:40Lady.
01:22:41Help! The dad!
01:22:42No!
01:22:47Oh!
01:22:49Logan, Janey!
01:22:53Sergeant.
01:22:54Forward!
01:22:59Oh, no. Look in the cannon, you fool!
01:23:01All right!
01:23:08Oh!
01:23:09Oh!
01:23:11Oh!
01:23:14How dare!
01:23:17Men, seize that man!
01:23:18And you keep off the grass!
01:23:21Well, they come, Janey. Keep him back and try and get him to remember.
01:23:24I'm ready.
01:23:32You'll never get up here!
01:23:33Get up here!
01:23:39Ready, Janey?
01:23:40Now!
01:23:43Got him!
01:23:45Don't push!
01:23:47One of these new medical dances, I imagine.
01:23:50Right now, you lot.
01:23:52You gonna give in?
01:23:53Sergeant, sir.
01:23:54You need tear gas?
01:23:55Yes, sir.
01:23:56They're using tear gas!
01:23:57Oh!
01:23:58Be careful about that, Janey!
01:23:59Under the table, they're using tear gas!
01:24:11Right on, Sergeant, yes!
01:24:13Oh!
01:24:18Well done, Norman!
01:24:21Come on!
01:24:22Norman, don't you remember?
01:24:23No, I don't!
01:24:24Let me go!
01:24:26Oh, my God!
01:24:27Oh!
01:24:28You're...
01:24:29Oh, my God!
01:24:31Oh, my God!
01:24:32Oh, my God!
01:24:33I'm sorry!
01:24:34No, my God!
01:24:35I'm sorry!
01:24:36I'm sorry!
01:24:37I'm sorry!
01:24:39I'm sorry!
01:24:43Well, stop, sir!
01:24:44Ha, ha, ha!
01:24:45Oh!
01:24:46Oh!
01:24:47Oh!
01:24:48Oh!
01:24:49Oh!
01:24:50Oh!
01:24:51Oh!
01:24:52Oh!
01:24:53Oh!
01:24:54Oh!
01:24:55Oh!
01:24:56Oh!
01:24:57Oh!
01:24:58Oh!
01:24:59Oh!
01:25:00Oh!
01:25:01Oh!
01:25:02Oh!
01:25:03What is going on here?
01:25:05It's the escape, Calvary Curlach.
01:25:08Do your duty, dear.
01:25:10All three men.
01:25:11You do.
01:25:12Sorry.
01:25:14Have no fear.
01:25:15Leave it to me.
01:25:16I shall cut off his retreat.
01:25:25Ah!
01:25:26I arrest you!
01:25:27Ah!
01:25:28Oh!
01:25:29Oh!
01:25:30Oh!
01:25:31Oh!
01:25:32Oh!
01:25:33Oh!
01:25:34Somebody clumped me.
01:25:36I did, Sir Reginald.
01:25:37I'm sorry.
01:25:38Norman!
01:25:39I'm sorry.
01:25:42This scoundrel kidnapped you.
01:25:44Kidnapped?
01:25:45Idiot.
01:25:46He was the one who tried to save me.
01:25:47Save you?
01:25:48Yes, truly.
01:25:49I told you so.
01:25:51Oh!
01:25:52Oh!
01:25:53Oh!
01:25:54Oh!
01:25:55Oh!
01:26:03Oh!
01:26:08Oh, he started.
01:26:38Oh, he started.